#it does make me sad that they've died though...

[irishmammonagenda]

Death is a Debatable Thing-Obey Me x Reader

Summary: MC died 😱 and reincarnated as an angel, as per usual; chaos ensues. Word Count: 6.9k Warnings: Mention of Death, Cursing, Torture (mentioned, no torture happens) Michael is featured heavily in this, I just made up a personality for him, I don't play NB a lot (it makes me too sad) and I think he shows up there so if this is different to how he's portrayed there then L for me. Everyone except Luke was written as and can be read as Romantic(/platonic if you prefer)You can read Michael as Romantic, but I wrote him more Platonically.

post dividers from @saradika-graphics on tumblr (their dividers r really cool check them out if u havent fr (sorry for tagging you btw i just wanted to give credit)

"Absolutely not." You say, looking at your new found wings. "I did not die just to be reincarnated with the ugliest clothing I've ever seen."

"Would you have preferred to have been reincarnated as bare as Eve was in Eden?" The man you'd come to know as Michael. His dark skin shone in the blessed light of the celestial realm, his thick curly hair was pinned back in such a delicate fashion you wanted to unpin all the ornaments in it. Your fingers twitched at your sides.

"Isn't that against modesty rules or something...?" You paused, Simeon was an angel, he essentially had his ass out at all times anyway. Whore.

Michael stares at you weirdly, before playing with one of the loose strands of his hair, pulling the tight coil until it was completely straight before letting go and letting it spring back up again. Now you really wanted to mess up his hair. Just to annoy him.

"So anyway..." You start, sitting on a cloud that you fall through. For a moment you think you're about to pull a Lucifer and fall through the sky, but you manage to grab onto something and pull yourself up. That something is Michael's ankle and he's laughing at you, wiping a tear from ruby red eyes that shine just like that of his fallen brother.

"Stop laughing at me! Anyway, when can i go to the Devildom?" You inquire, watching Michael's face turn stern. He glares down at where you're lying, still gripping his ankle

"You're not returning to the Devildom anytime soon." He says sharply.

Your breath hitches. "Why not?! I have to let the brothers and Dia and Barbs and Sol and everyone else know I didn't die!"

"You did die. Why do you think you're an angel." Michael sighs, "and no. You're not letting them know you've returned."

"Why not?!" You repeat, outraged. "No offence though MC, but you´ve just died." "So?" You reply with indignation. "So," Michael says in a mocking tone, pitching his deep voice up high before letting it fall down the octaves once more. "You're barely able to walk on clouds or do anything yet. Letting you down to the Devildom is the equivalent of sending a baby bird into a den of lions."

"But...they'd protect me." You said softly, Michael's tone softens as well, laying a gentle hand on your shoulder.

"They'd also over-protect you, they've just lost you. I don't think you're ready for that smothering just after your death."

You nod. Michael's soft expression turns devious, "Plus, this way, you have plenty of time to think about how youre going to scare my broth-...the brothers and everyone else whilst proving you're alive...well an angel..."

You grin too. "Amazing point Mr Michael."

He plays with his golden locks again, an idiosyncracy. "Anytime" He grins before beginning to walk again, you grab onto his ankle tighter. "Oh and Mc?"

"Yeah?"

"Call me Mr Michael again and I'm shaving all you hair off. And trust me. Angel hair does not grow back." He smiles evilly. You shudder.

Well it turns out Michael is a fucking liar.

After being a little bit too bored during your second month of being an angel and first month of learning not to fall through the clouds in Michael's private garden that consists purely of clouds and a singular harp he stole from some poor Irish Deity, you go bored and snipped your unnaturally long angel hair up to your waist. You didn't want to go too short just yet.

In the time frame of a week you learnt two things.

One: Angel hair does grow back, maybe a tiny bit faster than human hair, and Two, Michael was babysitting the harp. Turns out the Deity was called the Dagda and he was visiting France on holidays for some reason, poor man, having to go to France and deal with all the French People there. Turns out he left the harp in Michael's hands, something about Fomoranians not being smart enough to see this one coming.

You just nodded and slowly backed away. Michaels red eyes followed you. He and Lucifer had to be twins.

Another day passed. The more you thought about it, the more Michael and Lucifer had to be twins. After having cut your hair to just below your shoulders, you found a piece of unnecessarily fancy parchment paper and a quill on Michael's desk

Holding the black quill in your hands you felt a sense of familiarity wash over you. Was that?....

No fucking way.

Michael was using one of Lucifer's feathers as a quill. You cackled.

After much deliberation you'd realised you could not write with a quill, but also that you were very good at ripping paper and making blotches of ink on said paper with a quill.

You decided to snoop in Michael's desk for a pen, instead you found a drawer titled, 'LUKE ONLY' in cursive letters, the label was stuck to the drawer so obviously you opened it.

Colouring books, letters written by Luke from the Devildom, Report Cards, Crayons, Drawings, and a pack of stickers were left in the drawer, a notepad lay next to it, Michael's cursive handwriting all over it 'Activities to do', it had things like 'Bowling' and 'Baking' and 'Gardening' and 'Teach him how to knit' and 'Arts and Crafts' and 'Prank Jesus' and 'Take him to Human Realm Cinema' and and anything else really. You cooed, your ivory wings rustling happily.

You grabbed a crayon and began to write.

WHY MICHAEL AND LUCI ARE TWINS one; same eyes two; both evil three; both hot four; satan is basically luci's son if you think about it and michael has blond hair too, if luci and michael are twins that means that blond hair is in the gene pool and thats how satn has blond hair even though luci has black hair five; both like wearing dramatic cape coat things six; both of them baby luke seven; they ha

"What are you doing?" Michael asks, startling you, and ruining your next point of 'they have hands', "Why is my drawer open?" He grabs the parchment from you, reads it and bellows out in laughter.

"We are twins you could've asked." He smiled, "also put the crayon back thats Red and Luke likes colouring in Teddy Bears red."

"Yessir."

You were a master conspiracy theorist.

In the end, you and Michael had decided on visiting the Devildom for 'diplomatic' reasons, but upon seeing the glint in his eyes it was probably more for 'dicklomatic' reasons seeing as he's an utter dickhead.

You had a veil covering your face, seeing as you were still kind of legally and widely believed to be dead.

You know, the usual.

You walked behind Michael, attempting to kick at the back of his knees, it never worked sadly. You took a deep breath as you reached the RAD council room doors.

Michael grabs you by your shoulders whispering into your ear. "Now remember MC im going to use you as a bargaining tool, so keep that veil on till i say so, got it?" He grins.

You nod, knowing that 'bargaining tool' in Michaelish translates to 'im bored and want to see a dramatic reunion'

Michael opens the doors.

You walk in with him but stand at the door awkwardly, steeling yourself so you don't immediately run into any of your idiots' arms.

Luke apparently had the same idea, as when he saw Michael, he let out a happy 'yip!' kind of sound similar to a puppy's and then ran from where he stood beside Simeon and Solomon into the Archangel's arms.

Michael catches him happily, petting his head as the young angel nuzzles into his hair, blabbering on about who knows what. Asmo takes a photo of it, everyone else stares with varying levels of fondness, awkwardness and 'meh'.

Sadly for you however, once Simeon is done greeting Michael, and Michael is now distracted by Luke introducing him to Barbatos who is apparently the 'bestest baker in the world!' (you could agree with that sentiment), Simeon walked over to you, his serene smile on his face.

"Hello, I'm Simeon, forgive me for asking, but do I know you? You have a familiar aura."

You shake your head.

"Oh, never the matter" Simeon smiles, "What's your name then. my friend?"

You clear your throat and put on a deep american accent, "Rupert...Pleasure to meet you...Simeon.."

"Are you sure we haven't met before?"

"Certain." You say in the same ridiculous voice.

Simeon nods, he excuses himself after Solomon calls him over, you turn to glance at Michael who is carrying a now sleeping Luke in his arms and gently stroking the boy's golden hair while stressing out Lucifer with questions. Satan looks on with a smirk on his face.

Glancing around the room you see similar scenes, Mammon and Levi are playing a game on the latter's switch, Asmo, Solomon and Simeon are talking, sometimes glancing at you. Barbatos and Diavolo were watching Michael annoy Lucifer, with both sometimes adding their input, causing Michael to laugh loudly then stiffle it, so as not to wake up the sleeping baby in his arms. Beel and Belphie were near the others but still off in their own twin world, Belphie was awake and watching Michael bully Lucifer from where his head laying sleepily on his twin's leg.

Raphael, Thirteen and Mephisto had been sent out on a top secret mission the day before, Michael had said it was because he didnt want to die and also did not want his death to be put in the RAD Newspapers, especially a picture of him that was less than flattering.

Even though everyone seemed joyous, you noticed an air of sadness, like something was missing. Looking at your old seat in the student council you see the amount of flowers set on it.

Against your better judgement, you walk towards it. Not noticing a few pairs of eyes following you.

When you reach your former desk, you notice a photo of you framed, it was you and everyone, a family photo, everyone was either in their demon, angel or reaper forms, you wore really cheap red horns with a halo you shoved on one of them whilst also wearing an old reaper robe. It looked ridiculous, you loved it.

"Enjoying yourself? Rupert.~" a honeyed voice startles you. Asmo, although, somethings in his voice, maybe anger, maybe suspicion.

"Uhhh.." You say in your fake american accent.

"I'm Asmodeus, avatar of lust.~ Are you enjoying yourself?"

"Guess so." You shrug Americanly, thankful once more the veil covers your whole face.

Asmo's eyes have some hurt in them, he seems...catty, probably because you, who he thinks is a random stranger is just standing at his dead loved one's desk.

L.

You open your mouth to say something, but no sound comes out, especially not when another familiar voice is added to the mix.

"Well hello. I don't believe we've met before. The name's Solomon. You must've heard of me."

Oh shit.

"Oh...I have, briefly! Hello Solomon, my name's Robert." You say in your fake deep american accent voice.

Asmo tilts his head, "I thought your name was Rupert?"

Shit.

"Oh. Yes" You quickly bullshit, "My name's got the hyphens, Robert-Rupert." You avoid eye contact despite the fact you have a veil covering your face that only lets you see out of it, so the sorcerer and demon can't even make eye contact with you, even if they wanted to.

This was getting awkward.

"You seem very familiar Robert-Rupert." Solomon says, you did not like that crafty smile.

"I get that a lot." You nod before walking away.

You walk towards Michael who, has a now awake but sleepy Luke in his arms, he sits on one of the sofas in the council room beside Simeon, with Barbatos, Diavolo and Lucifer facing them on the other sofa. Atleast you'll be safe from Solomon over here. As you walk, you notice Satan, Beel and Belphie have left. Either Lucifer was going to get pranked or Lucifer was going to get pranked but not as prankily because Beel unknowingly made puppy-eyes. Mammon and Levi were bickering quietly in a corner (shocking they could do it quietly) about who won the lat round of Devilio kart.

When Michael saw you approaching he waved you over, beckoning you to sit down in the empty space beside him, "This is an angel I'm currently training, their name is.....Steven."

Simeon tilts his head "I thought their name was Rupert?"

Michael clears his throat awkwardly.

You make your voice the deep horrible American accent, "My full name is Robert-Rupert-Steven...it's hyphenated."

Michael nods aggressively.

Lucifer, Simeon, and Barbatos side-eye eachother. Something was going on here.

"So, Robert-Rupert-Steven," Barbatos begins, his polite smile a little jagged at the edges, "I saw you at MC's desk earlier, how so?"

At the mention of your actual name, everyone there tenses up, Luke, thankfully is too sleepy to have realised, Michael quickly stands up with the small angel in his strong arms, knowing if he heard the conversation about to occur he would be upset, "I should probably go, give this one a walk around to wake him up a little. Simeon, would you like to come with me?"

Simeon nods, Michael and Him leave the council room, with Luke sleepily holding both of their hands and walking slowly along with them.

Now you were stuck with the Prince of the Devildom, the Scary Butler and the Scary Single-Dad. All of which haven't realised that it's you, and all of which thinking you are a random stranger.

"Well, Robert-Rupert-Steven?" Diavolo asks, his friendly demeanor the tiniest bit strange,"What captivated you to go towards MC's desk."

"Who's MC?" You decide to play it dumb. Bad decision, seeing as all three stiffen, Barbatos' being the most unnoticeable.

A very long 3 hour conversation went by, wherein, Diavolo, Lucifer, Barbatos as well as a certain Mammon and Levi who joined 10 minutes in, and an Asmo and Solomon who joined 12 minutes in talked about you, for 3 hours straight.

'AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH.' was an accurate reprenstation of your mental state actually.

The urge to just rip your veil off right there was almost stronger than the urge to dropkick Maddi anytime you remembered she existed. Keyword being almost.

You just about made it out of the council room with your life. Now for your master plan. Scare the absolute shit out of the Anti-Lucifer-League. That'll get them back for never listening to your amazing prank suggestion of leaving random origami swans around the house in random spots. It was genius!

Breaking into the House of Lamentation was always easy when you knew that Mammon hid his emergency house key behind the garden gnome that now you saw it....kind of looked like a really bad rendition of Michael. With its dark skin, A DnD-esque robe and, a horrible smiley face painted on it, and the worst crime of all, bright yellow, almost neon hair, and also a princess tiara.

You almost cackled.

Taking the key you slowly open the door to the kitchen and sneakily sneak in. Sadly for you, it was they key to the kitchen door to the outside of the back of the house, which meant it opened in the kitchen, and since it opened in the kitchen, you awkwardly waved at Beel, who was having a midnight feast.

Beel tilts his head. "You're the Angel from earlier. What are you doing here?"

You once more, fake your Robert-Rupert-Steven voice and say, "I have Materials for the Anti-Lucifer League as they've suggested."

You are such a good liar.

"Oh," Beel nods, normally he wouldn't let a stranger into the house, but something felt...familiar...and safe with you. "Okay then, do you know where you're going?"

"Yes."

