#atla designs analysis

[late-draft]

Hello, Dema here!

First off—I have fallen desperately in love with your artworks. You have a very particular style, strong and fluid all the same, and I can't help but admire the way you draw and how you approach character design.

And talking about character design...

I saw your post about Zuko's bold design in S1 when compared to what we got in S3 and—as much as I love S3-Zuko—I completely agree with you. Something I've always loved about Zuko in S1 is just how striking he was, how much of a presence he had, even when he was being tossed around by a twelve-year-old. That being said, I love Zuko, I love him in armor and pointy shoes and with a ponytail, and I loved your alternative design for him.

What do you think about his S2 character design? How does it flow with the story beats and his overall character arc? Much has been said about the Hair-Growth-Means-Character-Growth (and I find it interesting, also, that he cut his hair again before joining the Gaang), but I'd like to know your opinion on how that translates to character design and how the decisions made in the show could be either good or bad in that regard.

Sorry about the long ask! I've just been thinking about this a lot, lately, and would like to know what you think. Hope you have a good day ❤️

AAAA Dema hii!!! I'm so happy I got a message from you, I didn't expect it!!

I'm super glad to hear, I'll wear it as a badge of honour and I must tell you that I also love your art, you wonderfully do volume and the shading done through a contrast of sharp and soft areas! Super solid anatomy too and I'd be lying if I said I didn't look up to your art!

Yess the character designs in the show actually are rather strong, I like a good balance between memorable and functional. Zuko is just *chef kiss* but, considering just how many appearance changes he goes through, some are bound to be weaker than the starting one. That said, I'm gonna go through a few of his S2 looks and make this reply long, ha!

The starting one when he ends up huddling with uncle Iroh with other poor refugees, fits extremely well for the narrative at the moment. It's actually one of my least liked looks for him, and that's great!! It's precisely how it should be, because he's also arguably at one of his two lowest moral points in the story - he basically lost almost all hope, no clear goal, nothing to fight for, he's desperate precisely because of the lack of orientation and thus his morals degrade and sink veeery low. He gets on my nerves so goddamn much in this period LMAO I want to beat him up, he looks like a recovering drug addict... annoying, entitled whiny jerk stealing food and anything shiny for his uncle, but even then he just does not cross the moral event horizon. Excellent characterization. He just looks atrocious and it's great because it fits this low point.

Next he gets the standard boyish square of a hair, no notes here...

But theeeen, he arrives at one of my favourite looks of his, and it's not just because the clothes fit him very nicely (I've seen fandom say they look too big for him which, maybe?? But it doesn't look like he's swimming in them to me) And a thing I've noticed which, maybe it was just an accident on design part but I'm not sure considering they colour coded the entire cave scene; in this part his clothes match the shape of Katara's, first one in bottom then the one in top. The collar is the same haf-circle design but I don't know, maybe there was a limited pool of clothes designs guide which they cycled through. Or, he really is meant to come close but miss Katara by a beat, like sine and cosine chasing each other.

But besides this outfit fitting the inconspicuous Earth Kingdom customer service persona, it also (perhaps inadvertently) does this VERY cool thing:

It makes his shape look closed off and guarded, supposedly non-threatening. It's most visible in his fight against Jet, whose shape is open and goes in many directions like an aggressive star. But then look at what Zuko's shape does:

When he attacks, it opens up to reveal the hidden aspect, again the aggressive star shape shows up! The same thing happens in "Zuko alone" episode but I think it's most clearly visible in this fight against Jet because here he has a direct contrast and comparing with Jet. I think this is an example where the outfit, whose similar design exists irl, overlaps with a great visual metaphor and enhances the narrative at that moment in story. He's still that combative firebender but he has to keep that aspect concealed most of the time. Plus it just looks badass as hell!!

Animators really knocked it out of the park with many frames. I think Jun was too early and missed his better hairstyle, but Katara was just in time.

I agree it's super funny how his hair in the Beach is awfully long, covers his face to an uncomfortable degree and then he apparently shortens it before joining the Gaang, insane behaviour Truly an "I'm so angry and depressed I won't show my face nor be capable of seeing anything because there's nothing nice to see in my life" look...

I guess all his appearances in S2 cover his mental states, but only one of them is extremely Extra (the tea server, doesn't even take the apron off and goes to fight) and I don't see any spot where a similar tier design could be shoved in, narratively speaking. So all in all, S2 did as much as S2 could have. More tea server arc please though, the Guru episode really feels like it skipped 800 km of plot and everything that happened in it is so crammed and pretty sus in terms of character behaviour.

[sharlmbracta]

comment excerpt:

While his theme sounds composed through and through, like the music is really going for full destruction mode, Azulas theme sounds more as if the music tries to be on one side some kind of a melody an on the other side disturbing. Like a musician who doesn't really know whats disharmonic or not — her song is built around an augmented triad where every note has the same space between them. While Saxophonist John Coltrane earned the status of a legend using this augmented triad while playing pieces of greatest difficulty like "Giant Steps" or "Lazy Bird" and sounding melodic at it, Azulas composition sounds really like a melody lost inside this great complexity. The lack of a melodic sense describes Azulas lack of a reliable moral compass. (Also the rather sweet sounding instruments in Azulas song like a celesta, or a glockenspiel peeking through the noise tell about a lost and hurt young girl) When you know how to play your instrument technically perfect, you won't automatically get a harmonic sense. And the Masterminds of Coltrane or Firelord Ozai used their own senses to make themselves stand up against the rest. They surrounded themselves by technically perfect people and projected their vision of sound (or the fire nation) into them, so that they were on their side. - GeorgKallenbach

[theotterpenguin]

Katara's Legacy in LOK: "Healer Wife of the Avatar" (part I)

I only recently finished watching all of The Legend of Korra from start to finish. Based on the analyses I’ve read from the time the show was airing, there seemed to be a decent amount of backlash against how the adult gaang was portrayed - particularly Katara. LOK’s fanbase has grown since then, though, especially during the 2020 renaissance, and I was surprised by how many recent positive comments I’ve seen from fans on Katara’s role.

Because if you paid attention at all to Katara’s characterization compared to Aang, Sokka, Toph, and Zuko, it’s clear just how much Legend of Korra has tarnished her “legacy” or lack thereof.

I will be splitting this analysis of lok!Katara into two parts:

First, I will break down her portrayal in the show compared to the other members of the gaang to demonstrate how Katara received the worst treatment from the writers. Though I did have problems with the other characters’ portrayals as well, I don't have time to discuss them in-depth in this post. Then, I will counter common arguments used in defense of lok!Katara’s portrayal on the grounds that they do not provide an adequate in-universe explanation for her character’s drastic change from ATLA.

For part 1, I decided to examine everything we know about the gaang after the original series only based on the information provided via Legend of Korra (excluding poor Suki, who is never mentioned at all). For each character, I will answer the question “What do we know about [character] based solely on their role in Legend of Korra?”

Sokka

Assuming we have never watched ATLA before, what do we know about Sokka based on LOK?

