#its more general tbh

[proselles]

you know what i think is really cool about dungeon meshi? the fact that it really handles the whole 'how our food is made' so gracefully. in this day and age, we've become so disconnected from how our food is produced and distributed that the thought of how our food is obtained brings disgust to many people (and for the big industry farms, it honestly should! but im referring to our existence as omnivores in the food chain). marcille acted ridiculous whenever the thought of killing a monster for food is brought up, but honestly, she's a great model for how many people nowadays react whenever they have to truly think about what they are consuming/are brought to a meat farm.

senshi shows the characters (and us, the audience) about the process of making food in a respectful, genuine way to the creatures he has used to produce nourishing meals. by explaining the nutrition and benefits of each creature, he creates and healthy relationship between the consumers and the meal they have. the show really brings a new dimension of respect for each of our meals. truly the bob ross/marie kondo of cooking.

[bacchuschucklefuck]

truly this one's just for me. I can do what I want foreverrr

[vogelmeister]

me with goud tbh. im not sure entirely what message i wanted to convey or the themes i wanted (although im positive identity is one of them, maybe deception and betrayal is too) and it's honestly just making me go ??? what’s the point and why does it actually goddam matter?? what would i take away from this story if i wasn’t its author.

Idk why but I'm feeling really stuck with my writing rn. I don't really have a *theme* for my story or a message I want to tell, and I keep seeing things that say you need that for a story.

I just want to write a fantasy with queer main characters. I don't even know what I'm doing.

[xxplastic-cubexx]

Hi!! Your Cherik is so good and gorgeous 🤩🤩 If you don't mind wanna try to draw some Fall of X Cherik please?

thank you so much !!

i have a couple of ideas relating to the fall of x period specifically since theres. A Lot i wanna play with, so i hope this lil thing may be a satisfactory start :]]

and the obligatory bonus:

[cowardlykrow]

"That is where you are wrong, my boy!"

@ratb4stard3 and I deliver another Cowardlyghostbro's(™) collab ✨💛

[lotus-pear]

rewatched madoka magica again today bc i fucking hate myself and to absolutely no one’s surprise i went through all five stages of grief in a single evening

[hezekiahwakely]

I don't think we talk enough about how Elias set Jon up so that everybody in the archives would hate him. It's that classic upper management move. Mr. Bouchard is the real problem, he's the one actually calling the shots, but he offloads all of his attention and expectations onto Jon and forces him to play the messenger, who is then expected to tread the line between pleasing the other employees and the big boss. Jon is an example of middle management getting crucified from both sides; from their peers who can't trust them, and the exec who's thrown them to the wolves

I was just thinking about how much Melanie in particular blames Jon for everything that happened in MAG 123. This has to be partially due to how Elias prominently favored Jon in front of the others (despite Jon not wanting ANYTHING to do with it) and how that seemed to make him aligned with Elias in their eyes. Elias had to have known how this would affect Jon, and he did it deliberately to drive a wedge between them and his precious Archivist, who he needed to keep isolated and friendless so he could get his marks.

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[aroaceleovaldez]

i think a lot about how early-series, demigods are referred to pretty equally as "demigods," "half-bloods," and "godlings," - the last used particularly by gods at demigods - but after that "godlings" is almost exclusively used to refer to minor gods.

something something i am literally always chewing on the concept of the line between immortals/demigods/monsters/etc being thinner than it appears

[ganondoodle]

the closer we get to arcanes finale the more worried i am bc so often .. if not always .. things i like end in a way that i dislike so much it ruins everything else for me

and im so worried they pull a 'this is a multiverse' thing bc then they can say every skin is somehow canon bc its all different universes you seeeeee and jayce went mad bc he lived through all of them or something, or force it to end in a way that makes the champions end up like they are in game- Vi is a shitty cop, Jinx is just heehoo craycray bc xyz etc

[sualne]

quick realistic law portrait

[bacchuschucklefuck]

and! barbarian!fig! its her

[redinthesea]

Random little wizard design. 🧙 I still struggle with classic fantasy type designs rip.

[xxplastic-cubexx]

If you were to like redesign Magneto's classic outfit in a way that both suits the character and your own tastes, how would you redesign it?

uhhhh errrmmmmm i dont know i really couldnt improve upon perfection but i have still tried for you my friend !!!

[meamiki]

[reverse entry AU]

so glad the work week is over!

no more meetings!

what do you mean its only tuesday.

[witchspeka]

It's always "Shou and Ritsu need to blow stuff up with their minds for mental health reasons" or Ritsu and Teru or even Shou and Teru!

But what about Mob? When does he get to blow stuff up with his mind for funsies? For shits and giggles? He didn't go through all of those meltdowns and character development for nothing, let him go ham on a junkyard car or something smh

I believe in Mob's narrative given right to fuck shit up sometimes