#it has been a super long time i know

[jedivszombie]

I got a notification you posted and honestly had to do a double take if it was really you omg

Lime! Hello! Yes, it really is me ✌🏻👋🏻

I hope you're well my friend!

[egophiliac]

still ruminating over Lost In the Book With Spooky Skeletons Part 1, so here's a selection of some of my favorite little bits! (...some more loosely paraphrased than others) (I just feel like Idia has no room to criticize in general, okay)

anyway, I'm sure we're just going to have a fun time celebrating Halloween and nothing bad is going to happen whatsoever! :)

[daily-odile]

AUGH I’d love to see more time looping odile if possible,,,,, how do you think she’d like; “devolve” over each of the acts as compared to Siffrin over time :O

ok im gonna be honest i did like portrait edits months ago and just never finished them. so here you go

act 3:

act 5:

[forgettable-au]

You guys don't yet comprehend the mess I made to make the undertale timeline make sense in this AU LMAO😭😭😭but you'll find out soon enough.......

But like....what was I supposed to do? The timeline makes no sense to begin with.....

[canon-gabriel-quotes]

Transcript:

I'd like to congratulate you on getting your CPR certification.

Now remember, when you’re going in for compressions, it should sound like somebody is standing behind you with the worlds largest Dorito and cracking it open!

Go in firm and hard and snap as many ribs as you can on the way down, that means you’re doing it right.

You save that life. Good luck.

Or... Or... Or kill them, I don’t fucking care.

Audio source

[shurup-overt]

the terukane development still blows off my mind because what do you mean akane considers himself telling teru to go away while he's on a date with aoi an ooc thing. I grew up in a time when "hearing sorry from you is creepy" was legit his most normal and calmest response

ashamed to admit but I'm still there. my mind is still there. and then I watch in pure horror how akane caresses teru's back

[senselessalchemist]

officially summer or something

[ganondoodle]

okay, bc i have seen this argument alot now (and it also seems to be the view point of aonuma himself..) is that "zelda cant do everything link does bc whats the point then"

and i take personal offense on that bc its a stupid argument (in. my. very. personal. opinion.- not judging people for liking it. its a ME thing)

whats the point? its that its her. its still a different character, different in story, background, personality, but i WANT to play zelda and she can do everything link does, why does she have to be so restricted and be bend over backwards to find some new way to make her 'useful' when link gets to do basically everything no questions asked (the only thing thats hers is like .. sealing power and sacrificial maiden, which i find a little underwhelming to say the least), if theres no point to it why are there always modders that model swap link with someone else, and in that case it has even less impact bc its an artificial model swap with no changes to the story (which can and should still be different when its the vanilla game with a different protagonist... its still a different character), clearly theres joy in just the model being a different one- and that isnt even to mention the story possibilities, since, again, its stil a different character

if we ever (never ... i know who we are talking about here) get to play as ganondorf i want to him to be just as versatile and active as link is, if we got a point and click adventure game for him instead bc 'whats the point' id be disappointed too- you can find any sort of excuse/explanation for zelda to be singled out but the fact remains it tracks with how female characters are often treated, and that hits a very sore spot for me

i guess i am unfortunately one of those annoying people that want to see female characters be treated exactly the same as male characters, possibly bc i am myself afab but identify as agender and have a deeply personal dislike for anything 'traditional' feminine bc i cannot and never will be able to truly live as myself in real life, it influences all of my work, my work is as just as much as my opinion on this, very personal

and in line with my point about modding, i see theres joy in just beign able to play as her even if its like this, i get that, i also get it for the creative aspect (though that mechanic worries me even more for the future bc it really seems to be the path now that -freedom = good, linear anything = bad-) it is a different idea and its not like i cant see that value- im not trying be "right" either, just bc i have that opinion doesnt mean i need everyone to agree, its a very personal thing, if you like it good for you! not for me though, and i think both of that is equally valid

i just personally wish she was allowed to be just like link, fight just like him but be different bc its still her and not him in the end- to be physically/playstyle like jsut like him, but you know ... as her, i dont think shed stop being zelda if she could wield a sword just like him

i dont really know how to get my point/feelings across, i dont want to step too much into personal stuff nor spam people with something that ultimately doesnt interest me alot, im just saddened by it really

