#it's just that he isn't used to think about himself like a living person with feelings and desires instead of acceptable collateral damage

[essektheylyss]

I love that Caleb does not ever seem to take opportunities to take any kind of "this might be the last moment I have" actions. No matter what, when everyone else is going around and making their desperate moves, Caleb doesn't. Even after he recommends otherwise to others, it is notable that he among the group doesn't do so, and this is consistent with his previous behavior.

I like to think that stems from the moment he opted against trying to work with Trent—which I think, at its core, was an attempt at such an action. If Caleb had died fighting the Somnovem, he had every reason to believe that Trent would continue in his actions. Though Astrid and Eadwulf were willing to subtly undermine him, they had made it clear that they were not willing to challenge him outright. Caleb tells the Nein, when they are discussing their last wishes at the Blooming Grove before returning to Eiselcross, that he would appreciate Trent being eliminated in the event of his death. I have to believe that there was a fear or regret that his dearest motivations would not come to fruition which spurred his interest in using an alliance with him in Aeor to trap and kill him.

I've mentioned elsewhere that I believe Essek's willingness to disagree with him was one of the factors in Caleb being able to trust him and his judgment, but I would also argue it was a wake-up call for Caleb—about letting himself be distracted; about not focusing in on the mission at hand; about, potentially, expecting failure in this goal, especially after he has watched his friends say their goodbyes as if they too expect to die. "Stay on task, Widogast," is a mantra he uses in Vergessen, but he does get caught up, to an extent, in enacting as much damage as he can to the place in the process, and regardless of whether this ruthless assault slowed or sped their discovery, Trent did catch up to them, and very nearly caught Veth and Jester as well as himself. Given Caleb's fears throughout the campaign that he will draw the danger that dogs him onto his newfound friends, and his later apology to Essek in the same conversation for drawing Trent's attention to him, it is not a stretch to argue that this is yet another guilt he shoulders.

It isn't lost on me that Caleb almost died before the Nein even met, he was perpetually aware of his fragility among the group, and he was the last member of the Nein to go down and need to be revived. So I just think it's very fun if he, who so often seemed to be on the verge of death, who in fact planned to step back in history and in the process erase the person he had become, found himself at some point determined to live, and firmly confident in his ability to do so.

He does not wrap up his affairs, he does not say goodbyes, and while he may acknowledge the stakes for the group, he does not entertain the idea that he personally will not make it out alive—because, as Dorian notes, he has a lot to live for. He has to get back home to his partner and his well-maintained garden; he has to make sure the Cerberus Assembly's nefarious schemes do not continue in Ludinus's absence, perhaps even in the absence of the Assembly itself, depending on what its members do in its wake; he probably has to go egg on his godson's shenanigans as payback for Veth threatening to shoot him out of the sky.

Caleb Widogast is an absolute cockroach of a wizard, and, in true Mighty Nein form, he is at all times thriving on unfinished business.

[kwillow]

Mail time. Theo clearly isn't the best candidate to lecture people on "good manners" but that's not going to stop him.

Also using this as a header for more LORE RAMBLES: THEO EDITION, because again I have more interesting asks about Theo than I can answer with drawings -- so REAMS OF WORDS it is!

Questions and answers under the cut...

Well, Theo isn’t terribly fond of the guy. He’s never met him, of course, but from his research into Old Kingdom history, he thinks of Ambroys as a conceited, shallow, disloyal, cowardly liar – and he’s not exactly wrong, ha.

If they met in the past, when Ambroys was his cocky, younger self, I think Ambroys would take advantage of Theo’s poor social skills and unpopularity by bullying him for some cheap points with other people who would find amusement in that. Ambroys wouldn’t have much use for him otherwise. Theo would spend far more time seething about Ambroys and plans for his revenge on that POMPOUS POPINJAY than Ambroys would spend thinking about Theo at all.

If they met in modern times – well that’s something we’ll address eventually, but Theo and Ambroys would not get along much better. Present-day Ambroys does not like mages one bit. Also, he is quite used to being literally worshipped. A little hater like Theo would not be looked upon kindly.

Thank you!! Now you too are present in a lore dump!

Theo is indeed a fan of the performing arts, and art in general (though he is, predictably, very particular in his tastes). Opera and such was performed during Ambroys’ time, and much of it was likely lost during the apocalyptic era between the time of the Old Kingdoms and the modern day, but I imagine some scant examples of the genre (and traditional plays by the likes of Furry Shakespeare, because Shakespeare is one of those people who just exists in every universe no matter how bizarre) would still survive into the Theo’s time.

Theo’s hometown of Northcrest would be too small and rural to have a real theatre, so experiencing “proper” performances would be rare treats for him, when he followed his mother on business excursions to the rich districts of Ironfrost. I love that you picked up on the fact that he would want his own private box, haha. He wants to observe, not be observed!

You’re right that musicals would probably still be in their vaudeville and burlesque era, and Theo would find them to be distasteful, vulgar pap suited only for the soft, feeble minds of the unwashed masses, not a refined intellectual like himself. (Which is funny because I think a real-world modern-day Theo would like musicals because in some ways, he is a theater kid without the charisma or confidence to actually perform.) While his mother did not enjoy theatre to the same extent he did (her tastes were more in feats of choreographry and human/anthro excellence like ballet), they would bitch about the decline of society together if they saw a poster for one of those terrible, gaudy cabaret catastrophes. In general, Theo hates anything modern and likes anything old-fashioned, and that shifts according to the decade he lives in. An Amaranthine Theo would hate swing music, but a real-world modern-day Theo would like it. Embarrassing!

Also, he will memorize and quote his favorite soliloquies at people for the faintest of reasons. Don’t test him.

No, I don’t think Hyden has strong enough arms or a sturdy enough back to lift an entire person, even one as little as Theo. Hyden might be large but he’s not as powerful as his height and bulk make him look. I think even Theo is more physically adept than Hyden is (and that’s not saying much).

Also, while he would learn to tolerate it from someone like Hyden (in the same way your cat might begrudgingly tolerate you grabbing their little feet), Theo does not like being picked up by people. I can speak from experience than when you’re a short person, people love to pick you up randomly to establish dominance and it’s not a very dignified experience. Theo has a hard enough time being taken seriously even without being lugged about like a wheezing sack of flour.

Theo would be the first to inform you he is not the person to consult on romantic matters. At the same time, he would still give his advice: stop being a fatuous little fool and turn your efforts to matters of greater importance, like work or supporting your family or collecting every edition of your favorite encyclopedia or hitting your head against a wall. All would be better ways to spend your energy.

(I think you’re alluding to a person with a crush on him – God knows why such a person would exist in his universe – asking him for romantic advice, but I feel compelled to specify that the message he’d give a man seeking instructions on how to deal with a lady would be akin to “GET A JOB. STAY AWAY FROM HER”)

(Or maybe you mean someone Theo has a crush on? Well, the answer would be the same. Theo isn't duplicitous enough or proud enough to try to swindle someone towards viewing him as a romantic prospect. But he sure wouldn't suggest they get with someone else. NO ONE IS ALLOWED TO BE IN LOVE. STOP IT, HE SAYS.)

Yes, those are self-inflicted injuries. He’s had a compulsion to bite and scratch himself ever since he was a kid. Sometimes as a punishment, sometimes as a ritual to quell distressing thoughts, sometimes out of the need to replace distressing sensations and events that are out of his control with one that is in his control, no matter how painful.

He does not particularly value his body nor its integrity. However, he is aware the scars are alarming, and finds them somewhat embarrassing reminders of his flaws in self-regulation. He deals with both the sight of the scars and the urge to harm by wearing his gloves, which is something he started doing in his late teens – they cover the marks and help redirect him by replacing the sensation of flesh with fabric when he goes to bite down.

On your question about Theo’s body-image: no, he does not care for how he looks. He likes that his eyes are grey (like mother’s) and that his fur is monochrome (like mother’s), and if pressed he might say the eyebrows aren’t bad, except for the parts where he’s pulled the hair out of them, but that’s it. He hates that he’s not just short but dwarfish, he does not like his heavy-set build, he would not choose to be born a rat, he despises his face, his teeth repulse him, he at least can make peace with the fact that he can’t grow facial hair because he’d never want a mustache like his father’s but it’s still somewhat emasculating, and on and on and on with the insecurities. He definitely feels physically inferior to other males. Your average man is not only much, much taller than him (and the world is cruel to a short king), but stronger and more classically virile as well. But he makes the best of that by dismissing those physical qualities as consolation prizes afforded to males who are obviously inferior to him intellectually, morally, and spiritually. He doesn’t care for brutes, but he doesn’t highly value machismo anyway… He thinks of himself as a gentleman whose best qualities reside in his mind and actions. A man who is reedy and petite but smarter or more charismatic than him is much more threatening to his ego than the bulkiest bruiser. (However, he will still try to fight both for dominance, either physically or verbally, and probably lose.)