Well-respected for his wisdom and leadership, as he was Chief of the Southern Water Tribe, a councilman in Republic City (Representative of the Southern Water Tribe), and the chairman of the United Republic Council

Played a significant role in Yakone’s bloodbending trial - moderated the Council’s deliberations and announced their decision to find Yakone guilty

Worked together with other political/military leaders - Zuko, Tenzin, and Tonraq - to protect Avatar Korra by designing prisons for Red Lotus members that would be impervious to their bending

Toph mentioned they were friends in their youth, describing a time he was stuck in a hole when she was trying to teach Aang earthbending

Sokka, Toph, and Aang seemed to have remained friends into adulthood as they all worked together to defeat Yakone

Fond of his trusty boomerang, which he claimed to have used to win a fight against a man with combustion abilities

Due to his achievements, has a statue built in his honor in front of the Southern Water Tribe Cultural Center in Republic City

Zuko

Assuming we have never watched ATLA before, what do we know about Zuko based on LOK?

Former Fire Lord and co-founder of the United Republic, who worked with Avatar Aang after the 100 years war to transform the Fire Nation colonies into the United Republic of Nations

Zuko and Avatar Aang had a rocky start, as Zuko described a time when he once hired a man with combustion abilities to kill Aang in his youth, but they eventually became close friends

Acted as Aang’s counsel and was described as being the person who knew Aang better than everyone else, leading Korra to turn to him for advice

Good friends with the Southern Water Tribe - worked with Sokka, Tonraq, and Tenzin to imprison Red Lotus members that wanted to kidnap Korra, specifically working with Unalaq and Tonraq to build a prison to hold P’Li

Years later, continued to work against the Red Lotus when they broke out of prison

Investigated the prison break of Ming-Hua, sent word to Lin Beifong to protect Korra, then flew off on his dragon to stop the Red Lotus from breaking P’Li out of prison

Fought Ghazan using his firebending during the Red Lotus break-in

Discussed the Red Lotus situation with Lin, Korra, and the others, before leaving early on Druk (his dragon) to return to the Fire Nation and protect his family

Despite being in “retirement,” remains an active participant in international relations - makes appearances as Prince Wu’s coronation and Jinora’s airbending master ceremony, along with engaging in discussions with President Raiko, Tenzin, and Tonraq about the future of the Red Lotus after Zaheer was imprisoned again

Highly respected and honored for his achievements - Bolin and Mako were impressed to meet him, statue was built in his honor in Republic City

Had a close relationship with his Uncle and his surviving family include his daughter, Fire Lord Izumi, and his grandson, General Iroh II

Toph

Assuming we have never watched ATLA before, what do we know about Toph based on LOK?

Previous Chief of Police in Republic City, founder of the first metalbending police force, founder of the first metalbending academy

Renowned for inventing metalbending, which is utilized for the development of modern technology and innovation in Republic City and the Earth Kingdom (particularly, Zaofu, is regarded as the safest city in the world due to it being made entirely out of metal)

To honor her metalbending achievements, there are several statues of her in Zaofu

Good friends with Avatar Aang, whom she affectionately named Twinkletoes, and was his earthbending teacher

Worked with Aang to arrest Yakone and was present at Yakone’s trial

Acted as a mentor to Korra, helping Korra face her fears and trained with her

Despite her old age and grumpy personality, Toph remained a strong fighter - easily able to beat Korra during training sessions, take down Kuvira’s sentries, and successfully break into Kuvira’s prison using her earthbending and metalbending abilities

States that her fighting days are over due to her old age, but has no problem fighting to save her family when they are captured by Kuvira (twice)

No interest in involving herself in current political problems in the Earth Kingdom, but will defend her family from political forces that threaten them

Strained relationship with her daughters (Suyin and Lin) because of how busy she was with her job, giving them too much freedom as she didn’t want to be as strict as her own parents

Covered up for Suyin’s crimes to save her reputation, leading her to retire early from guilt

Eventually repairs her relationship with her daughters - admitting she wasn’t a great mother but had great kids

Spent rest of her life living alone in a swamp, mentioning she has previous experiences with the visions it produces

High reputation in Republic City - has a statue of her built in front of police headquarters, Asami is impressed by her, Bolin calls her his hero

Aang

Assuming we have never watched ATLA before, what do we know about Aang based on LOK?

Previous Avatar before Korra, negotiated relations between people of all nations to keep peace and balance and served as the bridge between the Spirit World and natural world

Worked with his closest friend Zuko to transform the Fire Nation Colonies into the United Republic of Nations after the war

Lost his entire culture of Air Nomads to genocide during the hundred year war and was devastated - his greatest dream was frequently described as rebuilding the Air Nation and reviving Air Nomad culture

He began to do this by founding the Air Acolytes, who preserved the culture, practices, and teachings of the Air Nomads passed on from Aang

Placed all of his hopes and dreams for the future on Tenzin's shoulders, his only airbender son

Deeply connected to the Spirit World and was an esteemed spiritual leader, hoping his son would one day experience the same

Traveled the world with Tenzin so he could learn as much as possible, but was so focused on doing his duty to the world that he never had time for his other kids, Kya and Bumi, whom he had with his wife, Katara

Kya and Bumi felt like a disappointment to their father for not being airbenders and Bumi never felt connected to his father’s culture until he became an airbender later in life

Aang’s acolytes did not even know Aang had other children besides Tenzin

All of this seems to indicate Aang valued the ability to airbend the most in his children, leading to his waterbending/nonbending kids being neglected

Greatest flaw mentioned as his tendency to cut and run when things get tough

Despite all this, he was highly respected and admired by most characters in the show for all his achievements as Avatar and his wisdom

Assisted in the arrest of Yakone with Toph, a friend of his, and used energybending to remove Yakone’s bending

Gave Korra advice along with restoring her bending and bestowed upon her the ability to energybend

His grandkids (Meelo, Jinora, and Ikki) enjoyed hearing stories about his youth, such as his visit to Wan Shi Tong’s spirit library and his time with Guru Pathik at the Eastern Air Temple

Described as natural leader by Tenzin, sweet-tempered by Lin, and was good friends with Iroh

He built the air temple on Air Temple Island and in his honor, Aang Memorial Island was named after him and a statue of him was built

He’s so well-known and respected that there are even Aang-themed carnival games at the South Pole

Katara

Assuming we have never watched ATLA before, what do we know about Katara based on LOK?

Described as the best healer in the world, responsible for teaching Korra how to heal, and mentioned to be a waterbending master

Monitored Korra’s avatar training and spoke to the Order of the White Lotus when Korra was ready to begin airbending training

Declared bloodbending illegal, but was not present for Yakone’s capture or trial

Attempted to restore Korra’s bending after Amon took it, but failed

Failed to heal Jinora when she was trapped in the Spirit World

Tries to guide Korra’s healing process after she is poisoned, but is unable to heal her on her own

Worked to heal the injured after Unalaq’s attack

According to Toph, Katara didn’t get involved in the civil war taking place in her homeland because of her old age

Mentions to Korra she knows what it’s like to go through a traumatic experience but doesn’t elaborate, instead describing Aang’s trauma

Married to Avatar Aang and had three kids - Tenzin, Kya, and Bumi - and three grandchildren - Ikki, Jinora, and Meelo

After Aang and her brother died, she was incredibly lonely, prompting Kya to move to the south pole to be with her. Misses her family that has passed away.

Her kids don’t visit her much, Meelo doesn’t even recognize his grandmother. She cries when Tenzin and his family leave.

Never speaks about her own life, but Jinora asks her once about what happened to Zuko’s mom, indicating they may have known each other.

