#it's just so interesting bc like the only time in my life I was being sexualized or viewed as attractive was as a literal child

[fushitoru]

gojo getting jealous about reader having a crush on spiderman is so funny to me. he's like a dog barking at its own reflection

cw: spiderman gojo content below cut, blurb is suggestive, for context reader and him are at a frat party on halloweekend and reader was jumped in an ally where spiderman saved her before this, might not make sense bc there's like 7k words before this but my yapper self couldn't keep this to myself, might be changed or not make the final cut, NOT EDITED

“Something like that,” you mumble, not wanting to give him the entire story. Twisting the cap off the bottle,  you take a sip, hoping he’ll just leave you alone, but instead, he leans against the counter, looking entirely too comfortable.

“So,” he says, tilting his head, “I heard through the grapevine that you had a run-in with that Spider-Man guy this week.”

That makes you pause mid-gulp of water, instead of coughing a bit as you try to swallow it down without basically drowning in Kirkland Signature Natural Spring Water. You’ve only told, like three people outside of Kento and Iori, so you’re confused why he knows this information, but you continue on regardless. The memory of Spider-Man swinging in to save you flashes through your mind, and you can’t help but smile softly to yourself. “It was amazing. He’s—he’s incredible, honestly. The way he just swooped in and handled everything? So fast, so precise. He’s like a real-life superhero.”

You’re basically gushing to him, and you realize that a bit too late as you look at his face to gauge his reaction. He’s looking at you with a newfound interest, albeit a bit too conflicted to fully tease you about it when he says, “Sounds like you’re smitten.”

“Maybe I am,” you admit, laughing. “I mean, who wouldn’t be? He’s brave, he’s kind, and he doesn’t even stick around for the credit. It’s like he’s this selfless, untouchable figure.” You also kind of want to give him a sloppy toppy for saving you like that, but you spare Gojo the details. 

“Untouchable, huh?” Gojo echoes, his tone turning a bit wry and…jealous? “Sounds like someone’s got a crush.”

You roll your eyes, but it’s half-hearted, and you think Gojo can tell with the way you’re heating up and bashfully looking at the ground. “Don’t be ridiculous.”

“I’m just saying,” he continues, leaning closer, “if that’s your type, you might want to raise your standards. Superheroes are overrated.”

You raise an eyebrow. “And what, you’re not?”

He grins, that infuriatingly charming grin that makes you want to simultaneously punch him and laugh. “I’m better. I’m real.” He then puts his hands on the counter behind you, caging you between them until your knees are lightly brushing, and suddenly his face is so close that small little breaths from his nose are fanning across your face. “I can prove that to you.”

And you hate your body for being so…reactive and enthusiastic to his smooth-talking, face flushing. Despite that, you try to put on an air of nonchalance. “God, you’re insufferable.”

“Really?” he teases. His hand leaves the marble counter to hover at your hip, his hand subconsciously tracing your curves an inch above your skin. The motion, firm but tentative as if he’s waiting for you to give him the green light, makes you shiver as you subconsciously move your hips to finally have the skin-to-skin contact. And your skin sings in happiness as he draws circles into the area right below your skirt, even momentarily dipping just below, to which you realize that he’s treading very close to your panties, since your skirt’s really short.

"Yea," you basically sigh, hating yourself for how breathy your voice sounds.

It seems to have an effect on Gojo because his eyes darken as he murmurs, "Wastin' your time on that Spiderman guy."

Maybe it's the fact that it's late (you've been getting sub four hours of sleep this past week) or the lights in this humid frat bring a heady air, but all academic-rivalry-overshadowed-woman-in-stem history between you and Gojo disappears in your brain as you rake your eyes up and down his torso and then look at him through your lashes. "Who should I spend my time on instead?"

then they get cockblocked but

[meanbossart]

re: Vellioth as the stepfather its interesting bc stepfathers n media (and irl but limiting myself to tropes here) hav the practical role and obligations we tend to ascribe to fathers ie providing money and protection and being the head of the household, but do not share a blood tie to the child in question. and it is seen as magnanimous for a man to "take on the duty" of providing ofr the children of the woman he's with, rather than duty. This shifts also means that implicitly the stepchild should be grateful for this new patriarch in their life, which is complicated because most often this stepfather occupies a place of control. In cazador's caze i feel like bc there was no father to speak of, his resentment of vellioth as The Stepfather had more to do with intruding and vying for attention from the woman they both love, rather than usurping the OG father. Come to think of it, having no experience with a father figure before vellioth probably made the shift to a patriarch that more jarring. And considering that he positions himself s the Father of his spawns, he probably modelled a lot on Vellioth (or in antithesis of).

