#idk it’s very cool on a technical level

[maacbrem]

Once again getting ready to watch critical role live while on episode 25/26 because I’m here for a good time not a making sense of the plot time

[bacchuschucklefuck]

[musical-chick-13]

Regarding the previous post, I think the way I approach trying to evaluate a piece of art is asking "Do I think the positive things I get out of it outweigh the parts of it that I don't like?" And when I call something a "guilty pleasure" song/show/book/piece of media/etc. it's really more in the sense of, "Given who I am as a person, the flaws I've found in this should be complete dealbreakers for me, but somehow they aren't, and it makes me feel like I'm having an identity crisis."

[mister13eyond]

daring to be vulnerable and open about my work on tumblr on a tuesday afternoon

i have a strange relationship with april 6th where it is simultaneously the proudest achievement i have and also my white whale that i will forever be chasing

which is funny because looking back at it now, years later, i'd probably write it differently at this stage in my life? i think i've grown a lot as a writer and there are parts to me that read clunky or messy and i think i could have pushed things a lot further

but it's also like. idk, i'd never made a fic About anything before. I'd never even made a full completed piece of fiction? and then i went from "a few oneshots scattered over the course of several years and fandoms" to this fucking.... multimedia epic. this thing i updated in real time. this thing i learned to PROGRAM TWINE GAMES for. this thing i got reviews on that said it helped people deal with their own grief, that i feel like Actually spoke to people?

and that's a high fucking bar to reach! it was a very specific and precise fluke that came from a lot of things all at once- me processing my OWN feelings of loss and fear about the future after 2020. my own slow and delicate tiptoe into a new relationship where everything was uncertain and scary. my personal way of getting revenge-via-success after a year-long burnout inflicted by a really bad friendship that had a really negative impact on me creatively and killed all my confidence in my ability to finish things.

so it's like. weird having this relationship with a piece of my own work that is so Symbolic? weird having a relationship with my own creation where it is simultaneously My Testament To My Own Ability and also The Rival Whose Shadow I'm Always Chasing.

AND IT'S NOT EVEN LIKE... I don't necessarily think it's my best writing, you know? On a purely technical level, it's definitely not BAD but i've grown as a writer since then and I think I've learned new strengths and have continued to improve

but like. also.... it'll always be That Thing I Wish I Could Capture The Feeling Of Making Again. it'll always be that weird moment of lightning in a bottle where i made something really really cool and now everything i make afterwards has to take a backseat to this project i started on impulse in 2021 because i had a bunch of feelings

[starlooove]

I LOVE SEEING SO MANY SPIDERSONAS

[chaos0pikachu]

4 Minutes and the Cinematography of Nipples

I said before that I thought 4 Minutes was pretty instantaneously the best looking BL on the market for 2024 after one episode. Which, not gonna lie, is a pretty big fucking claim. There’s been a lot of BL that’s come out that’s looked good, and I do think there’s been a steady improvement overall in the market in the last few years. Personally I think Japanese and Korean BL have a stronger production quality over a majority of Thai BL but like, if that’s a hot take I guess I prefer my food spicy. 

The point being~ if I’m gonna make such a hyperbolic statement, well I better back it up right? 

So I’m gonna break down a few scenes from the first episode, what I liked about them, why they worked for me, and why on a technical level I think 4 Minutes has just got it going on.

For better readability you can also check out this essay here.

Sidenote: my google docs kept trying to autocorrect “Bible” to “the Bible” and idk how to teach google I mean the hot Thai actor and not the book of Jesus. 

To start, I’m going to break down this scene featuring Great and his nepo baby cat: 

I thought starting with this scene would be good because it’s such a low-key scene and honestly making these simplistic scenes visually interesting is very difficult! But if you have the basics down, the foundations of cinematography and film making, these simpler scenes can be really memorable. 

Like yeah we’re all gonna remember this scene because shirtless Bible and oh my god Akira!? - I have only recently learned who Akira is; why is this cat getting a bigger bag than me? - but beyond that, what makes it cool to watch? What makes it interesting? What information does it showcase to the audience? 