By reading those summaries, it should be obvious just how differently Katara’s character was treated by the writers compared to the others. Katara’s legacy is reduced to simply being the “healer wife of the Avatar.”

And before anyone tries to twist my words: The problem is not that she is a mother, a wife, and a healer. The problem that is all she is ever allowed to be. Her entire identity revolves around:

Trying to heal people

Being the Avatar’s wife and occasionally offering random pieces of advice about what Aang would do (instead of, you know, giving advice based on her own experiences)

Missing her family

Again, none of these characteristics are inherently negative - the problem is how poorly they are written for Katara’s character. We are told things about her that just don't match up with what is shown in LOK canon. We're told that she’s a world renowned healer, but every time we see her use these abilities, she fails. We’re told that she’s the Avatar’s wife, but he was closest to his friend, Zuko. We’re told that she’s a mother who cares about her family, but we don’t know anything about her relationship with her children (and in fact, we know far more about her children's relationship with Aang).

Katara has no characteristics, no personality outside of her relationship to others - whether she’s acting as a healer, a mother, or a wife (this is some textbook misogynistic writing). She never speaks about herself, never mentions having any friends - only ever speaking about her husband, never describes her life before being a mother or a wife, is never shown to be honored or respected in the way the rest of the gaang is, has no political titles, and has only one post-atla accomplishment to her name. This is in contrast to Aang, Zuko, and Toph - all of whom have children but are never reduced solely to being a parent, all of whom are implied to be close friends, and all of whom have made multiple important contributions to the world of LOK. Even Sokka - who is barely in the show - is shown as having more achievements than Katara. I’m not sure how anyone could see this as doing Katara’s character justice.

I want to end with this excerpt from the book Avatar: The Last Airbender: Legacy - while not from Legend of Korra, this letter written by Katara to her and Aang's son, Tenzin, is a perfect demonstration of Katara's poor characterization post-ATLA. Despite being written by Katara, this entire letter is about Aang. I'm honestly not sure why the writers didn't just have this letter written by Aang himself because there are no insights that Katara adds to it.

The letter starts with Katara saying that she hopes this letter will help Tenzin "feel the pride of [his] heritage and gain a deeper understanding of who [he is]." And yet this letter never discusses the fact that Tenzin is the son of a waterbender and an airbender, never discusses any of the lessons Katara has learned in her life or the hardships she's overcome, never mentions any part of water tribe culture, never even mentions her own brother or father or mother (family is important to Katara, but apparently the writers only think that her family with Aang matters). The letter is entirely about Aang's struggles and triumphs because post-ATLA Katara doesn't matter outside of her relationship to her husband and kids.

Part 2

[genderqueerpositivity]

Separately, the DOJ accused two Russian employees of RT, the Russian state-owned media outlet, of a nearly $10 million scheme to create and distribute content to U.S. audiences while keeping the connection to Russia hidden.

RT worked with an online content creation company in Tennessee, which was directed to contract with U.S. social media influencers to distribute its content on social media platforms including, TikTok, X, Instagram and YouTube. Since November, the company posted more than 2,000 videos that received more than 16 million views on YouTube, according to the indictment.

United States intelligence and security officials have been warning for months about Russia’s efforts to interfere in the 2024 election, specifically to undermine the Democratic presidential nominee, exploit social divisions, sow distrust in democratic institutions and to erode support for Ukraine.

The U.S. has provided arms to Ukraine to support its war following Russia's invasion in 2022.

“Russia remains the most active foreign threat to our elections,” Director of National Intelligence Avril Haines told senators in May at a briefing about election risks.

This is not the first time the U.S. has taken action against those behind the Doppelganger influence campaign.

In March, the U.S. Treasury sanctioned Social Design Agency and Structura, as well as their founders, for a network of fake accounts and phony news websites, saying they carried out the campaign "at the direction of the Russian Presidential Administration."

A report released on Tuesday by social network analysis company Graphika documents a cross-platform influence operation linked to the Chinese government with the aim of influencing online discourse ahead of the November 5 elections.

The operation has relied on "spamouflage" to spread misleading or false information, adopting faux American accounts to sow division through anti-government narratives and posts on divisive topics such as the Israel-Hamas conflict, gun control, and racial inequality.

Using ATLAS, its proprietary platform for real-time intelligence and data analysis, Graphika identified 15 such accounts on X (formerly Twitter) and one on TikTok. Mimicking both U.S. nationals and advocacy groups, these accounts have taken aim at both major political parties and called into question the legitimacy of the U.S. electoral process.

They exhibited certain patterns, including the use of U.S.-related hashtags like #American, and presented themselves as U.S. voters who "love America" but feel alienated by issues ranging from abortion to U.S. support for the war in Ukraine.

One X post from June 2023 stated: "Although I am an American, I am extremely opposed to NATO and the behavior of the U.S. government in war. I think soldiers should protect their own country's people and territory from being violated, and should not initiate wars on their own initiative." The post was accompanied by an image depicting NATO's expansion in Europe.

Not to say "I told you so" but I've been saying this for months. Social engineers are hard at work trying to influence the outcome of the election in November. It is very likely happening on a larger scale than we know of. Take everything you read online with a grain of salt between now and November.

[aspoonofsugar]

Blake Belladonna's Design

This is a quick appreciation of our Cat Girl's design. Its objective is to offer a short analysis by incorporating elements of other metas. Ideally, the end result will be something similar to Yang's post. Finally, this is the final piece of my mid-summer Blake meta spree :) So, enjoy!

JUST ANOTHER CAT GIRL?

Blake's design plays with the idea of "cat girl". Cat girls are common in anime and mangas, but are often overly sexualized. In particular, cat ears are usually presented as an overly cute trait and sometimes a fetish.

RWBY takes this idea and subverts it in 2 ways.

Blake's ears are initially hidden, so that her affinity with cats gets highlighted through other aesthetical elements:

Gambol Shroud's ribbon resembles a cat's tail and it being a whip may reference the infamous cat o' nine tails

She decorates her eyes with cat eye makeup

She is able to make copies of herself, which get jokingly referred to as copycats

In Mistral she wears leg boots, which bring to mind Puss in Boots

In Atlas she wears a catsuit

Blake's cat trait becomes a core part of her identity, which is explored on a double level:

It represents her faunus heritage, which makes her different from humans and discriminated

It is a symbol of Blake's troubled past and of her involvement with the White Fang

So, Blake covers her cat ears to run from both society and herself. Just like a scaredy cat ;)

As you see, with some limitations and worldbuilding, Blake manages to be a cat girl with much depth to her. Still, there is more to her cat design.

FROM CALICO TO TUXEDO

Let's juxtapose Blake's initial concept art with her final design:

What changes is the cat used as the main inspiration.

In the initial concept art it is the calico cat (tricolor cat):

In the final character design it is the tuxedo cat (bicolor cat):

Why the change? Let's explain it by highlighting one similarity (1) and one difference (2) between the two kitties.

1- Both cats are called after a type of cloth:

Calico is a fabric, which originates in India (the set of the Jungle Book - Blake's secondary allusion) and is famous for its colorful printed patterns. I wouldn't be surprised if Blake's clothes in the concept art were meant to be calico made.

Tuxedo is a formal wear, which consists of a black suit over a white shirt and a bow tie. Well, Blake's final design is a revisitation of the traditional tuxedo with a shorter jacket and a bow worn in the hair, instead than as a tie.

