#its literally just me but blue

[liquidtwilight]

Fuckit #yumeship on main. Pandarles nation

[rinnstars]

soulmates!

matching puzzle pieces: mimicking you unconsciously away from home

itoshi rin x reader: fluff, drabble, pro!player rin (after nel arc), long distance relationship, yearning/longing, not proofread + likes and reblogs are appreciated!

one thing rin has learnt whilst overseas is that you and him might really be connected by souls, by ribs, and by heart perhaps too.

strict routines he’s stuck to since he was just fourteen — wake up, open the windows, take deep breaths, stretching, yoga, mediation shifted in its own ways to accommodate you back when he had first gotten together with you: to waking up and looking at you with the light outside from the windows shining perfectly at your face that makes him gulp a little, staring hard and long whilst tracing your face as gently as possible, indulging in the sugary-sweet moment before returning back to his routine like a robot. its what he’s used to, what he’s comfortable enough, what he knows. and recently, he’s been mimicking you, he thinks: closing his eyes immediately at the bright light in his room the same way you bury your face in his face when you first wake up away from the “bright” lights in his room, drinking a cup of coffee that he swore he wouldn’t drink despite making it for you every morning like clockwork albeit with much less sugar than you would have added, and opening his phone the first thing he does right after it all the same way you open your phone and flash him essentially in his bedroom with your bright phone screen that illuminates the now matching photo of you and him beaming at the camera the day he left.

maybe its rin’s way of feeling your presence in his life now that its back to before he met you — just him and football, wearing a different but similarly stuffy and claustrophobic football jersey that marks his name at the back of it. bitter coffee that still smells like the kitchen that brings him back memories of you and him attempting to fix the coffee machine whilst laughing together, your smile imprinted in his mind, phone screen that still makes him unconsciously grin even though its been months since he’s left japan of that selfie with yours and his cheeks squished against each other, beaming at the camera as though it would be the last time right before he enters the gate to somewhere else that he wonders if you too look at it a little longer before you enter your phone, or hand sanitizer that smells exactly like the one you used to use, and gave to him whenever you two were out together that reminds him of home, reminds him of you.

and he’s sure his teammates dont miss the subtle changes to him. how his diet has changed strangely — desserts that fill his meal and sweets that he munches on in the dorm room that he used to buy from the convenience store for you to eat together in class and then in his room that tastes a little less sweet now that its not from your mouth to his, hotter food that you’ve made him grown used to in contrast to his old days eating leftovers and microwaveable meals from the fridge that still burns his tongue a little, sticking out his tongue as though he’s on field at the temperature even now the same way you do too, picking at his vegetable unconsciously the same way you do before pushing it onto his plate whilst smiling, each pickled vegetable even now resembling you in his mind as he pushes it around his plate. how he’s behaving all strangely too in contrast to the rin who they met just a few weeks ago at neo egoist league — how he’s more accustomed to laughing in the same tone you do, having to cup his mouth at the realisation, looking away awkwardly before being tackled by shidou (that broke out into half a fight), how he fiddles even more with his things than before as though they were your hands that he finds comfort in interlocking and fiddling with whilst lying right beside yours, how he looks a little longer at his phone screen that almost made shidou grab his phone (to his luck, he managed to dodge the attack and not get into a fight whilst in it: messaging you that as though expecting a praise). or even just the way he talks now — the tone and accent melting and merging into yours and his own mid sentence, your catchphrases popping out of his mouth unconsciously like bubblegum that draws strange looks (they dont understand it, he thinks), references to yours and by extension his favourite games and shows that flies by everyone else’s head that he misses your laugh that should ring along with his lame jokes.

