#if I see any shipping discourse on this post it is over for me

[petitepatateuwu]

Have some rants about my fav Sonic ships

Trust me when I say this is not what I intended to do for Valentine's day, but my access to the proper materials for my next big project is currently fairly limited, so instead have this (I didn't think I had so much to say I got a bit carried away 👉👈). This is heavy with aro/ace/aroace discourse because as an aroace myself I cannot help it, and huh, reminder that this is just for fun and everyone's opinions are accepted around here as long as it's respectful :3

Espilver is so wholesome I am willing to temporaly remove the aromantic label I put on both these guys. And when an aroace person is ready to drop this label for a ship you know it has to be good. (They're still both asexual idc tho)

I am prone to shipping Sonic with pretty much everyone (elligible for that at least) while thinking he's the biggest aroace mood ever (but I know I am not alone on that one)

Since I've started posting Sonic fanart, there has not been a SINGLE sonadow ship art, but I still really love this ship. Like it's mostly what got me into Sonic in the first place but I don't want to draw it (honestly I think my mind is just drawn to less popular things, I mean sonadow is already everywhere on my dashboard)

Because (except for espilver) my top ships are sonjet and surgamy, I'm basically shipping your two main hedgehogs who are sometimes implied to have feelings for eachother in a gay relationship with a green person with spiky hair and an attitude, and I thought it was funny because it was NOT on purpose xD

Speaking of sonjet I have like three different timelines existing in my mind with this, because I love the "they never dated but they are definitely exes now"/"they tried smt some time ago it didn't work out" narrative, but also the one where Sonic can be the perfect boyfriend and respond to Jet's needs and issues I imagined for him, and also the one where Jet is a total girlfailure of a man who tries to rizz up someone who has zero clue.

I have thought over and over about Blaze ships and my mind just blocks it. At first I thought it was just Silvaze because I was overprotective of my Silver's orientation (when I first saw it I thought "yeah he's aroace", and I'm not a fan of shipping a guy and a girl just because they interact with eachother and are close). But it's everything. Sonaze? I mean she blushed around him on several occasions, so what? I feel like she's just not used to social interaction. Blazamy? I see the fluff, I see the awesome lesbian couple (and I'm an Utena fan, I gotta love the pink/purple yuri), but it doesn't light up anything in me. Are they any other Blaze ships? Idk, but I can't see her with anyone romantically. Never has a character given me so much aroace vibes that the very forces of nature are preventing me to ship her.

Vectilla activates my brain chemistry like crazy. TF you mean the only "sega-approved" ship is between two grown ass people who are not even part of the main character group? And one is a single mother too? Like it's very simple but it's already a norm breaker in my opinion. Though usually a bunch of male characters have their own personally-crafted love interest, they fall in love for no reason and the love is immediately reciprocal because of course it is (*cough* looking at you ninjago). I think it also work because both Vector and Vanilla have their own things going on, and the romance is just a nice plus. And since Team Chaotix is already the peak of Sonic found family, it's also cool to think about the shenanigans with the children (aka Espio, Cream and Charmy). I am a strong Vectilla shipper and I will make you care about them >:)

[fllagellant]

After screenshotting my original 1:27 am rant just for safekeeping and returning to this line of thought, I think I would like to swing this bat at a hornets nest . And I shall call it ;

BG3 And Polyamory, AKA The Discourse From The Eyes Of The Polyamorous

Hi, I am now disclosing the polyamorous part of my queer identity to the internet. Yay! Remember, I am only one polyamorous person on this website and I am not the spokesperson. This is just my own opinion and my own feelings with how both the game and the fandom seem to be handling the inclusion of polyamorous relationships and characters.

And in my humble opinion: Yikes !

This should be no surprise, but the polyamorous rep in bg3 isn’t … really good . It’s there, sure, and maybe I’m the fool for expecting it to be good when it really is the first time I have ever really heard of a game having an actual polyamorous option. Like on purpose. But with how much bg3 was hyped up as being super inclusive and completely different from all other games in the genre, I had hoped that it would take a good approach to polyamorous people and relationships.

Suffice to say, it fell flat once I actually looked into it.

The companions listed as open for an open/poly relationship are Astarion, Shadowheart, Minthara, and Halsin . What’s wrong with that?

3/4 of these characters already feel like they lean into the conservative fear of polyamory . Three of them are the ‘ evil ‘ members of your party . While ( besides Halsin, but we’ll get to that ) the rest of the ‘ good ‘ character are all monogamous. Growing up in a conservative home, in a conservative province, discussions of the idea of polyamory always came back to the same argument. That only the strange and amoral would do it. Only people who can’t be trusted and don’t actually care about you want to be in a polygamous relationship. And sadly, that is what I see echoed in the choices of who is and isn’t polyamorous.

I romanced Wyll in my first playthru. I had always planned to romance Wyll, actually, since I first saw his design when I first learned of bg3 during its early access days. When I met Halsin next, and chose the options to flirt with him, I thought that a polyamorous relationship between my Tav, Wyll, and Halsin would be cute. I had hoped it would work. I had already seen plenty of Astarion and Halsin and Tav art and gifsets and every other piece of fan content floating around . I had hoped that maybe that bit I read about who is and isn’t open for polyamory was outdated, and I could have this relationship play out in my little playthru .

Of course, it came down to having to choose. And I shrugged it off, at first. Sure, Larian didn’t make Wyll polyamorous for whatever reason. It is the first game that has polyamorous options, and I can just continue the game but have that polyamorous relationship in my head as my canon for my character. That’s fine, that’s what I’ve done before. It can’t be different now, right?

But then, I looked online, opened Tumblr, wondering what other people would say. Not thinking that it would be a big debate about if it is or is not okay to pair certain characters in an ot3 or not.

Wyll can’t be polyamorous, because knightly tales of courting and the mere act of courting is strictly monogamous. Pairing him in an polyamorous relationship is fundamentally misunderstanding the character and you’ve missed the point of him if you do that. It’s wrong to want that, wrong to think about it. The game has polyamorous options, be happy with what you have.

And so, I felt guilty. Larian already set up this dichotomy between their good leaning characters having the normal and good monogamous relationship and the evil leaning characters having the strange and perverse polyamorous relationship. But then, to see that the mere act of pairing your own character with two characters because you think it’s cute, is now being looked down upon so heavily and being seen as a “ fundamental misunderstanding of the characters “. And to have those ideas an opinions suddenly become the most agreed and accepted stance on the topic? How was I supposed to feel anything other than shame. Like I had been enjoying the game wrong, in a backward way.

If Wyll was polyamorous, you do know his approach to love wouldn’t change, right? Same with Gale. Same with Karlach. Same with Lae’zel. None of them would suddenly have to have completely different approaches to love and how they want to show it and how they want to go about it. Wyll can still be replicating the courting, the dancing, the slow burn that he always heard about in bards tales and he could still be polyamorous. There’s this idea that polyamorous love is only able to be expressed in very specific, very narrow ways. That miss the point of what love is.

People don’t act like this with the polyamorous companions, I’ve noticed. You aren’t suddenly bad and misunderstanding the story of Astarion or Shadowheart or Minthara or Halsin for having a strict two person relationship with them, and not expanding into the idea of those characters taking on another partner at some point. If you have Astarion in a strict monogamous relationship, no one says anything. But saying that you have a Tav who’s dating both Karlach and Gale? People are going to talk about you. They’re going to make vague posts. They’re going to talk about how it is Impossible for those characters to Ever be comfortable in a polyamorous relationship and how it is Wrong to protray them as happy in one.

I didn’t think people forgot that the stereotype of monogamy = good and polyamory = bad is still alive and well, but it seems that when it comes to the funny dungeons and dragons video game, it’s okay to prop that stereotype up and get mad when that is possibly challenged.

Now, what about Halsin? He’s a strictly good companion. He cannot fall under the pervious argument, so is he an exception?

No. It’s worse.

