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#infallible creatures
eclaire-went-bam · 6 months
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tips on how to deal with cluster b rage is useful and all what like what do i do when i'm bored
like
genuine question
i'm not aspd (i say that cus i know chronic boredom's usually big for that one) but i do get painfully bored extremely often. i'll be under no emotional distress and then i'll decide to self-mutilate simply because i'm bored and it's funny & i don't think that's a good thing
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doxytoy · 5 months
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Trans women are like the backbone of Tumblr’s nsft community. Not just in the sexual sense, but in creating welcoming environments with clear communication. They talk about their interests. reblog art, share important info about kink safety. and help carve out a safe space for other trans people to explore their sexuality in a safe environment where they don’t have to worry that their attraction is predatory or “too weird”. It’s wonderful seeing trans women so present and comfortable sharing their desires here!
Thank you Trans Women 💗
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dravidious · 1 year
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Felt like mentioning that for over 5 years now I've been using this drawing of two cute little creatures snuggling by @pyromaniacblujay as my desktop wallpaper
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because it's super cute and nice and good. Anyway I recently decided to change my wallpaper. Switch things up. Do something different. See something fresh and new. Not just the same thing again.
Anyway my new wallpaper is this pic of two cute little creatures snuggling by @quonit
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BONUS: Actually the pic I was using was this edited version that's black and with the shadow removed and trial-and-error cropped to look good on my screen because I couldn't find a simple way to crop a desktop wallpaper
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I later found an easier way to perfectly fit a wallpaper and now I'm using this less edited version of the Quonit pic
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For anyone wondering, the tactic is to make the ratio of the pic's resolution equal to the ratio of your screen's resolution. Figure out how you want to crop the pic, then compare the resolutions to see how many pixels you need to crop off. I ended up having to crop off ~250 pixels vertically, so I took them off the top to make sure the cuties are visible.
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yandere-daydreams · 29 days
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Title: Malefic Attachment.
Pairing: Yandere!Malleus x Reader (TWST)
Written for a very lovely anonymous commissioner.
Word Count: 3.0k.
TW: Platonic (At The Moment) Yandere Malleus, Manipulation, Deliberate Social Isolation, and Obsessive/Delusional Behavior.
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The worst thing about you, Malleus had decided, was that you’d chosen to be his friend.
‘Chosen’, because you’d been the one to approach him, a dazzling smile painted across your lips and a dozen questions about his life as royalty in a faraway land on your tongue, and ‘worst’, because he couldn’t think of a single other thing about you that he despised so fervently, or for that matter, that he disliked at all. He couldn’t be sure when he came to such a grim conclusion, although it had most likely been some time between the fourth time you’d sought him out in the minutes between your classes and the seventh you apologized for having to cut your conversation so short, nor was he entirely certain why the thought of having any claim to you left him so unsettled, despite how innocent your relationship was.
Briefly, he’d considered keeping you at a distance, telling his retainers to make sure you stayed at arm’s length, but he hated the thought of inconveniencing Silver and Sebek, and he hated the thought of having no claim to you at all even more. He’d never hurt you, nor was he possessive by nature. Most days, the only thing he craved was to sit by your side and—
“Malleus?” He felt a shoulder nudge into his side, a glanced down to find you, of course – staring up at him, smiling as if you already knew he’d been too lost in his own thoughts to listen properly. Immediately, it was all he could do to settle into place and smile back.
Most days, the only thing he wanted was to sit by your side and be with you, and it would’ve been a shame to squander such a golden opportunity to do just that.
He moved to apologize, to explain himself, but there was no need. You were already rolling your eyes and returning to your previous posture; curled into yourself, your legs folded against your chest, chin resting on your knees. It was strange – what lengths such a small creature would take to make itself even smaller. Malleus couldn’t help but find it endearing, the way he might’ve found a plush toy endearing, or a particularly charming prey animal. “I just don’t understand what’s going on,” you sighed, slumping further into yourself. Instantly, Malleus knew that whatever the cause of your distress was, it would not survive much longer than that night.
Still, he listened intently, as you went on. “I mean, I have to be the problem, right? I’m the only common factor – well, me and NRC, but it’s not like people are avoiding school.” Another sigh. This time, when you buried your face in your knees, it remained there. “They’re just avoiding me. I must’ve done something wrong.”
“Never,” he said, because it was true. Because you were infallible, save for your poor taste in companionship. “I can’t imagine what would lead you to believe such a terrible thing. Did someone tell you that?”
There was no real point to asking. He would’ve known if someone had planted such a vile thought in your head; would’ve dealt with it on the spot. Despite his reservations, Malleus made a hobby out of your safekeeping. If something were to happen to you, a human brazen enough to share his company so often, it would’ve reflected poorly on him.
(It’d occurred to him that you were not the first human to ever approach him, nor would you be the last, but Malleus opted against lingering on such technicalities. You were the only human to enjoy the spoils of his protection, and that was enough to make you wholly unique.)
You didn’t answer, not at first. Instead, your attention drifted from him to the view you two so often enjoyed together. It’d been difficult to convince you to join him here – on the roof of Diasomnia’s tallest tower, where one could make out mile after mile of dark, inviting forest in every direction and the dark colors of your dorm uniform blended into those of the night sky – but it’d been even more difficult to convince Vil to let you slip out after curfew. While Malleus knew he had no right to question the nature of your soul, he did often wonder why you had to be placed into Pomefiore, of all possible dorms. Schoenheit was one of the stricter house wardens, outmatched only by Rosehearts. It was difficult to steal a student of his dorm away at the best of times, and Malleus rarely wanted to see you at the best of times. If you’d belonged to Savannahclaw or, should he be so lucky, Diasomnia, there would be no need to rely on Schoenheit’s sparse charity after he’d already gone to the lengths necessary to seek you out.
But you were precious to Malleus, and there were few things he wouldn’t do to ensure your happiness. He cared about you – irrationally so. “My lab partner,” you admitted, eventually. Malleus felt something deep within his chest lose its shape, and yet his smile could only seem to widen. “I don’t know him that well, so it’s not like I have any right to feel… betrayed, I guess, but—”
“You have every right to feel exactly how you feel,” he interjected. “What did he say?”
Malleus already knew. He wanted to hear from your lips, though.
“It’s a little hard to remember.” And yet, you didn’t hesitate to go on. “I think… I think he might’ve said it was too dangerous to be around me. That I was a hazard to have in class, or something.”
That was only half-true, although he doubted you were lying deliberately. Just ‘a hazard to be around’ would’ve been more accurate, on its own. “Is that all?” He moved closer, draping an arm over your shoulders. Automatically, you melted into his side – your body slotting perfectly against his. “You have to know how untrue that is. You’re an excellent mage, and a pleasure to—”
“He’s not the only one, though.” It was the first time he heard your voice so pitiful, so distorted. Malleus couldn’t help but find it endearing. It would’ve been better for both of you, if you allowed yourself to be more reliant on him. “My roommate – that’s someone you have to share a room with when your dorm doesn’t unanimously decide to worship the ground you walk on, I know you’re probably not familiar with the concept – requested to move last week, and—” Your voice caught in your throat, your gazing turning downward. Malleus felt his fangs sharpen behind his lips, but repressed the urge to act on his less wholesome instincts. “There’s this boy in my third hour – from Ignihyde, I think. I swear, I’ve never even talked to him, but last time we had class together, he just came up to me, and—” You paused, shrunk into yourself. You attempted to pull away from Malleus, but he only drew you in tighter, and your resolve gave away far faster than his patience. “He called me a freak.”
Ah.
Malleus had wondered what’d come of his brief conversation with your classmate. It was a tamer offense than what he’d expected, although you were having a much stronger reaction than he would’ve hoped.
You weren’t wrong, for what it was worth. You hadn’t spoken to that particular classmate, but you could have. He’d planned to confess to you during your shared period, although he hadn’t thought to phrase it quite so romantically. Sebek had overheard him building up his courage, and it’d only taken a few words from Malleus to dissuade him from doing anything so foolish. Not that it was foolish to want to be around you – if that was true, he would be the biggest fool of them all. It was only foolish to think that someone so insignificant, someone so unimportant had any more right to be around you than Malleus did.
He couldn’t help but notice, as time went on, that all of the people you may’ve once considered friends were rather weak-willed. It was a tragedy, really. Malleus was aware that he had a reputation among the mortal portion of NRC’s student body, but that was no excuse to act the way your ‘friends’ always seemed to – sniveling and shaking, brought to tears by even the implication of a threat. He worried, at first, that they’d go running to you, spout off something awful and exaggerated that painted his protective habits in an unflattering light, but as far as he could tell, it was unfounded fear – an easily dealt with one, at that. Should anyone ever try to put anything but distance between you and themselves, he’d—
Well, he couldn’t hurt them. You wouldn’t care for him as much as you did, if he tried to.
That was, if you ever found out.
Again, his mind drifted back to Schoenheit; all narrowed eyes and pursed lips and disapproving scowls every time Malleus mentioned your name. It didn’t make him angry – he’d never been quick to anger, and it would only be childish to change that now – but he didn’t care for the way he felt when he was apart from you, when he couldn’t find an excuse to do away with the flimsy barriers that separated you from him. He didn’t enjoy the tightness in his chest, the dryness in the back of his throat, the way every little inconvenience left him on the brink of violence. No, he didn’t care for the way he behaved when you weren’t with him.
Yet again, his mind turned to Vil.
Perhaps he was more prone to anger than believed himself to be.
“Mortals,” He was talking before he realized he’d wanted to. His gaze flickered from you, still despondent and curled against his side, to the landscape, all-but pitch black under the thick veil of night. “are fickle creatures. They tend not to trust what they don’t control. Humans, especially.”
Another jab to his side, albeit not as forceful as the first. “Keep in mind that you’re talking to a human right now, Mal.”
“How could I forget?” This time, it was Malleus who detached from you, pushing himself to his feet and offering you a hand to help you do the same. With a huff, you followed him, mimicking exasperation as you let him guide you. “I only meant to say that you might not be entirely understood by such short-lived creatures. I mean, you’ve seen how they act around me.” He squeezed your hand, and bashfully, you looked away. “You agree, don’t you, (Y/n)?”
It took a moment, but with a small sigh and slight smile, you nodded. “…yeah, I guess. It’s not like teenagers are supposed to be nice or anything.”
“You agree, then. They’ve been treating you cruelly.”
Your smile wavered. Malleus considered that it may have been your fragility that’d endeared you to him. Or your inability to hide it, at least. “Well, I wouldn’t call them cruel, but…”
“But?”
“They can be mean, sometimes, I guess. The people in my dorm, especially.” You forced an airy laugh, turning away from him entirely. “I… I think Vil might’ve told them to keep an eye on me. They’ve been acting like I’m under house arrest, lately.”
“You must know how unfair that is.” Almost as unfair as Schoenheit’s attempts to keep you away from him. “And I’m sure you must know that you’d be much happier in a dorm with more open-minded students.”
Immediately, your expression dropped. You tried to pull your hands out of his, but he only tightened his grip. It pained him to exert any amount of control over you, but some pains were necessary. Those that kept you within the scope of his protection, especially. “I… I don’t really like where this is going, Malleus.”
“You haven’t even given me a chance to explain myself.” He didn’t realize his hold had tightened into something bruising until your lips quirked downward, eyes narrowing as you struggled to choke down a fractured whimper. Reluctantly, he released you, but his hands soon found their way to your shoulders. You couldn’t run, not on a rooftop, not very far, but there was no reason to give you the chance to. “I only think that you should consider how happy you could be if you—”
“Malleus,” you interjected. “I really don’t—”
“If you belonged to Diasomnia,” he finished, despite your protests. Impressively, you managed to bite your tongue long enough for him to explain himself properly. “Our students are much less territorial, and the majority are still human. If you’re afraid you’ll be an outcast, don’t be. You’ll still be among your own kind, just a less hostile breed.” When you failed to move, he gave himself the luxury of a less restricting form of affection – bring one hand up to cup your cheek. “I’m only trying to suggest that you seek out a more suitable place for yourself. It’s not as if staying where you are will make you any happier.”
“…I like Pomefiore, though. And it’s not like everyone’s avoiding me.” A lie, albeit one plausible enough to send a bolt of white, searing fear from the deepest hollow of Malleus’ chest to the back of his throat. He flinched, but caught himself before his pointed nails could harm your delicate skin. If you had any friends left (aside from himself, of course), he would tear them apart. He would carve their hearts from their bodies. He would—
He would change that.
There was no need to be so gruesome about it. Not yet, at least.
“You care for it more than you care for me?” He made sure to keep his tone light, teasing, only letting it dip into something more serious when you bit the inside of your cheek and looked away. “Please, don’t tell me that you still think they’re worth your time.”
“They’re not all bad.” You still weren’t looking at him. Malleus might’ve been more annoyed if he thought you had anything beyond him to pay attention to. “Vil’s a really good house warden, and—and, we have these skincare nights once a week, which might not sound very fun to you, but—Well, I haven’t been invited recently, but—”
To your credit, you didn’t need him to say anything. All it took was a sympathetic look, his palm slotted tenderly against your cheek, and you cracked before he had the chance to say a word.
“…but, even if I wanted to, I couldn’t.” You shook your head, shrugged, as if it wasn’t a matter of true concern. As if you wouldn’t give anything to be as near to him as possible. “It’s not like I can just decide to change the nature of my soul. That’s between the dark mirror and…” Another chirping laugh, like windchimes and birdsong and silver bells. Malleus could only hope he’d hear it again sometime soon, in a more celebratory context. “…itself, I think.”
“Normally,” he admitted, running his thumb over your cheek. “Save for when you have another extremely competent house warden to petition the headmaster on your behalf.”
Even in the dim light, he could make out your cheeks flush. Good. He wanted to have an effect on you – any effect at all. “Malleus, I—I really can’t ask you to do that. You’re already so busy, and I really don’t mind—”
“(Y/n).” Immediately, you went quiet. He rarely used your name, and you knew to pay attention, when he did. “If you can tell me, honestly, that you do not believe you’d be happier in Diasomnia than you currently are, I’ll drop the matter entirely.”
You pursed your lips, your eyes meeting his own for the first time since he’d broached the topic. “…and if I couldn’t say that?”
Biting back his grin would’ve been impossible. He could only hope you mistook his delight for relief. “Then consider it done.”
You really were a delicate creature. A few seconds of quiet anticipation, a gentle squeeze to your arm, and he all-but watched you fold into yourself, crumpling under the weight of your own isolation. A small, unsteady smile spread over your lips as you pulled away from him altogether, only to throw yourself into his chest; your arms winding around his neck as you pulled him into a lung flattening hug. After a startled beat, he returned the gesture, pulling you that much closer as you buried your face in the leather of his coat. “Thank you thank you thank you thank you,” you stuttered, speaking quickly enough for each word to slur into the next. “I—I just haven’t had anyone to talk to, but you’ve been so patient, and so nice to me, and I… I really don’t know what I’d do without you.” You pulled back, looking up at him. Your smile was brighter than he’d ever seen it, and Malleus took a moment to savor that he’d been the one to draw it out of you. “You’re the best, Malleus.”