Theo is highly offended and disgusted by nudity, both other’s and his own. Even states of mild undress are distressing to him, hence why he looks away when buttoning Hyden’s shirt. He’s willing to stomach some discomfort when it comes to helping a loved one, but only if it’s strictly necessary. He would pointedly not look and scold someone, even someone he was more comfortable with, if they were “too underdressed,” and freak out if they came into his vicinity in the nude. I think it would take years of gradual desensitization to lessen his negative reactions to nudity. It’s not just him being fussy, it borders on a phobia.

(Haha this shows how long I sit on asks before I get around to answering them SORRY...!!!!)

I don’t talk about it a lot because while the character’s sexual orientations do inform their lives and development, romance and sex are not usually at the top of my priority list when it comes to my stories… but I’ve alluded and mentioned directly that Theo is “canonically” bisexual (always feels weird to say “canon” about my imaginary friends, ha). But he is in denial/in the closet about it. Of course, he wouldn’t be aware of the concept of “bisexuality”, nor would that exact label exist in his world, so it’s not like he would identify that way even if he wasn’t repressing hardcore.

He is revolted by sex and intimacy, but that’s more due to his psychological baggage, his perception of his parent’s relationship and his cultural mores than something necessarily inborn or inherent to him.

(Hyden is actually Also Straight, possibly even straighter than Ambroys if we’re measuring by “creator’s admittance that character may be bi-curious one day.” I have a track record.)

Only if it’s karmic in some way, involving a person or persons he’s already predisposed to hating. Granted, dying of one’s own stupidity would be a form of justice in his eyes, but there’s limitations to that. Hearing about, say, an incident like Nutty Putty cave would not be amusing even though he would argue it’s the cave explorer’s “own fault” for going in there because it was such a gruesome and prolonged end, far outweighing the punishment Theo would find fair for such hubris. Of course, if the same cave explorer bullied him in prep school, then yes, it would be hilarious.

I don’t have a character named Herbert, so I am assuming you mean Theo here, from context. :’D

I’d like to draw Theo practicing his fencing some day! It’s on The List along with, er, fifty other drawings, ha. There’s just so much I need to make and so little time…

But besides that, Theo is not a particularly sporty guy. He doesn’t tend to enjoy competitive sports, either participating or watching. Physically he’s just not suited to them, and his schoolboy days did not endear him to them.

He does enjoy taking walks and admiring picturesque landscapes. He also hunted with his mother. One of the duties of the Norths is (or was, before he started shirking all his duties to focus entirely on his madness quest) to eliminate monstrous predators lurking on the outskirts of their territory before they could terrorize the mundane locals. Mages can sense magic, and thus are more capable of tracking down and felling corrupt magical beasts than your average person. Also, sometimes one wants a pheasant for dinner on special occasions. So, he grew up learning to hunt, and he’s decent with a rifle. He doesn’t go out to do much anymore, though. His mother’s death and subsequent self-imposed isolation exacerbated his already present issues with social phobia and paranoia, so he doesn’t feel safe outside his house. Someone could see him out there, and Something could happen. (He isn’t sure what exactly, but surely nothing good.)

During the course of Amaranthine’s story he is, of course, forced to go outside again and travel, so he’ll rediscover his hobby of killing animals again. …Good for him. I suppose.

(This is in reference to the tags I put on my post of Theo's romance meme: #ok one piece of commentary: brain problems + highly repressed upbringing = where i put theo on the kinky slider. it had to be there #you should think less '50 shades' and more '50 year old guys waxing poetic about quicksand scenes in old adventure films' for that one #he's not a quicksand guy. but that's the vibe.)

Hahaha, I appreciate your curiosity, but I’m not sure if it’s a terrific idea to share Theo’s “quicksand” equivalents. Alas, I don’t want to encourage the perception that my characters exist to be romantic or sexual wish-fulfillment, instead of the dysfunctional little narrative fidget toys they are, by going too in-depth too often on their hypothetical sex lives. Also, I get my (un)fair share of fetish-mining asks, and if I mention certain kinks, the senders of those asks might think they can wheedle that kind of smut art from me, which… is not the case, even if I did like the things Theo is partial to. Frankly, I don’t have time to draw smut art when I have so many comics of my characters angsting at each other that I ought to be drawing instead!!!

Anyway, complaining over. But I do know what Theo’s “interests” are, and don’t worry, they are suitably cringe. I find amusement in giving embarrassing proclivities to all my favorite characters, even if it will never come up in their stories. It keeps them humble.

The Theo befriending scenarios are becoming more elaborate…!

Magic can’t really do that in Amaranthine (it’s more limited than a lot of people think)! But even if you could, I think Theo might realize something was off eventually. Granted, he is blind to a lot of manipulation when he trusts someone, and for his own stupid reasons he trusts Hyden, so that alone would provide cover for some time. Being nice to him in Hyden’s guise might even fulfill some boyhood dreams of his, so that helps too. Still, I don’t think anyone but Hyden could manage to act like Hyden forever.

Theo abhors liars, manipulators, and traitors (I know, this is very funny considering I just talked about how Theo likes Hyden – again, Theo is not a great judge of character). While he would be mortified at his own gullibility, it’s not like he’d spare you any judgment for being the one to take advantage of his hospitality in the first place.

So, in attempting to befriend him, you would have 1) caused harm to someone he has charged himself with protecting by kidnapping Hyden, 2) committed the sin of deceiving him and 3) wounded his ego by exposing a huge vulnerability in his psychological armor. These are not crimes he is likely to excuse. Among Theo’s many faults are his capacity for spite and appetite for disproportionate vengeance. In other words, he would want to hurt you very, very badly.

Anyway, in summation, this is not a great way to try and win Theo’s affection. If befriending something hostile is what you’re after, I’d recommend purchasing a pet cobra or something, it would be more rewarding and less difficult to manage.

Ooh, this is another one of those “it depends” sort of questions… an Amaranthine Theo is completely unsuited for parenthood because he is just totally off his rocker and devoted to an impossible, nature-impugning, corruptive madness quest, so there’s not really much space left in his brain for any of the tasks involved in parenting.

Also, how well and in what way he would approach parenting would depend on if he has a partner and who they are, if the kid is biological (and therefore an extension of the North line) or adopted (and therefore might be spared some of those expectations), and what the kid or kids are like.

But, I’ll try to speak generally. He does put an importance on family so he would not be neglectful. In fact, I think he’d tend towards being smothering, way too over-protective. He would have high expectations for their academic career (despite flopping in his own) and would be upset if his children didn’t share his interest in intellectual pursuits. He lacks a lot of knowledge about life, and so he wouldn’t be able to pass that on to his children, despite desiring that they be self-sufficient and capable. He would try and keep them from being romantically involved until they could marry, which he wouldn’t think would be difficult considering how he himself is, but I think he would be disappointed and frustrated by the fact that most people (and therefore probably his kids) aren’t so averse to macking on other teenagers in their school days. His tendency towards being neurotic and temperamental would be an issue, and I think even if he tried to control his explosive tendencies around his children, they’d still pick up on it and be afraid of his moods. I think, with his immature development, he would have a lot of difficulty not descending to a teenager’s level of petty sniping if his teenage child did what teenagers do and started challenging him.

So… this is not painting a rosy picture. Don’t get me wrong, he’d try his best, and he would aim to be a good, supportive, and loving parent, but the man has issues. He wouldn’t be perfect. He might not even be good. He is Theo, after all.

Speaking of parenthood, let's get into some...

Family Matters

NO, they did not like each other. Their passive-aggression is as genuine as it is petty. They were the most divorced people to still technically be married.

Love was never in the cards for these two. The marriage was purely strategic, and all parties were aware of that. Leonard would have liked to have his wife love him, if only because it would be much more pleasant and convenient for him, but it wasn’t a requirement. He could seek love elsewhere if need be. He was always an opportunistic fellow that way.

Jo never held fondness for Leonard, either before or after their engagement. The marriage was at the behest of her father, and Jo had always put her duties to her family line above whatever selfish wants she might have had. She was willing to tolerate Leonard, which is about the best you could expect from her. However, he tried her patience too often to maintain even that level of camaraderie.

Leonard liked how Jo looked, and he liked the idea he had of her personality. Because Jo was deferential to her father, he assumed she would be similarly deferential to him. Hahaha. Not so. After her father passed, she inherited the Barony and thus, in her mind, the right to dictate the use of her family’s assets, the alliances she would forge with her noble connections, and the future of her estate. All her plans conflicted sharply with Leonard’s ideas of what he was going to do with the North’s influence, and he thought himself the keeper of their assets by patriarchal right. They clashed often and they both were too proud, power-hungry, and conniving to reconcile.

Leonard stayed because giving up the marriage would be giving up his avenue to social power. If he wanted to appear like he held the reins to potential allies and business connections, he had to stay in the manor, stay in Northcrest, and keep that ring on his finger. But he did take a very “I just live here” attitude to his home life. Jo stayed because her family’s long-held values maintained that it was her duty to do so, and to falter in her duties would be a permanent black stain on her good name. Also, it proved her superiority to the clearly weak-willed, dissolute Leonard, and that was an ego boost she wouldn’t pass up.