The idea of "cloth" is heavily used in Blake's design, which may be one of the reasons why the tuxedo is eventually chosen. This kitty, thus, offers a pretty poignant metaphor.

It all starts with Gambol Shroud, where shroud means a piece of cloth that conceals or protects:

Here come two thoughts:

Blake's bow is her shroud which is why it resembles her weapon’s ribbon (same color and similar material). The bow is the ears, while the ribbon is the tail. Together they complement Blake’s cat design.

Some tuxedo cats are called tuxedo masks because it is as if a black mask covers their whole faces. It is easy to see how this concept fits Blake, who conceals herself thanks to a little piece of fabric.

Basically, Blakes's bow is her tuxedo tie, which is worn as a mask.

2- The two cats differ when it comes to their color:

The calico is a tricolor cat, which is mostly known as having a white coat with some orange and black patches

The tuxedo is a bicolor cat, which has white and black fur

These two color patterns are another reason why Blake has been characterized as a tuxedo instead than a calico. As a matter of fact the black and white dychotomy fits our beautiful faunus girl more.

WHITE AND BLACK = BEAUTY AND BEAST

In old English, Blake's name means both black and white. As a result, she is linked to both colors, which tie with her light and shadow motif:

Blake is associated to the twilight because it is where light and shadow meet. What's more, her musical theme is built on this duality. She starts in the shadows and climbs her way up towards the light.

Well, Light and Shadow are linked to two Jungian Archetypes:

The Light is the persona, so what is shown to others

The Shadow is what is repressed, so the hidden parts

And these two archetypes are explored in The Beauty and The Beast:

The Beauty is the light - she is beautiful, lovable and accepted

The Beast is the shadow - he is ferocious, scary and misunderstood

So, Blake's own allusion can be read as the integration of beauty and beast, light and shadow, so that a new unit (a new individual) is born. This is also Blake's arc in a nutshell. She starts as a shadow because she hides herself, but with time she steps into the light and shows the world who she is.

In other words, Blake's Beauty and Beast allusion is referenced in her appearence not only in her nature as a faunus, but in her color scheme too. She is both beauty and beast, light and shadow, white and black.

This is also why these two colors are incorporated in respectively Sun and Ilia.

Sun is white, as he leads Blake towards the light:

Ilia is black, as she forces Blake to face her own shadows:

Through them Blake integrates her shadows and stops hiding:

This is why her design changes in Mistral in two notables ways:

She gives up her bow once and for all

She wears a white jacket over a black top

These two details mirror Blake's inner journey. She learns to show herself more, so her ears get to be out in the open and the light (white) surfaces. In Beacon, instead, the ears are concealed and Blake is wrapped in shadows (black).

Ironically, this means Blake's design loses the core traits of her tuxedo cat inspiration. As a matter of fact she has no bow tie anymore and the color pattern is inverted, which doesn't work. Why this choice? It is because Blake is going from Beast (black + cat) to Beauty (white + individual). Symbolically, this happens as she shows her faunus trait more openly:

She grows more beautiful (human) as she openly embraces her beast side (cat).

GOLD, BLUE AND PURPLE = HOT, COLD AND JUST RIGHT

The shift from calico to tuxedo brings some consequences to Blake and Yang's complementary designs.

Let's compare the bees exploratory ideas:

As people have noticed, Blake and Yang are aesthetically and symbolically linked since early on.

Here, we have:

Blake with one gold eye and one blue eye

Yang with a blue bandana

This chromatic choice ties into Yang's allusion and design. As a matter of fact our Goldilocks uses colors to represent the too hot, too cold and just right. Specifically:

red/orange is the too hot

blue/green is the too cold

purple (blue + red) is the just right

So, in the picture above Yang's looks play with the dychotomy between too hot and too cold. This same duality is mirrored in Blake:

She is both too hot (gold eye) and too cold (blue eye)

She wears much gold in general (Yang's main color)

The idea is clear. Blake is Yang's hot and cold. In particular, she brings some needed blue in Yang's life. She helps Goldilocks cool down and become more balanced. Similarly, Blake proudly wears Yang's golden tones, as she has to grow more like her Golden Beauty.

So, how have these ideas evolved in Blake’s final design?

Blake has gained a strong association with purple, which makes her Yang's just right

Blake's color scheme has ditched gold in favor of silver, which makes her and Yang complementary

Blake's link to purple is interesting because this color calls back to her family and to the surname Belladonna (beautiful woman in Italian). In other words, it is connected to both Ghira's legacy and her Beauty side. So, it is not a surprise that Blake grows more purple in each arc:

She is slowly blooming into Yang's just right by reconciling with her legacy and by becoming a person worthy of our golden girl.

This transformation is highlighted also by Blake integrating some gold into her:

In both her Vale and Atlas's designs Blake is linked to silver, so that she can complete Yang's gold. Still, in Mistral she has some gold details because this is the arc where she integrates her missing parts. This integration ends with Adam's death and Blake's rebirth:

So, Blake's design tells a story of inner growth, which leads her to stand beside Yang as an equal:

Blake: She's not protecting me, Adam. And I'm not protecting her. We're protecting each other.

This theme is important for Blake's Cat Girl archetype. Cat Girls, thus, are often reduced to love interests, but Blake's arc is a deconstruction of this idea. What would happen if the male partner of a Cat Girl is abusive? Blake explores this concept and tells a story of liberation and development, which ends with a reconstruction of the trope. Our Cat Girl ends up in a happy relationship, but not as a shallow prize. Rather as a winner.

BEASTS, LIONS AND WOLVES

In conclusion, Blake's design alludes to the Beauty and Beast on three levels:

Society= Blake is both human (beauty) and animal (beast)

Couple = Blake and Yang are drawn as complementary

Individual = Blake is both white (light) and black (shadow)

Still, this is not the only fairy tale our Cat Girl ties into thanks to her animal features. Here come three examples.

Blake is Bagheera's daughter and a small panther (a cat) in the Jungle Book

Blake is a Scaredy Cat to Lioneheart's Cowardly Lion. Except that of course the cat is braver than the lion

Blake is Ruby's black beast in team RWBY's LRRH team allusion

This last reference is foreshadowed since Red Like Roses:

Black the beast descends from shadows.

After all, the Beowolves appear when Blake's line comes up.

Moreover, Blake's secondary allusions all come together to strongly link our Black Shadow to wolves. In the Jungle Book, Mowgli is raised by wolves, just like Blake grows up in the White Fang. The name of the group itself calls back to wolves, as it references the title of Jack London's book about a half-dog half-wolf, who fights to be accepted by humans.

Finally, it turns out Blake is not the only Cat, who turns out to be a Wolf:

In short, Blake's design lets her freely move between allusions and references. Not only that, but it is crafted to add depth and thematic resonance to her character and her arc. Not bad for just another Cat Girl, uh?