One thing I added to the video was a grid for the rule of thirds. 

Rule of thirds is a shot composition technique applied to both film and photography. It’s the grid you see if you film a homevideo and helps a Director and Cinematographer figure out where to place the subject or subjects of the shot. The idea is the gridlines show you where you “should” place the subject(s) of said shot. 

Like everything, the rule of thirds is a guideline in filmmaking, not a hard and fast unbreakable rule. Filmmakers like Wes Anderson like to play more with central composition shots, rather than ROT. 

Anyway on to the opening shot, right after our credits and we’re moving into the shot. 

To start, the first thing I notice is the scene’s color grading. Color grading in film is the manipulation of raw film footage to create specific color tones throughout a project. Sometimes this grading is more pointed and obvious, think The Matrix, while in other films it’s not as obvious but still very prominent, think Killers of the Flower Moon. 

It’s not that the before credits scene looks entirely, jarringly different from the opening scene, but the hospital scene is surrounded by whites and blue tones, it’s darker, and only a single source of light exists. It gives the entire scene a much more frantic, uneasy aesthetic but it’s not so far off from the darker muted tones of the next scene that it feels jarring or out of place. 

The second big thing I noticed in the episode is the use of aspect ratio. I’m not 100% sure what aspect ratio the production used exactly, but the use of widescreen as opposed to full screen in my opinion, gives the episode a more cinematic feel to it in comparison to other Thai BLs. 

Example, if you look at Century of Love (2024) it appears to be filmed in the standard full screen - which I believe is 16:9? - while 4 Minutes is widescreen (thus the black bars at the top and bottom). Widescreen can give a show a more “movie like” quality to it which is part of the vibes I get from 4 Minutes. 

(source)

Onto Great’s actual introduction scene.

We’re not starting the shot with static movement, but with a camera panning right. I’ve talked about camera panning and such in BL before and it’s something I’ve found doesn’t happen as often as it should. Which is a shame! It’s such a simple technique but it adds so much. 

Imagine if we entered the frame with a static center shot, and then a cut to Great sleeping and turning off his alarm clock, and then another cut to above the bed. Think about how much more boring that could be visually. 

Instead, we enter the scene with movement, panning over and creating some interesting visual framing. 

So here’s our opening shot, do you notice anything interesting? To start, what I like about this shot other than the panning movement in, is that we don’t see Great’s face yet. In fact we don’t see his face in full until about 30 seconds into the scene. This builds anticipation, yeah we all know what Bible looks like, but for the audience who doesn’t this helps build anticipation. 

Who is this character? What does he look like? What’s his deal? 

It also engages the audience more, if you notice part of the composition of the shot has Great in the mid-ground slightly blurred out, while the foreground emphasizes the things on his desk. He’s distant from us, the audience, sleeping off his hangover not yet ready to “join” the world yet. 

Here’s another two more things I like about this shot:

Lines. 

Using lines and shapes can make a scene more visually interesting and invoke different feelings to the viewer. In this shot, I get a sense of symmetry, the camera panning right, lightly drags across the screen alongside the lines below and above Great, almost creating a frame within a frame effect. As if Great is boxed into a clock in and of itself. 

You can also see the use of balance in the scene as well, connecting back to that visual theme of symmetry as well as blocking our view of Great’s face. The lava lamb and champagne bottle are almost the same height, which helps create balance in the shot. The champagne bottle informs us Great has been drinking or does drink since it’s positioned so close to his bed, whilst also continuing to hide his face away from the viewer. 

I also like that the lava lamp is a bright spot of color. The tone of the scene is mostly muted greens, and gray, but the bright orange lava lamp and even the pink champagne bottle draw our attention but don’t overwhelm us either. It provides the scene with some warmth but doesn’t offset the overall tone of the color grading. 

