#its nice knowing people like his design!

[merwynpersonalhub]

mace's character design is so cool omg!!

DHDH I WAS ABOUT TO REMAKE HIS REFFY REF LATER TO UPDATE THINGS BUTTT

Im glad you like his design!! He means alot go me and im glad ya like it anon!

[rmbunnie]

Something kinda tasteless about the way that alongside the concerns of "Batman needs someone to rein in his aggression/edginess" (mostly a meta concern,) "Robin is a symbol of undying hope right alongside Batman, Superman, and the police system," and "now that the thought's crossed my mind I think being Robin would be pretty sweet actually," one of Tim's points for why he should be Robin at the end of A Lonely Place of Dying is "we need to show the criminals of Gotham that they can't just kill Robin and expect to get away with it!" Because. They can. That's exactly what happened.

Using that line of reasoning, Tim makes the claim that the idea of Jaybin's life as disposable and inconsequential is heinous and bad, his killing something impermissible, but instead of disproving said idea they allow it to become true and devote their energy to making sure it doesn't become widely known as such. By covering his death up, they actually are permitting his murder to go unaddressed and deeming it acceptable, even taking away the opportunity for it to be consequential to anyone outside of Bruce's inner circle by not spreading the news. As much as we say "oh Bruce was a great dad because losing Jason crushed him" and "he almost considered trying to kill the Joker one time," he in all tangible areas did not do anything about Jason's death. Setting aside the question of killing the Joker or not, it's still shown in Batman Year 3 that Bruce's reaction to Jason's death in the time til Tim showed up was to hide away everything Jason owned and carry on with business as usual, a little angrier. Bruce didn't make any changes or actually evaluate anything in a significant way after the warehouse and Jason's death didn't warrant any tangible consequence, that's evident from reading the comic. I know some may disagree, and I acknowledge the room for interpretation, but in order to discuss Tim's reason we have to concede that it is explicitly written into this specific comic as something Bruce and Tim both recognize as fact, because it serves as the foundation that this reason is built on: there is good reason for the criminals to believe there would no punishment for killing Robin based on the actions Bruce did or didn't take in response. The concern about the public realizing there are no consequences for killing Robin wouldn't be reasonable if it wasn't true, if there actually were.

While they recognize that Jason's death came to pass largely without consequence, the fact itself is less of an issue to both Bruce and Tim than letting criminals actually find out that it doesn't have consequence. They know it's unjust, the notion that Jason can be killed without repercussion (and in making an effort to minimize his murder confirm it to be true,) but their concern isn't for what actually happened to Jason or the lack of proper response. At least on the vigilante side of things, the problem is public perception and continuing to uphold an image of Batman as just and diligent while permitting him to ignore injustice against those close to him. There's no efforts taken to actually disprove the idea that killing Robin would lack impact, what Tim proposes is just making it harder to prove right.

I think the best way to word what comes across tasteless for me here (aside from the side commentary on the unstoppable might of the institution of police and how it's an exemplar of heroism) is that beyond Tim's victim-blaming of Jason during his stint as Robin, (discussed in more depth by people who can word it better than me,) in the base text of a Lonely Place of Dying, it is foundational to the initial premise of Tim as Robin that part of his motive for being Robin hinges on accepting what happened to Jason as something that cannot be allowed in their pursuit of justice or go unaddressed for reasons completely unrelated to the actual harm, and then intentionally erasing the event and the way in which it was allowed and did go unaddressed. No matter how much it's claimed in later comics that Bruce was faultless and Jason doomed himself, Tim's Robin came to be at least in part (in-universe) as a cover-up for the lack of action taken about Jason's death, and by extension as an effort to overwrite his time as Robin and an individual entirely. And thought it wasn't the way his character viewed it, Tim wasn't passively complicit in it or going along with a poor grieving man, the intentional and deliberate erasure of Jason as a murder victim and the injustice of his posthumous treatment was part of his opening pitch.

[moeblob]

What Deacon thinks: what did that mean? did he want me to wear a collar too? why else would he mention my neck? i mean, if he /asked/ me i would wear one but he didn't so would wearing one be weird?

What Ymber meant: It's nice to be near someone who isn't tethered to this world to serve it with a physical reminder for all to see.