ultimately velloith did what stepchildren often fear secretly most: intruding, appropriating, and evnetually the destruction of the family unit as it was

I might not have expressed myself super well in that reply- I was comparing Vellioth to a step father in the same way people loosely compare Cazador to a patriarch/abusive partner. I certainly didn't mean it to be literal - neither in the comic I referenced or in my personal headcanon (which are functionally identical) does Vellioth ever actually inhabit the role of a surrogate dad in Cazador's life. Rather, that is the perception that he's vaguely trying to sell to others to maintain the ruse.

I clear this up because I am (personally) not of the belief that Vellioth and Cazador ever had a relationship outside of the dynamics of master and slave, which might be a little more simple than you were hoping for, based on this ask (unless I'm misreading, in that case ignore me LOL)

But if we're speaking strictly in allegory - yes. Vellioth makes for a specially juicy satire of a step-father who intrudes, disrupts, and yet overvalues themselves for doing the least on the basis of being there by choice rather than obligation (keeping Cazador alive as a spawn when he could have just killed him off) but I don't think any part of him is doing that under the false pretense of charity - he only wants to keep Cazador around to hurt him, because that would hurt his mother.

(Something I also neglected to say is that in De Rerum Natura ((not spelled out in the comic explicitly, but stated so as a headcanon of the very smart and handsome author)) Cazador was never meant to become a vampire. That was a fate his mother very much did not want for him.)

And, perhaps, every vampire lord harbors a little self-destructive desire. If you don't invest a non-negligible amount of time and energy into making ONE particular guy super mad at you, who is ever going to finally put you out of your misery after all!

EITHER WAY this image you sent me is still very good and thank you for sending it LOL (art by @barbatusart)

[wizardsix]

ok... so I have finally finished veilguard after about 90 painful hours (two playthroughs). im not gonna write an actual review about all of my detailed thoughts bc it'll actually take days, this is just to at least get my general thoughts out and see if anyone else feels the same or if ive actually lost it.

overall it is the weakest dragon age game story-wise, and I'd give it a nice lukewarm 4/10.

(i wrote this post right after I finished the game on the weekend so maybe I sound a bit harsh, I tried to edit it to be more reasonable lol but I didn't really want to delete this since I do still stand by a lot of this)

I really tried to go in with an open mind, bc I always want to experience media in full before making any kind of judgement, but about a few hours in I had this horrible feeling that once again this was another soulless, rushed game, and I still don't feel any different after finishing the game.

what stuck out to me was that there's no sense of urgency despite what the plot is, serious topics are not treated with care as the writing overall is shallow, and the gods as well as any other enemy you encounter are just cartoon villains (and apparently the lore retconning, but I'm not well-versed enough to dissect that so I won't).

I can't take this plot seriously when it feels so disjointed and forced and lazy. and I see no point in caring about anything when choices literally don't matter. no say in who you recruit, no say in the relationships with them and they have almost no awareness of rook, definitely doesn't matter if you have allies or not bc they show up anyway, and only four companions are locked into unavoidable decisions where one of them bites the dust no matter what (which is strange bc why are harding and davrin forced to die no matter if they're at hero status while bellara and neve can literally survive blight if they're at hero status), so it's impossible to try to strategize for better (or worse) outcomes with all the people you've gathered when there's only one right answer that the game pretty much tells you instead of letting you think for yourself (and side note this game does an incredible amount of hand holding). the game actively tries to trick you into thinking your choices matter with the onscreen notifications, but nothing matters bc the devs clearly had only one story in mind and for some reason lied that it had "complex choices".

also rook in general wasn't interesting as a protagonist bc they were written to be perfect. they always know what to say and are so supportive of everyone. they never struggle with anything. not even with leadership beyond "man leading a team is hard :/" but it doesn't actually show how hard it is by having actual volatile conflict between the companions* or showing how their plans sometimes fail. which, if we actually had choices that mattered, would have helped develop that struggle. also? what's with everyone being so friendly? I'm not gonna get into that but everyone is so eerily nice and it's been said a lot but yeah, the world is extremely sanitized and devoid of any real conflict aside from the gods I guess.

