#it is genuinely interesting to see what fandom does and does not care about when it comes to Hair Fidelity

[world-of-wales]

People whining about William and Kate not attending bafta and saying that patronage should be given to someone else are hypocrites who are only interested in Kate's outfits. Many of the royals were already patrons, including Anna, and they did not attend the ceremony every year.

I'm so gonna get attacked for this...

EXACTLY THIS! See I get genuine criticism, trust me I do. Heck I have been accused of hating W&C on this exact blog for giving my thoughts at times on work etc. But there's a difference between genuine constructive criticism and just going on an on about stuff. I especially don't understand using the they don't work enough excuse or william isn't doing much for bafta excuse when a) he literally had an engagement for bafta just 2 days ago and b) it's baftas, attending an award show isn't gonna achieve anything work wise except for getting a good pr appearance (which I get) but still.

Also I feel like a lot of ppl were sure that Catherine would be there since back in early January the rota elements were like 'reportedly the princess of wales will be at baftas ✨️' and everyone ran with it. They were excited to see catherine and that's fine I get it, I love to see her out too but the thing is everyone in all that excitement forgot that she's just announced her remission and is slowly getting back to things. She had cancer, and somebody who's had such a horrific experience and is still in the process of getting back to full health isn't going to be at an award show dressed in a heavy dress and jewels making herself uncomfortable.

Now that, kp has announced that they aren't going, a lot of the same people are being critical by hiding behind the they don't work enough excuse. See they don't attend baftas regularly, William skips the awards every 2-3 years so it isn't exactly unprecedented that he isn't going after being at the awards for the past 2 years. It's his pattern when it comes to bafta awards. He still does his regular bafta engagements even when he doesn't go, like he did this Wednesday. I get wanting them to work more, or asking for more engagements via constructive criticism but not going to an award show isn't gonna be the end of the monarchy.

Baftas are generally a low priority engagement, it doesn't seem like that to us ofc coz we like the glamour aspect of it all but it's what it is. Also it's not like he completely not acknowledging the awards, he will be doing a virtual appearance as they have already said.

I simply cannot understand the whole issue tbh this time atleast, it's exactly times like this when I'm like this fandom is more trouble than it's worth... like I come on here to relax my brain and let off stress but such discourse and discourse without any good reason at that just pisses me off.

Having said that I do think some of the criticism atleast from a few people is genuine and raises good points but in general the whole discussion is not it.

Now people can go and call me a stan or someone who's just behaving like the squad coz I did get those comments on twitter when I said this there but I literally couldnt care less.

[anghraine]

It's always interesting (to me) to go back to Tolkien's descriptions of hairstyles among some of the women of LOTR.

Here is the description of Galadriel's gift to Gimli:

Then the Lady unbraided one of her long tresses, and cut off three golden hairs, and laid them in Gimli's hand.

Here is the canonical description of Arwen's hair:

The braids of her dark hair were touched by no frost ... Above her brow her head was covered with a cap of silver lace netted with small gems, glittering white; but her soft grey raiment had no ornament save a girdle of leaves wrought in silver.

Here is the explanation of Gilraen's name:

The meaning of Gilraen as a woman's name is not in doubt. It meant 'one adorned with a tressure set with small gems in its network,' such as the tressure of Arwen ... The women of the Eldar were accustomed to wear such tressures ... Names such as Gilraen, and others of similar meaning, would thus be likely to become first names given to maid-children of the kindred of the "Lords of the Dúnedain". The element raen was the Sindarin form of Q. raina 'netted, enlaced'.

Personally, I think it's interesting that it's Éowyn, a shieldmaiden from a distinctly different culture, who has the loose long hair that fandom often goes for. But I also think the canon aesthetic for Elvish women and those akin to them is really intriguing and could be quite beautiful, but contemporary fandom preferences have definitely obscured Tolkien's affection for braids and pretty hairnets.

[natsmagi]

adding onto my last rant from a while ago a little bit, it is fascinating how many people in this fandom completely miss the point of tsumugis character and misconstrue what hes actually about which, ironically, is just what eichi did. and its done in such a similar fashion too, such as making assumptions about his motives, his family relationship, and missing the point in why he chooses to look the way he does. and, time and time again, eichi has been proven to be WRONG about tsumugi. he misunderstood him deeply, and now its eichi whos stuck mourning the past while tsumugi has long since moved on, not the other way around, as tsumugi is on the path of getting his happy ending. and i dont get why people keep trying to take this positivity from him

(s. element epilogue 2)

[celtrist]

This was the piece that I had started before my extensive vacation (of coughing). Once again, Alastor is consistently the bane of my existence with his... well everything.

No matter! Anyway, this is something I like to call the Obsession AU. To sum it up real fast: Everyone is yandere for Alastor. I think it would just be apart of his punishment in Hell, being consistently forced into or desired in romantic/sex which he's never had much interest in. I would describe it as a dark comedy thing, but it can be as comedic or as dark as you want here. With that said, please be on guard with any mentions of darker content that treds towards a certain dead bird territory when I get a bit into how I imagine some of the characters. Again, it doesn't have to go that far if you're interested in this premise of an au and wanna focus on the more light hearted stuff, feel free.

This au is just poking a bit of fun at how everyone in the fandom wants to put Alastor in romantic situations constantly (whether it be with themselves or the other characters) despite Alastor probably being the least interested in the subject in the whole show. This is by no means a hate train or making fun of people who do enjoy shipping Alastor, it just more of a funny thing I think comes off as pretty ironic for his character and hopefully, others can enjoy that too. In this au he leans pretty much on the clear-cut side of aromantic and asexual with no interest in romantic affections at all. With that said, if you want to explore Alastor genuinely being interested in one of the other characters romantically or something similar, feel free to explore that! I can see some interesting dichotomies there. It's just within the actual "canon" of this au, he's not at all interested with that sort of thing. And just with a last final reminder to get into some character things I have in mind, some of the content mentioned does get pretty dark, particularly with Valentino but I don't think anyone's surprised there. But there might be some triggering content of the following mentioned here with characters but no crazy details really: Manipulation/Gaslighting, forced feminization, Non-con, Munchausen syndrome, Poisoning, Possessive, Drugging, Love bombing And I will be sure to give a quick warning to each character it might apply to, please feel free to let me know if I missed anything!

Rosie (Munchausen syndrome, Poisoning): Rosie has 100% poisoned Alastor before to make sure he relies on her. They started off as good friends but at some point Alastor began getting ill and Rosie offered to take care of him. This leads to Alastor staying in bed for full days, only really seeing Rosie who took care of his every need from food, clothing, washing, and so on. At some point, Alastor caught on that Rosie was putting something in his food to make him sick and he managed to escape with their friendship tarnished much to his dismay. He's often uneasy around Rosie but is upfront about his knowledge of Rosie's deeds. Rosie, in turn, acts like it is a lighthearted situation and often offers Alastor over for lunch, which he often denies. Any food he gets at his doorstep from a secret admirer or a lunchbox he finds at his seat in an overlord meeting goes straight into the trash. Alastor will still use Rosie's assets to his benefit of course, but is always careful as to what she might try to get in exchange. He has had more awkward lunches with her with his homemade meal versus the buffet she catered for the occasion, with the two gossiping like old times. Alastor is still uneasy during these times, but he also revels in the false pleasantries due to not having many others he's able to associate himself with due to the curse.

Lucifer (Controlling, Possessive, Manipulation): So I'm not 100% clear how I wanted to approach Lucifer. He and Charlie are probably the most similar I suppose? He wants Alastor as his queen (either alongside him and Lilith or only with him, he doesn't mind either way). He doesn't force him into dresses or anything, but Lucifer does consistently make doting moves and talks about how Alastor would make a good father to their children. Marriage is one of the mind and Lucifer probably gets a bit possessive with him. He also tries to guilt trip Alastor a lot, or manipulate situations in one of their arguments to get Alastor to say something he doesn't mean.

Charlie (Controlling, Possessive): Probably the most tame of everyone quite honestly. Charlie can be a bit controlling but does step off when Alastor expresses his dislike of her doing so, even if it takes a couple times. She likes doing things for him, is super affectionate, and daydreams about her, Vaggie, and Alastor all getting married. She can get pretty possessive with him, not being pleased when anybody does anything against Alastor's will or hurt him. The only exception to this rule is Vaggie, to which Charlie sees it like two cats getting along and finds it very endearing.

Vaggie (Forced Feminization, Controlling, Murder): Depending on how you look at it, Vaggie's one of the more fucked up obsessions or one of the more funnier ones. Because she's automatically inclined to like Alastor quite a bit with the curse thing but her personality doesn't jive with his for her own taste (in terms of their first meeting), she both hates and loves the guy. She's obsessed with trying to murder Alastor with traps around the hotel or outright standing over him with her spear. The hatred comes primarily from not wanting to feel the way she does about him, I guess like a fucked up tsundere if you wanna go that route. At the same token, however, she does want Alastor to be involved with both her and Charlie romantically. There's just one little problem: Vaggie has about the same amount of interest in men as she does in canon. So to sort of "fix" Alastor, she consistently tries to force him to be more feminine in clothing, offering different feminine names, and even trying to force him to get a sex change. Alastor is pretty slippery though, so it never quite works out in Vaggie's favor aside from the occasional dress or skirt being worn, which solidifies her attraction to him. Then he takes it off and looks more like a man again, and it solidifies her frustration/hatred for him.

Angel Dust (Drugging): To start, while I think Angel would love to have sex with Alastor, he 100% would not force it. Wouldn't even do touches or anything. Potentially he could just like as a coping (to be in a situation where HE'S the one in control), but that is a darker route that I don't think will be exactly true for this AU. However, he very much enjoys drugging Alastor similar to Rosie. Not only just as a bonding thing since Angel would also do the drugs WITH him, but just to get the not-quite-lucid compliments from Alastor and maybe a snuggle then and there. He wants to dote on Alastor with him drugged out in his bed saying nice things to Angel. Admittedly this one's a bit of a workshop as I just knew I didn't want Angel to be focused on sex like somebody, but wasn't sure what to do here.