[faunandfloraas]

i saw ur tags earlier and i have, a controversial take for all the stays out there, but. i'll be honest i don't like LVs designs and i feel like they have Not #slayed with a lot of the styles they've put lix in

Me reading this

[dreamsy990]

i drew silly gijinkas of my dogs

the dogs in question

[bmpmp3]

and lowkey the yoshitaka amano zola project designs have kind become really inspiring to me lately. i am no amano. i am no where near the same ballpark. BUT. the traditional art pencil drawing watercoloury copic marker loose sketchy fashion art vibe being used on, of all things, vocal synthesizer box art really gets me pondering possibilities you know. where can i put my funny watercolour drawrings..... what kind of digital places can they go.....

okay yeah i mean people fucking HATE this box art if they aren't familiar with amano's work. but its still inspiring. for me orz

[vampmilf]

my grandpa just called me just to thank me for the pictures i sent him today, complained about rain in germany and then hung up after a whole 2:37mins askfkgs also then went "alright alessandra- oh IM SORRY i mean sophie ... oh well it takes time to get used to things right ..." my brother in christ ive been going by sophie since i turned 18 like its been almost 12 years now. holy fuck. not to be mean but youre running out of time to get used to it

[dongiovannitriumphant]

love to hear like 4yrs after a social interaction that I read it wrong in ways that i didnt realize were even on the table + might have happened again but bc i didnt know i actually have no idea if it has

[willowstea]

Once again petitioning to be on some merch teams for shows please.

[ntls-24722]

if youre gonna fuck the robot, fuck the robot the way god intended

[secondbeatsongs]

as a bi person, the bisexual flag brings me infinite joy and always puts a smile on my face, however as a person who has a Passion for Graphic Design, that undersaturated shade of purple infuriates me when it's used digitally

like, on an actual flag - which was its original purpose - it looks great!

those look fine! lovely, even! with the semi-transparent fabric, the way it catches the sunlight, it looks beautiful!

but now look at how it looks digitally

the pink and blue are so vibrant compared to the sad, lonely lavender!

and let's look at this statement from Michael Page, the creator of the bi flag:

(sidenote: he created this flag in 1998, so if his takes on bisexuality is different from yours, it's okay to notice that! a lot has changed since the 90s when it comes to lived experiences and the way we describe them. but, it's also important to respect his thoughts about this and the way he presented them, even if today, we'd probably not say that bi people "blend unnoticeably into both the gay/lesbian and straight communities.")

so in pantone colors, the pink is 226 C, the blue is 286 C, and the purple of the flag is 258 C.

but...here's the deal

Michael talks here about how the key to understanding the symbolism is to know that the purple blends into both the pink and blue. and on a physical flag, I think you can see that!

but digitally, it absolutely does not blend. it clashes badly, and looks oddly separate from the other two colors.

which got me wondering...what purple do you get if you actually blend 226 C and 286 C?

oh! oh, my god.

look at that! look at how nicely it fits between those colors!

look at it next to the original color scheme! look at how much more vibrant the purple is!

and friends. this is just blending through rgb! you get even more purple variations when you use other color spaces!

let's compare all of them:

(top: original, lab. middle: lrgb, lch. bottom: rgb, hsl)

look at all of the different purple options you can get just by combining these two colors!

if you want almost too-vibrant saturation, you can go hsl, if you want something more relaxed that's closer to the original, you can go lab or lrgb. and if you want to split the difference, lch is bright and violet, while rgb is there with its saturated but darker purple.

anyway, I guess I don't really have a point here? this isn't so much an informational post as it is Me Getting Weird About Colors, but I think it is a useful lesson about how colors look very different on screens compared to how they look on objects in real life.

and sometimes, I think it's okay to compensate for that.

out of all of these, this is my favorite bi flag:

it's the one where the colors were blended in lab color space. for me, the lighter, softer purple is close enough to the original bi flag purple, while also feeling like a smoother blend of the blue and pink

but that's just me! and it might not even look the same to you, since every screen is different, because technology is a nightmare!

anyway, thank you for coming with me on this colorful journey! I will now retreat back to inkscape and make pained sounds about inkstitch gradients until something tangible pulls me back into reality

[theveryworstthing]

SpaceDancer's request for parasitic roses and Camille Alexander's request for unicorn fops created Angelique.

i now present my newest Charming Little Freak ✨

Angelique is one of those beings that isn't cleanly classified as a fae or a demon. he/it/whatever (roses are perfect plants and so it mostly goes by the pronouns common for the additional sex of his host body in human society because they couldn't care less) is a Rampant. a type of sapient parasitic rose that, over time, transforms the body of their host from a simple quadruped beast to bipedal humanoid (kinda) monster. every Rampant seems to mold themselves into unique forms, and designs often carry over if they somehow manage to get "uprooted" without dying and have to start over with a new flesh body. if Rampants stay rooted then they're borderline immortal even though their hosts are...dead? it's unclear. the Rampant certainly carries memories of what it was like being an animal and their flesh and blood is altered, but alive. the body keeps the score whether they like it or not. but the beast itself, its mind, dies quickly after a Rampant takes root. either from the trauma from becoming a Flowerbed or from the Rampant purposefully putting a thorn through its brain. whether fae or demon, Rampants take. they do not possess. they do not imprison.

Angelique currently lives in a small dying village, spending his time checking in on the aging population as a kind of town housemaid/caretaker and tending to his flower shop/apothecary. most people would say that having a creature like him around isn't a great idea, but this eldritch horror has basically been adopted by every lonely old person in town so good luck getting rid of him.

