#it was an ok show

[andy-dandy]

love seeing the beginnings of perseus "pay your fucking child support" jackson's crusade against the gods' parental negligence problem in ep 1 & 2 of the pjo show. the absolute KING of "my daddy gave me issues so HE'S about to HAVE issues"

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[imyourcomputergame]

[edains]

Rick Riordan constantly trashing the movies for not sticking to his books then releasing a show in which he rewrites everything and loses the spirit of the books entirely

[ollyrewind]

merlin and arthur hunting ghosts? yes, great, BUT hear me out

[dorothywonderland]

Is it considered plagiarism if you're copying your own comic?

╮ (. ❛ ᴗ ❛.) ╭

[calista-222]

Season 5 hurt me so much I will never recover

[casasupernovas]

Remember ages ago when I said Freema did an interview talking about Martha and what she was and wasn't happy with in regards to the story? I found it!

Transcript:

Interviewer: ...Do you still think about her? How do you think about Martha in the year 2019.

Freema: Ah yeah I just did a convention with David [Tennant] recently actually and he said something that um, I hadn't heard before, and he was asked about that relationship between the two chatacters and he said 'I think that the Doctor wasn't fair on her' and I sorta looked at him and I was like...I've never heard your take on that before because I knew at the time you know she was...for me there was definitely a kind of beat that they struck on that stayed maybe a little bit too long. It was the unrequited storyline an I think they stopped exploring her as a fully rounded human being in light of that and Russell [T. Davies] did say you know, it's important to him though that people can sometimes see that...you know love doesn't always have to be reciprocated and it's okay to kind of...most of us probably have that in common that we have unreciprocated...emotions than reciprocated and I was like no that's cool I get that but people also tune in for escapism and for romance and all of the magic and the, you know, the imagination so sometimes to be like grounded back down into hard truth isn't very attractive. *Laughs* So I kind of felt like she got stuck a little bit amd when people ask me if if I would go back it would only be to explore her as a fully rounded person more and she had so much going on and then it got stuck for whatever reason. But I had the best time and I feel like there's so much more potential to that person.

[homefryboy]

finally, I have them all

[hinamie]

yuuji smiling and sukuna making a face like That did u really think i wouldn't do a panel redraw

[balee-art]

What a dysfunctional squad.

[rowanisawriter]

you know. when i first picked up ace attorney i thought perhaps the thing between edgeworth and phoenix was being exaggerated but there is no subtext in this game. they really are like this. there’s no reading into anything they literally are just like this

[classycookiexo]

This is literally so iconic

[squoobest]

LET'S GET ONE THING CLEAR, I can brush my teeth all by myself OK?

[fanaticalthings]

I want an AU where after Jason gets brought back to life, he channels his inner rage and turmoil into the academics instead of murder

Talia has like infinite money and a crap ton of influence, so she can absolutely get Jason the best tutors and can easily get him into the most prestigious schools if Jason wanted to (she doesn't need to do that though because Jason's just smart enough to get into them on his own)

The major he chooses? Med.

Why? Because Bruce dropped out of med school.

Jason practically flies through all the secondary education that he needs to catch up on and is already en route to earning his bachelor's AND his master's.

And it'd be so incredibly funny if the way Bruce and Jason reunite in this AU was purely by coincidence.

Bruce (as Brucie Wayne) offers to show up as a guest lecturer at Hudson University (the school Dick attended but dropped out of so double points for Jason), maybe to talk about future career paths and job positions at WE idk

So as Bruce is just wandering around the campus, he randomly bumps into a student and immediately puts on the Brucie act and is all "Oh my, I'm SO sorry, I'm just a klutz haha" only to stop dead silent when he makes eye contact with a very alive, very grown Jason Todd, who also stops dead in his tracks, mouth agape, staring at Bruce like the world's about to end

And before Bruce can get his thoughts straight, Jason just bolts out of there like his life depends on it, and Bruce is just in shambles for the rest of the day.

It doesn't help that the person giving Bruce the tour is all like "Oh yeah, that's Jason, he's one of the heads on our student council haha, anyways, this way, Mr. Wayne." and Bruce is just stood there bluescreening.

----

Alternatively, it'd be kinda funny if this all happened AFTER the events of UTRH where after the final encounter with Bruce and Joker and the whole explosion, Jason's just like "yk what, maybe I'm just gonna turn over a new leaf and pursue a higher education"

So while Gotham's still reeling from the aftermath of Jason's near takeover as the top crime lord and Bruce is still painstakingly trying to figure out where his son went, the whole time Jason's just been chilling on a school campus and Bruce just so happens to bump into his son (who, last time they met, tried to kill Bruce and blew up the building they were all in) and Jason's just all normal-looking with his textbooks and nerdy glasses and Bruce doesn't know whether to scream or cry.

[willgrahamscock]

I do not know what is happening in the 911 fandom but do you need me to call 911 for y’all