Valentino(Non-con, LoveBombing): I mean... it is Valentino, what did you THINK he'd be trying to do with Alastor? There's really not much to say here, Valentino essentially tries pulling all the stops trying to get Alastor in bed while also love-bombing the hell out of him. Which really doesn't work. Valentino is pretty open with sharing Alastor, but again, does this surprise anyone? As long as he's participating in some way, he really doesn't mind.

Vox (ALL warnings): Pretty much the worst version of himself that people make him be sometimes for those darker stories in the fandom. While more interested in having an enthusiastic partner, I don't think Vox would be opposed to forcing himself onto Alastor. He consistently tries to manipulate and gaslight, while enjoying both the suffering and pleasure of Alastor. Much like Vaggie, Vox is obsessed both being in love with Alastor while also downright hating him to the core. He's possessive and likes the idea of being both sweet and heinous with Alastor. He pretty much is every other character wrapped up in one fucked up TV man. Vox acts the most well-adjusted of the characters here, but he's probably got the obsession the worst.

And of course, pretty much every other conceivable ship is up for grabs here. I did think about maybe unfallen angels are able to resist the obsession curse, which would possibly make a funny team-up of Alastor, Adam, Lute, and Emily. Alternatively, I thought maybe the other canonically asexual characters in the show wouldn't be affected instead, meaning another oddball team-up of Alastor, Octavia, and Mammon. Then there is of course the "nope, there's no escape for deer man". Not sure yet, maybe I'll workshop it. I have more normal things in the works rather than this messed up little au, but darker content is a guilty pleasure of mine.

[trafficblrpositivityproject]

some people on here don't need positivity asks. popular artists and writers for example. they get enough love, show love to smaller creators instead

Hello anon! You seem confused about how this blog works. Since it seems you are not aware, this is a submission-based blog! (✨0✨) Any person can submit anyone else, regardless of how "popular" that person is. The submission button is in fact the same button you hit to send me this unfortunate and rude ask!

I assume you are not aware of this, as this ask is the only ask you sent me. No other asks, on or off anon, came in alongside this ask. Especially not any asks sending in positivity for small creators, who you claim to be concerned about. But that cannot be right, because if that were true, I would have to conclude you do not actually care about small creators at all, and only want to complain about popular creators getting positivity, which would be not very nice!

Oh, and another thing. One of this blog's only rules is to not put down one member of this fandom in order to uplift another. I assume you did not read the rules in my description, since you did not know I am submission based, so I thought I would let you know!

Ah, but actually though.

"Popular" writers and artists are in fact also people who work hard and provide the fandom with amazing works. There are a lot of popular artists and writers whose work I genuinely admire, and I am happy to use this space to express this admiration. They deserve appreciation for what they do, and as long as people are willing to submit them, I am going to post them.

(Additionally, on an entirely practical level, who am I to decide when someone is "too popular" to be posted? I cannot see anyone's follower counts. This is in fact a main feature of tumblr. Would I just be going by guess? This seems an inefficient system.) (Not that I think you care about this. I assume you have a specific list of users in your head that you, personally, subjectively, do not like, and you want me to adhere to it for your petty grudge.)

One of the many, many reasons I started this blog was in response to how certain people use confessions blogs, where I saw space for people to post anons about how they disliked popular artists and writers, such as how they hated a certain person's art or writing style, often specifying those people by name on anon to a blog with many many followers, where that person will unfortunately see it.

Another of the many, many reasons I started this blog is for my friends who are on the more popular end of the fandom, and how people treat them directly. What they have shown me of their inboxes is nightmarish, with people being rude, entitled, or cruel, simply because they assume that people's humanity does not count after a certain amount of followers. And, in the interest of full disclosure, though I am not extraordinarily popular on my main account, I have gotten my own share of nightmare anons as well.

A third of the many, many reasons I started this blog is because I have seen tumblr users post about other tumblr users by name and how they do not like their art/writing/creations, do not think they deserve their success or support, or simply do not like them without ever even meeting them. They will then post those uncaring words in those user's tumblr tags, again where those people will see them.

All of this made me very sad, because it seemed like somewhere along the way, people seemed to forget those artists and writers are people. Being popular (or perceived as popular) in fandom comes with many benefits, this is true, but it also emboldens the absolute worst members of fandom to be cruel to people they think are an acceptable target.

None of this sort of attitude makes fandom a fun place to be. Fandom is meant to be a community, based in mutual love for the same story. It is meant for making art, or writing, or cosplay, or songs, or other creations. It is made for sharing those creations with strangers who love the same thing you do, and sharing excitement and passion with other fans. It is meant for making friends. It is made out of, and meant for, love. Fandom is not only made worthwhile, but kept alive, through our support for one another.

You may think me a popular artist/writer dick-rider for acknowledging the humanity and fandom contributions of popular creators. I do not mind. I am sorry for you that simply believing people should be kind to one another, or that artists and writers should be recognized for their hard work, is so skewed in your head. I will not apologize for being kind to people, or for providing a space for kindness.

Do not mistake my existence as a positivity blog for me being a pushover. I will absolutely not tolerate any of this sort of attitude on this blog. This is a blog based in kindness, and I will shut down any asks which aim to sow any sort of rudeness.

If you actually care about small creators, be the change you want to see. Submit small creators. I am literally constantly begging for submissions, and I would love for people to submit any and all creators, big or small. I myself have submitted plenty of anons about small creators to my own blog. One of the best parts of this blog is learning about lots of creators I would not have known about before because you all submit small folks. Our support for each other is not just fandom at its best. It is what fandom is for.

All this said. Do not be hateful slime in my inbox again. I do not want to block you, because I think you, too, deserve positivity, if you receive it. But I will block you if you persist. Thank you.

[maxanor]

i'm not saying this to be callous or rude, but i think what's hitting a lot of buckt*mmys hard is that they're truly just unable to admit that they aren't very good at media analysis. the term 'media literacy' has become so overused in fandom that i genuinely think people forget what it means- it's a learned skill, something you have to study, something you can educate yourself on by reading papers and books and watching all sorts of movies and tv. they're all so convinced that the breakup came out of nowhere when it could not have been written more clearly; tommy has consistently been shown as an outsider in buck's life.

to claim that "everything was perfect" in 8x05 is so ridiculous i almost don't even know where to start. they had two scenes without eddie: in the first, tommy was incredibly condescending towards buck and and his interests (it's time to put away the screen, you already had your five minutes, lights out evan), and in the second scene buck literally says "my boyfriend won't even kiss me" and tommy responds with "that's not true" but they pointedly do NOT show them kissing. if the audience is meant to believe that buckt*mmy are endgame, it would have made perfect narrative sense to have them kiss right then to show (not just tell) us that tommy cares about buck, boils and all, and they did not do that.

moving onto 8x06, the only clue needed to show us they were going to break up was tommy buying buck lakers tickets. that's all it took. in 7x04 it's made so clear that buck does not like basketball. if tommy genuinely knew buck, he would not have bought him tickets to a sport the show dedicated an entire episode to telling us buck does not like! if their relationship was meant to last, tommy could have bought buck tickets to a fight in vegas like he did with eddie. this would have been a great callback, because it's supposedly the first moment buck got jealous of tommy and eddie hanging out. it would remind the audience that even though buck was jealous, he got tommy in the end and they're now doing the activities he wanted to do with tommy before.

once again, media analysis is a skill. no one is perfect at it, and ofc shows can throw away the book and make decisions that don't make sense. but to claim this came out of nowhere shows a severe lack of knowledge and understanding of how stories are written. the shippers were seeing what they wanted to see and they missed all the signs the show was sending them, and now they're claiming the rug was pulled out from under them.

[once-in-a-blue-moon-rising]

Seen a few 'maturity is realising that it's not a look of love' videos on Instagram re: 457, and while I do realise it is Not That Deep, I nonetheless have THOUGHTS

The crux of those thoughts is this: has fandom's view of shipping narrowed so far that unless two characters are mashing their faces together on-screen, it's immature to interpret the text contrary to what we assume the creator's intention was?

With this ship specifically, let's start with the obvious: the actors have insane chemistry. This is true whether you see the characters' bond as platonic, romantic, antagonistic, or something else. They are very obviously comfortable and friendly with one another in real life, and this translates into an intense on-screen relationship between Gi-hun and In-ho (and I'm sure this is exactly what the director did want, because, newsflash, this is our protagonist/antagonist duo).

I do think it's valid to ship something based purely off the actors' chemistry, but the comment is obviously referring to the characters themselves in the context of the story, so let's address that too.

There's a clear motivation for the way In-ho stares at Gi-hun, follows him around, and generally tries to insert himself into his life, and this is what these posts are referring to. He's testing his ideology, he's watching how he's affected by the horrific things that are happening around him, and to help him do this, he's ensuring that Gi-hun trusts and likes him. It's important if he wants to prove to him that the world is unchangeable, and humanity irredeemable.

And because of that, it's not the 'look of love'. Case closed?

Well, no.

Because there is so much nuance and depth that you're failing to explore, if a look can only mean one thing.

Because why does In-ho bother? Why is Gi-hun worth his time and interest? In-ho - via the games - has access to resources that far far outweigh the money Gi-hun won. He could prevent him from finding the island forever. He could just have him shot tbh. He's not really a credible threat - at most, he's a minor annoyance, because people need to be paid off every so often to prevent him getting too close.

Just through this detail, we can deduce that In-ho cares, in some way. He is interested enough to want to change Gi-hun's mind, when it would be so much easier to... not. Is it love? It's certainly fascination. And I don't think it can be argued that he brought him back for the VIPs' entertainment and not his own, because Gi-hun was searching for three years before In-ho let himself be found. And even when he's found, it's Gi-hun who suggests going back into the games.