And then, the last bit of this shot:

We have Great knocking over the champagne bottom, and turning off his alarm clock. Notice that the alarm clock and the champagne bottle hit those ROT dots almost exactly. There’s also the use of lines by the length of Great’s arm - I just forgot to add a line I’m a failure, a fake, fml - we see him knock over the bottle, and then we follow the line of his arm directly to the alarm clock which is also a shape, a circle. 

I like that they used a clock with a specific notable shape, since by the end of this scene the clock is relevant to the story as a whole. Using a shape makes the clock more visually noticeable and memorable to the audience. 

So in the next cut we’re above Great - just like Great’s gonna be above Tyme, fuckin hell I’m corny - in a medium-full shot and there’s a couple things I really like here. 

I really like the use of lines here with the bed going in one direction but Great’s body going another. It’s disconcerting, and off kilter a bit. 

The use of patterns plus the opposing symmetry, whereas in the previous shot the lava lamp and champagne bottle were providing balance, here one side of the bed is patterned, while the other isn’t. This creates a sense of imbalance and makes the shot more visually interesting.

This medium-full shot at a high angle makes Great smaller, and continues to showcase his dishevelment, keeping him distant from the world itself. Also notice the lack of color here as well. 

What could this say about Great as a character? Or his story? 

So this next cut is the one that actually inspired me to write this essay to begin with and know what I’ma eat some crow here. I originally said it was a great ROT shot but I was wrooooooong. It’s definitely a center composition shot. 

Notice as well, the bed itself is its own shape - rectangle - center in the frame, and yet the shot almost looks unbalanced again because of that singular patterned rug. It’s the only pattern in the entire shot, not even Great’s pillows have noticeable patterns on them. 

The above view camera angle in a full shot creates almost an omnipresent feel, as if the audience - or something else? - were looking down upon Great. Whose face we still haven’t seen! It makes him smaller, less powerful, and almost vulnerable. Shots like this are often used in horror films like James Wan’s Malignant (2021) where the horror spector will be looking down above the would-be victim. 

Another thing I like about this scene though is we have Great moving. It would be simpler and easier to have his phone just by his alarm clock, or under his pillow, but think about how much more visually interesting it is that he has to move down the bed and reach for his phone. It creates action in an actionless low stakes scene. 

And now, 30 whole seconds in and we’ve finally seen Great’s face! 

Fun fact, with the ROT grid the gridlines fall right across Bible’s nipples. That’s not a film analysis, just something I noticed entirely intentionally. Thanks Madam Director Ning Bhanbhassa Dhubthien.

The actual shot is in center composition again, as Great rolls over and reveals his face the camera begins to zoom in. 

This creates movement in the scene instead of leaving the camera to statically observe it’s now, finally, inviting the audience to meet Great. Pulling us in towards him whereas before we were kept at a distance. Great’s awake and, well as ready to meet the world as somebody with a raging hangover can be. 

I also like how Bible is moving constantly in this scene; he rubs his eyes and nose, he twitches his fingers, titles his head back and forth, etc it’s nothing revolutionary but it’s appreciated. 

When the scene cuts, we get this shot: 

I didn’t put the red dot on his nipple, it just landed there. This is all Madam Director Ning chepie. 

But you can see how Great’s body is landing on all those gridlines pretty solidly. Also in the background we see his alarm clock again, a bright blurred circle in the distance. I also like the angle of this shot, as it creates depth in the frame, with Great’s head being in the foreground his lower body in the mid-ground and the background blurred out. 

What follows is Akira appearing in frame. Which was really difficult to capture so I don’t have a screenshot. But what I really like is Akira entering the frame out of focus. They could have just cut to Akira, but instead they opted for Akira to enter the frame which is more interesting. 

When we do cut, Akira is firmly on one of those dots so we don’t miss them in the frame. I think it’s also interesting that we’ve pulled out again, into a mid-full shot, hanging above Great, and we see that clear symmetry line again between the patterned rug and the regular carpet. 

I also really love that when we got to Great sweet-talking Akira and feeding them we’re not just doing a cut, we’re panning downwards which continues to add movement to the scene. And we get that moneyed sponsor shot! 