[bestworstcase]

First i want to say that i love your rwby analysys, but i just discovered your blog, so can you explain to me why you hate Ozpin so much? Like, every minor thing he does and says must have some malicious intention behind it, but everything Salem does is part of a big plan that means that she's not actually evil?

ooh it’s been a while since we had one of these! 1. i think perhaps a closer read of my salem analysis is called for, because you’ll notice that i am, er, not shy about noting that salem is evil and this is in fact a central tenet of my reading of the narrative; i just don’t think she’s a one-note genocidal lunatic and it is extremely obvious that the narrative is heading in a "the brothers were and are wrong, and salem wants them gone" direction; 2. oz is second in my heart only to salem and cinder, which sort of speaks for itself in terms of "this character did bad things!" not being remotely a bad thing in my book, 3. and speaking of cinder, i get exactly as cranky about uwuified fanon sad wet rag ozpin who’s never done a thing wrong as i do uwufied fanon poor wittle cindy who doesn’t want to hurt people but salem makes her do it for exactly the same reason, which is that it strips out everything that makes these characters narratively and emotionally compelling in favor of mashing them into gutless marshmallow pod people for the sake of… i don’t know, making them neat and bland and easily digestible, i guess? uwu?

4. this is an ozlem house

5. i don’t think ozma has ever acted with malicious intention; rather, he’s been coerced into this situation where his faith in his god, his intense desire to do the right thing, and his terror of what will happen if he fails or disobeys—in combination with a divine curse that is literally designed to prevent him from being able to change or break free, because he has a reflection of himself monitoring his thoughts and actions all the time—are at war with his true desire (he wants to be with salem) and his conscience (he knows that salem was right about what is necessary to fulfill his task, that uniting the whole world under one creed is impossible except by genocidal conquest, and he cannot bring himself to do it because it’s wrong). he’s trying very hard to do the right thing in a situation where he genuinely believes his only options are to commit genocide for his god or sacrifice the whole world for his love and he is desperate to figure out a third option that does not end with "rocks fall everybody dies;" thence the lies and manipulation and all the miserable moral sacrifices he’s ever made.

6. the reason this is an ozlem house, in the sense that my reading of the narrative in its entirety is predicated on the ozlem reconciliation, is that salem and ozma are two sides of a coin: she is doing terrible things in pursuit of a world where the gods aren’t holding a knife to remnant’s throat and he has done terrible things for the sake of the same. their conflict isn’t evil-vs-good, but apostate-vs-zealot; salem believes the gods can and must be defied and ozma believes her defiance is doomed to failure. salem tells him that in order to unite the world he needs to spread his word and crush all who deny him; as the king of vale, ozma uses the divine relic of destruction to lay waste to not only his enemies but even his own allies, thus he forges the vytal accords that established the united global order in which the story takes place. he’s a better person than she is—because she’s been living in exile for thousands of years and her capacity for caring about other people has withered away to almost nothing as a consequence—but they are in every sense equals.

7. the narrative is overtly not on ozpin’s side? he has a whole atonement arc about it in atlas—& this is why i made the comparison to uwuified fanon cinder earlier, because the framing with regard to ozpin is very emphatically clear that he does a lot of things that are not good, and are in fact pretty sinister and in some cases (amber, pyrrha) outright evil, and he has to make the choice and put in real meaningful effort to be better. i don’t think there’s anything to be gained from ignoring what is plainly in the text of the story, especially when rwby is categorically disinterested in sorting its characters into neat little good-or-bad boxes. there’s no such thing as pure evil—that’s been the explicit textual conceit since volume one—and the implied converse is that there’s no such thing as pure good, either. (which is a conceit that ozlem exemplifies.)

8. i threw a fucking PARTY when we found out salem razed vale, i get the vapors every time i think about what sort of narrative escalation we can expect in V10 given that something as huge as razing vale can happen off screen to set the stakes for vacuo. not that i don’t also adore characters who are good or who (like oz in v7-8) grow and change to become better, because i do, but i really can’t emphasize enough how much i Do Not hate fictional characters on the basis of them doing awful things. what i want from a character is for them to be interesting, which ozpin is. what you’re perceiving as me hating on him is me dissecting him under a microscope because i love him to bits.

9. the ozlem screeds will continue until morale improves

[baileythebean]

“Hello. My name is Bailey…. What? My last name? Unnecessary. Not to mention, unimportant. Get to the Point already, What do you want?”

“Facts about me, I guess.” -19 years old

-He/They

-Demiboy

-Uranic

-taken by Pebble (@candy-for-the-win) and Toniø (@toniolovesfish)

-5’4

-Born January 9th

ANONS:

🟠 anon

💖 anon

OOC:

Hi everyone! So this is my OC account for Bailey, My Ramshackle OC (HEAVILY based on myself) and you can ask him anything! His voice claim is Zuko from ATLA with hints of Wanderer and Xiao from Genshin Impact mixed in! A few ground rules: -please use he/him or they/them pronouns when referring to him

-No NSFW to mod, I am a MINOR - suggestive is allowed for Bailey, as he is not.

-if you take inspo from my art, please tag me so I can see!

-I do take recommendations/suggestions for art and lore.

-please do not disrespect me or use my OC without permission

-he will be a little rude/sarcastic at times, but that’s just his character! I’m not tryna disrespect anyone.

-Remember that he is based off and run by a REAL PERSON.

-have fun!!

Boundaries for asks: No serious NSFW

Comfortable with most anything! Cuddles, hugs, high-fives, idk just anything!

Bailey is clingy (as long as you can get him to warm up to you) so have fun w/ that :3

Extra info: Singing Voice Claims here Some Bailey and Jay (@trimalchiooframshackle) lore here Info on Bailey’s past here and here Art refs here Compilation of random Bailey facts: Here!

Genshin selfship analysis here!

Genshin self-insert designs here!

[circlique]

Color Theory in ATLA: Part 1

Let’s talk colors! ATLA is a colorful show! It’s pretty obvious at first glance that each element and thus each nation has a color association. But how else does ATLA use color narratively? Today I’m gonna be doing a little analysis at two levels: surface and narrative. This post will cover the visual, surface level.

By the way, this is actually a propaganda post for @multicolor-fandom-tournament, where you should totally go vote for ATLA in the final. As much as I love Pokemon, I wanna see someone else win a poll for once. Give ATLA some love. Anyway, let’s get started.

For individual characters, there is some pretty obvious color coding/representation going on that is notable. For instance, Ty Lee wears pink and is girly with a bubbly personality. Mai wears dark red and black and tends to be gloomy and serious. Zuko wears red and is often prone to passionate, angry outbursts. Aang wears yellow and tends to be cheery and positive. Sokka, for all his cool collectedness, wears blue. Toph is represented by green and is first introduced as a vision in a swamp, where there are themes of connectedness, growth, and new beginnings. These are all fairly obvious and surface level, so I’m not going to go into them too much.

Beyond individual characters, each nation gets its own color. This is fairly straightforward. Fire is red, air is orange/yellow, water is blue, earth is green. People from each nation wear their nation’s color for the most part, leaving us with recognizable character designs that easily allow us to discern any particular character’s origin.

There are a few other interesting cases where specific colors are reserved for specific things, such as purple, which is only worn by royalty, Princess Yue, and gold, which is used in small accents in the Fire Nation, but larger usages seem to be reserved for the royalty there as well.

However, throughout ATLA and some of the extended material such as the comics and Legend of Korra, the colors a person wears has been further used to show their multiculturalism, and sometimes detachment from culture altogether. In ATLA, there is a travailing music troupe that wears a variety of colors, presumably due to their travels necessitating the need to replace worn out garments with whatever colors are available. In the comics, there is a plot line about conflict arising in the former Fire Nation colonies, where people have been raised in a mix of Fire Nation and Earth Kingdom culture. Some of the people there wear both red and green.