So these stares - yes, he's testing him, but he's doing it because he wants to. They denote genuine interest. How did this guy retain his hope and faith in humanity? How can I prove to him that my view is correct?

And I'm very much not saying that a romantic interpretation is 'correct', because fiction should be interpreted however the audience sees fit, but what is love (in all its forms) if not wanting to know someone and be known by them?

This is even more compelling to me when we take into account In-ho's backstory, which we learn a bit more about in season 2. Because he and Gi-hun are so similar, except in the way they've used their trauma to interpret the world. Which just adds to the evidence that In-ho would be fascinated by this man, be determined to know him and to change his mind.

What I'm saying with all this isn't that 457 is canon, and that anyone who says otherwise is media illiterate. What I'm saying is that the real immature interpretation is one that's surface level, be that interpretation 'uwu he loves him' or 'he's PLOTTING evil things'.

[angstflavoured]

A little fiddauthor analysis...

Making this post mostly just to get all of my thoughts out about it regarding how I think it is inherently very toxic on both ends, despite people treating it as more wholesome near the beginning when they were both younger… and the fact that I think it’s very incredibly one-sided. I’m strictly going to be talking about CANON events, not headcanons or speculations or AU’s. If you wanna draw Fiddleford and Ford being cute and hugging and dating, I don’t care, I like a lot of the content for them myself. It isn’t canon to the show and doesn’t affect or harm anybody. That’s what a fandom is and I’m not trying to police anyone, I just think a lot of people misinterpret their relationship and thought it would be fun to talk about it because I find their dynamic really interesting. I’m going to be using a lot of direct quotes and scenes from Ford’s journal, TBOB, and the show, so buckle in baby ! This was supposed to be a quicker and smaller one while I work on my Billford essay, but I had a lot more to say than I thought…

First off, it’s interesting to see how Ford thinks their interaction after so long is going to go. In Journal 3 he says he has “no choice��� but to call Fiddleford up to work on the portal because Ford just doesn’t have the smarts to do what he wants to do himself, and he thinks he’s going to have to literally beg Fiddleford to join him. But as we see in the journal and in the show, it hardly takes ANY convincing at all for Fiddleford to drop everything he was doing and leave his wife and kid for months on end to work on a project he knows nothing about. All the info he has he got over a short phone call. It seems like Ford, at this point being so close with Bill and thinking he’s the only one who cares about him, just assumed that most people he used to talk with don’t think about him anymore. He’s had Bill whispering in his ear that he’s the only one who understands him, so it makes sense he doesn’t think Fiddleford will want to do this with him. But from what it looks like, Fiddleford either has been waiting every second for Ford specifically to get back to him, or just has been waiting for any excuse to get the hell away from his family which is… yeesh. Either way, not very healthy regarding his wife and kid. He doesn’t seem to really care all that much about either of them, but more on that later.

Obviously Ford cares about Fiddleford, as soon as he comes down to live with him, Ford hasn’t been so happy in a good while. He missed human connection, despite how good things were going with Bill. Having another person there to talk with was nice. Despite Fiddleford having strange quirks that did irk Ford, he found them endearing and genuinely felt better in his company.

But I think the biggest thing here a lot of people overlook is that Ford only ever refers to Fiddleford as his college buddy in the show, and in the journals as “my assistant.” I’ve seen so many people have Ford call him his partner, but he actually only calls him this like once in the show i think. It’s always my assistant, my research, my theory. Which is funny because Ford didn’t come up with any of this stuff with the portal on his own. Bill was the one that gave him the blueprints. Fiddleford even questions Ford at one point, asking if he had help coming up with them because of how complex they are, and Ford decidedly DOESN’T mention Bill and instead tells him “with hard work, anything is possible.” (Btw he does refer to Bill as his partner multiple times… just sayin.)

The way he talks to and about Fiddleford, Ford is always talking down. He does think that Fiddleford is smart and does think he has a brilliant mind, but he still thinks that he’s below him.

Because Ford has Bill.

And oh my lord, do I not see anyone talk about this. Soooo many comics always depict Fiddleford knowing about Bill existence, but I think the biggest roadblock with their ship and a huge point of contention is that Fiddleford never canonically knows about Ford’s relationship with Bill until after he’s already lost his mind when he’s old. He doesn’t even KNOW that he exists until he’s half sucked through the portal. People ignore this, but it’s so important to their dynamic. Ford doesn’t think that Fiddleford could handle it, and he doesn’t think he necessarily deserves to know. Because Bill is Fords thing. Their relationship is special. Ford is special.

Ford claims he doesn’t tell Fiddleford about Bill because he would throw him in a looney bin, despite their research being so whimsical and ridiculous already. They’re literally building a portal to a different dimension, Fiddleford would’ve believed him. And the way Ford talks about it, you can tell it’s less about Fiddleford thinking he’s crazy and more about something else.

Could F ever truly appreciate the complex fates that brought me and my Muse together?

He doesn’t think Fiddleford could APPRECIATE it. The language he uses, you can tell that Ford knows that Fiddleford would see right through Bill’s facade. And Ford doesn’t want that because he wants to be friends with Bill and he wants to be special, and he’d rather hide Bill and stay in denial than tell his dearest friend, just so he can feel special a little longer.

This is why I think as much as Fiddleford’s romantic feelings for Ford were there, it never ended up going anywhere. Ford would always choose Bill over him. When Fiddleford got him the axolotl pet, Ford quickly threw it out and lied about it to Fiddleford just because Bill told him to. And there’s multiple cases of interactions like this, where Bill will talk down about Fiddleford and Ford will just be like damn… yeah. Here’s a journal excerpt from TBOB around Christmas time. For context, Ford got into a huge fight with a monster and tried to contact Bill to help him, but he didn’t come. And then Bill randomly shows up later when Ford’s at home decorating.

I was almost roasted by Krampus, and where was he? Off inspiring some other scientist? Posing for some tapestry? Were we even partners? He threw the accusation back in my face. “Hey, I’m not the one skipping portal work to carouse with a third-wheel hillbilly with second thoughts about our project!” I started to argue--but he had a point. F has seemed less and less committed to work lately.

Which is INSANE !!! when we see that only a fucking page ago, Fiddleford was explaining how he got in a fight with his wife because he didn’t get her a present for Christmas. After spending multiple weeks and making multiple prototypes for a pair of 6 fingered gloves for Ford.

And if we hop back to Journal 3, there’s a particular interaction with them which is crazy to me. While hiking up a mountain to go to Crash Site Omega, they get into a fight with the Gremloblin, which fucking swoops up Fiddleford into the sky. In Ford’s attempt to get him down, they both end up falling down through the roof of a barn, where Fiddleford gets stuck full of quills and breaks his arm.

Despite our fortune, I have become worried about my assistant. I was able to treat his physical wounds, but I fear there are mental wounds not as easily remedied. For the past several nights, he has been unable to sleep, apparently still haunted by the Gremloblin’s gaze. More alarming is his Cubic’s Cube. It has sat scrambled, unfixed, on his desk for days. I myself have survived many monster attacks without trauma, but perhaps F is more sensitive than I realized…

OH. MY. GOD. The way that Ford talks so condescendingly is enough to make any person's blood boil. It’s the same way when Fiddleford gets sucked through the portal, and when Fiddleford gets pulled back, Ford’s first words out of his mouth are “WHAT DID YOU SEE!”

As much as he cared for Fiddleford… he has no regard at all for Fiddlefords VERY VALID feelings about events that would traumatize literally anyone. But he just pats Fiddlefords back and tells him to get used to it because this is just part of the job and he shouldn’t be whining so much. He does nothing to properly comfort him and scoffs it off like “apparently he’s ‘TRAMATIZED’ or something. I’ve been through so much worse and never had a problem, I don’t get what his issue is.” And then ford is SURPRISED AND APPALLED when Fiddleford creates the memory gun.

Which oohhhhh lord, the memory gun. jesus christ. Such a big example of the distrust between them on both sides. Fiddleford literally canonically lied about destroying the gun and then erased Fords memory about it so that he could erase his own memories in secret without him knowing. And also probably fords sometimes! Not completely canon, but like…. Fiddleford did it once, I wouldn’t put it past the guy. And then when they go to the carnival, Fiddleford hands out his fucking card to Ivan (the leader of the society of the blind eye, who was a teen/early 20s at the time) so that he can erase memories for him that he didn’t like.

Biggest thing we can take away from everything regarding Fiddleford’s character, is that he always takes the easy way out. He ran away from his family he obviously didn’t really care for as much as he should’ve because that was easier than talking it out or divorcing. He pushed it aside for later. Bro was literally looking for a fucken Brokeback Mountain situation, but Ford wasn’t giving anything back to him. So instead Fiddleford constantly made a fool of himself doing things for Ford and tripping over himself to show his gratitude when all the while Ford was entirely focused on Bill. and then he just goes around and starts erasing memories, because it’s easier than having to actually deal with things. Which is why I don’t foresee a reality in which Fiddauthor makes sense, in the way they actually end up doing anything together. Because Fiddleford’s too much of a coward to admit his feelings first, and Ford obviously has his sights on someone else.

And here’s the BIGGEST damning thing, like oh my god.

In Journal 3, Ford goes to a fortune teller (which don’t get me fucking started on how judgy he is to her and how much he talks down about her, DESPITE HER BEING LEGIT AND ACTUALLY WARNING HIM). Long story short, she gives Ford a spiel about how someone close to him is deceiving him. She then gives him a mood ring and says “when this is blue, you may pull through. When this is black, you can’t turn back.”

And LO AND BEHOLD!! OH MY FUCKING GOD, when they’re at the carnival and Fiddleford is talking to Ivan and whispering--

Ford. Looks down. To check if the ring is black.

I took one last look down at my hand and was strangely relieved to find that the palm reader’s ring was still blue. I shoved it in my pocket, collected F, and tried to put the whole experience out of my mind.