Beel nods, and goes back to eating the pudding labelled 'MAMMONS: BEEL DONT TOUCH THESE'

After much searching, you do not find the Anti-Lucifer-League, but you do unfortunately, open the door to Lucifer's office. The place where Lucifer currently is.

He looks up immediately on guard. You are not prepared to die a second time,

"What are you-" He begins, in demon form and standing up.

You interrupt him, making 'woooooh!' sounds and waving your arms about, and in your Robert-Rupert-Steven voice, you say "Wooooh! I am the....ghost of christmas past!...Woooh! and I am..." You pause, not noticing your Robert-Rupert-Steven voice has began to slip away, and your natural one has taken its place. "I am here to tell youuuuu.....to woohhhh! Take breaks more! Woooh!....and not overwork yourself! Woooh!"

Lucifer pauses, the danger in his eyes fades into disbelief. He knows that voice. He's spent the better part of a year listening to recordings of that voice and praying to his Father for the first time since the celestial war for that voice to return to him.

"..MC?.."

You've been found out. Quickly you put your Robert-Rupert-Steven voice back on, except it's gone up 12 pitches. "Who's MC?! Haha! What a weird thing to sa-"

You don't get to finish, as Lucifer pulls your veil off. His breath hitches upon seeing your face.

Your covers been blown. All because you pretended to be the ghost of Christmas past. Great.

Lucifer immediately pulls you into a hug, arms tightening around you, as if he's afraid you'd disappear. He chuckles, wiping tears from his eyes, his frame shakes. "I thought-thought I'd lost you forever...I always thought your face was angelic...-...it's fitting."

You hug him just as tightly.

But ever the menace, after about an hour or so, you look up at the Avatar of Pride, "Say, Luci?"

"Yes, my dove?"

"Wanna help me prank the rest of them?"

"Perhaps...I might help with...some setups..." He pauses, "You are telling Barbatos outright though."

You shudder. "Of course I am. I don't have a second deathwish."

Lucifer's grip on you tightens slightly, you kiss his cheek in apology. "Sorry," You grin, "Too soon?"

"Try again in another century dear."

The next day, the first thing you and Lucifer do is travel to the Demon Lord´s Castle.

Barbatos greets you in the Entrance Hall, "Oh, Lucifer," He nods in greeting at the eldest of the brothers (second eldest actually, seeing as Michael enjoys bragging that he's older by a whopping total of 2 minutes) he turns to you, who put the veil back on, "And Robert-Rupert-Steven, Welcome to the Demon Lord's Castle, although, I must ask, why you have shown up today?"

In your Robert-Rupert-Steven voice, you accidentally, against your better judgement, and rather impulsively state; "I'm here to assassinate Dia-...volo."

A portal opens, dragging you through it, and you land in the feared rumoured dungeons. Barbatos follows gracefully, now in Demon Form. Leaving a sighing Lucifer in his wake in the Entrance Hall. He decides to just journey to Diavolo's office and discuss things related to work. Barbatos wouldn't hurt you when he found out it was you so he really had nothing to worry about. Maybe you'd finally learn to stop joking about assassinating Diavolo, especally when other Noble Demons were around at Balls.

Sadly for you, you were now alone in Barbatos' Dungeons. Now what's scarier than being alone in Barbatos' Dungeons? Being alone with Barbatos in Barbatos' dungeons.

Time to run away.

As it turns out, running away isn't very easy when magic chains pin you to the wall. In your panic, you blurt out, "You know, I'd rather you pin me to the wall haha!" in your normal voice. The fear forcing your horrible puns and jokes to slip out.

Barbatos, who had been approaching menacingly calmly with a torture device pauses so fast it gives you whiplash. (Better than getting whiplash from the whip he was previously holding.)

In some display akin to a cockroach kind of squirming about after you crush it, in your chained up state you manage to twitch enough that you were able to pinch a piece of your veil's fabric just enough that it falls to the ground.

Immediately, the magic chains fall away, strong arms catch you as you stumble. "Hi Barbs..." You say breathlessly.

Barbatos looks like he'd seen a ghost. (You were an Angel, thank you very much.) After your death he had tried and tried to pull a you from another dimension. It would never work, some force stopped him each time. (To be fair, it was probably your jealous ass. No way in Diavolo were you being replaced by yourself from another dimension.)

His bottom lip trembles, much like the rest of his body, as he leans in, "May I, my dear?" You nod, giving him your consent as he kisses you so gently, as if he feared you would break or fade away.

He murmurs apology upon apology for the fact he had no doubt frightened you, he couldn't risk a threat to Diavolo, your 'death' had left him a little...tethered and emotional.

You close your eyes and kiss him again, now noticing you're in the kitchens and not in the spooky scary dungeon.

"Wanna bake cookies? Like we always used to do?"

Barbatos nods softly. "You do have to tell Lord Diavolo you're actually alive though, little lamb."

Your eyes light up. "We could make a cake! And hide me inside it!"

Barbatos sighs, but looking at your puppy eyes, he agrees. Gently he picks a stray ivory feather from your wings, making them rustle at the touch. Devil...you looked angelic.

Baking with Barbatos was always fun, but sadly he did not agree with your attempt at throwing flour at him.

"MC?" He catches your attention, bringing an ungloved hand to caress your face, "Have I ever told you that you shine brighter than all the stars in the Devildom?"

You blush and try to cover your face when he turns away to add more eggs into your batter only to find flour on your face. That sneaky bastard! Psychological warfare is illegal. And that sure felt like it.

It was on.

Apparently it was only on for you though. Though you did get a speck of flour on Barbatos' apron. That was a win, especially if you ignore the fact that your face and apron were covered in the white powder, which you were ignoring! So take that Barbatos!

In the end, the cake was beautiful, Barbatos helped you into the cake, and cut out a you shaped hole out of the layers made.

He then helped you out again, and the Flour War began again only this time with icing.

Hiding in a cake is quite a fun experience. Especially when you can take bites of your hiding space. Yum yum.

You feel Barbatos' wheeling of you stop as he reaches Diavolo's office, he knocks on the door, and as you requested, begins to film on his DDD (you had to promise the video would never get out of your hands.)

Diavolo sat alone, Lucifer had had to leave an hour before, Beel had went on a rampage in Hell's Kitchen again apparently.

"My Lord, I feel you have been feeling down, so here is a treat." Barbatos says, "And as a special treat, I will allow you to cut it yourself." He nods at Diavolo who you can just picture has stars in his eyes as you hear the demon butler walk to a corner of the room, still filming.

Diavolo brings the knife to the cake, as it cuts into it, you grab the blade and pull it forward. Upon hearing Divaolo's confused murmurs, You peek through the tiny hole the knife made, seeing Diavolo distracted, tilting his head like a child and asking Barbatos what he should do now.

You however know what you should do now.

Quick as a flash, you shove your hands through the cake, reach for Diavolo's arms and pull him in face first.

You didn't even care if it was probably treason. Diavolo's suprised screaming and Barbatos' slight surprised chuckle was so worth it.

It was worth it for Diavolo even after 4 hours, as he held you in his big arms, whilst the both of you were still covered in cake. Barbatos, the traitor, snapped photos of this and sent them to Lucifer.

On a great note, Diavolo agreed to help prank the rest of the brothers with you, much to Barbatos' dismay. (The butler was definitely going to help you with a certain sorcerer, however)

After a night and day at the castle and a very extensive bath, you recollected your veil, and snuck out (read: Barbatos and Diavolo waved goodbye to you and gave you some left over cake for the journey home) of the castle, you began your walk to Purgatory Hall.

Michael was staying there, and you needed to tell him everyone's reactions so far.

It was also a Saturday, meaning that Solomon would be out in Sorcerer's society meetings all night and morning.

When you got there you made use of the tree there and climbed up it until you saw something in Luke's room. You paused your climbing and looked in through the window.

Two figures were in the Young Angel's room.

As Luke lay tucked in in his bed, cuddling the dog plushie that Mammon had given him at a carnival last year that he claims to have thrown away, Michael and Simeon sat on his bed, the nightlight on the boy's bedside table created a gentle glow that the two elder were using to read the storybook strew across both of their laps aloud, they appeared to be acting it out ever so slightly. When Luke finally drifted off. Both Angels kissed his forehead then dimmed the nightlight down slightly, dim enough where it wouldn't hurt the boy's eyes but bright enough that the dark wouldn't scare him if he woke up in the middle of the night, keeping the curtains open for added light.

You cooed silently, your white wings rustling.

Snapping out of it, you scale across the wall before finding the spare room Michael was staying in and breaking in.

"Hello Motherfucker." You greet the Archangel.

"You couldn't pay me to fuck your mother."

"Harsh. And here I was about to tell you my escapades..." You sigh dramatically. Michael immediately smiles sweetly. Buttering you up. You cave.

After about an hour of Michael laughing at you specifically, and then changing your contact to 'ghost of christmas past' the bastard finally fell asleep.

Feeling thirsty, you snuck downstairs into the kitchen to get a drink, and also a sharpie so you could draw a mustache on Michael's face. Not bothering to put your veil on seeing as no one would be awake anyway.

As you filled up a glass of water and leaned against the kitchen counter drinking it, lost in your own plans, mainly of who to prank nest and how to do it.

You don't hear the little pitter-patter of feet until it's too late.

"MC?" A sleepy Luke stands in the doorway in cat themed pajamas no doubt gifted to him by a certain someone, he holds his dog plush loosely as he rubs his eyes with a tiny fist.

He walks slowly towards the cupboard, pouting sleepily when he realises he can't reach it, you immediately grab his favourite mug,(the one with the red tractor on it) knowing to put milk and some sugar in it before placing it in the microwave for 2 minutes.

Luke walks over to you still half asleep, resting his face on your side, you bring him in for a hug. "Simeon said you went to a happy place after you left, he always got sad when I asked when you were coming home..."

You bite your lip and speak softly, "My flight got delayed for a little while," You lie. Luke didn't need to know you died, Simeon hadn't told him in the best of ways to shield the young boy, that worked out in your favour.

You catch the microwave before it beeps, taking the warm milk out and stirring the hot-spots out of it before handing it to Luke. With his teddy now in the crook of his elbow, he sleepily took the mug before putting his tiny hand in yours.

"C'mon Luke, let's get you back to bed." You say softly, he nods tiredly.

"Will you tuck me in? And read me a bedtime story?" He yawns quietly.

"Of course."

After closing his curtains and tucking Luke in, he snuggles up to you and you read him a bedtime story, after drinking his warm milk, he falls asleep quite quickly, so do you.

A mistake, really. Seeing as in the morning when Simeon comes in to wake the small angel up and sees you there he lets out a shriek very out-of-character for him.

A shriek which wakes both you and Luke up.

Luke smiles toothily, "Oh Simeon! MC came back last night! Did you not see?"

Simeon collects himself, "I must've been asleep Luke, why don't you get dressed then come down for breakfast? Michael and I made pancakes. M-MC, why don't you come downstairs now?"

Luke nods and gets up dutifully.

As soon as you leave the room and Simeon is sure you're both out of the earshot of Luke, he pulls you into a hug which you return.

"I thought I'd lost you.." He breathes out softly.

"Me? C'mon Simmy...you know I'd never let death keep me." You laugh, he laughs breathlessly.

"I suppose not...." He captures your lips in a soft innocent kiss before leading you downstairs, hand-in-hand.

When Michael sees the two of you he offers you a pancake, far too casually for Simeon's taste.

Simeon looks between the two of you and glares at Michael. "You knew about this."

"Haha! Funny story actually! I need to go help Jesus! He's gone and ventured into another desert!" Michael laughs nervously before booking it, only coming back when Luke appears, knowing then he's safe from Simeon's wrath....

....for now.

You took out your super serious napkin and crayon that you stole from Diavolo (read: Diavolo gave you) and crossed out Simeon's name.

Your list was now as follows:

Purgatory Hall Simeon Solomon House of Lamentation Mammon Levi Satan Asmo Beel Belphie

For Satan and Belphie, you could knock out two Anti-Lucifer-League Birds with one stone. It felt a little mean to prank prank Levi and Beel...Mammon and Asmo were debatable, but you were going all out on Solomon. That'll teach him to turn you into a sheep that one time 2 years ago.

After careful deliberation and planning, (20 seconds of thinking.) You'd decided to sneak into the Sorceror's society and jokingly attempt to assassinate Solomon, and maybe fully assassinate Maddi if she was there. Not maybe, definitely.

Veil over your head, you walked in, when the sorcerer guards stopped you, you just pretended to be Michael then walked further in. Apparently they were terrified of the Archangel. Damn this society needs better sorcerers securitying it.

After stealing schedules you realised Solomon would be in a meeting right now with a bunch of no names. Oh well.

You crept into the meeting and attempted to plunge the butter knife Barbatos' gave you from the castle kitchens specifically for this in his neck, knowing he'd dodge. "This is for the Sheep Potion you Rat Bastard!" You screech like a Bean Sídhe. After half a millisecond of shock and slight anger, Solomon realises who it is behind the veil, laughing he grabs the arm you're holding the butter knife in and drags you into his lap, gently ripping the veil off of you and giving you a peck on the forehead, before he turns to the shocked and slack-jawed sorcerers that looked older than he did. "Sorry all, my adorable partner," He puncuates the word partner by pulling you closer to him, "missed me a little too much. and has-" He kisses you on the lips passionately for a moment, leaving you very much breathless and him very much chuckling, "-strange ways of showing their affection."

Bastard.

Some time into the meeting you whisper, "How are you not more shocked?"

"Well Robert-Rupert," He whispers teasingly back to you, "Remember that binding spell we did back when you were alive? It never broke. I knew the moment I saw you."

Your heart stops. "Did you tell anyone else?"

"I debated telling Asmo, but I suppose you wanted to on your own terms." He teases.

"I should've tried to stab you with a sharper knife."

Solomon laughs, "Oh and MC my love?"

"Hmm?"

His eyes glint predatorily, "You look absolutely ravishing as an angel. I can't help but want to corrupt you..."

You bury your face in his chest to hide your blush.

Bastard.