Fun Facts:

he loves nice soft clothes, meat (blood sausage is his favorite), and (in spite of his goth everything all the time) sunlight.

buzzing sounds make him flustered while prolonged exposure to cut grass smells and cold weather make him anxious.

he's an scary good climber and will forgo a door if he knows someone is on a higher floor of a building and he sees an open window.

always well hydrated. carries around a flask of water at all times and likes to sit outside naked when it rains.

he has many little leafy assistants which are also just him. he's like an octopus. the people in the community assign them all little names and give them unique decorations and he thinks it's really cute.

what is he getting out of staying in this village? none of your business.

he's currently in a weird situationship with 2 local gravekeepers from rival graveyards/religions and the recently widowed agnostic town doctor. everyone in this polycule hates everyone else but him. he's also friends with benefits with my character Brooke, who finds all of this hilarious and is eager to hear about the latest disaster every time he passes through town.

[deconstructthesoup]

One thing I absolutely adore about Dead Boy Detectives is the immaculate costume design. Specifically, how it perfectly encapsulates who the characters are, both as a whole and who they are in the moment.

From the very first scene of the show, we know immediately that Edwin is a bookish, somewhat stuffy guy from the Edwardian era who attended a boarding school, and Charles is a punk from the 1980's who's most likely the wildcard between the two of them, just going off of the way that they're dressed. Both of them have distinct color schemes and different styles, but the general shape of their outfits is actually relatively similar---both of them have collared shirts (Edwin's dress shirt, Charles's polo), something over those shirts (Edwin's vest, Charles's suspenders), a jacket of some kind (Edwin's suit jacket, Charles's flannel thing), a longer overcoat (Edwin's traveling coat, Charles's peacoat), something around the neck (Edwin's bowtie, Charles's necklace), slacks, and nice shoes. They're distinct, yet matching, two clearly defined separate characters yet part of a set.

Edwin's prim, proper, buttoned-up personality lends itself to the way he dresses throughout the season---in the first episode, he only dresses down when he's in the office with Charles, aka his safe place and his safe person, and he doesn't really dress down like that again for a good long while after getting stuck in Port Townsend (though, if my memory serves me correctly, he does take off the suit jacket while watching TV with Niko). But in episode six, he's changed up his usual look for a cozier, casual-looking sweater and a little bit of collarbone, and in episode seven... well, he's in his nightclothes, and he's about as open, raw, and vulnerable as you can get. Edwin's color scheme is also predominately blue, which lines up nicely with his logical and practical, yet deeply sad and closed off personality, and the only time he really wears anything other than his normal blue-and-brown outfit (willingly, that is) is when he's in that green sweater in episode six. And, uh... all I can say is that it's quite telling how blue and green---or, well, teal---are the main colors of the gay/mlm flag.

Charles, by contrast, dresses down a lot, and that makes a lot of sense when you consider the fact that unlike Edwin, he feels comfortable pretty much anywhere. On any given episode, he goes from wearing his peacoat to just wearing his flannel to ditching the flannel to not even wearing the freaking polo---though, again, the latter is something that only happens when he's in the office with Edwin. Safe space, safe person. And, well, plenty of people have analyzed Charles's polo shirt going from red to burgundy to black over the course of the series, and there being a little bit of red under the collar of his coat that's only visible when Edwin fixes it, and then it goes back to burgundy, and then it's red again when Edwin's out of Hell... for good reason! It's color symbolism at its finest! Not to mention, the red and black not only perfectly contrasts Edwin's color scheme, but it also lines up with Charles's personality---he's a rebel, he's hotheaded, he's bold and brash and loud... and yes, he's angry, but he's also so, so loving.

When we first meet Crystal after she loses her memories, her outfit choices feel very deliberate. They're stylish and vaguely trendy, they're arty and a little bit witchy---pretty fitting for a psychic who's also a showbiz kid, even if she doesn't know that last part. But all of her clothes appear thrifted, or at the very least vintage, and the patterns and the general vibe all feel natural and comforting. Her makeup's always fairly simple, her hair's either down or up in a couple of cute space buns... overall, this Crystal looks like the kind of person who'd make you tea when you're in a bad mood, who'll listen when you just need to vent, and who may not always know the right thing to say but will understand what you're going through. But when we see her in the flashbacks, her clothing's flashy and prioritizes high-end trends over comfort, she's either got her hair up or has it straightened, and she not only has dramatic makeup, but acrylics. This is a girl who talks shit about you behind your back, who's bitter and cynical and wants everyone to feel the same way, who makes up for the lack of love and stability in her life via material things. It's also worth noting that Crystal's color scheme has a lot of purple, which is a color that connects to wealth and luxury, but also creativity and magic---which, yeah, fits her two conflicting sides pretty damn well.