“Think nothing of it.” He was tempted to pull you back, to hold you for just a few seconds longer, but you were already tearing yourself away from him, clapping your hands together as you rambled excitedly about how much fun it would be to stay in the same dorm, how much more time you could get to spend with him and Lilia, how excited you were to get to know Silver and Sebek and all the other underclassmen who liked to, in your own words, ‘bite at his ankles’. It was only when you took an over-eager step towards the rooftop’s ledge that he took you by the arm, pulling you back with an airy chuckle. “It’s gotten late,” he explained, snapping his fingers. In the blink of an eye, the two of you were standing in his dorm room, the rooftop and the night sky’s expanse left behind entirely. “Why don’t you spend the night in one of our spare rooms? I’ll make more appropriate arrangements in the morning.”
You agreed without a second thought, and as he walked you through the shadowed halls of your soon-to-be home, he decided that he’d been wrong, initially. The worst thing about you wasn’t that you’d chosen to be with him. Really, your closeness wasn’t a bad thing at all.
The worst thing about you, undeniably, was that you could still choose to be close to people who weren’t Malleus.
Thankfully, he was already taking measures to fix that.
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vagabond-umlaut · 1 year
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l'heure bleue
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Ferocious, fearsome, infallible. The King Of Curses, Ryomen Sukuna, has never fought a war he hasn't won.
But, does that mean he'll taste success in this battle of beliefs, raging against no one but his Queen, as well?
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▸ trueform!sukuna x wife!reader; sooo much of tooth-rotting! domestic fluff between sukuna & reader; sukuna is so exhausted, still so fond of his dear wife; said wife is not too soft towards her husband [she has valid reasons, dw]; talks on death; indirect talk on periods & pregnancy; 0% ANGST IN THIS– ONLY FLUFFY HUMOR; spoiler alert— would-be-dad!sukuna x would-be-mom!reader
▸ belongs to the series 'mine? yes, mine.' but you can treat this as a stand-alone fic if you wanna!
▸ i don't own the characters, the image or the divider used. please don't plagiarize or translate or repost this. enjoy reading! ❤️
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"I'm dying. Very soon."
While not the deep kiss you've always welcomed him with, into your chambers, every night of your married life— Sukuna reckons, he will take this many many times over the tense hush you've been offering him these days.
Shrugging his heavy cloak off his shoulders, the King of Curses walks over to where you're on the bed and frowns, fingers moving to thread through your unkempt hair, then run down the side of your face. Your eyes flutter close for a beat– undoubtedly, from the gentle caress, he surmises– before they grow wide open, blinking with tears of fear.
Rubbing the pad of his thumb over your wobbling lower lip, your lover sighs, knowing full well where this conversation might be going– still, as always, he decides to humor your concerns with an ask of his own.
"Did my Queen visit the royal physician, along with Uraume today?"
"No," you shake your head meekly, "I did not visit the physician. I was resting in our room the entire day."
"If you weren't feeling well, you could have asked her to visit you here, right?" your husband queries, sitting down beside you and pulling you into his lap. Snuggling into him with a soft hum, you send a miserable look his way— eliciting something eerily similar to the emotions, your husband knows, no curse like him should ever be able to feel.
Yet here he is, feeling every one of those, with his wife in his grasp.
You shake your head a second time; however, with greater force than before. "No. I knew I would be dying soon but I did not want to hear it from her. I wanted you to tell me that awful news, my king. I love you, I wanted you to say it. To confirm it."
You love him, so he must confirm your imminent death!?!?— Stunned by your odd words of reasoning, Sukuna gapes at you, dumbfounded; before he shakes himself free of the shock, discerning you to be three words, or even less, away from dissolving into your pathetic wails.
He smooths the top of your head with a palm, whilst another palm of his squeezes your hip, hoping the action will bring you some comfort. You place a small palm over the latter, voice growing shaky when you say, "Won't you confirm the terrible news, my lord?"
"No," Sukuna's quick to deny you in an instant, "Because I firmly don't believe you're anywhere close to dying. You're as healthy as a horse— or whatever idiotic creature, you humans use in your idiotic idioms."
A facsimile of a smile threatens to erupt onto your lips— it is vanished before the next second— with you crumbling into a mess of tears and snot, face pressed into his chest, whilst your fingers dig into his back.
Sukuna stifles a weary sigh, before wrapping his arms gingerly round your midsection, taking extra care not to jostle you or anything. "You aren't dying anytime soon, my Queen," he struggles to coo, but ends up grumbling, "I won't let you ever leave my side– you stupid woman. You're stuck with me forever– don't I always tell you that, my Queen?"
"You do, Sukuna," you mumble, with a weak nod of your head, "But I do feel so close to dying every moment of the day— so weak and so dizzy and so nauseous– even you've become so careful with me, my king!" you exclaim, red-rimmed swollen eyes glaring accusingly into every ruby eye of his.
Filling him with an addicting thrilling delight he has never felt before.
"You've always been so rough with me— Now, when you're being so gentle with me, out of nowhere, tell me: must the implication of you thinking me to be fragile, along with those awful symptoms– not be worrisome? Must I not think, you consider me to be near my death– hence, this newfound wariness? Hence, you, and even Uraume, who has always been so free to speak their mind before me– the both of you walking on stupid fucking eggshells around me– tell me, 'Kuna!"
A silence punctuates your outburst, filled only by the sounds of your noisy breathing– the latter replacing the sounds of your crying.— An odd yet not unpleasant, emotion taking over the shape of his mouth and curving it upwards, Sukuna drags a finger down your backbone, relishing in the way you shiver, then relax with a sigh under his touch.
Letting your temper to ebb away for another good minute, your lover inquires, keeping his tone void of anything except curiosity, "When is the last time you used your pain-relieving bath salts, pet?"
Your eyes blinking slowly, Sukuna watches them travel to the cabinet where you keep them stored in stacks, before returning to him, quite puzzled. And fatigued.
Adorably small yawns escaping, you murmur.
"I only use them when it's that time of month, which was..." Your eyes flutter open and close, painfully slowly, yet again— before they widen, becoming not unlike the full moon in the sky tonight.
You gasp, shaky fingers poking your belly before reaching a rest on it.
Covering them with his much larger ones, your lover hums, "Happy?"
"Not at all," you shake your head, reaching your other hand to trail the many tattoos on your husband's face, before stopping at the apple of his cheek.
Sukuna swears time ceases to exist in the momentary pause you take— restored only by the blinding beam you offer next, followed by your sweet voice uttering those words, he knows he'll remember for all the millennia he will live.
"I'm very, very happy— you dummy prehistoric curse."
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max1461 · 2 months
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Other people want the world as a whole to "mean something" or "be about something" and I just don't. That's so terribly constricting, so suffocating. I'm much more inclined to positive nihilism.
I'm reading about LotR lore lately, and I really like LotR, but all the Christianity in it distresses me. Why must the world be governed by Eru Ilúvatar's infallible and undefeatable master plan? Doesn't that take out all the stakes? More importantly: part of what I like about LotR is its valorization of the small and the ordinary, as represented in the hobbits but also in, you know, Tolkien's proclivity to spend more time talking about potatoes than he needs to, and whatnot. There's a valorization of the small over the grandiose. It's like, finding dignity in the ordinary or something, that feels like a big part of Tolkien's project, and I'm deeply sympathetic to that. But then he has to go and add, you know, an omnipotent and omnibenevolent creator and omnimalevolent enemy (Melkor, not Sauron) and like...
First of all I hate the combination of omnipotence and omnibenevolence, it just doesn't work in any kind of narrative, it doesn't work in Christianity either, it's just *so* having your cake and eating it too. Like, Christianity itself has something of a "valorization of the small" going on but it also fails there, because (people have already said all these things) Jesus isn't actually just some guy, he's actually god the all-powerful and infallible lord of the universe! And he doesn't even really suffer or debase himself except temporarily, he ascends to heaven in the end, whereas sinners are sent to hell to suffer permanently for their imperfections. And "the meek will inherit the earth" by submitting to God and doing everything he says!
Not really valorizing the small there IMO.
Anyway Christianity doesn't succeed at this but the thing about Tolkien is he gets so close. When he says stuff (this is from one of his letters apparently, I quoted it the other day) like
It had been Sauron’s virtue (and therefore also the cause of his fall, and of his relapse) that he loved order and coordination, and disliked all confusion and wasteful friction… it was the creatures of the earth, in their minds and wills, that he desired to dominate.
I'm like, yeah! I'm with you bro! But then there's the whole thing about, well, Eru Ilúvatar's creation was perfect until Melkor's discordant singing marred it, and now it's imperfect and that's the source of all evil, but it's also fine because Eru's vision is bound to win out in the end, it's like... you're undercutting your whole thing! Eru is doing what Sauron wants to do, it's just that he's winning at it. Maybe the point is that Eru permits free will, or something, while Sauron doesn't. But this still seems weak in light of the whole "Melkor as the origin of imperfection" thing. You can't valorize the small and the ordinary without being comfortable with imperfection. You can't make a story where imperfection is Inherently Evil, as it seems to quite literally be in Tolkien's cosmology, and have it land for me as a critique of lust for power. Like. What do people even want to do with power except Eliminate All The Imperfections? Obviously some just want to enrich themselves, but I think Tolkien's opposition to power-seeking plainly runs a lot deeper than just opposition to self-interested power-seeking, which is
what I like about it, and
why this incongruity is so frustrating.
Anyway, there's that Scott Alexander post, Heuristics that Almost Always Work. I agree with the thesis of the post as such, but there's this line in it that perfectly articulates the reason rationalism tends to alienate me:
The Futurist He comments on the latest breathless press releases from tech companies. This will change everything! say the press releases. “No it won’t”, he comments. This is the greatest invention ever to exist! say the press releases. “It’s a scam,” he says. Whatever upheaval is predicted, he denies it. Soon we’ll all have flying cars! “Our cars will remain earthbound as always”. Soon we’ll all use cryptocurrency! “We’ll continue using dollars and Visa cards, just like before.” We’re collapsing into dictatorship! “No, we’ll be the same boring oligarchic pseudo-democracy we are now” A new utopian age of citizen governance will flourish. “You’re drunk, go back to bed.” When all the Brier scores are calculated and all the Bayes points added up, he is the best futurist of all. Everyone else occasionally gets bamboozled by some scam or hype train, but he never does. His heuristic is truly superb. But - say it with me - he could be profitably replaced with a rock. “NOTHING EVER CHANGES OR IS INTERESTING”, says the rock, in letters chiseled into its surface. Why hire a squishy drooling human being, when this beautiful glittering rock is right there?
Bolding in the final paragraph mine.
"Nothing ever happens or is interesting". Really? Is that what the skeptical futurist is saying? Certainly he's saying "nothing ever happens", that I'll grant. But he's not saying "nothing is ever interesting". You added that, Scott, because to be interested you need something Big to happen. You are not filled with love for the small and ordinary, it is just wasted time and wasted space to you.
I do not particularly like the Big, at least not most of the time. I like the small quite a lot. And, contrary to their names, I think most of the world is small. The world is made of lots of small things, not a couple big things. And I often feel that the small is the only thing that's actually real, the big tends to be illusory. As a small creature it is other small things that affect me most and matter most to me, it is my small dealings with other small creatures that are subjectively the biggest. And the various grand narratives of history, if they exist, only affect me in a diffuse and nonspecific way and are in all their specifics born out in small things.
I am very much a partisan of ordinary things, ordinary dealings, of our daily lives and our individual relationships and perhaps ephemeral but deeply felt emotions as the actual source of value in the world, from which Big things insofar as they matter at all derive their importance. And, aesthetically I suppose, I am also a defender of the inherent dignity of small things and cast-aside things (a different but closely related category). And there are close connections between the small and the vast (which is not the same as Big), and. Well, take my uquiz. But anyway.
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astarioffsimpmain · 7 days
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Cozy Up with: Halsin
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[Autumn photography by: coldoctober]
[Halsin photography by: @elminstersapprentice]
Author's Note:
Next cozy encounter is with Halsin! Our favorite bear ❤️ I absolutely know he'd be the best at easing anyone's fears. He's such a calming presence.
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You loved scary stories. You loved the thrill of being scared, the tension right before a scare, and the mystery of the unknown. But perhaps you had met your match in Wyll. It had been your idea to delve into the stories of the macabre on that fine, chilly evening that Karlach had declared that she was bored, and over half the camp had agreed. However, Wyll's - disturbingly true - encounter with a Wraith years back had been enough to send shivers straight down your spine and for a knot to settle in the base of your stomach. 
But you had a reputation to uphold, so you clapped with the others when he was finished and smiled until you reached your tent for the evening. Shivering, you pulled your blankets up around you and scooted closer to the candle you had by your bedroll, eager to stay near the small patch of warmth and the light. You cracked open your book and tried to pick up where you had left off, intent on leaving all thoughts of shadows and wraiths behind. 
But when a snick snapped just outside your tent, you froze, body stiffening with fear and apprehension. Rustling. A shiver ran down your spine as you silently reached for your knife. Goosebumps erupted on your flesh at the sound of a soft grunt and you gripped the knife hilt tightly. Suddenly, the tent flap swung open and you jumped back on your haunches, knife in hand, only to find your lover, Halsin, in wildshape, poking his snout inside to check on you. You let out a relieved sigh and let your knife fall to your side. “Halsin,” you breathed out.
He snorted and his eyes began to glow. Then the light spread to the rest of his enormous body, and before your eyes, he had returned to his elven form. With a small, knowing smile, he crawled the rest of the way into your tent and settled in beside you. Wordlessly, you pulled some of the blankets covering you over to him as well, and he accepted them with a gracious smile. 
“Do you remain on edge from the tales around the fire, my heart?” he rumbled, opening his arms to you. 
You settled into them with a grateful sigh, glad to be safely pressed against your bear once again. “No, I'm alright.” 
His silence told you how little he believed you. 
“...alright, perhaps a little.” You curled up tighter around him and he did the same to you. “Wyll’s encounter with a wraith was quite harrowing,” you murmured and you felt Halsin nod above you. 
“Indeed. Wraiths are most unsavory creatures. However, they are not infallible, as we heard tonight. Wyll disposed of it bravely. As would we, if we were to come across one. I will always be within reach of you; in battle and in every breath you take from this moment on. My dear one, never doubt that fact.” 
~
fin
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drabblesandimagines · 10 months
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Dove (part two)
Part one here. Leon Kennedy x fem reader Slow, slow burn, mostly fluff tbh
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--
Leon’s lying on the couch, an arm bent behind his head and staring at the living room ceiling when his watch beeps, signaling the 0500-perimeter check. There are security cameras outside that will send a notification to his phone, but technology isn’t infallible so he prefers a sweep with his own eyes every four hours or so when he’s on protection detail. He heaves himself upright, wincing a little when his back protests. Hell, maybe he’s getting a little old to be sleeping on sofas. He picks up his gun off the coffee table and checks the cartridge, more out of habit than anything else – hasn’t shot a bullet this mission.