FORD LITERALLY THOUGHT ABOUT THE IDEA OF FIDDLEFORD BETRAYING HIM BEFORE BILL. IN FACT, HE LITERALLY NEVER MENTIONS THINKING IT WAS BILL ONCE.

He talks about how they got into a fight at dinner the night before the portal test because Fiddleford was having second thoughts about it being dangerous, and Ford told him to be there or he would get left behind. He’d do it without him.

And when Fiddleford gets pulled through the portal and quits the project, Ford says gooooddd fucking riddance, I never even needed you bro.

F, you weak-willed hayseed! Go back to your doting family and a life of fear and compromise! I weep now not for our failed partnership, but for the golden opportunity thrown away. To think I considered him a friend! I know my true friend. It is my Muse.

One of the few times he ever refers to it as partnership btw. Literally only when they break everything off.

And Ford only starts fighting with Bill about everything after it starts directly hurting him. It literally just seems like Ford is less upset about Bill’s plan being evil, and more upset at the fact that he lied to Ford LMAOOOOO he didn’t like the fact that he was disposable and lesser to Bill, despite Ford treating Fiddleford the exact same way.

At the end of all of this… it may seem like I’m really fighting against this ship, but not in the slightest. I LOVEEEE them so much, but in a way where it would be really toxic and not actually end up with anything happening.

Such a biggg theme when it comes to Ford’s character specifically is yearning. He yearns for success and attention and love and acceptance, but he’s constantly never giving other people those things. Which ends in him not receiving any in return. That is obviously until he gets back from dimension hopping and works on being a better person. When he starts towards healing, that’s when he starts receiving what he always wanted.

There’s so much tension between Ford and Fiddleford it's like disgusting, they were so incredibly gay… but, I hate to say it, it was very one-sided. They did have some fun times together and Ford enjoyed his company for quite a bit, but it was nothing like how Fiddleford felt for him. Fiddleford was always thinking about how Ford was feeling and what he was doing, and Ford never really did that for Fiddleford unless he was prompted to. But he was alwayasyayayss thinking about how Bill felt. And he always chose Bill in the end.

I just see so much of all of this get swept under the rug and never addressed, when it's kind of sad because it’s all so interesting and really adds a lot to both of their characters. They were both so morally gray back in their day, and honestly even more so now that they’re older, and its kinda sad to see that all go ignored. I JUST LOVE TOXIC GAYS SM AND THEY WERE SO TOXIC AND I’D LOVE TO SEE PEOPLE EXPLORE THAT MORE. Hopefully maybe this will prompt some people to think about it like this…….. It’s all so very tragic and their relationship was doomed from the start and i loveeeee shit like that. only misery to be had...

[rekino2114]

Gifting the chainsaw man girls a plushie of themselves

A/n: I'm still on vacation and wanted to do a smaller post while i'm free so i saw this prompt around and thought it was adorable, I'll probably do it with more fandoms let me know if you wanna see it

Makima

Thinks it's amazing and will treasure it forever, she specific keeps it on a shelf in her office (most of her subordinates are very confused to see it just sitting there around the paperwork)

She will 100% give you a plushie of yourself to repay you

Might ask you for a pochita plushie to replace the real one since she doesn't want it anymore.

"Oh, It's adorable darling you're so talented, how about I make you one of yourself to match?"

Power

She is confused at first and asks what power (lol) you used to make a mini her but quickly grows to love it.

It's soft and cuddly just like meowy whenever you're not near her you can bet she'll be cuddling those two things to fall asleep.

Definitely brags about it to denji and aki. Where are their small and fluffy versions of them uh?

"*gasp* is that an idol of the great power? Very well I will accept this. T-thank you"

Himeno

Thinks it's the cutest thing ever and immediately hugs you and peppers you In kisses as thanks

Will always keep it on her shoulder or in view in general hoping that someone asks her about it so she can start ranting about how wonderful her partner is

You have found her multiple times passed out drunk hugging the plushie and mumbling about how much she loves you

"Oh my God! Is that me? Thanks so much it's soooo cute, well not as cute as the original of course~"

Kobeni higashiyama

An incredibly blushy mess whenever you give her the plushie but thinks it's the sweetest thing anyone has ever done for her.

It kinda becomes a comforter for her. Whenever she's more nervous or sad than usual, she hugs the plushie and thinks of you, and it makes her feel at least a bit better

She feels kinda bad about not giving you anything back so she'll probably save the small amount of money she has to buy you a plushie you like.

"O-oh, that's really cute. w-wait, is that m-me? I love it a lot. Thank you so so much"

Quanxi (and her harem)

You immediately got tackled in a hug by 4 of your girlfriends when you showed them plushies of every one of them, quanxi just looked at hers for a while before smiling and joining the group hug

Might genuinely stab someone if they say anything remotely negative about the plushie

She works hard with her girlfriends to make you a plushie of yourself since they thought it wasn't fair that you were the only one in the relationship without one.

"Eh, it really does look like me, you did an amazing job on the girls too, don't worry I'll keep it close at all times"

Asa mitaka

Genuinely can't fathom that you would put effort into making something so cute of her out of everyone and the fact that you gifted her that makes her fall in love with you even more

Always keeps it with her mostly in her bag at school, similarly to kobeni it helps calm her down whenever she's having a bad day, it's a reminder that there is someone willing to love her this much

Yoru once tried to draw the scars on it to make it a plushie of her (just to mess with asa) but thankfully she took control in time

"Wait, seriously? That's....for me? Wow, i- I don't know what to say. Just thank you so much"

Yoru

Acts like she doesn't care that much but actually thinks it's really cute, asa often wakes up finding herself hugging it, courtesy of yoru not being able to sleep without it and taking over during the night.

Definitely brags to asa about it (not realizing it's technically a plushie of both of them)

Might ask you to add some weapons to the plushie to make it more interesting

"Hm? What's that? a plushie? I guess it does kinda resemble me, thanks it is kinda nice"

Fami

She might seem as indifferent as usual but genuinely loves the gesture and thinks it's adorable

She brings it with her whenever she eats (which is most of the time) she even puts a little bib on it, it's really cute to watch

Feels really bad when she gets it dirty (mostly when she's eating) so she'll try cleaning it even if she has no idea how

"I see, so it's a plushie of me. How cute. Thank you, you did a great job"

[vamphorica]

Because I hate being happy for more than two hours at a time, I've been considering to what extent Matt knew that Takada's kidnapping was a suicide mission.

I've been looking at this screenshot while I've been using it as a reference for a drawing and given that the poor boy is only designated sixty-nine seconds of screentime in the anime, I think it is interesting that there's a substantial pause on this specific frame. Matt is surrounded by Takada's bodyguards, unable to get out of the predicament he has found himself in. At this point, he believes there are two possible outcomes: he will either be arrested, or shot dead. You could interpret his expression here as apathetic, as that is how he tends to be characterised, but he sits in his car and looks out towards the row of headlights for about seven seconds. He considers his situation, acknowledging the number of men pointing their guns at him, and then he leaves his car.

The question is, did it occur to him then, or had he known beforehand, that his death was inevitable? Remember – Matt is one of a few characters in Death Note to be killed 'traditionally'. Should we take the Shinigami Eyes into consideration here, we have to assume that Matt is fated to die at this exact moment in time, regardless of circumstance. There is nothing that would have saved him from his demise that day.

However, I do wonder if, at nineteen years old, he is truly apathetic about his own life. I genuinely believe Mello sees his own death as an inevitable sacrifice, but I am not so convinced that Matt actually cares enough about defeating Kira to lay his life down for the cause alone. The manga suggests he leaves his car almost immediately upon being caught, and his final words, sadly, suggest a lack of foresight about the gravity of danger he is in.

Kira's world is not one in which justice prevails as Light envisioned, but rather it is an autocratic reign of terror. There is absolutely no chance in which Matt would be detained in a society in which death is considered the appropriate solution to crime. He is a Wammy's boy, but even if he had not have been associated with the House, Matt would have still been aware that his risk of death is heightened exponentially through his association with Mello alone.

In the anime, when Matt looks out the window of his car, we hear his inner monologue. Nonchalant, there is no fear to be heard in Drew Nelson's performance of the lines, and Matt's awareness of his impending death is presented as being limited. Is it an act? Or is Matt portrayed as lacking self awareness to such an extreme extent? Perhaps to 'justify' Matt's position as the third successor to L, Ohba felt the need to present Matt as ignoring the inevitable, but at least to me, this feels like it greatly undermines his intelligence. He may not be competing against Mello and Near, but that does not negate the fact he was still raised in the same institution that they were. All the children are freakishly smart, that is the whole point.

Did Mello propose the plan to kidnap Takada to Matt with the acknowledgement that they were both likely to be killed? Mello's final thoughts in the manga and anime are asking Matt for forgiveness, his death apparently unanticipated by the former, which feels like a failure in writing the deaths of these two in a manner that reflected who they were.

Matt is, by all accounts, a fandom project rather than a fully developed character within the Death Note canonical universe, but we are aware that Matt was created for Mello. I hardly expect Death Note to explore the intricacies of such themes in the series (particularly given, as much as I hate to admit it, Mello and Matt are not the main characters within the franchise). However, even with the rather minimal source material provided to us by both manga and anime, we are made aware that the two have a very unique relationship. They know each other intimately, and Matt does not fear Mello as many of the other characters in the series do.

Mello does not want Matt to die. He values Matt and while one could attribute the gratitude for him to the popular fan narrative that Matt is the one to look after Mello after the explosion, or indeed the idea that the two are in a relationship, their interactions with one another already set up their alliance as one that appears to transcend the regular boundaries of friendship. Again, I'm pulling a lot from fanon here, I know. Take it up with Ohba.