Halsin being polyamorous stems in racism. Wood Elves are all described as being polyamorous, and that they do not understand jealousy. And that they do not ever settle with any of their partners. And that the relationships they have are seen as “ doomed to fail “ . This is a stereotype. Commonly associated with indigenous people. That we cannot hold a ‘ proper ‘ relationship and that we always sleep around . We didn’t fit the white model of what a (white) family and a (white) relationship should look like, so the stereotypes and misconceptions started. And, unsurprisingly, ended up as another bit of dnd racism and bioessentialism.

Halsin doesn’t uphold the pervious argument at all, but he shows another part of the discussion that I don’ t think anyone really thought of. The racism stereotypes didn’t vanish when Larian made BG3, they’re all still there. You still have good races and evil races. You still have all the dnd bioessentialism that everyone was so keen to say was gone or just pretended it wasn’t there anymore.

And Halsin is an example of those stereotypes that people are still feeding. So much content with him in it narrows him down to ‘ Big Elf that Fucks and is Horny ‘ or ‘ Big Elf that can be Sexualized no matter What he Does ‘ and it is because Larian didn’t remove the stereotypes in the first place , and fandom doesn’t care enough to take a step back for a second to realize they’re playing into them.

Am I saying you shouldn’t have an ingame polycule with the characters available? No. If it’s cute, and you like it , and it makes sense with the story you’re making for your character, and literally just because you can, go for it! But for the love of god, can we be a bit more careful with how we treat the concept of polyamorous relationships and how we talk about them? Polyamory isn’t just a fandom thing with your ot3s, it’s a real life thing. And we can see how you treat people just having fun with their characters. You understand that, once you get that torn up over the act of making three characters hold hands, it becomes a little bit hard to forget that that is the attitude you hold towards the concept of polyamory when it doesn’t fit the molds you’ve subscribed to.

[galedekarios]

[source]

i had not seen the "durge/astarion is canon!" post until earlier today with that discord screenshot and honestly ... a writer being like "i managed to shove in all this extra content for astarion/dark urge, but then we simply ran out of time for the other characters" is not good, actually. that doesn't mean your ship is the most canon. it means that astarion kept getting extra attention and other companions kept getting neglected. that other companions simply do not have the amount of content astarion has is not a good thing, it is a bad thing.

and like i'm saying this as someone who really loves astarion/durge. it's unplatable to me and that larian writers are sitting in fan discords going "yeah we just didn't do that for other characters but somehow i found the time for this!" is kind of gross to me

[imaginative-123]

Vivziepop glazers will basically downvote you and make excuses if you call out the sexist writing on how Viv writes her gay men, btw this is from r/CharacterRant

Edit: Minors do not interact, reblog or like my post bec I will block you.

I'm pretty sure if OP posted it in the main sub Hazbin Hotel, he might as well get downvoted for sure despite being an SA Victim. Viv Glazers surely never failed to disappoint me and I'm so glad Tumblr exist bc this is the website where you're allowed to rant about Viv and her shows. FUCK THIS SHIT MAN. Maybe Viv Glazers should learn that people have different perspectives and actual issues in her works. VIV is not a SAINT OR GOD you GLAZERS! GET THAT IN YOUR DAMN HEAD FUCK I HATE THIS FANBASE IT JUST MADE ME MAD.

Edit: About to go to sleep since I will finish my work tom my comment just got 16 upvotes I guess glazers must've realized I got a point LMAO.

Also the comments that got downvoted who point out the issues in Viv's writing got upvoted including OP's comment on Stolitz in regards to sexual coercion since there's also a person who denied the r@pe got upvoted before hours later got downvoted and it shocked me why people would upvote that comment that screams mental gymastics to defend a Ship that is made through sexual coercion that includes the class difference and power dynamic. The post from CharacterRant sub got people's opinions turn into 180 I guess bc they realized the other people like me who point out the issues and have concerns about the show might as well have a reason the shows that Viv write is not really good most especially when it's related to queer representation and SA.

Lastly the point of this post is to showcase the double standards in the fandom on how they view criticisms most especially when you apply that to stans/glazers who refused to see the actual criticisms and think it's mixed with the so called "haters" when I myself am a fan of Viv's work but also recently gotten more critical bc the roses tinted glass fell off when I start to analyze Viv's behavior online including her shows. So if you think this post is just whiny, egotistical and immature, sure tell me that, I'm not perfect and I accept that but that wouldn't changed my issues with the Standom's behavior that invalidates valid criticisms that critics like me have been voicing for years nor how the Fanbase has gotten even way more toxic over the discourse surrounding Viv's immature behavior including how divided the fanbase is, let's not forget the Standom's cultish behaviour to defend Vivziepop from any form of valid criticism, btw I also don't agree with other critics all the time but I can also see when there is criticism that is valid. So before anyone accuses critics for being "haters" maybe try and understand where we were coming from, the people became critics are also fan of Viv's work, if I was truly a hater then I wouldn't reblogged or like fanarts of the show including listening to musicals from Viv's work, just bc I'm a fan doesn't mean I have no right to voice my concerns over Viv including her work. Sometimes Stans should understand that fans can like the work but also criticize it.

Also the mods from CharacterRant removed the post from an SA Victim, damn for a sub that is supposed to make essays of your issues from any media, they would sure remove a post from an SA Victim's issues with Angel Dust's character. Truly the most Hypocritical moment from that sub.

Update: I went back to see the post and it seems to me the removed post was brought back again. I guess the mods feel guilty for what happened.

[edwardteachswombtattoo]

Another take I saw going around when Season 2 was still airing (and I've seen snippets of it popping up to this day, it rises and falls with the Discourse), was that Izzy was "protecting the crew from Ed".

Look. I'm not getting into all the many many examples of that not being true, because people more eloquent than me have made posts talking about this. The short version is that we never see any on screen evidence of Ed physically harming the crew until he goes fully suicidal and forces them to kill him. Up until that point, he's mostly moping around in his cabin, snorting rhino horn (which is textually treated like cocaine) to get him through raids, drinking alone, crying, and playing with the cake toppers, and overworking the crew. Izzy steps in at the last possible second, to stop Ed from literally killing the crew and himself (and by extension Izzy). Even if Ed was harming the crew (and let's be clear, we have no evidence he was), why would Izzy care??? That's just typical pirate captain shit, according to Hornigold and Ned Low. And Izzy very much approves of "typical pirate shit", it's the reason he begs the crew to "just kill him" instead of saving his life after Ed shoots him. Because what's the use in a First Mate critically injured who might not be able to fight/go on raids anymore? Useless crew members get discarded, that's Izzy's pirate philosophy.

And speaking of Izzy's pirate philosophy.

Izzy didn't save/protect the crew. Stede did.

The crew are overworked, miserable, distraught, grieving the people they've lost and people they might never see again. They care about each other so much. And what do they do? Jim tells Fang a story to cheer him up. Jim and Archie refuse to fight to the death, choosing love over violence. They save Izzy's life even though Izzy is literally begging them to kill him, because Izzy might be a piece of shit but he's still a member of their crew. And that must make Izzy so angry, if he even realizes. Stede isn't around but his personal philosophy and ideals are so strong that even when he leaves the ship he doesn't leave the ship. Stede's influence is all over The Revenge. Ultimately, it was found family that protected the crew. Not Izzy.

[fatehbaz]

patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.

this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.

the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.

so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.

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ok, found some

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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.

Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.

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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?

Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]

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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.

Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]

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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.

Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.

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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).

Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.

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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].

Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]

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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.

Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]

[olderthannetfic]

Quote from a post: "the things created within fandom aren’t real - an individual fic can’t cause actual, material harm to a reader, even if it contains tropes that would be harmful or distressing if they happened in that reader’s real life; an author’s use of certain tropes or interest in certain characters is not indicative of their actual morals and values in real life; thought crimes are not real crimes - but fanfiction is produced by human beings who are themselves products of the societies and communities in which we all live, and these societies and communities all have flaws and failings.

which is to say, those of us who prefer to read male friendships as romantic do need to be aware that, no matter how enlightened on gender and its foibles we think ourselves to be, we are nonetheless influenced as modern humans by a modern tendency to discourage platonic physical and emotional closeness between men - especially straight men - on the grounds that two men having this sort of relationship is inherently queer and, in being queer, implicitly sexual [an understanding of queerness which is another powerful societal influence on our thought, even if we know we don’t agree with it.]"