You cannot talk about Niko Sasaki without talking about her outfits, and the meaning behind each of them has already been talked about at length. However, one thing that really stands out to me is that the reason they're so iconic isn't just because of the monochrome color schemes, but because they're out there. They're weird, they're eclectic, they're a little mismatched in style sometimes, and they're so unapologetically her. Niko wears heart-shaped sunglasses, unironically. Everything about the way she dresses speaks to how, even though she's a recovering shut-in who initially doesn't want to be perceived, she's still very sure of who she is.

Jenny's design, like Charles and Edwin's, is a design that gives you the key information you need the minute she first appears onscreen. The dark makeup, the silver jewelry, the leather apron, and the hairstyle all point to a person who's tough, doesn't take anyone's shit, and has long since given up on caring what other people think---in other words, she's a badass. But the butterfly tattoo hints at a softer side, a side that we see time and time again throughout the series as she shows that she cares about Crystal and Niko, and even the boys... eventually. Also, Jenny's design is perhaps one of the most clearly queer-coded in the series, to the point where her being a confirmed lesbian is pretty much a no-brainer.

Esther's design oozes camp, from top to bottom. The fluffy coat, the bustier, the boots and the cane and the everything, speak to a woman who's kept with the times and yet has seen it all. There's really not a lot I can fully say about her design, other than what Charles has already said: "She looks like a witch... like, kind of a sexy witch, who smokes a lot." (Or maybe I'm just tired and running out of steam at this point, idk, I love Esther's design and I can't really put it into words.) It's also pretty fitting that her color scheme has a lot of yellow in it---after all, she's always striving for more, so what better color for her than the color of gold?

Everything about the Night Nurse's design speaks to a woman who follows rules and discipline above all else, from the pantsuit to the pinned-up hairstyles to the tie to the heels. She's also the most muted out of the main cast in terms of color, dressing mostly in browns, dull greens, and duller browns---and while I don't have a lot to go into detail about there, I feel like that's kind of a symbol of her narrow-minded and bureaucratic worldview.

And the animal characters... Jesus Christ, I fully forget that they're all being played by human actors. Tragic Mick dresses like a man who's always spent his life by the sea, layered denim and all, and it's never a stretch to see this sad, bushy-bearded, baggy-clothed fisherman and imagine him as a walrus lounging on a beach. Monty, at first glance, seems to only wear black, which would be perfectly fitting for a crow, but when he's in better lighting, you see that he dresses in layers of red and blue, calling to how he envies Charles and Edwin and clearly longs for something more---and this might just be me, but I think that even though his outfits seem fairly normal at first glance, they feel kind of like a costume for Monty more than anything else, like he's trying to emulate a teenager that he's seen on TV more than someone in real life.

The Cat King fits this just as well, with all of his outfits aligning perfectly with whatever his cat form is at the time---when he's a fluffy ginger, it's always sequins and fur coats and clothing pieces that are specifically designed to take up space and call attention, and when he's a black shorthair, it's sleek styles and shiny leather and pieces that are designed to cut an intimidating yet more subtle figure. And while I could go into detail about all of those, what really stands out to me is how clearly queer everything is---more than Jenny's alt lesbian attire, more than Esther's campy coat and corset. From the very first scene he's in, he's wearing a skirt, and it looks natural. Nothing about the way the Cat King presents himself is exaggerated, nothing about the way he dresses is played for laughs---he's flamboyant and feminine and flirty, and he looks so fucking hot while he does it. It's gorgeous.

So... yeah, uh, all the awards for the Dead Boy Detectives costume designers!

[readwritealldayallnight]

Learning

Simon ‘Ghost’ Riley x Reader

wc: 1k words

warnings/tags: fluff

“Said it would’ve made too much of a mess. Waste o’ his money.” Simon says, slopping another spoonful of pumpkin guts into the large bowl in the middle of the kitchen table. Your usual table cloth has been switched out with an array of this weeks newspaper, the black and white print covered in the sticky remnants of your idea of fun on a Friday before Halloween.

“Not even one?” You attempt to pose the question casually, hoping to disguise the sadness in your tone, concealing the way your heart breaks at the thought of a young Simon Riley having never carved a pumpkin, his father not even allowing him to partake in that simple tradition so many others enjoy.

“S’alright, lovie.” He says, seeing right through you and recognizing the hurt you hold for him, an indication of your longing to only see love and joy in his life. If only you knew that’s everything you give him. “Did watch a mate o’ mine shoot his pellet gun at some pumpkins one year, if that makes you feel any better.”

You roll your eyes at his attempt to make you laugh, digging your spoon a little harder into the sides of your own gourd as if it were the one to have wronged you.

“Well then I’m glad I ignored you and got them anyways.” You declare, giving each pumpkin a loving little pat on its side. Simon had told you outside the grocery store, seeing your eyes land on the bright orange displays outside the shop, that they weren’t necessary.