Narratively, if Mello has to die, so too does Matt. Ohba could not foresee this character that is so dependent on another to live beyond him. Yet I simply refuse to believe that Mello would have placed someone so important to him in a compromising position where the likelihood that he will be killed is almost certain. As much as I believe that Mello's final thoughts being directly addressed to the deceased Matt demonstrates an important ode to their relationship, I cannot understand how Mello would have been shocked to hear of Matt's death, given the risk.

We know Mello was fully aware that he was going to die that night. If he did not die, Near would have, and I think to Mello that would have been the greatest loss he could have suffered in their ongoing conflict. Regardless of whether you believe Mello cared about Near to any extent or not, I genuinely cannot imagine Mello would have been happy to succeed as L had it been attained through Near's 'sacrifice'. I am actually exploring an AU of this very idea in a fanfiction I intend to publish early next year, in case you're interested, haha.

This returns to the question as to when Matt realises he is not surviving this mission. Presumably Mello asked for his cooperation, and in doing so, he would have had to explain the plan to Matt which, quite frankly, reveals Mello's intent to die as soon as it is advantageous to do so. Given that Mello did not want Matt to be killed, did Mello reassure Matt that he had created the plan to guarantee his safety? Did Matt believe him? Was Mello deliberately vague, only telling Matt that he needed to set off the smoke gun, then hit the gas and get away from Takada's security team?

As far as I can tell, there is no reason as to why Mello would have been dishonest with Matt, explaining what he was planning to do and why. Perhaps he even suggested to Matt that he could find someone else to take on his position, given the danger he anticipated they would be in. Matt is, as I think the series makes clear, very loyal to Mello, and so I doubt such a proposal was even considered, but I think it is safe to assume that if Mello knew how this plan would end, so too would Matt, whether Mello explicitly told him or not. He would have figured it out.

When Matt and Mello part ways for the final time, not shown to us in either the manga or the anime, they both know that they are saying their last goodbye to one another. I think Mello hopes that Matt will survive somehow, experience a Kira-free world and move on with his life, but I believe Matt knows, well before he got caught, that there is no escape from the inevitability of his death.

Maybe, when he steps out of the car, confronted by the 'big guns', he holds out a little faith that at least he might see Mello again soon.

[olderthannetfic]

/olderthannetfic/769334704445997057/another-fandometrics-year-in-review-another-bevy

I am - genuinely - very sympathetic to the frustrations of solely f/f shippers and I DO think some people are a little too quick to shrug off the lack of f/f in fandom spaces with “lack of representation in media what can you do” when fandom is all about assigning personalities and backstories to one-line characters. HOWEVER. As someone who likes all kinds of ships, the experiences I have had across many MANY fandoms with solely f/f shippers treating people who also liked the main m/m ship as traitors and bad feminists, not to mention the number of people who have told me, a trans man, that I HAVE to write more f/f and less m/m For The Sisterhood, has made me LESS likely to engage in f/f, not more. Some of y’all are your own worst enemy when it comes to this stuff I swear. (Hashtag not all femslashers, hashtag some of my best friends are femslashers, etc)

--

Demands that people defend and explain perfectly commonplace things always end up generating dumber and dumber explanations.

I agree that that explanation by itself is kind of weak, but "Why are you asking only about AO3?" (as people often are) plus representation problems plus the other commonly cited reasons add up to a perfectly sufficient explanation. People just don't like what they're hearing.

--

The kind of f/f fandom people are often looking for—a by cis wlw, for cis wlw one—is not that different in size from the by cis mlm, for cis mlm one. They are both small.

Yes, I know they pretend that's not what they mean. They are lying. Possibly to themselves. Just look at the bawwwwing over the idea that cis men liking f/f could add to the amount of f/f art or the audience for the same.

Many AO3 slashers are better compared to transbian catgirls making lesbian furry porn or cis dudes horny for Buffy/Faith or something. There are plenty of people who care about f/f. They're just not necessarily the ~right~ people in the right spaces making the right art to count in some wanker's statistics.

Part of the reason our explanations and discussions always sound so bonkers is that we constantly compare apples to oranges.

--

And while we're at it, let's talk about that hoary old ~one-line character~ thing.

The reality is that we like to talk about how we elevate random walk-on characters, but the vast majority of shippy AO3 fanfic is about fairly major characters. Clint/Coulson was bizarrely popular in 2012. It has been twelve years. It is time to get over it.

On top of most things focusing on leads, the focus is often on characters who are given a lot of interiority. The audience is invited to be in their head and care about their feelings. People aren't usually good at analyzing film, so they use more familiar metrics involving text: how many lines do they have in the script? How many minutes does that translate to on screen? They don't know how to quantify a character being treated as an object to be looked at beyond "Booty shorts bad". But it's not general sex appeal or amount of skin on display that matters here.

As audiences, we respond to film grammar and "Just happen to like" or not like some character as a result of it, but we aren't aware of the mechanics, so we can't explain why beyond vague spluttering and "How dare you! Everyone should think this because it's the natural response!"

In general, media with multiple central women who have intense relationships with each other and who are conventionally attractive generate plenty of interest in f/f. Media with one hot girl who has the camera trained on her ass all the time while the men do everything interesting usually don't.

It's a no brainer and the harebrained explanations come from trying to look deeper to find the secret conspiracy where there is none.

--

The biggest mistake of most of this dumb discourse is "But I see all these queer women here. Why isn't there more f/f?"

This presupposes some default "normal" level of f/f without any actual justification for why that would be expected. You see the same nonsense from people going "Why is there so much m/m?"

What's the default? 10% because of the fake statistic that 10% of people are gay? 75% because action movies are sausagefests and all the important relationships are between men? What's the "normal" level of femslash? 25% because f/f, f/m, m/m, and gen are all equally valid? 80% because lots of fanfic writers are women?

Chasing one precise number is a fool's errand, but building a whole theory on the idea that there's an implicit number without even digging into that assumption is more foolish still.

When you look at the fanfic (or art!) spaces that are full of dudes, they often look like a bit of a mirror of AO3. Lots of het still. Lots of f/f. Lots of lady blorbos people are obsessed with. Limited m/m. Depending on the space, there might be a lot more gen. It's not perfectly 1:1, but then AO3 isn't precisely like other chick-heavy fanfic spaces anyway.

--

In my experience, the thing that makes a blorbo take off is that they're fairly major in canon, often driving the narrative even if they aren't the main protagonist, and they show up early.

In the cases where they weren't there at the very beginning, them showing up was the catalyst for fans who like this type of character to get into the canon at all. It's not just Castiel: you see it with Methos from Highlander and plenty of others. It's usually in a context where that fandom didn't have that much established for this type of fan. There wasn't a second dude to pair the lead with or the ship turned some people off or something. Highlander, for example, had fucktons of het shippers, both of canon het and of various OFCs and canon dudes. It was the slashers who stampeded over there when friends told them there was new ship potential for m/m. SPN... Sam/Dean was very popular on LJ, but I think it's obvious why a viable non-brother ship was of interest to people. I watched tons of people get pimped into Teen Wolf for Sterek. Of course they ended up liking it and not really caring about other ships: they were pre-selected to like that specific vibe. (And they are all wrong because Scott is the best and Derek has weird teeth.) The same thing happens with f/f. People get into media all the time because they're promised such-and-such a ship dynamic.

Wynonna Earp had plenty of people who were there for the women because the women are who matter for the most part. People were super into the canon f/f because it's hot and because it didn't seem like they were just going to get hit by a bus and shooed out of the narrative.

How many things that everybody and their sister saw have that many main women who matter? Some, definitely, but they're outnumbered by the sausagefests and by the things with very central het. Not everything with a huge audience gets a big fanfic fandom, but most things with big fanfic fandoms do have a big audience. You need critical mass to make a fandom happen.

Something like MCU has a variety of tasty shipping options, but the characters it spent all its time on first were the small selection of guys fandom cares the most about. When other characters were established very early, they also had an early spurt of fandom. I can't be the only one who remembers Pepperony fandom on LJ. It wasn't just people tagging canon ships in the background: Pepper/Tony shippers were a whole thing.

Yes, there are exceptions, but we make a big deal of them while ignoring the overall pattern.

Again, it is time to get over Clint/Coulson, Arthur/Eames, and people hallucinating that Hux had a personality in that first movie.

These are rare exceptions, and they're all snark-based at that. Darcy Lewis was also obnoxiously popular based solely on a few lines of snark, but that didn't count because she wasn't the correct and virtuous choice of favorite female character.

(Seriously, you should have seen the whining about all the people horny for Darcy who didn't give a fuck about boring Jane. Sorry, but your blorbo is a snooze and mine has amazing tits in addition to being funny.)

--

Let's go look at what's big on AO3 since it's easy and that's what other lazy statistics compilers do and then base their whining on:

Looking at the M/M tag, here's the sidebar:

Castiel/Dean Winchester (111856)

Draco Malfoy/Harry Potter (70823)

Derek Hale/Stiles Stilinski (70134)

Sherlock Holmes/John Watson (67796)

James "Bucky" Barnes/Steve Rogers (61397)

Aziraphale/Crowley (Good Omens) (56548)

Minor or Background Relationship(s) (55109)

Sirius Black/Remus Lupin (49179)

Bakugou Katsuki/Midoriya Izuku (46679)

Steve Rogers/Tony Stark (44754)

I'm seeing canons with huge audiences. Teen Wolf and SPN are way more popular in fanfic fandom, relatively speaking, but they're certainly not obscure media.

I'm seeing a lot of leads. Sirius/Remus does stand out a little: they aren't walk-ons, but fanon did elevate them. Same with Draco, but main protagonist/most obvious nemesis is hardly a surprising ship type.