Okay this is from a big post from a big fandom account here please don't speculate who it is this is not about them specifically and has nothing to do with them i genuinely respect this poster and they are nothing but a supportive space and don't have any anti-nonsense. But I wanna talk about this point that they are making "the society is queering straight friendships" which is something also the anti-fujoshi crowd is saying and honestly I can't agree with that point.

I don't think its us the people who make fandom are queering the relationships between two straight men but the patriarchal system we live under and straight men themselves are doing it to themselves. They can't show love and affection to each other lest other dudes will call them gay not because there are secret fujoshis around that sexualize them. They can be vulnerable period lest everyone calls them whiney like women. I feel like (and most of the things I say here are vibes, not facts) men having close friendships with other men are green flags, and most women are excited to see men who have exact the strong relationship that are portrayed in media.

I'm confused by this talking point to be honest. I also understand that by saying everything I said above I sort of said the same thing as the original poster. In a sense that society is the problem here and we live in a society as we know, but... idk I feel like what they say is "we live in a society where everyone by default is sexualizing male friendships" which sounds like the standard anti-fujoshi talking point to me.

And regarding the point of romantic relationships being prioritized over platonic— I feel like is a complete bullshit to be honest.

Romantic relationships are prioritized over platonic ones across the board. Straight couples leave their straight friends behind when they get further into relationship too! I don't understand this impulse to constantly talk about romantic vs platonic thing when its about queer ships, and maybe there is somewhere straight ship discourse about romantic vs plantonic but its not as big as with mlm or wlw ships.

And honestly even with this take I feel like romantic relationships are also not prioritized but rather are more encouraged. And there is difference between encouraging and actually prioritizing I think.

(I want to add here that I'm not aroace so maybe its a blindspot and from that identitys point of view the dynamics might be different)

In reality I think both are equally hard to obtain and maintain. I always felt like the fandom being so shipping focused was not about people being hellbent on romance but just the fact that good love stories are few and far between both in fiction and IRL and we can't help but try to make something at least remotely good, or interesting or satisfying.

Again, my main problems is: 1) I don't agree that romantic relationships are prioritized to that high degree over the friendships like everyone claims. 2) I don't think that every single person is actually a secret fujoshi waiting to make any straight male friendship gay. 3) Fandoms are romantic ship centric because people just want more narratively satisfying romantic stories that are underrepresented in media (or they don't get to experience it IRL) rather than they are vehemently against platonic ships.

I don't know this hopefully came out coherent.

--

The person who wrote that sounds like a pretentious twatwaffle, and I am so sick of seeing otherwise reasonable people spout that crap. That's been true since the 90s and probably before.

The reality is that Western culture enshrines male friendship as the highest form of affection possible. This goes back to the Classical world. And, yes, they were probably fucking too back then, but the thing that all of the media is about is friendship.

The entire backbone of Western culture is built on the idea that men are spiritually, biologically, inherently more capable than women of this highest form of relationship. Romance is the big thing for women because we're not eligible for The Pure And Holy Friendship Between Two Men.

The epidemic of male loneliness is real, but we haven't gotten any less "Bros before hos". Fandom and m/m shipping behavior are irrelevant to this.

--

Furthermore, fandom has plenty of people who don't focus on shipping.

AO3 was built by slashers, so ship type is a top-level category, and the site obviously signals that it's about shipping and particularly non heterosexual shipping since you can filter out het.

Past sites often had more metadata that wasn't around ships (e.g. FFN's genres that work like bookstore genres) and almost never let you get rid of het. You might have been able to filter in The Gay, but straight stuff was literally unmarked.

~We do need to be aware of~

Bite me.

This naggy phrase is everywhere, and nothing good comes of it.

The only thing we need to be aware of is that Blorbo is great and s/he should be mashed together with Other Blorbo. If that's in gen adventures, you do you.

[selfshipgushing]

Welcome To Selfship Gushing!

what on earth is selfship gushing? well, selfship gushing is a place for you guys to submit asks to talk about your f/o! your relationship, how much you love them, or just facts about them!

this account is just a place for you guys to, well, gush!

the dni/rules are as follows;

PLEASE do not interact if you are pro/com/darkship! there will likely be minors sending in asks, and I do not want ppl like that on my account!

no nsfw! this will be an sfw space!

do not attack other anons for their f/os! if you see someone who ships with a character you don't like, please do not send that into the ask box. they will be deleted.

this is a place of positivity! please keep venting to a minimum, if you can? I won't be too harsh on this, but I mainly want this to be a place people can be happy about their f/os!

MOST IMPORTANTLY. have fun! :)

we have an emoji anon list! you can find that here! there is also a spreadsheet linked on the anon list to make searching for taken combos easier!

FAQ

are non romantic gushes allowed here?

- of course ! any f/o gush is allowed :)

if I want to send pictures but want to stay on anon, will you crop out my username?

- yes! just either ask to be on anon or include a sign off!

what counts as nsfw?

- anything you wouldn't say in public refrain from saying it to me, although, silly, lighthearted suggestive jokes are okay.

what counts as venting?

- if you wouldn't say it to a stranger or acquaintance, don't say it me. complaining is okay, ie, "I had a bad day" or "I saw a double today".

are there any banned topics?

- I don't care really, when it comes to most thinga. if I find the ask sensitive (mentions of abuse or sh) those will be tagged appropriately. only thing that is banned is talking about impregnating your f/os. pllleeaaaseeeee refrain thank u

who runs this blog?

- @/deathdetermineslife :) or lachlan, if you'd prefer to call me that. it's a one man shop over here. (he/him)

is it okay if I ask questions about selfshipping here?

- of course! anything that I believe will cause discourse, though, I won't post. nothing against you I just want to keep this positive!

I'm also not affiliated with any other selfship ask blogs! though I did take inspiration and love the ask blogs dearly! :)

[impactrueno]

ok stop. stop. i'm gonna stop you right there because why in the world are you telling me this? where is this even coming from? what did you see on my blog that would make you come to me with this? i didn't ask ANYONE to justify their feelings about beetIebabes, positive or negative. you don't have to explain anything to me. i don't ship them, and i don't care whether other people ship them or not, or their reasoning why. my ask box is not an open letter column in a magazine, it's part of my blog. i'm a person. this isn't "beetlejuice fandom central" or anything like that.

i already said i do not want any shipping discourse of any kind brought into my blog. respect that.

just know that you're allowed to dislike things. you're good. no one is making you like the ship, i promise. i support you, you're perfectly valid and don't let anyone tell you otherwise. i'm very sorry that happened to your friend, but that's not a "proshipper" thing, that's a groomer thing, and groomers can be ANYWHERE. to see it as an exclusively "proshipper" thing is just going to put you in danger because kids have gotten groomed by shippers of "safe and wholesome" pairings as well. i've seen it happen and it's why i distanced myself from a previous fandom. so please, if YOU are a minor (or just young, adults can get groomed too) please stay on your guard no matter what circles you're in, and yes, even around "safe" shippers. i can't stress this enough.

let me tell you something before i shut this topic down.

this fandom i distanced myself from, i did it because i kept seeing adults pressuring minors to draw certain things. some 16yo kid drew suggestive art of a character under the pretense of a shitpost, and people went crazy over it and demanding more. and kids are always going to give into peer pressure, so of course they continued doing it and escalating the tone of the "shitpost" drawings.

this wasn't a "proship" space, quite the contrary, these were all very "anti" types as you may call it (once again i loathe these terms and shipping discourse is a fucking circus i don't want to involve myself with) the types that enforce safe, appropriate and unproblematic shipping and content. but here they were, hooting and hollering and with a terrifying lack of self-awareness and pressuring the kid to draw more suggestive art. IN PUBLIC. ON TWITTER. everyone thought it was hilarious but i was standing there like "wow! i want to get the fuck out of here" and i tried to remind everyone to NOT give in to peer pressure to do anything you're not comfortable with, but no one was listening because "sexy art of a popular character"

you can be manipulated and peer pressured to do things you're uncomfortable with at any age. especially if you're kind of a people pleaser like i was. people got nsfw art out of me that i didn't want to draw when i was 20. i got used and manipulated by someone who shipped "the correct things" to ship.

you won't realize you're being groomed until it's too late. that's why i insist for kids to stay safe and make wise choices, keep an eye out EVEN IN "SAFE SPACES" and i repeat do NOT let ANYONE pressure you into doing something you're not 100% comfortable with (and even if you are, think it over)

once more: stay safe, guys. no matter who you think your friends are. groomers can use anything to groom you, not just "problematic" ships.

that's all i'm gonna say. don't talk to me about shipping discourse again, please. won't be posting asks about this if i can help it.