(EDIT: bc i forgot to add this on here again; this isnt as much of a problem as it might sound like here, just the main topic i wanted to talk about; why im so uninterested in it is MAINLY bc i dont trust them to write anything interesting/care about lore anymore after totk, im always on the more pessimistic side that thinks its most likely worse than id hope and i know even the past games arent perfect or super interestingly written, but now its much more just a general distrust, together with everything like the price ... im just much less hopeful and cant get excited until i see more of it, like im waiting for the game to get out and reveal that its just as much of a mess and money i regret spending- kind of fear)

[pardonmydelays]

RENT ESSAY PLEASE

VIVA LA VIE BOHEME!

oh, rent is literally one of my favourite musicals ever and i already saw four versions of it if i'm correct - the movie, broadway production with renee elise goldsberry, stage production with jordan fisher (because you all know i love this guy) and this one, our polish production. and honestly, this one was my absolute favourite, even if it wasn't the best one.

here's what i mean: the thing about musical theatre is that even if you love the original version with all your heart experiencing it live is just... on another level. it's different, it's better, because you're there in person. i think it's worth noting that i also saw tick tick boom last year, so two musicals composed by one and only jonathan larson in 2024 (and he is one of my favourite composers and his art means so much to me if you can't tell). it's crazy when you think about it. also, the fact that i could do this with my bestest friend in the world means absolutely everything to me.

i know i am always repeating myself, but damn, our polish cast was literally incredible (especially the actors who played mimi, angel and maureen - so vocally maureen was the best, but those three were my favourites). the entire cast was amazing tho, and the thing i already discussed with bel - i am usually not the biggest fan of mark, but damn, our polish mark was just great (i also loved his outfit).

the thing about outfits! i remember some kids who were sitting behind us were discussing the... bad and confusing choice of their clothes? but...? personally i think they did a great job here because i could recognize every single character as soon as i saw them for the first time on this stage and that says a lot, so where's the lie? (they had a lot of incorrect opinions tho and i just wanted them to shut tf up)

the choreography... ahh. i honestly have shivers when i think about it now. like i said, the entire cast was absolutely incredible, not only vocally, but DAMN THEY KNOW HOW TO DANCE. AND ACT. and this is the magic of live theatre - it's something you can only feel when you're there, seeing it on the screen is just a totally different experience. suddenly you start noticing things you have not seen before, and this is also what i want to talk about.

those of you who decided to read this essay probably know that musical theatre is a serious thing to me and i DO NOT engage with it because i want to be entertained - i do it because i'm looking for the truth, the message, for something that will change my life. and very often seeing it live changes my perspective completely - i suddenly find a whole different meaning, different things speak to me. so here's what happened: during another day (probably my favourite song from this production) i realized that this is literally the message i've been searching for. there is no future, there is no past, i live this moment as my last. this quote has been haunting me ever since. cause rent is not just about community, finding family in complete strangers, it's also about living your life like there's no tomorrow. much to think about.

i think rent hits the most when you're familiar with tick tick boom and jonathan larson's story. the funniest thing is that at the very end of it they literally showed a picture of jon and bel and i were the only people there who started screaming. what the hell. why are you even there if not for jonathan, people.

i seriously had the time of my life and i know for sure that i'll be back one day. amazing, beautiful, a little chaotic (just like this essay), but overall absolutely life changing. can't wait to see it again.

[marimbles]

i miss carpisuns sometimes </3

[gouinisme]

idk if it's fair to blame the chronically online brain (or the expectation thereof from writers) for recent movies being as subtle as a sledgehammer to the temple but i will either way. first the substance and now mickey 17 seem to have absolutely no faith in their audience's comprehension skills and just, hand you the metaphor and then make sure you got it about 80 billion times. maybe it's good to have such an obvious message in these times, especially given people's habit to interpret satirical characters as role models, but when your main antagonist looks about 2 foundation shades away from an snl trump impression it feels like you're just making bad art

[statementlou]

hello :) could you maybe explain a little bit how dan wootton blackmailed louis?