AHAHAH. THEO PEGGED FOR INBRED.

Yes, well, as you intuited, the Norths are one of those inbred noble families, like those you mentioned.

They’re a mage bloodline, and in the old days, mage nobility was a separate form of titled aristocracy from mundane nobility. Legitimate heirs had to have magical ability. If a mundane Viscount produced a mundane child, that was the end of the line of inheritance. Hence, noble mages in the Old Kingdoms only married other mages, to try to ensure their offspring could inherit their titles. While not all practiced inbreeding, it was a practice some families employed to try to “enhance” the magical ability and purity of their line, or just keep their wealth and power within their family (the Hyden family is another infamous example).

However, most magical lineages were wiped out during the fall of the Old Kingdoms, and those that survived were scattered to remote areas of the continent. Very few mages still exist, and the North family is one of the only lineages to survive “intact” to the modern day. They cling to their family’s history and their magical bloodline as their source of power and would never risk a union with a mundane. Like many other old traditions best left in the past, the Norths clung to the old ways, marrying within their line, inbreeding like an endangered species (which I suppose you could argue they were).

Of course, as the North’s numbers declined, the marriages shifted from pairing distant relatives to being cousin-cousin pairs. That level of consanguinity isn’t great for your offspring’s health or fertility, as it turns out, and further diminished their numbers (and options) until it came time for Jocosa to make their dying lineage limp along for another generation. By the time she was of age, there were no branches on the family tree left to harvest a husband from. Thus, the Norths needed to go further afield of the stagnant gene pool they’d been festering in.

Because of that, Theo is arguably a bit less inbred than previous generations of his family. The damage was already done, though. The fruits of the North’s unfortunate marriage practices have garnered them a deserved reputation for weak bodies, sick minds and dying young, and so far, Theo is two-for-three. We’ll see if he gets the triple.

Related to the above: if you haven’t realized already, the Norths are fucking freaks. Especially in the modern day of Amaranthine, caring about matching species in a marriage is seen as hyper-traditionalist, bizarre and absurdly impractical. But, well, the Norths are all those things. Jocosa’s parents were a stoat-stoat pair, their parents were stoat-stoat, and so on up the family tree, with maybe some rare exceptions where you might find a few polecats or minks scattered about in amongst the other long pointy-faced carnivores. Jocosa’s parents really would have preferred to have another mustelid marriage rather than wed their daughter to a rat.

But, that was a preference, and magical ability was a necessity. When Jocosa needed to marry, there were no other magical stoats, weasels, or even an otter for them to choose from.

That’s when an opportunistic young rat caught wind that there was a beautiful noble girl in need of a husband, just when he needed a rise in social station. Leonard was reasonably wealthy, and more importantly charming, quick-witted, and not afraid of lying his ass off to close a deal. He befriended Jocosa’s father and was able to delicately pick his way around or find loopholes in the Norths’ strict rules for marriage. Importantly for the Norths, Leonard had magical ability, albeit extremely weakly. You might say he was a sparkler while Jocosa was a flamethrower (in this analogy, in his prime, Hyden was an atomic bomb). Not ideal, but Leonard had enough magic to count as a mage for heir-producing purposes. Ultimately, Jocosa’s parents saw Leonard as the best option in a bad situation, rat or no. Preferable to dying out altogether, at least.

...

AND ON THAT, UH, HAPPY NOTE: thanks for reading and thank you all as always for sending questions about my little guy and being interested in him, even with all his slimy, weird, unpleasant foibles and flaws!

[bunni-v1]

Hello! Can I request full nsfw alphabet with jade? Afab and fem reader too please. Thank you!

🍓Jade is done as well (YAYYY!!!!) You're one of like six people to ask for him, but you were the first so I chose you. You're welcome. Anyway this isn't edited, and I feel like this doesn't need to be said, but Jade is like nineteen here in accordance to my rules. Anyway have a good day love you all <3

Jade NSFW Alphabet!

A = Aftercare: Jade is, and there is no easy way to put this, very fucking strange. I’m not sure if it’s because he’s not from land (this hardly seems like an excuse, because Azul is fantastic with aftercare), but he is very weird about aftercare. Not in the fact that he doesn’t do it, nor that he doesn’t want to do it, he’s just… ritualistic about it. He has a routine set for it: First, he ensures any marks will be very visible on you – if they are not he will fix that. Don’t worry. Second, after you are nice and claimed, he will take you to his bathroom and make sure the two of you are nice and clean. He insists that you use his shampoo and body wash, and if you don’t he pouts in that creepy way he does until you give in. Finally, he grabs you a set of matching pajamas he bought specifically for when you stay over at his, and you two cuddle and talk before falling asleep. You have to talk though, he won’t have it if you don’t converse a little. It has to be just like that, or else he gets irritated and he will give you the silent treatment. He’s petty.

B = Body Part: Starting with himself, I imagine Jade finds his hands to be his best asset. His fingers are long and slim, and he takes very good care of them. Nails are trimmed short and usually painted a pretty teal, but all around, they are rather pretty. They are a little calloused on the tips from his hikes, but it’s hardly noticeable unless they're scraping over your sides. With you, though, Jade has a very hard time choosing. There’s just so much to like! It’s your ass, Jade likes your ass. It’s just a lovely little thing to him, soft and round and perfect for grabbing, especially around others. Copping a feel in front of Azul and hearing that little squeak is such a satisfying sensation.

C = Cum: I have a feeling a lot of my Jade takes may be controversial, and this may be one of them. I think a lot of people imagine he’s a clean freak, which he is, but like… he’s not a germaphobe or anything. He lives with Floyd. With that being said, uhm, Jade likes it messy <3 Like dripping down the legs, staining the sheets, drawing on your skin kinda messy. His cum is also really unique, because of his origins. It’s tinted like a blueish color, and it’s very thick. He doesn’t make you swallow it usually because it’s hard to get down and there’s a lot, always a lot. It’s also salty because he has a high salt content in his blood. (Yes. It glows.)

D = Dirty Secret: You’re not gonna like this one, I can tell you that now. Jade is an exhibitionist and does not care where he has sex, he just wants to have it when he wants it. (He’s spoiled rotten). He’d never fuck you in the busy rush hour at the monstro lounge, of course. The average customer shouldn’t even think about seeing you in such a vulnerable state. However, he wouldn’t mind if Floyd or Azul or some random person happened to stumble upon you in a storage closet. He doesn’t want them to join, because he’d 100% cut their hands off if they touched you, he just wants to… assert to them his relationship with you. Yeah, that’s all.

E = Experience: He doesn’t strike me as very experienced, or like the type to even seek out sex outside of a dedicated relationship. So you are most likely his first sexual and romantic partner, not that you can tell. He’s very attentive and exceptionally good at his job of pleasuring you. Even if he is bad, he’s a very quick learner, so he picks things up easily and fast for you.

F = Favorite Position: Jade likes control, so any position where he has full control over you and your body is heaven to him. He also likes to look at you, just to study your face and make you squirm under his gaze. So something like the valedictorian, where your legs are pinned out in a V, or pretty much anything where your legs are over his shoulder so you can’t squirm as much. Big fan of the prone bone for the same reasons, though he doesn’t like not seeing you.

G = Goofy: Jade isn’t… goofy, per se… but he doesn’t take sex super seriously. He finds sex to be amusing, especially human sex. Mer sex is different, less physical or intimate, so it's all new and exciting to him. He will absolutely chuckle and joke, but it’s always to tease you and make you all flustered. So yes? Kinda? Not really though.

H = Hair: We know Jade is well-groomed. He keeps it nice and short and shaved, just a little tuft of teal, mostly for asthetics. 

I = Intimacy: He’s not typically all that romantic during. Like I said before, sex is mostly a fun, interesting thing for him. Sure he likes you close and loves to watch your reactions but that's less of a romantic thing and more of a he’s a predator and you’re his prey thing. Still, he has his moments. Like when he’s about to cum he’ll press his forehead to yours (or to your back) and whisper out that he loves you so very much and that you’re so amazing for him.

J = Jack Off: Like… never. 1) He doesn’t have much of a sex drive to start. 2) He’s only ever turned on by something you do, maybe just the thought of you. 3) If he’s ever in a situation where he is turned on and you’re not around or you’re busy… well you won’t be separated for long! He just doesn’t like the act, unlike his brother, and especially doesn’t like wasting his ahem seed when it would do much better inside of you.