On the bright side, now a rumour that Solomon the Wise and Michael the Archangel are secret lovers has spread around the Devildom. You're counting that as a win.

Purgatory Hall Simeon Solomon House of Lamentation Mammon Levi Satan Asmo Beel Belphie

After your encounter with Solomon, you'd decided learning to just hide your angel form was the best course of action. Luckily it was fucking easy and you could've done it ages ago. Strange how Simeon and Luke never mentioned it....meh. You're pretty sure Luke just thought Michael thought you were super cool so he made you an angel. You weren't telling him anything otherwise.

´Satan and Belphie watch your fucking backs.´ was the pedal note of all your thoughts currently, you´d snuck back into the House of Lamentation, thankfully Beel was not in the kitchen, he was at Fangol at this hour.

Walking through the halls stealthily, you heard whispers as two sets of feet seemed to enter the room at the farthest end of the hallway. Lucifer´s room.

You fucking caught them.

No time to be caught in Lucifer´s room, seeing as if you were there long enough and Lucifer caught you, you would not be leaving for a good while.

So you crept up to the attic, the official Anti-Lucifer-League headquarters, you climbed the pillars to get on the roof and you waited.

Sure enough, ten minutes later, snickering could be heard coming up to the attic. Satan opens the door, letting Belphie in, both brothers in various fits of sniggering as they walk into the room.

"He'll never see this one coming!" "This is our best one yet."

From your place on the attic ceiling, you spot Lucifer filming on his DDD from the shadows of the doorway. Of course he found out about this.

"Of course it's our best one yet!"

You swing down off of the ceiling beam, swinging lightly upside down. "And you didn't invite me?" You pout.

Satan and Belphie scream, clutching onto eachother, before noticing that it's you and running to pull you down and clutch onto you instead. You notice Lucifer chuckle and put his DDD in his pocket before leaving. Traitor.

You cuddle into your two Anti-Lucifer League Brethren, maybe this wasn't so bad. (Of course it wasn't, you loved your idiots.)

Safe to say, you didn't leave the attic for a long time. Apparently people need time to process that you're not actually dead. What madness.

House of Lamentation Mammon Levi Satan Asmo Beel Belphie

You had long unentangled yourself with a sleeping Belphie and Satan, making sure to leave a:

it wasnt a dream dont worry lads im alive.

note on their chests just in case.

Sitting in the attic with your napkin and crayon in hand, you ripped the Purgatory Hall part off of it and used the back of it for that note, you scanned through the list. You should save your First Man for last, so your next options were Beel, Asmo and Levi.

Seeing as you've shown yourself to Belphie, it's only natural your gentle giant is next.

Watch your fucking back Beel. Literally

Speaking of, it's been a few hours, Beel should be coming back from Fangol practice any moment now.

As was routine at this point, you crept through the House of Lamentation's halls and quickly ran into Beel and Belphie's shared bedroom.

As Beel walked into the room, his Fangol bag slung across his chest and a pile of after Fangol snacks in his hands, you braced yourself, made a run for it, anf landed right square on his back, arms around his neck to keep from falling.

"Oh hi MC!" Beel hummed cheerfully, before his eyes widened and he dropped his snacks. "MC?!"

"Hi!"

Quick as a flash, Beel maneuvers himself in 'dying cockroach you in Barbatos' dungeons part two' and grabs you into his arms.

"I thought you died..." He said, smelling your hair as he cuddled you.

"I did. I just came back as an angel."

"Really?" His breath hitches, "Can I see?.."

You take a deep breath and your wings and halo pop out, he strokes them gently.

"You're beautiful..." He whispers, enraptured...."I think...out of all of Father's creations over the years since the celestial war...you're the most precious...."

He speaks softly, always the gentle giant, the moment lasts for just a moment, before the moment, like all moments do, has passed. Beel's stomach rumbles and you giggle.

"You should eat your snacks, Beelie.."

"They always taste better when we share." He nods seriously.

House of Lamentation Mammon Levi Satan Asmo Beel Belphie

Levi or Asmo? You bit your crayon in thought then immediately made a face. Crayons did not taste nice.

Speaking of things that did not taste nice, you remembered that one time you tried to eat Levi's controller because you were bored.

Levi it was!

You had to time this perfectly, waiting in the shadows until Levi went down to get a snack, you snuck into his room, saying the answer to his password out of pure habit, before sitting on his gamer chair and maneuvering it in such a way he would not be able to see anyone on it from the door.

When Levi walked into his room, a bag of crisps in hand, he took a few steps before you swung around "Boo!" and he screamed. Dropping his crisps.

After convincing him you were infact not a ghost (Unlike Lucifer's), you sat with him in your arms, watching anime, and getting caught up on the new episodes released.

You cuddled up to him in his bathtub that night. You grinned evilly. This gave you an idea.

House of Lamentation Mammon LeviSatan Asmo Beel Belphie

It was no secret that Asmo bathed a lot. Funfact, Angels can hold their breath for 30 minutes!

As Asmo was busy picking out which pajamas he wanted to wear after his bath, you tiptoed behind him and slowly got in his bath, hiding under the bubbles.

It took a total of five minutes before Asmo closed the door to his bathroom and got into his bath, this was your chance! Reaching out, you grabbed his foot and pulled him under.

He screeched, when got back above the surface of the water, he grabbed your hand and pulled you over.

He squealed this time, hugging you tightly.

"Oh MC darling!~ I thought you were...well never the matter~...." He punctuated each word by kissing your face all over, leaving you squirming in his grasp out of embarassment. "How naughty!~ Sneaking into my bath like that...~...not that you arent always welcome my lovely!~"

"A-asmo," You say, your clothes soaked, though you couldn't find yourself caring. "Asmo, I love you..." your voice is soft and the Avatar of Lust coos.

It was a nice night.

Time for your final victim. Your First Man. Feeling nice, you decided not to do something too mean.

Painstakingly, you made a trial of grimm from the front door to your First Man's room, more specifically; to his bed. The plan was to hide behind the door and jumpscare him while he was busy collecting the grimm.

Unfortunately for you, seeing as you weren't sure when Mammon got off his modelling shift, you'd finished far too early, and since you and Asmo were up the entire night, you were quite sleepy.

Surely a little 5 minute nap wouldnt hurt?

You woke up hours later to a sobbing Mammon on top of you, cuddling you in his arms like his life depended on it. It seems you'd falled asleep on his bed, more specifically in his nest.

In the nest you would normally sleep in while alive. (While Human technically, seeing as you are alive, just not human.)

You bring a hand to his snowy locks, he sobs harder. Like his brother, kissing all over your face softly, "Thought I lost ye' forever Hum'n" he gasps for air, his sobs quieting down, "Though' you were gone....I prayed ev'ry nigh'...." he says, voice barely above a whisper as he strokes your cheek, looking into your eyes. "I prayed ta Fath'r ev'ry nigh' since ye' died...that he'd bring ye' back te me...."

"And he did..." You say just as softly, bringing your hand up to wipe the tears from his eyes, sharing a soft kiss with him. As always, your greedy lovable bastard would want more, and you'd want nothing more than to give them to him.

And the next day when you told Michael you'd be staying in the Devildom he cheered, then told you to include him in this 'Anti-Lucifer League business' because it 'seemed fun'.

Wow. Now you knew where Satan got it from. Poor Lucifer, he just barely got away from Michael in the Celestial realm, and now he has to deal with Michael 2.0 in the Devildom.

Satan and Michael really were kind of similar....maybe it's a good thing they've only met in passing.

Moral of the story kids. Death sucks, don't do it. If you do do it, reincarnate. Bam! Problem Solved.

This is the longest ever fic I've ever wrote and probably does not make a lot of sense so I apologise for that. I also apologise for any ooc behaviour i'm still learning how to write characterisation😔✊

also i love thinking of Michael being a father figure to Luke and its very obvious

[confessedlyfannish]

DP x DC Writing Prompt #9

"Are you sure about this?" J'onn asks, reading the discontent amongst the Kents. Clark and Lois each have a hand on their teenage son's shoulders, who several weeks prior was aged ten years old.

"We're sure," Clark says. He is not, nor is his wife. But his son is, who lays his hand on his mother's and squeezes. It is that surety that J'onn honors as he delves into the young (but not as young as he should be) man's mind.

The memories are hard to find but not gone, hidden behind what Jon can only see manifested as a glowing green wall. When he raises a tentative hand, the shield sparks green, but does no harm. Pushing through is like wading through the consistency of jello, which he finds an overall unpleasant experience. But he is unharmed as he passes through.

Before J'onn can sort through the memories he is all but sucked into the one at the forefront, where a Jon most similar in visage to the one recently returned perches on the edge of a building. Beside him lies a burger, partially unwrapped though uneaten, and a small soda.

As the memory builds out a sun sets on a small suburban town, and a muscled thigh knocks into Jon's, an older man with a shock of white hair and eyes the same light and color as the shield formed around these memories appearing. He's tall even sitting, likely about as tall as Superman, and looks to be in his thirties. A full body suit comprised of black and silver accents stretches across broad shoulders, a stylized D on his chest. He knocks his thigh into Jon's again.

"You said I couldn't go back," Jon says quietly.

"I lied," the man says lightly.

"You're lying now," Jon says, glaring at him. "I can hear your heart."

"Nice try, kiddo, I don't have a heart in this form," the man says, reaching a hand out, presumably to ruffle his hair. Jon dodges.

"I know you're lying. You would've told me. You would've helped me get home."

"Jon--"

"You're protecting Clockwork, aren't you?" Jon demands, eyes beginning to burn red. "That old coot decided it wasn't enough to play with you, he had to play with me too."

The man slaps a hand over Jon's eyes. "Breathe, like we practiced," he instructs firmly. Steam rises from where his palm meets Jon's eyes, but if it hurts he shows no indication. "In, 2, 3. Out, 2, 3."

Jon whimpers but heaves a breath, and the burst of red light dies down from between the man's fingers. His hand moves down to Jon's shoulder.

"I can't pretend to understand Clockwork's decisions," the man says, as tears begin to pool in Jon's eyes. "Frankly, I don't want to. I suspect they are hard decisions to make, sometimes."

"I don't get why you defend him," Jon says. "Dumbledore acting bastard."

"Language," the man says, lightly bopping him on the head. J'onn notes the boy actually winces, as if the blow hurts.

"I am upset with him, I hope you know that," the man continues. "But at the end of the day I'm also grateful. Because I got to meet you." He hooks an arm around Jon's shoulders, pulling him in. "And now you'll get to see your family again. And Sally, Arnold, and Damian!"

Jon sniffles, rubbing roughly at his face. He leans into the man's bicep. A trusted adult figure, then. One he's described his life to. A life, J'onn is sad to note, he appears to have lived for the past six years, as opposed to a sudden shift in appearance. Jon's next question all but confirm it: "Can I really go back? It's been so long. They'll be all grown up."

"Hey, of course you can," the man says, rubbing his shoulder. "I'm sure they've missed you so much. They'll be so happy to see you again."

Jon starts to smile. "I'm going home."

"You're going home!" The man laughs, shaking him.

"I can finally eat some decent barbecue again!"

"Hey!" the man protests, "The smoker blew up one time!"

Jon continues, beginning to get excited. "And Ma will make her jalapeño cornbread! I never could get it right, I can't wait for you to try it!"

J'onn notes the older man's smile fading, eyes growing sad.

"And Damian will definitely want to spar and oh, oh! With you on our side we can totally prank Batman! I bet Alfred will even help! And Mom gives the best hugs, Pops comes really close but Mom will be really excited to meet you, everyone will."

"Jon," The man says.

"I knew you'd be worried about it, but they'll want to meet you," Jon says, clocking his expression. "They'll be grateful. You, you helped me. You kept me safe and taught me how to be Superman. They'll love you, I promise."

"Jon, I can't go with you," the man says gently.

"I'm not saying you stay, but you can visit! I'm sure the Justice League can figure out a way to maintain a portal, they're super used to all that multiverse stuff. Once they have the coordinates, you can stop by whenever!"

"I can't go through the portal, Jon," the man says. "To other worlds, I'm a god. And gods can't interfere. The only reason I can continue to live here is because this is the world of my origin."

Jon gapes at him. "But--but,"

"You're going to see your Mom and Dad again," the man says. "And your brother, and grandparents."

"I can come here, then," Jon says desperately, pushing his way out of the man's arms. The man is already shaking his head. "I can!"

"You can't."

"Why, because Clockwork says so? He's a liar!"

"Because multiverse travel is never a good idea. If you got trapped here again--"

"I wouldn't,"

"You belong with your family,"

"You're my family!" Jon cries. The man freezes. "You, and Sam, and Jazz, and Tucker and Val and Ellie and Pops and Mads, you're all my family! I can't just leave you, I won't!"

"Oh kiddo," The man says, eyes wet. "I love you too. We all do."

"So I'll stay," Jon says decisively. "For all we know my world is a wasteland. Gramps wasn't exactly right in the head when I left. It's better to stay here."

J'onn notes a green vine unwinding from a nearby trellis. It slides down the eave towards the pair.

"You don't mean that," the man is saying.

"I'm sixteen. I can make my own decisions. I'm staying."

The man cups Jon's face. "Your parents did not have a choice in losing you. I'm willing to bet they're devastated. Because I'd be devastated, losing a kid as great as you."

"Maybe they're not even there," Jon says, but the words are half-hearted, and it clearly hurts him to say them.

"I know I seem like a pushover, but if I thought Clockwork was sending you back to anything less than your loving family, I'd destroy him first. And he knows that. They're going to be there, I promise."

"I don't want to go," Jon says. Behind him, the vine rises from the eave of its own will, poised like a cobra enchanted by a snark charmer.

"I know," the man says, eyes drifting to the vine. "I'm so sorry, Jon."

"For what?" Jon asks, as the vine attaches itself to the nape of his neck. His eyes roll back as he collapses into the man's arms. The man hugs him tighter than is strictly necessary.

J'onn expects the memory to now end, alongside Jon's consciousness. To his curiosity, it does not.

