#it just takes a lot longer to do

[kame-artist]

[deoidesign]

Doing master studies the only way I know how: Stealing them and making them my guys.

(Barberini Faun)

(The Fallen Angel - Alexandre Cabanel)

(Covent Garden - William Bruce Ellis Rankin)

[moeblob]

Gavin mentally: wait... that doesn't add up........

[raiiny-bay]

some WIPs from the 80s AU i never finished

[bumblingbabooshka]

When the only person who might understand what happened- understand. Not sympathize or empathize or comfort you but understand what happened, isn't there anymore. Or: 'A Man Made Me Do Something I Didn't Want To', for when you can't talk about it or look it in the eye [Patreon | Commissions]

[onesnoopyaday]

I AM AT MY LIMIT

Snoopy #90

30/12/2024

description under the cut

[description: a cartoon-style drawing of Snoopy's head. Snoopy is a white dog with black ears. His eyes are shut and his mouth is a horizontal line. There are two large blue teardrops, one under each eye. The text "I am at my limit" is handwritten across the top of the image.]

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[inkprovised]

I was sketching when my graphic tablet died on me...

[hydriadd]

WOOO RANDOM DEATH FAMILY HEADCANONS

Lmao sorry pissa and death family nation for being somewhat inactive, take these headcanons that probably don’t align with canon as compensation

THIS IS ABOUT THE CHARACTERS NOT CONTENT CREATORS BTW

Not a single person in the Death Family is warm to touch and can often be cold before bed, their houses and nests are always somehow really warm and blanket full

Missa and Phil built a small shelf in the kitchen in the house at old spawn, Missa and Chayanne have filled it with cookbooks

Tallulah knows how to make perfume and because Missa has been away for a while, Tallulah has been making perfumes for him for when he gets back

Adding onto the last one, there have been lots of ‘failed attempts’, ie Tallulah was being nit picky with the scents and trying to figure out exactly what he likes

Missa will like anything and everything given to him, so long as it’s made with love

Phil, on the other hand, will like everything and anything given to him even if it’s given with hate, because he assumes the other has a connection to it (assumes they might just like things like he does)

When Missa first left on the old spawn Phil used to make small dinners for him that wouldn’t go bad for a while just in case Missa came back when he came back

Overtime, they would get more complex and put in the fridge with a note left for him

Every single meal, regardless of what it is, will have toast cut in the shape of Phil’s had with avocado making the green stripes, and another toast cut like a skull with blueberries for the details

Chayanne used to stress bake when his parents were gone, and that improved his skills in cooking really quickly

Tallulah walks extremely quietly, Chayanne picked this up and it scares Phil every time

Despite his parents vibes and all that, Chayanne refuses to wear black sweaters specifically, shirts are on thin ice and black k shorts or pants are a coin flip, this is because he doesn’t like flour showing on them when he doesn’t want to use an apron

Tallulah used to pick at her nails when nervous, but started picking at flowers instead and now her nails hurt if she scratches you

It doesn’t matter who you are, if you become apart of the Death Family, the first thing you’re taught is how to paint your nails

When Phil doesn’t have a bookmark with him and when his wings had healed enough, he would pluck a feather out and use it as a bookmark

Either Phil or Missa doggy ears pages in a book and genuinely can’t tell who, I just think one of them does even if they have a bookmark available

There are a shit ton of keychains on Phil’s bag, you give him one, it could be of anything (besides anything fed related), it’s going on that bag

Phil sometimes wishes he could proper speak bird, I guess, this is only so he could also flirt with and compliment Missa in another language like he does

Chayanne has crocs

When Tallulah cut her hair, she asked for a photo of Missa and mimicked his hairstyle

Whenever Missa is awake/goes to sleep with Phil, the eggs silently rejoice because those two hug each other extremely closely when they sleep

Despite Missa being gone for the longest time, when Phil didn’t come back on Mexican Independence Day, he developed a fear of him leaving him, like physically being far away when he didn’t know where he is and if he was okay, he understands now what Phil feels when he’s gone

Missa, because he’s the tallest between a bird man and children, will pick them up and spin them, even if only for a bit lmao he’s not strong

Adding onto that one, whenever Phil is too excited or stress or just overwhelmed with any emotions, Missa spins him around to help and it works for some reason