But the both of you knew he would never deny you anything you wanted, and so he ended up carrying the two large pumpkins under each bicep and to the car himself, not letting you lift a finger.

“How’s the inside of yours looking?” You ask him, coming around to his side of the table, affectionately running a hand through the strands of hair at the base of his skull, glancing into the pumpkin he tilts in your direction for you to see. You can feel a shiver go through him at your touch, a soft sigh leaving his lips.

You’re glad he’s home with you, where he can relax, allow his biggest stresses to be his girlfriend ogling his arms as he carved open the tops of pumpkins and gutted them with efficiency.

“You’d have to tell me, love, but I think that’s as empty as it’s gettin’.” He emphasizes by tapping his spoon on the side of the sphere, listening to the dull, hollow echo it gives.

“Looks perfect. Nice work, Simon.” You tell him, planting a quick kiss to his cheek before hopping back over to your seat, leaving him looking a few shades redder than before. “Know what you’re gonna carve?”

“It’s- it’s just a face, innit?” At your question, Simon finds himself pausing. He might have had a different childhood than most, but he wasn’t daft, he knew what a jack o lantern was supposed to look like. Carved eyes, a wicked grin or large frown, sometimes even a nose in between them both.

He didn’t consider himself to be a crafty person, but he’d been a butcher for crying out loud, he could carve some shapes into a pumpkin until it resembled a face, no problem. So why are you asking him about what he’s going to carve.

“Well yeah, that’s the go to, for sure. A classic.” You reassure him, noticing the slight tension returning to his shoulders. “You can carve a face, my love. Some people just do different, they get creative with it.” Shrugging, you grab the marker you’d set aside, beginning to map out the lines for where you plan on carving your own design. You’re distracted, eyes darting between your sketching and your phone where you’ve got the inspiration photo pulled up for reference.

You don’t notice Simon’s eyes squinting ever so slightly at you before darting to the pumpkin in front of him. ‘Get creative with it’? Is that what you’re doing? Is that what you’re expecting him to do? Hoping he’ll do? He glances over at you again and notices you’ve got a bloody reference photo and everything??

He finds his cheeks beginning to burn for a different reason now, feeling stupid over not realizing you could carve more than the standard jack o lantern faces as a tradition. Obviously, you can carve anything you want into a fuckin’ pumpkin, he just didn’t know, he hasn’t done this before, and now he’s gone from feeling almost confident to worried he’s about to make a fool out of himself over something as childish as this.

“Simon.” You say, always more in tune with him than he realizes. “It’s okay, carve anything you want. I’m excited to see what you make.” You smile warmly at him across the table, a small socked foot going to nudge his ankle as well. “Believe it or not, this is supposed to be fun.”

He scoffs at your joke but doesn’t fight the smile that etches onto his face in return. He accepts your distraction when you ask if you should put on some music in the background, walking towards the record player. As he flips through the stack of vinyls, he thinks about just that, what he could possibly carve into that bloody orange sphere sat on his kitchen table, that would be fun.

Searching through any memories he considers as being ‘fun’, he finds a common factor: you. And there’s one more reoccurring element sewn into the fabric of those treasured memories as well: your laughter.

With that in mind, it’s actually quite easy for Simon to decide on what he’ll do finally. And almost an hour later, after you’ve put your blood, sweat and tears into your own pumpkin carving and deciding that the results ended up being just meh, Simon has decided that he’s undeniably the winner of the evening when he spins his creation around and has you nearly crying with laughter, insisting between wheezed breaths that he’s going to make you pee your pants, only leading to Simon’s own laughter bellowing out.