"For what it's worth," a young woman spits bitterly, vines supporting her weight as she slips over the side of the roof. "I still think this is horrible." Her eyes are red and miserable.

"Seriously, team punching Dumbledore in the face," A young black man says, appearing in the air supported by a woman almost identical in appearance to the man holding Jon, down to the suit colors. They land on the rooftop.

"Are you sure about this," the dark haired woman with powers over plants asks. "Because to be honest, Danny, I'm five seconds away from punching you in the face."

"Jazz won't speak to you for months," the girl, likely his sister, points out.

"Make it a year," the man says, crossing his arms.

The man, Danny, ignores them all. He cards a hand through Jon's hair. "He'll retain the experience, but not the memories?"

"Yes, he'll be a perfect little superhero, just as you taught him," the woman says, vines twisting agitatedly around her, wrapping around her thigh, wrists and neck almost punishingly.

"Sam," the man says. "He needs to go home. All of you know that."

"He doesn't have to forget us to do so!" the sister bursts, eyes flashing green.

"Remembering would be a torment," Danny says. "He'll know he was loved. That's enough."

"Danny," the plant woman says, sitting beside them both. She puts a gentle hand on his, both on Jon's back. "This is just a different torment."

"And if someone finds out?" Danny asks. He has been patient amidst their scorn, but now a tiny edge ekes into his voice. "A god's child, unprotected? Threatened? He would never stop looking for a way back, and being vocal about it could get him killed."

The others are silent.

"He'll be home. He'll be happy," Danny says. More powerful than a prayer. A directive. He raises his head past the child slumbering in his lap, past them all, face hardening, and says to J'onn: "And you will say nothing."

J'onn takes a step back, fear so thick he could choke on it flooding his very being. Thismanwillkillhim, thismanwillkillhim.

This man will reach through dimensions and kill him.

"Now, get the fuck out of my kid's head," Danny snarls. J'onn is pushed back with enough force he enters his own mind in a vicious whirl that leaves him physically on the floor, gasping.

"I'm sorry," he says as Superman rushes to lift him, and he's not sure who he's apologizing to. Green eyes will pierce his dreams. Vines will crush his throat in his nightmares, screaming silence, silence.

You will say nothing.

"I'm sorry," J'onn says, politely pushing Clark's hands away as he rises. He's already beginning to calm, because he understands. Those are consequences he will not face. He will do as directed. He looks at Jon Kent, bewildered but unharmed, clutching his mother's hand.

J'onn reaches down and dusts at his pants. "I'm sorry," he says evenly, ready to spin his tale. Perhaps the Kents will continue to seek their answers. Perhaps not. He will stay out of it either way. He has been warned.

You were loved by gods. And to keep you safe, they would quiet us all.

Part Two

[magical-regical]

I got the reunion ending. It's the most canon ending. Change my mind. You can't.

A part of me is sad because this is like an almost perfect ending you know? The only way it could get any better is if Mr Scarletella learns to play nice with the other ghosts.

If I can let my imagination run wild and speculate I'd say the content in this update is some of the last things Yatsunagi-sensei worked on before deciding to stop and that's why it wraps everything up in this seemingly nice little bow (esp since the placement of the reunion ending is smack in the middle of the last row). So tbh I wouldn't be surprised if we don't get any more new endings and chapters from here on out (though again, this is all just speculation and I would not mind new endings and more expansion on each LIs route). But even regardless if I'm right or wrong I really do think this is the best ending we're gonna get. Again, for the people in the back, this paragraph is just speculation I have no evidence to back up my claims.

Something I do (kind of) have evidence for is about how I actually think MC dies in this ending. Let me explain.

Spoilers under the moss on how to get the reunion ending.

It bothered me that to get the reunion ending you have to ignore Mr Chopped and leave Mr Crawling. MC wakes up back in the human world and 'dreams' about Mr Crawling waiting for her.

It's clear her heart misses that other world even if her mind doesn't remember. If you, the player, let her follow that nagging feeling, she wanders back into the ghost apartments and the floor collapses beneath her. She hits her head, gets up, and finds the elevator.

Now here's where it gets interesting because if you choose to not go in the elevator, you game over. If you choose to go in, you reunite with Mr Crawling and the other ghosts. The two scenarios have two things in common, MC will mention having a 'slight headache' and you'll hear a long beep. The only other time you hear a similar beep outside of those two scenarios is when you break Mr Scarletella's umbrella. It's the sound of a flatline.

A lot of things in the reunion ending seem to support my theory. After taking the elevator we see Mr Crawling, Mr Silvair, Mr Chopped, and The Bride.

In chapter 5 The Bride and Mr Chopped are scared of each other so why would they be in the same place at the same time? An argument can be made that because 'a long time has passed' maybe this isn't their first encounter and they've gotten over each other's differences.

The second thing is The Bride says she's going to look for new clothes for MC while their other encounters seem to imply the bride can produce clothes seemingly out of thin air because what are the chances she has two copies of the same dress and a raincoat that is tailored exactly to your measurements? Well because in this timeline, MC has only met The Bride once. She doesn't know that Ms Bride can just make clothes appear.

Third, the last scene before we fade to black is a floor that looks similar to the one MC fell through but we can see a pool of blood that seems to come from MCs direction. There's nobody around. The screen fades, MC says 'I'm home' and the credits roll. The credits this time shows scenes from chapters 1-3 instead of the names of the dev team. Feels a bit like all the memories MC forgot when she came back to the human world coming back to her eh?

So yea, conclusion? MC's dead. She probably died when the floor collapsed. She hit her head and that was it. Does that mean the reunion scene was a lie? Perhaps. But that's no fun, now is it? Instead I'd like to think of it as MC literally becoming a 'ghost' her soul was the one that found that elevator. That's why you game over if you choose not to go in, the soul simply returns to the body and goes to wherever you go after you die. The scene at the end was MC bidding one last farewell to her human body because she decided her home is with the residents of the ghost apartments, even if now she technically is a 'lost soul'. I think MC chooses to be happy here. She let's go of whatever resentment and hatred she was holding on to and that's why the voice of the 'raincoat' doesn't pop up once in the entire exchange.

It's fantastic writing to me because this entire ending is described almost perfectly in the part of the song that plays on the title screen. The first thing you'll hear when you open the game is this ending. It's the second verse of 'Gray Rain'.

It's happy, it's sad, it's such a perfect way to end the game and that's why I think this might be the last thing Yatsunagi-sensei left us.

[wanderingmind867]

If I were to make a Batman TV Show, I'd bring us all back to that priceless era of time: 1983 to 1986. The years just before/during the Crisis on Infinite Earths. We already have Batman: The Brave and The Bold and Batman 1966 for Silver Age greatness. I could do with more revivals of those shows, but they've still had their moment to shine. Now we need to cover the last great era: the bronze age. Right before comics went to hell with absolute darkness, edginess and cynicism.

This show would be about Batman and Robin II (Jason Todd). I'm not sure how to start the show, though. I had two ideas on that front: either a 15 to 20 episode Season One, designed to introduce viewers to all the characters besides Jason, or just cutting straight to an almost 2 hour opening movie about Killer Croc and Jason Todd. I'm leaning towards the expository first season route, though. Probably because I want an excuse to showcase some of batman's biggest rogues before we move to Croc and Jason.

If Season One has twenty episodes, ten of them have to star Batman. The others can feature Batgirl, Robin I (Dick Grayson), Jason Bard or Man-Bat (the pre-crisis batfamily). In the twenty episodes, i'd also want to show off some of batman's biggest rogues: The Joker, The Penguin, The Riddler, Catwoman, Two-Face, Harley Quinn, etc. That way, when Killer Croc comes to Gotham and starts muscling in on their territory, we'll have a good amount of villains to lead the charge against him.

So yeah. We'd have our one season of pure exposition. Then we'd have either a 2 hour movie or a 6 part miniseries or something. Something suitably big to show off Killer Croc coming to Gotham, us learning his origins, Jason Todd becoming Robin and losing his parents, Batman stopping Croc, etc. Because despite Croc being a parent killer, i still wanna keep his sad backstory as an emotionally abused mutant of a man.

And as much as I love when Croc has a Cajun accent in media, I think he has to be from Florida. Gerry Conway had him being from Florida, apparently. That was probably because the only crocodiles in america all seem to show up in South or Central Florida. So i'm guessing that means Louisiana just has alligators. Not crocodiles. So waylon jones kinda has to be from Florida for his crocodile stuff to make sense. That being said, i'm sure there's some kind of accent we could give him.

Oh, and I'd have Jason Todd with Red hair (or maybe blonde hair? Idk). Why? Well, because I think pre crisis jason todd was the best thing ever. I think that mostly because post crisis jason died very quickly, so he never had a chance to be fleshed out. At least pre crisis jason had like 2-3 years! And he didn't have Jim Starlin trying to kill him with AIDS! So pre crisis Jason is best Jason. This Jason does not die. He does not. I would not write a show where I killed a child who's even a supporting character. I'm not that sick.

But now that i've got all this written down, i'll turn it over to discussion once again. What characters would you want to see in this show? How would you want to see them used? Should we feature Alfred's french daughter, Julia Remarque? She was a pre crisis character. Should we have an episode where Batman and Robin meet Blue Devil and Kid Devil (to parrallel that comic where Kid Devil and Jason Todd become friends)? All ideas are welcomed. Including ones about introducing post crisis characters into this show. If you want to tell me how to add Tim Drake into this show during it's, i don't know, fourth or fifth season, feel free to share.

PS: I tagged all four of you to my first post in this vein. And now i'd feel weird if i didn't tag you. So here. @billybatsonmylove @conundrumrespeculis @the-fyre-flie @one-of-batmans-orphans

[siriusblackdevotee]

I just saw a fanart of Sirius and Snape. What was that? Why was that hot? How the fuck was that hot??? TELL ME ABOUT THEM! I'M NOT GETTING THEM OUT OF MY BRAIN. What is the deal here??!?!?!?

Is the fanart from intotheswollenriver...bc yeah, god they are hot.

It's hot because they absolutely hate each other but they would also wholeheartedly trust each other when it comes to achieving their number one goal, which is protecting Harry. Like their vibes are enemies, so a divorced couple with phenomenal co parenting skills?? Best friend of Lily, best friend of James??

Besides that, I'm pretty sure they have a lot of parellels. Which is why I reallyy love shipping them.

Sirius hated his home life but he was forced to live back there again though it was for a short while, Severus also lived back in his childhood home, though he spent most of his time Hogwarts for his career.

Sirius and Severus had a huge part in the deaths of the Potters, and therefore felt responsible/guilty. "I as good as killed them." (Can't remember the quote) and Severus's...well you know.

Other DEs suspecting Severus to be a traitor and other Order allies actually convicting Sirius as the traitor?? Also the literal ex death eater believes Sirius was a DE and the wrongfully convicted one doesn't even know Severus had a dark mark?? Like??

There's more but I can't remember lol.

Snupin is sad angst but snirius is like...angry angst. Snupin is recovering from their teenage bs and the war but snirius is making it worse. Like... reverting? Relapsing??

Because Sirius says shit like he wasn't proud of his teenage treatment towards Severus, and drops quotes like oh the world isn't black and white harry or whatever and then turns around and says Severus deserved the Prank happening (although I think this happened first) and speaks to Severus like he's the worst scum on earth, even before he finds out Severus was a DE. Like despite how impulsive he is, Sirius does understand, he has logic and everything but literally all of that goes out the window the moment he talks to Severus?? Like, heed your own words bro, why can't you??

Severus gets to be an asshole to Sirius for obv reasons, PTSD and all. I forgive him.

Anyways, they literally get under each other's skin like no other. The only marauders era characters to be written this way. Like it's been more than a decade since their childhood "feud" (/sarc) and they still revert back to their teenage self whenever they fight. It's so fascinating because we know Severus is the rationally composed one. Even Sirius has his moments.

And yet, even though every one of their canon interactions were bitter and heated, Severus handles the unconscious body of Sirius carefully, he doesn't knock his head around on purpose (unlike Sirius with Severus's body) and Severus genuinely did not want Sirius to die. Before they even properly had a conversation, Severus seems to have uh moved on? He was ready to forget the whole "getting back" at Sirius thing, he's over it but all that past resentment, anger and bitterness comes back immediately the moment he talks to Sirius. Which, I don't blame him for. Human response honestly.

At his core, he understands that no matter how horrible Sirius was to him, this is Lily's friend, this is someone Harry cares about. So kind of like Harry to Draco, this guy is a piece of shit but he doesn't deserve death

And this is somewhat similar to Sirius's oh Snape? Hated that Slytherin guy, sucking up to all those horrible slytherins, I wouldn't mind if he died back then lol... what do you mean he was a death eater? Are you sure?

Hence, they are enemies and lovers. I don't think they'll ever move past the enemy phase. So they are both. Their conversations are 100% full of witty quick comebacks and sarcasm. They've lived through experiences literally no one else shares. Like who else would know what it's like to unintentionally play a key part in orchestrating the Potter's death??

Even besides that, how they're written too. Severus is poor, working class, bullied, ugly, greasy hair, goes from the lowest of the barrel and works his way up, rational, and introverted, inherits almost nothing valuable from his pureblood mother. Sirius is rich, highest of the highest elite, peaked in highschool, handsome, gorgeous hair, falls from disgrace—a young man with a huge inheritance to an escaped convict, irrational and extroverted, inherits like?? Everything?? From his family???

Also, there's Severus who hates his name from his father because abusive guy and Sirius who hated what his family represented. Hmm, they're not exactly the same but the vibes....

Like it's so...ugh compelling?? It SPEAKS to me.

[tyrantisterror]

A Dozen Or So Great Vampire Ladies

Ok, so, on a mostly unrelated post the topic of good vampire ladies came up, and @bisexualdaikaiju suggested/challenged me to do a top 10 vampire women list. As a self-professed lover of vampire women, it felt like a challenge I couldn't back down from. But it is kind of challenging, for two kind of contradictory reasons.