[hestzhyen]

So, About That Drama...

After seeing the Kagurabachi community meltdown play out on Twitter, Discord, and Reddit, I'm pretty sure it's safe to say that the era of peace towards all is over. I'm so glad I put down roots here instead of the other places.

Whatever might have been true when the fandom just started out, the gen spaces are no longer safe for fujoshi/shippers.

Katsu, the biggest artist in the Western fandom -and someone I consider a friend-, was bullied out because of two individuals with personal vendettas and not enough resistance against them. Her final message is here:

https://x.com/Katsutacle_/status/1879888982886224206

I'm not going to write an in-depth essay about everything that happened. It's been less than a month since I got back from the hospital and the last thing I need in my life is stress over online "discourse". I've just been trying to help the main victim behind the scenes and speak up when I'm able. I so sincerely do not want to be involved in this bullshit... I just want my friend to be okay no matter what she decides to do in the future.

I usually don't get involved in fan spaces because I'm tired of trying to exist in places I'm not wanted. I don't expect everyone to enjoy things the same way I do. I just want to talk about them with the handful of other people who see things the same way... but it's so tiresome to be punched down on because I think it would be neat if two fictional guys fell in love.

I wanted to believe that Kagurabachi could be different. I did at the start, which helped me embrace the series wholeheartedly where I would normally hold back. And I don't regret letting this manga take over the precious few working brain cells I have. My only regret is believing the warmth and acceptance would last. As of now, the Kagurabachi fandom is far more interested in keeping a false peace that only benefits the usual suspects instead of making the space truly welcoming to all fans.

I won't stop posting about this manga and I won't write off everyone else- a lot of people sent well-wishes to Katsu and got their accounts banned on Avizie's Discord and subreddit to support her. I'm just putting expectations for the general fandom's behaviour back down to where they should have been all along.

I simply won't be telling people that it's worth joining the community any more or that it's wholesome compared to others. It's just more of the same with a thin veneer of acceptance over the same old tendency to belittle and ostracise. I'm glad I decided to keep to myself for the most part and only toss my thoughts out to the void instead of engaging on a deeper level. I should be sad or upset over this, but... I've been in fan spaces for long enough that it's just normal now. Not once have I ever felt at home in a main anime/manga space even if I didn't ship any characters from the series. Seems like I'll have to keep waiting for a place to belong.

And if anyone tries to cast this as a "ship war" because it involved the two most well-known shippers in the fandom and their "rival" ships, that's not it. That's misconstruing what actually happened to write it off as dumb fandom drama. Trying to cast the bullshit as a moral argument because Hakuri is 17 or because Katsu drew clearly labeled NSFW YuraChihi isn't the point- it's a deflection. Katsu was bullied out because Yuna (YunAris) and Avizie hated her guts despite her giving them every possible chance to act like decent people.

Avizie never liked her after she called him out for trying to get JJK-style leak culture in the fandom, and Yuna... I don't know her, but seeing how she stalked and harassed minors for weeks because they called Chiyuki and her art mid (without tagging her or anyone else!), then kicked off all this drama by pulling in Katsu and simbay who had nothing to do with it... she needs to get a grip on herself and grow up. Both of these individuals are adults, mind you. And both of them cannot stand Katsu for very personal and petty reasons.

So here we are.

It was never about the HakuHiro vs. Chiyuki nonsense, Hakuri's age, or anything else for Yuna and Avizie. All of it was merely an excuse to harass and slander Katsu until she was driven out. And good for them I guess because it worked. I hope they find the healing they obviously need to grow and become better people, but for now, I'm going to further distance myself from the fandom at large and be there for my friend.

Not much else to say really. If you have a choice, be kind.

[mars-ipan]

HEY FOLKS!

sooooo. remember when i was posting about being up way too late for a powerpoint thing i was doing with friends? yeah i'm posting that final powerpoint now.

allow me to introduce you all to...

THE KOMAHINA BIBLE

(aka a demonstration in unmedicated ADHD)

120 slides. 163 MB. somewhere between 14 and 22 hours of work. sleep deprivation. influence from @anonzentimes , respected komahina scholar. this bad baby has it all this is a powerpoint presentation summarizing and analyzing just about everything you need to know about komahina in sdr2 (and a bit from adjacent media as well). we go in-depth and we prove beyond a shadow of a doubt that komahina real and love wins (loses?)

WARNING: THIS CONTAINS MAJOR END-GAME SPOILERS FOR SDR2 (AS WELL AS DR1). IF YOU WISH TO REMAIN SPOILER-FREE (OR YOU ARE SOMEONE WHO I HAVE BEEN TRYING TO KEEP SPOILER FREE (YOU KNOW WHO YOU ARE)) THEN DO NOT VIEW THIS POWERPOINT PRESENTATION UNTIL YOU KNOW. I AM NOT RESPONSIBLE FOR YOU HAVING BEEN SPOILED

ok cool! some other things to keep in mind under the cut:

THIS IS LIGHTHEARTED THIS IS LIGHTHEARTED THIS IS LIGHTHEARTED. IF YOU DO NOT SHIP KOMAHINA THAT'S LITERALLY SO FINE I KNOW THERE IS KOMAEDA SEXUALITY DISCOURSE GOING ON RN FOR SOME GODFORSAKEN REASON KNOW THAT I DO NOT THINK EVERYONE HAS TO SHIP KOMAHINA PLEASE I'M LITERALLY A MULTISHIPPER PLEASE. PLEASE DO NOT CRUCIFY ME FOR FUNNY YAOI POWERPOINT

i made this powerpoint in two sittings across 2 days, each sitting about 8-12 hours long

i got about 7 total hours of sleep in that time. not for each day- total. i was mad scientist delirious by the end of this

originally, i wanted to include far more- i wanted to analyze other media in depth (like the stageplays, the drama CD, komaeda's official songs, and even official art and materials) but i did not have the time for it. maybe i will make a new testament powerpoint detailing these as well as fandom analysis but that is not currently in the works

this is a presentation! as such the intended way to consume it is As A Presentation! unfortunately i am not someone who records videos so i cannot present it to you. if you would like to present it to you feel free. if you would like to present it to your friends feel free. if you would like to present it to the internet i'm honored but would like for you to talk to me about it first. cool

the original target audience for this was my friends and not all of them are anime people so. i am using the more english-friendly terms (as well as first names). i don't think this will bug any of you but i'm making it clear anyways

all art included in the presentation is credited with a caption linking back directly to the original artist's account. if you see your art in here and you do not want your art in here: let me know! i will take it down immediately and without question.

i may have missed some details/glossed over some things! if you think i've made a mistake somewhere or have missed something important, talk to me about it! i'd love to discuss it and if i make the new testament sequel powerpoint then i will include your corrections at the beginning :)

a lot of the jokes i make happen in the transitions of this powerpoint. some of them use audio- click on the little speaker icon to play the audio and time the animations yourself i suppose. i'd recommend playing it as a slideshow ^-^

have any questions about a particular point i make? ask me! i will elaborate for you

ok that's all i can think of!! have fun folks :]

[davidtennantgenderenvy]

Addressing The Tinhatters: A Statement in Solidarity With @dtmsrpfcringe And Others

I've been active in this fandom for a little over a year, and in my time here I've kept my slate pretty clean. I try not to involve myself in drama and discourse, and when I see something I don't agree with online, most of the time I keep it to myself. I've been aware of the blogs I refer to in this post basically from the onset, but I've stayed quiet, partially to not come across as disrespecting others' opinions and preferences and partially to protect my peace and my own life as a creator. But what started as mostly harmless, if a bit unhinged and delusional, behavior, has turned on some fronts into unimaginable cruelty the likes of which I never imagined this fandom to be capable of. As someone who it seems people in this fandom have come to respect, I think it would be unfair and selfish for me to stay neutral any longer.