K = Kink: Okay so I’ve already established he’s a bit of an exhibitionist, but he’s also a voyeur. Like, please get yourself off while he watches you struggle and whine for him, it’s one of his favorite hobbies. He’s a sadist (obviously) and loves to see you squirm and uncomfortable (to the extent that you’re comfortable with, of course). He is also big into marking, no shit, he’s so possessive it would be insane if he wasn’t into marking you up. I’m gonna be honest, and again people may hate me for this, but he’s probably into Consensual Non-Consent so long as the two of you set up firm boundaries and safe words beforehand. (He’s a sadist, but he’d never fucking hurt his partner. His mama taught him better than that.)

L = Location: His favorite place is obviously his bedroom. Seeing you on his sheets is just a sight that cannot be beat. But other than that… anywhere with a little risk. Storage closets, the bathrooms, hell he’s even fucked you on Azul’s office couch. Pretty much down with any place so long as he can keep you nice and hidden if you do get caught. (Lord help the guy who gets a peek at you naked).

N = No: There’s not really anything Jade hasn’t thought of trying. One thing he ruled out very quickly, though, was sharing. He’s not a fan of sharing things, especially not things as cute and precious to him as you. So if you ever suggest it, he’ll probably kill the person you were considering bringing in.

O = Oral: He is big on receiving, sorry gang, he’s not big on giving. The sight of your lips wrapped around him, drool and cum dripping down your chin, it’s like a dream to our little freak. When he does give though, he’s pretty damn good. I mean, all it takes is one or two times and he’s got you down like a book. Be careful, though, he’s known to nip if you squirm too much.

P = Pace: Jade is pretty slow all things considered. While sex is fun for him, he loves making things slow and incredibly excruciating for you. Do you want to cum? Too bad, Jade’s adamant about slowly pulling out inch by inch just to slowly slide in the same. Sometimes, though, he’ll randomly swap to a bruising pace just to see how you react.

Q = Quickie: If it isn’t obvious by now, yes he’s into quickies. They’re not his favorite, okay, he likes to take his time… but if he wants sex he’s gonna get it, even if it has to be fast. Besides, the thrill of nearly being caught is enough to make the experience all worth it for him.

R = Risk: Duh. Yes, Jade loves risk-taking, and he’s willing to do anything (except share) once to see how you both like it. All you have to do is ask, talk it over, and then you’ll try and implement it. 

S = Stamina: Jade can go for a really long time, but once he cums he’s pretty much out of commission. He’s so good at self-control, but keeping himself from cumming takes a lot out of him, so once he does he can’t go again. Usually, the two of you have one really long round, then it’s all tending to each other and sweet words until you knock out.

T = Toys: He does! I don’t think he’s the biggest fan of them, but if he really wants to stretch things out he’s 100% bringing out his toys. They’re all designed to aid in pleasure, but not allow you to cum, and they’re all remote-controlled. He likes to stuff you with one and send you on your way so he can mess with you throughout the day.

U = Unfair: I don’t need to answer this. (See all of the above lol)

V = Volume: Jade is quiet, he doesn’t make much noise if any at all. He’d rather hear your voice, so he keeps himself to a minimum. You’ll hear a few sighs and purrs of pleasure, but that’s all you’ll get other than his comments about how cute you are under him.

W = Wild Card: He likes being marked up too, but he won’t tell anyone that. He doesn’t want anyone else to see the marks, because to him they’re his own little trophies of being a good partner, but he loves them.

X = X-Ray: Jade is average, about 5.8 inches flaccid and 6 inches hard. It’s really pretty though, pale like him and his tip is flushed a baby pink that could make you jealous. He’s thinner than most, and it doesn’t have many veins. 

Y = Yearning: His sex drive is actually rather low, there isn’t much that turns him on outside of you, and it’s rare that he gets turned on in the first place. Usually when you’re being particularly argumentative or cute, he starts feeling a little hot and bothered. Z = Zzz: He’s usually tired afterward, but like I said he needs his little chat. So he doesn’t fall asleep fast at all, usually able to keep himself up to take care of you and himself.

[nthspecialll]

haiii i was replaying rdr2 and i forgot how WEIRD emmett granger’s mission is ?? the way he keeps calling arthur girly and feminine like hello this is like a 6 foot tall guy with a whole ass beard who is buff AS HELL… but then tommy in the javier barfight mission also calls arthur a pretty boy ?? so HM. any thoughts on this? :P (ur just my go to guy ur thoughts are so good…)

Being feminine back in that time was obviously an insult to most men as the idea of a manly man was at its peak, and even in the rdr universe we see it thrown around, not just at Arthur but also at John and Javier.

With Javier it comes from the fact that he takes care of his appearence and that is kinda seen as a girly thing to do, however I don't think that is the reasoning for either John's nor Arthur's as their canon outfits are... Questionable if you ask me. I would say this is more based in the insulter rather than the person being insulted.

Being called pretty boy even today in real life can be an insult, especially if you say it to someone who is in fact very masculine as Arthur is, so I am guessing that Tommy said it to annoy Arthur, which he was able to. It worked, the insult worked.

With Granger, where it can be both John and Arthur, I would say it is more Granger's own insecurites shining through. He used to be a big important person, he used to be this big manly dude who was feared and respected but now he is a balding old man who shovels shit and lives in a small sorry excuse for a shed. He isn't exactly feeling great about himself and then suddenly in comes John/Arthur who is exactly what he used to be, and now has to watch him do something as lowly as shoveling shit.

He regains a bit of his honor by tearing John/Arthur down, humiliating them by putting them to shovel shit and also by calling them feminine.

[veilkeeper]

Act 3 Emmrichmance: Lich Edition

alt title: if you're really determined, "'til death do us part" is only a suggestion

okay so, after the point of no return some pretty major stuff happens in the romances. @/crossdressingdeath and i talked in DMs about how, as far as we can tell, all the romances have some sort of unfinished business going into the endgame. in the lucanismance, it's him cutting rook off from saying they love him, in the davrinmance it's a discussion about davrin's fear that one of them is going to die just as he's starting to imagine a future with them, and with emmrich it's The Argument™—which as i've discussed before, is emmrich and rook having an argument about his insecurities. in the lich path, which is what i'm specifically talking about here, the argument is about his concern that rook is going to die at some point, and his fear that he's going to mourn them forever. the argument is left unresolved after some pretty intense back and forth, where rook calls him out on pushing his insecurities and fears onto them, and they have to shelve it to head to tearstone island.

to their credit, they do try to apologize to each other. in banter on tearstone island, emmrich very clearly regrets starting an argument, but he and rook both agree that now isn't really a good time and that they'll talk when they get home.

and then rook almost dies in front of him and gets thrown into fade jail by solas.

uh oh!!!!

if this isn't the manifestation of all his fears, i don't know what is. for all intents and purposes, he has lost rook. he's sure they're alive—trapped in a prison meant to hold gods, but alive—and since he's a lich i have every confidence that there was not a moment of rest in the weeks it took to rescue rook. he's their fade expert, he's the best equipped to find them, and he has to, because otherwise the last real conversation they had was an argument he never got to apologize for, and he will have to live with that guilt for an eternity.

i really have to wonder if he ever would have been able to bring himself to stop looking for them.

and while i suspect their LI is always the first person to grab a hold of rook to pull them out of the fade, there's a special flavour to it when you're romancing emmrich. knowing that he's probably been obsessively trying to find them. the sheer relief he must have felt when he reached through the veil and was able to get his hands on them, to pull them through and back into the safety of his arms.

he fusses after them, too. urgently takes them to the necropolis so he can be extra certain that solas' hold on them is gone. he was afraid he'd lost them forever, he wasn't going to waste any time making sure they'd be as safe as they can be. and then he says,

"I will let nothing part us again, my love. Not in this nor any other world."

he says it in that level, sort of indulgent tone that he says all his romance lines in, so it's easy to mistake this as him being poetically hyperbolic. but let us never forget that this is the man with such a profound fear of death that he became a lich just to avoid it. he's not half as well-adjusted as he likes to appear.

when he says he would not let anything separate him and rook again, he is dead fucking serious.

he wakes them up at dawn despite knowing they need rest—i think, perhaps, because it isn't enough to have them breathing in front of him. that he needs to hear their voice and have the reassurance that they're here and real and alive and safe, at least right now. "I would move the world before I lost you again," he says later. before the final fight against elgar'nan, he says he has plans he wants to make with rook, that he wants to be safe and at home with them. if i had to guess, i'd say rook i going to have a hard time shaking him for anything after this. i don't think he's ever going to feel like they're safe if he can't see them. hope you like a clingy boyfriend.

it's kind of the inevitable conclusion to what i was talking about in my sacrifice of souls meta—none of his actual fears around death and dying and grieving have been addressed, and he's hitched his wagon to immortality. and now that he's almost lost rook, he's realized that there is no universe where he's ever going to survive losing them for real.

and we all know the lengths he's willing to go to stay alive.

[cosmicjoke]

Okay, I've got one more bone to pick about the way people mischaracterize Levi's refusal to tell Jean that killing is right as Levi actually making some sort of moral statement and expressing his belief that killing is wrong. I really do wonder how people come up with this stuff.