First, while there are MANY female vampires in fiction, most of them feel like afterthoughts, getting far less characterization than their male counterparts, who more often than not are the star villains of the show. When these supporting lady vampires do get something to do, it's generally the same role: make their human lovers sad when they rise from the dead as a monster that has to be killed, an emotional beat that is often undercut by a lot of these vampire women not getting much characterization to endear them to us before they died. Everyone wants to have the Lucy Westerna plot beat from Dracula but they don't want to do the work that Bram did to make Lucy lovable. The lady vamps who get to step out of Lucy's shadow are rare - but that just makes them all the more wonderful.

The second problem is that, since this is an obsession of mine that few seem to share (there are lots of vampire fans, but man do the boy vamps get to hog the spotlight among them), I've done a lot of scattered thinking about it and I just know I'm bound to forget at least one excellent lady vampire character that should be here. And whittling it down to ten, and trying to rank them? That's too hard! My thoughts are too mercurial to do that reliably in a way I don't forget!

So instead here's a list of, like, a dozen or so lady vampires that I think are just fucking stellar, many of which I think break the mold of what pop culture makes us expect lady vampires to be. It is not ranked - I love all these characters more or less equally, and think it's a lot more interesting to see how they take their archetype in different directions than to figure out which one is "best" of the lot.

Carmilla Karnstein

I'm going to start with the most famous literary female vampire, Mircalla Karnstein from Carmilla. I think she might be the first vampire to have an unhealthy obsession with using anagrams of her real name as aliases, though I'm sure now that I've typed that someone will find an earlier example to school me. She's also the one who popularized the idea of lady vampires being extremely sapphic, with an arguably genuine romantic affection for her female victims. She's got well-deserved clout, basically, and like Dracula has been adapted countless times and reinterpreted in some excellent ways. My favorite screen Carmilla is Ingrid Pitt's take, which captures her fierceness, passion, and tragic nature so well.

2. Amy from Fright Night

Ok, we're having one Lucy Westerna knockoff on this list, but as Lucy knockoffs go, Amy is one of the best. It actually helps that she spends 90% of her movie as a human, because we get to know and love her so much before she turns monstrous. And once she does...

It is pants-shittingly terrifying. I will never stop raving about the vampire designs in this movie - they made their "game faces" so fucking monstrous and I feel like in a better world this would be the standard ever since, especially since they still gave the vampires pathos while making them so ghastly when they've got their feeding faces on.

3. Drusilla

Buffy the Vampire Slayer had a bunch of vampire characters, and to its credit they did a decent job of making the ladies just as distinct as the gents. Harmony and Darla could both have made this list, but my favorite was always Drusilla, who was so traumatized before she became a vampire that it kind of overwhelms the demon spirit inside her. Like, bare minimum thing to make a lady vampire more interesting than 90% of other female vampires in fiction: give her at least one personality trait, preferably an interesting one, outside of being a vampire. Drusilla's fun, and she survives the entire series after dumping her boyfriend to be a single female vampire. Good for her.

4. Ruby from Scary Godmother

Ok look I am a fake Scary Godmother fan but kudos to the artist of the books for making a lady vampire who's very clearly of the nosferatu mold and is also explicitly benign and sweet. A+ vampire lady character design. I hope it doesn't awaken anything in me.

5. Nadja

What We Do in the Shadows is excellent at finding new takes on vampires in general - it even made me actually like Psychic Vampires as a concept, a feat I thought was impossible - but goddamn do I love Nadja specifically. She's got a distinct personality as vampire ladies go, being very confident and self-assured while also being a complete fucking goober (it is a comedy, after all). She's perfectly capable of being terrifying AND hilarious, often at the same time. A vampire girl failure, in the parlance of our site. I love her.

6. Lady Dimitrescu

I know that she's apparently only in a fourth of the game, but it's still pretty great that Resident Evil 8 decided its mascot villain - its equivalent of the Tyrant, G, Nemesis, etc. - would be the hottest woman I've ever seen a milf an 8 foot tall lady vampire. She's not dainty and willowy like most lady vamps in fiction - not an ambush hunter - but rather HUGE and capable of tossing a human around like a rag doll. She's a physical powerhouse and she looks fine feminine while doing it. Despite being an unabashed blood-sucking monster, she still has enough depth and complexity to have important relationships (like a genuine love for her "giant mass of hive mind flies" daughters), and also she gets to have an awesome transformation into a fungal vampire dragon, which is rad as hell. Also goddamn, her fashion sense is immaculate.

7. Hecate from Hellboy

"Hey, she's not a vampire! She's a goddess! That doesn't count!" Fuck you, my list, my rules. Hecate posits herself as the progenitor and mother of vampires, she drinks blood, and her main form in the comic is as a sicknasty lamia version of the iron maiden used by Elizabeth fucking Bathory, if she doesn't count as a vampire, nothing should. She is the concept of a vampire amped up to maximum capacity, a major mythological figure and an awesome villain.

...also I lowkey shipped her and Hellboy when I was a teenager. They could have made it work!

8 - 12. Carmilla and her girl squad from Castlevania

I suppose I could have counted Castlevania's Carmilla as an adaptation of Miss Karnstein - they're both basted out of Styria, both sapphic, and it's clear she's meant to be an adaptation of the former, just as the Dracula of this show is meant to be a take on Bram's famous vampire. But ultimately they're VERY different characters in the grand scheme of things - Castlevania's Carmilla has none of the tenderness and vulnerability of her literary counterpart, instead being full of barely restrained fury. She is an excellent villain, complex enough to be interesting but thoroughly despicable enough to make it VERY satisfying when she bites it.

I also love her girl posse... in concept, at least. They've all got great designs and the groundwork of interesting characters, but of the the three, only Lenore, the waifish redhead, gets to do much of note. The two on the edges kind of just show up for a few scenes and then bail before the plot catches up to them, doing very little of note - though at least the big hunky one gets one of the coolest fight scenes in the whole show.

Back to Lenore though - she gets a really nice character arc, and manages to become one of the few sympathetic vampires in the series (while still doing a lot of monstrous shit - she is not a defanged vampire by any stretch). I think her death scene is one of the most moving moments in the series finale.

13. Seras Victoria

A good female vampire has at least one non-vampire part of her personality, right? Ok, so, Seras is:

the muscle in almost every scene she is, which is to say, the one absolutely beating the shit out of people while her allies run for cover

the perky henchman/morality pet of one of history's greatest monsters

the sole ray of sunshine in cast of edgy, cigar-chomping grizzled mercnaries and antiheroes she's been pressganged into fighting alongside

the victim of some HIDEOUS trauma even before her vampirization

the protege of a wise master who gets a full hero's journey arc, taking up his mantle at the end of the series

Like, I love her. She's the secret protagonist of Hellsing. She's got layers like an onion. The scene where she killed Zora Blitz reminded me why I love anime.

(yeah it's the TFS version fuck you)

14. Youko Shiragami

My Monster Secret is not a horror manga. It is a romantic comedy about a bunch of idiots trying to keep painfully obvious secrets hidden and succeeding only because almost everyone around them is as dumb as they are, just in very different ways. It is a manga where an entire chapter can be summarized as "all the characters race to get the last McRib, using their various supernatural abilities to try and cheat their way to the front of the pack." It is one of the funniest and most heart-warming stories I have ever read, one of my favorite romances of all time, and an excellent piece of long form story-telling.

One of the two main characters is Youko Shiragami, a vampire girl who can't let anyone know she's a vampire or else her dad will pull her out of school. She desperately wants to have a normal life with friends and, like, school shenanigans, but her fear of people uncovering her secret and hating her is so immense that she's been isolating herself from everyone, accidentally torturing herself by being close to what she wants but unable to actually have it.

At least, until Kuromine, the other main character of the story, discovers her secret while trying to ask her out on a date. He ends up promising to keep her secret, and the two of them form a real friendship that blossoms into a very sweet romance, where Youko gets to display all her incongruous personality traits that go against what you'd expect of vampires - namely, that she's kind of a ditz, with an unrefined style of speech and a complete inability to be suave and seductive. She's a sweet, flaky goofball with a big heart, who just happens to drink blood and tan really quickly in the sunlight. There is no other vampire like her, and the world is richer for her being in it.

15. Marceline, the Vampire Queen

This list isn't ranked, but if it was, I'd put Marceline at the top. I think she is not only the most unique and deeply characterized lady vampire in fiction, but ranks right up there with Dracula in how she redefines the idea of what a vampire can be. Like, look at the forms she takes!

There are DOZENS of different monstrous shapes Marceline takes during Adventure Time's 9+ seasons of television, and any one of them would be a superb and memorable vampire on its own. And she's ALL of them. Just on a design standpoint, she is a standout. I think only Dracula himself could compete.

But she also explores what the concept of what a vampire is in ways no other vampire in fiction can, in part because of the unique nature of Adventure Time's setting. In a world where humans are an extreme minority and most people are weird monsters, a vampire isn't that odd, so we get to explore what being a vampire means divorced from the comparison to "normal" human beings. There's the expected tragedy to Marceline, of course - she's a 16 year old who has been stuck in that adolescent state for hundreds of years, and much of her character arc over the show (including the magnificent vampire-centric storyline, "Stakes") focuses on the horror of being stuck in that transitional state, not quite a child but not quite an adult. Marceline struggles to mature, to understand herself and others, and her vampirism both keeps her distant from reaching those goals but also gives her a lot of time to figure out how to approach them when the opportunity arirves. Marceline goes from one of the most immature and selfish characters in the show to perhaps the most emotionally intelligent, blossoming into a sensitive and thoughtful person she could never have been without first becoming a creature that seems so inherently opposed to ever having those traits.

And she did it all in a children's show where she was rarely if ever allowed to actually drink blood - a problem the writers got around by having her suck the red color out of things, which is right up there with the Joker Venom from BTAS in terms of genius ideas spawned by children's show censorship.

Marceline is the GOAT.

[raphaelesbian]

So drawn to the set up of the brothers’ dynamics in your au. Raph and Leo as the ones left behind while Donnie and Mikey get blissful ignorance. But I’m a sucker for Raph-Leo stuff soooo

You mention how Raph looks up to him and it’s pretty clear that Leo also cares for him (/frantically/ keeping him from bleeding out, crashing out when he thinks Raph died) but I wanted to ask about them more

You say Leo is pretty closed off and that Raph is a genuinely fun person despite being exposed to violence so young, but how do they act with each other? Even with the “protect the family” mantra, were they ever pit against each other? Since Leo looks like Shen vs Raph being seen as a younger Yoshi, Does Saki treat them differently bc of it? For different reasons? How do they see Mikey and Donnie? How do they see Shen? Saki?

Agghhhhh I’m just having so many thoughts about your au

Vvcfbcdjbds I think every question about this AU is adding to my lifespan

I am also a sucker for Raph and Leo LOL so they've definitely gotten more thought from me. This got long, so adding a read more:

I didn't envision much pitting against each other, honestly! Despite the usual Raph/Leo formula. I think Saki saw more value in using their affection against each other: Leo would never leave Raph behind, so as long as Raph stays, he has Leo, too. And vice-versa, though Leo would be much more willing to drop it all lol.

Definitely treated differently! Raph is his favorite—though that in no way means he wouldn't let Raph get hurt for a "good" reason—because of the lingering love for Yoshi, though. You know. He did KILL Yoshi, so you can come to your own conclusions. But he likes Raph, and is at times more lenient with him than he is with Leo.

Saki is stricter with Leo, pushes him harder. Some of that is seeing more of himself in Leo, trying to turn him into a mini-him, but also I think some of it is because he looks like Shen. In canon, Saki has turned Shen into this perfect figure, his lost love, but I think about like. If she was still around, continuing to be against him? Rather than the martyr Yoshi stole from her, now she's the woman who REPEATEDLY rejects him, works against him, tried to steal his child(ren) from him.

(does this make Yoshi the martyr in his mind? food for thought)

Mikey and Donnie: a mix of seeing them as like, kind of pathetic, and being really, REALLY jealous of them, though they (especially Raph) would never admit it. like, they're soft, they're weak, they just don't know anything about the life Leo and Raph have lived, and it's like, infuriating. It's unfair. BUT you know, they're their brothers and they love them fhksagfshdklg.

Raph and Mikey get along really well, Mikey is kind of starstruck by how cool he is and Raph just is very endeared by him. They're both artsy. But also Raph is particularly jealous of Mikey and how lighthearted and babied he is, and it kind of presents as Raph lowkey trying to "drag him down to his level," if that makes sense? Kind of hard to describe lol, I'm still working things out, but like, he provides him with alcohol when the rest of them are drinking and is a bit pushy about it, talks down to/mocks him for his childishness at times. It's a lot harder for Raph to pretend what happened to them is normal when he's looking at how Shen babies Mikey.

Similarly, Leo is most jealous of Donnie, how he got to go to college and be a genius. And where Mikey is really excited by everything that's going on, Donnie is OVER IT, so he and Leo absolutely butt heads.

Shen........... Oof. Both of them are very resentful of her, but Raph has less positive memories of her (just bc he was younger, not anything she did), AND he's more wrapped around Saki's finger, so he feels more animosity towards her, where Leo is mostly really sad and feels abandoned :( But they both were raised to respect their elders, and particularly their parents, so they aren't outright disrespectful. Just... distant. They are still quite susceptible to the (rare) moments of affection from her, though fhsklklasg.

Saki: Raph really wants to make him proud. Even when a small part of him is SUPER aware of how fucked up his life is, he never really connects that back to being Saki's fault. Lot of cognitive dissonance there.