*(like off the top of my head cassandra fighting with varric and accusing him of not being on their side or how the inquisitor can literally punch dorian and solas if approval is low enough or fenris and anders bordering on killing each other is not the same as lucanis and davrin distrusting each other or people being uncomfortable with emmrich's necromancy. it just scratches the surface of conflict and never goes anywhere)

and let me say real quick again, there's nothing wrong if they wanted to make a more rigid story about being a hero. it's been done a million times and it can be executed well, but if you do that you need to make sure you 1) don't lie to people and 2) actually flesh out your (especially main) characters and plot to give people a reason to care. look at dragon age 2. hawke is a fixed protagonist with their own life front and center. they ultimately only have two choices (siding with mages or templars), but it works bc the game took time to build up the conflict straight from act 1 so by the time chaos happens in act 2 and 3 you understand why bc it's Been brewing the whole time. it just makes sense. the villains as well have sound reasons and feel real instead of being evil just bc. the story is more grounded, yet you have choices. you decide if hawke ends up alone or not. you decide how they approach situations with force or diplomacy. there's none of that in veilguard. a game that supposedly took 10 years to make. when dragon age 2 took almost 16 months (yes I know da2 also has problems like the fact that the templars are always proven right but this isn't the place to dissect that).

I want to be fair though and I do want to restate what I enjoyed about the game. the cc (though would it kill them to have more variety in face textures like age and body types beyond average.. also no colour wheel... especially since they claimed their cc was so good), the map progression/visuals/exploration (how certain places become more blighted overtime), the factions (though I feel there should have been more content for your faction, and helping them or not should have mattered more), the combat (did not feel like a slog, pretty fun and mindless), the companions (bellara, davrin, emmrich, harding, and lucanis had solid personalities and stories despite my complaints. neve was not memorable and I just feel sad for taash's bad writing), certain parts of the story were good, the intro and the point of no return sequences were solid, and the ending didn't feel rushed or boring compared to inquisition. and yes, I do appreciate that rook can be trans, I just think a little more subtly and care would've been nice.

another thing I did like and predicted was that varric died at the beginning of veilguard, and for a second I actually enjoyed that because i thought we were finally (a bit too late tho) getting some depth to rook and their own struggles of accepting his death and carrying this weight without him. and while I do think maybe they should've taken more time to establish the mentor/mentee relationship so we really feel rooks regret, I still think it was at least the right direction where in their grief they still see him, giving advice and narrating their journey.....but then it turned out to just be solas manipulating them the whole time, immediately destroying any emotional weight this reveal had.

whenever bioware has good ideas they shoot themselves in the foot and make it about solas. it's like nothing in the world exists without solas being involved somehow, and that is just incredibly boring and uninspired to me. not to mention solas just being an insufferable ass the whole time, which is fine, but it's not even in a compelling way like he used to be. he became so ugly by the end and the fact that the devs consider redeeming him the "good ending" and not giving him what he deserves is very telling and once again shows their own bias is king over good storytelling (solas' feelings should not come into play here, whether you/your companions live or die should determine good/bad ending since solas is trapped no matter what, only difference is who is trapped with him. idk but I personally think different endings actually means different outcomes). i will not go into the bs of the secret post credit scene, bc frankly I'm fed up with bioware's shitty writing and I won't be playing their next world ending space aliens game (unless they miraculously pull a good story out of their ass but lbr).

overall the bad outweighs the good for me. it's fun to play as a game, it's a decent fantasy game, but the story just doesn't do anything for me. sometimes I wonder if dreadwolf was a completely different game and was scrapped for veilguard last minute. maybe this was yet another inevitable industry fuck up and maybe there was a good story planned at one point. idk. all I know is bioware lied. respect and credit to the poor devs and writers who actually cared and to those who were kicked from the project, but in the end bioware promised too much and delivered too little.