Levi saying he doesn't know whether Jean choosing not to kill is right or wrong isn't the same as him saying he thinks killing is wrong. It’s Levi allowing Jean to decide that for himself, based on his own, personal beliefs and the objective reality of the situation, while acknowledging that for himself, Levi is able and willing to kill dependent on the circumstances. It's Levi NOT making a moral judgment on killing, or trying to convince anyone else of the moral rightness or wrongness of killing, and to try and frame it as such is pure projection. It's projecting ones own moral beliefs onto Levi and trying to twist his refusal to moralize this issue as some sort of proof that he's morally against it.

Again, though, for Levi it's not even a moral question. It's a question of objective reality. He doesn't try to justify killing to himself through some moral framework, nor does he condemn himself or others for killing in and of itself. Again, it's not about morality to Levi. It's just about objective reality. As in, if I don't do this, then this other thing will happen, and I have to decide which choice sits most right with me, which course I feel is correct in the moment. Either I let myself and my comrades get killed to uphold some static, black and white moral standard and worldview, or I kill the people trying to kill us and save lives in the process. Again, it's not a question of morality, it's a question of practical, objective reality. It’s about objectively acknowledging action and consequence and then weighing, based on that, which choice you feel is best. Where the morality comes in is in which of those options you believe most aligns with your own personal sense of right and wrong.

Also, this repeated claim that Levi is morally grey is wrong, because again, Levi's entire philosophy of no regrets is based on moral conviction. Do what you FEEL is right in the specific situation you're in, whether the outcome proves it to have been the right choice or not, and that way you'll have no regrets, because you'll have not compromised your moral values. I've said it before that Levi is the most morally consistent character in the series. He never compromises his moral values, something perfectly demonstrated in his choice during the RtS arc. When he does something quote on quote "bad", like killing or committing acts of violence, it's because he believes it's the best course of action in any, given scenario.

What people just don't get about Levi is that his moral values aren't static and don't adhere to one, single school of thought, i.e. "killing is always wrong". Levi's morality is fluid depending on the situation. That doesn't mean he has no moral conviction, it means he understands that morality itself is a complex and multi-faceted concept that isn't easily defined or pinned down.

And he doesn't try to force his way of thinking onto anyone else, as demonstrated, again, during the Uprising arc and his exchange with Jean and Armin. People seem to take that to mean that Levi is making some sort of statement as to the wrongness inherent in the act of killing. But again, it's got nothing to do with how he views killing morally, it has to do with Levi respecting the agency of others and allowing them to choose for themselves what they think is right and wrong, or what they think is best. Levi clearly doesn't view killing as "wrong no matter what" or he wouldn't do it. There would never be a circumstance, then, in which he felt killing was the best course. There would be no situation in which he chose to kill, or in which he didn't regret killing. Just because Levi doesn’t deign to tell Jean that he was wrong for not killing doesn’t mean Levi himself views killing in and of itself as wrong.

Again, it’s just him respecting Jean’s agency and acknowledging that he himself doesn’t know for certain what the right and wrong choice is. That doesn't mean there aren't circumstances in which he views killing as wrong though, either. He clearly does view killing in certain circumstances as wrong, just like he views it as right, again, depending on the circumstances, like what Zeke did to the people in Ragako village, etc… Killing innocent people who pose no threat to you is clearly wrong in Levi's eyes. See his disgust at Zeke, or at Kenny for killing members of his squad. Obviously Levi has his own moral standards. He’s just not a big enough dick to try and tell others that his personal beliefs should also be theirs. He’s not so arrogant or egotistical as to try and impose his personal beliefs and feelings on anyone else. That’s why he says he “doesn’t know” what’s right or wrong. Because he doesn’t. Nobody does. He can only go by what he personally feels and dictate his own actions by that. What everyone else does is up to them. He can form personal opinions about their actions, but he doesn’t try to tell anyone one way or another what they should do, again, because he actually respects other people and their choices.

Honestly, so many of these bad takes come down to people's inability to view anything free from the constraints of their shipping goggles. They always approach their understanding of Levi's character from the premise that their ship is canon and work backward from there. In particular, you see these takes coming from the eruri fandom, where some people in that community want to believe that Levi has compromised his moral belief that killing is wrong because he just looooves Erwin so much and is willing to sacrifice everything for his beautiful blonde hunk, lol. So they have to re-frame Levi's refusal to make a moral judgment to others on the act of killing as him actually making a moral judgement on the act of killing. That way, they can then claim that Levi sacrifices his moral values for Erwin because he just loves him so, so much, instead of approaching it from an objective viewpoint, which would then lead them to the obvious conclusion that Levi follows Erwin's orders and is willing to kill people because those actions, dependent on the circumstances, fall in line with what he personally values morally, i.e. doing what's best for humanity, i.e. saving the lives of the people he's directly responsible for.

Those are actions taken and guided by Levi's morality. It's why he's so upset when he learns that Erwin's main goal isn't to secure humanity's victory, but to discover what's in Eren's basement, because it throws into question whether Levi's been making the right moral choice all these years in following Erwin's orders. Levi chose to follow Erwin because he believed Erwin's own intentions were pure and it would allow Levi to help people in the most effective way possible.

Just to lay out further why saying Levi thinks killing is wrong is a ridiculous take, I want to reiterate that it's not about Levi choosing what he thinks or knows is "right" in the moment, it's about Levi following his heart. Following ones personal, moral beliefs won't always lead to the "right" outcome.

Levi doesn't know if ANYTHING is the "right" answer, and that's what his entire philosophy is predicated on. Not knowing whether his actions will lead to a desirable or good outcome, being able to accept that he doesn't know what the outcome will be, but not allowing that uncertainty to instill doubt or hesitation in him and his choices.

He follows what he FEELS in his heart is right, but he won't and can't give a definitive answer about whether it absolutely is or not. The way Levi is able to live with no regrets, as he says, is because, regardless of the outcome, whether good or bad, he knows he did what his heart told him to do in the moment. And yes, that includes killing in certain situations.

It has to do with practical reality. If your life is being threatened, and you know, if you don't take the practical action of killing the person threatening you first, it means your life or the lives of others will with certainty end, then you are absolutely, 100% justified in killing that person.

I've said this a million times already, but there's a very GOOD reason there's a distinction made between "murder" and "justifiable homicide" within the actual law. Like I said before, to criticize Levi for failing to be a pacifist, when his pacifism would have led to him and others being killed, is the definition of cruelty and ignorance and exposes those giving the criticism as having led breathtakingly pampered and privileged lives.

Isayama's story isn't meant to lead the reader toward condemnation of the characters for engaging in acts of violence and killing, or to make you think of them as "bad people" for doing these things. It wants to lead the reader toward understanding that it's the circumstances that force one into a position of having to kill to protect themselves and others that should be condemned.

Killing is "bad", yes, but that doesn't mean a person who kills is bad themselves, or morally wrong. Circumstances like war, like prejudice and persecution, like social ostracization and disenfranchisement are the real villains of AoT. It's why very few, if any, of the characters in AoT are framed as purely villainous. We aren't meant to think of any of them as "bad guys", per say, we're meant to think of the circumstances that led them down a specific path as bad. That's not to say there aren't bad people in AoT. There very much are. People that kill for pleasure, people that revel in violence and in hurting others. People that use their circumstances in life as an excuse to hurt others without there being a practical or understandable reason for it. Just like there are good people in AoT, too. People who, despite their circumstances in life, still extend great compassion and kindness and love to others. And yes, Levi is one of those good people.

These people also try to take Armin's statement that they're all "bad people" now as the narrative somehow trying to tell the audience the same, while never acknowledging that Armin's statement here is taken out of context, without regard to Armin's own bias against himself.

Isayama doesn't say Armin and the others are "bad people" for killing, he simply says they're troubled by having killed because there's this idea conditioned into them from the lives they've led that killing is wrong, no matter the circumstances. Whether one believes that or not though comes down to individual perception and moral belief, which in itself proves that morality isn't a static concept, but rather one that operates on a sliding scale, determined upon ones individual and personal views. Views which can be influenced, of course, by ones environment and societal norms and pressures. It isn't a definitive statement as to ones moral worth as a person, as to their morality or immorality, or a declaration on whether any of these characters are good or bad.

I could just as easily argue, and I have, that it's worse and more morally ambiguous to refuse to kill to uphold ones own sense of moral righteousness if that refusal leads to other people being killed. That kind of rigid moral standard shows a refusal to understand that morality is a complex concept with no, clear definition and could easily be seen as prioritizing ones individual sense of self-righteousness above the lives of people. It's why Armin later refuses to sit out the fight at the docks, despite Reiner's offer for him and the others to do so, because he refuses to put his own sense of moral comfort above what he feels is the right and necessary course of action. Armin's perception of their situation and of himself morally isn't 100% objective on any level. Yes, Armin feels he's a bad person for having killed, but that doesn't mean it's objectively true. Seeing killing as wrong, no matter the reason, is a dangerous and entirely unrealistic and impossible standard to live up to.