Leo, much less of a positive opinion. There's a distance between them, Leo is very like. Deferent to him. Raph can talk back to Saki (though not in a SERIOUS way, that would get him in trouble), and Leo is more "eyes down, not speaking much."

thank you for caring about my silly little AU fhklsadhkldg 🥺❤️ I can talk about them FOREVER

[buffyfan145]

Another great episode with ep 2.6 of "Rings of Power" today!!! 😀 So much happened in it and we only have 2 more episodes!!! Lots to talk about behind the cut but I think I figured out the whole "who Galadriel is kissing" thing and it's not any of the "leaks" we saw as I think the promo for next week showed part of it but something I wondered about when I first heard Morfydd say it. 😏 Also I loved hearing Elendil's dad Amandil being mentioned as I always loved his name is so similar to mine. LOL

I loved the episode and so much happened!!! All of Sauron's scenes were amazing, as well as Celebrimbor's. Both Charlies brought it again and I feel so bad for Celebrimbor. We all what's going and it's so sad. Then seeing Sauron use more of his Maiar powers and doing what we call the mind palace manipulating to Celebrimbor. And him saying the world "precious" twice!!! Then also seeing Sauron with the dwarves and likely calling up the balrog, and then the siege starting. We also finally got to see Charlie Rich too playing one of the elves.

Then everything with Galadriel and Adar was great too!!! 😀 I loved their conversations about Sauron and how Adar figured out Halbrand was Sauron. Also he knows Galadriel lied to him about what Sauron offered her too. I'm curious how he thinks combing Morgoth's crown (which I didn't expect as that does go a bit against the books as Morgoth has that crown around his neck in the Void keeping him there) with Nenya will kill Sauron for good. We know that won't happen and that Sauron actually still didn't die when Frodo destroyed the ring, as he's still out there in Middle Earth as a formless spirit. So curious again how this is going to play out in the finale with Galadriel and Sauron as she won't kill him.

Then that brings me to the kiss that's coming for Galadriel and seeing the promo for next week's ep I do think it's Celebrimbor. There's part of the promo where she's with him in his forge and she's holding his face kneeling beside him on the floor. I think this is likely when he's dying and it's making me wonder if she tries to save him via a kiss, like she did with Gandalf in "The Hobbit" movies, but it doesn't work and he dies in her arms. The thing with the banner happens after his death with the orcs so it's possible this is how he dies, and if the show got the rights to that 1st Age story about how Celebrimbor was in love with Galadriel but she fell in love with Celeborn they could work that in too that she's with him when he dies. I can see them doing this and his death is tragic already but I also wouldn't mind if when he does die she's with him so he's not alone. So all those "leaks" about the kiss are likely all false if this is really what happens, and I'm totally ok with this as even being a Haladriel shipper I didn't think they'd go that far with a kiss this early in the show (though I can tell they've confirmed they both have feelings for each other) and the whole thing with Elrond are lies made up to make us shippers angry. We'll see if I'm right but I do believe this likely is what is happening.

Back to kisses the Poppy and Merimac one was cute. And I thought Elendil and Mirel were going to 3 times. LOL 😀 The whole Numenor storylines this episode was great!!! I loved Miriel was able to prove she's still queen and it extends the whole Faithfull vs The King's Men more as we've got a ways to go before Sauron gets there hopefully back in his Halbrand form. But now Ar-Pharazon knows that Halbrand is Sauron and he needs him!!! Also, loved how Elendil was looking very much like Aragorn and even Halbrand in this episode.

Even more convinced The Stranger is Gandalf after his talk with Tom Bombadil and the thing he said to him that is almost exactly what Gandalf said in the movies. I do think The Stranger/Gandalf is going to go save Nori, Poppy, and the stoors and that's likely when we find out his name is Gandalf. Curious if he'll face the Dark Wizard (who is likely a Blue wizard) this season or if that will be next.

So excited for the final 2 episodes of season 2!!! Though I know the 2 year wait will be coming after that. Also looking forward to those scenes of Adar and Elrond next week that were in the trailer too.

[raccoonfallsharder]

What if in the movie everyone except lylla dies in the flashback scene?

don't make me write another fanfic lol.

cw for angst, medical trauma, animal cruelty, child abuse, and a severe lack of editing.

when i first read this, i thought you meant that lylla survives instead of rocket. now i think you might mean that rocket thinks lylla is dead, but perhaps — unbeknownst to him — she does survive, or is somehow revived. so everything we see in the mcu has unfolded just as the movies have shown, except this crucial piece of information.

there are terrible versions of this story. versions where, in his bitterness and hatred for 89P13, the high evolutionary orders a barely-breathing lylla revived — in retaliation. nearly all of her becomes mechanical at this point — a hodge-podge of surgeries meant to ensure her survival without a thought to her pain. versions where, inspired by rocket's violence against his maker, wyndham uses her as the first of his experiments in a new project, and she becomes known in the labs as the mother of the hellspawn.

i don't think lylla loses or hides her soft nature, though. her way of surviving is different from rocket's. i suspect she truly cares for the wounded animal-cyborgs in her new unit, and that it breaks her heart every time one of them dies.

and they all die at some point, whether due to experimentation or battle.

maybe in that world, rocket finds her aboard the arete before it's destroyed, but i don't think she has much time left on this plane. maybe just long enough to tell him how much she loves him, and encourage him to live — to be happy. and to tell him she doesn't regret a thing, and to ask him to care for whatever hellspawn are left. they're able to be rehabilitated, after all. they've had lylla for their mother.

but to be honest, i don't really like that story. as hopeful as it is, it's still too sad for me, and neither of these babies deserves any new sadness in their life.

so perhaps, instead — in the chaos of rocket's escape — perhaps lylla is able to drag herself into hiding somewhere. perhaps the laser-shot missed her major organs, or wasn't able to damage them as much as expected because so many of parts of her had already been replaced with stronger and fancier manufactured pieces. perhaps one of wyndham's other recorders — lifeforms the high evolutionary regards as interchangeable, never sparing them a second glance — had not yet had the pity fully-bred out of them, and saw that lylla's soft chest was still moving. perhaps they reported her as being incinerated with her brother and sister, when that hadn't been the case at all.

i think that recorder — rebelling for the first time, maybe, and uncertain what to do next — might have bandaged her up as well as they could, and given her some rations, and stowed her away on an outgoing supply freighter. who knows? maybe they’d even be able to give her a medpack. stay quiet, they would have told her, even if she was barely conscious at the time. stay hidden.

she would have been too tired to do otherwise at first, and then too frightened by the recorder's warning. the crew actually probably would have liked her — who could have helped themselves? — but she never finds that out because she's too busy resting and hiding in the ventilation shafts, mourning her lost siblings and praying for rocket's safety. then, one day, there's some sort of altercation amongst the crew. some new transmission has come through — some new piece of information. she doesn't know what. but she can smell their fear, their anxiety. some of them are arguing that they should flee, seek help from other allied planets. but more of them are saying they should go directly home instead: to try and save their parents, their siblings, their children and lovers.

how can we save them? one demands, their voice shrill and agonized. we aren't fighters! none of our people are!

but the decision is made: no stops until they get back to their own planet. no stops until they land on zen-whoberi.

unfortunately, they never get to land at all. countless fleets of warships ring the planet and the supply freighter is docked and boarded by black order before it ever breaks atmosphere. lylla is fast, though, and while you might think her metal forepaws would clink too loudly against the metal gratings, the sounds of her travel are hidden under blaster-fire and screaming.

she hides in the ventilation shafts again — of a new ship, this time. the sanctuary ii. and when the little zen-whoberian is brought on board, lylla’s heart aches for her. she watches the child from the vent shafts for a full quarter, listening to her occasionally cry and sniffle for her mother in muted, muffled tones. the purple monster — thanos, they call him — speaks to the zen-whoberian only in gentle, quiet tones, patient and kind.

but lylla has been spoken to kindly before — by other men who ended up being monsters.

and she doesn’t trust this titan — not when his people had so callously executed the crew on the supply-freighter, as remorselessly as her own sire had shot her — as easily as the guards and recorders had attacked her siblings.

something shifts after the quarter-mark. thanos still talks to the child — gamora, lylla has learned — in tender tones. but the girl is brutalized — daily — in “training sessions” that make lylla’s blood run cold. the first night that gamora is sent back to her bunk with a bleeding wound across her brow, lylla decides she can’t stay quiet anymore.

it’s okay, friend, she says softly, and her voice echoes in the tiny room. don’t be scared.

cautiously, she shows herself, and the child watches her with big dark eyes as she eases her way out from behind the grate, dropping gently to the thin cot. she winces at the blood on gamora’s brow, and lifts a corner of the stiff, uncomfortable bedsheet — wetting it with her tongue before using it to dab at the congealing blood.

that night, lylla whispers stories to the zen-whoberian: stories about her brothers and sister, and stories they’d used to tell each other about freedom and stars and skies, and shining cities just beyond their reach. the next rotation, gamora brings her little scraps of her own rations, though lylla is loathe to take them. and when thanos forces gamora to kill someone for the first time, the zen-whoberian doesn’t cry at all — not till she’s safe in her bunk, holding onto her strange fur-covered friend.

lylla strokes her metal hand over the child’s head, and her heart aches and aches. she knows what gamora is feeling, deeper than any wound on her body — deeper than anything the zen-whoberian can give voice to.

hurts.

another quarter later, when the luphomoid child shows up in the bunk, lylla stays hidden until gamora can swear the younger girl to secrecy. nebula’s big dark eyes remind lylla of floor’s, and the otter can’t look away.

a few rotations later, both girls come to bed with bruises, and nebula sobs.

i don’t want to fight you, she cries into lylla’s fur, squinting at the older girl with tear-drenched eyes. i just want a sister.

gamora stares at the luphomoid helplessly. she’s still only a tiny thing herself. i don’t know how to be a sister, she admits in a forlorn, childish voice.

lylla strokes nebula’s dark hair, and opens her other thin metal arm in an offering to gamora.

i do, she offers tentatively. to be honest, i think being a sister is the thing i’m best at.

gamora’s lower lip trembles, and she throws herself into lylla’s embrace, wrapping an arm around each of her bunkmates.

it’s strange, how the presence of one quiet soul can still change so much. as thanos grows crueler in his methods, the girls attempt to trade off their wins for each other. unfortunately, he catches on quickly. if nebula loses, he replaces part of her body. if he suspects gamora has let nebula win, he still replaces part of the younger girl’s body. the luphomoid is riddled with painful, unnecessary prosthetics by the time she’s thirteen.

gamora has her own mods, of course, though they’re nowhere near as rampant as her sister’s. and after every surgery, their secret third bunkmate cares for them. and though she never says it, they’ve learned to tell from the look in lylla’s soft eyes — not to mention her quietly-held nightmares — that she knows the terror and hurt of unwanted surgeries too.

they take care of lylla, and keep her hidden. and in turn, she takes care of them, and keeps the best parts of them safe.

when gamora runs off to find the orb, she does it with nebula’s and lylla’s blessing. she’ll send word once she’s somewhere safe with the units, and they’ll escape and meet up on an unnoticeable little planet called tarka. then they’ll head to shi’ar territory, as far away from thanos as they can get.

of course, it doesn’t quite work out that way. gamora can’t sell the orb after all — not once she realizes how dangerous it is — and nebula is trapped playing double-agent between thanos and ronan until after the latter is killed on xandar.

that’s when she takes her fur-sleek sister from sanctuary ii and runs.

of course nebula fills lylla in as much as she can — as much as she knows — about their sister and the guardians. but unfortunately, all she knows is that there is an idiot-terran and a worse-idiot-kylosian, and a tree, and a fox. and some dancing.

meet us on sovereign turns into meet us on berhert turns into wait, we’re leaving to visit peter’s father; i’ll tell you where it’s safe to meet us next. nebula makes lylla promise to stay on their little ship while she lands them on berhert anyway. the youngest of the sisters — bald, now, and more than half-robotic — helps the fox stop a ravager mutiny, and finds out where her older sister was headed.

ego.

there’s some arguing between them — some trust-issues, you could say. because, well, the fox and the ravager captain only know nebula as ronan’s lackey. it doesn’t help that nebula insists on stopping at her own ship before they leave berhert, but won’t let them on.

she’s too used to keeping her third sister a secret, you see.

nevertheless, eventually, nebula decides to leave with the eclector, and they let her come with them. it isn’t until after the war with ego — after the funeral for yondu, with all the colors of ogord dazzling up the void of space — that nebula and gamora are able to sit down and explain everything to the rest of the guardians of the galaxy.

which is also when the sisters explain that they need to make a stop on berhert. soon — before they go anywhere else.

they need to pick up their secret third sister, and bring her with them on all their future adventures in the wide-open sky.

the fox, at first, is resistant. the cyborg, and the bug-girl? and now somebody else? he demands rudely. how many new crew-members does the guardians frickin’ need?

but then he hears her name.

there’s no hope on his face — how could there be? — but his ears flutter. he seems to take it as some sort of sign: to shut his mouth and lean back, and let the future unfold as it will. if nebula or gamora are paying enough attention to him, perhaps they’ll notice it: the way his mouth moves when he thinks no-one is looking, rolling the two syllables between his teeth — like something sweet he’d long forgotten the flavor of. perhaps they’ll furrow their brow when they see the way his whiskers twitch, and how his ears flatten with something heavy and unnameable and wistful amongst the stars. again, he mouths the words against the shadow and sky, like a line from a favorite song.

lylla. lylla.

lylla.

headcanons & imagines | navigation

[tobernaut]

Did you like the first chapter? I'm pretty intrigued so far, though I have to say Ratau's personality was quite surprising considering how he is in the game. I have a feeling that maybe he will be the one to betray the Lamb considering that change. I can't wait for the next chapter!

Spoilers for COTL comic chapter one below! I will be tagging "cotl comic spoilers" from now on. Please block this tag if you don't want to be spoiled!

Spoilers include plot/character talk and a singular image.

Did I like the first chapter???? Did I LIKE THE FIRST CHAPTER??? I've been going through it with a fine toothed comb and loving EVERY MINUTE OF IT!!!

Ahem.

So, I love this characterization of Ratau.

In the game we already saw hints that he maybe had a little bit of trouble letting go of the red crown. The fact he wears one made of paper is weird enough, but the fact he has the same paper crowns filling his house and on his shrine hints at this imo. I know game cannon ≠ comic cannon, but I had the idea Ratau may hold a little jealousy even before the comic because of this, so I was really excited to see the idea play out.

