#good omens show

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[cassieoh]

A whole new perspective

[circusmantis]

Please forgive me

[edin3el]

im a taurus

[goodomens-girlie]

I actually need Mrs. Sandwich and Crowley to be besties in s3

[youidiotwecouldbeenus]

They speak every fucking language and still can't communicate

[milli0n-dollar-fool]

This has probably been said before but good omens had made very clear aziraphale and Crowley's relationship at the end of season 1 for any doubters

Here Crowley says 'time to leave the garden,' like God had said 'the story ends as it began - in a garden,' not just referring to Adam young. The Garden of Eden represented their responsibilities as angel and demon, especially their very first responsibilities. Leaving the garden means leaving it all behind.

When they met in Berkeley Square, they met no longer as angel or demon but as lovers, 'the first meeting of two lovers in Berkeley Square.'

Gonna go scream now

[unforgivablego]

Every time Aziraphale pop in from nowhere

I love him so much🫠

[writingdinosaur]

Aziraphale was wrong this. He’ll come crawling back that. I want him to do the apology dance blah blah blah.

You know what I want? I want him to succeed.

I want him to give Heaven hell.

I want him to be a problem of the Metatron’s own making.

I keep seeing a take floating around that the Metatron was obviously lying when calling Aziraphale a natural leader and a good choice for Supreme Archangel and just trying to butter Aziraphale up so he’ll be more open to the idea of rejoining Heaven, but I think there is an important distinction to be made in this regard.

Aziraphale IS those things. He IS a natural leader. He was the first being to ever wield a weapon on earth. He is a high ranking member of Heaven’s army and was in charge of a platoon in the first war EVER. HE WAS FULLY EXPECTED TO DO SO AGAIN IN ARMAGEDDON. We can see this leadership both in Season 1 when he insists to Crowley that they don’t run away and in Season 2 when facing the demons. And if Heaven actually was everything it was meant to be, everything it still proclaims that it is, Aziraphale WOULD be the obvious choice for Supreme Archangel, because when faced between making the right choice or making the obedient one, or even between making the right choice or the comfortable choice, he has always picked the right one.

Give up the sword and lie to God or let the humans suffer? Welp, there goes the sword.

Lie on my word as an Angel or allow three human children to be killed? Guess who’s lying again!

Go back to my abusers in order to make things better for everyone or run away with the love of my life who just confessed his feelings for me? Up I go.

Here’s the kicker. The Metatron ALSO thinks he was lying to Aziraphale. In the Metatron’s eyes, Aziraphale is none of those things. The Metatron and the Archangels are nothing but condescending pricks to the Angel they see as a bumbling, incompetent, slightly insane fool who chose Earth over Heaven.

I don’t want Aziraphale to come crawling back. I don’t want him to realize it’s a lost cause. I don’t want him to give up.

What I want is to see the Metatron’s face as he watches Aziraphale succeed.

[ufofrommarss]

Trade with @vavoom-sorted-art! :D

[faeyuh]

ineffable cats ❤️

[madstheintrovert]

Ok sorry I keep going… Good Omens Spoilers S2

Things that are now canon and I deadass cannot:

- Aziraphale is a bad driver

- Gabriel and Beezlebub are an item

- Crowley and Aziraphale knew each other before the fall

- Crowley was someone high up in Heaven before the fall

- Everybody knows they are a thing. The angels. The demons. The humans. *love Shax’s comments and Aziraphale’s facial expressions**

- Crowley confesses first. They are somewhat ineffable idiots but also they are just ugh, I love them

- Crowley covers his eyes because they reveal too much. Taking off their glasses is an act of trust. Him putting them back on in the last scene hurts so much.

- Crowley is not a lad

- Crowley is so furious with Gabriel over the Hell fire biz

- the “our shop” the “our car”

… I’m forgetting what else but fuck. Sorry I’m just enamoured right now.

[cassieoh]

An old friend comes by for a visit.

Sources of the different papers:

Aziraphale wings - a Book of Hours

Crowley wings - image of the second coming/Great Beast of the apocalypse

Clouds - a few different pages, one of just text and one of Eden

Stars/Comet - medieval illustrations of the sky/celestial events Circular design behind comet - diagram of the planets

[circusmantis]

Something about Eden Aziracrow…