Durex can’t pay for everything okay?

So in the final bit of this scene we get focus on Great, who’s in focus, before he gets up and leaves the frame where the camera then focuses on the clock behind him. 

See how in the first frame the background is all blurred out, but once Great walks out of the frame - again, great that he walks out, movement!! Y’all don’t understand how boring 1000 Stars was for me to watch because of the lack of this stuff okay? - and then the focus shifts to the clock. Which is round. 

God I know that sounds so dumb, but imagine the clock without that ring light bit on it, it’s just a tiny little rectangle. Not as fun or interesting to look at right? Or as noticeable especially from a distance? 

This shift in focus also tells us “this is important” whatever “this” is. The subject of the shot goes from Great to the alarm clock but they are positioned as equally important. We’re meant to pay attention to this seemingly innocuous item, which we learn later in the episode is time. We’re meant to remember and note that time will be important to the story - I know with a title like 4 Minutes you’d fucking hope time would be important but have y’all ever read Youtube comments? It’s rough out there for visual comprehension okay? 

So all in all this scene is only 1 minute and 40 seconds give or take. It’s very short, but I don’t think it was boring at all. I think it’s a really solid introduction to a main character. Think, Korn didn’t get this much time to showcase his introduction, his scene is shorter - though also well done - which showcases which character is more of a story priority. 

This scene eases the audience into the story, inviting us to wake up into the world like Great is. It uses techniques like lines, shapes, symmetry, color and focus to make what could be a very boring scene into an interesting one. 

There’s so so much I probably and certainly missed, I’m far from an expert, but I hope I was able to articulate what I liked about this scene, and why I think it looks good. 

Stay tuned for more if I can manage to focus long enough to breakdown more scenes lol

Also red dots on Bible’s nipples are just funny to me it be what it be. 

Further Reading: 

Composition in Cinematography / THE LAST OF US

Center-Framing vs Chaos-Cinema: Mad Max vs Transformers

Camera Framing: Shot Composition & Cinematography Techniques Explained [The Shot List, Ep 2]

The Ultimate Guide to Camera Shots (50+ Types of Shots and Angles in Film)

Color Grading 101 - Everything You Need to Know

Mixing Film And Digital Footage: Killers Of The Flower Moon

In Praise of Subtle Cinematography

[imustbenuts]

nuts reading trigun in japanese 5 - vash is. super good with kids

disclaimer: more triangulation purposes etc etc

so i mentioned before in my part 3 that the japanese language has an inbuilt hierarchy quirk to it. and i kind of noticed this nuance getting somewhat lost in the english translation, either because again i have skill issues with english, or that EN inherently doesnt come with the same quirk.

elaborating a bit more: this hierarchy of position/standing can be determined by age, profession, occupation, and experience. in terms of hard priority, age and profession tends to take precedence over everything else.

this means effectively, vash being over 150 should be top dog and given respect in JP/Asian context (respect your elders! or else!!), but because he 1) looks 24, 2) uses very immature speech with strangers, 3) uses boku, hes effectively keeping his head down and posing as a dumbass schmuck.

ヴァッシュの兄貴　行っちまうのか！？ Big bro Vash, you're leaving?! (兄貴 = aniki = big bro but informal and can be used for no blood relations)

so schmucky that he has no problems handling children. in fact, in the JP version during his departure on the sand steamer, the kids call him Big Bro Vash. twice! so he's earned their adoration in no time flat.

