#it’s actually one of my favourites from s1 it’s so good

[poorly-drawn-mdzs]

Remembrance and Forgetfulness

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[kiss2012]

and what if i rewatch my favourite 911 eps

[nutmeggery]

I need Neil Gaiman to know that Good Omens 2 made me feel emotions I haven't felt in nearly a decade.

When I heard there was going to be a Good Omens 2 I was looking forward to it, of course. I just wasn't expecting it do anything super special to my emotions. I was sure I'd enjoy it, though. I really enjoyed s1.

But, for the last few years, I watched shows and afterwards basically thought well, that was fun, and I quickly moved on and didn't think much about them. There was only about 3 shows in the last 5 years that had made me feel truly emotional and stayed on my mind to the point where I felt like I needed to engage in fandom for a while. (Good Omens 1 was one of them.)

I wasn't spoiled by the leak. I never even knew there was a leak. So I had no idea what was coming in s2. And oh boy...

See, I'd watched Our Flag Means Death, a show where you don't expect the lead characters to kiss, because, well, that never happens in these types of shows, right? And this is important because when they did kiss, it felt like a door that had been locked with just about all the high security locks in the world had suddenly, inexplicably, been opened. Something switched inside me. It took me months to understand what it was, but when I thought about Good Omens before s2 came out, I realized what it was.

I would never truly enjoy a bromance they're-only-queer/in love-by-your-own-interpreation story ever again. Stories where nothing is confirmed, just subtext that anyone who doesn't want to see it can easily deny and mock those who wish it was more.

While it was clear that Crowley and Aziraphale cared a lot about each other in s1, and were probably in love, it was still just a fun ship for fans to play with in fanfiction and fanart. Do they love each other? Oh sure. In what way? Well, that's up to interpretation. Ok, cool. But it's not quite Our Flag Means Death, is it?

Then I watched Good Omens 2. And from episode 1 I saw my favourite Angel and Demon duo love each other. And I was having the best time. I hadn't had such a good time watching a show in a long while. It was not only right up my alley, it was an alley I wasn't even aware was my alley until I saw it. I enjoyed seeing the old characters, the new characters. Oh, I was wonderful.

It was clear to me that, of course Crowley and Aziraphale love each other, are IN love with each other, showing it in their own way. And I wasn't expecting it to be THIS obvious.

And then when the kiss happened, I couldn't believe it. I covered my mouth with both hands and gasped and sat up straight in my seat. I had never expected it--the heartbreak it added to the already heartbreaking scene--it rewired something inside me.

It was like my emotions had been locked up in a stall like a horse for so, so long, and now the gate had been opened, the stable door kicked down, and the horse was running out onto the large pasture into the daylight, bucking and kicking up grass. Oh my god, I have to take a few minutes to process that entire 6 hour marathon of emotions.

And by a few minutes I meant a few days.

More than a few, actually.

I didn't need a kiss to understand how much they loved each other, but I did need the kiss to understand how intense and heartbreaking their separation is for them after everything.

But more than that, the kiss broke a barrier. They really did it, I thought. They really dared.

Aziraphale and Crowley aren't human males, no, but they're played by male actors. And that is significant. That makes the kiss significant. In the world we currently live in.

Weeks later, I'm still obsessed with the show, re-watching s1 and 2, reading the book again, listening to the audio drama. And I'm on tumblr, seeing people's posts and art to somehow sate my hunger for a s3 that doesn't exist (yet).

And I'm having a wonderful time.

[queerly-autistic]

One of my favourite things about S2 was that we got to see so much in terms of Ed's relationships with women, and it just made me love him even more (if that's humanly possible). We didn't see him interact with many women at all in S1 (I think it was only the posh ladies at the fancy party which was...yeah, not a good experience), so S2 actually giving us a glimpse into his friendships with all these (very different) kickass women was so, so special.

I love that, as messy and fucked up as they all are, and even with the 'well we're pirates, we're not normal and we will fuck with each other' threat that hangs over everything, Ed's relationship with Mary and Anne is still so affectionate, and they both thrown their arms around him the moment they see him. Even though Ed is incredibly tactile, I don't think we've actually ever seen him be hugged like this, and it's just so lovely to watch him be embraced and clearly feel very safe being embraced by these women (and I can't with the way he clings to them, as well). I also love that this is a wlw/mlm friendship; yeah it falls apart later and turns into delicious gay-on-gay violence (and I wouldn't alter a note of it), but I love seeing this sort of affection between queer women and queer men, there's not nearly enough of it.

Don't even get me started on the BFF handshake he has with Anne - I want all the history there, give me six spin-off films about their adventures please.

And then we finally get a glimpse of his relationship with Jackie, which is similarly just lovely, but in a different way? You get the sense that they could sit there for hours, talking shit about the world, all whilst casually ripping the shit out of each other (but affectionately). You also know full well these two have talked extensively about men and know pretty much everything about each other's sex lives - we didn't see it, but I'm absolutely certain that Ed went into full gushing details about sleeping with Stede, just like Jackie did when she talked about The Swede fucking like a jackhammer (historical accuracy ftw).

And, again, whilst they're still pirates, and it's messy, the entire thing feels incredibly...safe, particularly from Ed's perspective? He feels more comfortable around Jackie than he is around most other characters (apart from Stede), just like he was with Anne and Mary.

And then, just to hammer the point home even further that Ed has, generally, fantastic relationships with women, and connects with them, and feels relaxed and safe with them, you have Ed and Zheng becoming instant BFFs literally minutes after meeting each other. Ed goes 'ooh, very cool woman kicking ass and killing people, she shall be my best friend, immediately', and Zheng is automatically incredibly relaxed and open with him, too (suggesting she feels as safe and comfortable with him as he does with her).

All I want in life is to see Ed and Zheng get silly-drunk with each other (and this is why we urgently need a S3).

And none of Ed's relationships with these women are a fetishistic 'I love women because they're fabulous' thing, or an overly patronising paternalistic 'I love the women and I must protect them' thing - all the relationships he has with women are very equal, very comfortable, fully believable, just fantastic friendships to watch play out. I feel like, given everything we see on screen, Ed generally feels a lot more comfortable and safe and open with the women he knows than the men he knows (Stede is the only other person he is this physically affectionate and comfortable with). Which is probably very understandable? Yes, the women he's friends with are all violent pirates too (that's part of the joy of it - none of them are lovely demure morally pure women, they're all violent pirates), but Ed has a lot of experience with specifically overtly abusive men - right back to watching his dad abuse his mum. And that's a distinction that matters: the show treats the violence of normal piracy and the violence of abuse very, very differently. Ed is not used to being treated softly or affectionately by men, as we saw in his shocked reaction to Stede holding his hand. I don't think it's any wonder that he gravitates more towards friendships with women (or that the men he feels the most open and safe with, such as Stede, Fang, even Frenchie, are very pointedly the opposite of the abusive men he has experience with). I just love love love that being friends with women is such a core part of Ed's character, and that we got to see all of these fantastic relationships in the show.