ugh sorry for taking a while to get to this. The problem is I feel like the only two ways to answer this are by spending a week and a half of full time labor sifting through old posts and evidence to get every detail right and lay out an airtight case, or to halfass something very serious, and so I felt a little stuck. So since I can't seem to find a good halfway point, apologies but here is the half assed version, if you want to get into it more I invite you to do your own deep dive or talk to other people, but here's how I remember things. Louis has almost never on video explicitly said things about Larry not being real and/or anything negative about fans and their theories (mostly the opposite), up until the last couple years when he obviously decided to make a major change he didn't talk about Freddie much at all let alone saying he was his kid, honestly not that much about Eleanor even; except for in two major interviews with Dan Wootton, each of which lined up with a serious traumatic Tomlinson family event that they managed to keep out of the tabloids until the very end (Jay's illness and Fizzy's struggles with substance abuse). After the fact of those events a lot of small things that didn't make sense at the time came together to look very much like Louis traded those interviews (and those answers) for having his family's private matters kept private. Story trading of this kind is a publicly known real thing that happens, and there were various clues that suggested he was being leaned on about those stories to lend legitimacy to the idea that it was something that happened in these cases. Given what we know about Dan Wootton and how he operates even before the recent flood of information and even more now, I think it's more than likely that he has been holding the threat of outing Louis (as he has done to many other public figures) over his head for over a decade, and has used his family's tragic struggles to get Louis to dance like a fucking puppet for him and I will REJOICE at his downfall when it comes whether it is now or 20 years from now... because someday it will, he has made too many enemies to stay above it forever

[somethingsomethingcomic]

gay and stupid

[vongulli]

HELLO ONE PIECE WATCHER are u obsessed yet

YAYA ITS SO AWESOME GAHH IM SO INVESTED 😭!!!! i actually just caught up in the manga to where i am in the anime!! (on ep 81, and on chapter 134!!!) i've shed lots of tears, laughed, and had my heart touched many times since starting it- i'm totally in love!!! I even cried at the same places i did while watching it when reading manga, ahaha!!!

the characters, the world, the designs, the dreams and ambitions everyone has is SOOOSOSO fun and like, inspiring.. just so good-feeling, i'll even wake up and be like "man, can't wait to watch/read one piece today"

the friendships/bonds created between everyone feels like, so strong- its really beautiful! I love how much fun the fights are, and i really adore the small moments between everyone (like when sanji brings out foods/drinks and everyone kinda just, chills and eats?? the food component of things feels so important too, I love seeing what they eat, idk why haha!!!)

i feel like other shows i love don't have enough time to just see everyone hanging out... it makes me so happy, im really thankful for those moments

also i would take a bullet for any of the strawhats in miliseconds!!! an instant!!!! anything for them!!

[gu6chan]

work related question does anyone have any fun anime for likely 12-14 year olds that to their ulta-conservative conspiracy theory parents would have no objectionable content whatsoever that's not like . pokemon. i live in the most conservative area in michigan btw /hj

[sorrinslays]

Gepard-Sampo confrontation

Roleswap AU

Gepard is running. That, in it of itself, is not rare. He's used to running. Either from people he stole from or the Silvermane Guards. Sampo Koski, the Captain of the Silvermane Guards, is chasing him. That isn't unusual either.

What is unusual, is that the blonde is panting and struggling to keep going. That is strange. For whatever reason, the Captain is much more determined to catch him. They've been running around for almost six hours with no breaks and, from the looks of it, the blue-haired man can keep going for at least another hour.

That is Unusual. Capital U.

Usually, after an hour or two, Sampo loses him in a chase. Or he gets distracted by other matters. Not today though.

And it's making the thief wonder, what the hell did he do for the Captain to be on his ass this ferociously?! Did he pickpocket from a friend of his? No, that can't be right. Gepard is always mindful to avoid messing with soldiers or any acquaintances of Sampo's. Did he offend the little girls that hover around Sampo at some point? They did come to him the other day asking to play...

Shit, is the Captain hunting him down like some kind of prey because he refused to play hide and seek with them?!?!

This is bad. He's going to get arrested after ten years because he refused to play hide and seek with some toddlers. Is this really how Gepard Landau's story ends?

Too lost in his thoughts, the thief trips, resulting in a crash on the pavement. He can hear playful whistling behind him and it doesn't take a genius to figure out who's humming a tune. "Well hello there Geppie!" a very aggravating voice calls out, chuckling.

Groaning, the blonde gets up, a frown on his face and his ears red. He doesn't grace the Captain with a response as he continues trying to even out his breathing.

"Aw, not even a hello?" this grown ass man fucking pouts, batting his eyelashes and making embarrassing faces. Yet, he's not making any attempts to arrest the thief. Why?

"You're not arresting me," Gepard points out, earning a raised eyebrow.