Phil started to spin himself in circles when overwhelmed and when Missa was gone

After the birdhouse and when Phil was physically alone, he used to sit by a crafting table with rocks and ores and make little figures of Chayanne, Tallulah and Missa, they weren’t the best and didn’t the proportions weren’t amazing, but he spent weeks on each one and added little faces with a marker

He left the Chayanne and Tallulah statues on their respective beds, with Missa beside the flower pot, hoping they would be replaced with the real people when he woke up

They never were, but Phil put them in the window upstairs once the eggs were back

When the eggs first went missing, Phil took out some cookbooks, and every single meal that looked frequently used/visited was made, and always left out for Missa

If they weren’t eaten, Phil would eat half of it for his dinner the next day, the other half in a fridge

He actually made Missa a fridge to put all these meal in and painted it to suit his vibes

The trash cans used to always filled with sticky notes because everyday, Phil would write ‘Dinner for you’ with a silly little doodle on it for Missa if he returned while sleeping

Tallulah writes in cursive

When Missa was gone, Phil used to write his name like Misƨa (second s is backwards) and make the tops each s look like half a heart, so it made a heart in his name

Missa picked up on this and always wrote Philza instead of Phil so he could put a heart with the z and a

Im bad at explaining so this is what I mean by their names:

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[lunian]

Gale, in my origin run @ Jaheira: So... a powerful magic to extend your lifespan, huh *peeks at scroll* Does anyone can use it—

Jaheira: ONLY a druid, boy.

Gale: ...... It doesnt convince me that someone like me can't give it a try, I will be honest. You won't use it now anyway...

Jaheira, slapping his hand: STOP

Gale: ITS ALL FOR LOVE

Jaheira: YOU DONT LEARN YOUR LESSONS, DO YOU—

Minsc, alongside with Astarion, watching their fight: Ah Boo, you are right! What truly can compete with the force of wizard's curiosity if not this anger of an ancient old druid woman!

[not-poignant]

Here's some of it @bloodlessbhaalbabe - I don't know if I'm brilliant at it but I do have a lot of practice! :D All my art is under the username Ravenari, if anyone wants to search for more of it!

(I also have more in the 'my art' tag)

(This is all traditional art - coloured pencil / watercolour pencil / waterfast ink and some minor acrylic or watercolour touches on illustration board!)

[ruvviks]

hanan at age 24 vs hanan at age 35 :] becoming a test subject at arasaka special programs really changes people huh

taglist (opt in/out): @shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart, @vvanessaives, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman, @celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister, @killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree

[pachimation]

havin a normal one, dudes 🙃

[ripplethepickle]

HAPPY HALLOWEEEEEEEN!!!!!

Didn’t even plan this but I finished all my silli HTF designs today! Woah, the whole main cast!! In time for spooky day!! These are technically for an au I’m workin on so I’m gonna yap a lil about that under a cut lol.

So like TLDR the silly au is about a little documentary crew going to Treetown to figure out what the fuck is up with that place. Originally it was just to see why the population was so low compared to like how happy all the citizens there seemed with their life but like then they find out that everyone there kinda just dies and respawns all the time so uh now they’re interviewing everyone to see what’s up with that. And all the main cast get an interview!!! Everyone gets a moment in the spotlight! Yay!! But yeah there’s a lotta character details that are at least a lil changed from canon to fit at least my tastes in character writing, uh some more than others (*cough cough Flippy*). But yeah! That’s the basic premise, if anyone’s interested please ask me silly lil questions about the characters or my design decisions or worldbuilding or like even the stupid critters dying show in general, I’m a yapper, I like yapping <33333 Okay thanks to anyone who read this big ramble, your gift is a messy little height chart I threw together yaaaaay!!!!!

[reel-fear]

Genuinely so curious who Mike thinks is gonna be buying The Cage or the new DCTL GN bc with the way he tweets as far as he's concerned, it's not gonna be:

The queer people he has actively admitted he will never show any representation of in the games.

2. The POC he has actively fought against representing in his franchise. [Who he also mocked for thinking they would be represented in his franchise]

3. The Bendy fandom which has always been concerned with topics of diversity esp in the sense of queer people since its creation. Who he has responded to really poorly esp in regards to the GN.