ヴァッシュの兄貴—ッ Big Bro Vash!!

leaving the translation like that ^ wouldnt flow well in english, so rip. also. cute scene.

and yet his meeting with Kaite is chaotically bad to say the least. i mean, he even gets drugged and knocked out. Kaite does not respect the guy who gave him food at all and plans to seemingly feed him 3 meals a day for the entire trip. so how? well.

once Brilliant Dynamites Neon comes in and turns things serious, Vash's starts doing a few interesting things.

skipping forward this and that. after getting almost blown off the sand steamer, vash holds onto kaite and they both cling on for dear life:

もうちょっと登れば通風口があるよ mou chotto noboreba tsuufucou ga aru yo If we can climb a little higher there's a ventilation duct そーか　そーか　今行こうすぐ行こう souka souka ima ikou sugu ikou Okay, okay, let's get going right now!

added romanji and color to highlight how vash is repeating phrases in his line. the そーか　そーか souka souka and 行こう 行こう ikou ikou repeats are there as if to 1) make himself sound immature, and 2) to reassure kaite that things are under control.

only touching on the bottom right panel. another possible reading of that line:

助けて頂いてありがとうございましただろう Situations like these are where you should say "thank you very much for saving my life" instead!

はいそーでした!!!

Now say it!!!

he's chiding kaite and doing the very asian adult thing of teaching the youngin manners in terms of tone. but in a stern funny way no offense taken way bc, as you might have noticed...

vash is deliberately putting himself on the same level as a kid. in tone in standing in speech. hes not being condescending. hes not lording his status as an adult over a child. (something something christ like but in the context of jp... hehe.)

this is ultimately what gets tough nut kaite to trust vash to get down to business to defeat The Neon. even without the words hes visually getting himself to be on the same (eye) level with kaite. i think its so good alsdjfdsa

kaite starts crying after thinking of his dad and regretting what he's done, gets caught in a regret reflection loop, but vash brings him back to reality. like this:

な に を 感 傷に ひ た って る か な こい つ は

another reading of this "What the hell are getting all sentimental for now ya brat?!" line might be "What. Good. Is. It. To. Lose. Your. Grip. On. Yourself. Now. You. Dummy?!"

with this he puts kaite's head back into reality and readjusts both their priority.

so again. vash just. is good with kids. his emotional intelligence is through the fucking roof as proven by all the other moments throughout tristamp and trimax*

idk its warms me bc. the asian confucius hierarchy is so... yuck. im technically of chinese descent so i know how fucked it is. so. vash is really cool with this slightly extra japanese asian hierarchy context.

i think this aspect of vash is something i dont see in english fanworks a lot, and not in the same tone. on the other hand, i do see this a lot in the jp fanworks. so idk exactly what factors or if im looking in the wrong places, but yeah. vash is good with kids. just like wolfwood.

again, studio orange understood the assignment and gave some of that dynamic here to Tonnis.

are they called studio orange bc im meant to squeeze stampede for all its worth or what. stampede is actually incredible to me im in awe.

bonus:

the jp version of the left text says roughly:

"I'm cursed!! I must be! By either the reaper or a god of misfortune and or more!!"

yeah he specifically says Shinigami and Binbougami. i dont think that would translate well in en bc this kinda throws the catholicsm theme into a bit of a tailspin LMAO. (also. the Ore here. note the context.)

[beesmygod]

perhaps foolishly throwing my hat in the ring here about cohost developers making 90k/yr (as someone who used cohost for like five minutes but does work in software. although I'm not even close to making SWE-level money lol): depending on your stack, experience, location, other benefits, etc., that's genuinely in the bottom twentieth percentile for engineer salaries at your average startup, if not lower. especially for a "founding engineer who does literally everything"-type role. idk how much experience these people have or what their stack is, but just to guess, at your average seni-marture startup they could easily double that salary, and at a big FAANG company or whatever stupid acronym we're using now they could probably quadruple that, plus or minus whatever part of your comp package is stock instead of actual salary.

there are a couple interesting/relevant reasons I bring this up: (1) at really really early-stage startups, where you only have four guys and a couple hundred grand in the bank, having bottom-twentieth-percentile salaries is normal *because they make up for it by giving you a shitload stock options that will theoretically be worth a lot in the future*, if things ever take off, although of course they rarely do. in cohost's case, it doesn't seem like stocks and shit were part of their long-term plans (which, fair enough, not trying to say they should've been), so in theory the cohost devs were making a lottt less than your average early-stage startup devs, even though overall comp at an early-stage startup is mostly monopoly money.