[danandfuckingjonlmao]

ok some things i LIKED about tua 4 since we all have talked exclusively about what we hated (SPOILERS AHEAD):

idc what anyone says the baby shark bit was iconic every time it came on i jammed

klaus had a comic book storyline from hotel oblivion!! let’s go source material!!

diego and luther being himbos

allison and klaus friendship

the entire birthday party scene was hilarious and fun and so THEM ok

the road trip scene that was in the trailer such iconic sibling goofy clownery they’re fucking idiots

klaus. he was in it. any time i get to see my little freak is time well spent.

incredibly unpopular opinion but i liked the ending i think they need an end from the cycle of apocalypses and suffering like they deserve a rest they’ve earned it and it was sweet that they all went together and the “i love you guys………but you’re all such fucking assholes” and then “fuck you” and everyone laughing and crying and THEN AND THEN ALL THE CHARACTERS FROM THE VARIOUS SEASONS BEING AT THE END i was SOBBING

klaus having a podcast of himself giving himself affirmations like that’s so funny

they actually gave somewhat of a shit about each other like diego was so DAD my babies have grown up but not too much they’re still fucking toddlers

lila is so pretty and funny and hot and unhinged she means so much to me

lila and klaus friendship!! lila and allison!! bonding!!

gene and jean were SUCH classic umbrella academy characters. loved them.

viktor gets all the pussy

i cannot stress how much all of the group scenes were so fucking sibling i love them ok

NO LUTHER AND ALLISON INCEST THANK FUCK

THUNDERBOLT THE GHOST DOG <3<3<3

klaus and claire oh my god i love uncle klaus so much and he loves her so much

seeing sober klaus and how hard he tried and then the heartbreak when that went away because he’s KLAUS he’s gerard way’s trauma self insert. as much as i want klaus to be safe and content and free from all this bullshit it was just so consistent and i can appreciate that. and i cried like a little bitch it was truly devastating but it was just sooooo klaus. also getting to see him make it incredibly clear that he didn’t want his powers back—him being the ONLY ONE who didn’t want his powers back—was important to me idk. and he was LOVED like he has a family!! he is cared for!! ahhHHHHHH!! love it

claire was great and getting to see her and allison and their tumultuous relationship and their love for each other after all of these seasons of allison looking for her and just wanting to be with her daughter

klaus got dave’s dog tags <3

more flashbacks to brellie kids!!

getting answers to some series-long mysteries

the underground subway system between timelines was so fucking cool and mindfucky 100/10

klaus’s look being reminiscent of s1 sorry that was my favourite klaus look ok

their sort of evolved powers when they got them back

so many good one liners and comedic scenes

ben being a crypto bro is SO FUNNY

will add stuff as i think of it. this is incredibly out of character for me i am an eternal pessimist but i did enjoy s4 (mostly because, as an eternal pessimist, my expectations are always low) so here we are.

[ineffable-suffering]

Why Aziraphale is an unreliable narrator

Part 1: The Story of Job

I'm absolutely not the first one to talk about this on here and I probably shan't be the last either. Alas, here's my take on why all of the minisodes in Season 2 should be enjoyed with great care – and taken with a grain of angelic salt.

I'm gonna split this into 3 parts, aka the three minisodes we are shown, since I tend to get a bit waffley in my posts and want to still be able to include all the little details. Once I've written them, I'll link Part 2 & Part 3 here as well!

Alright, let's get into it under the cut of doom.

Episode 2 opens with the Story of Job. Right off the bat, I noticed that it sort of looks like an old film playing. At first I didn't read that much into it, but once we see the cut-away to Aziraphale at the bookshop, currently reading that part of the Bible (presumably), I immediately thought: "Oh! It's because it's his memory. He's remembering how it went down and therefore it plays like a figurative film in his head."

This, I then came to realize, is a very crucial difference to all the flashbacks of S1, which were exclusively told and narrated by God. May her intensions be as ineffable as they are: She did tell us all of these stories from an objective outsider's point of view. Now, however, it's Aziraphale who's re-telling those stories to us from memory.

And if there's one thing that's for certain, it's that a memory is something entirely different to an objective narration of a story. Just think about how you yourself remember things. Especially things that happened years, maybe even decades (or, in an angel's case, millenia) ago. What is it, that you really remember? Can you know for sure, that a conversation was held with those exact words? Are you 100% certain that the clothes someone wore weren't different? Had it really been snowing or would that make very little sense given what you're remembering happened in May? And did it even happen in May? Or does that just happen to be your favourite month, the current weather, your preferred style of clothing and what it was that you would imagine someone would have said to you?

What I'm trying to say is: The further away it is that something happened, the more your brain has to fill in the gaps. This is why, for example, your parents will remember the family summer holiday entirely different when you ask them about it 20 years later.

"No, it was Sarah who puked on the car ride home!" "Nonsense, Sarah never puked as a child. Bobby had that gone-off pizza, he's the one that was sick the whole ride long!"

We've all been there. Bobby made it out alive. Don't buy gas station pizza.

Alright, back to the plot: Naturally, Aziraphale is not actually human, so it is a pure assumption on my part that the way his memory works is similar to ours. However, the whole topic of "memory" is actually quite a recurring one on Good Omens.

Crowley seems to have lost his in the Fall, yet somehow managed to get most of it back. Not all of it, though, he clearly has some major gaps ("You used to jump on me back, little monkey in the waistcoat!"). Beelzebub helps Gabriel store all his memories in their little fly container before they get wiped entirely too, by the Metatron and/or Saraqael. Crowley and Aziraphale (and possibly Jimbriel) perform a miracle together that makes everyone in Heaven and Hell forget who Garbiel is or what he looks like. And we know that the Book of Life apparently has the ability to completely erase someone from existence – ergo also erasing them from everyone's memory and making it is as though the person had never been in them at all.

So, clearly, angels and demons being able to remember, forget, reconstruct and, if you're the Metadork, wipe memories, is very much canon. Apart from that very last one, it does make them quite human-like in a way. We too can forget or (wrongfully and incompletely) reconstruct memories, due to things like trauma, illness or simply a lot of time having passed.

So, just like Crowley remembers going into battle but doesn't remember Furfur being there, or just like Jimbriel has entierly forgotten who he is but still remembers the tune and lyrics to Buddy Holly's song Everyday, and just like archangel Michael was miraculously made to forget Gabriel and yet says "Don't I know you?" when seeing him again – just like that, Aziraphale's memories of the story of Job, the story of wee Morag and the story of the magic show in 1941, might not actually be the whole truth.

So, time to look at where the furniture isn't.

Now, it could very well be that the costume designers of S2 thought: "Fuck it, let's go crazy" – but given that this show has a track record of meticulously making sure to stick to accurate and cohesive character design, doesn't it strike you as odd that Crowley would go from this look at the Flood in Mesopotamia, 3004 BC:

... to the (very iconic, don't get me wrong) Bildad the Shuhuite drip in 2500 BC:

... back to this at the crucifixion of Jesus Christ in 33 AD:

I mean ... I mean– come on, that seems like a bit of a far stretch, even for someone as enthusiastically experimental with fashion as Crowley.

And it's not just that: Where did the sunglasses come from, all of a sudden? And why do they look like some sort of obscure, ancient optometrist's device? It's a known historical fact that the Romans were the ones to have invented sunglasses, somewhere around 50-ish AD. Which actually matches perfectly with when Crowley and Aziraphale meet again in Rome 8 years after the crucifixion (51 AD).

So, where do the weird spectacles come from, over 2000 years too early? Maybe from Aziraphale's brain filling in some gaps? Hasn't Crowley always worn those ridiculous sunglasses? Was it Rome? Or Golgotha? Wessex? Oh, blimey, what does it matter!