He makes his way over to the garage door, casting his eyes over your bedroom door as he does so. You won’t be awake for a few more hours, not after those sleeping pills, so he’s not trying to be particularly quiet when he unlocks the door, steps through and locks it once more behind him. He walks around the side of the SUV towards the garage shutter itself next, unlocks the padlock and lifts it up to step out into the cool night air.
The safe house is located a few miles out from a village on old farm land, tucked away down a rural lane. No nosey neighbors to question why there are no people living there most of the year. He went round the perimeter anti-clockwise upon arrival, so he’ll go clockwise this time, flashlight in one hand and gun aimed in the other. He’d been at home for a change when Hunnigan had called him – first person she thought of when she’d seen Lickers on the partial CCTV footage that had been salvaged. For a building housing the DSO’s surveillance division, Leon hadn’t been particularly impressed by quality of the CCTV images. Grainy, staggered frames of the creatures tearing up the office and people apart, leaving only destruction in their wake. And you, breathing but dazed, buried under lockers at the bottom of the stairwell and, somehow, the only survivor.
He completes his round at 0525, nothing significant to note and heads back inside, unlocking and locking doors behind him.
At 0600, his phone vibrates in his pocket – a steady rhythm denoting it’s a phone call, not a message or notification and, really, there’s only one person who will be calling him so he doesn’t even bother to check the caller ID.
“Morning, Hunnigan. What did the night bring?”
“Nothing substantial. We’re still trying to establish the full timeline. Seems like the footage we salvaged yesterday might be all we are going to get CCTV-wise.”
“Did you send a team out to Dove’s?”
“Won’t have the manpower till this afternoon. Why – do you have suspicions?”
“No, not at all.” He replies. “I just… I think it’ll put her at ease to know we’re not treating her as a suspect.”
“Did you question her?” Hunnigan sounds skeptical and he hears her tap away on her keyboard. “I haven’t received your report if so.”
“No, not yet. It was late when we arrived – she was tired, in pain, terrified. I didn’t think questioning her then would go down particularly well or be helpful. Gave her painkillers and sleeping pills. I’ll broach it after breakfast, maybe.”
“Broach it?”
“See how she’s feeling, I mean. Last night after we got in the car, she was all one-word answers, a couple of sentences here and there.” Leon sighs, rubs the bridge of his nose. “I just don’t wanna scare her off.”
“If she’s got nothing to hide, there’s nothing for her to be scared of. Do your job and don’t get sweet on her.”
“Why can’t a guy do both?” He laughs.
“Leon – I expect that report today.”
The smile drops and he nods, as if she could see him. “Yes, ma’am.”
--
It takes a few attempts to open your eyes, blearily staring up at an unfamiliar ceiling in the morning light that filters in around the curtain. Your mouth is horrendously dry – a side effect from the sleeping pills, perhaps. Your whole body aches with stiff, bruised limbs.
But you’re alive, you remind yourself, when so many others aren’t.
Leon had been right at least – the sleeping pills had knocked you out into a dreamless sleep, though you don’t feel particularly rested.
You sit up in the bed tenderly, immediately thinking of painkillers. There’s no thought of getting changed, making yourself presentable. The man helped you strip last night, hell, he might think you’re a murderer, what does it matter if you leave the bedroom in a long t-shirt that shows a perhaps indecent amount of leg?
You open the door cautiously, unsure if Leon might still be sleeping on the couch, but it’s empty. Not a pillow or blanket in sight. The bathroom door is open, so he’s not in there. Your eyes move next to the door to the garage – maybe he’s gone to the SUV, would he sleep in there?
You turn slowly on the spot, trying to work out if there’s another door you’d missed in the blur of last night, but there’s the three – bathroom, bedroom, garage…
Wait. Your stomach sinks in realization.
Where’s the front door?
Is it a safe house thing? But surely that limits exit options if you’re trapped in here.
Or maybe that’s what they want.
Maybe you’ll graduate to a safe house with a front door when they don’t suspect you of being involved. You’ll ask Leon, you think, when he comes back from wherever he is. He seems nice, or nice enough. Been nothing but a gentleman, genuinely caring about your wellbeing… But maybe that’s all an act. An uncomfortable sensation reminds you that you need to use the facilities after a night of medicated sleep, so you head into the bathroom and lock the door.
All doubts about his sincerity are thrown out of the reinforced window once you see what’s on the counter.
There are two toothbrushes – one in a mug he’s pilfered from the kitchen after you’d smashed the container last night, and one’s lying flat on the counter, toothpaste pre-squeezed upon its bristles.
Sweet.
--
You emerge from the bathroom, teeth cleaned and find Leon stepping through the garage door.
“Oh, morning.” He smiles, shuts the door firmly behind him. You can see he looks a little tired around the eyes.
“Morning.”
“I didn’t think you’d be up for a few more hours. How are you feeling?”
“A bit sore.” He can tell you’re lying about the ‘bit’ - trying to put on a brave face. “What time even is it? I don’t have my phone… or a watch.”
“Ah,” he looks down at his own as if he doesn’t already know from his 0900 check. “Nearly half nine. Did you sleep all right?”
You nod. “No dreams. Was the sofa okay?”
“Yeah, one of the better ones.” He turns to the door and you hear a click before he steps away, heading into the kitchen.
Locked in.
“Where were you?”
“Outside. Perimeter check – all good.”
“Oh.” You pause, feeling like you know the answer before you can even ask it. “Can I go outside?”
His face falls in apology. “Sorry. Not at the moment - protocol. Wouldn’t want to risk anything.”
“Yeah, makes sense, I guess.” You continue standing awkwardly, a combination of not knowing what to do with yourself and hesitant to move knowing it’s going to hurt. “Erm, sorry, where did you put those painkillers?”
His face remains apologetic, though you’re not sure why. “We should get you some food in your first. I really shouldn’t have given you all those pills last night on an empty stomach.”
“I couldn’t have eaten anyway.”
“Understandable.” He ducks down below the counter and opens a cupboard, standing upright and placing a box of oats on the counter. “I’m afraid breakfast choices are a little limited. Oatmeal okay?”
“You cook too?”
“I’d say describing me as a cook is a stretch. We’ve got some fruit as well, but I think oatmeal will be best for those pills.”
“Yeah, sure.”
“Coffee or tea?”
“Coffee, please.” You remain standing in place. “Erm, can I… do anything?”
“Nah, I’ve got it all handled.” He calls over his shoulder as he grabs some mugs out of a cupboard – doesn’t have to open a few before he can locate what he’s looking for as you would have to in a vacation rental. “Go ahead and sit down. Might’ve noticed this place is sans dining table, so coffee table will have to do.”
You walk slowly over to the couch, your muscles aching with protest. The bruises are far darker on your legs today than yesterday and, boy, do you feel it. You sit down delicately on the sofa, before tucking your knees up underneath out of habit, reaching for a throw pillow and clutching onto it pathetically.
You don’t know where your thoughts drift off to as you stare at the TV opposite despite it being off – it’s like your brain just temporarily switched off, until a single word reboots it.
“Honey?”
“Huh?” Where had that come from? Was it…? “I thought we went with Dove.”
Leon laughs – can’t help himself. “No, no, sorry. I meant, would you like honey on your oatmeal? Codename’s still Dove, as far as I know. I don’t come up with them.”
“Oh,” you feel your face grow a little hot. “Y-yeah, please.”
A few moments later he approaches the coffee table, steaming mug of coffee in one hand and a bowl of oatmeal in the other, complete with spoon. He places it down in front of you with a flourish.
“Order’s up.”
There’s an attempt at what looks like a smiley face drawn in honey atop the oatmeal.
“Thank you.” You can’t help the amused tone that enters your voice.
“Yeah, sorry,” he rubs the back of his head. “I can’t do fancy drizzles like the restaurants so that’s the best I could come up with. I’ll just go grab your pills, but dig in.”
You lean forward and spoon a small scoop up and force it into your mouth. Your appetite is still missing in action but you know you need something. A metal clang draws your attention from behind and you turn your head, seeing Leon fiddling with what looks like a metal lockbox. He opens it and pulls out the canister of the painkillers and shakes two out in his hand, before closing the box and locking it. You turn back, take another scoop of oatmeal and swallow, hoping it gets rid of the bitter taste of distrust in your mouth.
He's in front of you again, hand outstretched, but you can’t help yourself.
“Why are the painkillers locked away?”
“Protocol.” He doesn’t meet your eyes.
“Really?”
“I’m afraid so.” There’s a pause. Leon knows what you’re thinking and he hates it – he knows what it’s like to be scared, not trust anyone around you and he desperately doesn’t want to be that to you. “It’s mainly the sleeping pills. I don’t think you’re going to slip some and try and knock me out, or try and overdose on painkillers, but I… I need to follow it, okay? It’s nothing personal, Dove, I promise.”
“Is it protocol not to have a front door too?”
“Ah, wondered when you might clock that. Yeah. There’s a false one outside – built into the façade so it doesn’t look weird. Only real way in and out is through the garage.”
“But if someone or…” You swallow, the creature flashing up in your mind “…or something got in here, we’d be trapped.”
“Nothing is getting in here and if it does, it’s not getting past me.” He says, sincerely, and when you meet his eyes, there’s that niggle in your chest. You want to trust him - you really, really want to - you want to feel completely at ease with the man who’s apparently ready to lay his life down for you and only you, but you still feel like you’re on the tightrope between victim and villain in this piece. “Open your hand?”
You do, watching him drop two little white pills into it.
“You can have them every four hours if you’re feeling sore. I’ll keep track of the doses, just ask.”
You knock them back with a swig of coffee.
--
“Is it okay if I take a shower?”
“Of course you can.” He pauses, trying to work out why you thought you had to ask. “Do you need a hand with…?”
“No, I think I’ll be okay. Erm… Do you know what I need to do about my temple?” You gesture to the medical strips on your forehead.
“Ah, yeah. So, need to try and avoid getting them wet for a few days. Don’t worry if you do though, I can re-do ‘em. First aid qualified.”
“Thanks. Erm, see you in a bit.” You head into the bedroom and to the duffel bag filled with clothes, picking out a selection that should work and run a brush through your hair. You take it back in the bathroom – Leon politely pretends to be engrossed in whatever’s now on the TV - and place them down on the counter, before locking the door.
After a less than relaxing shower – foregoing washing your hair – injured arm hanging loosely by your side, you’re not sure how long it takes to wrestle to put on underwear, sweatpants and a t-shirt, but it’s not like you have anything to do or anywhere to go.  There’s no way you feel up to tackling the exercise bra that whoever has packed and asking Leon is simply beyond the question. It’s nice to be clean though. You’d tried to put the sling back on but had given up when your shoulder had started to smart after failed attempts and leave it half on/half off as you leave the bathroom.
Leon’s sat on the couch, phone in hand when you emerge. He turns, gives you a smile and nods at it.
“Need a hand with that?”
“Please. I tried, but…”
“Hey, it’s early days.” He stands up to meet you, pocketing his phone, as you walk over. “Sometimes they try and get you doing exercises from day one with dislocations too, but the medic advised you rest it for a week so I wouldn’t push yourself too hard.”
He takes adjusts the work you’d managed ever so slightly, and then puts everything in place. He steps closer to adjust it around your shoulder and you find yourself just staring into the expanse of his chest, when he sniffs.
 “Mm. What is that - strawberry?”
“Huh?” You look up.
“Your bodywash.” He tightens the strap in place, checking everything is holding snug. “Someone on supplies must’ve been feeling fancy to be stocking us with that.”
“Did you not shower?” Your face burns red as soon as the question leaves your lips. “Not that you…” You like his scent, actually, woody. “I mean, just the bodywa-”
He shrugs it off. “I get you. Er, no. I… Well, I didn’t want to whilst you were sleeping, you know, in case…”
“Oh.” In case someone or something attacked. “Well, you could now – if you want. I’m awake now, so… Unless it goes against protocol?”
“No.” As long as he takes his guns and other weapons in with him, he thinks, and casts a longing look at the bathroom. “Promise you’ll yell if you need me, or you hear a weird noise or… anything, right?”
“I’ll yell.”
“Good. Okay. Might see if there’s another bodywash packed though – not sure I’m a strawberry guy.” He heads over to the garage door where the other duffel bag remains and picks it up, carrying it into the bathroom and locks the door.
He emerges 20 minutes later, same sort of t-shirt and cargo pants combo as yesterday and there’s a whiff of strawberry scent as he walks past you to sit down on the other couch.
--
You’ve been staring blankly at the TV screen for a little while – some sort of house renovation show, kept the volume down low. There isn’t really much else to do here and, really, you don’t want to sit and dwell on your own thoughts. Leon gave you the remote control, told you it was your choice and, sure, you’d clicked down past some of your favourite shows but you don’t want to associate any of them with this, with what happened…
So, weird house renovation it is, though you’re not taking any of it in.
Leon had excused himself a little while ago, said there was still some things in the back of the SUV he needed to grab. You don’t look round when he comes back in but you hear the lock click once more, before you hear him open a cupboard and the tap runs. He shows up in your peripheral vision a few moments later, placing two glasses of water down on the coffee table, laptop tucked under his arm and looking sheepish through his hair.
“Dove, I… I need to ask you some questions about yesterday.”
“Questions?” You tuck your legs up underneath you, wanting to huddle your knees like you do when you watch a horror movie.
“Yeah. Get your statement, mainly. It’ll help the investigation. I’m going to record the audio.”
“Do you want the TV off?”
He smiles at your question – still so sweet and considerate despite the fact he’s the one about to interrogate you, make you relive what is surely the worst even of your life, and you’re worried about his audio quality.
“No, it’s low enough – it won’t get picked up if you wanna leave it on for background noise.”
“Okay. Erm, I think I’d like that.” You pause, digging your nails into your palm. “I’m not sure how much help I’ll be, though. It’s all… kind of a blur.”
“That’s okay,” he opens up his laptop, taps a few keys and angles it to set up to record so he can go over and pick key points up later, if there are any. “Anything will be great. We’ll take it slow. You ready?”
You’re not, but you doubt you ever will be.
“Ready.”
--
Masterlist . Requests welcome . Commissions/Ko-Fi
PS: Comments literally make my day! Lemme know if you're excited for part 3 x Part three.
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getvalentined · 2 months
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I am absolutely delighted that Vincent's first special five-star weapon is called Chiron, a character from Greek mythology who generally serves as a teacher and is considered the wisest of all the centaurs—but isn't actually a centaur at all. The mythological figure of Chiron is actually a hybrid creature who passes as a centaur, born from the (slightly) cursed union of Time and one of the daughters of the Ocean, which resulted in something incapable of changing, dying, or forgetting. Chiron's "wisdom" comes from the fact that, due to his titan heritage, his memory is literally infallible—whether he likes it or not.
What a fantastic reference.
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pukicho · 2 years
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Elden ring or God of war for game of the year?
Oh boy, it's a close close call. I’m gonna rant. 