4. The fans who critique him. [He blocked me for doing so lol]

5. His fans in general who he tweets about like this currently. [He's being vague about why people were mad at him or sent him 'nasty messages' because if you actually looked into why you'd see he was in the wrong. Either way, a very hateful way to speak abt ur own fanbase.]

Reminder while Mike is trash talking his fans he has always treated them rather poorly. The fans who won the fanart contest for Chapter 5 never got their posters actually in game due to it being rushed. Not only was chapter 5 a big slap to the face story wise, but it was literally so rushed he couldn't be bothered to add in the art his fans gave him for his game FOR FREE. [Meatly blames this on a crazy timeline, reminder him and Mike are the literal ceos of this company. The proposal of future updates here is also pretty cruel considering Mike nowadays happily admits he corrupted Chapter 5's source code and therefore literally can't update it At All currently. Because he is a moron]

At least they got to be in Boris and the dark survival, and by that I mean that was the Only game they got to be in so far, isn't that just treating your fans like you love them? Shoving their hard work into a spin off game almost nobody has played or addresses much. [Hell, who knows if with the Lone Wolf rebrand they'll even stay there. In which case they'll be in None of the games, only in the credits of BATIM]

6. The Bendy fans who just generally disagree with him on stuff. Like the new ink demon design where there is literally a public poll showing people generally prefer the old one.

7. The Bendy fans who can see he is actively lying to them. To their fucking faces.

He says this has always been the case, but screenshots and links to tweets regarding the books being canon prove it was not. Does he really think bendy fans are stupid or something? [Unless he's admitting here he lied to Kress when he told her the books were canon which sounds worse!]

8. Anyone who doesn't like the idea of giving money to a guy who laid off tons of employees then afterwards thought it was a great idea to express his anti-union views! Also brag about how good of an employer he was, according to his employees, he was not!

So in summary; Mike is an awful person who has not learned anything from the awful things he did. I will not be purchasing The Cage because, combined with this and his absolute refusal to take any kind of critique or see any differing interpretation of his franchise, I have no reason to think my problems with the franchise will ever be addressed or fixed. I probably will pirate The Cage along with any future Bendy Products [Including the movie] and will do my best to avoid giving it any kind of monetary support. Unless this changes any time soon, I can't see myself making anymore positive Bendy posts soon.

Mike has just managed to make it so hard to speak positively or optimistically of this franchise when he's so willing to broadcast how little he cares about it or its fans. I'm at the point where I refuse to pull any of my punches with my problems with it. What's the point of trying to play nice with my critique when either way the people creating it don't care?

So with this post, I want to invite anyone who feels similarly about the franchise to tell me, make a post or send an ask talking about how all of this makes you feel. It may not change how things are, but genuinely seeing other people share my feelings of anger makes me feel better. It feels nice to see when other people share our same concerns and worries. I'd also love to know if anyone else thinks they'll be avoiding purchasing Bendy products over this.

I'm not forcing anyone to participate in it nor trying to say anyone who doesn't supports mike but genuinely maybe if we can collectively decide to boycott things like the movie, graphic novel and The Cage... It might at least make the bendy devs acknowledge how much they have destroyed their own fandom's faith and trust in them.

The way Mike tweets about his actions like he had no control over why people were mad at him at least proves to me he takes NONE of it back nor regrets it. If you didn't know about his actions and only went off his tweets, you would be led to believe Mike has been needlessly picked apart by fans over things he couldn't control [or in his own words, had his words twisted and taken out of context]. That is not how you speak about your actions if you have actually learned better from them.

anyway, that has been my bendy dev callout post. This is an open invitation to anyone feeling similarly upset about the way the franchise is going to talk about it. It's genuinely nice to see how people feel about this and the more we talk about the more it's likely the bendy devs are forced to address our concerns. I don't think they will but hey, that's why I'm not gonna support them with my money anymore nor am I gonna be nice to them in any content I make critiquing Bendy. I mean I'm also basically making this post just in case anyone asks me Why I feel this way towards to bendy devs/as a way to respond to anyone who thinks I am too harsh in my critique in the future.

As always, it seems the best part of Bendy isn't actually anything about canon but about what the fan's are creating with the ideas Bendy failed to do anything interesting with.

Also the books, the books slap.