Later on in Legend of Korra, we see that while Republic City is multicultural, many of the people there don’t identify super strongly with any one nation. After all, many of the people there have never lived anywhere but Republic City. As a result, a lot of the Republic City characters such as Mako and Bolin wear more muted colors such as gray. Although their outfits still have accents in their respective bending colors, their outfits reflect their heritage to a place that does not strongly emphasize any one nation’s colors over the others. Notably, Amon and his chiblockers wear gray too, because their entire deal is equality among benders and nonbenders.

Another thing that is heavily color coded in ATLA is eye color. Each nation has a corresponding eye color too. For fire it’s gold/amber, air is gray, water is blue, and earth is green and brown. Eye color is so heavily color coded that it even picks up some narrative importance. When Azula takes over Ba Sing Se, she, Ty Lee, and Mai disguise themselves as Kyoshi Warriors. Katara runs up to then to warn them of the coup, but realizes something is wrong when Azula’s pretty Fire Nation amber eyes flash in the light.

Eye color is used like this in a few other places too. In the Kyoshi novels, there is a character who goes undercover who must disguise his eye color to avoid being discovered. In the Yangchen novel, there is a character from and island in the Mo Ce Sea (which is roughly in the middle of the map) who describes how her home became so cut off from any one nation that she didn’t feel allegiance to any of them. Her eyes are specifically described as hazel/brown, which can be found in all four nations.

Eye color is so heavily nation-coded that it has spawned plenty of fan theories and arguments. Suki, for instance, has green eyes in some art and blue in others. Fans argue about what her eye color actually is, with some suggesting blue-eyes Suki may have Water Tribe heritage due to Kyoshi Island’s proximity to the Southern Water Tribe, and others suggesting it was just an animation error and that they were actually supposed to be green. Another example is Ty Lee, who is a nonbender but has gray eyes, causing many people to speculate she has Air Nomad ancestry. Notably, Zaheer ALSO has gray eyes and later gains the ability to airbend, so the popular theory is that he and Ty Lee may be the descendants of airbenders who survived the initial attack and hid amongst the four nations.

Indeed, different eye color is used to show people with mixed heritage, a notable example being Asami, who has green eyes but is descended from Fire Nationals who settled in the colonies in the Earth Kingdom.

And there you have it! Those are the surface-level uses of color in ATLA. Next time we'll talk more about color theory and narrative usage of color symbolism.

[fallingskiesandrisingseas]

Alright kids some Sokka analysis!

We all know that ATLA is an amazing show, with brilliant character development, a respect for heavy topics, good plot design and overal enjoyable episodes.

But what is very interesting is the way that both Sokka and Suki are portrayed.

Sokka is a non-bender of the southern water tribe. His sister is a bending prodigy, his best friend is the Avatar, Toph is the best earthbender alive and Zuko is the son of the Fire Lord.

Yet we never ever feel like Sokka doesn't add anything.

In the episode where he learns swordplay, the other characters are bored to death without him He is the tactician, the planner, the jester, the leader of the group in a way, the heart.

And yet he is still a child. He's allowed to be funny, silly, and stupid even while displaying qualities that the others don't have.

And the best example I can think of is when the final fight against Ozai happens.

Sure, Katara and Zuko take down the best firebender of their generation, Aang takes down the Phoenix King ( the most powerful firebender on the planet ) and Toph metalbends whole ships into oblivion.

But it is Sokka's plan that prevents a genocide, prevents devastation. It is Sokka that takes down all the enemy ships, Sokka that plans the attack.

Moreover, he takes down two firebenders amped up by the comet with one hand, lying on his back, while holding Toph up with the other.

The scene shows us brilliantly why Sokka is their leader: both Suki and Toph are utilized to the best of their abilities. And both are allowed to save the day.

He's also the planner of the eclipse attack and the prison escape, although these have varying degrees of success. Once he starts coming into his own as a full member of the team, when he starts to have faith in his own capabilities, there is no one quite like him.

And Suki, a nonbender like him, is treated in the same way. Strong, quickwitted, capable. Saves Toph from drowing in the Serpent Pass, member of the Kyoshi warriors. Able to go toe to toe with Ty Lee, who's been shown to immobilize powerful benders like Azula.

In the final fight, they are seperated, but never once is Suki treated as a damsel in distress. Indeed, she is the one saving Sokka and Toph by commandeering a war balloon.

All in all we love Sokka and Suki in this house

[the-badger-mole]

NO CAUSE THIS BLOG IS A GODSEND.

Like me? I don't hate Aang. Or at least I'm trying not to, because it feels weird to me (personally) to hate a child, when he's just the product of some REALLY SKEWED WRITING.

But EVERY TIME I SEE AN ANALYSIS ON ATLA AND HOW AANG REALLY JUST. Was not it. It gets a little harder to not be a hater (I do my best though) AND I HAVE TO SAY. I absolutely adore how open you are with just. Hating him. Like I'm not even being sarcastic, it's just really refreshing to see someone so willing to express their pure, unfiltered opinion on a character. Especially now, where most people are concerned with impressions, or like offending people, it's just like a splash of cold water(in a good way, I love cold water) to see someone be so clear and unafraid to just. Hate on him (IN A GOOD WAY).

Along with the fact that so many people like to act like Aang is a perfect child, or that he's "only 12 so he doesn't know any better". I can't stand it when people excuse their favourite characters' flaws in favour of only seeing a perfect character.

Coz like. Do you really like a character if you're not seeing them/accepting them fully? Like, they're your favourite. But are you really appreciating them if you're not accepting criticism of them? Because then you're actively rejecting their flaws, which are still a part of that character. You're rejecting an entire aspect of their character. Which I feel is like. Chopping the character in half. It's not real appreciation, if that makes sense??

SORRY THIS GOT A LITTLE LONG, I GOT KIND OF AGITATED. BUT WHAT I MEANT TO SAY IS THAT I LOVE THAT YOU HATE ON AANG EVEN IF I DON'T HATE ON HIM.

I really hope I didn't come off as offensive (or rambly), because I REALLY DO MEAN THIS IS A GOOD WAY

First, I just want to say, it's totally alright to hate a FICTIONAL child (ask a few parents how they felt about Caillou. Go ahead. Prepare to hear some thoughts...). The thing about hating fictional children is that you're not hating on an actual flesh and blood human. You're hating a construct created by adults who should know better (especially in this case). You're hating tropes and traits and maybe even character design . That is not the same as hating a person, no matter what Aang stans try to tell you. You don't have to hate Aang, but you don't have to feel bad if you do hate him, either.

I will never stop voicing my opinion because strangers on the internet don't like it. It's a cartoon. It has no bearing on anyone's life (except maybe Bryke, I guess? ). I'm still having fun revisiting the show, and talking about it on this site (and only this site), but that's all it is. A fun way to waste time. Anyone who is personally offended by my not liking Aang (or Mai, or Azula, or any other character we disagree on), has a personal problem. An internal problem. One I hope they can recognize and grow from before they encounter people with different opinions in the wild.

[rjzimmerman]

Excerpt from this story from Inside Climate News:

Many existing marine protected areas might be something like screen doors on a submarine, at least as far as their impact on ocean conservation.

A new study finds that only a third of the world’s largest marine protected areas (MPAs) currently implement meaningful conservation measures.

Increasingly, marine conservation is the art of separating humans from parts of the ocean. More often than not, marine protected areas, swaths of the sea that are set aside and managed to preserve sea life and its habitats, are the flagship models for government efforts to accomplish this.