But if you look at it from his point of view, it kind of makes sense.

At least in the comic so far, it seems that Ratau is incredibly devoted to TOWW. He's offended that The Lamb is taking Narinder's mission so lightly, that they are seemingly attempting to ignore his orders in order to go on their own revenge quest.

This makes sense, because as a past vessel, Ratau is bound to know well the honor that that sort of job brings. Seemingly, he would be eager to take The Lamb's place, but knows he can not. He's managing someone doing his dream job, and they're just there for the paycheck. It's got to be infuriating!

Especially since he's seemingly older and wiser than the lamb (Though I don't think his or TOWW's use of the word "child" is literal. I think it's more in the same way The Mystic Seller calls The Lamb an infant god.) I can definitely see his frustration. I think that The Lamb is going to kind of "sober up" after Leshy's defeat and finally gain sight of the mission.

Speaking of The Lamb, I really like how they were characterized! A lot of us, including myself, were pretty sceptical of turning a silent protagonist into a fully fledged character, but in my opinion all is looking really very well so far!

I especially the love the sort of cognitive dissonance they have in the beginning. It sets them up to be this wimpy pushover. I know a lot of people may find it hard to believe that someone in those circumstances would be so calm, but as someone who's had a number of near death experiences I thought it was pretty realistic! A sort of humorous disassociation sprinkled with a confusing mix of denial and acceptance. (Though, please note it's been a few years since the last time I've nearly died. My data is a bit outdated.)

Regardless, I like how they are now. It makes a lot of sense, after all, to be a bit peeved at the circumstances. Their dialogue is super witty, though really sad if you think about it, and I have a feeling that when they stop focusing on revenge they're going to crash and feel a lot of things they've suppressed since their death.

But all in all I'm super excited to see where this little lamb goes!

Finally, can we get some Nana appreciation?? Sure she had a small role, but for a first non-game character, she made a really good first impression!

She seems fleshed out with her own little past, backstory, and personality. The traumatized sceptic in me is a bit worried she'll end up as a love interest, but I doubt it. If it does happen, I doubt it'll be in a typical way. This is a game where you're encouraged to marry with multiple people, after all. I don't think that's the case, though. I think I'm just used to old 80's comics where the first female introduced was the main love interest and nothing more 99.999% of the time.

Whatever is done with her, I'm eager for it. So far the writing seems really really good and she made a great first impression as a follower. She makes me EXCITED to see future follower interactions. If they're all written like her, then it's going to be a super enjoyable part of the comic. We love Nana here.

Finally I have some other random thoughts and things I noticed but can't really format in a way that works, so here's a bullet point list.

Apparently wool is very valuable. Now it's not said weather this is because of the lambs becoming less and less or if it was always valuable. Either way, it's and interesting little fact. I wonder if it'll be important later or if it's just trivia. I like to think things like that aren't added for no reason.

I like that they used the real term, 'Endling,' to describe the last of a soon to be extinct species. This knowledge, though, and the discussion with the cultist, implies this has happened many times before with other species. I wonder if they were always driven to extinction through genocide, or if natural factors ever play a role.

The Lamb was sold out for 30 gold coins. This is apparently a lot. It costs almost that much (converting coins to Dollars. Not perfect, I know.) to buy the ingredients for a peanut butter and jelly sandwich where I live in the US. Either there's not much inflation, or The Lamb was sold out for some PB and J.

I believe the thirty gold coins is a reference to the 30 silver coins Judas was given in exchange for selling out Jesus in Christian lore. If so, I like that detail! Very neat.

It's implied that the bishops are making life hell for EVERYONE while they drive off the lambs. This is interesting, and also a reflection of real life. Bonus points.

Does The Lamb really count as a non believer if they clearly believe in the bishops existence?? I mean they see them right there with no surprise.

Kallamar is shiny. Knew it. He also has tentacles.

It could just be the perspective, but Leshy seems taller than the other bishops.

BAAL AND AYM!

Let's all appreciate how well TOWW's chains and restraints were drawn. All those different perspectives must have been hell but it looks so good.

Chubby cheeks Narinder :)

Sharp teeth lamb! Possibly due to the crown??

So no head??

You. Me.

So no head?? x2

The lamb has guilt and second thoughts about the killing they must do to achieve their goals. Nice.

Cultist roles have hierarchy to them. Neat.

The Lamb's eyes water upon seeing light for the first time in who knows how long...sob.

Again, beautiful art.

There's lots of focus on The Lamb's fangs. Are they important or just stylistic, I wonder??

The crown seemingly has a mind of its own or is watching.

It's implied The Lamb has some sort of death powers already

So no head?? x3

CLAUNECK. MY BE FUCKING LOVED.

Needless to say I have so many THOUGHTS and can't wait for the next chapter. Happy reading, you guys!

[kimberlyannharts]

At this point Power Rangers has done a few crossover comics, and they've all been some pretty logical and big name choices - the Justice League, the Teenage Mutant Ninja Turtles, and Godzilla. So today's crossover comic is one that definitely took people by surprise - Usagi Yojimbo, the long-running story of a wandering rōnin having adventures in feudal Japan (who also happens to be a bunny rabbit), written and illustrated by Stan Sakai since 1984. While an icon in his own right - funnily enough, he's a regular guest in TMNT properties - I don't think ANYONE really had HIM in mind as a contender for a crossover with Power Rangers compared to more conventional properties like Transformers or even My Little Pony.

After all, what do they know about samurai in Power Rangers?

It's Mighty Morphin Power Rangers/Usagi Yojimbo!

= So I know I've gone on and on about Shawn Daley's art but I really just need you to look at them again. It just makes me so happy to see a more stylized take on the MMPRs - basically if you took Daniele di Nicuolo's art and ramped up the anime influence by 100. It gives the book that much extra charm

= who the hell is THIS I'm here for the FURRIES not another random boring human!!!!!! it's like I'm playing Animal Crossing

= Jason's attitude in this book annoys me but at the same time it wouldn't be a Ryan book if he wasn't writing Jason in a way that annoys me.

= (also, they knew about the Morphin Masters this early in their Ranger career? I guess Zordon did mention them in an early episode, but.........what have they done that's similar to this that Jason would know about kjkjdkf

= I still think it's very weird that they didn't give the whole "maybe it would be easier if I was fighting alone" to uh.....you know.....Tommy, the loner? Who's so used to fighting alone that he struggled to adjust to a team? But I guess he has a girlfriend and Jason doesn't so.

= Is this a safe space. because the rabbit is pretty hot.

= HAHAHAAAA TOKEN EVIL HUMAN I KNEW IT

= YFIP: THE MIGHTY MORPHIN POWER RANGERS - assisting the villain, thievery of a powerful artifact, assault against civilians, racism against furries

= Like I've said before Jason's characterization here irritates me a bit but I'll give the book props that someone's actually allowed to call him out on it for once. Like man I wish Tommy in the main series was allowed to tell Jason to shut up once in a while like Usagi does here

= Kim: Tommy, it's 4 pm! Time to go help our friends!

Tommy: yes honey

= Wow, look at these guys! They're like......Shogun Rangers! ............wait a minute

= But seriously, though, I gotta say these are one of the best alternate MMPR designs we've gotten in ages - I LOVE how they apply all of MMPR's little details into each individual user. And the altered weapons are awesome, too. Between these and the Kaiju Rangers we've really been cooking with the alternate forms lately

= And as I said, they did manage to resist the urge to give Usagi a Ranger form. I did like my old "maybe he'll find a Samuraizer" idea, though

= They both nearly died via crystal explosion a few hours ago but all they care about is their cool new outfits, just otp things <3

= I was about to say "well yeah, duh, that's why the Dragonzord doesn't have wings" but then I remembered. oh yeah. technically the Zords aren't Japanese in origin in-universe, are they

= It's nice to see Dragonzord Battle Mode! That was a form that didn't get a lot of spotlight in the comics - I think the only time we really saw it in the main series was Shattered Grid, and not for very long before it got destroyed by Serpentera

= Kim and Usagi only get one real onscreen exchange but she also catches him in the Pterodactyl and they have matching bangs. I'll take this as a win, though Splinter is still her #1 rodent dad

= they are so fucking sad

= I think future books should bring Usagi back or just crossover with him again with no explanation. Make people think he's a PR character just like how people assume he's a TMNT character

[spaceorphan18]

X-Men 97 Episode 9 Thoughts

Ooff, I have some very complicated feelings about all of this. But unsurprisingly I have a lot to say about Rogue...

When I read that Beau DeMayo's favorite comic book was X-Men #25 I figured two things were going to happen -- that they'd get Magneto to pull out Wolverine's adamantium and that Rogue would play the Colossus role of going with Magneto.

And, the more I think about it -- this entire season was crafted to get to that moment - the moment of Magneto pulling out Wolverine's adamantium. It just feels like everything was written around one dude's past traumas. And I mean, while I'm not happy with the guy - I do get how you end up doing that with fiction.

Shame that X-Men #24 wasn't his favorite. We'd be having a whole different discussion...

I understand how we got here. I understand Rogue's grief and her in story decision making (mostly). I understand what the writers were going for. But, my god, it just sucks. It sucks that they did this to her. It sucks that this show needs to compress so much into so little time that there's no real time to let the show breathe and form organically. It sucks that they've isolated her as a character so that the grief would consume her so that we'd get to this point.

Rogue dreaming about feeling Remy and waking up only for Nightcrawler to tell her it isn't real broke me. Rogue in that trench coat broke me. Rogue deciding to go with Magneto so she could play the Colossus role -- and the fact that Remy died so she could get there - makes me angry.

It's not about love triangle shenanigans, I'm glad that that's really not a part of it. But they did the whole triangle for her to have it make /more/ sense that she'd do it. Because sans that, she wouldn't have. It was written purposely so she'd be in a mental state where it narratively does make (some) sense that she'd go with Magneto.

And I just... thanks, I hate it.

But also, I don't know where we go from here? The X-Men beat Bastion in the finale. Yay? At what cost? They've clearly set up Onslaught, which, yeah, okay, let's do that mess. But character wise... where do we go from here? What do you do with Rogue's character now?

I mean, there are some answers. I don't really love any of them for her.

X-Men, despite all the darkness, always was about hope. And I'm wondering where the hope in this series is. Because despite grand standing speeches from Xavier, I don't see it. If the finale can't give us any of that, then I don't see a reason to go on watching. Which really does break my heart :(

*sigh*

Some other things:

I do kind of love Rogue's non-reaction to the fact that Magneto is alive. it's just so glossed over. Due to the time compression, the writing of this show, while it has moments, isn't as even as people make it out to be.

I do kind of wonder if we'll get a scene with Rogue standing at Remy's grave, only for him to not be in it.

I'm glad Storm is back, she's the only character (along with Nightcrawler) that I really care about in this mess. (Obvs beyond Rogue)

I'm sad Storm didn't have any reaction to Remy's death though.

I did like the little Storm and Jean moment - such a good friendship, so sad that we only saw two minutes of it the entire season.

I feel like this show misses the mark on women... were there any in the writer's room??

...did they really just kill off Jean again? *sigh* (There's no body though...)

The blue and gold teams thing made me laugh for some reason. Oh, they're just pushing so hard to make things happen only for it to feel hollow.

Idk, I just feel meh about everything else, tbh.

[anxiousalene]

My Thoughts On the Vengence Saga 🔱🩸

HOLY SHIT ODYSSEUS MY GOD, BRO DID NOT HOLD BACK. The saga started with I'm not sorry for loving and it was sad on Calpyso's part (WANGUI COOKED SHE ABSOLUTELY COOKED) but I'm really glad Jorge didn't have Odysseus accept her "apology" because what she did even though she tries to justify it, it was 100% wrong AND THEN HERMES SHOWED UP AND WE GET REFERENCES TO THE TROY SAGA, OCEAN SAGA AND CIRCE SAGA. AND I LOVE THE "IF YOU DANCE WITH FATE THEN I KNOW YOU'LL ENHANCE YOUR STATE" LINE. I LOVE HOW MANY THINGS GET PERSONIFIED IN JORGE'S MUSIC LIKE PRIDE AND DANGER FEEL AS IF THEY'VE ACTUALLY COME TO LIFE. ALSO, THE FACT THAT JORGE'S SISTER VOICES THE PRINCESS WINION IS SO FUNNY TO ME, LIKE WE HAVE THE WHOLE FAMILY NOW. BUT DANGEROUS IS A BANGER LIKE I KNEW IT WOULD, ALL HERMES SONGS MAKE ME WANT TO DANCE. THE WINDBAG MAKES A SECOND APPEARANCE SO WE ALREADY KNOW THAT IS GONNA HAVE SOME SIGNIFICANCE. ALSO, ODYSSEUS IS GONNA USE RUTHLESSNESS FOR SURE. I ALSO LIKE THE "DON'T THANK ME FRIEND, I'M NOT THE ONE WHO FOUGHT FOR YOU" and Odysseus is like who then?? I was kinda hoping that Athena would show back up and it would be this whole big moment but she didn't :( RIP. Charybdis is REALLY COOL it was different from what I expected and I'm pretty sure it's Jorge's only entirely solo song In the show which is really cool. I also LOVE that right before Odysseus explains he doesn't have to fight Charybidis we get an electric guitar rift to show that he's using his intelligence. AT THE END HE SEES ITHACA AND HE'S ALMOST HOME AFTER ALL THESE YEARS AND THE MUSIC IS SO SOFT COMPARED TO EARLIER IN THE SONG. But... POSEIDON SHOWS UP. IM ANNOYED FROM A SHOW PERSPECTIVE BECAUSE JUST LET THE POOR MAN GET HOME BUT STEVEN IS ALSO SO TALENTED. HE WENT BEAST MODE FOR GET IN THE WATER. I like how intentional Poseidon's threat of "I'll take your son and gouge his eyes" to give an eye-for-an-eye deal to harm Telemachus as Odysseus did to Polyphemus. I also love Odysseus really does use all his tricks because he tries to show Poseidon to forgive and almost "Greet the world with open arms" but when Poseidon ignores him, he goes F* it. Then Poseidon uses his final boss move "OCEAN SHATTER" and Odysseus gets weighed down in the water by everyone who has died because of him in someway. But what I find heartbreaking is instead of singing their own motifs or "final thoughts" they all sing Waiting and his name until something clicks in his mind. ODYSSEUS GRABS THE WIND BAG AND OPENS IT WITH GLOWING RED EYES DESPITE KNOWING THAT IT WILL BLOCK HIS ONLY WAY HOME. HE USES IT AS A JETPACK AND STRIKES POSEIDON WITH HIS BOSS MOVE "600 HUNDRED MAN STRIKE" JORGE DID SUCH A GOOD VOCALLY TO SHOW HOW ANGRY AND SURE OF HIMSELF ODYSSEUS IS. ALSO WHEN HE'S ATTACKING IT SOUNDS LIKE LEGENDARY AND I THINK IT MIGHT BE BECAUSE HE'S CLOSE TO HOME SO HE'S MORE SIMILAR TO HIS SON. ALSO, THE VOICES OF THE CREW IN THE BACKGROUND IS JUST AHHHH. ALSO, I LOVE THAT WE CAN HEAR THE WND BAG MUSIC AND THE STORM MUSIC AS THE BATTLE IS GOING ON. Then Poseidon proceeds to taunt Odysseus by the fact he released the storm because now Poseidon can kill him and there's no way for him to get home. ODYSSEUS GOES APESHIT, or rather VERY CALM. We hear the danger motif as Odysseus walks toward Poseidon and Posiedon says "You can't kill me" and Odysseus says "Exactly" HE PICKS UP POSEDON'S TRIDENT AND STABS HIM OVER AND OVER AND OVER AND OVER TO THE POINT WHERE POSEIDON IS BEGGING HIM TO STOP. but Odysseus has a Ruthlessness is mercy mentality and doesn't stop even as Poseidon, god of the seas, is calling him a MONSTER. AND THE CRAZIEST PART IS Poseidon relents the storm and asks "How will you sleep night?" and Odysseus goes "Next to my wife" AHHHHHHHHHHHHHHHH LIKE LINE IS SO ACTUALLY INSANE LIKE THIS SAGA WAS AN EMOTIONAL ROLLERCOASTER AND ODYSSEUS HAS TRULY STOPPED CARING ALSO, EVERYONE'S VOCALS WERE OFF THE CHARTS AND IM GOING TO BE OBSESSING ABOUT THIS FOR THE COMING WEEKS. As usual, thank you to the entire Epic Crew and everyone behind the scenes for making these sagas, they are awesome.