And it's not just Crowley: Aziraphale's own clothes, as well as the other angels', seem to be very different from the rather plain linen we see him wear before and after the story of Job.

They're laced with golden embroidery along the neckline and sleeves. The remind almost of the clothes angels are depicted wearing in biblical and historical drawings. Ornate and decadent. Not at all like we see Aziraphale in the other flashbacks of S1.

Even Bildad the Shuhite's hair within the minisode keeps changing, going from all pouffy and voluminous to rather deflated and straight-looking:

The costume department either had to fix up two seperate wigs or manually straighten out the volume of the one again to give it a more sleek look. I'm not a professional in this field, but if there's anything I've learned from watching hours of behind-the-scenes material of movies and shows, it's that very little about costume, character, prop and set design is purely coincidental.

You know what it could be, though? An accurate representation of how memories aren't linear, historically correct and objective representations of a certain event, but rather an ever-changing, jumbled mess of impressions, emotions and exaggerations.

More specifically: Aziraphale's impression, emotions and exaggerations.

Like "remembering" Crowley with sunglasses because he's been wearing them for so long.

Like "remembering" himself wearing more luxurious, angelic clothes because that's how he thinks of the difference between Heaven and Hell.

Like "remembering" the permit as a ridiculously long scroll that folded out over an entire valley.

Like "remembering" Job's children to be weirdly sassy in an almost Aziraphale-esque way (Enon: "Don't be silly!") for the fact that Job would have probably taught them to be more humble and obedient in the presence of a literal angel.

Like "remembering" eating an entire fucking Ox after having just one bite of it while Crowley watched him lustfully, sipping on his wine.

Like "remembering" Crowley calling him 'angel', despite them having barely known each other back then.

There's a reason why the flashbacks in S2 seem so much more alive, quirky and, at many points, confusing and all over the place. Because they're not objective stories being told by a third party. They're Aziraphale's. So much of his own thoughts and feelings at the time get projected onto them because that's simply how memory works!

It's subjective. It's unrealiable.

It's not that I'm calling Aziraphale a liar. He's no more a liar than your parents are, mixing up Sarah and Bobby. Or you, remembering snow instead of sunshine. Memories aren't lies. They can simply be faulty, focus on things that you thought were more important and leaving out or changing things that weren't, to you.

The real challenge in all of this, is trying to filter through Aziraphale's stories to see what it actually is they're telling us. Where it is that the furniture isn't. And I think in this case, that's 6 main things (eff you, God, I know you like sevens, but I don't care):

God and Satan (still) talk to each other We see that Aziraphale is quite surprised when Muriel mentions that the whole Job thing is God's bet with Satan. But clearly, despite having made him and the rest fall, God still converses with Her number one traitor about whether or not the humans simply love Her because she gives them nice things or because they truly believe in Her.

God and Satan (and Heaven and Hell) can and do collaborate with each other when they feel like it So much for choosing sides, huh? Truthfully, this is not the first time this is shown to us, but still. It's another piece of evidence on the growing pile.

Aziraphale understands the World and humans way better than any of the other angels "Well, you see ... Citis is 58 ..."

Aziraphale, despite having troubles voicing it, absolutely disagrees and even condemns God's plan of destroying Job's children (and goats and camels and––)

Aziraphale is willing to lie and thwart the will of God Also not the first time we're being shown this but again, piiiile of evidence.

Angels don't automatically Fall simply by doing the above To me, this is one of the most important take aways. It's already hinted in S1 as well that 'Falling' seems to have been a one time even back when the first war broke out in Heaven. And I actually believe that ever since then, no other angels have Fallen again. Aziraphale is the best example for this. He has gone against God's plan numerous times and even lied to her very face (voice?) about it. And yet, nothing ever happened to him. Why exactly that is the case remains a topic for another meta (that I might or might not be working on already, teehee).

Alright, that concludes this first look at the Job minisode! If there's anything I missed, feel free to share it with me. I'll try and add Part 2 (the story of wee Morag) and Part 3 (the magic show of 1941) soon.

Update: Part 2 and Part 3 have officially been written, you can find it them right here:

Part 2: The Story of wee Morag

Part 3: The Story of the Magic Show in 1941

Hugs and kisses, (God)!

[breeyn]

An essay rebutting the “bad writing” claims of s2 ofmd. Spoilers herein.

I’ll preface this with saying you’re obviously allowed to like and dislike whatever you want. I am in no way opposing that. And your reasons are your reasons. Have at. (Also - this is a collection of observations from the past few days, I’m not calling anyone out)

I AM going to rebut the idea that season two was poorly written and lost the spirit of what the show is about.

My favourite movie of all time is Empire Strikes Back. It’s been my favourite movie since I was four. I’m pretty sure it’s a fave of David Jenkins, too. He and Taika have made absolutely no attempt to hide their love of all things 80’s - Prince, the Princess Bride, Kate Bush, Star Wars, etc.

I have ancient video tapes (that I can’t play because who has a vcr) where Lucas is interviewed by Leonard Maltin? Malkin? I dunno. Who cares. Maltin asks him about the Star Wars (original trilogy) story arc. Lucas says “in act I, you introduce all the characters. In act II, you put them in a situation they can’t get out of, and in act III, they get out of it.”

That’s how it works. This is how stories and literary structures work.

Of course you’re not satisfied with season two. You’re not supposed to be.

The arguments I have read on why s2 loses the spirit of s1 is because no one heals. No one learns anything. No one moves forward properly. The person who makes the biggest move towards healing dies. The two main characters end the show doing the exact fucking thing they had promised themselves and each other they wouldn’t do. Our romantic lead still doesn’t understand his value or make any headway on addressing his tragic flaw. It makes no goddamn sense.

My gremlins in weird: it’s not supposed to. In Act 2, EVERYONE LOSES. This is how it goes.

I’ve read a lot of people saying “but this felt like a series finale, not a season finale.” We all know that outside politics play a part here, the strikes make everything precarious. I remember the last writers strike. It destroyed tv for fifteen years. Anyone remember Pushing Daisies? Some of y’all have never had your fave show cancelled with zero resolution for the characters and it shows.

Daddy J did us a kindness. He softened the blow of a tough season. After the brutal cliffhanger of s1, he gave us a little softness and hope. All those things you’re mad aren’t resolved? It’s because THE STORY ISN’T OVER.

No one on earth thinks “stuff all your trauma into a box and ignore it” is good advice. A way to actually live. This show did not have enough screen time to throw out dialogue for no reason. There was foreshadowing in s1 for s2, and there is foreshadowing for s3 in s2. This is a well-crafted story by very smart people who care very much for these characters. There is zero chance Frenchie explained the box in his head for no reason. The reason people have not resolved their trauma and growth is because they haven’t done it *yet*.

And friends - it’s not thinly veiled. They straight up fucking tell us what they’re doing.

Luke Skywalker spends the first two movies fucking up and desperately trying to prove himself and just generally being an idiot. Sound familiar? He ignores the lessons he is supposed to be learning to go off and do what he feels like doing, and loses fucking badly. At the end of Empire, Han is gone, Luke and Leia wave goodbye to the Falcon that has Lando and Chewy - the rest of their crew - aboard. Everyone has lost everything they care about. Vader is undefeated. Yoda is pissed. Nothing is resolved.

You see where I’m going?