and rin’s even more sure that the media doesnt miss how he’s changed from just that few weeks. how his closet doesn’t quite fit him right — sanrio and chikawa sweaters that are both a little too tight to have belonged to him and a little uncharacteristic for him to sport on his day out, silver necklaces that they just cant see the heart of, chalking it up to a new impulsive purchase despite him never wearing any in his winning match, silly keychains on the bag he brings out that catches the camera flash just right into the newspapers. how his last interview went even: seeming more nervous whilst attempting to make eye contact with the camera (knowing youre watching him live), stuttering a little too much whilst answering a question about romantic relationship, how his glued up paper ring catches the whole internet. how his internet presence (without PR) reflects something the internet wants to dig a little more — from his instagram stories about another game win whether that be on valorant or league of legends with a duo with a censored tag (of yours), screenshots of movies and shows he’s watching with the side of facetime featuring your face censored with colour brushes from the tools section, outfit pictures that are first vetted by you and then posted with a uncharacteristically cute water bottle you bought for him as a joke that he still uses to this very day.

its now that he can’t be fully with you that rin wonders if he’s taken advantage of all these years you’ve been there for him, each memory haunts him through his own unconscious movements, speech and thoughts: as though you’ve fully melted yourself on him, your soul and his intertwined and ribs replacing each others: becoming one another. missing, longing is not a strong enough word for it all — heartache when he lies in his bed all alone yearning for your warmth hands that lingers on his body, cuddling him at night that makes him dream of days long after his career in a small apartment all decorated by whatever you want living a life with just you and him, that tightening of his heart whenever he sees you in his everyday life: those red roses that he used to buy from the school shop, any song form the playlist you and him collated that he plays everyday, every second he can, things you’ve bought for him that he’s brought along this practically eons long trip to france, the dryness in his mouth when he looks at your face through facetime: noting every single changes from the way your fringe has gotten longer, to the small leftover seaweed bites form the corner of your mouth, wondering how you were just so perfect in his eyes. its not human he feels: this hunger and craving he feels deep in his ribs, in his guts, in his very bone and blood, every second he counts, every day he strikes off from his calendar, every football match he wins just for a chance for you and him to reunite.

and this time, he’s sure of one thing, no matter what his PR agency thinks, no matter what fans thinks, no matter what the world thinks: rin wants to kiss you, melting his lips against yours as he holds up the winning world cup trophy, in front of the whole field, in front of the whole audience, in front of the whole world — because if there’s anything he knows now is that you and him are one matching puzzle piece, you and him are one soul merged together dictated by the universe, you and him are meant to be: and he’ll love you for the rest of eternity.

[littledemo0n]

Even more memes inspired by @whatwooshkai 's fanfic☆

[trauma-bot]

sin eater

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[grif-hawaiian-rolls]

I think he probably deserves one at this point.

[ibetittering]

Going back to my roots

[ganondoodle]

once you notice how few characters in media have brown eyes it really becomes impossible to not pay attention to it and its been bothering me ever since

[hootiee]

"mephisto pheles could've been a tumblr sexy man if blue exorcist was popular" <- doesn't know

[trickstrmakes]

SAWTOWNE // Confessions of a Rotten Girl ft. Hatsune Miku

[pyromanicfool]

Sobbing so hard bc even as wifey, Mizu wore pants, didn't want to wear that pretty kimono and makeup except for the wedding ceremony itself because I'm sure her "mother" made her or to try and soften his heart after their spar. She was her tomboy self, you know? And people are out here putting her in hyper feminine stuff like NO THIS ISN'T BUTCH DEATH THIS IS BUTCH MURDER.

You can be a butch/tomboy and be pretty or have long hair, I do, but like, oooof. It's like when people made Tigress all girly pop like NO. STOP IT PLEASE. LET BUTCHES BE I BEG. She's clearly into utility over anything else, I mean, she wears her stitched up kimono even though she clearly has the means to buy a new one, her tattered, mud soaked little cape thing, etc. The pants she wore horseriding with Mikio even looked like her pants she wore as a man.

[spirk-trek]

i never had a problem with (and even kinda liked) aos until i started trying to read fanfic and every "tos" fic is secretly about chris pine and my brain has to reboot without warning

[todayisafridaynight]

[kelpermoosee]

Knocking them over and watching them scramble to get up with those big ass heads

[hellothereandimsosorry]

i've been swayed im ngl

[xxplastic-cubexx]

obsessed with how the literal second charles first dies in the classic comics magneto finally comes back for the first time in like twenty issues