#it was nice to see my family

[ionomycin]

wild strawberries

[aerequets]

(part 1)

(short comic) (you can otherwise search 'spy x pta' on my profile)

MY GOODNESS. it's been a hot minute since i posted the first part and i guess i just couldn't SHUT UP because this is FOURTEEN PAGES LONG. FOURTEEN. you can even see some pages where the linework is slightly different because i drew it like 6-ish weeks ago, that's how long this has been cooking. drawing in general has been hard lately because of time constraints, BUT i am so happy i finished this. this is like my fav project even tho it isnt as popular, but who cares!!!!! POPULAR IN MY HEART

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[fangirltothefullest]

I will admit..... I missed drawing the sides but I didn't think many really cared about my Sanders Sides art anymore? But a couple of you reached out and told me you cared and it was really nice to hear <3 It made me want to draw more and I appreciate you guys who did that a whole lot.

>//w//< ~<3

[xxplastic-cubexx]

Marvel Meow (2021), Nao Fuji | Professor X and Magneto

Bonus:

[morganbritton132]

Thinking a bit more about this Steve Has Older Siblings AU I’ve got going on (here, here, and here). Specifically about Richard Harrington’s first wife, and two things:

1. She’s a saint. Theresa Kline (former Harrington) stood by her husband through multiple extramarital affairs but a not-quite-yet nineteen year old mistress with a baby was her breaking point. She bowed out gracefully.

Richard married his mistress and Theresa moved on. She never said a bad word about him to her kids or to anyone. She never spat an insult at the child that ruined her marriage or about her baby boy.

Though, she didn’t have to.

Her kids said enough bad things about Steve and his mom on her behalf to fill a book. They never miss an opportunity to remind Steve that while both their parents were from two of Hawkins’ more influential and wealthy families, his mother was a high school dropout homewrecker and a whore that didn’t love him.

Even after his siblings tried fixing their relationship with him, they all still take shots at his mom. Jason’s favorite analogy seems to be that him and his siblings are ‘purebred’ and Steve is a ‘mutt.’

Or, well. It was until Robin heard it and said, “Pure? Like the Nazi’s ideology?? Yikes.”

2. I realize that this AU does not really contradict anything important in the Officer Noodles (and also here) universe. You’d just have to make Angela Harrington Callahan’s little sister.

[egophiliac]

redesigning my headcanon for Sebek's parents, based on important new information (SCALES)

(you can't see it but they're both wearing crocs)

[bunnieswithknives]

I feel bad for neglecting Hazel so much, I do have many thoughts about her.. and also a mermaid au that im probably not going to do anything with

[chalkrub]

identity-stealing newt found dead in miami - very sad, very canon

say mean things on my art celebrating an underappreciated book series by an illustrator i love and i WILL badly draw your favourite character in the family guy death pose

[iloveacronix]

This was originally going to be a shitpost with Cole simply saying he loves men but it magically turned into a full-on postcard like drawing. Happy pride month pookies💪🌟

[harrywavycurly]

One Direction brought me to this hellsite and as much as sometimes I truly do not like it here, this place is still what I’d consider a safe space for me because it’s filled with people who just get it, when it comes to the boys and tonight I’ve seen people back on my dash I haven’t seen in months because when news like this hits this is still the main place we come to for comfort and to feel free to let out our emotions without having to explain ourselves because we all just get it.

[girlsdads]

#ok it’s giving girl dad wearing his daughter’s handmade necklace special for him into work 🥺🥺😩😩

couldn’t stop thinking about this tag of mine, wrote a little smth about it 🥰

The stomping footfalls racing down the hall behind him could only be those of a toddler. Daniel turns and squats just in time for his tiny blonde projectile of a child to come barreling into his chest. The force sends Daniel falling back onto his butt with a surprised oof, his daughter giggling delightedly in his lap.

“Hey, Ellie-bug,” Daniel smiles. “Daddy’s gotta go to work, remember how we talked about it and you promised to be a big girl?” He brushes a strand of hair away from her mouth where it’s gotten stuck in a little smear of jam leftover from her breakfast. Daniel had shown Max how to make it just the way she likes—the pancake batter shaped in the silicone star mold, the silly faces drawn in jelly and jam.