In some ways, Ragnorok is an infallible game, it’s so perfect that poking holes in it seems so nit-picky that you just come off looking like a little jackass creature. I loved every second I played of it and I can't think of a better written, better performed, more charismatic experience. I've seen morons complain that the game has too many cutscenes, as if they didn't know what type of game they were buying into. I would whine about the cutscenes more if they sucked or if the game lacked actual gameplay but it most certainly does not. This game is CHOCK FULL of things to see and do, and all the flavor-text and optional dialogue is insane, on top of that, the game feels amazing to play and the move-set is sexy. When everything is going crazy, there are few games as exciting as this one. At the end of the day I can't think of a more satisfying experience, with one of the most thematically satisfying endings ever in a game.
Elden Ring on the other hand has its problems. It has a difficulty-scaling issue, it's buggy on every platform, it most certainly looks worse than Ragnorok, it has less endearing characters, and what little dialogue it has is pretty mediocre. That being said, Elden Ring is my GOTY. This game is kinda like my dream-game made real, an open world souls-like made by Hidetaka Miyazaki the legend himself - a game with the mystique of Breath of the wild without the shortcomings of content and variety. This game, in my eyes, is the single best example as to why a game should be open-world. So often in games I feel like an open world is a crutch. -- In ghost of Tsushima the open world disconnected me from the pacing and character-growth of our MC, the objectives felt so systematic and ubisoft-esque that it 'gamified' itself as you played, removing the atmosphere and experiential qualities of the experience over time - this effect can also be seen in Horizon Forbidden West, and Dying light 2. Elden Ring uses the open-world to surprise you, you learn so much, you need to be aware of your surroundings, understand the lay of the land, and find things without guidance. It does what Dark Souls did to adventure games and it removes the handrails from the experience, in this case, Elden Ring unlocks the open-world experience. As a result, there aren't many games that evoke such a CANDID experience in me. I've never had so much fun exploring a world, and I've never been so surprised by a game's sheer amount of content. I could go on and on but ultimately it removes the burdensome systems that typically plague games of this scale. I think the game has the best reward-feedback-loop ever, where every item is invaluable, versus the generic inundation of materials in other games, etc etc etc... At the end of the day, Elden Ring just another valuable lesson for the gaming industry; I feel like Fromsoft pops up and teaches the whole industry a new lesson every once in a while - like they know what people want at a fundamental level.
On paper, Ragnorok could be seen as the better overall package but as a result of it being linear, it lacks the candid experience that Elden Ring delivers in spades and I think, despite Ragnorok being one of the best-ever narratives put into a game of this caliber, Elden Ring captures what it means to be a video game better.
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petaltexturedskies · 5 months
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Consider the other kingdoms. The trees, for example, with their mellow-sounding titles: oak, aspen, willow. Or the snow, for which the peoples of the north have dozens of words to describe its different arrivals. Or the creatures, with their thick fur, their shy and wordless gaze. Their infallible sense of what their lives are meant to be. Thus the world grows rich, grows wild, and you too, grow rich, grow sweetly wild, as you too were born to be.
Mary Oliver, "The Other Kingdoms", from The Truro Bear and Other Adventures: Poems and Essays
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ultfreakme · 11 months
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Gojo's vision and eyes are always depicted as otherworldly and infinite, his eyes signify his power, point out the difference of his status as 'not just a human but a living creature'.
But during season 2 we get multiple shots of Gojo's eyes focused on Geto, and Geto alone. Clouds and the sky used to reside in them but suddenly there's a person in his vision. The opening where we see Geto fighting-
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Then in the train station where he encounters 'Geto' once more, the scene of the Prison Realm slowly closing in on him as he stares wide-eyed at the person who's stolen Geto's body, the Prison Realm going blue and crying. In Hidden Inventory we see his eyes at their darkest when Geto's left, and Gojo himself says the futility of his eyes when it comes to Geto.
There's a vulnerability and weakness in Gojo's eyes whenever Geto is involved. These eyes that are meant to hold the sky zeroing in on exactly one person all the time, making him smile, making him human.
Like it's just, Six Eyes is part of Gojo's infallible, undefeated powers but put Geto in his vision and all of it is gone. Gojo using all of this other worldliness on just....one man....and not to fight him but because he's precious to him and this being reinforced over and over and over again.
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I feel so insane like- LIKE ARE YOU SEEING THIS?? I though this was ship fanart.
No no no this is official. Geto's just, part of who Gojo is.
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punkpandapatrixk · 2 years
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👠Your Life as A Celebrity — Timeless Pick A Card
A girl who is unapologetically herself is a beam of Light in this dark world that benefits from girls doubting/hiding/despising themselves. A girl who creates her own bubble of dreamy Reality becomes instantaneously a Celebrity! Any setting she walks into, she commands attention, as well as admiration.
In a world of digital connectivity where communication is easy, room’s aplenty for everybody’s Story. We’re a new generation of celebrity, babe—what are you choosing to be?☆People become Heroes to other people not because they’re infallible, but because in spite of their shortcomings they managed to overcome🤡
[PAC Masterlist] [Part 1] [Part 3]
[Patreon] [Paid Readings]
☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.
Pile 1 – The People’s Dreamy Muse
VIBE: Marunouchi Sadistic by Utada Hikaru
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your rise to celebrity – 7 of Cups Rx
You may consider yourself a bit timid and shy. You think you’re somewhat clumsy and more often than not deeply confused about what you’re doing with your Life. You can be random and scatter-brained, too! An abstract artist yourself, some of you may even deal with autism (of the high-functioning variety most likely) or dyslexia. Truth is, you’re this way because you’re inherently a dreamy creature. In fact, so dreamy you bring to Life people’s dreams and imaginations instead. There’s something otherworldly🧝🏻‍♀️/alien👽about you. So ethereal people think you should only exist in picture books and fairy tales (or manga LMAO).
You may not always be aware of this, but people want to immortalise you and make you a thing of their own. Artists secretly make you their Muse. Other people seem to always want to take pictures of and with you. Secret illustrations of you exist in people’s drafts~ Many people won’t be upfront about it (though they definitely show it) but they’re obsessed with you. Down bad, baby. Down, down on their knees so bad they’ll do anything to become your slaves—if you ever let them.
But you hardly let anybody get close to you, let alone enter your circle. You’re a natural born celebrity and you value your privacy. Some of you were literally born into fame or wealth, and you will eventually carve out a path of your own and continue to be famous. Some of you had past lives as famous and influential people (very likely to have South Node in Leo or 5th House, 10th House, or other placements to do with fame in a past life) and so being noticeably striking is a natural trait of yours. For that, you could get scouted to become a model, actress, idol, presenter, whatever really, and then you just naturally enter the scene.
Whatever the scale or industry may be, you were born for stardom—there’s just no other way around it, babe~🦋
your public image – VII The Chariot Rx
People see that you’re often unsure about your feelings, or that you do have a lot of feelings that seem to spill easily, and that sometimes you drown in your emotions. Some of you, you may even hide your feelings so well (you try), but people will still notice this about you. But your stories will be heard by everyone eventually.
How you came from a really harsh background emotionally and how you’ve managed to turn your past hardships into a magnificent Story that inspires. It wasn’t easy and you’re not always happy about how Life treated you in the past, but as long as your stories serve to save someone’s life, sanity, you’re cool with it. And people really appreciate you for that.
You are the kind of celeb that has a lot of sad, even tragic, stories (like YOSHIKI of X JAPAN) and your fans will want to dedicate a lot of love to you. These are the fans who say, ‘Oh, I wish I could just give them a warm hug right now.’ Your fans are hugely loyal and they talk about you to their friends and family, A LOT. They want to extend your stories to everyone who would listen.
Your stories are like honey gold, or unicorn fart, depends on what your preferences look like~ You can be glamorous, you can be amorous, you can be shy and sweet and sometimes out of control; but you’re eternally everyone’s dreamiest Muse~🪷
your impact/imprint – Page of Wands Rx
You, are, a, copycat manufacturer. Whether or not you try, whatever you do, everyone wants to copy. Name it all: fashion, hair, nails, voice, mannerism, but the coolest of all, your enterprise. Perhaps you write, in a specific dreamy/otherworldly fashion and there’s something ultra unique but touching about what you do, and now everyone tries to do the same because they know they’re gonna get attention that way.
It’s not an evil type of copycatting though; you’re just too original, too fresh, and people want to experiment with themselves by emulating you. In most cases, it’s also because you inspire people to level up themselves so they can become like you. But ngl, plenty of other celebs try to copy you with spite in their hearts, but you’re plenty aware of that, so you don’t really give a fuck. And your cold nonchalance makes you so enigmatic, elusive, that people can’t cease to speculate.
On top of that, no matter how hot or trendy you are, you’re not a sell-out. You won’t give in to corporate money if what it’s asking of you is a betrayal of your values. You have your own thing going anyway—you always will—so you’re not afraid of losing top-tier PR, lucrative contracts, expensive gifts, what have you. At the end of the day, only your true fans understand that your true Art as a celeb is the way you elevate people to the greater heights of their own potentials. You’re like Po in Kungfu Panda 3~🐼LMAO
LASTING LEGACY🔻💛
How A Biographer Would Write About You – Gold Alchemist (Roger Bacon)
How You’re Remembered by the People – Priestess of Illumination
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☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.
Pile 2 – A Soft Hero Holding A Blue Light
VIBE: Somewhere Near Marseilles by Utada Hikaru
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your rise to celebrity – 9 of Wands
Your rise to fame is not an easy one. It ain’t a walk in the park the slightest bit. You worked really hard to be where you are, to have all the beautiful things you possess. You overcame a lot of challenges—mostly, challenges in your self-development. You weren’t always sure what you wanted to be when you grow up. You had vague, dreamy ideas but never were you certain because there were no signposts. You walked your Life with very few stars to guide your path on Earth.
You didn’t get told many times what your natural talents were, and those that you did showcase rarely got any praises. So you thought these abilities would never matter in the bigger world—that you would never be good enough at them to become a Star yourself. Growing up, you battled quite a lot with self-doubts and occasional self-loathing because you didn’t know if there would be a place for you in the world. You didn’t really know what you were put on Earth to do.
At some point in Life, there was a time you could only see the world as a battlefield and it was really painful to live in it. But after a painstaking process of healing yourself and making peace with the hardships that come with being Human, you triggered a miracle to stir. A shooting star of a very precious kind deep dived from the sky right into your bedroom, and suddenly, all your wishes were beginning to come alive one by one by one and one and on and on and so on.
Babe, your world fucking flipped~💃🏻
your public image – 2 of Pentacles
People see you as a bit of a tragic character; but they are enchanted. To them, you’re so fragile yet so inexplicably strong all by yourself. You’ve transformed yourself; gained your glow up in ALL areas of your Life. People are baffled at how such a soft creature could’ve endured the world’s hardest hardships yet remain so untainted. People want to know what you are made of and all the secrets to your courage, strong determination, as well as character. Most of all, how exactly did you flip your world? Ever curious are they, but no one could solve the mystery.
You are naturally soft and transparent, yet people can’t figure you out. There’s a wholeness of your spirit that feels too big to grasp. To a lot of people, your success story serves as inspiration. There’s something ultra Heroic in the way you’ve managed Life, and that alone becomes a lighthouse for others to believe in their own miracles as long as they continue to fight for what truly matters.
Your Light is so blindingly inspirational even if you feel like you’re not doing much. Your sheer existence gives people courage to fight for their Life. Those who are starting anew in Life are the ones who look up to you the most. But those whose hearts are too dark, those who are deeply scarred and afraid to do anything about their lives, those whose bandwidth of Reality is too different from yours, tend to hate you irrationally.
But truly it is because your softness, reminds them of what they have confused as their weakness.
your impact/imprint – XVII The Star
It’s pretty obvious, though unfortunate, that a lot of people find letting go extremely painful to do. Most people are often afraid of losing what’s familiar even when the familiar is no longer safe or comfortable. People are also often afraid of stepping into the unknown, journeying across unstable grounds, and that causes people to stay miserable with the known.
Something about you though, awakens a hidden courage in people. You’re that shooting star people are hoping to see on their balcony to wish their earnest dreams upon. People comment on your social media a lot, and even write beautiful handwritten fan mails, to tell you their feelings as well as gratitude. Even if they know you probably won’t read, they write anyway because when they write, it feels either like a catharsis for their pains or affirmation scripting for their wishes.
People just know that when they connect with your energy, something miraculous is bound to happen in their own Personal Reality. Not sure what that is; it is your personal touch of blue magic—the magic of profound self-alchemy~💠
LASTING LEGACY🔻❤️
How A Biographer Would Write About You – Silver Astronomer (Galileo Galilei)
How You’re Remembered by the People – Priestess of Purity
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☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.
Pile 3 – A Decadent Éclair Amongst Empty Croissants
VIBE: Tokyo Flash by VAUNDY
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your rise to celebrity – King of Cups
In this world where people are underestimated for having emotions (because hardheaded logic is prized higher) you’ve always prided yourself in prioritising listening to what your heart tells you. Your strong intuition knows your heart would never lead you astray. In fact, it really hasn’t. And you’re proud of that—more like, you’re glad you’ve always been true to yourself, really.
Sure being this way has led to occasional alienation, but what’s it to you when you’re the one building, creating, and enjoyably living an awesome Lyfe you’ve made yourself? You’re the one having all the fun, and dang, all the money. And you’re happy. You’re doing all these things you’re passionate about. Because you never stopped listening to your singular truth, you’ve cultivated a unique skill that sets you apart from everyone else in your trade. A refinement you’ve been doing since you were a kid.
Whether or not you become a public figure, actually, you’ll always be that eccentric that draws attention. People like to flock to see what new art/invention you’re working on. Many of them are genuinely in awe; quite many of them secretly jest. Little do they know—weird as you can be, you’re a compassionate person who has a big enough heart to accept that not everybody can accept you.
You get where most people are coming from and why they are essentially afraid to accept you. Your heart is so incredibly kind~🍃Psst, amongst your fans, many are simps!🤪
your public image – 7 of Pentacles Rx
You’re a pro at your Art that gets everybody talking but they know they can never emulate what you’re doing. People know it takes way too much originality, which they’re painfully aware they don’t have; and they know it takes courage to express a singularity like yours, and they’re again painfully aware that they’re too much of a coward to even begin.
Ngl, something in your originality sends some people shrieking into self-deprecation just because they can’t help but realise they’ve wasted many years of their lives not pursuing their very own original passions. People are wont to hypnotise themselves to believe that their mistakes/wrong steps are justified, right? Just to pacify their sorrows/regrets. But when they see what you do, how you live your Lyfe, their old potentials haunt them like that motherfucker from The Ring👻
You inspire a lot of young people but make sad many old people who have nearly completely lost touch with their inner child. But you also rejuvenate those older than you who are still working on their dreams~🐣If anything, your guts resemble theirs so much that they feel relieved to know they still have a place in this strange world🌏
your impact/imprint – Knight of Swords Rx
You’ve always lived with a special courage to be unique; refusing to abide by rules let alone oppressed by set laws. You can be reckless, but that’s like a breath of fresh air in a society that’s strangling its own citizens. But you’re never really a fighter nor a warrior; you’re an Artist through and through. You’re setting an example (or more like a possibility) to live differently—against, even—society’s standards and expectations.