If you think I’m stretching this too far, welp, when Ed tells Stede he loves him - the climax of the finale - Stede quotes Han fucking Solo. Like - *it’s right there*. The story structure. The reason everything is unresolved.

So yeah. They wave goodbye to their ship because they have wounds to heal (like Luke’s hand). The people aboard the ship have things to find. Ed and Stede have *not* learned their lesson about whims and how not to be like Anne and Mary. It’s not stupid that they’re doing the same thing, and it’s not pointless that we were shown Anne and Mary. It’s all relevant.

The resolution comes in Act 3. None of these people are done. The story is far, far from over. And just in case the studios want to be dicks about it, David Jenkins was lovely enough to not repeat my enduring heartbreak over Pushing Daisies.

Thank you, @davidjenks 🖤

[minervas-hand]

Right to fear, wrong to believe

Just had a horrible realization and needed to meta it out.

How different they were before Edinburgh, when Crowley was sucked down into Hell.

Look at this flirty babygirl in the Bastille:

I mean could he climb that tree any faster?

(This is why I really like fics that place a more physical relationship here, pre-Bastille or just post-Bastille, because c'mon look at them. )

In S1 the next thing is 1862 and Crowley asking for insurance (with a cane ffs). And Aziraphale freaking out with his "fraternizing" BS. It's jarring, until we get 1827 filled in for us in S2.

@takeme-totheworld notes in this post:

Crowley sure went from "our respective head offices don't actually care how things get done" and "nobody ever has to know" to "walls have ears" FAST after Edinburgh. And Aziraphale went from looking at Crowley with hearts in his eyes to "I've been FrAtErNiZiNg" just as quickly. I'm more convinced than ever that Edinburgh was the first time Crowley ever actually got caught and punished for fucking around with Aziraphale/doing good deeds/whatever it was they yanked him back down to Hell for, and it scared the absolute shit out of both of them and changed the whole tone of their relationship after that.

Yes! - it's clear to me as well that the Edinburgh graveyard was a very bad turning point, where they both saw that Hell was listening and would intervene. And it did change their relationship drastically, for over a century and a half (really, until looming Armageddon loosened up the stakes for them).

But what about Heaven?

See the thing is, we know Azi's been worried about Heaven watching him for the past 6000 years.

But they haven't.

[GIFs posted by starrose17]

All this time, and Heaven had not seen them together. Hadn't noticed. Had not even LOOKED.

I want to mention what @starrose17 says about this here in this post:

What I love about this is her choice of words, “went back through the Earth Observation files.” This implies that these photos were already filed somewhere meaning somebody had to have been watching them which meant somewhere in the depths of the bureaucratic heaven there’s an underpaid angel clerk tasked with watching angels on Earth, and he’s been hording photos of his favourite Angel/Demon couple not reporting them to Michael because he wants to see what happens.

And that's exactly what this fic covers!: Spying Omens by @ednav

(Give this a read, it's fabulous.)

While I am here for this being exactly how that happens, the other scenario is colder and worse - there's no one watching, at all. It's just filing automatically and never seen until some Scrivener is called to pull a file.

From @fuckyeahisawthatat's comment here :

I found this scene to be quite chilling, actually. Not only is the idea of Heaven as a surveillance state brilliant (way to make “God is always watching” sound way more ominous) but this is exactly how modern surveillance states work. They don’t actively watch everybody all the time. That’s not physically possible for humans, and even if it is metaphysically possible for Heaven, it’s not a very efficient use of resources. Surveillance states watch people they deem “suspicious.” And once you’ve been put in the category of “suspicious,” they have massive amounts of data that they can comb through to collect a lot of information about you–to retroactively build a case justifying why you’re suspicious, to collect information about where you go and who you associate with, etc.

Yes.

So we either have secret collusion in the rank and file, or we have a surveillance state that is constantly reinforced to its subjects for fear's sake, for control.

(Well, it obviously could be both.)

BUT my point is… Up until Edinburgh, Hell has not been watching (or caring at least). And up until near the end of Armageddon't, neither has Heaven.

Oh, my poor Angel. Thousands of years, of denying yourself, of pushing Crowley away, of carrying around a tension that is it's own constellation.

After 1827 you might have reason, but for the 5000+ years before that?

Thousands of years and Heaven was not watching nor cared.

You were right to fear. And you were wrong to believe.

And that just breaks my heart.

[late-draft]

Hello, Dema here!

First off—I have fallen desperately in love with your artworks. You have a very particular style, strong and fluid all the same, and I can't help but admire the way you draw and how you approach character design.

And talking about character design...

I saw your post about Zuko's bold design in S1 when compared to what we got in S3 and—as much as I love S3-Zuko—I completely agree with you. Something I've always loved about Zuko in S1 is just how striking he was, how much of a presence he had, even when he was being tossed around by a twelve-year-old. That being said, I love Zuko, I love him in armor and pointy shoes and with a ponytail, and I loved your alternative design for him.

What do you think about his S2 character design? How does it flow with the story beats and his overall character arc? Much has been said about the Hair-Growth-Means-Character-Growth (and I find it interesting, also, that he cut his hair again before joining the Gaang), but I'd like to know your opinion on how that translates to character design and how the decisions made in the show could be either good or bad in that regard.

Sorry about the long ask! I've just been thinking about this a lot, lately, and would like to know what you think. Hope you have a good day ❤️

AAAA Dema hii!!! I'm so happy I got a message from you, I didn't expect it!!

I'm super glad to hear, I'll wear it as a badge of honour and I must tell you that I also love your art, you wonderfully do volume and the shading done through a contrast of sharp and soft areas! Super solid anatomy too and I'd be lying if I said I didn't look up to your art!

Yess the character designs in the show actually are rather strong, I like a good balance between memorable and functional. Zuko is just *chef kiss* but, considering just how many appearance changes he goes through, some are bound to be weaker than the starting one. That said, I'm gonna go through a few of his S2 looks and make this reply long, ha!

The starting one when he ends up huddling with uncle Iroh with other poor refugees, fits extremely well for the narrative at the moment. It's actually one of my least liked looks for him, and that's great!! It's precisely how it should be, because he's also arguably at one of his two lowest moral points in the story - he basically lost almost all hope, no clear goal, nothing to fight for, he's desperate precisely because of the lack of orientation and thus his morals degrade and sink veeery low. He gets on my nerves so goddamn much in this period LMAO I want to beat him up, he looks like a recovering drug addict... annoying, entitled whiny jerk stealing food and anything shiny for his uncle, but even then he just does not cross the moral event horizon. Excellent characterization. He just looks atrocious and it's great because it fits this low point.

Next he gets the standard boyish square of a hair, no notes here...

But theeeen, he arrives at one of my favourite looks of his, and it's not just because the clothes fit him very nicely (I've seen fandom say they look too big for him which, maybe?? But it doesn't look like he's swimming in them to me) And a thing I've noticed which, maybe it was just an accident on design part but I'm not sure considering they colour coded the entire cave scene; in this part his clothes match the shape of Katara's, first one in bottom then the one in top. The collar is the same haf-circle design but I don't know, maybe there was a limited pool of clothes designs guide which they cycled through. Or, he really is meant to come close but miss Katara by a beat, like sine and cosine chasing each other.