"Excellent deduction skills Geppie," the jade-eyed man chuckles, "could've mistaken you for a Silvermane."

Ignoring the other's comments, "why?" the thief asks simply.

"Straight to business, eh?" the Captain smiles, "I can work with that," he starts walking towards the other, "I have a deal for you, dearest Landau. One that I think you simply cannot refuse."

The blue-eyed man frowns at that. "Why would the Captain of the Silvermane Guards want to make a deal with someone like me?" he asks.

Sampo tilts his head at that, walking even closer. It feels as though he's circling his prey. "You know the newcomers?" he asks. "What are the names again...?" he hums in thought, clicking his tongue. "May 11th? Dan Feng?"

"March 7th, Dan Heng and the Trailblazer," the blonde answers. "What about them?"

"The supreme guardian just assigned them as criminals," the Captain comments. He keeps his eyes on Gepard, as if waiting for a specific reaction.

"Criminals?" the thief repeats, "why?" he asks. They seemed like good people...

"She accused the three of plotting against her," the jade-eyed man shrugs.

His choice of words is weird. Sampo is smart, especially with words. So there must be a reason behind this odd phrasing. "Why are you telling me all this?" the blue-eyed man asks.

Whatever reaction the Captain was looking for, he must've found it, because he smiles wide, all teeth. "Seele is sent to arrest them tomorrow first thing in the morning," he says, "they are gonna ambush them outside the hotel they are staying at right this second."

Gepard's frown gets deeper as he asks once more, "this is interesting and all, but, again, why are you telling me all this?"

"I need you to take them to the Underworld," the Captain says bluntly.

What.

"What?" the thief asks, "I don't know if you know, but the Underground has been sealed for ten years."

"And that's where my end of the deal comes into play!" Sampo beams, "I'll show you a secret passage to enter the Underworld, without anyone knowing, and in return I need you to guide those three in the Underworld!"

To say Gepard is stunned would be an understatement. "...Secret passage?" he asks with a shaky voice. Those exist? All this time, he could've sneaked off to find his sisters again?

"Yup!" the jade-eyed man popes the 'p'. "Got a couple of those," he answers, "and I'm willing to share one of them. Let's call it an, ah, secret. Just between us, okay, Gep?"

The thief feels tears build up, his vision slightly blurry. It's so overwhelming. He'll be able to see his sisters again. After ten years. All thanks to a guy that is supposed to be arresting him.

"Aw," the other man coos, "don't cry Geppie," he smiles sweetly as he wipes again the tears with his thumbs. All while avoiding touching Gepard as much as possible. "What do ya say?" he asks.

"You've got yourself a deal," the tears are replaced by a look of determination.

Sampo's smile widened, like a cat that caught the canary.

After the "meeting" with the Captain yesterday, Gepard found himself near Goethe Hotel, hiding in one of the numerous alley ways. He is peaking at the main street while the other man is leaning against the wall with a cigarette in his hands, smiling lazily.

"Why are we sitting here?" the blue-eyed man asks, "shouldn't we go and get them before the guards do?"

"And risk being seen with them?" the jade-eyed man raises an eyebrow, "there's no way we can sneak past the guards right now, not to mention the normal folks that are hanging out there."

Frowning, the thief huffs, "then are we doing here?" he eyes the other, who takes a drag out his cigarette. "What's your plan?"

Sampo just smiles, walking over to the other. "We're here," he pauses for a moment for dramatic effect, "to wait for a scene."

Gepard's frown deepens, "what do you-"

The Captain cuts him off, "there it is," he narrows his eyes at the sight just outside the alleyway.

Turning his gaze to where Sampo is looking, he is met with a surprising scene. There, the trailblazers are being led to Qlipoth Fort by some guards. Seele, the commander of the Silvermane Guards, is behind them in the distance. Next to her is Luka, the Intellegence Officer of the Silvermane Guards.

"We should help them," the thief turns back towards the other.

"Not yet," the Captain hums. As he says that, the grey-haired outsider hits one of the guards with their bat before all three of them turn to an alley that is full of fragmentum.

Gepard is about to say something, urge the other to help the outsiders. The jade-eyed man beats him to it, saying, "let's go."

The duo keeps up with the outsiders, making sure to stay hidden from the guards. Soon, Seele separates from the other soldiers and finds the trailblazers.