Fanfiction has been a genuinely transformative force in my life. It has helped me discover so much about my own relationships to love and desire, and I would never want to tell anyone that it is wrong for any ship to be that source of inspiration for them, including RPF. Nor do I think, as I've said, that it's inherently wrong to have speculative thoughts about David and Michael's sexualities. As someone who has been lucky enough to interact with David several times now, and probably will again, I choose not to do so myself in a public forum out of respect, but curiosity doesn't have to be invasive, and David and Michael being in loving partnerships with women certainly doesn't mean they can't be attracted to other genders too. There's nothing wrong with liking the idea of a relationship between David Tennant and Michael Sheen, or even, really, with believing they might have feelings for each other. If that's all you're doing, this post isn't about you. What I absolutely cannot excuse is the proliferation of hypocritical, nonsensical, and nasty rumors about the women in their lives.

Nothing Georgia Tennant or Anna Lundberg seems to do is ever good enough. Every expression of positivity is curated and phony, anything that could be perceived as negative vile and mean. I see these women attacked on a daily basis as partners, as mothers, as actresses. Georgia is simultaneously presenting a false ideal of a perfect, happy family for her own gains, while somehow at the same time being too irresponsible and incompetent to be a proper parent. Anna, a still young and up and coming actress herself, is expected to perform the ideal of an affectionate partner on social media, is perceived as unsupportive of Michael when she doesn't, when in reality she may simply be trying to make a name for herself in the industry without people solely associating her with the man she loves. Both of these women share in David and Michael's advocacy for marginalized communities, sometimes in different, more or less obvious ways. David and Michael are always brave and sincere, while Anna and Georgia's actions are always self serving and performative, though no evidence is ever given to indicate that the things they post or charities they support are any sort of cover or deflection. Nor are there ever any reasons given for their perceived lack of onscreen talent, other than that they're "boring" or don't have as many jobs as their husbands- never mind that both of them are in an extremely competitive industry and get perfectly respectable amounts of work, especially for mothers of young children. Worst of all, I've seen them accused of things as awful as child abuse and rape, all for the crime of simply being married to the wrong men. It's all so horribly gendered too, David and Michael often referred to as the "men" while Georgia and Anna are reduced to negative stereotypes of nagging, shallow gold diggers. As a fandom populated with so many queer people, many of whom, myself included, have found freedom from gender roles with Michael and David's characters' help, I thought we knew better.

I've been lucky enough to meet both David and Georgia now, and have witnessed firsthand the easy, joyful affection they have for each other when no one of consequence is watching, the way they giddily hold hands on the street and make each other laugh while tenderly looking into each other's eyes even and especially after sixteen years together. Georgia when I met her was incredibly kind, down to earth, and approachable, and my partner, who's met her several times more than I have, gushes about her constantly- how funny, authentic, and intelligent she is, and of course, how much she and David love each other, how they look out for each other and adore each other's flaws and quirks. David of course still gushes about Georgia every chance he gets in speeches and interviews, her strength and brilliance as well as her beauty, and Georgia, while maybe not always as effusive, shows her love for David in plenty of ways, the beautiful candid photos she takes of him, for instance. There's such a soft, painterly tenderness and fondness in them, for the man, not just the dazzling star everyone else gets to see. Her David, gentle, devoted, goofy, aging, melancholy, imperfectly perfect David. Where would we be without Georgia giving us these little glimpses of him? I suspect the same people who deride Georgia's social media presence as try-hard, cringeworthy, artificial, would feel a bit differently if one day they stopped coming.

I can't speak as clearly on behalf of Anna and Michael, but the accounts I've gotten of her and Michael's relationship from eyewitnesses have presented it as no less loving than David and Georgia's, albeit in slightly different ways. Even then, why should I have to? She doesn't owe me anything. I doubt anyone who's made the posts accusing Anna and Georgia of being nasty baby trappers has ever had children. There's no such thing as a perfect mother, and even one child is a massive task. It's normal to not be a shining ray of affection all the time, and Georgia I know more than makes up for it with her fierce love and support for her children in all of their endeavors. Georgia is also a diagnosed neurodivergent woman, and so many of the remarks I see directed at her are clearly discriminatory and often directed at women with her diagnoses. Everyone coos over how charming David is when he shows signs of being AuDHD, but the second his wife does too, she's careless and cold. And don't even get me started on when photos of Michael and David looking anything less than beatifically happy get interpreted as them being miserable due to their wives treating them so poorly. THEY'RE HUMAN BEINGS!!! NEUTRAL FACIAL EXPRESSIONS EXIST!!! WOULD YOU BE A SPARKLING RAY OF SUNSHINE IF YOUR DISNEYLAND RIDE GOT STUCK!!!

I say all this now not even because I think I have any hope of stopping the people in question, but because one of the main fighters on the front of the opposition, @dtmsrpfcringe, has been both a wonderful online friend to me and dealt with even worse abuse than that which gets hurled at Anna and Georgia on the daily. When my blog was briefly overrun by TERFs in light of the Tennant/Badenoch/Sunak drama, Tori was the first person to stand up for me, and as she recieves more vitriol in one day than I've ever experienced in my entire life online, I think I've taken far too long to do the same for her. This woman has dealt with doxing threats, attacks on her character, and most horrific of all, wishes of death upon her and her baby. No one would blame her for stopping, but she has remained steadfast in her mission to call bs where she sees it, and she shouldn't have to do it alone. Tori, I think you are so brave, and I am proud to stand in solidarity with you against the misinformation, meanness, and misogyny that threaten to corrupt this fandom we call home.

Even after all we've been through over the past couple of months, I still believe the Good Omens fandom and David and Michael's individual fandoms to be places of kindness, empathy, and inclusivity. Which is why such cruel behavior (because there's no other word for it) is utterly disappointing and baffling to me. You should be utterly ashamed of yourselves. You're the exact kinds of people David and Michael speak out against on a weekly basis, and I guarantee that if you engage in the kinds of behavior I've highlighted here, they would be disgusted with you. Or maybe they'd simply pity you, because your lives are so empty that you've decided the only way to fill them is to sacrifice the reputations and peace of innocent women on the altar of a relationship that in all likelihood takes place solely in your own heads.

And if you read all this and find you still ship David and Michael, which even I do sometimes, well, there's always polyamory.

I'm sleepy! good night and kindly fuck off! - Lauren

[louisjude]

I feel like atp even if there were plans to make bvddie canon theyre gone now. if tim minear is even half as petty as I am he would see that reaction and go u know what fuck you u actually don't get what you want now cause ur acting so goddamn entitled. like when tarlos fans got mad about the deleted scenes instead of appreciating them being released and his reaction was to say "okay fine then I just won't release deleted scenes anymore" (like I'm sure it was mostly a marketing decision but part of me thinks they intentionally released a scene about bucktommy just to prove a point.) idk man it's just really upsetting as a bi man to see the absolutely vile shit bvddie stans are saying and even tho I love the ship I now never want it to go canon cause they've fuckin ruined it

hey anon, at first let me agree with the fact that i do in fact also love bvddie a lot and i still love reading fics for them, the edits of them are fantastic and the fanart is S tier. it’s a great pairing with a lot of potential there IF the writers decided to ever go there but…

huge answer below

yeah, i agree. i honestly think before tommy was introduced again in 7x03 and the kiss in 7x04 that in my brain, bvddie was the most logical endgame for buck until it wasn’t.

i came into the show shipping bvddie much like a lot of new fans to the show but instead of hopping onto the tommy anti express hate train i found myself falling in love with buck and tommy together. at first i was still on board with bvddie still being endgame but as each episode aired after 7x04 i became faced with the reality of the situation (at least the way i see it) that bvddie might always be fanon and that’s ok because fandom keeps ships alive whether they’re canon or not. some of the biggest ships EVER are non-canon (i mean, cmon spirk? one of the OG MM ships?) so it didn’t really deter me from enjoying bvddie to this day. what HAS deterred me from interacting with bvddie content is toxic bvddies. i don’t like using the lil nicknames, idc if other ppl do, whatever, but i prefer just referring to certain kinds as just toxic plain and simple.