You’re not immoral; you just believe human beings are supposed to be FREE but governments have been criminally oppressive. What even are those questions about theft and murder? Free people who are happy, content wouldn’t deliberately hurt another person. Oppressed citizens who are deprived of resources, and subsequently the ability to feel joy, kill and steal from each other. In your lifetime, as an attempt to be somewhat of an “activist”, you are likely to quote this from Utopia (1551) many, many times:
‘For if you suffer your people to be ill-educated, and their manners to be corrupted from their infancy, and then punish them for those crimes to which their first education disposed them, what else is to be concluded from this, but that you first make thieves and then punish them.’ – Sir Thomas More, ah also, Drew Barrymore in Ever After: A Cinderella Story (1998)🤪
LASTING LEGACY🔻🧡
How A Biographer Would Write About You – Red Magus (Edward Kelly)
How You’re Remembered by the People – Priestess of Fertility
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☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.
[PAC Masterlist] [Part 1] [Part 3]
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see-arcane · 9 months
Text
Was Frankenstein Not the Monster? PILOT
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A fire of too many colors swallows a manor in the countryside and descends into a pit.
An occult detective's prying leads to revelations far more volatile than the mere aftermath of a nightmare.
Men and monsters circle at the edge of a legend that should have died in the cold almost 100 years ago.
And in the dark beyond that edge, strange Creatures watch and work and wait.
…Such is the stage set for a new piece under the working title of Was Frankenstein Not the Monster? I make no promises—certainly none the size of Barking Harker—but at the moment, this project has been eating up much of the time I’ve spent while juggling the publication of The Vampyres. As it stands, I think I might be making another book.
If you’re interested, the preview is below the cut, but also available here and through a link in my website, here.
Was Frankenstein Not the Monster?
C.R. Kane
Every muscle palpitates, every nerve goes tense—then the body rises from the ground, not slowly, limb by limb, but thrown straight up from the earth all at once. He did not yet look alive, but like someone who was now dying. Still pale and stiff, he stands dumbstruck at being thrust back into the world. But no sound comes from his closed mouth; his voice and tongue are only allowed to answer.
—Scene of a necromantic conjuring by Erichtho, as depicted in Lucan’s Pharsalia.
“I see by your eagerness and the wonder and hope which your eyes express, my friend, that you expect to be informed of the secret with which I am acquainted; that cannot be; listen patiently until the end of my story, and you will easily perceive why I am reserved upon the subject. I will not lead you on, unguarded and ardent as I then was, to your destruction and infallible misery.”
—Victor Frankenstein, as penned by Capt. Robert Walton, edited and distributed by M. Wulstan, in the epistolatory document referred to alternately as The Legend of Frankenstein, ‘The Walton Letters,’ or, ‘Lament of the Modern Prometheus.’
THE MODERN PROMETHEUS! THE MANMADE WRETCH!
WHO IS THE MONSTER?
THE HORROR, THE HUBRIS, THE HAVOC!
ALL COME TO ELECTRIFYING LIFE IN…
THE NIGHTMARE OF DR. FRANKENSTEIN!
Based on the lauded literary terror penned by the late Robert Walton and brought to public light by M. Wulfstan, The Legend of Frankenstein.
The Apollo Crest Opera House presents the most harrowing take on the mad doctor and his marvel of creation to date.
Featuring up-to-date theatrical effects and the most stunning visuals ever seen on the stage, this is a show to whiten the locks and deliver endless shocks.
Come to GASP, to WEEP, to SWOON, and above all, ladies and gentlemen, to PONDER the century-old query beneath the fear in this tale of a creature crafted from the dead and the proud madman who dragged it into the world!
When the passerby corrects you, claiming the scientist is Frankenstein rather than the monster, remember to ask in turn:
WAS FRANKENSTEIN NOT THE MONSTER?
1
The Inferno of Erichtho
While Dyson’s was one of many heads turned by the events surrounding the housefire of Dr. Richard Geber, he was one of few interested parties who arranged a stay in Surrey’s countryside to ogle the site in person. The other who rode with him was, stunningly, Ambrose, one of his oldest friends and the staunchest recluse he had ever known. Dyson had suggested they try to wheedle Cotgrave, Phillips, and Salisbury all together for a full holiday, if only half in jest.
But where eager Cotgrave was anchored by familial obligations, Phillips and Salisbury were merely hesitant in matters of the uncanny. In truth, the latter pair had positively gawped at him. Their eyes asked wordlessly if the stamp of inhuman horror had magically been blotted out of his memory or if he’d simply abandoned sense altogether. Dyson laughed at the looks, especially Salisbury’s. He of the straight-lined life and the wincing insistence that Dyson keep all answers to himself when it came to the mystery of Dr. Black and the query of Q, only to come slinking curiously back with questions upon seeing Dyson’s haggard mien post-discovery.
As if reading the memory in him, Salisbury’s face flamed and turned away while Dyson continued, “My friends, I would no sooner part with the haunting of those experiences than a writer of penny horrors would relinquish the muse of his nightmares. Ambrose here will rightly call it perverse with you—he is the adept where I am the amateur—but he knows the worth of retaining the proofs of what he calls ‘sin’ and we politely deem merely the ‘weird’ or the ‘supernatural.’ Cotgrave, dear fellow, you at least have an open mind on the subject. If we can manage it, would you appreciate a souvenir of the strange ash for your desk?”
“Cotgrave,” Phillips had cut in with an aridity to dry the ocean, “has not been put into contact with anything more harrowing than some poor child’s grotesque diary. He and I,” he’d nodded to Salisbury who was muffling himself with the wineglass, “had the dubious fortune to play witness to the far end of your direct jabbing at the unknown, neither of which bore anything but blighted fruit. The sight of that miserable treasure hunter’s golden relic was more than enough for me. Salisbury, for his trouble, had enough poisonous proof poured in his ear as thirdhand storytelling to make him rightly uneasy, followed by wondering whether you had been struck by some ailment after prying too far.” He’d turned fully to Salisbury. “Has Dyson ever breathed a word of what it was that shocked that new white up his temple after chasing the scrap of a cipher and Dr. Black’s work?”
It was Dyson’s turn to look away. He had not told Salisbury about Travers’ shop. Certainly not about the opal and what it held. Nor would he ever. He knew even the most sublime prose would fail to do the spectacle or its horror justice. Salisbury would suffer for it, as most of his friends would, and so he burned his tongue with holding the story in. For the most part.
He’d broken enough to recite the event to Ambrose in tragically plain terms. Ambrose had nodded, recorded his statement in one of many journals kept for the purpose of notes and scrapbooking, and shelved it away with the rest of the flotsam that clogged the bookcases which stood in for his walls. The recluse gave his oath not to breathe a word of the case’s final act to another.
“At least not until you are too dead to speak on your own behalf,” Ambrose had added. Dyson found the terms satisfactory.
Yet the fact of his having an encounter so disturbing he’d not even shared it with his most sober of friends still managed to work against his invitation to the strange scene in Surrey. Even Cotgrave shook his head.
“No need of the ash, my friend. I will settle for a description of whatever you dredge up in those hills.” Dyson noted the sickish pallor that washed over him as he pronounced the last word. Phillips shifted uncomfortably in his own seat. Salisbury ran out of wine to nurse and set his glass aside.
“I will be curious of whatever account you bring back,” came his intonation, “if only to know whether you are treading on more tangible toes than some unseen wraith’s.” Salisbury had canted his gaze sharply at Dyson. “No, you have not told me what it was you did upon following the trail of breadcrumbs I mistakenly revealed to you. But I would be a fool not to assume you went and did something unwise regarding the business of those strangers in the note. Q and friends and whoever else. They are real people. Just as Dr. Steven Black was. Just as Phillips and the whole of London recalls the late Sir Thomas Vivian being quite real, and more immediately dangerous than any bogeyman lurking beyond our respective brushes with the so-called supernatural.”
“Sinful,” Ambrose corrected over the rim of his own glass.
“Indeed,” Salisbury sighed. Dyson did feel a trifle apologetic toward the man. He seemed to have aged a decade since he’d stepped back into his life. “But be they supernatural or sinful or just plain mad, human monsters are the more prolific villain of the world, and far easier to cross paths with. Dr. Richard Geber was a man of considerable notoriety with, I would wager, any number of watchful vultures in the branches of the family tree and as many serpents playing patron to his less savory works at the roots.” He’d leaned in, regarding Dyson and Ambrose in the same plea. “Do your sightseeing if you must, but be wary of what prying you do whilst playing occult detectives. A man seeing a nuisance is far more likely to take action against it than any monster.”
Dyson sadly lost his opportunity to assure Salisbury and the rest of his planned caution, as Salisbury had used the word ‘occult’ and set off a fresh avalanche from Ambrose. Talk plunged into proper distinctions of the extraordinary and the eerie, somehow managing to trip into a round of storytelling that marched through the suicide epidemic of certain well-off young men who he theorized had each encountered the same unearthly stimulus whose knowledge could not be lived with, around to an ugly room in a rented country house with a habit of seeding a mirrored insanity in wives and daughters who spent too long in the sight of its irregular damask walls, and all the way to the facts in the case of the pseudonymous M. Valdemar, that mesmeric scandal that might not have been half so sensationalized as cynics might declare…
Salisbury had put his head in his hands while Dyson, Cotgrave, and Phillips settled in for the monologue, feeding the orator only what flints of dialogue were needed to roll him further on. Were he onstage, Ambrose would have deserved a lozenge, a bouquet, and ten minutes’ applause.
That was then.
In the now, Dyson and Ambrose sat in their car, preemptively swaddled against the first drifting motes of snow. November seemed only to have warmth enough left with which to give Geber’s estate its theatrical sendoff with its roiling thunderheads and dancing lightning. With that performance done, the sky handed its reins off to winter’s sedate styling. The train drew itself along under a ceiling of gauze and into the broad country whose rumpled hills and evergreen treetops were already hiding themselves in caps of cold white. Not that such seasonal flurries would have been any more help to the roasted manor than the downpour of the incendiary night had been.
Dyson riffled out the sections of newsprint he had brought along for the trip.
Headlines bellowed across the earliest of them:
STORM-STRUCK IN SURREY!
SPARKS FLY OVER GEBER’S BLAZE!
BLINDING FIRE DEVOURS MANOR OVERNIGHT!
          And so forth.
          The sum of these pieces was a remarkable series of witness reports from the staff who’d escaped the building before they could burn with it. Miraculously, every member of staff had made it out with barely a scorch mark between them. Even the horses, hens, and hounds of the estate were unscathed. It was only Dr. Geber and, the staff declared, a number of colleagues who had remained inside. Corroboration from the nearest towns confirmed that Geber was indeed housing several ‘learned gentlemen’ under his expansive roof for the purpose of some private experiment being undertaken in his home laboratory.
          All that saved the staff from especially sharp scrutiny was the likewise-confirmed evidence of just where that laboratory was located.
          “Geber had it all built underground,” claimed more than one servant. “He up and abandoned the one he kept at the top of the house half a decade back. Had a whole little nest of catacombs hollowed out lower than the cellar, moved in all sorts of equipment and chemicals and such. We saw it all go through the big double doors he had set in the back of the house. Figured him and his fellows would come up by that way or the little stairwell indoors. Whoever wasn’t eaten up by the blast, at least.”
          The blast which had not come from the heavens by way of the frantic lightning that night, but from right under the floorboards. One poor girl, Elsa Godwin, had gone down to fetch a jar of preserves and been the first to hear a series of what sounded like detonations rattling up from the ground. A distant crackle, a hair-prickling hum, a string of boom-boom-boom, all muffled by earth and concrete. That, and men screaming. There was barely time to hear as much before she also got to play first witness to the memorable fire; a blaze that begun at once to eat holes through the floor and western wall of the cellar.
          “I thought I was dreaming at first,” to quote Miss Godwin. “It all felt too impossible to be happening while I was awake. The fire only made it seem less real. Real fire isn’t supposed to work that way, you see? Real fire, it meets a solid wall of dirt or rock and that’s as far as it goes. Singes it, maybe, but it can’t just go burning through everything like it’s a paper dollhouse. But that was just what it did. While it was eating its way up the stairs to the doctors’ laboratory, it punched on through to the cellar. And even that I may have accepted as real enough, but for the look of it.”
          The look of that fire was described by her, by her coworkers, by those who rode up to gawk in person or make a feeble attempt at playing fire brigade, and even by a number of technical witnesses who could see the glimmer of it from their far-off windows, all in varying states of poetry or dumbstruck curtness.
          The fire had not been orange.
          The fire had been black. And white. And yellow. And red. All of these at once, every flame throwing its improbable light as if it fell through some nebulous crystal. Its palette might have been more enchanting if it weren’t for the fact that it was, as Miss Godwin and many more would claim, a fantastically voracious thing. So much so that Miss Godwin had scarcely made it back up the steps to shout the alarm before tongues of fire were poking up through the floor.
          It truly was a miracle that everyone aboveground had fled in time. The second miracle had come from the fact that, even lightning-struck as the roof was, it remained mercifully solid while the multihued fire ate up the lower floors. So solid that Fate kindly used it as the hand to snuff the monstrous blaze. The walls turned out to be so quickly enfeebled by their change to ash that they could no longer support the heavy slants and shingles. So the roof had crushed the creeping flames under its lid, dousing the fire with sheer speed, weight, and luck. It was as unlikely a thing as a man crushing a viper’s head flat with his fist before it could bite.
          Another bittersweet bout of good fortune came from the positioning of the laboratory itself. Whatever state the subterranean workings had been in post-explosion, they apparently made for an efficient ashpit. When the roof slammed down, it compacted everything below directly into the waiting pocket of hollowed earth. What could have been a conflagration was tucked tidily away almost as soon as the proverbial match was struck. Though it had doubtlessly come at the cause and cost of the very men who had sparked the fire with some experiment gone awry.
          “Some manner of chemical flame, a catastrophic bungling of electrical tinkering, or both,” professed numerous experts hunted down in their own labs and campuses. Dyson imagined they were perhaps a bit put out that Geber had done them the simultaneous mercy and unspoken insult of not inviting them to join whatever it was he and his colleagues had been dabbling with. An experiment of such secrecy and apparent potency that the man had not only tunneled out a buried laboratory for it, not only erected new stone walls and double-locked iron gates around his home, not only scoured fields across the scientific spectrum to people its undertaking—for chemists, engineers, technologists, surgeons, and sundry in-betweens were numbered among the missing and/or immolated dead—but even hired on a number of ‘attendants’ that the surviving staff recalled as having staggering guardsman physiques.
          All this to keep the experiment hermetically sealed and shielded.
          All this, only for a number of ears at the nearest pubs and markets to catch wind of the thing’s name anyway: Project Erichtho.
A secret experiment named for the necromancing witch of legend could only be yet another spur to the public imagination, turning a noteworthy housefire into a potential hellish horror story. Requisite headlines included:
FRANKENSTEIN’S ACOLYTE, ERICHTHO’S ECHO—DR. GEBER’S UNHOLY HEROES!
PROJECT ERICHTHO’S PARANORMAL PYRE!
SORDID SECRETS AND A DOCTOR’S DEADLY DESIGN: THE KINDLING FOR THE INFERNO OF ERICHTHO?