However, a recent analysis published in Conservation Letters revealed alarming inadequacies in the effectiveness of the world’s largest MPAs. The study, conducted by an international group of researchers spearheaded by the Marine Conservation Institute in Seattle, Washington, focused on the largest 100 MPAs in the world, which together encompass over 7 percent of the world’s ocean area.

“There are 18,000 MPAs, but a hundred of them make up 90 percent of the area,” said Beth Pike, director of the Marine Protection Atlas and the study’s lead author. “These are the big needle movers.”

Pike and her colleagues found only a third of these MPAs’ total expanse to be under high or full protection—just 2.6 percent of the global ocean footprint. They found another third of these MPAs’ territories allowed for destructive activities, such as mining and industrial fishing, making them inherently incompatible with conservation. Additionally, another quarter of the protected area they analyzed were deemed “paper parks,” meaning that while these ocean spaces had been officially proposed or designated as MPAs, they had yet to implement any subsequent conservation measures. For example, over 60 percent of the OSPAR MPA network, which jointly covers roughly 7 percent of the Northeast Atlantic Ocean, appears to have benefited from no protection activities aside from its listing as a protected area.

These findings stand in stark contrast with the agreement by 188 governments to protect 30 percent of the world’s lands and waters by 2030—the 30×30 initiative—in the Kunming-Montreal Global Biodiversity Framework adopted during the United Nations Biodiversity Conference (COP15), in December 2022. 

[cptn-m]

One Piece chapter 1119 Review and Analysis

Confronting Wano’s lingering prejudices in the cover story is a pleasant surprise. I wasn’t sure there’d be a way to do it in the near-wordless cover stories, but Oda’s taking it on anyway. This choice helps retroactively justify the slow start to the story because of the contrast it creates with all the people heaping praise and assistance on them in the early installments. I did have, looking at this, a thought about Wano’s culture. Some comments are quick to call out the country’s citizens for not learning from the monster they created in Orochi by blaming blood instead of individual, and I myself was pretty hard on Hiyori on that point back when the arc ended. But we have to remember, the purge of the Kurozumis happened when Orochi was a child, and the man died at 54. So have these kids learned from what happened to Orochi? Hell no, they weren’t around for that. Even Hiyori wouldn’t have seen the events Orochi lashed out over. And yes, there may be older people alive who witnessed the full cause and effect, they might be forgiven for not passing that down fully to their kids considering what’s been happening to them for the past 20 years. You have to solve issues of life and death before people are able to ease their focus toward social problems. Hopefully Wano is now at the point where they can start doing that.

Mars’s “defeat” on the sea below is something I think could have been choreographed more clearly. Like, the concept works, but it’s spread over so many pages that it looks more like Bonney, Sanji and Franky push Luffy into Mars for an extended struggle before he flies away. Given that the final push seems to be Luffy fully inflating, what was the point of what the others were doing? I think this should have been something more like the launch of a cannonball, where the three hit Luffy simultaneously back near the ship and he flies out and hits Mars full force, carrying the launching power of their attacks. You could still fit the back and forth around using Haki into that in roughly the same number of panels, and the motions of it would actually make sense. Turning things that seem like the should be quick hits int physics-defying pushing struggles is nonsense when the anime does it to draw out scenes, and it’s nonsense when Oda does it too.

But luckily, this one kinda awkward clash actually isn’t the finale of the arc just yet. The Sunny’s group is being held up, presumably by Nusjuro, and the other Elders aren’t giving up yet.

I’m worried by Atlas’s moment though. That thought to Lilith about York’s monitoring feels really ominous for her survival chances. Are all the good Vegapunks really going to die together on Egghead? I wonder if Atlas and Lilith will work together to take York out of the World Government’s hands as well, ending them all in a blaze of glory. That would be a sad; they’re fun characters, and I really like Atlas’s design. Normally with Oda you wouldn’t worry about this kind of thing, but with Shakka and Pythagoras gone and Edison implied to be down and out as well, it’s starting to feel more likely.

And don’t think I didn’t notice his lack of fear about hitting the water after. It doesn’t outright confirm anything – we’ve seen a lot of Devil Fruit users make big risky jumps over open sea in the past – but it’s definitely an interesting addition to the evidence.

(Also the concern about the spat-out Cipher Pol agents “dying on impact” is pretty funny considering they’re only here after surviving the even bigger fall from the Labophase basement, but I guess the Marines on the ships wouldn’t know that.)

There’s the mystery of what makes the time right for EMET now, presumably the same thing Roger was “too early” for, but putting toegether the dots, what was it that made it seem like the time could be right 200 years ago. Have there been multiple opportunities to do whatever the One Piece was intended to do, and all we’re seeing is the one that works?

As ready as I am to see Elbaf, I’m also not going to complain about Egghead taking the extra few chapters it needs to totally put a bow on things. A climax for the remaining Vegapunks. The big escape for the Sunny’s group. A final smackdown on Saturn for all he put Kuma and Bonney through and the definitive last word of the broadcast are going to be worth it in the long run. Will the Elders be allowed to achieve their objectives of capturing Punk Records and the Mother Flame, or will Atlas/Lilith/Stussy perform one final, sacrificial act of sabotage and make it so everyone loses?

With break week nigh again, I’m going to drop volume 2 of my rewrite project at some point in the next seven days, either when spoilers would normally hit or when the official release would be on a chapter week.

Reminder that you can read this review and more on my Wordpress.

[asliceofteaa]

BELOVED FRIENDS AND TOLERATED ACQUAINTANCES ALIKE;

WELCOME TO THE SHOW!

HELLO WORLD!

My name is Cecil! I also go by Asterisk, Atticus, Admiral, and Sketchpad! I use they/it/star pronouns, as well as other neos.

I was born in 2008, you can do your own math.

WHAT TO EXPECT?

A simple question with a simple answer- mostly reblogs! Sometimes I'll post my own things too, but that's a secret that'll help us later!

What are my interests...? I'm glad you asked!

Character Design! This is my special interest, but I hardly talk about it because nobody ever asks 💔

Internet Culture & History!

Media Analysis!

Lost Media!

Outer Space!

Arcades and the 80s-90s aesthetic!

Other things too!!

And of course, since you asked so nicely, the fandoms I'm in! No particular order...

Town of Salem

Pressure (Roblox)

Roblox in general

In Stars and Time

8:11

Object shows (less so nowadays)

UT/DR

Minecraft

Pokémon

The Stanley Parable

Cult of the Lamb

With more to come...

BEFORE YOU FOLLOW!

With a tumblr blog comes a DNI list, unfortunately...

DNI if you're a proshipper, NSFW blog, over 30 or under 13. There's also the basic criteria like don't be queerphobic don't make fun of me etc etc.

Please refrain from referring to me as a human or talking in detail about drowning with me. They're not triggers, but I'd rather not hear about it... I am a MOTH and a COSMIC BEING to you!