[lala-blahblah]

I will never make this because it would be for an audience of one (me) but ever since reading "If we Were Villains" (story about serious drama kids in college who perform shakespeare and deal with a murder) I have been entertaining the thought of a crack fic crossover with High School Musical The Musical The Series where the staff decides they will no longer put on shakespeare after the tragic accident that happened at Thanksgiving, because Shakespeare plays would only increase the tension and drama. So they hire Ms. Jen who decides their spring play will actually be High School Musical (which exists in the 90s in this universe) and it ruins the vibe so much that everyone gives up on being dark and mysterious because they're universally pissed at Ms Jen for making them learn choreoraphed basketball dancing.

[beeduoo]

originnssssss who remembers origins i Loved origins

[bunnyboy-juice]

spent the first hour and change at work deleting some old files and am having a grand ol time laughing at myself for not realizing i was a lesbian sooner

[professionaljester]

love my bad mental health, love being suicidal all the time

[lord-squiggletits]

I was at a "making friends" kind of social event just this past week and ended up having two subsequent conversations with different people that gave me an interesting reflection on my own reasons for writing without me even intending to make the conversation about it.

First conversation: The person talked about the feeling of awe from being at a music concert and how incredible it is that so many complete strangers can be united by a singular love of music. I related to it with regards to my own writing and how many people have read my stuff. Ended up telling this guy about some of the AO3 comments I've gotten from people to the effect of helping motivate them to live/just reflect on life in general. Somehow went into a tangent about a suicidal friend of mine who died when we were in high school, and me saying that maybe the reason I write so much about the things I do is because of the influence his death had on me. And the other person ended up asking me, 'So do you think it's like every time you write, you're doing it in his memory in a way?'

Subsequent conversation was with someone who was a psychologist for a day job, and I ended up telling them that I was kind of thinking of getting a degree in psychology/therapy one day because writing about mental health issues had gotten me so interested in the world of helping people heal themselves. But then I was also like, "Well, I don't know, it could be that I don't need to become a psychologist to help people with mental health. Maybe helping people by being a writer and telling stories is enough."

It was just a surprising, but topical realization for me to have talking to a bunch of strangers. For someone like me who's often preoccupied with doing and having knowledge and expertise, I often fall into the idea that you need to be directly involved in helping people to really be making a difference. I've literally had thoughts in my mind along the lines of "I'm so smart, hardworking, and dedicated when it comes to writing, but wouldn't it have been so much more of a net gain to the world if I'd decided to be this passionate about something like being a doctor or activist that actually helps people?" It's not like I truly regret being a writer (or ever will, because there's nothing else that I love so much), but in my bad moments I truly do sometimes think "Why does it make a difference if I entertain people or make them feel nicer for a while if it doesn't actually change anything in the world?" To quote one of my favorite Transformers fics of all time, "There was nothing that would have been more worthwhile, but that didn't rule out the possibility that the whole damn universe was wasting its time."

I guess the answer is that making someone feel better, even in a small way, is changing the world, even if it's just a few people, and even if it's just as simple as making someone's day better.

[bunnihearted]

i've also realized that there is no therapy that can fix what's broken inside of me

[dimiclaudeblaigan]

No but something I love is how fucking loyal Miklan really is (in Hopes specifically since we don't have enough information in Houses).

At the camp, he takes his job seriously. Very seriously. He doesn't act begrudging or like he's just doing anything by force. As the chapters go on he not only goes from relatively aloof to a full fledged commander (which is great development in that span of chapters btw considering how fast the story has to progress) and one who fights for Faerghus because he wants to (why would he reassure the player that he's going to, literally, hold down the fort? Why doesn't he flee when his life is in immediate danger despite that Dimtiri prefers his allies to flee and save their lives over sacrificing themselves? Why does he like helping citizens who had their lands destroyed by the war, despite being a bandit who used to plunge towns just like those?).

At any time when the Empire was attacking, he could've surrendered and even joined their side because of not liking Faerghus and its people... if he didn't like Faerghus and its people. Also, someone brought this up to me once that Miklan likely has family in the Empire still, because his mother was from the Empire. He had a perfectly good out that wouldn't even necessarily be considered treason to Faerghus, i.e. surrendering and going to the Empire to protect that side of his family.

