One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.
I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.
Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.
What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.
Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.
And that, while beautiful, is also tragic.
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A highly feverish Yuma and Makoto 🌡️ (39.05 c)
This was an art trade I received from BBQchap0 on twitter ✨
Small Rambling below
original and copy, same body, same mind, same frail immune system (they often get sick at the same time)
The 2 worlds greatest minds are going to have to take some time off working today. They’ve unfortunately both been afflicted by a sudden spiking fever and can hardly move. As they lay in bed, fatigued, aching, and sweating through their clothes, they could only struggle to try to help themselves.
This is such an attractive piece. I think I’m in love...
I could go on about this but, I'm literally about to combust 😳💦
In shorter words:
This is the most lovely art trade I have ever gotten and one of the most gorgeous pieces of art I've ever gotten in my entire life.
I cannot praise it enough, this belongs in a legit art gallery... I'm so honored to have gotten something this pretty I could cry...
💕💦(┬┬﹏┬┬) 💦💕
HOW did they make these disheveled sick boys look so BEAUTIFUL??? I can legit FEEL their struggle, its too good I could die
What a vision…makoto's uninterested yet tired expression...yuma with the thermometer in his mouth as his clone weakly assists him...and those glorious skin flush tints of red and pink coupled with the beads of sweat and messy hair…
AND THOSE COLORS…
Yeah. I’m not normal 🫠
Its…perfection
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Eddie has a lot of nicknames for Steve - Stevie, sweetheart, big boy, baby, darlin', it seems like he adds new ones every week - and Steve adores every single one. The way Eddie beams when he says "Stevie." How he winks when he calls him "darlin'." The once over he gives Steve as he tacks on a "big boy" to whatever it is he just said that Steve can't properly process now because all he can do is stare at Eddie's lips.
But Steve's favorite?
It's the day his parents call to say they aren't coming back to Hawkins. That the house in the Hamptons is just so much more comfortable for the two of them. That they don't care what he does with the other house, the house he grew up in, the house he still lives in, as long as they don't have to deal with it. He doesn't even hear the flimsy excuses they give for leaving him behind because all it sounds like to Steve is "whatever you do, just don't bother us anymore."
He wants to scream, to smash something, to tear the entire house to pieces when he hangs up the phone. But what he does instead is lay on his bed, his arms wrapped around his knees, staring at the wallpaper he wishes he could set on fire.
Which is how Eddie finds him an hour later when he comes over for their weekly movie night.
"Stevie?" he calls, coming up the stairs, worry in his voice. Steve can hear him pause in the doorway before he comes over to the bed. Feels the mattress dip as Eddie sits next to him.
"Hey, sunshine," he says and Steve hasn't heard that one before but it doesn't really matter at the moment.
"Not feeling particularly sunny right now, Eds," he scoffs. Or tries, since his voice is a lot wobblier than he wants it to be.
Eddie doesn't say anything, just lays a gentle hand on Steve's shoulder, tugs a little to get Steve to turn toward him. He resists for half a second, but he also can't deny Eddie anything, even now, so he rolls to face him.
"Storm clouds, thunder, rain, doesn't really matter, you're still my sunshine," Eddie murmurs with a soft smile, pushing Steve's hair back from his face.
And Steve can't help it then, can't stop the sob that tears from his chest as he curls against Eddie. Eddie, who doesn't even know what happened yet, doesn't know why Steve is sobbing into his shoulder, doesn't know that Steve isn't wanted, but who wraps him up in his arms and hangs on tight anyway.
He's humming something as he rubs a hand up and down Steve's back, the vibrations rumbling into Steve's chest and its soothing and soon Steve's sobs are hiccuping breaths. Eddie doesn't let go though, doesn't move away, and now he's softly singing into Steve's ear and Steve almost wants to laugh because of course that's what he's singing. Of course he is.
But Steve doesn't laugh because it's perfect actually and so he just tucks his face against Eddie's neck and listens and breathes and decides it doesn't matter if his parents don't want him because Eddie does. Because with every note Eddie is telling him he makes him happy, that he loves him, that he doesn't ever want to lose him.
And Steve is finally able to lean back just a little, tell Eddie what happened. Sees the storm clouds roll over Eddie's face on his behalf, knows he really does mean it when he tells Steve he'll help him burn down that house in the Hamptons if he wants. Presses their foreheads together with a shaky laugh as he tells Eddie its okay, he's okay, he's going to be okay.
Eddie sighs, softly kisses his cheek. "What can I do to help?"
"Stay?" Steve asks, "Just stay with me?"
And Eddie is nodding, shifting so he can lay down and tuck Steve tight against him. They're quiet now and Steve listens to the beat of Eddie's heart, feels it pulse against the hand he has splayed across Eddie's chest. Tentatively asks, "Could you maybe keep singing? Until -"
Until what? Until he falls asleep? Until it doesn't hurt anymore? Until he really believes what Eddie was singing?
But it doesn't matter because Eddie just starts humming right where he left off and Steve falls asleep to words he can feel in the vibrations of Eddie's voice under his ear and the soothing fingertips moving up and down his arm.
You are my sunshine, my only sunshine.
So, yeah, sunshine is definitely Steve's favorite nickname.
You make me happy when skies are gray.
Because when he has a rotten day - he has to deal with a terrible customer or the teens are being particularly bratty or the whine of the dying vcr at work rewinding a tape sounded a little too much like a horde of demon bats shrieking across the sky -
You'll never know dear how much I love you.
Eddie takes one look at him and gives him that certain soft smile. "C'mere, sunshine," he says, laying down on the couch and pulling Steve on top of him, running gentle fingers through his hair. And he quietly sings until Steve's shoulders relax and his breath evens out and there is no place else in the world he would rather be.
Please don't take my sunshine away.
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