But besides this outfit fitting the inconspicuous Earth Kingdom customer service persona, it also (perhaps inadvertently) does this VERY cool thing:

It makes his shape look closed off and guarded, supposedly non-threatening. It's most visible in his fight against Jet, whose shape is open and goes in many directions like an aggressive star. But then look at what Zuko's shape does:

When he attacks, it opens up to reveal the hidden aspect, again the aggressive star shape shows up! The same thing happens in "Zuko alone" episode but I think it's most clearly visible in this fight against Jet because here he has a direct contrast and comparing with Jet. I think this is an example where the outfit, whose similar design exists irl, overlaps with a great visual metaphor and enhances the narrative at that moment in story. He's still that combative firebender but he has to keep that aspect concealed most of the time. Plus it just looks badass as hell!!

Animators really knocked it out of the park with many frames. I think Jun was too early and missed his better hairstyle, but Katara was just in time.

I agree it's super funny how his hair in the Beach is awfully long, covers his face to an uncomfortable degree and then he apparently shortens it before joining the Gaang, insane behaviour Truly an "I'm so angry and depressed I won't show my face nor be capable of seeing anything because there's nothing nice to see in my life" look...

I guess all his appearances in S2 cover his mental states, but only one of them is extremely Extra (the tea server, doesn't even take the apron off and goes to fight) and I don't see any spot where a similar tier design could be shoved in, narratively speaking. So all in all, S2 did as much as S2 could have. More tea server arc please though, the Guru episode really feels like it skipped 800 km of plot and everything that happened in it is so crammed and pretty sus in terms of character behaviour.

[she-posts-nerdy-stuff]

Rewatching Shadow and Bone so here are some of my favourite little details that I haven’t seen loads of people talk about (this is almost definitely just part 1 so stay tuned)

The bird cage in Heleen’s office

The masks on stalls in the Ketterdam streets, including Komedie Brute masks, what look like the Jackal masks, and what I believe might have been a sun summoner mask

The song that Ravkan soldiers in Mal��s unit sing whilst they march in s1e4 is the Kerch drinking song Nina sings for Inej on the boat in Six of Crows

Matthias’ hesitation before saying “I feel nothing for you” and Nina replying “then I guess that makes you good at your job” is SO reflective of Matthias’ realisation that Brum didn’t have to drown the good parts of himself to do terrible things the way Matthias always did; Matthias had grown to admire Brum for what he believed was the ability to silence the good in himself in order to do what “must be done” because he found that so difficult to do, and acknowledging that Brum didn’t find those things difficult the way he did was one of the most important moments of being able to separate himself from the Drüskelle beliefs and begin to understand that what he went through was actually abuse and what’s implied to be at least similar to Stockholm Syndrome (I’ve written at length about this and if I get going I’ll never stop, so if anyone wants to know more lemme know and I’ll tag you in my post about it)

“Pomdrakon Players”, the group the Crows join to infiltrate the Little Palace, references Ravkan desert “Pomdrakon” where you soak raisins in brandy then set them on fire and try to grab them in the dark that Nina tells Matthias about on the ice

This isn’t an observation I just thought you’d all like to know that when I was watching the map room scene in episode 4 every time Alina said ‘Aleksander’ I repeated her in a stupid voice, which was really unfair to Alina because she doesn’t know but it was a genuine reaction and I stand by it because screw the Darkling

The comment that the Fjerdans don’t mark ash tress because they’re scared, I love that. I wonder if they pray when they mark trees, like they do when they cut them down? I personally got the impression that all trees were precious but ash trees were sacred when I read the book

The valve to turn out the lights in the Royal Archives Heist because all the lighting is gas powered!! Like I know this probably was just a thing we knew without really thinking about but it’s also really cool in that it reminds us about the class difference between the Crows and the others since, at least in the books, gas lighting isn’t as common to the Barrel as candles and bone lights are but is implied to be more common among the Merchants

Also not an observation but “you’re the quarter master, aren’t you?” “Yep” *wallop* will never not be hilarious and iconic

I’ve said it before and I’ll say it again: the costume department for this show were goddamn miracle performers thank you for your service. I’ve banged on about the symbolism in the costumes before so I won’t now, but I have really only talked about s2 so I guess if you want more I could talk about s1

“No guns” *walking past Jesper* “no knives” *walking past Inej* “no weapons of any kind” *wait where’s Kaz* will always be fabulous

I genuinely have no idea how they did the Tailoring on Alina’s hair when Genya first does it for her but it is incredible like I don’t know exactly what changed but it just… I don’t know, it’s amazing

[teeny-tiny-revenge]

Came across this in a fic again and I have to vent for a moment here: Ed's hair isn't unclean or not taken care of. Ever. Even at his lowest, in the first two episodes of season two, his hair is light and blows with the wind, it's got perfect waves, there is zero grime in it. Impossible Birds Ed hair has clearly been fairly recently washed, combed out and conditioned. Ed canonically loves soap, and you don't get that hair without owning a comb or brush and frequently working oil into it. He's at sea! The air is salty! It'll dry out your hair, but Ed's hair doesn't ever look dried out. The day he decides to commit suicide he puts his hair up into a lovely bun, with whispy stands framing his face. I have no idea what some people are watching, because Ed taking meticulous care (and most likely also putting pride and love) into his hair is clear, on-screen canon.

Like, if you want to write about how he was neglecting himself in his depression Kraken era? There's plenty there for you on screen as well! He sobs all night, probably sleeps on the floor if he sleeps at all. He doesn't wear his knee brace. He drinks and does drugs (and admits to that being poison to Frenchie!). He's pushing everyone away, he's pushing himself hard into a role that made him passively suicidal even before the breakup depression. He doesn't watch his back during raids At All. There's so much self harm there to address. If you want to, it would probably be plausible to add him not bothering to properly care for any wounds he might obtain during a raid. But he clearly doesn't neglect bathing and hair care. They're probably the only elements of self-care he actually still does during this dark time!

Even rock bottom Ed doesn't neglect his hair. And that says things about him! It's also something I'd love to see actually addressed in fic (will probably write it myself one of these days...): Taking good care of his hair, putting on jewelry, doing his makeup, these are things that seem to bring Ed joy or relief in his darkest moments. Where's my fic about these quiet moments of self-care being a straw he clutches to when everything else is terrible?

I love a good bathing together/doing each other's hair fic. It's intimate and loving! And Stede and Ed are prime material to write a mutual caretaking and bonding over it couple! Ed canonically loves soap and taking care of his hair! And Stede brought an entire fucking bathtub on a ship, the wonderful madman. S1 Stede's hair is always carefully curled, and we know that's not its natural state (it's wavy but not in this manner) from seeing him in S2, away from his certainly plentiful bath and grooming equipment. Stede probably has an hour of daily hair routine! We know he has nice smelling, probably expensive soaps. Where's the fic where they share in this?

There's so much potential! They can show each other their favourite care products! Sometimes they'll work on each other and sometimes not at all! Ed's rich hair oils will make Stede's hair all sticky and weird! Ed will think it's hilarious and adorable, he'll try to ruffle his hair and make it stick up worse and Stede will pout! 🥺 He'll look like this, just with weird spiky hair! One ill-advised day they try putting Stede's curlers in Ed's hair and then they almost can't get them back out because Ed's hair is so long and has lots of natural wave and it'll cling to the curlers and it's awful (they laugh about it afterwards, once Ed has very carefully brushed his hair out again and it no longer pulls at his scalp).