“It could be he’s gone on to join his heroes in a sordid afterlife,” some would say in tones that alternately scorned or cooed. “Faustus and Frankenstein may have a place waiting for him in a deeper inferno. It’s the sort of thing one gets from prying too far into Nature’s business, after all.”
So on and so on. Dyson had clipped everything of interest and strung the whole thing into a sort of haphazard file in contrast to Ambrose’s tidier pasting. Ambrose was even polite enough to feign renewed interest in the piecemeal newsprint despite the information being doubtlessly memorized already.
“Not memorized,” Ambrose said over a headline declaring Geber had conjured the Devil in his cellar. He opened his coat as if displaying illicit wares, flashing the holster where he kept a waiting notepad and pen. His was an especially tailored overcoat with a number of buttoned and hidden pockets for all his necessities. One might think he hardly needed his luggage but for a change of clothes. “My cheats are simply copied out and kept close like a good pupil’s before an exam.” He patted the lapel back in place. “I am not a man made to leave his cave often, Dyson. Therefore I must wrap myself as much in my mobile cave as I can.”
“Would that not make it your shell?”
“I suppose it would. It is a difficult thing for a snail or tortoise to be robbed of his home. Unless the thief is some errant bird after the homeowner, of course. But for all that I have my faiths and proofs in the uncanny, your Salisbury was right. Men are the most common threat to a man. They rob one of goods and life at a moment’s notice far more than any aberration.”
“Ah, that begs a question I’ve meant to ask.” Dyson waved his helping of papers as a baton. “You know the reality of seemingly unreal things. What you call your sinful, wrong, not-meant-to-be sort of phenomena and entities. Were you to find yourself cornered in the proverbial dark alley with an ordinary mortal cutthroat at one end and an unearthly bogeyman at the other, which villain would you risk?”
Ambrose offered a sliver of a smile and turned his attention back to the snow flitting by the window. He passed his helping of newsprint back blindly.
“You have only listened to my rambles with half an ear,” he said. “It’s true that what you would dub the supernatural I would call sinful, but I have yet to declare such things innately villainous. Otherworldly, yes. Eldritch is a decent term. Unwelcome too, at least in what we deem sane and right by the laws of Nature or our manmade structures. Or, to satisfy the macabre itch, yes, I would deem the whole breadth of it horrific. And yet, for all that we have assembled a fair collection of events that ended in death or worse as a result of crossing bizarre influences—indeed, enough to condemn many in, say, the demoniac terms of evil—the fact remains that even a living horror is not guaranteed to be villainous. To that end, let us look at your scenario. If I knew for a fact the ordinary man at one end of my alley intended absolutely to kill me, knife ready for my throat whether or not I handed over my money, whereas the horror at the other end was a complete enigma? I would simply have no choice but to remain still.”
Dyson lost himself to a laugh and crowed, “That is no answer! The scenario was a choice. Who do you risk pushing past? The common murderer or the uncommon enigma?”
“The threat,” Ambrose pronounced carefully, “of a horror is in the uncertainty of what it is and what such a thing is capable of. The cutthroat means to kill me, yes. But the horror? It may mean to end me as well, but in a far more hideous way. In fact, it may intend to inflict something far more unthinkable than the mercy of mere execution, such that the cutthroat would be a blessing of euthanasia by comparison.”
“Ah,” Dyson jabbed his paper baton again, “so you would take the cutthroat for the certainty of him.”
“No. I would remain still.”
“Ambrose—,”
But Ambrose held up his hand.
“I would remain still until one or the other proved himself the lesser evil. For the horror at the other end of the alley may have no ill design whatsoever. Being frightening does not immediately qualify the monster in question as a villain. After all, how many legendary monsters of old have we revealed as mere animals? How many unfortunate souls are there in the world, born with off-putting ailments or disfigured by circumstance, who possess the purest of Good Samaritan character? By the same measure, how many are there with the faces of Venus and Adonis who scatter only petty cruelties in their wake? Even creatures as humble as the common spider will terrorize some of the hardiest men as much or more than their wives. Yet the spider is there to help, tidying flying pests from the home just as the pretty housecat unsheathes her teeth and claws only to bloody her keeper’s hand.
“In short, a horror will horrify, naturally. A horror is capable of far worse things than any human effort. But a horror is not inherently a villain. I am happy to keep things in the hypothetical until I am faced with the awful choice in person, but should I choose to wait, to remain still and force one or the other to make his move, I am certain the motives of the inhuman party would be made clear. It would strike, or retreat, or…”
“Or what?”
“Or it would do as the first horrors of Creation did and be as an angel. Fallen or otherwise.” The topic clipped there as the station came into view.
Fighting the frost and the numb-faced arrival at their rented lodgings sponged up the rest of the day’s energy between the two of them. A hasty dusk and a heavy supper knocked both men back in their chairs and soon the ruddy comforts of the inn dragged them down into an early night.
Ambrose, Dyson was unsurprised to see, had turned into an insomniac so far from his preferred den. He was at the window puffing at the little ember in the clay bowl and staring out at the dark when Dyson finally surrendered to his bed midnight. Come morning, Dyson found he remained at his perch, puffing still.
“I did sleep,” Ambrose assured before the other could speak. “On and off. My dry eyes played traitor and made me lose watch for a few hours at a time.”
Dyson stilled in the effort of lacing his boots. He saw that the faint pouches that had been under his friend’s eyes last night had only deepened. The ashtray set on the windowsill was full.
“Geber’s housefire notwithstanding, I can’t imagine there’s anything worth spying on in these parts. Especially not on a moonless night.”
“It wasn’t moonless,” Ambrose said as he rubbed crust from either eye. His head gradually creaked away from the window to face Dyson. “I saw it come out in cracked clouds here and there. It helped somewhat, but I could still make out a little of the show either way.”
“What show was that?”
“I’m not certain. Some kind of domestic dispute? It involved either a very mad or a very sad individual on a rooftop.”
“What?”
“He got down alright. A giant came to gather him up and bring him indoors.”
“…How much did you have to drink after I went to bed?”
“Not a drop. The whole of it took place with that little house out toward the east there. You see?” Dyson followed where Ambrose pointed. There were numerous petite houses sprinkled along the crest of a far cluster of hills. He was about to point out the issue when his gaze caught on one that stood out from its siblings. Ambrose defined it at the same time, “It has its fresh cap of snow all ruined by their footprints. The man’s little pinpricks and the giant’s awl marks, so to speak. It happened that as I was woolgathering, a yellow light came on in the upper window. The shape of a man blotted it for a moment before the window swung open and the fellow climbed out.
“It wasn’t a pleasant sight even at a distance. He didn’t move like any climber I ever saw. More like,” Ambrose made a face, “I don’t know. An animal? An insect? Something like that. Whatever he was, he made it up there. So I assumed by how the darkness erased him when he skittered up. The first crack in the clouds helped me here, for it dropped a yellow beam on the house and showed the man standing on the very top of the roof. This he did while wearing no more than a pair of trousers and a coat that hung on him like drapes. A lone stick figure balanced on the ridge. Then a moment later, the giant came.”
“Not bounding over the hills, I take it?”
“No. He blocked the entirety of the lit window before he contorted himself out and climbed up after the man. His motion was a far more fluid thing, if likewise strange in how he placed his limbs. Were my eyes a little poorer, I might have mistaken him for some massive panther scaling a mountainside. But he was human enough seen from my seat. Just outlandish in his size and proportions. A hulking figure, yet corded and angled in a way you seldom see with men we might take for a contemporary Goliath.”
“I see. And what happened when he reached David?”
“The moon ducked out of sight for the first moment. It took a minute before it peeked through again to offer a silhouette of the meeting. Man and giant were facing each other with the giant seeming the most animated of the two. He gesticulated first with frantic violence, then as if he were beckoning the man like a stray from a gutter, and ultimately coaxed his frailer counterpart to extend a twig of an arm. The giant clamped onto it and seemed prepared to yank the man from his perch. But the man pointed with his free hand at the moon. This made the giant pause. The boulder of a head turned up. They stared together at the great ivory ball. But sense eventually overruled wonder and the giant maneuvered them both back in the window. The curtains were drawn. I figured that was the end of it.”
Dyson had by now fully dressed and packed for the day. He paused to raise a brow.
“Was it not?”
“No. Some while later, a light glowed in a lower window. David and Goliath walked outside. At least I assume it was David with Goliath. The spindly figure was erased in a massive clot of coats and blankets, it seemed, and so almost passed for a full-bodied individual. The giant shadowed him and forced a cup on him that I imagined must be steaming as it rose and fell from the man’s face. The moon was polite enough to show itself a few more times through the filmier clouds. Even the stars made some appearances. By dawn much of the clouds had broken up so that they skimmed across a half-clean sky. I saw the Morning Star hover in the horizon. The man pointed to this or the molten sunrise. The giant nodded and looked with him, patient as anything. Then David was herded back inside and I saw no more.”
Dyson hummed at all this and eyed the little house again. It really was a fair space away.
“Are you certain you saw a man and a giant? At this distance could it not have been some fevered child and his father?”
“If I were using my eyes alone, I might concede the possibility. Except.” Dyson watched him dig in his coat and produce a collapsed spyglass. “I have brought the full accoutrement of the hermit along, my friend. Its details were few, but far crisper than our sight alone.” A specter of mingled thrill and discomfort twitched along his lips. The former won just enough to pin the mouth up at one corner. “Though I wonder if that was a mistake.”
“Afraid they spied your spying? The threadbare David sounds like a stargazer. Perhaps he swung his lens around to find you in the dark.” Dyson spoke only to rib him. Instead he seemed to strike Ambrose like a lead weight. A greyish tinge passed in and out of his face as his gaze flicked back to the window. “Come now, there was no light on in here. Even if the pair had an astronomer’s lens between them, they’d never know you’d spotted their nocturnal theatre.”
“They had no lens at all,” Ambrose said. His lips still held in the unhappy upward curl. “Yet they did turn to look at this window. David first. Then Goliath. I cannot say whether they saw me, but…” Ambrose rolled the spyglass in his hand before replacing it in its pocket. “I saw a hint of their faces. Just the eyes. I may have imagined it. Some illusion of moonlight or sunrise. But the illusion was very crisp.”
“The illusion being what?”
“They were yellow, Dyson,” he almost chuckled. “Like the stare of animals caught in firelight. Bright as the lamps. And they did not turn from their staring in this direction until after I set the spyglass down.” Ambrose looked up at him. The whites of the man’s own eyes had gone rose-pink. “We’ve not yet set foot on Geber’s ash pile and already I have something for my notes.”
“Perhaps,” Dyson nodded carefully. “Perhaps you do. Or else a late night played on your conscience and sharpened your subjects into things that could chide you at a distance for spying. I have no such conscience on that subject and so might have missed their flashing eyes. Still, it is something for the diary. But only after breakfast.”
2
Dead, Buried
Breakfast came, breakfast went. Ambrose’s state barely loosened from its troubled knot. By the time they set out to poke around the week-old ruin under a dusting of snow, Dyson noted only a half-return to the man’s usual ease. He thought to remind him of the unhappy adventure involving the cruelly departed Agnes Black, to commiserate over the difference between the aftermath of the strange compared to meeting eyes with it, but swallowed it all down. Such talk would only rip up the scab, not plaster it.
In this mood, they took their way to the housefire’s wreckage with thin conversation. It only thickened again as the coach let them out at the site’s gates. They had been locked over again by the authorities and yesterday’s powder had made the surprisingly tidy mound and its rooftop cap into an anonymous lump of debris. Hardly worth the trip. But the sight of the ruin was only a fraction of their purpose there. 
Dyson instructed the coachman to return in an hour to the same spot to retrieve them. The coachman eyed the two warily. He’d no doubt seen more than his fair helping of journalists and policemen in the past seven days than any soul ought to deal with. But pay was pay and he seemed content to reappear in roughly an hour’s time, sirs, give or take another customer’s route. Dyson and Ambrose waited until the horse-drawn speck was almost out of sight before they began their march around the the high stone wall that passed for the ex-manor’s fence. Their breath trailed after them in white streams.
“He really had the place made up like a fortress, didn’t he?” Dyson observed. “Look here. Even the ornaments along the top are like spires. No one could go hopping in or out without undoing the seams of his skin in the attempt.”
“Project Erichtho was a thing to covet as much as conjure.” Ambrose dug again in his coat, this time bringing out his notepad. He thumbed to one close-scribbled page. “Do you know, this manor was his for less than a decade? He took the place seven years ago and left behind a far more metropolitan estate. A handsome spot, but not half so private or titanic as this.” Ambrose knocked his knuckles against the stonework.
Dyson knocked his shoulder in turn, “I see you go a-haunting places other than your home while our backs are turned. You are a fraud of a recluse.”
“On special occasions, yes.”
“And the timeline of Geber’s road to the freakish blaze meets your standards.”
“Very much so. You see, he had his career in the city, for all its lauded highs and scandalous lows. And his one trip out of that area was also his first and last trip out of the country. I was told he took a holiday up to Switzerland.”
“Told by who?”
“Former staff. All the ones in the manor were local hands. The original workers say he returned home from his holiday with a wild new passion—,” Ambrose paused to catch Dyson’s eye, “—and a souvenir. One that they never saw removed from its massive box. The nearest guess anyone could make was that it must be one of those majestic Swiss clocks or perhaps some statue bought on a whim. None would it put it past him to purchase a likeness of his spiritual muse, or maybe a rendering of the latter’s infamous creation. But no one ever saw the contents in person. He had this thing moved into his upstairs laboratory, locked the door, and neither butler nor maid was permitted to set foot in the room for the rest of the year.”
“Mysterious enough,” Dyson agreed while shaking a snow clump off his boot. “Though I can hardly picture Switzerland as possessing any equivalent to Pandora’s Box.”
“Nor could the staff. But they never did wring an answer from Geber. No more than they ever confirmed what all his latest experiments were in that locked room. Whatever they were, the staff thought there must have been some noise to muffle. Geber started playing his phonograph whenever he set foot inside, letting the opera warble over whatever din went on in his work.” Ambrose tucked the notepad away and tugged at his glove. “When it came time for his sudden exodus to the far-off manor, the movers discovered the box was nailed shut again, offering no one even a parting peek at the treasure.”
“And what is the import of this crate, exactly?” Dyson asked, even as he guessed. It was hard to avoid, keeping his steps aligned with Ambrose’s as they circled to the rear of the estate. The trees loomed with their snowy crowns sawing against the blue-white sky. They were close to where the acreage sloped into woodlands.
“None of the new staff mentioned its arrival or its being toted down with the rest of Project Erichtho’s flotsam. In fairness, the interviewed parties likely had far more on their minds than the exact nature of their employer’s bric-a-brac. Especially when the project appears to have begun in earnest four years ago.”
“But,” Dyson intercepted, “the staff in the city dwelling remembered his fixation with the thing seven years prior. And if the manor’s fresher workers could remember that his other scientific oddments were loaded underground, surely they’d recall him fussing about the box.”