One more point. Levi is very firmly "morally good" based on general standards of moral goodness, because every action he takes extends out of a place of kindness and compassion, and as I stated before, he never compromises that morality. His compassion is his defining trait as a character and it dictates his every action.

Once more, it's what Levi's "no regrets" philosophy is predicated on. As long as you make the choice that you genuinely believe is the best course at the time and so long as it's rooted in and coming from a place of genuine compassion and kindness, (which again, Levi's actions always are), then even if the result is horrible, you still won't have any regrets because your decision was made by following what you felt in your heart was right. Not "knowing" what's right, but following what your heart tells you is right, according to your own, personal beliefs. It's about not beating yourself up for things out of your control.

Of course, this is probably what certain people in the fandom mean when they say Levi just does what he wants without concern for the consequences, but that's not what Levi is doing at all. He's simply acknowledging that he can't predict the outcome of anything, no matter how much knowledge he has, or how prepared he is, and so all he can do is make the choice he feels is the best one at the time, depending on the circumstances. Of course Levi would hope that it turns out alright, and that's what making the choice you feel is best is all about. Doing as well as you can and hoping it turns out good, but accepting that if it doesn't, it doesn't reflect on who you are as a person. The way some people frame it though, in typical fashion, is that Levi just does what he wants and doesn't care how it turns out. It's literally the most ungenerous and negative interpretation one could have of a genuinely honorable and wise philosophy.

It's also absurdly disingenuous to claim that Levi doesn't care about the consequences of his actions. He absolutely cares. He cares more than anybody. That’s why you can say, objectively, that Levi is a good person, because he genuinely wants everybody to be okay. He feels genuine compassion and empathy for others and makes every decision he does out of a pure desire to protect people and save lives, or out of a genuine desire to honor those lives or bring comfort. He just knows and accepts that no matter how hard he tries to get it right, no matter what precautions he takes or knowledge he brings to bear on any situation, no matter how sound he feels his judgment is, it could still all turn out wrong, and there's no point in dwelling on that, because all it will lead to, in the end, is a paralyzing fear which helps no one.

[queenhallebe]

Let's Set the record Straight: Respecting Jungkook's Personality!

Facts about Jungkook that tend to lead people into thinking he is a playboy or what we all know as a f🔞ckboy.

Charismatic personality

Jungkook's charm, confidence and flirtatious nature DURING performances, and read that again please, DURING, not after, and before... performances and interactions with fans might be interpreted as some playboy behavior . He's often affectionate , playful and comfortable with fans that often goes misinterpreted as fckboy behavior.

Appeal to fans

As one of the most beloved members of BTS, Jungkook has one of the largest, if not the largest and most diverse fan base. His good looks, talent and confidence attract a wide range of admirers, and some people have read this kind of admiration as indicative of his personal romantic life, even though there's no public evidence to support such assumptions.

Public image, media and the love for drama

The media sometimes portrays K-pop idols in exaggerated or hyperbolic ways, especially when it comes to their personal lives, and Jungkook is no exception.And I think this is the part where we bring the famous Dispatch. Well, doesn't everyone just want to know who Jungkook's having s€x with? And isn't the media keen on chasing after a person for the clout they have?? Imagine how powerful it would be to have his image tainted; the headlines, the hashtag trends...and many more.

Now that we're done done with the first three reasons why, there's this other one, last but not least, but a very problematic take;

He's a man!!

And I know where most of this comes from. Men know what they're like. Women have been hurt by men. And 70 % of women out there don't know atleast 2 men who aren't “ran through” , except those ones who can't actually pull. Even the men themselves can't even bring themselves to believe that such men do exist, that's why the projection; because they know themselves too well, and will tell on themselves through talking about other successful men. And you also know why?? Feigning of innocence!! And I think with this one y'all can definitely tell, that I'm talking about our dear “friend” , Taeil...and his “innocent” twins.

But let's set the record straight here, Jungkook has always claimed himself as an adult the moment he became one. As as a teenager, he couldn't wait to become an adult. This was mainly because adulthood is freedom. And that's what he wanted, freedom! Freedom from being told what to do, not so he could go and fck someone's daughter, or son. Freedom to dress edgy, to get a tattoo, to drink his alcohol and get his piercings. That's all, and if you're gonna say he didn't, sorry to let you know my dear, you're just a follower, not a fan! Go looks at his most recent interactions with fans, on weverse especially. He did say, he's an adult, doing adult things, and talked about his song seven. He got stalked when he was smoking privately, and the world got to see that, but he never once, denied the thing, he actually continued. He drank almost every live, he showed us his fridge, full of nothing but alcoholic beverages. He once did share a story of his gf as a teenager. So I think we've gotten that out of the way. Jungkook was never keen on showing anyone how “innocent” he is, so he's not a man hiding behind any innocence. He's innocent because he looks like that, not because he is conniving.

This man has been a victim of many things, namely hate trains, sexualization, stalking, death threats, smear campaigns, boycotts and many more.

While it's an understandable thing to not like someone, find someone good looking, and even boycott for reasons known to you... there's nothing that can justify why he was to go through hate trains and being stalked, and swearing on your cat's life that he's a s|ut just because you see him playfully interacting with Armys, or because he just looks like he could be one.

“Well he knew what he was getting himself into being a kpop idol”

No!!! Absolutely no one deserves to be hated just because they're public figures. Being a public figure does expose you to a lot of criticism and scrutiny,but it's NOT for people to stalk you, to want to take your life, and to play around with your sexuality, assuming how gay or straight you are!! It's not a good thing just because people have normalized doing nothing about it. And those who try to defend him are gaslighted into thinking they're wrong for simply wanting that he should atleast have his privacy. People just want to justify blind idiots confusing his playful attitude with hoe-ology, they want to justify the people who confuse his welcoming nature for “do-whatever-you-want,come-into-my-house,-cook-for-me-and-when-you're-done,-come-jump-straight-into-my-arms” !

Like I said, there's nothing wrong with the fantasies people have in their heads, and maybe even assuming things, coz that's human. But while doing so, it's important to keep remembering that the “vibe” you're getting from him, is all in your and your friends' head. The so called evidences, those blurry photos and videos have nothing to do with him, and if it's so true, it should have been captured clearly for people to see!! Yes he's not a kid, but who told you he sleeps around?

People are entitled to their opinions, but it's best they remain only as opinions.

[shakingparadigm]

what is the theory that ivan manipulated the event where till and mizi met the wagyein?

It's not a theory, actually! It's confirmed that Ivan orchestrated the whole event. The true reason as to why however is still unknown. The information provides more context to this scene, though:

During the earlier times of ALNST the most rational explanation for this scene was that Till ran after a flower crown (presumably Mizi's) and Ivan followed him in out of curiosity. Now we know that Ivan was conveniently just standing there because he was waiting.

Side note, I find it heartbreaking (and maybe a little funny, sorry) that Till most likely didn't notice Ivan in this scene. That's just like him, isn't it. Always too busy running after Mizi while Ivan trails behind, an ever-present shadow.

I'm not sure how Ivan manipulated the circumstances for both of them to end up there, but it is confirmed that everything was intentional. What strikes me most is how they describe this particular scene:

I can't copy down what they said word-for-word (Patreon info), but they described Ivan watching "creepily" as Till and Mizi are faced with danger. We know that Ivan was familiar with the Cerberus wagyein beforehand, enough to touch its teeth and even to rest himself inside its maw. To Ivan, the wagyein is not dangerous, but to Till and Mizi, it could be. Ivan prepared the wagyein, led them there, and watched "creepily" from afar as Till fell on his knees, seemingly injured.

The closest I can get to making sense of Ivan's "scheme" is that he wanted to see how other children would react in a dangerous situation. Ivan's always been an observer, after all, and he's learned to survive by copying the more "normal" behaviors of his peers. This situation occured when Ivan was still young and had not yet developed his more charming mask, so perhaps he staged this encounter to study a situational response, to learn and mimic the emotion of fear. And what better subjects for the experiment than two of the most expressive and reactive humans of their batch? It helps that he was already fixated on Till beforehand, too. I think Ivan became irreversibly obssessed after this incident, especially since it's framed as a turning point in Ivan's life, comparing Till to the stars.

This is just my attempt at an interpretation, though. It could very well be for another reason. He most likely chose Till and Mizi specifically for personal reasons, not just for reaction. I'm still not sure on the purpose behind the whole thing.

The team wanted to capture Ivan's "dark emotions" through the shot of his stalking, which could relate to his more sinister intentions. His gaze can be read in a few different ways, though. Curiosity, interest, fear, etc. Maybe that's why they decided to redraw the shot in ROUND 6.

I think this better sells the feeling they were trying to convey.