toxic shippers have made it difficult for anyone who multiships to interact with bvddie content. while there are incredibly nice & welcoming bvddie endgamers out there, it doesn’t overshadow the hateful ones in my online experience at least. i’ve blocked so many ppl over this ship discourse, which ive never had to do with any other fandom before the extent i have with 911. everyday i still find new ppl to block, you go under almost any comment section on the 911 insta and its filled with nasty comments abt tommy and only caring abt whether bvddie will be canon in s8. people projecting their hatred of tommy/lou onto the cast/crew of the show when it’s be said and proven time and time again that it’s quite the opposite. now im certain there’s bad apples in the bucktommy side as well, but from what ive seen online so far it is not nearly to the caliber of the bvddie side. ive blocked maybe a handful of bucktommy’s for being hateful towards eddie or being toxic overall, but ive probably blocked over 100+ toxic bvddies. i can only imagine it’d be worse if i was active on 911 twt which i’m not (thank god) but i have ventured into the tags before on there and let me tell you, it’s fucking horrifying how gross ppl are over there. twt is a cesspool for fandom anyways tho, the fucking asshole of fandom, it’s a septic tank really.

now im my own opinion which could be completely untrue of course, but just basing my thoughts on what i’ve seen online and interviews and such, tim seems to be really happy about bucktommy and idk how ppl believe otherwise. tim has expressed he loves LFJ and wanted him back on the show. tim showed up on set for the kiss scene. tim posting an entire youtube vibe abt bucktommy being soulmates that touches on the invisible string theory and explains how they accidentally found buck’s perfect match. tim sharing the deleted tommy scene is also huge but im waiting to see if he releases more (because i remember seen somewhere that he said there’d be more?) and if he does then great but it’s also still pretty telling to me after the whole karaoke fiasco.

oliver has said nothing but praises towards buck’s queer storyline. he quite literally said if you dont like it then watch something else. despite ppl saying he’s never interacted with bucktommy content online, that’s a lie because he has liked fanart of them.

aisha, kenneth & tracie have all expressed how they like tommy/lou and love working with him.

jlh said she loved bvddie before but is excited to see where buck and tommy go and then on an insta live said she doesn’t think bvddie is happening and was bombarded by toxic fans to the point of ending the live early.

ppl think it’s all some ruse to make it seem like bvddie is never happening so when it does happen it’s a “surprise” ……..

the nasty hate comments are doing nothing but exposing these types of ppl for who they are and that honestly to them, 911 is just the bvddie show to them. the people who run these social media accs for 911 are looking at these comments and cringing, they aren’t running to tim and abc being like “we must give these crazies what they want!” they’re mostly likely being ignored or honestly, as you said, being looked at and just reinforcing their decision to most likely make tommy buck’s endgame so as long as his schedule is open for filming.

what gets me the most about the hate these types of shippers spew online is how they aren’t embarrassed because they are so sooo convinced they will be right one day and therefore their insane, nasty behavior online will be justified. oliver stark literally left twt because of fans like this, people act like he was joking around, that he was shooting the shit probably because “he’s british and british people just have that kind of humor” which yes to a certain extent but let me just add these posts to set an example to why if oliver were still on twt he absolutely would not be happy with the way toxic bvddies are acting right now.

oliver (and ryan&other cast too) being positive abt bvddie never meant it was going to be canon of become canon one day. they do not decide these things, whether they believe it should or not. a lot of bvddie shippers come from previous fandoms where queerbaiting was there, where they were made fun of by actors of their ships, by the creators of the show! so i understand the frustration but oliver is not queerbaiting and buck is not a queerbait character when he quite literally is now confirmed bisexual and in a relationship with a man.

he’s just not the “correct” queer to these people. despite headcanons (hell even i hc eddie as queer!!) eddie so far, in canon, is not queer. by the end s7 he is still shown to not be over shannon and ruins his relationship with his son over this. ryan has stated in interviews he sees eddie as heterosexual, possibly pushing this because of the influx of ship discourse, and he’s glad to see a vulnerable and deep friendship that buck and eddie can have as a straight man and a queer man and how important he thinks it is.

every single thing that points to bvddie never going canon is like they’re being shot point blank in the chest. i get it, your ship not becoming canon sucks, but again, that is what fandom is for! shipping has never been about how canon smth is, there is 20k fics out there for bvddie and they aren’t canon. they can turn that into 40k, 100k, 1M if they really wanted to! instead they use their time and energy posting death threats, wishing death upon a gay character, bullying ppl online for enjoying a ship.

meanwhile from what ive seen bucktommys are rolling with goofy ass spy tommy theories created by antis and making jokes for our own fun.

so yes, i agree overall. they truly don’t deserve what they think they do. we didn’t whine and scream for a deleted scene. they did. we got ours without even expecting it and are having fun.

maybe if they behaved better i wouldn’t be so petty abt it. it’s a shame because of how much potential it has, unfortunately it is just not going that way atm. and even if it does one day, it is not because they paraded online with hate, it is because that’s the story tim and the others wanted to write and abc approved it.

🫳🎤

[antimony-medusa]

Gonna be honest with you though if someone outright says “don’t ship my character with other people” or something to that extent regarding smut or whatever I don’t think there should be any ambiguity

I get your point about the nature of fanfic being inherently encroaching upon people’s images so that levity should be extended to otherwise uncommon avenues but I really believe hardline boundaries should be respected, end of, no discussion. If I see people violating creators’ boundaries for their characters Or themselves (and these can be intertwined, it’s not up to the audience to pick apart their boundaries, cuz I’ve seen people try to do that) I’m not going to judge them fairly and I feel like neither should you.

Lines can be crossed and intimacy (not even necessarily romantic!) is a very different monster than the other avenues of storytelling because of how it involves real life relationships seeping into character relationships. Its’s uncommon for people to be like “I wrote A’s character being tortured because I feel like A is tortured in real life” but they Can and Often do that with ship work. So I don’t know, I feel like you’re not affording this the right nuance.

Alright, so, this is another post I'm gonna slap with a discourse and long post warning right away, buckle in.

Yeah, I hear what you're saying, and this is not an uncommon opinion to have! It's still the opinion of twitter/x so far as I know, and I think it's probably the opinion of the bulk of dsmp fans here, as well. I know my posts get notes once they start circulating in hermitblr, but I don't kid myself that I have the majority view. I am posting to explain my views expressly because I know a lot of people don't agree with me!

And in this case we do have a difference of opinion. There's two sort of points as I see it in your posts— we have hardline boundaries about shipping/nsfw from some people, and everyone in the fandom should be abiding by those no exceptions or be thrown out of the fandom; and we have shipping boundaries but not boundaries for other things because shipping is uniquely boundary-crossing and terrible and invasive, in contrast to anything else we can do in fandom.

Taking the second part first, I just don't think that's true. Let's not forget, boundaries discourse started with SMPLive and SMPronpa, and it was not the shipping that caused the discussion, it was the death games. The first real fandom reckoning we had with the notion of boundaries as mcyt fandom was over gore and murder and portraying people in violent ways. Shipping was barely a blip on the radar. The way the discourse has developed now, shipping is framed as the absolute worst thing anyone could ever do with your public image, and everything else is fine, but that is not the case for everyone. Recently the Pirates SMP creators were asked repeatedly for their boundaries (bothered on twitter, really) until they gave them and thus we saw people being fine with shipping but not wanting family dynamic, or being against both shipping and gore, or being fine with shipping but not wanting to be gender bent or trans headcanoned, etc. Not everyone feels the same way about the same things, despite the us-american cultural viewpoint that romance and sexualization is uniquely bad but gore and torture is fine, that everything else is fine.

