#it was even in the first episode too

[ravenhairedwaywanderer]

Happy Ahsoka day!

[posalis]

"He loved it not because it looked like a gentle, thoughtful young man, but because it was ghastly and awful and loathsome, and beautiful all at the same time. He loved it the way people love evil, because it thrills them to the core of their souls." — The Queen of the Damned, Anne Rice.

[dandelion-roots]

[ID: a series of drawings featuring Riz Gukgak from D20 Fantasy High. In the first, Pok holds Riz's shoulders in heaven as says, smiling, when you work until the dead of night, your friends know you do it because you love them. In the second, Riz is having a group hug with his party and the text reads, but is it really love that drives you, Riz Gukgak... In the next, a desperate, pleading Riz clutches the shoulder of an indifferent, faceless person and the text continues, ...or is it fear? In the fourth, Riz is younger and digging through crystals with bleeding hands; the text reads, what use are you when you can no longer dig. In the fifth, Kalina, shrouded in darkness with only her eyes glowing, reaches towards the camera with a smile; the text reads, when you're too scared to think. Sixth, Riz is filling out Fig and Kristen's papers under the light of a lamp, serious and tired; the text reads, when you're too tired to work. Seventh, Riz is lying in bed, eyes hidden behind hair, hand on his father's picture; the text reads, too sad to keep the mood up. Eighth, Baron stares into the camera; the text reads, too lonely, too insecure, too weird. Ninth, Baron is holding a defeated Riz by the throat; the text reads, to keep moving? Tenth, Riz is standing in the distance, holding his briefcase, and behind him is a football/soccer ball; the text reads, what use is a ball that can no longer roll? The last drawing just says none in brackets on a dark background. End ID]

[bunnieswithknives]

I feel bad for neglecting Hazel so much, I do have many thoughts about her.. and also a mermaid au that im probably not going to do anything with

[egophiliac]

LEON

LEON YOUR EYEBALLS

[colbyheartland]

So I love Dandadan actually because through those first seven episodes I couldn’t stop repeating to myself “Wow Momo is so fucking cool” like she’s such a genuine badass. My shounen senses were primed for her to just get saved over and over again, maybe just helping out every now and then but no SHE’S the one doing the majority of the saving. She and Okarun both feel like real people and they’re setting up a sweet and genuine romance that doesn’t feel creepy. The voice acting is also so good like she is SCREAMING out here.

Usually when an anime has two protagonists and one is a female she feels like a passive observer just getting swept along for the ride even when they’re supposed to be “tough” it fades away or they are made lesser to make the male lead look better. But Momo and Okarun actually work together!!! They both act like human people!!!! Including the ugly parts with Okarun’s avoidance tendencies and Momo regretting when she does lash out because she knows she’s in the wrong. And they talk about it after she does!! It comes with a healthy dose of “teenagers are kind of mean because they’re still maturing” which is normal and amazing to see.

This anime is healing something I didn’t even realize was broken when I found myself not having to cringe away from little moments that make me uncomfortable. There is a bit of fanservice going on (thanks grandma) and yes I get episode 1 starting off as a bit much for people but honestly, genuinely, did you think aliens WEREN’T going to try and probe someone in the Alien Ghosts Anime TM. Kidnapping humans and cows for experimentation is what they’re most famously known for. You are meant to be uncomfortable and weirded out by this episode. An episode that ends when she unlocks fucking psychic powers and blasts that alien through the wall of a SPACESHIP like hello??

Momo Ayase is that character you give a gun to if you want to shorten the book by half and the author gave her one in the form of psychic powers.

[stagefoureddiediaz]

The fact that the Eddie we saw this episode was seen almost entirely from bucks perspective and he had this heightened full of life joy about him - that that is how Buck sees Eddie. As this light in his life - full of joy energy and life - even when viewed through his jealous not fully understanding eyes.

[marshmallowgoop]

no thoughts just Heiji Hattori (HD)

[sissytobitch10seconds]

I don't think that the majority of people being mad on the internet actually hate s4. I think that they're grieving something that they held very close to their hearts and are in the anger stage of the process. It'll be interesting to see in the next few months what the attitude around the season comes to be.

[nonbinarylesbianherb]

people who are shocked Rhaenyra is bisexual is so funny to me bcuz like this is how she looked at Alicent when they were young…

and it’s not just the way they looked at each other (the looks were very requited they’re just idiots) but the things they said, the quotes. The things they did, the intimacy they shared. Like it was OBVIOUS obvious.

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[falllpoutboy]

Jeremy Allen White talks about Ayo Edebiri directing in Season 3 of #TheBear

[emotinalsupportturtle]

The magic mushrooms flying reindeer story from QI if anyone’s interested (I don’t seem to be able to reblog my previous post with video)

[omo321]

he's neat :)))))

[pineapple-cheese-bread]

Okay I'm gonna say something but let me explain it before you say anything.

I dont think the Canary curse is broken.

WAIT LET ME EXPLAIN!

The Canary in a coal mine is there to warn the miners of a gas leak we all know this, it's the first to die, when there is a gas leak.

The Canary can't warn the miners of other things like cave ins or water leaks.

Jimmy has always died first and following his death comes disaster that causes more deaths, it's happened in all the series.

He didn't die first in Secret life, but the Wither nad Warden weren't a gas leak, the boogie-pocalypse was.

Wild Life is the first ever season were one finale death isn't followed by more, Mumbo, Skizz and Martyn all died in different episodes.

What I'm getting at is there hasn't been a major event, there hasn't been a gas leak for the Canary to warn the miners of.

So, I'm waiting to see what happens next, I'm waiting to see when Jimmy dies, and if something big follows or if his placement is too high for something big to follow.

To me, the Canary Curse isn't about dying first. It's about being a warning like the actual canary was.

So until something disproves this, I'll say that Jimmy still has the cures. There just hasn't been a gas leak yet.

[sludgekludge]

talking about the overlap between fizz and barbie backstory-wise made me retroactively notice that blitz and moxxie both have greedy physically abusive fathers who forced them into amoral things they didn't want to do (ok edit: arguably amoral steal from the rich who cares but the writers want you to see it as not nice) and silent deceased mothers, the only parent they had a good relationship with, they are also both estranged from the family business and changed a portion of their name (blitz removing the o/moxxie changing his last name) as a result

this is a story featuring magical demon characters, your writing possibilities should be practically limitless. how are we already reusing elements like this within your main cast. we're just under 2 seasons in. oh. my god