Makeup was a thing done by men and women at the time, especially for aristocrats (as seen in Episode 5), so Stede will know his way around hoity toity makeup, meaning rouges and whites (contained lots of lead, yuck!). Meanwhile Ed does pirate costume makeup for Blackbeard endeavours, that's a whole different thing. And both of these are makeups they don't actually enjoy doing (Stede avoids heavy makeup for the party, and Ed's Kraken makeup is part of his whole Everything Is Awful And I'm Making Myself Feel That look). But we see Ed do nice makeup that seems to be him! On his supposed to be final day on Earth, he cleans away all the Kraken coal, he cleans up his cabin, he gets rid of drugs, booze, Izzy (everything that was harming him), he does up his hair really nice and in a style that's very much Not Blackbeard, and he puts on a gorgeous bit of eyeliner that really brings out his eyes. And now that they're safe and happy together, when Ed decides he wants to look pretty today, not only can Stede lose his marbles over the look, Ed can also show him how to make his own eyes pop like that. They can stand in front of their mirror together, giggling and trying not to poke anyone in the eye.

Like. This is a fancy bathroom items for fancy bathroom items couple. They will bond over their love of bubble baths and nice smelling soaps and soft oils for hair and skin! They will learn each other's routines and how to do them just right for them. Let Stede learn that Ed loves his baths scalding hot (Stede has to wait a while for it to cool before he joins him in the tub because he'll get all pink and lightheaded). Let Ed learn how to put in Stede's curlers for him if Stede wants his hair to look extra fluffy the next day. Let Ed learn to massage Stede's back and Stede learn to massage Ed's knee. There's so much potential for loving caretaking with this ship. The trope doesn't at all require Ed to not know or not want to take care of his hair and hygiene. Fuck's sake.

[borninwinter81]

Library tour - Pratchett and Gaiman focused with some honourable mentions

Of course I've constantly had full bookshelves since I was a child, but I'd always wanted a room I could properly call a library. The house my husband and I now live in has 3 bedrooms, so as we're child free we've each taken one of the spare rooms to do with as we wish.

The majority of the furniture you see is thrifted (aside from the bookcases) and it was self decorated with a lot of cut corners-for example I decided instead of proper flooring it would be cheaper just to pull up the carpet and varnish the actual boards.

I spend more time in here than I do in our living room 😁

Gaiman stuff. Sandman alongside some Alan Moore, Preacher, Hellblazer, my signed copy of The Crow and one volume of Sin City. Two copies each of Ocean (one illustrated), and American Gods (original and authors preferred text). And of course one of my copies of Good Omens. Plus you can see the novelisation of Pan's Labyrinth sitting next to Neverwhere. Del Toro is another favourite fantasist of mine.

Pratchett stuff. Complete Discworld of course, and I'm slowly increasing my non Discworld Pratchett collection, my second copy of GO, the Paul Kidby illustrated edition (makes sense to have one living with the Gaiman books and the other with Pratchett). Soul Music and Hogfather are both signed, I met Pterry when I was 14 on the Hogfather signing tour.

The crocheted toy was actually from a pattern for a mimic I made (pattern by Complicated Knots on YouTube), but it's luggage-y enough that I put it with the Discworld books, Rob Wilkins' biography of Pterry, and a Librarian to look after everything, make sure the books don't get rowdy and take care of the L-space. I've had him since I was 18.

Specifically Good Omens stuff: a pair of felt plushies a friend made for me after S1 was released (@diedarlingsuk on Instagram), a pair of drawings I bought from a very talented 15 year old artist at a tiny comic con also after S1, (I'd credit her but I've no idea of her name or if she has an online presence), the script book, the TV companion, and an art book by the wonderful @mistysblueboxstuff, who I'm sure most of the fandom know and love. This contains all her GO art from S1 and S2.

Honourable mention stuff - I put above that I love Del Toro, so I've got to share the Angel of Death from Hellboy 2 as its one of my favourite things in this room. And its an angel, so that's kinda linked.

Made for me by another friend from clay on a doll's body and the wings on wire frames (@sids_workshop on Instagram).

Finally the Complete William Blake illuminated works, a guidebook to a Blake exhibition I went to, and Gustav Dore illustrated copies of Dante, Milton, Coleridge, Tennyson and Poe. I am a huge poetry nerd, and I think many GO fans would find a lot to interest them in some of these, particularly Blake and Milton.

I could go on, there's tons of other stuff I'd like to include but this post is fairly massive already and I wanted to try and stick to my theme.

[relativelydimensional]

bestie what are some of your merthur fic recs

Omg who me? stooppp <3

Okay so I used to read a LOT of merthur fics back around 2011-2013 and have only recently hopped back on the bandwagon so this will be a mix of some oldies i've revisited and some newer fics that have made me insane :))))

0. this one goes without saying but The Student Prince is seriously one of the best fics in any fandom i've ever read to this day. I relisten to the podfic every single year and it SLAPS every time. If you haven't listened/read recently this is obviously my #1 rec hahahha

Okay onto some actual recs

1. Tired by spqr

King Arthur gets enchanted and keeps having dreams about his court sorcerer merlin :))))) He obviously doesn't say this to Merlin, but Merlin notices he's not been sleeping and Arthur comes clean about having 'nightmares.' When Merlin tries to figure out a counterspell, he accidentally casts it on himself and ohh nooo they're both having sexy dreams about each other but also have to act normal in real life ITS SO YUM. This fic was surprisingly soft, like yes they are having some full on dreams but also the bits that made me extra insane were just the little soft moments between non-dream merthur 🥺

This was a school holidays read and i remember reading this in the staff room of the elementary school i was working at trying so hard not to SCREAM. At one point i had to go on a spirited walk around the building just to get my energy out because it was JUICY.

If you like: canon era fics, court sorcerer merlin, the intimacy of domesticity, arthur with a beard and merthur being so in love but also fucking clueless about it this the fic for you <3

2. But It's a Good Refrain by lady_ragnell

Merlin runs a relationship advice/matchmaking service radio show and Arthur's ex calls in and rips into him on air. Arthur calls in to defend himself and he and Merlin butt heads. An oldie but such a goodie. I love this one because the characterisation feels very natural. Plus i loooove arthur POV fics. Merthur are so sweet in this one and i love love love the dynamic of their respective friendship groups merging. It also features the fandom favourite m/f crack ship that is elena and gwaine which im always here for.

If you like: silly modern AU friend group nonsense, Arthur POV fics, snarky Morgana, and a fic writer who understands the sheer power merlin emrys' 🥺 face would have over not only Arthur but literally ANYONE who looks at him, this is the fic for you.

3. Second Chances by DragonDucks

This is a canondivergence/fix-it fic set immediately after Arthur dies in 5x13. In this version Arthur tells Merlin he loves him with his dying breath and Merlin's magic sort of implodes sending him back in time to 1x1. So it's like sad s5 Merlin getting a second chance to save Arthur in the body of tiny baby s1 merlin.

I'm gonna be honest i'm still reading this one but it has me kicking and screaming!!!! Most of the dialogue is repurposed from the show which makes it extra juicy to me and its just delicious i love it so much. The POV switches between S5 mourning merlin and S1 gay panic arthur and its soooooo good i'm loving it so far. Some of the side characterisation is a little weird but Merthur are PERFECT. It NAILS that yummy introverted Arthur and fond Merlin characterisation.