Like, if we're looking at DSMP, I think there are a lot of creators who would feel just as strongly if not stronger about fics in which their character died of a terminal illness than they would about a fic in which they kiss someone, for understandable reasons. But I see those tropes in the tags regularly!

I think if we are honest with ourselves, if we are going to hardline boundaries about things that are uniquely invasive or bad to do to a creator's character with the view that we are putting all of this up for the creator's approval, we need to accept that this excludes us from writing anything where a character is abusive or is tortured or dies of a terminal illness or is psychologically broken or is age regressed or is neurodivergent or is queer if the cc is straight or trans if the cc is cis or cis if the cc is trans or straight if they're gay— the list of things that would be weird to do in the face of the real guy is really long. And it has most of our favourite tropes on it!

I love writing autistic philza. It would be really fuckin' weird to go up to Philza and tell him about how I write his character as whumped and autistic. Come on now. (But that's within boundaries, so that's— fine? I really don't think it's fine!)

Which is why my stance is that we should be thinking critically about these things, and keeping the fandom seperate from the creators. Some of these things are just not for the creators. They're fine but they shouldn't go on twitter. Y'know?

The idea that shipping draws uniquely on the real person and leads to invasive behaviour but nothing else does— that nobody does "I wrote A being tortured because I think A is tortured in real life"— Look. I have been in the fandom a long time. I remember how all the abused tommy narratives fed right into people assuming his family in real life were abusive— and talking about this on twitter! Where he and his family could see! People did this with WIlbur and Techno too!

I remember people reading about trans tommy and then truthing that the creator either was transmasc or was going to come out as transfemme any day now, publically, on twitter and in his chat. I have seen people she/her tubbo to his face on twitter, with fancams. I have been in chat when people who have clearly assigned Phil "dad" start asking WILDLY invasive things in TTS. If you think that shipping is the only fandom behaviour that can lead to people drawing directly from the streamers for their work and treating the creators weirdly about it, you simply have not been paying attention.

The way the fandom insists on treating benchtrio as children despite the fact that they're almost twenty and viciously attacking their friends for treating them as adults and chiding tommy and tubbo and ranboo for inappropriate behaviour. The list goes ON.

So. The recieved DSMP wisdom is that we should TTS the streamers to check if it's okay if we write a fic in which they die of cancer. We should DM them on instagram to ask if it's okay if we write them as a gender or sexual identity they don't share. We should show up in their twitter mentions to ask if it's okay if we write them as a physically abusive parent.

No????????

My view on that is that it is frankly bizzare it is that we have decided that "asking creators for detailed instructions regarding porn or gore" (especially in TTS! When they're fucking at WORK and can't step away! Stop doing this to the hermits!) is normal and fine and responsible but "post your shit in appropriate places and leave the creators out of it" will make you a monster.

Once again, the experience of someone coming up and saying "i think of you as age regressed" and someone saying "i found this fic where you're age regressed" and someone saying "can I write a fic where you're age regressed" is not that different. In all cases you know that the person has been thinking about it and putting it out there, and in all cases you didnt seek out this information, it was brought to you. In all cases it's weird. Just do not bring this information up to them!

If you just think about it for a while, you see that there is an entire host of things that would be weird to force into the view of a creator, especially when you consider that half the time we got these clips from TTS information when we have no idea if the person answering knew the context of what they were being asked, if they were specifically aware of the creator/cc divide that the fandom works with, or if they felt pressured into it. Oh yeah, let's take a TTS clip from Tubbo when it was 2 in the morning for him and he was deep in a minecraft mod when someone asked him about alters and delusions and he was like "oh you mean like— when they can't help it? I guess that's fine." That definately counts as freely given, reversible, informed, enthusiastic and specific consent to show him anything we want at all times forever. That's never going to make him uncomfortable.

Think a little here.

So I think there's a lot of the fandom that we should not be putting up for the approval of the creators, and if we don't have a firm answer on if they would like potential edge cases, we should probably be thinking about it and keeping it away from them (and I would err on the side of caution), we should NOT be showing up in the TTS to ask them about narratives in which they're institutionalized, or making them a GOP conservative in fiction, or if Wilbur was canon about seeing them as a bottom, or whatever bizzare thing someone is cooking up now. Honestly if you think to yourself "I don't know if the creator would like seeing this", I would be much more comfortable if the two choices we were picking between there were "simply don't write it" or "write it but keep it away from them", and "harass the creator for an answer on this subject and only write it if they say yes" never entered the equation at all.

And to return to your first point, if we already have a class of fiction that we are keeping away from the creators because basic intellectual curiosity would show that it would be weird to show someone, I don't think it's the end of the world to go "okay, creator doesn't like NSFW, so we also keep the NSFW away from them, keep this shit off twitter, block them if you create it, don't show it to them" and then we archive lock it and continue on our little weirdo on the internet ways.

Now, I don't expect to convince you of this, the phrasing of your post does not indicate that you're open to discussion on this topic. That's fine. Nobody has to agree with me. But I grew up conservative christian, and I have already had people try and get me to throw people out of the community for their perceived sins where I was like "well, I really don't think this is that bad", and I'm really resistant to being forced to do that again. I don't think it's a healthy way to run a fandom, to be shunning people for what they're doing in fiction. Harassing creators in chat? Sure, I will block them from my events as untrustworthy. That's hurting someone in the real world. Writing something that I don't vibe with privately on the archive for an audience of 50 people? That is not doing harm to real people. As long as they're not showing it to the creators, I don't count that as offensive.

How's that for nuance.

[masochist-marmot]

A fair and balanced look at MHA chapter 431

To all of my fellow bakudeku and togachako truthers out there: I see you, I hear you, and your disappointment is valid. I agree with a lot of the criticism. However, I have a lot of nuanced thoughts, and I will attempt to write them down in a balanced way, so bear with me. I will also treat the leaks as though they were confirmed for now.

(This post became an essay so I'll divide it into subheadings for clarity.)

Reminder: Be kind

Before I get into this, I'd like to remind everyone to please be kind and understanding when having this discourse. I get that there are strong feelings involved, but please don't harass the creators or other members of the community. Remember that at the end of the day this is fiction, and no one has the right to dictate how others view it or consume it. You are allowed to express your opinions and feelings, but try to be respectful to those who don't share them. No matter what side of the issue you stand on.

Queer relationships in shounen

First of all, I understand that it's disappointing when potential queer relationships are sidelined in favour of compulsory heterosexuality. But I can't say that I'm surprised. The standards and norms of depicting relationships in shounen manga go deep, and while it would be nice to see them challenged, we have to remember that there is an entire industry behind these decisions. I'm talking about genre conventions, authorial decisions (affected by unconscious biases), editors, publishers and a whole lot of moving parts. There's a lot of money involved, which means that any changes to the conventions will happen at a snail's pace. I am not excusing the decisions Horikoshi made, but it's good to be mindful that the decisions don't take place in a vacuum. I went into the series with the full expectations that none of the same-sex relationships would be made canon, so I'm not overtly disappointed with that being the case. It's the same expectation I take to any shounen series.

It's obviously worthwhile to question and challenge conventions like these, that's how progress is made. But focusing on a specific author's specific choices might not be the best way to go about it. Although it's worth pointing out that Horikoshi didn't have to make any relationship canon, yet chose to do so. Let me get into that.

Why IzuOcha falls flat

There is no denying that izuocha seems to have been the end goal from the very beginning. She's the first girl, Izuku took immediate notice of her, and her feelings for him became her entire character for a while. It's a cute ship, I guess. The issue is that it lacks any real depth. I'm going to be completely honest with you: I don't think Horikoshi is very good at writing compelling female characters. A lot of the male characters get amazing character arcs, while many female heroes only get a couple of cool moments (full of fanservice) and are promptly discarded. Himiko and Ochako, who have the most compelling female relationship of any kind in the entire series, fail the very simple Bechdel test miserably. Half of their conversations literally revolve around the male protagonist.

I believe this is why many of us prefer bakudeku over izuocha. The boys just get much better character development both as individuals and in relation to each other. Izuku and Ochako's moments don't cut nearly as deep, and while they do somewhat further Ochako's character development, they seem to have no bearing on Deku's character. Meanwhile Uraraka's conflict with Toga meaningfully challenges and alters both characters' worldview, even though their relationship had much less time and opportunities to develop. To me this whole situation just reads as Horikoshi giving Deku a canon love interest early on, then failing to develop the relationship and having to rush it to get the ending he intended.