[biggie-chcese]

ranking rain code lets plays on how much i enjoy/would recommend them

hi did you know i am incredibly autistic about this game and have watched, in full, several lets plays of it? and im still going? haha yeah im normal. anyway here goes... all lets plays ive watched from best to worst:

#1 Highest recommendation: JustOneGamr. ESPECIALLY for people who are going in blind. im so serious. it's the best way to experience as much of the game as possible without playing it yourself. They go through all of the content, side quests, gumshoe gabs, profiles, DLC, and even most of the flavor text. it's also a no commentary run, which i personally see as a massive boon because they aren't influencing your opinions of the game

#2: Pixel Partners. they've got real good vibes and they actually do the side quests. it's also fun to listen to their theories and see their reactions. they're one of the few who dont spend their time complaining and give more valid constructive criticisms than others. they also have the funniest reaction to the chapter 5 reveal

#3: JohnAwesome. his humor sometimes isn't particularly for me but boy is his lets play enjoyable. also has lots of positive vibes and is generally pretty entertaining. i dont remember if he does side quests but im pretty sure he does. he will easily make chapter 4 even more gut wrenching thanks to a very specific kind of incompetence on his part, which in hindsight is really funny

#4: NyanCave. they're pretty fun and also have great vibes! i like their chemistry a lot. they have some pretty good theories and good jokes, but they will spend a lot of time on responding to chat donations. this is fine like get that bag kings but if you're impatient like me it might get annoying after a while lol. it's especially bad in chapter 5, where the tension dies because of their waifu fight donations

#5: NicoB. I was never really a NicoB fan because he's a bit too loud and high energy for me, but his rain code lets play is still pretty good! he seems to have fun playing the game and even has a few good jokes. i think he does the side quests which is a plus but i could be misremembering. i still quote "and now back to yuma crackhead" to this day so there's that

#6: Faz Faz. This another no commentary run but for people who are in a rush. they go through the game as quickly as possible. frankly, i think these kinds of lets plays are not as good as the ones that go through the sidequests, but hey, it's there if you just want the main plot and gumshoe gabs

#7: Save Data. I don't recommend this one to people experiencing rain code for the first time because they will talk over the cutscenes and dialogue and that will get annoying. they also complain quite a bit about the same things over and over which can also get tiresome (im sorry guys i do Not care about graphics as much as you do). however, they're really funny and it's good for a second or third experience of the game. "this city..." is a highly prevalent vocal stim for me thanks to them. they will shit on on the game often though, so if you really love rain code and dont want to hear that, then avoid this one lol. but you do get to see my art at the end of their vids! that's pretty cool!

#8: Rat Attack. i straight up don't recommend this one. it's easily the worst one i've seen and that's sad because i really love their pngtuber avatars. they're not finished with the game yet and that's probably because they spend so much time ranting and yapping about everything else, or just concocting the most baffling theories known to man and spending wayyy too much time on them. you will also hear a lot of unfunny halara gender jokes sorry. sometimes they are funny in other ways but it's honestly not worth it unless you're like me and keep watching out of obsession for the game.

that's all the ones ive watched in full (so far)! here's a couple others i haven't seen in full but have seen small parts of:

Weeby Newz - she's got some fun reactions from what ive seen and is pretty funny too. i have only really watched her play chapters 4 and 5 though, so i cant give a full opinion. i dont care for yakou fathero as a concept though and she seems pretty heavy on that, but if you like that you may enjoy her let's play. i may go back and finish it soon!

CurtStreamy - genuinely very funny from what ive seen though in chapter 5 his whole crew has a pretty fundamental misunderstanding of makoto's character, which can be a little irritating. either way, most of it is great but his live chat sucks. i still need to watch the rest in full to form a full opinion

CrystAAHHL - ohhh she did Not like this game lmao. she is a based makoto enjoyer though. i only watched the highlight reel though i think watching her full streams would just make me tired. i personally dont like watching lets plays if the person playing isnt having any fun

JazzyGuns - unfinished but she is really funny and has good vibes. if you can cope with her probably never finishing the game then go for it

khee chu - im still in the process of watching this one in full but it's fun so far. i will say CHECK OUT KHEE'S MERCH AND SHINIGAMI X JUNKO ART!!! THE ART IS RLY CUTE!!!!

and that's everything! there's other lesser known ones out there but im just one guy i cant watch em all despite how determined i am to do so </3 above all else i want people to get the game but like, yknow, some folks dont got $60 to spend on a game lol. anyway have fun and happy watching!

[where-theres-smoak-2]

(Agatha all along spoiler warning!)

So I just watched the first 3 episodes of Agatha all along, and I have to say I'm really loving this show so far. The show really is fun and I've really enjoyed the characters. I like that they've all got a bit of a mystery about them and I can't wait to learn more about them. But I have some random thoughts and theories.

I am really intrigued by the dynamic between Agatha and teen. There are times when Agatha seems to really dislike him and seems very annoyed by him, but then there are other times where Agatha seems to show a motherly concern for him, like when he got hit by the car and when he went to drink the wine. When it comes to teen he often comes across as the excitable fanboy who is eager to learn from Agatha, but then there are other moments when he gets aggravated with her like when he finds out she didn't drink the wine or when she wanted to leave Sharon behind, to me its almost like he is wearing a mask that slips occasionally. What's really interesting to me about these moments is teen almost orders Agatha to drink the wine and help with Sharon and surprisingly she listens to him.

Adding the plotline of Agatha being a mother has also hooked me in. I do think it creates an interesting parallel between her and Wanda, you had Wanda who used the darkhold to try and get her kids back and supposedly you have Agatha giving up her child to gain the darkhold. That being said, I do think from her reaction to the darkhold in the crib in 1x03 and how distraught she was, that there is a lot more to that story than we know. I think they are trying very hard to make us think that teen is her son but to me they are trying a bit too hard, which makes me think that the twist will be that he isn't her son. I wouldn't be surprised if he does kind of manipulate her into thinking that he is her son to get what he wants, like he doesn't outright say it but does play into her own suspicions.

If I had to take a guess at who teen really is, then I think he could be one of Wanda's sons. I think it's Billy who had her powers, like the witchcraft. I feel like he is lying about why he wants to walk the road, I don't think it's just that he wants more power but that he wants to bring his mother back. I could see it being a situation where he and his brother somehow ended up back in this reality only to discover that their mother was dead so Billy found out about the road and decided to go back to his hometown and use Agatha to help him get to the end of the road and wish for Wanda back. But I could be totally wrong about that. I mean I am basing this off the fact that he parked outside Wanda's old house as opposed to agatha's and that when Agatha pulled down the welcome sign only the 'w' was left behind which made me think of Wanda.

I really loved the addition of Sharon into the coven, she brought alot of humour and was also really relatable, I just love her. So I was really bummed out that she died in 1x03. I also thought it was really sad that she kept getting called Mrs Hart by pretty much everyone constantly, even after she told them repeatedly that her name was Sharon. They also kind of forgot about her when making the antidote and it was only when they noticed that the timer was still going that they remembered her. It was also only after she was dead that she is addressed by her actual name when teen says Sharon is dead. I do think we will see Sharon again though, as there is that line in the ballad 'spirit as our guide'. So I suspect that Sharon will reappear as a ghost to help guide them through a trial or along the path somehow.

But yeah the shows is great, I'm really enjoying it, can't wait to see more episodes because I have so many questions about all the characters and I'm looking forward to finding out you know how and why Jen got bound, what lilia sees in her visions, what happened to agatha's son, what happened to Alice's mum and is she really lost on the road, what's the history between agatha and that witch that she fought in ep 1 and obviously who is teen?

[sageandred]

I've been letting this thought sit and I should've posted this earlier, but

currently having a lot of feelings about 911, and i'm going to let my ongoing thoughts spill here, but with the perspective of people complaining the show is too predictable:

- if they had some balls and killed a beloved character-people are mad

- if they tricked the audience but then "bring him back to life"-they've manipulated and played with your trust

I absolutely hate this show for a lot of reasons, but I just don't think show creators can win these days. What was the alternative in killing a character people would feel satisfied with? Hen?

If the writers killed Tommy, it'd be apart of the 'kill your gays' trope; if they killed Ravi, they'd be killing off a poc. If they killed Hen, they'd be killing off a black lesbian (same with Karen); Eddie is poc; Chim is poc; these characters also have young kids and families. Buck is also queer and has a lot more story to tell. This isn't my intent of comparing to the fact that Bobby's a white, straight male, but I know someone will see it that way. The point of this is every character falls into some demographic and the fanbase would find some way to uproar for why it's "wrong."

If you disagree with this part that's fine; this probably isn't for you and you should probably skip this paragraph on my opinions on Bobby's suicidal thoughts of the past. tw suicidal ideations. As a person who's struggled with suicidal ideation, and still does sometimes, the reasoning to Bobby's "unjustified" death is admittedly pretty bizarre to me. As a fairly common hater of Owen during the show, I really don't get the validity to comparisons here (as if ending a character on one show provides any input to the fate of a character on a completely different show); but I really don't get it because, Owen struggled with 9/11, had ptsd...and probably struggled with suicidal ideation through his survivor's guilt (just like Bobby). Maybe it's because I've seen a couple shows semi-recently where the main character died and this argument was said, but I'm really starting to question the narrative of people acting like there was an unwritten promise to keep characters alive on these high stakes shows, where people are constantly put in life or death situations. To be completely honest (and the reason I've written this paragraph is because maybe some people have felt the same & can relate), it's been a little frustrating to read; this is a fictional character and I understand a lot of people self-insert to feel like characters really represent them, but at some point I think that there's a dissonance almost to character outcomes in order to escape real-life things and make fiction like it's a real injustice vs reality. In my honest opinion, it's more upsetting to me to try and make the event out like it's a real thing and that it's inherently indicating that you can't have a happy ending because he is someone who went through hard times (rather than just saying it is a sad outcome). Because it's not; that's not what the show is saying; it's fiction. What I'm saying is Bobby's death can be hurtful; it is not odd to feel like you're grieving a real person, but admittedly it's a bit much to me to make it out that his past suicidal thoughts and pain born from trauma create an unjust character end that always becomes the fan commentary with "heart of the show" characters.

And my immediate thought process of seeing so many people make it about this has been a question of what separates every tragic ending of a character from becoming an insensitive decision (a character ending their life to bring awareness to suicide rates, a black character being murdered by a cop (in or out of prison) to be informative about police brutality -> yes, these are real show references). Bobby didn't even die from not wanting to live anymore (I get the dissatisfaction and disappointment to his outcome, though). I would understand it if he died actively in depression or he was murdered or something after a long battle trying to be happier, but the Bobby death wasn't even done badly (were there things I wish were handled better within the season leading up to it? Yeah, but I also can't help but play devil's advocate with myself that a lot of fans (not 911-specific) complain for deaths being predictable and you can tell early on in the season. [Additionally I can't complain for the episode placement before the end of the season, because imho, deaths done in the very last episode of seasons are a disservice and leave little room to be explored/brush over the impact as time passes between 1 season and the next]. Also, I thought we were all (not casual watchers & people who found out on here) expecting his death from leaks.

The good news is Bobby can live on in fanon, and fics (and it's okay to disagree with a creator's decision; that is bound to happen, at least multiple times, when millions of people relate to story/characters and just 1 person makes the creative decision for THEIR story and how they see it (this sentence is less about the Bobby death itself and more a general thinkpiece to how fandoms are in general).