ME AND WHO <3

Being fictionkin and selfshipping is a heavy task, but call me Atlas because man am I doing it RIGHT.

asliceoftea official kinlist:

sketchpad ( the nightly manor )

airy ( hfjone )

nine ( x finds out his value )

knight helmet ( paper puppets take 2 )

thomas flyswatter ( bugbo )

caine ( the amazing digital circus )

siffrin ( in stars and time )

infected ( regretevator )

candy diver cookie ( cookie run )

the red crown ( cult of the lamb ) 

the narrator ( the stanley parable )

fantoccio ( billie bust up )

chara ( undertale )

ryker dublin ( 8:11 )

betty thalia ( ella's game )

aaand asliceoftea official (current) partner, as I fear I am monogamous:

p.ai.nter ( pressure )

though I still have love in my heart for calculester monster prom... I have simply grown out of the game... 💔

WHERE TO GO FROM HERE?

Looks like this is the end of our time together! If you want to see my real art, I post it on Instagram! Wanna know more about me? How flattering! And all my OCs are stored on my Toyhouse!

Bye for now~!

[legendofzoodles]

Have you guys seen Shad's LU design?

Doesn't look too different from someone else's clothes does it?

So Shad's thing as that he's obsessed with researching the Sky people, i.e. the Occoo. There are many theories that pose that the City in the Sky is actually Skyloft and that the Oocca are actually an evolved form of the Loftwings.

If Shad took multiple trips up there and was able to discover more about the ancient sky people, like how they lived and more importantly dressed, then he'd surely start adopting those things to help immerse himself in the lost culture.

Jojo send them to Twilight's Hyrule I need these two to meet! Shad would absolutely obsess over Sky, calling him a "living relic" like that historian marvelled at Aang's existence in ATLA.

~~~

Thanks for reading!

Masterlist

9th place in the LU character design ranking

Character analysis posts:

Hero of the Sky, Hero of Time, Hero of Twilight, Hero of the Wild, Hero of Warriors

Parkour team - LU drabble

How each member of the chain laughs - LU headcanon

[dukeofdelirium]

Hi....if you don't mind me asking, who are your top 7 favorite romantic relationship's couples in books/ manga/ anime/movies/tv series (can be canon or non-canon) and your top 7 favorite characters ever from any media? Why do you love them? Sorry if you've answered this question before......Thanks....

Hi!!! It’s no problem at all I love to talk about ships <3333

1) Lawlight from Death Note

what can I say about this ship that hasn’t been said? They make me genuinely insane and they hit in ways… I’ve been obsessed with and have actively shipped them for over half my life lol. They are my ultimate OTP. I don’t even really care for e2l pairings personally but lawlight to me is just Different and those that get it get it

2) Kataang from Avatar: The Last Airbender

Literally they were the first ship I ever shipped. I’ve shipped this pairing since I was like 8 years old. They are very near and dear to my heart and they are so cute and perfect together and they spark so much joy and I am SO EXCITED for the movie!!!!

3) Byler from Stranger Things

I am obsessed with this ship. I love them so much and I am rooting for their endgame in the final season! I love the analysis the byler shippers come up with and they’re genuinely such a fun ship to me

4) Eremika from Attack On Titan

This ship makes me rabid I’m serious. I spiraled so bad after I finished AOT and devoured like 20 fics to cope. They ruined my life etc but I love it

5) Nezushi from No.6

I don’t like the anime much (because it rlly cuts so much of the story) but the manga and the novels are amazing! I love the story overall and the characters individually so the fact there’s a canon gay relationship is such a bonus

6) Blackswan (Jacob x Bella) from Twilight

Stephenie Meyer will pay for her crimes lmao we were legitimately robbed of their endgame and idc what anyone says. Team Jacob till the day I die fr

7) Quimbry/Quil x Embry from Twilight (me and my friends decided on the ship name lol)

I don’t have a gif cuz these characters are so minor they hardly appear but do I ship the hell out of them? Yes! Are they canon? Hell no! Should they be? Yeah and that’s why I’ve written over 100k for fanfic for them on my ao3 lol

As for favorite characters, I gotta rlly think on this

🤔🤔🤔

My favorite character of all time is Light Yagami from Death Note. I fucking LOVE his character so much. I just love everything about him. The way he’s written, the nuance, his whole aesthetic. It’s so *chefs kiss* and I have so many thoughts about him. I am NOT one of those death note “fans” that hates Light or drags his character lol. I am a Light enjoyer unapologetically and he imo is one of the best villains of ALL TIME

Another character I love immensely is Carl Grimes from The Walking Dead comic book. Not the show cuz the show is trash! I used to relate so much to Carl growing up bc I read the comic book as a teen. He’s forever cemented as one of my favorite characters of all time. Also I love the character design and how he’s kind of an anti hero

I also love Ellie Williams from The Last of Us 1 and 2 for the same reason. She reminds me a lot of Carl in the “anti hero” sense. She’s also such a badass. Love those video games !!!!

I also love Eren Yeager from Attack on Titan. Can you tell I like morally questionable characters? Lol. Eren was always and will always remain my favorite character in AOT. He’s kind of crazy but I like it lol and I kind of relate 🤣

Aang from ATLA is also one of my favorite characters. He’s got a sick character design, I love the way he’s written and he’s genuinely a huge comfort character to me. His character arc makes me cry it’s so well done and I love his personality. His character makes me very happy :)

Lastly I think another fav character is Will Byers from Stranger Things. I relate heavily HEAVILY with him. Not only that he’s an artist like me, or his personality which is similar to me as well, but also his upbringing with an abusive father and lastly the fact he’s canonically a gay guy like me makes me feel very represented in the show. He’s my favorite in the entire cast of characters. Love him to death and Noah Schnapp was such a perfect cast and he acts his ass off every second of screen time

Thanks for sending me questions!! :) I love talking about ships and characters this was fun!

[zxaxel]

are there any mega man side characters you think deserve a little more love/screen time?

hi! sorry for responding a few days late.

absolutely though!

for the classic series: definitely more emphasis on bass. he’s only been playable a couple times, and is a really cool character that could make a great rival or just another guy to play as if they’d add him more. you could argue he’s more of an antagonist or an anti hero than a side character but i’d still consider him one since he reappears multiple times. i could argue the same for protoman, but at least he gets more screen time.

x series: the navigators that were present for like. X5 and almost nowhere else. signas and douglas were used a couple times then completely traded in which sucks. dynamo would be nice to see more as well, great design but he’s only in two games.

zero series: an update on cerveau would be nice. he helped zero a ton and was just sort of cast aside after the mmz games. i’ve seen people theorize that he is fleuve from ZX, but i don’t know if i agree with that.

ZX: literally like, everybody. prometheus and pandora are my favourite bosses franchise wide, and they have the potential but weren’t given the game time to actually expand on it unfortunately. i plan on writing an analysis on them soon! however, i don’t think i’d count them as side characters when they’re purely antagonists (although justified in their actions to a degree).

more emphasis on the ZXA mega men (aeolus, thetis, atlas, and siarnaq) would be nice. they’re sort of antagonists too, but they had developed character traits and backstories so i’d consider them side characters as well. i love all four of them and would love to see them get more love.

battle network: raika and search man were really cool, wish i could have seen them more. lan’s friends also deserved more screen time and character development. mick was only in BN6 yet had more development than any of lan’s ACDC friends

star force: i’ve only played the first game and some of the second, so bear with me here. but pat/rey and gemini were really cool characters and i wish they had re-appeared. pat really made me love SF1 so it sucks he’s only in that game.

not sure about legends, still need to play it.

sorry for such a long post!! i feel like the star force and ZXA characters get the least amount of attention, so i’d say they’re the most underrated.