Ellie’s head bobs up and down dutifully, but she makes no move to get up.

Max appears from the kitchen then, looking like a man who’s been fighting a losing battle with the second pancake. There’s a splatter of thick batter on his white t-shirt. He’s holding the spatula like it’s offended him somehow. Daniel looks at him over their daughter’s head, and loves him fiercely.

“She is of course the biggest girl,” Max says. Ellie grins proudly. “Why don’t you give Daddy your present now, then we will finish your pancakes.”

Daniel watches her grey-blue eyes light up like she’s just now remembering why she came running at him in the first place. She reaches a chubby hand into the bib pocket on her overalls, embroidered Enchanté script stretching as she roots around and produces a string of brightly-colored plastic beads. She holds it out to him expectantly.

Daniel takes the strand delicately in hand, wraps it around the backs of his fingers and rotates his wrist to get a good look. It’s a necklace, probably more of a choker given its relatively small circumference, the fat pony beads the only real indication it was made by a child. The powder pink and fuchsia beads are separated by interspersed pearlescent white orbs and clear sparkly stars. Smack in the center is a single number bead, a glittery pink three.

“Jeepers, did you make this for me? It’s beautiful!” Daniel says, and means it. He’s already been wanting to talk to his team about adding a jewelry collection to a future drop, and what better inspiration?

Ellie nods excitedly. “Papa helped me do a…,” she pauses, squints and tilts her little head, searching for the word, “…a pattern!”

“We made it the other day, while you were out with Blake,” Max chimes in. “For good luck.” He sounds almost bashful, like maybe it wasn’t their daughter’s idea in the first place. Daniel’s heart is so swollen it’s threatening to leak out through the gaps in his ribcage.

“How’d I get so lucky, huh?” Daniel muses, softly, mostly to himself. He stretches the elastic over his head, feels the smooth plastic three settle in the hollow of his throat. His pulse thrums evenly against it, grounding.

He flashes his biggest smile at his family. “How do I look?”

“Pretty, Daddy!” Ellie throws herself forward again, wrapping her arms around Daniel’s neck. It leaves him locking eyes with Max, who’s gazing down at the two of them like nothing else in the universe exists. Daniel can never quite get used to that look—still feels butterflies dancing up the back of his throat, his stomach dropped into a glorious freefall.

“Beautiful, Daniel,” Max says, reverent. “Always.”

[rmbunnie]

Something kinda tasteless about the way that alongside the concerns of "Batman needs someone to rein in his aggression/edginess" (mostly a meta concern,) "Robin is a symbol of undying hope right alongside Batman, Superman, and the police system," and "now that the thought's crossed my mind I think being Robin would be pretty sweet actually," one of Tim's points for why he should be Robin at the end of A Lonely Place of Dying is "we need to show the criminals of Gotham that they can't just kill Robin and expect to get away with it!" Because. They can. That's exactly what happened.

Using that line of reasoning, Tim makes the claim that the idea of Jaybin's life as disposable and inconsequential is heinous and bad, his killing something impermissible, but instead of disproving said idea they allow it to become true and devote their energy to making sure it doesn't become widely known as such. By covering his death up, they actually are permitting his murder to go unaddressed and deeming it acceptable, even taking away the opportunity for it to be consequential to anyone outside of Bruce's inner circle by not spreading the news. As much as we say "oh Bruce was a great dad because losing Jason crushed him" and "he almost considered trying to kill the Joker one time," he in all tangible areas did not do anything about Jason's death. Setting aside the question of killing the Joker or not, it's still shown in Batman Year 3 that Bruce's reaction to Jason's death in the time til Tim showed up was to hide away everything Jason owned and carry on with business as usual, a little angrier. Bruce didn't make any changes or actually evaluate anything in a significant way after the warehouse and Jason's death didn't warrant any tangible consequence, that's evident from reading the comic. I know some may disagree, and I acknowledge the room for interpretation, but in order to discuss Tim's reason we have to concede that it is explicitly written into this specific comic as something Bruce and Tim both recognize as fact, because it serves as the foundation that this reason is built on: there is good reason for the criminals to believe there would no punishment for killing Robin based on the actions Bruce did or didn't take in response. The concern about the public realizing there are no consequences for killing Robin wouldn't be reasonable if it wasn't true, if there actually were.