(2) the other thing is that if the pay is uncompetitive, which it obviously was, then attracting worthwhile talent is really hard. again, idk these devs, they could all genuinely be very good at their jobs. and cohost was clearly a passion project for them. but it makes me wonder if *some* (not all) of their problems stemmed from technical or even positioning/market issues that having more people or more experienced people would've solved, and they just weren't able to hire them. especially since they were doing design work and moderation and other shit in addition to plain old engineering!

I guess my angle here is that unless you see how the sausage is made, it's really really easy to underestimate just how much money (and human labor!) it takes to build anything, and that most projects only manage to pull it off for as long as they do thanks to a near-bottomless supply of venture capital funding. even not-for-profit community projects (which I was considering whether something like cohost could survive as, but even then I'm unsure) rely on corporate sponsorship and free labor from people who are getting paid a lot of money at their day job. so like many of you I am not at all shocked that they're folding—easy to say in hindsight but I definitely say this coming, although maybe not so quickly lol.

but like, even most VC-funded startups fail despite having way better odds and a shitload more money. legit kudos to them for trying anyway, because the only way we get cool shit is if someone's willing to take a risk and maybe fail. that said as a *user* there's still no way I'd hitch my wagon to a fledgling startup unless I was totally okay with that wagon falling into a gulch within 24 months, because that's usually what happens

interesting insight. thanks boss. much to learn about this world that, as an outsider, seems uniquely annoying and stupid to try to navigate

[givemewallywestorgivemedeath]

I'm not sure if you've already said this but I'm asking anyway. Since you're the local Flashfam expert and also a PJO lover (you have no idea how happy I am that we like the same things), what godly parents would the Flashfam have? Like, all of the fam. Counting characters like Linda and Iris

And it'd also be cool if you assigned a cabin for the Titans and/or the Young Justice too-

I mean it has to be Hermes. It literally has to be Hermes for the speedsters. Like, maybe we throw in a Roman twist and say Mercury every once in a while, but that's just gotta be the answer.

Jay literally wears Hermes' helmet. Max named himself after Mercury. Barry wears Hermes' winged shoes and has wings on his head. Same with Wally. Jay is also literally given Hermes'/Mercury's powers on Earth-2.

And it makes sense, it really does. God of travellers? Check. The winged aesthetic? Check. God of messengers? Check! God of tricksters, liars and thieves? Look, the speedsters are all of the above just in a VERY chaotic good way. They don't rob people but also when Wally found out that the museum had the bones of a fallen soldier from another country without said countries permission or consent? HE STOLE THEM BACK. Bart has absolutely no qualms taking things, Max has been a thief in the past, Jay and Barry work by pirate rules aka 'if I defeat you, I get your stuff', ect. They don't do armed robbery and they don't like stealing from random citizens, but bad guys are free game.

Iris I have to go on the nose and say Iris because Iris is the goddess of messengers and rainbows, and Iris is literally a reporter? So her whole thing is spreading information? While looking stunning.

Linda is an Athena kid 125%. Linda writes books, she was a kickass investigative reporter, she went to med school, she knows more about speedster biology and how it works than literally anyone else in her home dimension, she regularly fights aliens with no powers and just whatever weapons she finds laying around. Linda is intelligent, she's cunning and witty and she will cut a bitch.

Joan is a Hestia kid. Just... family, love, warmth. Need I say more?

As for the Titans... well, Donna is already taken care of. Garth... is technically also taken care of I think?? Atlanteans exist in Greek mythology so Garth is just the same I think. Roy... fuck it, Ares. I said what I said come at me bro. For Dick I would want to go with a minor god or goddess, I like the idea of him being a child of Psyche (Goddess of the human soul) because he is very human and he understands people on a level that might be considered supernatural. Lilith would be the oracle. Karen would be a child of Hephaestus and Mal would 100% just be a guy who can see through the mist and has a shield.