[mad-hunts]

i like how barton went from being like... a hippie in terms of how he viewed sex in his early twenties, then kind of abstained from it for a few years / became sexually repressed, which... definitely isn't such a good thing. BUT then he became even more of a freak (and i do mean that in the good way this time LOL) around the time he started residency because WOW is that shit stressful. though that was also unfortunately around the time when he really started to spiral as well 😬 but we don't need to talk about that ahahhh

like the way this man learned how to express his sexuality REALLY came full circle in the end considering he was like 'yeah, back in the early days that i was in college, i was a freak. but now i'm not anymore... though do you want to see me do it again anyway?' like 💀 JSJSJ if he weren't so demented, i'd almost be inclined to say good for him, y'all LMAO feeling comfortable with your sexuality and perhaps even having a bit of fun with it (though maybe too much in barton's case, because he literally weaponizes it in order to lure in his victims. BUT once again, we don't need to talk about that right now psshhh. i actually fully intend on talking about that in the tags NGL) is more often than not a good thing after all

[sadlynotthevoid]

I want to read a LCF x Assassination Classroom crossover only for the sake of seeing OG!Cale interact with the principal.

They would fight and OG!Cale would win because he's such a little shit and fears exactly one thing— and manipulative assholes aren't that.

Principal Asano (whatever his name was) would have an aneurism trying and failing to intimidate him.

This brat (because any version of OG!Cale would kick his ass, but teenager!OG!Cale would be funnier) not only isn't affected by his bloodlust (he grew up around Ron, that was rather pathetic), he can see through his manipulations and plotting as if he was reading a book— an easy one, at that—, and had been going in circles around him since he entered through the door!

What is worst, he has been switching back and forth between almost calling him out and playing dumb since he tried to use one of his usual tactics with him. He's laughing at him inside— he knows it.

He ends up giving Asano a nervous tick.

So, AU where teenager Og!Cale transmigrates to AssClass world— maybe he appears near Karasuma's colleagues so he has to deal with him (because whatever God that delivered him knows that kid needs a responsible adult around)— and proceeds to take it really well. Can't say the same about some people (cofcof Asano cofcof) who fucked around him and now find out.

Meanwhile, Karasuma is very busy with his job, the supersonic octopus, getting his teaching license, and the strange kid with self-esteem issues that crossed worlds— who's now living with him.

Curiously, helping Cale to accommodate to a whole different world and society is the less difficult task out of all of them. The hardest part so far was explaining him why his happiness and reputation isn't a "good price to pay" for someone else's wellbeing.

(Although the talk about "why exposing yourself to any nocive substance was a bad idea even if you have a great tolerance or immunity to them, and therefore, is forbidden" had been a close one. Seriously, why does he knows how poisoned food tastes like?)

[llatimeria]

Just finished The Santaroga Barrier by Frank Herbert (my dad likes to play audiobooks in the car on trips) and I didn't like it much (and there's quite a bit of Yikes in it, because frank herbert and the 1960s in general,) but the aspect I found most interesting was the concept of like. A world's subconscious desire to kill The Other.

In the book an investigator visits a small cultish town in order to investigate it for a market study after a few other researchers mysteriously died. he gets into a frightening number of "accidents" while he's there (like the former investigators) and starts believing that there was a conspiracy among the townsfolk and all of them were intentionally trying to murder him.

tl;dr, it turns out it actually was a subconscious yet intense phobia/hatred they had of The Outside they had as part of their personal traumas, childhood indoctrination into their local cult, and the LSD-like drug they were constantly on. They didn't mean the investigator any harm, if anything they were extremely welcoming, kind, well-meaning people, but this background radiation of fear and rage kept making them accidentally do things to kill him - mixing up insecticide and spices in his food, gas fumes being pumped in his hotel room after a botched maintenance job, a torn carpet tripping him off the railing of the balcony, and Many Other subtle attempts on his life that he just happened to avoid by sheer chance.

But all the townsfolk don't really think anything of it - the town doctor, especially skeptical, "diagnoses" him as "accident-prone" until the investigator begs and pleads with him for days after several brutal accidents in a row, and only then does the doctor start believing him but even then only comes up with the theory that all of this supposed malice towards the investigator is "subconscious" - later shown to likely be correct when the investigator himself, after overdosing on their special drug, "accidentally" shoves his colleague off a roof, killing him, but the investigator physically cannot see it as anything but an accident anymore. it simply doesn't reach his mind that he killed a former friend of his. it was just an accident. he just fell, all on his own.

the idea of A Town That Wants To Kill You, But It's Nothing Personal resonated with me from the perspective of being a disabled person, especially one in a generally welcoming, accepting environment. when you're disabled, not a lot of people will come to you bearing their ableism between their teeth. They'll be nice, insensitive maybe, but nice, and are often outwardly willing to accomodate you. But they also stick out their leg as you're walking along to trip you. They'll apologize, and you'll maybe even believe it, even though to you, from your perspective, it was obviously an attempt to harm you. You excuse it once, maybe twice, but after a point, you realize that this world, this community you have entered, is actively hostile towards you and everyone like you. so you start screaming it to the rooftops. you tell authorities that the world wants to hurt you, but they begin affixing labels to you like "paranoid" or "anxious". they know no one actually has it out for you, personally, after all. that would be ridiculous.

but you still keep getting tripped down the stairs. the rat poison and the sugar at your favorite coffee shop still keep getting mixed up, but only when it's your order. in the hospital, recovering from your previous "accidents", a nurse will still accidentally pump you full of saline instead of medicine.

after a point, doesn't the fact that all of these are "accidents", and that no one WANTS to kill you, just... stop mattering a little bit? Yeah, no one wants to hurt you, but they just keep doing it. They keep making stupid little mistakes. They know everyone like you who has visited their community has died or been seriously injured under suspicious circumstances, but the idea that they, themselves, could be a little bit at fault just doesn't even register to them. they don't even consider that they might have to change their ways in order to protect people like you. After all, you can't prepare for every "freak accident". Even when the solution could be as simple as "stop putting rat poison next to the sugar", every time it happens to you, or a person like you, it's just an "accident", that no one "meant" any harm, and "nothing could be done".

it doesn't cross their mind that a string of unfortunate accidents ceases to be accidents, but serious negligence. it can't cross their mind, because they're not the victims here. they only even begin to acknowledge something might be wrong when the victims are screaming in their face, day after day. even then, they come to the conclusion that even if you're right, and the community does want to kill you because you are Other, they won't immediately see anything wrong with that. To Them, the answer is clear as day: just become one of Them, and you'll be safe. They take care of their own.

[badgirlcoven-official]

No you misunderstand tumblr user writing long analysis post the people saying ACAB about death note are fully aware that the theme of the anime is "no one should have the power to kill" it's just that this message is fucking stupid and idealism perpetuated mainly by the privileged to stop their victims from violent uprisings

And the fact they chose a cops son and he only really targets criminals (an oppressed class, even if the things they've allegedly or assuredly done are awful) to illustrate this point further highlights how self-righteous and poorly thought out this message is

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[fanaticalthings]

Most children, once they've grown up and moved out, sometimes come back to visit their parents to use their house as a sort of personal grocery store

And with Bruce being a literal billionaire whose house is always stocked with food and supplies, the batkids (that aren't living in the manor) definitely visit just for the purpose of taking shit for themselves.

---

For Dick, it's just small things, food and maybe some utensils. Bruce is barely in the kitchen so he never notices dishes go missing, and there are like 10 other children in his house so literally any one of the younger kids could've stolen food in the middle of the night, so he doesn't bat an eye at all.

Babs probably steals Bruce's hardware or his tools from the batcave. Sometimes, if she's nice, she'll leave a note.

Steph probably takes shit that no one will notice at the time but will absolutely be annoyed about when they need said thing. Stapler, soap bars, the microwave plate, etc...(Taking after Jason, she steals the hub caps off the batmobile's tires)

However, for Jason, once his relationship with Bruce is somewhat decent, of course he's gonna be petty and start stealing the more expensive shit in the manor for his apartment. Jason's microwave is broken? The next day, the cave's self-made and enhanced microwave made by Bruce for convenience is just gone.

Jason's feeling a coffee maker for his place? The one in Bruce's study disappears, too.

---

At first, Bruce thinks he's just sleep deprived, but then much bigger things start to go missing, like the whole TV and couch set in the living room. He assumes the younger kids are just playing pranks on him (sounds like something Stephanie would do) but then Bruce notices that the thief deliberately avoids stealing things from the kitchen, which is where Alfred is most of the time, and suddenly Bruce has an irritated clue on who the culprit is.

At first, he doesn't say anything, until one day he comes back, tired from a patrol, and is about to log in all the info on the computer only to realize his batchair is gone. That's when he texts Jason a blunt "If you really need things for your place, you can just ask me. I'll buy them for you." (As if Jason himself isn't loaded from his totally legal activities)

---

So now Jason's pettiness levels increase tenfold, and oh, wouldn't you look at it, his bike needs some new tires, and he knows a great place to get some more.