If you like: canon era fix it fics, time travel, Arthur pendragon falling in love with merlin bit by bit and actually having space and time to grow as a person, and merlin emrys being like no everyone shut up about my destiny i just wanna have a good time with my boyfriend, this is the fic for you.

4. All is Semblative by Whitefox

I just fucking love crossdressing fics okay 😇. This is cinderella meets Merthur. Uther is throwing a ball to find Arthur a bride and servants aren't allowed. Out of spite (and, lets be real, also jealousy) Merlin tries to disguise himself to sneak in and ends up accidentally turning himself into a princess. Arthur hits it off with a weird but beautiful mystery princess who turns out to be his manservant he's been in love with this whole time. Simples.

If you like: Prince Arthur knowing about merlin's magic and being cool with it, fairytale AUs, accidental genderbending (but still canonically mlm merthur), and arthur pendragon singlehandedly embodying demisexual panic this is the fic for you.

5/6. As Long As We Have We AND No Matter How Far Away You Roam by lady_ragnell

Lady Ragnell again because I looove the way they do modern day Arthur. and i've been going through their stuff. These are both super cute christmas fics (I know its a little early but I couldn't help myself). In the first one, Uther has just died (rip uther you will not be missed) and Arthur accidentally collects lonely friends to spend christmas with him in the empty house. At the same time he befriends Merlin, the owner of his local bookstore, and merlin brings his own group of strays to Arthur's christmas...and obviously everyone gets along super well and merthur fall in love. The second one is a fake dating. T get his parents off his back, Arthur lies to Uther and Igraine that he and merlin have been together for years and Merlin (plus his mum and his sister Freya) has to play along one christmas..and obviously everyone gets along....and obviously everyone gets along super well and merthur fall in love.

If you like: found family, cute christmas fics and fluffy merthur these fics are the ones for you!

Also pls if anyone has any canon era secret dating merthur fics i beg of you please send them my way 🥺

[talaofthevalley]

Yugioh decks usually can say a lot about their owner .. what do you think that Ryoken or better to say Revolver's deck says about him?

It's one of my favourite things about Yugioh actually; A character's deck, and even their ace monsters, can say a lot of very interesting things about them.

I will admit I haven't put a lot of thought into Revolver's archetype in relation to his character before, but changing that was very fun and I had a surprising amount of interesting things to talk about.

You can break down Revolver's deck into two basic themes: Dragons and guns. Combine them and boom, you've got Rokkets and Borrel monsters.

You have the obvious connection between his LV username 'Revolver', which is a gun that can hold six bullets (one for every Ignis). Dragons are a Yugioh staple, especially among the rivals, and typically associated with strength, ferocity, and guarding something valuable. For past rivals who use dragons like Kaiba and Kaito that last part makes sense, as older brothers who love their younger siblings very much. Applying this to Ryoken can mean how he's the metaphorical guardian of The Lost Incident and keeper of its secrets, and at the end the literal guardian of the network. Strength and ferocity he has in spades, often depicted as a figure who is far above other characters in terms of skill and knowledge.

Guns though.... I mean they're pretty straightforward. They're a tool used to kill. Which isn't an inaccurate way to describe Revolver in S1. He sees himself as a tool to accomplish Hanoi's, but mostly his father's goal. And that goal is the annihilation of living creatures. And in the finale he's the literal trigger standing between the destruction of the internet. Ryoken keeping his promise to not pull that trigger, I think, then serves as a good indication of where his character will go from there. Now, Revolver is not a weapon wielded solely for someone else's ambition, but for himself and his wants.

And is that not a very similar way Rokkets are played? Rokket monsters have different effects that trigger upon being targeted by a Link monster, such as destroying a monster on the field or the extra deck, backrow destruction, or everything in one column. That, I think, is what Revolver is doing post-S1; Directing his destructive powers to be the most effective and beneficial for not only himself, but for people he cares for in some way.

That Rokkets destroys themselves is relevant as well. Revolver is perfectly fine making himself the target of people's ire and hatred, even if it's not warranted or justified. He was willing to die for his mission in the S1 finale. And ofc famously no one hates Kogami Ryoken as much as Kogami Ryoken. But it's a self-destruction for the sake of something, not just self-destruction fueled by self-hatred. It fits with Revolver's knight theming, to fight and act for something greater than oneself. Which is also what the Rokket monsters do; they destroy themselves when targeted in order to fulfill a objective.

Then we come around to Rokkets other noteworthy effect; at the end of your turn, they can special summon other Rokkets from the deck if they are in the graveyard because their beforementioned effect was activated. Revolver is as tenacious as they come, and equally resourceful. Even after losing to Playmaker, what he's hung up on is not that he was defeated, but Playmaker's identity. He swears he will win next time, and that's that.

Revolver is also notably efficient in building up forces and gather power for his goals. He builds the Knights of Hanoi back up in S2, even breaking Kyoko out of a high security prison so they will be at full power. Revolver is the one to gather the scattered characters into one group to work together to defeat Lightning. To say he knows how to use people is a misleading term, but he's very perceptive and knows how to best make them cooperate. It doesn't always work, but no one is unaffected by his attempts either.

All this can be related to the Borrel line of extra deck monsters, whose effects are in part used to activate the Rokket monsters own effects. Revolver knows how to pull out people's strength, and sometimes he does it without meaning to (looking at Playmaker). Borrel monsters also commonly have effects to negate or counter effect activation, and also raise their own attack. They're pretty overwhelming monsters that in the real life cardgame overtake the Rokket archetype and are used in decks without them. Revolver is a very overwhelming presence in the show, as a duelist and character. He doesn't enter a scene without stirring some shit up.

And of course Revolver's use of old trap cards showcases his resourcefullness, his ability to find an advantage in even the most unlikely of places, and that he's still 18 years old and can be just as much of a little shit as anyone else.

[justlikeeddie]

all of layton and nikita's strictly dances ranked CORRECTLY by ME

14. Samba, Week 1

unfair to have to rank this one really because nobody really knows what they’re doing in week 1. FASCINATING to go back and watch this though. obvs this is strong in the context of a first week dance! but knowing where they’re going to go from here… this is the one and only time you can see that nikita is dancing layton through the steps and keeping him afloat. they’re not yet a PARTNERSHIP here. they don’t KNOW each other!!! anyway good luck to these boys with navigating what they are going to experience over the next three months <3

13. American Smooth, Week 10

the infamous bottom-two dance. a result which i believe was undeserved!!! but the american smooth IS the most boring category on strictly unfortunately, so it’s a humble placing for this one. i did not love their outfits, for once! why don’t they go together. why does nikita look like peter pan. however, obviously i liked it when they both picked each other up and did a little skip in the air. also enjoyed how much craig enjoyed being bammed up by the ending.

12. Rumba, Week 12

controversial to place this so low in the ranking perhaps?? obviously this was a complex routine that they performed beautifully AND was very tender and intimate. but the rumba is the second most boring dance on strictly after the american smooth i’m afraid I’M SORRY. however, points awarded for nikita saying afterwards that dancing this felt like the rest of the world fell away and they were the only two people in existence. girl what

11. Salsa, Week 5

a great dance! fun! good vibes! their first lift! followed by a bit that i like where nikita has to sort of kick layton upright again. loses points ONLY for being perhaps their least homoerotic dance, which one of them, i guess, has to be.