Not too bad for his first time learning.

~~~~~~~~~~

(The kind of pumpkin I’ve decided Ghost would carve 😂)

[yueebby]

indulge me? — gojo satoru

synopsis you and gojo go on an overnight mission and it goes wrong in every way

contents so. much. pining. (2.8k words of it!?), one bed trope, whipped!gojo, ooc gojo, completely self indulgent, a lot of cardiovascular talk, they’re first years in this!

notes first time i’ve written in AGES. sorry :3 ps this is a little snippet from a satosugu x reader series im thinking about starting. thoughts?

(edit: i wrote a part ii)

Gojo Satoru was born blessed. From birth and to death he will always be honored. It wasn't his fault that the Heavens delighted in him. So when Yaga had announced that he and you would be sharing an overnight mission to Kyushu, he nearly leapt in joy (lucky him)!

You, on the other hand, were less than thrilled to find out that you were going to be traveling alone with Gojo Satoru. For two whole days. It was a death sentence.

“Make sure to text me, so I know you're not dead.” Shoko looks between you and Gojo. Either your head will implode as a result of Gojo, or he is gonna be on the receiving end of your wrath. Shoko can’t wait to see which.

“Do take pictures, I heard the onsens there are incredible.” Suguru slyly adds. Satoru perks up at his comment. The two of them share a knowing look before Gojo speaks up.

“Wanna take a dip with me once we get there, [Name]?” He looks into your eyes, his lips are quirked upwards like he’s up to no good (which he is). “I promise I won’t take a peek!” He winks.

“Keep fantasizing, Gojo.”

“Oh I will.” He hums happily. The smile on his lips is kind of cute, you decide. Just a little.

— — — — — — — 

Kurokawa, you come to find out is a very small town in Kyushu. So when people start to go missing, the entire town falls into shambles. Before your trip, Yaga had made it known the enemy you’d be facing. 

“A common denominator of the missing persons is that they were all young women.” He had warned you and Gojo. “It’s an unidentified curse, but I trust that the two of you will be able to handle it.”

Three missing girls. All under the age of 25. Two of which were locals, one being a tourist. 

The moment you arrive on the island of Kyushu, your guard is higher than ever. This doesn’t go unnoticed by Gojo.

“Don’t tell me you’re scared of some horny curse,” He looks down at you as the two of you make your way down a small street to your ryokan. Kurokawa was a traditional town, its pride resting on the old culture causing it to be untouched by modern architecture.

Unamused by his nonchalant attitude, you decide to ignore his vulgar comment, “What grade curse do you think we’re up against?”

He makes a noise to show that he’s thinking. “Does it really matter? It’ll be no match for me either way.”

You roll your eyes, “Don’t get ahead of yourself, we still have to figure out what happened to the victims.”

“I don’t see why that’s necessary, but okay.” Your snow haired peer dismisses. It makes you a bit envious that he doesn’t have to ever feel fear for his life. Must be nice.

The two of you arrived at your designated ryokan soon enough, it was a small town after all. Gojo leads the way with you following right after. You can’t discern any cursed energy in the building, but you still make a mental note to ask Gojo about it after you both are situated. 

An elderly lady in an orange kimono stood behind the desk, smiling at you and you returned it back happily.

“It’s been a while since I’ve seen a young couple here.” She says. That’s right, with the recent disappearance of young girls, there would be a sudden decrease of tourism around this part of town. “You certainly are a beautiful match!”

You gratefully accept her compliment, “Thank you, but we’re not–”

“Thanks granny!” Gojo wraps a strong arm around your shoulder. “I don’t know how I even managed to win her over!” There’s a wide grin on his face that makes your eye twitch. Leave it to him to tell people the two of you were together. Not only that but he totally disrespected the old lady with his informal talk!

“Unhand me, you!” You forcefully whisper at him, while trying to unwrap yourself from his hold. His arm does not budge even as you try to push it off. What the hell is this boy eating? Gojo chuckles with the old lady while you struggle.

“My, the two of you remind me so much of my husband and I in the days of our youth,” She sighs dreamily. Her age must be interfering with her memory because there was nothing inherently romantic going on between you and Gojo. “How long will you be staying here?”

“Only one night,” Gojo decides that he has tormented you enough and lets you go. He slides her his card and she pulls out something from the old wooden counter she stands behind. 

A single key.

Your eyes bug out. Gojo’s eyebrows raise. You laugh nervously, face feeling warmer than it was thirty seconds ago.

“There must have been a misunderstanding. We need two rooms, ma’am.” You hold up two fingers to emphasize your point. 

The smile on the old woman’s face falls, “I’m afraid I cannot do that.” Your jaw drops.

“Huh? Why not?” You press on further. Surely they could not have been booked out of all of their rooms. Tourism is at an all time low after the strange disappearances.

“I’m sure you’ve heard of the strange disappearances in the area. It’s a miracle the two of you have even decided to stay here, which I am very grateful for. That is why I must repay you back by ensuring your safety. Otherwise I must ask you to leave and stay in the next town because I will not allow you to endanger yourself so carelessly.” 