One night, Bruce is just blearily getting up for a late night snack, only to see Damian scamper away with a...lamp? So Bruce immediately follows him into the foyer only to see ALL of his kids (sans the ones not living in the manor), trying to haul two arm chairs out the window, and they just stop dead silent to stare at him until someone whispers a nervous "Crap"

Bruce doesn't even have any energy to fight, he just pinches his nose and is all "What is the meaning of this" in his tired dad voice. And Duke meekly responds with "we wanted more chairs at Jason's place"

And suddenly it all makes sense. Not once did Bruce wonder how the HELL Jason managed to lug a whole 60in TV and a full couch set on his own in one night. Of course, he had accomplices. Bruce just turns right around and goes right the hell back to his room to sleep. He'll deal with this in the morning.

[bi-writes]

I imagine that Johnny's "uncle" instincts are so strong that he would do anything for the MOB and Simon's kids, it doesn't matter that "the kids" are cats. Also i think Simon would have a talk with MOB (and Soap) along the lines "if something happens to me he is the person who would take care of you". ~ i spend to much time daydreaming about this fic

mail-order bride

johnny watches with a careful eye as simon disassembles his rifle. he's methodical about it, very careful. he has a clear desk in front of him, and every piece that comes out has a place on the surface, a special spot that it must go.

"ye called fer me, LT?" johnny asks, knocking on the door gently. simon nods, not looking up from where he's sitting. he motions to the chair in front of the desk, and johnny takes a seat, hooking his thumbs into his tact vest and spreading his legs as he sits there. "what do ye need?"

"'ave somethin' ta say," simon mutters. "'n i'm gonna say it, and y'r gonna keep quiet and not interrupt me. and when i finish, ya aren't gonna say anythin' about it. and we aren't gonna talk about it ever again. say ya understand me, sergeant."

johnny swallows, shuffling in his seat before nodding.

"aye," he says lowly. "roger tha'."

simon sniffs, picking up the barrel and using a microfiber cloth to rub it clean. he leans back in his chair, not meeting johnny's eyes.

"tha' last op got me thinkin'," simon mutters. "thinkin' a lot." he sighs, deep from his chest. "wot would happen to my girls. if somethin' were to happen to me."

johnny purses his lips, his palms getting a little clammy. but he doesn't speak, because he's been ordered not to.

"and if tha' happens," simon continues. "i don't want anyone else lookin' after them except for you, johnny."

their eyes meet finally, and johnny swallows hard. it's a long gaze, and they hold each other there for a few moments to get an understanding of one another, to speak without speaking.

johnny stands, shaking his head. it's hard for him to believe that simon could die. he's unkillable. he's ghost. he's a man too capable of staying alive, too good at crawling out of early graves, that he doesn't understand truly what it is he's seeing in his lieutenant right now.

the thing in his eyes, he's just never seen it before. it's fear.

"simon."

your greeting as he steps through the front door immediately makes his shoulders relax. you're in the living room in nothing but one of his old shirts, standing there with a big smile on your face. his eyes rake down your body, over your bare legs and socked feet. your smile is bright and contagious, and he drops his bag off as you come closer to him. as always, your hands find the hem of his skull mask and slip it up and over your head, and you giggle when he blushes as you look over his face.

"you're so handsome," you whisper, and he clicks his tongue, shaking his head. you lean up on your toes and kiss him warmly, smoothing your hands up his big arms and wrapping them around his neck. simon can't help himself; he slides his hands down your back and slips them up the hem of the shirt you wear, cupping your ass in both gloved hands and squeezing hard. you laugh into the kiss, pulling away slowly, meeting his eyes. he looks tired. he looks...sad. "simon...is everything okay?"

you swipe your thumbs under his eyes, smudging the eye-black there, and he just shrugs. he doesn't lie. it isn't okay, he isn't okay, and you kiss him again to say you're sorry, because you don't know if he would want to hear that.

"i, uhm...ordered a pizza," you say softly. "thought we could watch a really bad movie and eat gross."

simon smirks, leaning his forehead against yours.

"i'd like tha'."

as you're plating up greasy slices of pizza, simon passes a piece of paper to you. it's an index card with a phone number on it and an address. the address is far, really far, and you lick the sauce off your finger before looking up at him.

"what is this?" you ask, taking it from him.

"tha's johnny," simon murmurs. "if anythin' ever happens...if ya ever need me...'n i'm not 'ere--" you open your mouth to say something, but simon shushes you gently. "--if somethin' ever happens to me...you call johnny."

you purse your lips, meeting his eyes for just a second before looking back down at the card.

"nothing's gonna happen to you, simon--"

he cups your face in his hands, shaking his head. he's staring down at you, pleading, asking you to just do this for him, to just say yes, to not fight him on this one thing because he needs this.

you press the index card to your chest gently, nodding finally.

"yeah...okay..." you whisper. "i'll call him, simon. if something happens...i'll call him."

if something happens, if something happens, if something happens--

"simon," you whisper, grabbing his eyes again. he blinks, and you compose yourself when you see that glaze over his eyes, the slight shake of his bottom lip. you have never seen him this way. you have never seen him shake ever before. this was your husband. simon riley, made of nothing but dense rock and steel. but his thoughts are far away. his thoughts are somewhere else, seeing a scenario in his mind that you imagine may not be hard to think about, as if he's lived something like it himself.

the unknown. the despair. the aftermath.

the inevitable.

"simon."

your voice brings him back. he's back in the kitchen. he's back at home. he can hear the cats in the living room, the little bells on their collars ringing as they chase each other in little chaotic circles.

he's back with you. in his little bubble. he's praying to a god he doesn't believe in that it won't burst so easily.

"dont worry, simon. i'll...i promise i'll call."

[suiana]

yandere! parasite who decides to inhabit your body after observing you from his previous host. you're so cute! you'll definitely be a lot more comfortable to be in over this... fumbling fool that's obsessed with you.

the switch is seamless and you don't even realize that you have a parasite in you until he speaks.

you were stunned, where did this voice come from? you look around you, thinking your boss or coworker had called for you... only for the face of a... translucent and handsome looking man to appear right in front of you.

"hey!"

"what the- where did you come from? wait a minute who even are you?"

"you're so silly. isn't it obvious that i'm a parasite and you're my host?"

"a... parasite?"

you freak out, thinking you have brain eating worms in you as you break down in the middle of your job. fortunately, the lovely parasite in you takes the time to comfort you through your brain.

he tells you that he won't kill you and that he's a symbiotic parasite. that he'll just co-exist with you for as long as you live. that he won't interrupt your life whatsoever, he just needs a place to stay, you know?

at least that's what he tells you and himself.

unbeknownst to him, he had... unfortunately adopted certain characteristics from his previous host. and what did that include? his obsession of course.

he doesn't notice it at first. he was just acting like his normal self, observing your day to day life for about a month or two while interacting happily with you through brain messages. everything was fine and dandy! nothing out of the ordinary for the both of you except for the fact that you now had a parasite in your brain.

and he was quite useful actually! improving your health, boosting your physical strength and stuff... it was so freaking cool! you never knew you could do all these things!

plus, he was so sweet! you two were definitely like a pair of really good friends even if you just met a month or two ago! he's just perfect!

that was, until he saw someone confessing to you.

he didn't understand what was going on. why did his chest tighten up at the sight of some other person confessing their love to you? why does he feel a sudden rush of... anger?

he turns to watch what you do and he swears he only feels more anger at how you react. cheeks flushed, pupils dilated...

no, he couldn't have that.

meanwhile, you were totally flattered by the sudden confession. especially when it was from this cute nerd from the IT department! maybe you'll accept- wait, wait, wait! why was your body moving on its own?!

"you belong to me."

the parasite in your brain mumbles as you lose all control of your body and begin walking away from your admirer. what the?! he's never done this before! why's he taking control of your body?!

"hey! give my body back!"

"how could you do this to me? i am hurt, my dear host."

you couldn't even respond, too shocked to even say anything before you try to resust again. obviously it wouldn't work but it doesn't hurt to try.

"hey cut it out! i thought you said we're just living together? what's this? you totally messed up my chances of getting with someone!"

you were about to snap back when you feel a cold dread creep up your spine. shit, you forgot he could control everything in your body.

you could only watch in horror as he brings your body back to your apartment before he forces your body onto your bed. his translucent body appears in your vision once more, pinning you to the bed. you couldn't even resist even if you tried. he controlled your brain after all.

"you're my host, therefore, you are mine. i do not understand what's so hard to understand."

gritting your teeth, you could only allow this parasitic admirer of yours to stare down at you while grinding his hips into yours. damn, what's he trying to-

"hah... you're so cute... i love you so much... can i explore you? I'm so curious. I've always looked away when you were bare but..."

you couldn't even say no if you tried. your body was responding on its own. damn it! his brain controlling abilities were too good! maybe you should be a parasite in your next life.

"ah... is that a yes? god, i love you. i love you, i love you... i love you so much my darling host."

...

were you about to have mental sex with the parasite living in your body right now?!