Let's play with exclude filters and see what's next (numbers won't be exact since this is via excluding the previous batches):

Harry Styles/Louis Tomlinson (43234)

Lan Zhan | Lan Wangji/Wei Ying | Wei Wuxian (40115)

Jeon Jungkook/Kim Taehyung | V (38398)

Keith/Lance (Voltron) (32757)

Dazai Osamu/Nakahara Chuuya (Bungou Stray Dogs) (32744)

Dean Winchester/Sam Winchester (31834)

Evan "Buck" Buckley/Eddie Diaz (9-1-1 TV) (31527)

Merlin/Arthur Pendragon (Merlin) (31011)

Will Graham/Hannibal Lecter (30819)

Magnus Bane/Alec Lightwood (30133)

Steve Harrington/Eddie Munson (27403)

Original Male Character/Original Male Character (26854)

Bakugou Katsuki/Kirishima Eijirou (26854)

Jeon Jungkook/Park Jimin (26454)

Katsuki Yuuri/Victor Nikiforov (26453)

Clay | Dream/GeorgeNotFound (Video Blogging RPF) (21154)

Geralt z Rivii | Geralt of Rivia/Jaskier | Dandelion (20946)

James T. Kirk/Spock (20716)

Min Yoongi | Suga/Park Jimin (20561)

Blackbeard | Edward Teach/Stede Bonnet (20113)

Iwaizumi Hajime/Oikawa Tooru (20039)

Hinata Shouyou/Kageyama Tobio (18806)

Blaine Anderson/Kurt Hummel (18013)

Erik Lehnsherr/Charles Xavier (17577)

Dan Howell/Phil Lester (17518)

Levi Ackerman/Eren Yeager (17404)

Han Jisung | Han/Lee Minho | Lee Know (17390)

Akaashi Keiji/Bokuto Koutarou (17141)

Tartaglia | Childe/Zhongli (Genshin Impact) (17041)

Harry Potter/Severus Snape (16773)

Oh look: more leads.

Sure, there are some little oddities, like the fact that taekook is obviously the worst BTS ship and it is a personal attack on me that it is that popular. But come the fuck on: this is a parade of some of the most famous musicians and most popular anime, shows that had huge audiences and particularly huge audiences of the type that like fanfic.

Let's have a look at f/m:

Adrien Agreste | Chat Noir/Marinette Dupain-Cheng | Ladybug (33773)

Hermione Granger/Draco Malfoy (33031)

Original Female Character(s)/Original Male Character(s) (29586)

Rey/Ben Solo | Kylo Ren (24192)

Minor or Background Relationship(s) (21606)

James Potter/Lily Evans Potter (21088)

Kylo Ren/Rey (16028)

James "Bucky" Barnes/Reader (15922)

Hermione Granger/Ron Weasley (15635)

Sirius Black/Remus Lupin (15335)

Pepper Potts/Tony Stark (14552)

Fox Mulder/Dana Scully (14214)

Bellamy Blake/Clarke Griffin (13616)

Annabeth Chase/Percy Jackson (11471)

Oliver Queen/Felicity Smoak (11383)

Captain Hook | Killian Jones/Emma Swan (11272)

Castiel/Dean Winchester (11187)

Other Relationship Tags to Be Added (10529)

Clint Barton/Natasha Romanov (9750)

Original Character(s)/Original Character(s) (9736)

Okay, it is AO3 after all, so some m/m ships have snuck in there, but the general trend is still leads, leads, leads, now with some readerfic. (For James/Lily, you can blame the insanity that is Marauders fandom on TikTok, or so I hear.)

And f/f:

Kara Danvers/Lena Luthor (21520)

Original Female Character(s)/Original Female Character(s) (17873)

Evil Queen | Regina Mills/Emma Swan (16168)

Minor or Background Relationship(s) (13681)

Clarke Griffin/Lexa (12876)

Adora/Catra (She-Ra) (11532)

Amity Blight/Luz Noceda (10880)

Sirius Black/Remus Lupin (10532)

Caitlyn/Vi (League of Legends) (8925)

Blake Belladonna/Yang Xiao Long (7766)

Robin Buckley/Nancy Wheeler (7369)

Korra/Asami Sato (7146)

Wednesday Addams/Enid Sinclair (6720)

Other Relationship Tags to Be Added (6684)

Waverly Earp/Nicole Haught (5764)

Original Character(s)/Original Character(s) (5529)

Chloe Beale/Beca Mitchell (5347)

Laura Hollis/Carmilla Karnstein (4895)

Jirou Kyouka/Yaoyorozu Momo (4662)

Charlie Magne | Morningstar/Vaggie (4402)

Thirteenth Doctor/Yasmin Khan (4284)

Alex Danvers/Maggie Sawyer (4223)

Rose Lalonde/Kanaya Maryam (3936)

Eve Polastri/Villanelle | Oksana Astankova (3876)

Maya Bishop/Carina DeLuca (3700)

Sister Beatrice/Ava Silva (3689)

Castiel/Dean Winchester (3664)

Maxine "Max" Caulfield/Chloe Price (3471)

Miranda Priestly/Andrea Sachs (3394)

Ruby Rose/Weiss Schnee (3324)

Carmilla might be a little obscure compared to some media, and some other ships have snuck in here, but again, we're seeing some fairly prominent canons and the leads or at least main cast who have intense relationships in those canons. If most fantasy tv shows were Once Upon a Time, all of AO3 might be awash in nothing but swanqueen and captainswan.

The big thing that one sees is simply that f/f fandom often revolves around different media, while m/m and f/m are more likely to be into the same stuff that's full, full, full of main dudes getting to do things with one woman who matters.

We do not, in general, elevate anybody.

Not unless some very talented writer leads the way first with a juicy longfic that establishes all the fanon.

We repeat the myth that we do because it suits a certain narrative about how creative and transformative fandom is—and another equally popular narrative about how the lack of ship A/B is a ~conspiracy~ to rob one of one's rightful overflowing feed trough of fic.

It's bullshit.

We write about leads.

[doodlegirl1998]

You know what's really funny to me? The trope of Bakugou in canon being super talented at everything that he does. In canon it's supposed to be for laughs when he's good at random shit, but I don't understand how it's supposed to be funny when the funnier route would have been that this guy has dedicated himself to nothing else but being extremely good at fighting with his quirk and to be a hero that he's actually super ass at everything else. But I guess having a complex version of Bakugou where he learns that there's more to life than heroics and maybe is way less of a demon isn't something that would have been interesting. ALSO ALSO, genuinely I'm confused as to why people think Bakugou is super smart. Like I get that he was excelling at school and was taking mock UA tests and shit, blah blah blah, but:

A) I can totally see his marks getting doctered by Aldera

B) Passing the UA exam doesn't tell me shit about his intelligence, since people who are "dumber" (Kaminari and Ashido) than him also passed the same exam. Without even knowing the proper format of the test (keeping in mind it's also a standardized test) there's no real way to gauge how "intelligent" someone has to be to do well. Also there's a bunch of General-Ed students who passed that test so again, doesn't tell me much.

C) For all the praise that he receives, there's nothing really like "intelligent" or complex about the plans that Bakugou comes up with when people suck him off for being such a good tactician. He fully somehow thought he could overwhelm fucking ALL-MIGHT with his explosions alone, if he's such a good tactician why would he all of a sudden fuck this up? Also, his "counter" to Uraraka's plan was just do bigger explosions, so again, nothing to do with his actual intellect, it's just his quirk. Which brings me to,

D) Bakugou fully should have been taken out by Uraraka's plan. I get that she was tanking hits and he wasn't, but he suffers no backlash at all from unleashing his quirk all day, and is even able to fire off massive explosions no problem. I don't care what bullshit excuse Horikoshi or the fandom comes up with, unless Bakugou has a second quirk that makes him indestructible or lets him cancel out forces, those massive explosions would have shattered his arms and legs from the recoil. But nooooooo, Todoroki suffers from acute frosbite and Midoriya shatters himself when he uses OfA. But Bakugou? Ah well, sometimes we'll remember that he's running out of sweat or his wrists will hurt a little or sumthin.

E) Why is Bakugou (and I guess Kirishima by extension as well) more ripped and buff then Midoriya when canonically somehow managed to balance a fucking small pick up truck on the last pile of garbage that he stood on when he cleared the beach. Midoriya should be jacked and stacked like Jotaro fucking Kujo in part 3 and be an immovable object, yet some how Bakugou is shown to be physically stronger than him??? Midoriya should be casually lifting couches with the entire class sitting on it so he can vaccum underneath.

PS. I think it would've been exponentially better to have IZUKU be the one who is good and talented at random shit. Like the kid who didn't have the one thing that is required of all heroes (a quirk) and tries to overcompensate for his "uselessness" by being insanely talented and skilled at tons of different hobbies would have been an awesome angle, he's genius enough to pull it off. Not only would it give us more insight on his life before All Might, but it would also make Bakugou less of a Mary Sue (seriously, the narrative bends over backwards for him) and Izuku less of an untalented loser (again, the narrative loves shitting on him, sweet Jesus). Having Bakugou be terrible at everything besides heroics and Izuku being good at everything "besides heroics" might've made for an interesting character parallel that Hori insists on shoving down our throats for 400 chapters straight 😒

Hi @stormiclown 👋

💯. I completely agree with this.

Bakugou being ass at everything that doesn't involve his quirk would have been much funnier, and it would have made more sense narratively for the reasons you listed.

In a good story, that fact would have also forced Bakugou to grow and realise that in UA, he's no longer a big fish in a small pond - he's just one of many talented children.

As you rightfully pointed out, it would have made much more narrative sense for IZUKU to be the ripped one, to be the talented and intelligent one. He would have felt like he would have had to prove he wasn't useless growing up, so it would have made more sense for Izuku to have dozens of hidden (and developed - where did Izuku's quirk analysis go?!) talents.

Then, for Izuku to feel jarred by the amount of praise and appreciation he is getting now, he isn't "useless quirkless Deku" that he felt like he was at Aldera. Then for Izuku to flourish and grow as a result.

[iambilliejeanok]

How they react to seeing reader cry.

Fandoms: Naruto( Akatsuki) || Jujustu Kaisen|| Record of Ragnarok

Featured: Buddha, Itachi, Orochimaru, Geto, Kisame

FLUFF OVERLOAD

🩷Buddha 🩷

He absolutely CANNOT afford to have you shedding tears and not solve whatever problem you have immediately.