While they recognize that Jason's death came to pass largely without consequence, the fact itself is less of an issue to both Bruce and Tim than letting criminals actually find out that it doesn't have consequence. They know it's unjust, the notion that Jason can be killed without repercussion (and in making an effort to minimize his murder confirm it to be true,) but their concern isn't for what actually happened to Jason or the lack of proper response. At least on the vigilante side of things, the problem is public perception and continuing to uphold an image of Batman as just and diligent while permitting him to ignore injustice against those close to him. There's no efforts taken to actually disprove the idea that killing Robin would lack impact, what Tim proposes is just making it harder to prove right.

I think the best way to word what comes across tasteless for me here (aside from the side commentary on the unstoppable might of the institution of police and how it's an exemplar of heroism) is that beyond Tim's victim-blaming of Jason during his stint as Robin, (discussed in more depth by people who can word it better than me,) in the base text of a Lonely Place of Dying, it is foundational to the initial premise of Tim as Robin that part of his motive for being Robin hinges on accepting what happened to Jason as something that cannot be allowed in their pursuit of justice or go unaddressed for reasons completely unrelated to the actual harm, and then intentionally erasing the event and the way in which it was allowed and did go unaddressed. No matter how much it's claimed in later comics that Bruce was faultless and Jason doomed himself, Tim's Robin came to be at least in part (in-universe) as a cover-up for the lack of action taken about Jason's death, and by extension as an effort to overwrite his time as Robin and an individual entirely. And thought it wasn't the way his character viewed it, Tim wasn't passively complicit in it or going along with a poor grieving man, the intentional and deliberate erasure of Jason as a murder victim and the injustice of his posthumous treatment was part of his opening pitch.

[calethescammer]

Hello tumblr. And moots. After disappearing for an year–yes I'm alive i think. My exams exhausted the life out of me, but don't worry i still brainrot about the soos and think of more tcf hcs :3

Also I think i should have posted this a little sooner but oh well i only remembered to do it by the end of the year 😭

I'll try to keep yall updated with the angst and fluff (or just life updates because exams are angsty enough) <3333

Oh also I've had this idea for a while that Cale has a habit of randomly complimenting others. And others just taking it as sarcasm or simply being baffled. Like imagine-

Alberu: Haha, dongsaeng, don't i look really handsome? (Expecting Cale's indignant frown)

Cale, indifferent: You do.

Alberu: What?

Cale: What?

[suguruuuuu-chan]

Every fantasy I have of One Piece is actually just increasingly elaborate ways of saving Ace at Marineford btw. Sometimes it’s showing up in the forest and letting the gremlin know he’s loved ugh

[imagine-to-be-a-pike]

I will never forgive fandom how unfair it is about Arthur

Dark Merlin It's usually good angst. You know, Merlin had had enough. Dark Arthur? Arthur is a fucking rapist, a monster.

Merlin guilty? Merlin feeling guilty and comforted by the entire cast. Arthur guilty? Arthur doing the worst things possible and someone razing him to the ground

Merlin always gets these nice things. always flowers, courtship, everything. Found family? Everyone comforts Merlin because big bad Arthur. (literally almost every Merlin "found family" is everyone loves Merlin and treats Arthur like shit)

Merlin gets an apology. Arthur? My parents will love me faster than someone will apologize to Arthur in fanfiction.

"suicidal, self-harming Merlin" but Arthur has no right to have mental problems (a whole lot of people have wanted him dead since he was born)

Protectivr knights? Always about Merlin.

Even the fucking omegaverse. Alpha Merlin is a nice calm creature who pretends to be a beta. Alpha Arthur... wild animal, keep Merlin in a cage.

No. Just no.

(forever grateful to those stupid British people that arthur never told merlin he was fat. because the fandom understands that something is a comedy if merlin says it. if arthur it would be ,,abuse")