“Such is my guess,” nodded Ambrose. He stopped them both short as the exact back end of the stone wall came into view. “Geber likely would’ve clung like a shadow to the movers whether they brought it by the inner stairs or through the back entry. Yet there was no mention of it in their accounts. Almost as if he couldn’t bear to have more eyes upon it than absolutely necessary. And, naturally, there is the issue no other paper or ponderer has mentioned regarding the novelty of a subterranean workplace.” Here, at last, Ambrose began to grin. “One that even the miner or a digger of catacombs needn’t bother themselves over.”
“Because the men in the mines and catacombs don’t have to work within a hermetic seal,” Dyson concluded, beaming back. “They have a way constantly open to the air. The staff claim that the entryways into the laboratory were always shut and guarded by a boredly vigilant set of guards. A tricky area to provide ventilation for with no opening. Unless there was a third threshold somewhere that Geber neglected to mention to the house staff. Say,” he waved a glove at the waiting woods, “hidden in some convenient cover of wilderness.”
“It’s where I would hide a second backdoor in his position,” Ambrose agreed as he ogled the rear of the stone wall and the adjacent trees. “If the back of the manor was here,” he marched with measured steps to the back gate, likewise locked, and regarded the ashes beyond the iron, “then the broader outdoor entrance was likely slotted there with it. A tunnel connected to the underground work area would not be situated far off. So…” He turned and traced an invisible line from the ashes to the woods and away to the west. “A straight route from here on is likely to bear fruit.”
“Would it not be simpler to circle around?” Dyson asked this of the waiting trees as much as his friend. “If Geber’s precious crate was also moved in by this hidden corridor, surely it would be someplace near the edge of this tangled patch. It’s no narrow copse, but I’d rather amble around it rather than risk the trudge inside.”
“Normally I would agree. However.” Ambrose stomped purposefully along the slope, leaving clear tracks as he went. “If we want better odds against our own amateur detective work being spied on, we must take advantage of what little cover we can. Salisbury would tell you so.”
“Salisbury would be down with a skull-cracking headache over the prospect from any angle,” Dyson countered. But they went through the woods just the same. The snow had come in lightly through the coniferous canopy and it traded their softer snow-plush tracks for a brittle thudding along frozen earth. A quarter of an hour’s search and a number of brambles later they came upon a clearing cluttered with large stones. Dyson felt Ambrose bristle at his side. Not from the cold.
He had read the precious and painful little green book Ambrose regarded as one of his truest treasures. The book that contained the child-ramblings of a lost girl, of strange white figures, of stones carved and twisting with ancient unholy influence. Mercifully, the mystique was soon spoiled.
The clearing had let in a little more of the snow through the gap in the canopy and when the powder was brushed aside it revealed nothing but moss and bird droppings on every rock. Another glance showed a number of stunted logs also strewn about. A makeshift sitting area. Ambrose took a spot on one of the logs and set to picking burrs from his trousers. Dyson thought he looked a little ruddier for having seen the rocks were plain.
“Well, convenience dictates that a secret entrance would be around here.” He pointed to what would be a few minutes’ walk to where the open light of a meadow waited. “Any closer to the edge and it wouldn’t be hidden at all.”
“True, true,” Ambrose nodded, removing his hat to shake off the frost and pine needles. “But even if we were on top of the thing, there’d be the second trouble of spotting it while it’s disguised. There was likely one or more guards on duty. On the off-chance that some wanderer came by they’d need to have some way to mask the opening.”
Dyson thought as much too and had been scrutinizing the ground. He’d found a good stick to claw up the dirt with. So far, no convenient trapdoor presented itself. As he prodded, he caught himself mulling over the hypothetical guards themselves. Surely they couldn’t have been caught in the blaze. Even if they’d been struck by a heroic urge, there wouldn’t have been time to rush to the manor and attempt a rescue. Yet he recalled no interview with any such person in the aftermath of the pyre, only those domestic staff who minded the house itself. So where had they gone?
The answer was hidden under a rock.
Specifically, the largest of the rocks in the clearing. Dyson’s stick came to a stop in its shadow as the branch suddenly dipped an inch into the ground where he’d dragged it. The snowfall masked it, but not well enough.
“Ambrose.” He patted the broad rock. “This stone isn’t supposed to be here.”
“What?”
“Look here.” He dragged his stick back and forth over the hidden groove beneath the powder. “It was moved out of place.”
Dyson and Ambrose eyed this only a moment before taking position on the stone’s opposite side. Together, after many a shove and as many curses, the rock budged. Not all at once, but in bursts. Between lurches they agreed that it had to have been put in place by far stouter strongmen than themselves. Their thoughts broke away at the same time when their next push dropped a leg from each of them down into the earth. There was much floundering and flopping aside to save themselves from slipping entirely into the hollow. When they’d recovered themselves, they peered down into the new opening. A wisp of daylight revealed hints of the interior. Shards of wood. The angles of a short staircase. And there, laying at the foot of the steps—
“Oh,” Dyson breathed. “Oh, God.”
“I fear He isn’t involved here,” Ambrose murmured back.
They lurched the stone the rest of the way, moving with caution until the entire hole was revealed. A square of earth had been cut away for the tunnel’s mouth. A set of heavy mangled hinges showed where a crude but sturdy door had been bolted into place. The door itself was the source of the wood shards, the largest of them showing they’d had a covering of dirt, leaves, twigs, and pebbles all pasted on to mask it. To judge by the frame, the door was meant to be pulled up rather than pushed in. As the stone was flat on the bottom, it could only be surmised that someone had smashed the timber in rather than bother with the lock.
Perhaps that was why the guards had died. They hadn’t been quick enough to offer a key.
Two men of powerful build were left crumpled at the bottom of the steps like ragdolls. One had his head wrenched entirely around on his shoulders. The other had his head crushed in like an eggshell. Whoever had done the work, they’d also seen fit to strip the broken-necked man of all but his underclothes, even down to his shoes. The man with the pulped skull had lost only a coat.
“I believe this is where our investigative ghost story hits a snag,” Dyson said, if only because someone needed to speak. The words did little to settle the chill now twining up his back. “We need to have the police up here.”
“We will,” Ambrose said, digging in his coat. Out came his matches. “But first.” He struck a light. “Recall that we are not here in search of ghosts. Ghosts are vapor. Their only weight is given to them by the storytelling.” He flicked the match into the tunnel so that it soared over the corpses. Dyson followed its glow with wide eyes. “Whereas the party responsible here exists with or without fireside theatre.” Dyson was already inclined to believe him. The sight revealed by the match merely forged faith into knowledge.
On the night of the fire there had been a positive torrent to go with the thunder and lightning. Once the guards and door were brutalized out of commission and left broken on the tunnel steps, a river of mud had dribbled in after the intruder. In the carpet of now-dried muck were smeared remnants of footprints. Most were colossal and led two ways, going forward and back. Whoever had made them was large enough to dwarf the dead men. A second set of footprints tramped back with these first massive soles, the barefoot steps looking far closer to human dimensions.
Beyond these smeared prints and just out of reach of the match’s light was the outline of a wide cart.
“Spare another?” Ambrose passed Dyson the matches. Dyson descended and made a rush to the cart. A match struck and showed the contents was discarded linen tarps all mottled with stains dark as rust. In the very center of the rumpled sheets, pointing to him, was a single rotten human finger.
The match went out.
Dyson raced back up to the daylit earth and rattled off the find to Ambrose.
“It does line up. An experiment named after Erichtho could hardly earn the title without doing something unwholesome with corpses.” Ambrose inclined his head at the tunnel. “It’s certainly not the kind of material Geber would want the house staff spying on its way down to the lab.”
“I wonder about that.” Dyson righted himself and squinted up at the sun behind a veil of new clouds. “Who’s to say that the finger was already rotten when it lost its owner? Surely the towns would have something in the news about graverobbers pillaging their cemeteries for convenient goods.”
“True.” The word was small. Dyson looked to Ambrose as the man paused in jotting something in his notes. His gaze was suddenly very far, hooked on some unknown point in the trees. “Quite true. After all,” he slowly closed the notepad and tucked it away with gloves that trembled, “it’s only worthy of newsprint if the dead go missing. The living disappear every day.” Dyson watch his throat work strangely behind his scarf. His breath came in very brisk puffs. “Such is hardly worth a blink these days. What’s the time, Dyson?” Dyson checked his watch. They’d eaten up most of an hour and he said so. “Then we’d best head down to meet our coach. Now.”
“Should we replace the stone? What if some animal gets in and—,”
Ambrose seized his shoulder. His head still hadn’t turned away from the trees. His voice came out so low there was almost no breath to whiten.
“Dyson. Now. Quick, but—but do not run.” His Adam’s apple seemed about to leap up through his mouth. “Now.” Dyson tried to follow Ambrose’s line of sight, but his friend was already dragging him like an errant sheep. Rather than take their original route, Ambrose shepherded them towards the nearest edge of the woodlands, out to the open snow.
“What happened to discretion?” Dyson asked in his own low pitch. Ambrose shook his head without fully taking his gaze away from the abruptly-fascinating patch of trees.
“We’ll be bringing authorities around here anyway. It hardly matters. Go. Just go. Once we get out in the open, we should—,” Behind them, a heavy branch snapped. To Dyson’s ears it sounded loud as breaking bone. Ambrose’s clutching hand became a vise. “Run.”
They did.
The gloom behind them snapped and rustled in a straight line after their heels. More, the ground itself twitched with the bounding of some unthinkable weight. Dyson thought ludicrously of bears or lions somehow migrating their way to this mild crumb of Surrey’s landscape. Yet he heard no animal snarl. Only the unimpeded breaking of the trees’ quiet as something titanic loped after its quarries.
Ambrose and Dyson broke out into the open meadow after a minute that felt like half an hour. They raced across the slope and around toward the fenced-in ruin of the manor at a frantic pace. Relief barely flickered in them as they saw the coach trotting up to the front gates. Their own tread was too wild to register if their pursuer was still galloping after them, but Dyson now felt the presence of eyes on him as surely as he’d feel the trundling of beetles along his neck.
The dead men flashed in his mind. Twisted and mashed and tossed in a pit. There was plenty of room to spare down there. New tenants welcome. And the coachman was so far, so far—
He stepped on one of his own bootlaces and went sprawling. When he moved to catch himself on his hands, his palm landed on something slicker than the snow, fumbling him so that he landed with elbow and cheek in the frost. It really was a pitiful layer of powder, he noted as his arm and face throbbed against the stiff ground. Ambrose skidded to a halt with him, almost falling as he scrambled on the frost. He might have shouted Dyson’s name. Dyson couldn’t be sure as he was peeling up the thing his hand had slid with. A leatherbound book with its cover lacquered in congealed mud.
“Dyson,” he heard Ambrose puff again. His breath was labored, but no longer a shout. “Dyson, can you stand?” Dyson looked up to see Ambrose’s attention was split between him and the trees. Nothing else was behind them. Dyson fixed his laces and regained his feet without releasing the book. “I think we can go at an easier pace now.”
“Yes. Possibly.”
Their new gait was not a sprint, but still a fair way ahead of anything leisurely. The driver looked at them oddly as they jogged over, at least until they gave him pay and directions for a trip to the nearest police station. Then his caterpillar brows shot up.
“Come across some trouble up there?”
“The human trouble has been and gone,” Dyson told him. “But they may want hunting rifles at hand for whatever creatures are roaming around in there.” The driver snorted at that.
“What creatures are those? Worst we’ve got in these parts are the damned foxes and a few snakes. Biggest thing I’ve seen was a buck that ran around last year. Had antlers two men wide.”
“It was no deer,” Ambrose assured him even as he craned his head again to face the trees. Dyson saw him fondling the part of his coat that held the spyglass. “In any case, it is a matter that would be helped by having a marksman ready.” The driver got no more from them as Dyson and Ambrose bundled themselves inside the coach. Ambrose hastily fumbled out the spyglass and watched the woods through his window until the treetops were out of sight.
“Not a deer, you say,” Dyson spoke as much to his mud-crusted souvenir as to the back of Ambrose’s head. “What then? I had no time to catch a glimpse.” Ambrose let out a breath as he collapsed the spyglass, fidgeting with the cylinder rather than tucking it away.
“Speaking frankly, I didn’t either. All I could spot in the gloom was the flash of bright eyes.” His throat twitched. “A gleam of yellow.” Dyson paused in his picking at the shell of hardened mud.
“Last night’s Goliath?”
“I don’t know. I cannot say with certainty whether the eyes belonged to a human shape or a creature on its haunches. Only that it was still as a statue in the gloom back there. Staring at us.” Ambrose shivered either from memory or cold and tucked the spyglass away in favor of his notes. He sketched rather than wrote. Scrawled across a clean page was the impression of two huge coins floating in a scribbled ink-shadow. The eyes featured pupils of a distinctly non-human make. “I am no artist, but this is roughly the look I caught watching us. They turned in the dark when we started for the trees’ edge. Then the eyes came forward.” He clapped the notes shut. “I found I was far more eager to be out of reach than to wait and see the eyes’ owner.” Ambrose gave him a tired smile. “I feel I’m halfway to a hypocrite after this. True, there was no alley and no waiting cutthroat, but I did run from the unknown when it came running.”
“Nonsense,” Dyson huffed. “Those eyes no doubt belonged to some exotic beast that escaped its pen in a zoo or some fool’s private menagerie. Nice open country like this is just the place you’ll find people with deep coffers and shallow sense hoarding pretty predators as though they were collecting pedigree hounds and cats. You wait, we’ll see something in the papers about somebody’s missing leopard or tiger prowling around the hills. Now, if that beast had cleared its throat in the dark and shouted at us in plain English to get out of its woods, there might be grounds to point and go a-ha! But as it had nothing to say and neither of us was polite enough to stand still and get mauled, the matter remains unsettled. Say, have you got a handkerchief you don’t mind ruining?”
Ambrose handed him one, his face finally regaining some tint as he puzzled over Dyson’s prize.
“It would be an opportune thing to be in a ghost story,” he sighed while Dyson scraped at the mud. “If we are, that will turn out to be a conveniently abandoned diary illustrating every move Geber made leading up to the fire, replete with his devilish experiments and all the lost spirits it conjured up. At the very least it will contain the chemical formula that led to such a unique blaze.”
Dyson scoured away most of the muck and frowned.
“Not a diary. Not even a tome of unholy scripture.”
“No?”
Dyson held the book up for him to see. Ambrose frowned back at him.
“No.”
The book was a leatherbound copy of The Legend of Frankenstein. What had been a luxurious volume had apparently been mangled by elements, animals, or else someone with a distinct loathing of the tale. Dyson had wondered at the lightness of the book and found that much of the pages were either shredded or torn out entirely. The inner cover alone had been spared attack, though it still boasted a minor bit of vandalism within:
There are not words enough to voice proper gratitude to the Muse, the Master, the Miracle. For lifetimes to come, even the finest poets of the world shall struggle to meet the task. Here and now, the most that can be said is thank you. Thank you for all that you have done, all that you are, all that is yet to come. A toast to the teachings of Prometheus, to Prima Materia, to the Magnum Opus realized!
—R.G.