Whenever he sees those tears running down your cheeks he lovingly lifts up your chin with his fingers, wiping them away with his thumb before pressing a few kisses to your lips. “What’s the matter?”, he asks, his eyebrows furrowing in concern. He really hates seeing you like this.

And he has many times before and will always be ready to fight the other gods for you. (Even though I genuinely don’t know what kind of mess you’re getting into to be stirring up gods and stuff) But since he is a god, which you don’t like to take advantage of, you try to keep things to yourself to not feel bad about the extra leg and a half you have in life. Since he loves you so much though, he will get to the bottom of this issue himself if it really comes down to it. If you’re struggling at work, with a project, family and friends or you’re not feeling well in general, he’s sure to immediately attend to those issues. But that’s only after he cuddles you to pieces.

He does show major signs of being clingy, so when your feeling upset he’s wrapped around you all day like a sweater, until he’s convinced that you’re well enough for him to leave you on your own and go sort out those issues. He’s like a personal hero. A very clingy one.

🩷Uchiha Itachi 🩷

He’s not as clingy as Buddha is, but when he does see you feeling upset enough to start crying, he will baby you to death. He turns into a koala and will literally wrap his arms around you and never let go. Not until he’s 100% certain you’re okay. And even then, he might spend some time being extra close to you just to make himself feel better.

He’s very susceptible to depression and when he sees you crying, it triggers a deep somberness inside of him that he can’t explain, and he starts overthinking, growing terribly paranoid about you getting hurt or being in any other kind of situation that would make you cry. He doesn’t tears, nor does he like the sound of crying, especially coming from you. So now you experience a season of clingy, overprotective, extra soft Itachi.

Even if you’re only upset in the moment and soon recover and get over whatever mad you cry, he still can’t help but linger around you for a week or two, taking many days off of work or finishing earlier than usual. He bathes with you, cooks each of your meals throughout the day, helps you get ready for bed and tucks you in at night. He will even treat you to a story while scratching your back before bed, and holds you tighter than usual, throughout the entire night.

You know he has some kind of a problem since his behavior is definitely not normal, but if it helps him in any way, you’ll always allow him to treat you like and you also try to reciprocate the treatment to help him snap out of it sooner rather than later.

🩷Orochimaru 🩷

He’s usually the reason as to why you cry to begin with, which at first, he pretends he doesn’t care, immediately turning around to walk away from you so he doesn’t have to watch you break down. But over time, he does take an interest in your feelings. He just feels guilty sometimes and doesn’t know how to approach you.

He knows you love to cuddle though, so he will try to use that during times like this and invite you to come and spend time with him while he works. He’ll rub your back and hold you close to him as he walks around his home and might even suggest going for walks around the large base hand in hand. He went as far as nurturing a garden with his own hands for you two to walk through whenever he upset you like this.

He doesn’t make you cry on purpose. It’s never his intention to begin with, but it happens and when it does, he kind of hates himself for a while. But he’ll never mention it and hides his guilt quite well. He loves it when you lay on his chest sometimes and he can rub your back, and slowly feel you begin to calm down.

Sometimes the poor man gets so frustrated over the sight of tears flooding your eyes, he’ll gently smoosh you into his chest and wrap his arms around you and just hold you, petting your head and rubbing your back while he tries to hush you. It’s only when it gets to this point that he’ll mumble and apology while he’s hugging you. He doesn’t mind standing with you like this until you finally calm down.

🩷Geto Suguru 🩷

He sees you crying and you’re surprised to see a warm smile plastered on his face. “Oh babe, it’s okay”, he chuckles, pulling you close against him to hug you. He’s so good at making the situation seem less dire than it actually is and prefers to distract you from your problems than talk about them.

He will address whatever cause those tears to begin with at later stage, but tries to focus on getting you passed your balling. Sometimes he’ll pick you up and rub your back while you wrap your limps around him and cry into his shoulder. He coos at you and baby talks you while he rocks you in his arms.

After endless kisses against your forehead while he cradles you in his arms, the moment he feels like your breakdown is over, he’ll tickle you. He tickles you until you’re breathless with laughter and have long forgotten to cry. You can only run away from him, and you try your best to wriggle out of his hold, and then he’s after you and the chase builds up adrenaline inside of you that totally distracts you from whatever made you cry.

You end up having to play fight him until there’s a winner, which he freely gives over to you. Once’s it’s been established that you’ve won, he’ll reward you with taking you out to your favorite place and doesn’t mind stopping to get some popsicles with you. He’s a total sucker for you when he tries to make you feel better and will even let you ride his dragon with him, the two of you flying over the nearby ocean, laying on your backs ontop of rainbow dragon, enjoying the wind brushing against your skin while you suck on your popsicle.

It’s during peaceful moments like this that he’ll finally ask you why you were so upset and now you can tell him without feeling too depressed about it.

🩷 Kisame 🩷

He’s not good with tears. He doesn’t know what to do whenever you cry and will quietly separate himself from you when he sees you getting emotional. It’s never with negative intentions, it’s just very awkward for him. What does he say? What should he do? He’s never really seen an example of how to approach the situation.

I mean at least he understands that you’re clearly having a hard time, so he will try and get as many chores out of the way as possible and will work extra hard to ensure that you don’t have to do a single thing around the house. He does grow very quiet though and won’t say much when he does find himself within your vicinity.

If you ask him to shower with you or do anything for you, he will of course. And he heavily relies on instruction during this time or else he’ll just excuse himself. If you’re having an episode and he notices you’re crying almost everyday, he becomes a bit scarce and when he’s away from you he’s constantly stressed out. He really doesn’t know what to do. He’ll humbly ask another member of the org for advice when it gets that bad, and will only come home at night to tidy up the entire house to make sure you’re chore-less the next day.

It’s only when you vent to him with tears in your eyes about why he’s avoiding you does the thought come to him like a lightbulb that he should probably spend more time holding you. He’s trying his best though I mean his traumatizing past is all he got sometimes. But he kind of likes it when you cling to him and your crying goes from making him nervous, to making him feel needed and protective.

[alexdswfan]

Hange and Levi's first meeting in No Regrets and what it means to Levi

I'd like to talk about a scene in No Regrets that gets brought up sometimes by certain people in the fandom, which is Levi and Hange's first meeting, but I don't think fandom talks enough about the emotional impact this scene must've had on Levi, or why that first meeting is so important to him. This scene always manages to make me feel emotional no matter how many times I think about it, hence why it's my favourite part of the manga, because for the first time since Levi, Furlan and Isabel got in the Survey Corps, someone treated them with kindness and didn't look down on them.

The first thing we can notice from the way Hange approached them is how genuine and excited Hange is with what they achieved with the Titan, making sure to include them all in the achievement and not only Levi as seen here by how Isabel tells Hange that their group is amazing and Hange agreeing with her.

Hange is interested in getting to know more about Levi's strength, but it's in a way where they want to learn from him and get taught by him rather than in an idea of using his strength as a tool. By bringing the other Scouts in the conversation as seen below, Hange encourages Levi to teach them his tricks so they can all have better chances of survival and also kill Titans more efficiently from now on.

Hange wants to get to know Levi as a person first and foremost, which does impact Levi who hasn't really met anyone in the Survey Corps until that point to be interested in himself as a person and not just as a tool, and in his friends too as he's inseparable from them. Hange doesn't forget about them and even includes them in the conversation in their own easygoing way as seen in this panel.

Continuing on this idea, one of the most important parts of this scene is how Hange isn't only friendly with Levi, but they're friendly with Isabel and Furlan too, going so far as to give Isabel a treat for the start of their new friendship. It might not mean much, but for people who recently left the Underground where getting treats was probably a luxury or at best hard to come by, Hange's action will impact them far more than some people might realize. These three have constantly been called thugs or have been disrespected until they showed their technical prowess with Titans during their first expedition, so to see Hange push past that barrier by wanting a genuine friendship with them is such a contrast to the way they have been treated by the others all this time. And even when Levi is curt with Hange, they don't give up, inviting them all to a meal after the expedition is over, which shows how much Hange wants to get to know them better as people, and not only as soldiers skilled with ODM gear.

I think what impacted Levi the most out of that exchange wasn't necessarily that Hange was kind with him. It's definitely important, but when we know how much Levi cares about the ones he loves, how he values their lives much more than his own, it's that Hange was so kind with his friends that really impacted him the most, and I don't think fandom talks enough about it. How affected Levi must've been by Hange's sheer kindness without expecting anything in return from him in a world where that concept simply didn't exist. Levi was being kind with others, but this is the first time we see someone else that isn't part of his group be kind to him in return. I think what Hange did that day for him and his friends meant a lot more to Levi than we realize. Someone in the Survey Corps finally treated them as they should've always been treated, with respect and kindness and not with disdain or even coercion. And Hange isn't bothered by his refusal to communicate with them as seen by Furlan's reply here: "Anyway, Hange doesn't seem particularly bothered."

They respect his boundaries when Levi doesn't feel like answering since he doesn't want to get attached to new people (we know how that plan failed in retrospect, but he still tried), and that's because Hange doesn't try to force anything out of him. They tried and he didn't want to engage, that was fine with them, they'll still want to be his friend in the future regardless of Levi's answer. And I don't think fandom gives enough credit to Hange in this scene.

This scene will forever remain my favourite in No Regrets because it shows just how incredibly kind and friendly Hange was with Levi since the very beginning. Yes, this has to do with Hange's personality, that it's just like them to be attracted by the new outsiders or misfits and try to befriend them, but the important part is that someone at least tried. And it makes total sense how out of everyone we know, it had to be Hange to carry out that role. Someone caring as much about his friends as Levi simply cannot be hated by him. This scene actually destroys that claim even more, because by this definition, Levi would have to hate the first person in the Survey Corps to actually be friendly with his friends, the most important people in his life at that moment in time. It's again completely nonsensical to say that, and I do think the people who keep saying it either have forgotten this scene exists or they'd rather ignore it because it wasn't included in the OVA. But regardless of the reason, the fact remains this scene is part of the No Regrets manga and is important to delve even further into the relationship of Levi and Hange as it presents the blueprint of their relationship. Supportive and caring for each other until the very end.