You blink. Neighboring town? That was hours away. The curse was here in Kurokawa. You can’t afford to jeopardize a mission just because of your own feelings.

Gojo’s hand is halfway to the key, but he waits for your approval. You sigh.

“It’s fine, we can do one. Thank you.” You bow your head. She smiled apologetically as she handed Gojo the key. Gojo, unbothered by the revelation, whistles happily as the lady leads the way to your suite.

— — — — — — — 

operation satoru x [name]!!!!

Gojosatowu added getosugu, shoko.ieiri

Gojosatowu You wont believe it!!! shoko.ieiri What the hell is this gc And what the hell is Operation satoru x [name]?  getosugu  how come [name] isn’t in this? Gojosatowu Ladies, ladies, one question at a time please getosugu  Expect a forehead flick for that comment shoko.ieiri  Stfu and just answer the questions Gojosatowu alright alright [name] and i are sharing a room in kyushu!! i may come out of this mission a changed man. shoko.ieiri  someone make sure [name] is still alive and well Gojosatowu I dont appreciate your lack of faith in me >:( shoko.ieiri  Keep a six feet distance from her at all times perv Gojosatowu I might have to for my own sanity. What do you think she wears to bed? shoko.ieiri  You disgust me sometimes getosugu  Only sometimes? shoko.ieiri  Let me correct myself. You disgust me. Gojosatowu Im feeling the love :(

“What are you giggling to yourself about?” You place a hand on your hips as you watch Gojo smile at his flip phone.

“Oh don’t you worry about it,” He closes it. Weird. “What’s the living situation?”

You sigh. “Despite its traditional arrangement, there is a bed.”

Gojo perks up. “Yeesh I’m glad! If I had to sleep on the floor my back would be all sore right on a mission. Y'know how annoying that is?”

You suck your teeth. “Allow me to rephrase myself. There is only one bed.” 

There is an awful silence in the room, save for your erratically beating heart. Of course the old woman decided to place you in a couple’s suite.  

“Heh.” Gojo chortles happily. “Wow, this must be a divine sign from God Himself. I mean, who are we to ignore this?”

“Don’t start,” You hold out an accusatory finger at him. “I’m gonna go request an extra futon.”

He pouts, “Don’t be like that, sharing a bed with me can’t be that bad.”

“I’m willing to bet otherwise.” You walk past him. The white haired boy watches you go like a sad puppy.

— — — — — — — 

You took your time getting an extra futon, using it as an excuse to get all of the nervousness out of your system of sharing the same room as Gojo Satoru. Sharing a room with a boy was already bad enough, but Gojo? Your heart skipped a beat (out of nervousness, you insist!).

By the time you make it back to the room, the lights are out. You assume that Gojo decided to go to sleep early. You don’t blame him. Tomorrow is gonna be a long day of hunting for the curse rampaging Kurokawa. 

The only light source in the room is coming from the bathroom. You sigh. The idiot must’ve forgotten to turn it off. Nonetheless, you were gonna go get unready either way so you make your way to the half open door.

On the sink is a complimentary toothbrush that you help yourself to. You apply some paste and–

There is a sound of something sliding shut from behind you. You look up at the mirror. Standing behind you was Gojo. Wet. And naked. 

“Oh my gosh!” You spit out your toothpaste and ran out of the room. How did you fail to see that Gojo was in the restroom? You blame it on the sliding doors separating the shower from the rest of the bathroom. Oh my gosh. Your face feels like it’s on fire. He has a six pack. And why does his stupid hair look like that when it's wet? Your heart was beating at an abnormal rate. This is so inappropriate.

Shortly after your freakout, Gojo steps out of the bathroom. There was no way you could face him now.

“Aw, don't be so shy now. It’s not like this will be the last time you’ll see me like this.” Gojo stands in the doorway. There is a towel wrapped around his waist, still leaving him indecent in your eyes.

“I don’t like what you’re insinuating Gojo! And lock the door when you’re in the restroom you creep!” You look anywhere but him.

“Hey, it wasn’t my fault, was it? You were taking so long I thought you left me here alone.” You can practically hear him pouting. “Either way, you were the one checking me out.”

Your eyes widen, “I was not checking you out! Don’t flatter yourself.”

“Don’t feel ashamed, this can all be yours,” He gestures down to his body.

“You freak.” you blanch.

He winks at you.

This was going to be a long night.

— — — — — — — 

It takes you about half an hour to calm down from the bathroom catastrophe. By now, you’re situated in your futon while Gojo is tucked on the bed. If you had to guess, it’d be nearing midnight around now. You just need to close your eyes and get some sleep before your mission tomorrow.

Except you can’t sleep.

Every time you close your eyes, your mind betrays you and an image of Gojo post shower illustrates itself in your mind. And it doesn’t help that he sleeps shirtless. You seriously need your mind cleansed.

That wasn’t your only issue. The room was sub zero. Who knew traditional ryokans had such advanced air conditioning systems? All you could hear was the air conditioning machine overworking itself. You could even argue that it was colder than Shoko’s morgue. And your sleep shirt and shorts were doing little to help insulate you. 

“Wanna come cuddle with me?” The last person you wanted to hear from breaks the silence. You pretend to be asleep. “I know you’re not asleep! My six eyes tell me that you’re shivering.” Busted.

“I am not cuddling with you.” You stare at the ceiling above you, arms crossed. How could he even propose such an idea? Has he no shame?