He doesn't. He dies for Faerghus. It was both a matter of honor due to the fact that he was finally living the life he always should've been and wanted to be respected for that, and also his loyalty that followed in the past's wrongs being righted. No matter what you think of Miklan post disinheritance, he was the heir who was removed because he didn't have a Crest. All over just that, despite that Sylvain having a Crest never meant they didn't still have someone capable of fighting off Sreng invasions.

They had someone able to wield the Lance of Ruin, so why did it matter if he was officially the heir? Miklan felt like his life was stolen from him (and I'm not saying what he did to Sylvain was okay either). Dimitri gave him all of that back and he started to become loyal to Faerghus and its king because Dimitri was giving the chance even the man's own father never gave him from the moment Sylvain was determined to have a Crest.

What happened in his life before Dimitri had him brought to him as soon as he became king is, in a way, almost like it never happened as far as Miklan's behavior. It was obviously there at first, but over time it's like it never happened. That is, if someone met him and didn't know about his past, by chapter 9 they'd never even know he'd had that history. He was the person he would've been years ago if he hadn't been disinherited, which led to the mess that led to him being disowned (and he says he just "left", but Matthias doesn't mince facts. At all. If that had been the case he wouldn't just say he disowned him. He would admit Miklan ran away. That means Miklan claims he left as a means of coping and trying to convince other people that it was his choice and not forced on him).

Miklan became a lot more loyal than he's ever given credit for, both in the game and in the fandom. Gwendal did recognize it, but that's about all we're given.

Gwendal corrected himself when Miklan died, referring to him instead as Sir Miklan instead of the insults he was spewing during their fight which were very clearly pissing Miklan off; but Miklan kept fighting and defending the fort, not just because he wanted to prove Gwendal wrong but because he was here because he was pulled out of his life as a bandit. The people he was defending the fort for were the people who effectively gave him his life back.

Basically, he would've been there in that fort defending it anyway if he had lived the life he should have to begin with. If his value was acknowledged all along, he would've been defending the most important fort in Faerghus all along (if this exact scenario occurred and everything was the same except him being disowned in the first place). He would be there being the commander and fighter he was supposed to be.

Mind you, it was the king himself who gave him that chance, meaning the person who reigns over Faerghus and has the most power to change whatever the hell he wants - including how people with Crests and without are treated. Miklan was part of a fight to better their society and be part of the new generation taking over. Nobody could truly change things unless the king - the top power - had the thought to change them (not saying Lambert thought the political climate was good the way it was, but he clearly had other priorities and it didn't seem to be something weighing on his mind. He may not have even truly noticed the problems and power discrepancies because he was so focused on other things).

However, the moment the king thought to change all that old stuff, Miklan was one of the first people who came to mind, and one of the first people he took action regarding, to integrate into his new army (and he even mentioned completely rearranging his army and whatnot, and then we find out he had Miklan located basically right after becoming king. We had a two year timeskip and Miklan had been there for those two years because of how soon after Dimitri was crowned that he had decided to bring Miklan back and give him another chance).

If the king sought to change things and was taking active action to prove it, that was something Miklan could see and realize was actually going to happen. It wasn't a blind trust - he could see Dimitri was actually doing it. He had a reason to be able to trust him with this.

He was also able to trust the people who were watching over him, i.e. the people Dimitri had making sure he didn't revert back to any sort of banditry. Those people could have easily faked it, made up that he did something and that they had killed him on the spot. Dimitri trusted those people not to do that of course, but those people were not told to bring him to Dimitri if he did anything. They were told to apprehend him and kill him immediately (which is reasonable, given what he'd done in the past, and they wouldn't want to try to wait to get Dimitri over to wherever they were. If Miklan escaped in that time, they'd just have a big problem on their hands).

So that is to say, those people could've just faked it at any point and killed him. They didn't. They, like Dimitri, were willing to give him another chance provided he didn't do anything bad.

The same goes for Felix and everyone else who had qualms about him being allowed into their army. Dimitri explicitly stated if anyone had issues with his appointment as a commander to "by all means" kill him themselves. He literally made it an open option for his friends to just up and kill him if they truly couldn't forgive him (which at that point was more reasonable of a time because the war was still new and people didn't know if they could trust him with this specific appointment yet. By later in the story I don't think it would have been as reasonable for someone to try to kill him after he'd already been proving himself).