Edit: I want to add that Levi definitely felt suspicious towards Hange's kindness at first since genuine kindness doesn't exist in his world. Coming from the Underground, he has all the reasons to be suspicious of Hange (as people have pointed it out in the reblogs). That being said, Hange's intention was to be friendly with him without wanting anything in return from that friendship, and I do think Levi was more appreciative of the whole exchange later in time when he got to learn Hange better. I struggle to say that someone who later in the story becomes one of his closest friends tried to be manipulative with him at the beginning of their relationship like the man with glasses from Bad Boy. Levi would never try to befriend such a person in my opinion. But we all know how their relationship grew instead, where their communication skills are beyond anything we've seen in the manga, so in the end, Hange's intention of becoming his friend proved to be genuine despite Levi's first suspicions. Therefore, I respectfully disagree with the interpretation brought forward in the comments that Hange might've been manipulative with Levi and his friends. Hange has no reason to manipulate them. Let's all remember Hange has no clue whatsoever about the subject Levi, Furlan and Isabel discuss beforehand. They're only interested in the group's prowess and efficiency at fighting Titans, and then later in them as people since they're open to a more meaningful friendship with them three. Someone manipulative wouldn't have cared about being friends with them afterwards.

[hollowed-theory-hall]

Love the posts on Harry’s mischaracterisation!! It’s soo soothing to come across Harry appreciation!

How infuriating is it that everything he does, particularly his successful defeat of Voldemort, hinges on Hermione’s guidance. Fic writers out here writing smack like without her, the trio would’ve been lost and aimless. Or how Hermione’s spell repertoire kept Harry alive throughout school. Uhm, ex-bloody-cuse me? And then some fics go to the extremes of even making Harry a pliable weakling who can’t think for himself or make him apologise for coming off as self-righteous and prejudiced against the racist party? 🙄

Honestly, it’s seems less like terrible reading comprehension and more of extreme bias for their fav character, who is definitely so not Harry, and some blatant dislike of him instead. You never see the titular character so severely undervalued and made fun of in other series smh.

Thank you so much! 😊

Harry is my favorite and I can't get how people can dislike him so much after reading the books.

Now, I don't want to put down Hermione. Her spell repertoire and tendency to plan ahead did save their lives multiple times. Ron, also, had his share of clever heroic moments and he got to save the trio's lives too. And so did Harry. All three of them are smart, talented, and capable wizards in their own right. Like, the entire Golden Trio are not average and it's shown to be so repeatedly.

But, Harry is special. He is the main character and the chosen one for a reason. While Ron and Hermione are smart and talented, they don't have Harry's sheer magical talent that's on par with characters like Voldemort and Dumbledore.

Honestly, I find the weak-willed passive Harry more offensive than the unintelligent or magically inept one. Harry is so smart, but one of the most defining aspects of his character is his iron will and strength of character. It's a big aspect of what makes him special. what makes him the main hero. I mean, there's a reason he can naturally resist the Imperius. Harry James Potter is so strong. He goes through so much and is such a good person anyway. He's willing to stand up and keep fighting against impossible odds, and honestly, book!Harry is an inspirational character. There's a lot you can learn from him and aspire to (not everything, but his resilience is truly something to behold).

That being said, I don't think this is unique to Harry Potter (Ron bashing which often mischaracterizes him, for example) or the HP fandom as a whole.

I used to be a huge Percy Jackson fan (I kinda hate everything past the Last Olympian, HOO was not to my liking at all, but I digress). And from what I remember in fics and the PJO fandom when I was there (I think it's worse now, from the bits I see on occasion), it had just as much of a problem as the Harry Potter fandom does. Fanon often portrayed Percy as stupid, or this kind of sunshine character, when he really isn't. Fans complained back when House of Hades came out that Percy was OOC for chocking a goddess with her own blood, and I was sitting there, like, this is the guy that turned his abusive stepdad to stone with Medusa's head when he was 12 — are we really talking about the same character?

Percy in the first 5 books was clever, witty, genuinely funny, but also really bitter. He had loads of spite in him but he also genuinely cared about people and was incredibly loyal to his loved ones. The fandom, just turned him into a happy-go-lucky funny guy who can't get out of a paper bag without Annabeth (the smart love interest). And it infuriated me there too because I liked canon Percy.

I was also, a huge Gravity Falls fan (still am, actually, even if I'm not as hyper-fixated as I was in 2015). When I was in high school, I was in the Gravity Falls cipher-breaking trenches. I was analyzing that show frame by frame and spoiled all the plot twists to my irl friends because I saw the clues (such as predicting who's the author and the stan twins situation after s1 ep19). I actually predicted a good chunk of what's written in the Book of Bill that came out this year with the Bill Cipher psychological analysis I wrote when I was 15. (I feel so vindicated about that. I sent a bunch of quotes from the book to those same irl friends who thought I was overthinking Bill and the finale captioned: "I told you so").

Point is, the main characters of Gravity Falls (Dipper and Mabel) got so mischaracterized by fandom and fics back in the day.

Dipper was often pigeonholed as a goody-two-shoes awkward smart-guy nerd and fans complained he was OOC when he acted more vindictive in season 2, when, in fact, Dipper was always vindictive and could hold a mean grudge. (Dipper Pines, s1 ep8: "Revenge is underrated, that felt awesome!"). Dipper isn't a typical smart-guy character, yes, he's nerdy and clever and socially awkward, but he's also incredibly brave and determined. Honestly, Dipper's determination is his most defining trait, not his intelligence or intellect (which is sometimes more preformative, s2 ep7: "Sometimes I use big words and I don't actually know what they mean, I mean, I'm supposed to be the smart guy"), but I digress.

Mabel was the fandom's punching back around the finale of season 2 and the fandom treated her like a selfish horrible person for acting like a twelve-year-old girl who loves her brother. They made her out to be some kind of awful monstrous person when Mabel is one of the sweetest characters in media ever. She makes mistakes, she is a little selfish at times, but she truly cares about being a good person, about doing good and making people's lives better. Hell her worst confession was her feeling guilty about not loving all her stuffed animals equally and the fandom still called her evil. She also owns up to her mistakes, which is more than many people can say.

So, really, this disdain for the main characters and mischaracterization of them isn't new or unique to the HP fandom. I think it's been part of literature analysis since human literature existed if I'm being honest. It just feels worse now because everyone with an opinion has an internet connection and social media amplifies a lot of bad takes (but also a lot of good takes!). But, yeah, this is a prevalent fandom thing, but it isn't just the HP fandom.

As I said many times before, write and read whatever fanon content you feel like, have fun, but canon exists, and sometimes, canon is better.

[cringefailvox]

my ultimate fantasy for hazbin s2 is a reveal of something in alastor's past that he can't explain away or justify, something genuinely morally reprehensible, and he and the other residents of the hotel have to navigate around each other with the renewed sense of "right, he's actually a bad guy."

i feel like the show and the fandom both sometimes forget that alastor is actually legitimately morally corrupt because he's superficially nice and abides by certain rules and social mores. but he like, does murder people. that's a real thing that he does.

i feel like he can get woobified a little and portrayed as like, a byronic hero who's always actually in the right but judged and misunderstood. there's an element of truth to that, but he's mostly a selfish and cruel person who does awful things because he doesn't care.

it would be personally EXTREMELY satisfying to see him face real consequences for the way he treats people, especially from the hotel that he seems to have grown to care about. fuck that deer UP!!!

REAL AND TRUE. it's always interesting to me the way murder is evaluated in fandom next to like, sexual assault, as being the more redeemable crime somehow, which i think is quite evident in the way people talk about alastor vs valentino -- neither of these characters is remorseful or even particularly in a hurry to justify the horrendous things they do, and yet i've noticed a general tendency towards letting alastor off the hook for the serial killing but not budging on the line that val is irredeemable. and like, ofc with the caveat that this is fiction and neither of them are real, but it's interesting sometimes how people measure crimes with a value system predicated on distance, where serial killers are so removed from the average person that it's nearly outlandish, definitely a spectacle, but sexual assault is real and immediate in a way that hits people harder. there's also the matter that alastor is part of the main cast and val is a secondary antagonist -- but anyway this is getting off topic from what you were asking

i absolutely agree that i'm excited to see the show really begin to grapple with the ethics of the main cast, esp alastor, because it's like. we know he's a terrible person. the gang knows he's a terrible person. but it really comes back to the bit in episode five, when lucifer (rightly, in this case, but unhelpfully) points out that alastor represents all the worst things about sinners, that he epitomizes everything lucifer loathes about hell, and charlie's response pivots neatly away from that ethical problem: "he's defending this hotel. it might be a bit more sadistic than i'd hoped, but he's doing it for me." alastor can be as morally bankrupt as he wants so long as it's in the service of a cause that charlie perceives as good

this actually makes perfect sense for charlie's character and it's sooo fascinating. she doesn't actually seem to care about how horrific everyone in hell behaves all the time -- what she cares about is those people dying en masse without any value judgment from heaven, she's affronted that it's all numbers to them, she really seems like she's only spearheading this redemption program because she thinks it'll bring down overpopulation and stop heaven, not because she was genuinely bothered by the rampant sin before. "happy day in hell" is all about how much she loves hell and keeps putting an optimistic spin on all the property damage and cannibalism and public bdsm. she doesn't care about alastor being evil because he's not her redemption poster child, but she DOES care about angel getting into turf wars and doing drugs in the hotel because it reflects badly on her. girl i need to see your personal ethics and values get cracked the fuck open so bad