“Well I can’t face the old granny here if my girlfriend ends up dead by freezing!”

“I am not your girlfriend, Gojo. Nor will I die.”

“That’s not what she thinks. Plus we have a mission tomorrow, so I can’t have you getting sick on me now.”

“I’ll be fine, Gojo. Now go to sleep.”

“I run hot when I sleep, y’know. Let me be your personal heater.” You don’t have to see his face to know that he’s grinning.

“I refuse.”

“Well I refuse your refusal.”

You blink.

“Excuse me?”

“You heard me. Now c'mon,” He pats the spot next to him. “I’ll even make a wall in between us.”

You hear the bedsheets shuffle and you have to sit up to see that Gojo was stacking two pillows in the middle of the bed to prove his point. You’re nearly certain that the only thing you’ll be catching soon is a headache if you keep up with his antics. It was a tempting offer, one that you would surely accept if it wasn’t Gojo Satoru.

“Gojo, I—”

“...Please?” His voice is softer than you have ever heard it. It was unfair how Gojo was making it harder and harder to reject his offer.

A silent moment passes by.

“...Fine,” You reluctantly get up from your pathetic excuse of a futon. “But no funny business!” You warn him. 

You see Gojo perk up from the bed. He looks at you with expectant eyes, “You got it!” He gives you a thumbs up. 

Whatever. If Gojo knew what was best for him, he wouldn’t try anything. You take in a deep breath before turning to face the opposite direction of where Gojo laid. 

“Good night [Name],” You hear Gojo whisper. You sigh.

“Yeah, yeah, goodnight Gojo.”

Eyes closed, you pray a silent prayer that everything will be fine for the remainder of the mission.

— — — — — — — 

Ever since Gojo was young, his body has been used to getting little amounts of sleep. Unsurprisingly, that caused him to have a natural alarm. It was always annoying whenever he woke up at the crack of dawn on a day when he didn't need to, but luckily for him, today it proved to be a blessing. There was an unfamiliar warmth radiating onto his body. Satoru opens his eyes.

He thinks he feels all of his six eyes widen when he feels himself wrapped around another body.

There you were, in all your beauty, lying fast asleep. In his embrace. Soft snores were escaping your mouth and there were stray hairs in your face. Did he mention how beautiful you looked sleeping? He might have to ask Shoko about heart disease because of how fast his heart was beating.

Unfortunately for him, you also seemed to be drifting away from dreamland and back to reality. Your eyes flutter and your eyebrows furrow. Gojo takes this to his advantage and does the worst thing he can think of; pretend to be asleep.

When you wake up, your mind is still hazy from the good night’s rest you had gotten, but not hazy enough to realize that your body was tangled with another’s. And you’re pretty sure the pillow you had been laying on last night was not this hard. You try to delude yourself into believing that this is all a dream, but the effects of your sleep were fading.

It takes all the strength in you to summon the courage to open your eyes. To your horror, you were firmly wrapped in Gojo’s arms and your legs were intertwined.

“What the hell?” You pull yourself away from him. On the floor below the bed laid the two pillows that Gojo had set up as a makeshift wall. You stare at them utter shock.

“No, don’t go, I’ll freeze to death,” Gojo whines, miraculously waking up. You glare at him.

“Explain to me what just happened or I swear Gojo, I’m going to–” You try to threaten him, but you can’t seem to formulate anything.

Unlike you, Gojo looked unbothered by the sudden turn of events. He even looked pleased. There was a lopsided smile on his face as he sighed, “What can I say, I guess you subconsciously want me after all.” 

"I do not—"

“But if I had to guess, I’d say the room got too cold and we most likely cuddled for warmth unconsciously.” He shrugs it off like it was no big deal. You note that his hair is tousled from the night before.

You leave the warm bed you and Gojo had made. His theory was probably true, meaning it was neither of your faults. You purse your lips.

“I suppose that makes sense. I apologize for overreacting, I guess I was under the impression that we had done something lewd last night.” With that comment, you make your way to the bathroom to freshen up both your mind and body.

You don’t end up seeing how red Gojo’s face got. It was foreign to feel all the blood rising to his cheeks. He takes one of his hands to slap it over his eyes before chuckling to himself. Yeah, he definitely knows why he likes you. 

All of a sudden Gojo feels like he’s on top of the world. For you, it was just a moment of weakness.

┊⋆｡˚. ੈ ┊

Extra notes:

gojo wished he and you got to go to the onsen together. 

gojo also regretted not taking a photo of you sleeping soundly in his arms. it would’ve been his new wallpaper. 

for the remainder of the trip, gojo was at an all time high, successfully locating and exorcising the curse in less than an hour.

[the-acid-pear]

okay speaking of dikx, some fun facts: well its more like, trivia and future plans, but i want to make two characters that hang around him: a scientist that gets full funding for him to fuck around because dikx loves seeing the fucked up shit he makes, although they have a bit of a love hate relationship; and dikx right hand arm man, his everything, his confidant, his silly rabbit (''is that what he calls you?'' ''no ♥''), this big guy who is blindly devoted to Dikx and honestly does most of the leg work and actual politics and shit.

The reason why neither has a design is because for the life of mine i cannot think of how they would look OT2