The commander attacks the outsiders, and the thief turns towards the Captain, "they aren't going to win this," he states, "we need to do something, now."

Sampo's eyes narrow and he takes something out of his pocket. Is that...?

"Is this a bomb?!" the blue-eyed man whisper-yells, "what are you thinking?!"

The jade-eyed man just chuckles, ignoring the other as he lights three small bombs and sends them towards the heated battle.

Immediately, smoke erupts, and a small part of Gepard's mind sighs in relief. The others are coughing and covering their faces as the Captain casually enters the smoke-filled area, completely unaffected.

"I apologize for the interruption!" Sampo says, no hint of struggling to take a breath like the others around him. "But Sampo is not one to turn his back to friends in need. I say what I mean and I mean what I say."

Just as he finishes his little speech, the Trailblazer, the last one conscious, passes out and slowly the smoke dispenses. When the cost is clear, Gepard walks over to the Captain, seeing him pick up Dan Heng and Seele.

As the thief watches Sampo work, an uncomfortable feeling creeps up his spine. He can outrun Gepard and he had smoke bombs with sleeping gas for Qlipoth's sake! For the better part of a decade, he could catch the thief anytime and he just. Chose not to.

Too lost in thought, he didn't noticing the jade-eyed man walk over to him. He jolts violently when he hears the other's voice again, "come on, pretty boy, pick up the other two for me."

Dumbly, the blue-eyed man nods, doing as told. Before he realizes something. "You're taking the commander too?!" he asks, a panicked expression on his face.

"Yup!" Sampo says, popping the 'p' as he starts walking away. Hurrying to catch up with him, Gepard holds the trailblazer and March 7th tighter. "She deserves a change of scenery, don't ya think?"

The thief remains silent, following the other as they pass through never ending alleyways, avoiding all guards. Soon, they are in some sort of tunnel, opened by a manhole cover. And while he knows that he should be paying attention to his surroundings, the blonde can't help but try and make sense of the other's 'plan'.

The Underworld was pretty underprivileged, especially compared to the Overworld. He and his siblings came to realize that when they moved there for the sake of cheaper rent. And, technically speaking, Seele has never really seen the Underworld.

So the jade-eyed man taking the commander there while also saving the criminals from the law does make sense. But what then? Best case scenario Seele manages to go back up and everything goes back to normal and worst case she never gets back and a new commander is selected.

So, again, what is the bluenette's plan? And also why is he actively helping criminals (including Gepard)?

"Ask away," the Captain suddenly says, jolting the other right out of his thoughts.

"What?" the thief frowns, readjusting his hold on the two people he's holding. They take a left turn, he notes.

Sampo chuckles, "you're not good at hiding your thoughts Geppie," he teases, "I can practically hear your thoughts."

Glancing at the man who is walking a few steps ahead, Gepard shakes his head and starts walking a bit faster. "Why are you doing this?"

"I'm doing a lot of things right now, Gep," the jade-eyed man smiles, "ya gotta be more specific."

The blonde can't help but frown more, "you know what I mean," he weakly defends, "why are you helping them? And why did you bring Seele with you?" after a small pause, he decides to ask, "why are you helping me?"

The bluenette shrugs at that, "they're not bad people," he states, "and while in the past I might've listened to Natasha no questions asked, her recent orders are..." he hums in thought before shaking his head. "Either way, this one has been staring at the moon so much she has missed the butterflies, don't you think?" he asks, pointing with his head towards the unconscious Seele.

"You are making zero sense right now, just so you know," the blue-eyed man informs the other, "I genuinely don't know how your guards tolerate or even understand you."

The Captain just laughs once more, "where's the fun in making sense?" he asks, although it's obvious he isn't expecting an answer. "As for you," he shifts the topic, "I wouldn't say I'm helping you as much as I'm making profit, you know? You can do what I need you to and I have something you want. A fair deal, really."

Frown deepening, the thief speaks once more. "But what's your plan after this?" he asks, "what is the purpose behind all of this? Do you even have a plan?"

"Would you look at that!" Sampo exclaims, "we're here!" he smiles, "now, just head to Cocolia's clinic, I'm sure you know her, her new clinic is in the center of Boulder Town, a man named Peak is gonna come and help you," he explains, setting Seele and the Trailblazer down, "now I gotta run before Natasha looks for me! Bye Geppie, good luck!" he blows a kiss as he leaves.

Needless to say Gepard is very confused.