In other words, nobody did it. Everyone, literally everyone, backed off and respected Dimitri's decision (and technically Sylvain and Matthias' as well). None of those people, even when given open opportunity, turned a weapon on him. Not one. These people all gave him a chance. These are the same people he died fighting for, and for himself to be able to feel like he was fighting and dying for what he would have to begin with if he hadn't been disinherited - Faerghus and its people.

In the end Miklan was in both rank and heart a top ranking commander of Faerghus and he both appreciated it and knew he appreciated it. He was looking forward to the future Dimitri would bring, basically saying that he thinks Dimitri is a fool ("weak-willed") for it but that he now believes in it too. If anyone wants to try arguing those points, I have receipts as the young folk call them, fresh from Miklan himself about his feelings about it as spoken to Catherine and Shamir!

Miklan fought for the future he was hoping to see, and he died protecting that future. Again, not something he by any means whatsoever had to do. He was tasked with guarding the fortress, but was never told to lay down his life defending it. After years and years of being hateful and angry, he finally had some peace of mind and hope for what he could be. He was loyal to Dimitri in the end because Dimitri was loyal to him - that is, he kept his word and Miklan was able to thrive in Dimitri's society without being a bandit or having to worry about his future because of his status.

Like Dimitri said, the only thing holding him down by that point were his past mistakes. It was up to Miklan to do something about that for himself with the opportunity he was given to fix it. Dimitri said here, fix it, and Miklan said okay, and worked to fix it. For me the saddest part is that he didn't even get enough time to properly fix it and be able to be free of his past. He died for Faerghus though, with his dying words being that he was able to buy them time (to arrive and fight back against the attacking Empire). That's not something someone who holds a resentful grudge would say in their last moments. He was grateful he managed to buy the other fighters time, even though it cost him his life.

hopes was a dumpster fire a whole lot of times but its incorporation of miklan into the plot was not one of them. miklan fire emblem my love you will live on in my heart and in my fics. i am also deeply grateful to hopes for uh i guess hopes-canonizing (hopesonizing???) basically every one of my headcanons about him before the game came out.

[menlove]

going from a pretty child to a mid teen to an ugly adult has to be the greatest joke of my life but it humbled me good so there's that

[hella1975]

honestly seeing you mention sikh society is so funny bc sikh people LOVE showing their culture! i work with a lot of sikh men and they're always bringing food into work and just love being asked culture. im chinese and they're always asking questions as well- cultural exchange is such a personal thing and imo one of the easiest ways to build a relationship

literally!!!!!! and your last comment is so important bc the reason i made that post is bc i actually found myself guilty of the tiktok mindset WITH one of the chefs at work. he's spanish and has quite a heavy accent and for a long time i really dithered on asking him where he was from (bc all i knew from his accent was that it was european which. doesnt really help) and in my head i was doing it bc i didnt want to 'other' him, but in the end my mum actually said to me that being clearly uncertain around him and NOT addressing the fact we clearly come from different places was actually making things worse, and i was so so pissed off at myself bc she was right. and you know what? i asked him not long ago in the end where he was from, and he lit up. we went back and forth about the spanish and the english and we ribbed each other but it felt like the weird tension existing in all our interactions up until that point had lifted and now he makes a point to come over and chat to me at work. and that tension wasn't there bc i DISLIKED his potential culture or felt actually UNCOMFORTABLE around him, it existed because i demonised my own curiosity and genuine desire to know about him as a person and let myself be a little freak about it instead. like????? it's so fucked up that this is becoming such a normalised thing!!!!

[spocks-kaathyra]

.

[starlooove]

I rlly liked red hood the hill bc besides the gift it completely ignored everything else with the batfam which to meeee I’m taking it as the hill has been overlooked by the bats forever (see Orpheus rising) so yeah nobody there gives a fuck about those people and jason knows better than to bring that shit over there

[bunnyboy-juice]

;~; (tags vent)

[screechingsandwichhologram]

my uninformed american opinion is that i will be calling it derry not londonderry because im american and therefore will always support ireland if its ireland vs the british.

(i wasn't even going to post this but i wrote a whole essay in the tags so i don't want to waste that)