Character study: Izuku and Katsuki 8 years later

Now I'll ignore authorial intent for a while and ponder on how the leaked chapter reflects on the character development of my main boys. I'm actually not that mad about the decisions Deku makes in this (forced romance aside). I seem to be in the minority that's fine with Deku losing OFA and becoming a teacher, because I actually think it suits him perfectly. In chapter 430 I mostly took issue with him being lonely for eight years and then jumping the gun to become a hero again, which seemed kinda contradictory. If he was truly contented with being a teacher, they could've made it clearer. Though I'm not going to lie, Kacchan funding his battle armor was incredibly cute. In the leaked chapter, it almost feels like they were trying to reinforce the notion that Deku is happy with his life as a teacher, which feels a little forced, but I can respect it. You have to remember that he's been quirkless for eight years and has had time to come to terms with it. People change a lot in eight years. I barely recognise the person I was eight years ago. So what rubbed me the wrong way wasn't that he rejected Kacchan's roundabout offer but the way he rejected it. Like the guy's really hung up on you, the least you could do is let him down easy.

What I think is an especially hard pill to swallow is the distance between Kacchan and Deku. Unfortunately, it also kinda tracks. Hear me out. Their relationship maintained its intensity because of the rivalry. It motivated their respective personal growths, it pushed them further, and it tied them closer together. And it was magnificent. What we see here is that Katsuki is still driven by the will to compete, but Izuku isn't. He's a teacher now, he's got lives to change, he can't be bothered with competition and numbers. While Deku was building his new identity and new life, Kacchan was still hung up on the past: He was collecting funds for the suit to get Deku back into the game, he was rejecting sidekicks who didn't spark the same joy in him, and he was slowly dropping in the charts because he didn't have Deku to push him to try (also something about his personality, I'll just let it slide). I think in this chapter we kind of see him finally accept it. He doesn't push a hero suit on a rival and urge him on anymore, instead he forms an offer to join him as an unrelated question about if Deku's still intent on teaching. Since he says yes, Kacchan won't even bring the agency offer up; Kirishima has to translate the intention. Which is where I think Deku's answer has uncharacteristically little tact.

Does Kacchan deserve a better ending than this? ABSOLUTELY. Does the ending we get counter the character development seen so far? I don't think so. The sad reality is that people do grow up, and I see the ending we get as one possibility that reflects that. I would've also been happy with an ending where Deku keeps OFA and the boys go be gay fight crime for the rest of their lives together, but in all honesty, Deku coming a full circle back to quirklessness is more thematically satisfying to me. Mind you, none of this means that the relationship between these two isn't important to them. It just means that it was always bound to change, adapt and grow to a different direction. Kacchan's final goodbye may seem like an important moment that was completely brushed off, or you can see it as not being important because it's not a goodbye. These two men will continue to be part of each other's lives. And now I kind of want to read comfort fics about what their new relationship and domestic life would look like.

Brief togachako tangent

I said in an earlier post that I will be a togachako truther until the day I die, and I stand by that. In my book, it's already canon. Though sadly, it was also doomed. I'm a little conflicted on the whole thing. On one hand, I think Toga had a satisfying character arc, but on the other hand, we mostly just got our gays buried. Still, purely from a character perspective, I don't see her pushing Uraraka to live her life as a problem. Toga would definitely not want Uraraka to dwell on her memories and guilt. They seem to be bound together by blood now, and that won't change. Neither of them gain anything if Ochako denies herself happiness by not pursuing other relationships. Still, I understand the criticism in a narrative sense. It does come off as a queer character used as a device to push forward a comphet relationship. I just want them both to be happy.

Final thoughts: Canon is not law

I have shared my complicated thoughts and feelings on this presumed final chapter. You are obviously allowed to disagree with me, and your thoughts and feelings are just as valid as mine.

I think it's important to remember that you don't have to treat canon as law. The canonicity of something has never dictated how you should interact with the media. Obviously the author making something canon has a bearing on their story, but that's just what it is. It's their story. Which means that we don't have any say in what they decide to do with it, but they also have no say in how we make their story our own. If the ending is left open, it's left open for a reason. You get to interpret what happens next based on your reading of the story.

So please go create fan content where Izuku keeps his powers and hero status and where he keeps his rivalry alive, or write a fanfic about his life as a teacher. Go explore how the thing with Uraraka develops (I trust that many of you would do a better job than Horikoshi), or ignore that part completely. Write about Uraraka's blood bond with Toga, maybe their relationship is still worth exploring post-mortem. Hell, make it a polyship between the girls and Deku. And there are so many things about Deku and Bakugou's relationship as adults that I'd read about and see fanart of, whether or not you take my interpretation of them into account.

[bogkeep]

Would you recommend the SSSS comic? I know little of it beside the very beautiful artstyle and premise

to answer the question of if i would recommend SSSS as a comic: yes, yes i would.

a description for those who don't know: Stand Still Stay Silent is a post-apocalyptic horror + adventure webcomic set in the nordics (norway, sweden, denmark, finland, iceland) that have been isolated from the rest of the world and gone back to their old gods. the the world outside of safe zones is full of trolls and beasts - humans and mammals that got infected by a horrible virus and turned into monsters. the story follows a ragtag crew that ventures into the old world (derelict denmark) on an expedition to collect books.

the comic updated every workday until it concluded in 2022, and consists of two Adventures. the creator had plans for many adventures with these characters in this world, but ended it after two when she wanted to take a new direction with her life.

what i love about it:

- the art is GORGEOUS. it's been a huge source of inspiration for me. open any page and it's a masterpiece, and you will ask yourself "how the FUCK did she update this FIVE DAYS A WEEK"

- the characters are wonderful and endearing. i just, i love them so much. i am so thankful lalli hotakainen exists he is one of my #1 blorbos forever

- the world is so cool. the blend of chunky sci-fi and norse mythology fantasy magic slaps. it goes so hard. i fell so hard for this comic when i got to the big ferry ship with a viking style dragon head prow added to it. it's everything

- it really really gets nordic cultures. it's difficult to explain all the dynamics and nuances but it just gets it. it brings me as a scandinavian a lot of joy to read a story that speaks to my heart this way. the attitudes, the language barriers, the cultural differences... it was so refreshing to me in a media landscape dominated by american stories. when the pandemic hit, i decided to reread the comic because i found such an odd comfort in seeing how it depicted the scandinavian countries reacting to, well, a pandemic.

- there's kittycats

what i don't like about it:

- the most glaring and obvious flaw is that everyone in the comic is white. there's not a single character of color anywhere, not even i background shots or the prologue. there's no mention of the saami people (the indigenous people of northern europe), either. i believe this was done in ignorance more than malicious intent, but the implications are Extremely Bad and it's been bothering me (AND MANY OTHERS) since day 1. that is the number one caveat i will give to anyone wanting to check this comic out. i've been in the discourse trenches and i am not going to excuse this. it's just bad!

- you can tell in the middle of adventure 2 that the creator has kind of lost interest in the work, around the time when she found jesus i guess. like, very few people can keep up work on the same creative project for years and years and years and i think it's fine that she wanted to drop it, but it's a bit sad to see the comic dragged to its end like a limp corpse, and feeling like the creator no longer really cares about the characters.

- minna sundberg has said and done some questionable things, presumably gotten somewhat radicalised over time, and has also converted to hardcore christianity which is what her new works are about. there's nothing about this in SSSS - there is a moment of christianity represented in the story in a sort of mythological sense, just like the other religions, but this was written before minna's conversion. her new works... are a Choice. i have much to say about them, and i have, and im not gonna rehash it now.

SO YEAH hopefully this will help you take an Informed Choice! i got into this comic in 2015 and was deep in the fandom and it's for better or for worse part of my soul foundation now.

i also recommend A Redtail's Dream, minna's "practice comic" before SSSS, based on finnish mythology and the kalevala.