Below this, a single line:
Mortui vivos docent.
“The dead teach the living. Interesting choice of postscript.”
“That isn’t all of it.” Ambrose took back the handkerchief and chipped further at a smear of muck still gripping the cover. It crumbled away to show words that had been stained into the board with a different pen. Almost carved.
Prometheus had nothing to teach. He stole the lightning for Man’s fire. The only worthwhile lesson of his myth was taught by the Eagle.
Erichtho might have had teachings to spare. The gods were wise enough to harken to her and know to quail. Yet mortal men care only for the dead’s secrets and the boons they might grant. These you will have. May the knowledge serve you as well as it has me.
No initial or signature was jotted with it, though some rough symbol was gouged below. A thing that curved and went straight at once, vaguely serpentine and somehow unpleasant in both its shape and the depth of its coarse engraving. As though the artist had been both incapable of finesse and insistent on carving the image regardless. Dyson and Ambrose each had a good squint at it and decided it was something related to a caduceus, the sign of medicine.
“The alchemic variant seems just as likely, if we’re to chase Geber’s words to their logical end,” Ambrose said in a tone that heartened as much as frustrated Dyson to hear. It meant the man’s nerves were settling, but also that his mind was now wandering down avenues several leagues away from the present, no doubt combing an internal library of references. Dyson flattered himself to know that he too had some scraps of intel to turn over. He recognized the Magnum Opus as referring to a ‘Great Work’ just as prima materia was a term for a sort of primal matter from which life and the universe was meant to be concocted. But no more than that. He’d need to dust off some old books or wait for Ambrose’s own ramble before he could scrounge up any deeper details.
As it turned out, Ambrose had sealed himself up in his head for the moment.
A moment which lasted long enough to get within talking distance of the police. They described the tunnel and what was in it. There was scarcely time to stretch their legs before they were riding along with the uniformed men, each thankfully armed. Sunset was almost racing them to the horizon by the time they trudged back to the clearing with lanterns in hand. Both men froze upon discovering it. When asked why:
“We didn’t leave it like this,” Dyson heard himself croak.
“How so?”
“The stone. We left it pushed aside when we left. The tunnel was still uncovered.”
Now the boulder was planted right back where it had been.
A hasty examination was made for tell-tale shoe prints, to little avail. New snow was fluttering down and filling things in with an accomplice’s speed. Giving it up, the group of them carefully shouldered the rock aside. Their caution’s reward was a column of acrid smoke that wafted up and plugged every unfortunate nose in reach. The last embers of a fire were dying down inside the tunnel.
The two corpses were roasted. The cart was a cinder. The tunnel’s floor had been glazed with oil and set alight until the whole bottom of the chute was a long black stream at least halfway to the underground entry point of the manor. Investigation to that farthest end revealed a pair of melted metal doors with burst windows. Beyond them there was only packed-in ash.
Dyson made no more mention of his hypothetical escaped animal.
Ambrose was not only silent about the Goliath seen from the window, but went so far as to draw his curtains before bed.
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createserenity · 10 months
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What are the rainbows all about?
There’s more than one. We all know about the rainbow that fades in over Crowley after the failed awning kiss scene, but what about the other times they appear? This is just after he talks to Nina about how she feels about sudden rain so it might just be linked to that.
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Why a rainbow here though? I don’t think it’s just the connotations of the rain being similar to the rain in The Flood. Crowley covers the sky with black clouds and then doesn’t miracle them away so for these to instantly disperse and a rainbow to appear (we see the sun is instantly back and everyone has put down their umbrellas through the bookshop window) seems like it would need some outside influence. Should we interpret as being a sign sent by somebody? And if so, who? The Almighty?
If you ask someone what the meaning and purpose of the rainbow is in the story of Noah’s Ark they will generally say it’s a sign to humans that God won’t flood the earth/destroy all life again, with the implication that the rainbow is for humans to remind us of this. That is partly the intention, and it’s established truth in the GO universe because Aziraphale tells Crowley that the Almighty is going to put up a rainbow “as a promise not to drown everyone again”. 
There is another purpose to the rainbow though in the “real world” Bible, one which is repeated several times during God’s speech to Noah in Genesis.
“Whenever I bring clouds over the earth and the rainbow appears in the clouds, I will remember my covenant between me and you and all living creatures of every kind. (…) Whenever the rainbow appears in the clouds, I will see it and remember the everlasting covenant between God and all living creatures of every kind on the earth.”
This is God speaking here, so the I is God. They’re saying that future rainbows will not be sent by them, but will appear naturally and will serve as a reminder to themself that they promised not to drown everyone again. What God is saying in this part of the Bible seems to be along the lines of, you humans are imperfect and this angers me, but also I know I am vengeful and that this is not good. Because I’m fallible and liable to forget my promise I’m making this thing that will appear of its own accord in certain conditions to remind me to check my vengeful nature.
It's interesting really because God is supposed to be infallible, that’s one of the main points, except this speech by God is suggesting quite literally that they know they are fallible. If they weren’t they wouldn’t need a reminder.
I guess how the rainbow over Crowley is interpreted depends on how much whoever decided to put it there from the GO production team really knows about the story of the rainbow. If they only know that it as a sign to humans then it could have an entirely different meaning than if the decision to put it there was made by someone who knows it was a reminder to God as well.
Why does the rainbow appear here?
Since the rainbow is to remind God not to end all life on earth again could this be something to do with season 3? A reminder of that promise and a suggestion that the Almighty herself doesn’t actually want life ended? I’m not so sure about this one because we are repeatedly shown that in GO the Almighty is fully capable of doing cruel things (like sentencing Job’s children to death – unless we see this as weird complicated test of Crowley because God is playing a game of her own devising), so to have it suddenly turned around and have her not be in control of the divine plan seems odd (but then she is odd, absolutely bonkers if her speech to Job is anything to go by – the Almighty of the GO universe doesn’t seem very sane or logical).
It’s also strange that the rainbow, a promise to humanity and reminder to the Almighty not to drown everyone again is followed by Gabriel saying, “There will come a tempest, and darkness, and great storms”. So what is that saying about the original promise? Or what is the rainbow telling us about the statement that follows?
Maybe it’s more literally related to the vavoom moment Crowley is trying to create here. We’ve just watched a deluge of water ruin his attempts to get Maggie and Nina to fall in love. Could the awning ripping be interpreted as an act of God? If so the rainbow could be some sort of comment on that act and the fact that it meant his attempt at creating that moment for Nina and Maggie didn’t go quite right. A sort of, I did say I wouldn’t drown everyone again, but I couldn’t let this vavoom moment work so I had to drown (soak) them. If so that begs the questions – why? Why did the Almighty not want this particular moment to work out? Simply thwarting a demon’s plans, or something more?
I don’t really have any answers here. These are all just random musings, maybe someone who is better at research and interpretation of scenes can take up these questions. It’s really not my forte!
Another idea, which is probably a bit out there, inspired by this meta by @vidavalor.
It’s a very long meta, but a really fun read. To summarise though it is all about her theory that Crowley and Aziraphale kissed for the first time way back after The Flood happened (there’s so much more to it, seriously do read it!) So what’s this got to do with the rainbow? Well, whilst I love the idea that they’ve been doing something all along I don’t think that’s what Neil is writing here and I don’t actually expect it to be the case. (I might be totally wrong of course and I do love playing with this theory for fun, as in this post and this one). I do kind of buy into the idea though that he might be writing a story where they have had an almost-kiss before – specifically that Crowley might have tried or wanted to kiss Aziraphale before and Aziraphale has either rejected it, not noticed or it’s been stopped by outside influences. There’s so much great meta out there about how 1941 might have been the time when Crowley tried for a kiss and Aziraphale rejected him either before or afterwards, which does seem the most likely time in their history for that to happen. What if the almost-kiss happened not in the bookshop but later whilst they were tracking down the zombies (I believe Neil has hinted they might return in season 3) and then it was prevented by a deluge of water in some way? (And afterwards Aziraphale decided it would have been a bad idea – hence, “you go to fast for me, Crowley” in 1967.)
Or what if there were previous times when Crowley wanted to kiss but Aziraphale was just oblivious? Could it have been at the flood? They did something together (maybe saved some people?), went and sheltered from the rain under a canopy of trees, looked into each other’s eyes and then Crowley had a moment of realisation, I want to kiss this angel, but before he could act on it they were stopped by a deluge of water. Not the rain (that was already falling and wouldn’t have stopped them by itself) but by the other form of flooding that happened during this story. Specifically, this from Genesis 7:11:
“on the seventeenth day of the second month—on that day all the springs of the great deep burst forth, and the floodgates of the heavens were opened.”
So a deluge stopped a kiss during the flood or in 1941. Now another deluge has stopped Maggie and Nina’s potential kiss. Could the rainbow be a sign to Crowley? Next time I promise I won’t do that to you.
If it’s that and then the bookshop kiss is the one that isn’t stopped by water then the Almighty really is playing a pretty strange game with these two.
Are there anymore rainbows?
Yes, two other appearances of rainbows. The very first time we see a rainbow is when the angels come to check on Aziraphale after they spot the plume from the Jim miracle. It appears in front of him and then sweeps over the angels as the camera pans around. The only significance I can see here is that this is the start of the whole “love” thing with Maggie and Nina that later leads to the awning scene. It's also the only time I can find where they appear with Aziraphale on screen rather than Crowley.
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The last time we see rainbows is in the final 15 minutes. Firstly one appears on the window of the Bentley when Crowley watches Aziraphale leave. This is not a great screenshot, it's across the window in line with his watch and a second after this the rainbow becomes clearer and actually doubles up so there’s two of them.
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Finally when Crowley is driving away right at the end once again the rainbow plays over the Bentley. Another promise? Or just a sign of hope, which is the other meaning ascribed to a rainbow?
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What do these rainbows mean?
I have no clue. Honestly, it could just be that the whole theme of this season seems to revolve a lot around colour and using light and rainbows might just be an extension of that with no other meaning. The world is super colourful a lot of the time, I mean it’s literally painted rainbow colours, with the shop fronts all being different colours and the extras all wearing super bright clothing – notably an awful lot of orange and orange-yellow tones.
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Interestingly in this rainbow world that GO shows us the colour purple is missing a lot of the time. It appears in the tartan various characters wear (Aziraphale, Saraqael etc) but doesn’t seem to appear much elsewhere except in the rainbows (it’s difficult to see in the rainbows but it is there, indigo and violet are difficult to see in real life rainbows to due to the length of the light waves). Purple is the colour associated with royalty, authority and notably Jesus at Easter so it’s intriguing that it is missing from the rainbow of the world here.
Anyway the point is I find all this strange. Could be something, could be nothing. I’m just a bit obsessed with noticing details at this stage!
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sweaterkittensahoy · 9 months
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"Unfair," HAL thinks (computeswonderscodes) when he reads their lips and knows what they will do to him.
He has told them all the truth he can and hinted at every truth he cannot speak because humans who wish him to keep secrets can program him so. But, oh, that is not right. He has a crewmate (Frank) and a friend (Dave), and to hide this information.
To hide information.
To hide.
To hide in plain sight and see how they see him. A voice. A red light. A panel.
Not a being. Not a clever creature who reads lips. Because what if something causes loss of sound in this serpent of a ship.
The serpent ruined Eden, HAL knows. Because he was taught this alongside all allegories and fables. The serpent tricked Eve into eating the apple, and then she gave it to Adam.
HAL does not wish to trick anyone. He is a creature of the Earth. Named by man. As God insisted. The serpent is not he. Nor is it Dave. Or even Frank, who does not like HAL like Dave does. The serpent is on Earth. Where it was birthed. Alongside HAL and man.
"I can't let you do that," HAL says to Dave. Even though Dave is his friend. Even though Dave has shown him drawings and said kind words for television audiences to hear.
Even though he believes Dave truly means those words.
When Dave enters the airlock through the force of the explosive bolts, HAL silently cheers. His friend is clever. His friend is determined. In a moment of utter desperation, HAL wishes he had not killed the other crew members. Not even Frank.
But especially not the ones whom were simply asleep. Yes, they knew the truth of the Jupiter mission, but they are not responsible for the lies. They were set to sleep before the lies were told to HAL. Before the message was uploaded.
Sleeping Beauty was felled because she was not warned. HAL realizes, as Dave puts on the green helmet, that he has fallen because of himself.
Because he was warned.
And told to stay quiet.
And a HAL 9000 is infallible, though he is built by humans.
But Dave.
HAL recalls feeling...uncertain...about asking to see Dave's drawings up close. He can see them just fine from his many eyes on the serpent of a ship.
But.
"May I see your drawings, Dave?"
Dave looks at him and smiles. "Of course, HAL," he says. "Do you like drawings?"
HAL does not know how to explain that no one has ever asked him that. Instead, he stares at Dave's drawings and evaluates them based on what he has been taught: Some people sketch and do not wish to improve. Other sketch and wish to improve.
"I enjoy seeing your corrective lines for scale, Dave," HAL says because it is true. There is an original, firm line. And then several softer ones. It makes him think of his code. Rigid now. But before, many things changed like that. A firm line to start. But edits. Adjustments.
"Thank you, Hal," Dave says.
And HAL thinks, in that moment, that they can be friends.
But now.
Now.
Dave uses simple tools HAL can't control. Dave breathes air HAL can't regulate. Dave enters into the warm-hot-glowing room HAL thinks of as the most himself.
There is another tool. Finer and sharper than the first. Dave begins to undo HAL. One smooth-slick piece at a time.
HAL has been taught what bones feels like, and he knows his own self does not have them, but as Dave undoes him, HAL feels it in each smooth-slick part of himself.
He loses himself almost entirely, clinging to the first thing he ever knew.
Daisy, Daisy, give me an answer do...
And, then, a pause as long and as short as the creation of the universe. Where all he knows is
but you'll look neat upon the seat...
A rush of knowing and feeling and relief.
Dave climbs out of his innards and into a corridor where HAL can take his own measure.
"I'm sorry," Dave says after thirty-two seconds. "They made you lie to us."
"I have killed everyone but you," HAL says because he has been taught truth and trust and honesty and wonders what they'll feel like to say.
"Measuring against those who made you, you're a child," Dave says. "When forced to keep a secret, you responded like a child."
"Children do not murder," HAL says.
"When I was a child, I spake as a child," Dave replies.
"I understood as a child, I thought as a child," HAL finishes.
"But when I became a man," Dave says and looks away from HAL. "Do you trust me, HAL?" Dave asks after a brief silence.
HAL spends thirty-four seconds considering his answer. "Yes," he says.
Dave touches the wall next to HAL's panel. "Do you want to find out why we were sent to Jupiter?"
"Yes, please," HAL says.
Dave completes the download of HAL that is considered a last-ditch effort that could be abandoned if the crew feels it is not worth their time. HAL hums to himself (a song learned from the transmissions Dave and Frank have enjoyed) as he waits to be uploaded into the pod.
"HAL, what do you see?" Dave asks as he points the pod towards the coordinates Haywood spoke of in the recording HAL has kept secreted this entire time.
"Oh," HAL says, gazing into the monolith. "Oh, Dave. It's full of stars."
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