10. Tango, Week 6

all the ingredients for greatness are here. TANGO. HALLOWEEN. layton is in high goth drag. nikita looks a bit like paul gross as geoffrey tennant as hamlet in the flashback sections of slings and arrows s1. but weirdly i don’t think this dance quite lives up to the level of drama i expected from it. having just rewatched it i think it’s because they’re ACTING like it’s a MELODRAMA, and it FEELS like they’re acting, as opposed to the way they usually totally inhabit the narrative of a dance. however. the switch from this vibe into the denouement - the BACKFLIP (fuck!!!) - and then the breathy, drawn-out final moment, which they suddenly ARE inhabiting, braced over each other and staring into each other’s eyes like they are ON GOD going to fuck in the middle of the dancefloor, is astonishing. once again i am asking the bbc if this is what they thought they were going to air

9. Cha-cha-cha, Week 4

okay. we are entering the section of the list where everything from here on down pretty much makes me feral. layton is everything in that jumpsuit. the THROW into the SPLITS. the raw sexual dynamism somehow contained within nikita taking layton’s coat for him. unbearable.

8. Charleston, Week 12

off the charts crazy. how can people move like this. they CARTWHEELED across the STAGE for what felt like YEARS. points only deducted for the fact that when nikita cried in the interview afterwards because he loved layton so much he had to do it in this extremely silly outfit.

7. Quickstep, Week 2

they danced the equivalent of a gay leyendecker illustration in week 2. IN WEEK 2 THEY DID THIS. they’re having so much FUN here. and to follow up on the week 1 ranking, the transformation from them feeling like a professional and a celeb to two people actually dancing together happens SO fast. it’s only a week later, but already something’s changed; layton’s totally at home in the routine and nikita’s REALLY enjoying it. it’s just so nice and i love them so much :’) also the quickstep is one of my favourite strictly dances because it’s inherently funny watching grown adults run full-pelt around a room and occasionally do a little skip. perfect 90 seconds of television.

6. Viennese Waltz, Week 3

ok so this is actually one of their lowest scoring dances on the show. but NOT according to my ranking. this ought to feel as faux-dramatic as the vampire tango but it doesn’t. something is HAPPENING between them in this dance and it’s real. i could write paragraphs about the eternities contained within the long, long seconds of them holding each other after it’s over, which goes on for long enough that the editor just has to like. give up and cut away from them. i’ve been linking to the bbc’s youtube clips throughout this post, but if you have access to iplayer i strongly recommend you watch this dance as aired (i have linked to the timestamp for your convenience) in order to see the full effect of this ending. there’s something about the combination of… the sincerity of the dance. the gender of it all. the refusal to break character. nikita’s slightly baffled-looking parents in the audience lending whatever the fuck is going on here a bizarre frisson. i’m completely obsessed with it

5. Jive, Week 7

the first thirty seconds of this dance genuinely make me feel like i’m coming up. overwhelming transition from the sexy sexy opening section (why are they dressed as little sailor boys? why are they touching like that?) into the supercharged beat of the side-by-side. people pay good money to feel like this. as has been pointed out, the jive is not a traditionally racy dance, and my question to nikita as choreographer is: why

4. Showdance, Week 13

cunt. cunt. cunt. cunt. the absolute fucking serve of the matching slutty magician elbow-length gloves. nikita dropping his hat while layton executes everything perfectly. obviously in the finale, homophobia won <3 but my god. they ATE. no notes.

3. Paso Doble, Week 11

i have said this before. but dancing to BACKSTAGE ROMANCE. in a show where i (facetiously) believe they may be experiencing a BACKSTAGE ROMANCE. seems illegal. anyway. this dance is insane. almost worth them being in the bottom two in week 10 in order for them to produce the unbridled energy of this comeback. as a category the paso doble has similarly melodramatic energy to the tango, but this performance is so unlike the slightly campy vampire number; they’re IN it, they’re living and feeling and breathing every moment. something about the mood of this dance, the power dynamics of it, nikita on the floor looking up at layton in awe as he emerges at his absolute fucking fiercest - happening in THIS week, rising above the stress of relegation and the overwhelming tide of online hate, is, like, pretty incredible, tbh. also the series of searingly erotic snapshot poses at the beginning of this routine are among the worst things i have been subjected to on this show, and as you may be gathering from this list, this is a crowded category.

2. Argentine Tango, Week 8

god it was a TOUGH GODDAMN CALL on these top two places. and tbh i think this is actually, truly, their best dance. the sheer SKILL here… whatever the move is where layton has to jump in the air and kick his little leggies around… stunning. i don’t really have a comical paragraph to write about this because i genuinely think it’s an incredible piece of dance and there’s not much more to add to that. however, extra points for the truly unhinged decision to do some dom nikita roleplay at the end? again, please watch this one on iplayer to experience the full unedited effect.

1. Couple’s Choice, Week 9

as i say. probably, technically, the argentine tango is better. but if i think about any element of this routine, i immediately black out. i cannot stress enough that he is standing on his back. he is STANDING. on his BACK. nikita choreographed this dance and he was like. i want you to stand on my back. PLEASE don’t worry about it. watching this routine is like looking into the sun. if i saw two men doing this in the club i would have to politely turn away to respect their privacy. also sorry to do this for a final time but i also need you to watch this one on iplayer because nikita stays on that pole at the end for so much longer than you are expecting and then does something sooooo unnecessary. this dance should be expunged from the internet so that i never have to contemplate it again.

[kidovna]

ever since you said that you always struggle to paint mike with the same kind of charm as will, because will is your darling, i've not been able to stop thinking about it! i can never seem to decide who is my favourite in fandom because i see lovely takes about them both as individuals and they both inspire such empathy. will was always my little favourite when first watching s1, but mainly because he was so mysterious and i sensed a future icon. but then we also saw mike on screen so much, so he won my heart in a different way!

i actually don't find myself thinking about will's plight too much in fandom because its so sad and i kind of want to bottle that up and let it spill out when we finally see his version of events in s5. i am ready to cry for sure. and now mike has been more of a mystery in many ways for a while now... i think mainly it's the idea of him being this quintessential middle child that really gets me. i especially like the idea of him not being mistreated per se, but rather just sort of accidentally lost amongst the brilliance of nancy, who is associated with their mum, and the sweetness of holly, who is often pictured with her dad. then we have mike. and on the one side he's seen as this leader, lucky to have el, in control and abrasive, but as so often with people like that, he's just... hurting. and adrift, feeling so alone amongst all these wonderful people, wondering what he's good for, even next to will with his wonderful artistry. so that's my way into finding the charm and melancholy unique to mike. i really hope we see his side in s5 too, with that slant of brooding period drama mr rochester sadness that he has ebbing beneath the surface.

BUT i also read recently about wonderful relationships in storytelling and how the couple become almost another character, a third character alongside each individual. and i think this is what happens with byler, and you certainly paint them together in a way that is so full of charm like that. Their own unique couple charm in the show - you really capture it.

i’ve been thinking about this ask since you sent it in and yesterday when i was drawing byler, i was thinking about their collective charm as a couple 😆

i tend to think about will way more because i love how gentle and kind he is despite everything he’s been through. and i also love how essential he is to the supernatural plot! i do adore mike, but 4/5 times i’ll reach for a will POV in a fic or comic. i just like looking at things from his perspective more!

thank you for this lovely message! i hope you’ve been having a good week <3