Gar is the last son of Pan because that's cool AF. Raven would be the daughter of Tartarus I think. Vic would be a son of Apollo. I know it's really easy to go for Hephaestus for Vic but honestly, the key part of Vic's story to me isn't that he's a cyborg, it's that he's human. He's a survivor, who, against all odds, received bat shit crazy medical treatment from his father and survived a fatal accident. I like the idea that Apollo saw a guy doing crazy stuff to advance medical science and was like 'Hey there 😉😉😉😉'. Also pre accident Vic was a football player which has a lot to do with aim, so idk, I just like it. Starfire would be a demigod child of the sun deity on her home planet.

For Young Justice, Cassie and Bart are already covered. Kon would be a legacy of Nemesis (Lex) and a legacy of a deity from Krypton. Cissie would be a daughter of Ares and a legacy of Apollo. Greta would be a child of Morpheus. Tim would be the son of Lachesis. Slobo is Slobo. Anita.... Tbh I want to say she's a legacy of Aphrodite? Love is a huge part of her backstory and I dislike giving the non powered characters godly parentage that explains away their abilities. They worked hard for those skills!

[cripplecharacters]

Hello, there's a character in my story that has Spastic Cerebal Palsy, specifically Spastic Diplegia; I read on Wikipedia that it can affect the lower part of one's body, usually the legs. What type of mobility aid would be more suitable for my character?

Hi!

Cerebral palsy is a huge spectrum! Most people I know with spastic diplegia actually don't use any mobility aids, a minority uses crutches/canes, and an even smaller minority uses a wheelchair. It's also the only group of disabled people I know who consistently choose two canes over two crutches (though I never actually asked why). A mobility aid that's pretty unique to cerebral palsy is the posterior walker, it's like a walker but behind you rather than in front (as the name implies) - it's mostly kids who use it, but there are some adults that continue using them as well. They're pretty cool and kinda underappreciated in the whole mobility aids conversation.

People can switch between aids - no aids at home, crutches when going out, wheelchair for these really long outings like the airport, etc.! If they have comorbidities (poor coordination, easily fatigued...) then they might be more likely to use a bigger mobility aid. So you should consider your character's energy and pain levels, what is their balance like, etc.

If your character walks, I'd recommend looking up the scissor gait - a lot of people with spastic diplegia walk like that. You should also check out AFOs (ankle foot orthoses), many ambulatory people with CP use them to help with walking. There's a lot of really awesome ones now, they come in very cool patterns :-)

As a note, diplegia virtually always means two legs because it means that two limbs are affected symmetrically (which technically could mean both arms also, but I have never heard of that actually being a thing so IDK). Sometimes it can also affect the upper body and/or arms but to a much milder degree than in spastic quadriplegia.

I hope this helps!

mod Sasza

[nodalstudies]

I’m 20 years old, I only feel stuck in life. I graduated from my technical college late December and I have yet to take my certification test. I fear failure, I don’t want to fail, I haven’t put in any time to study because I honestly don’t know how 😭 I never studied in high school. Please I just need tips on how to stay motivated and studying without getting burned out.

first, it’s so cool you finished technical college!!

i didn’t really learn how to properly study until after high school too. my tips may not work for everyone but these helped me LOADS:

create a very specific study environment. for me, i make my lamp really bright and adjust my chair to the highest setting. i’ll also put my airpods in and play background music/videos to focus. having these specific sensory cues conditions my brain to associate these things with studying, so i focus a LOT better! i also refuse to do anything but study when i’ve created this environment.

5 minute technique. basically promise yourself to just do 5 minutes of studying. it makes it seem less overwhelming and you’ll find that you either do more or have 5 more minutes of studying under your belt, which is better than nothing.

time blocking. set aside periods of time throughout the day when your energy levels are best (can be short or long). during these times, list what you want to get done (ex. read a section, write a paragraph). that way your mind can compartmentalize exactly what to do.

i use quizlet for active recall to help me retain information better. idk if the free version has the “learn” option but i have it on quizlet plus—it’s so great for testing my knowledge. i’m sure your certification test might have tons of resources on quizlet! i like to either make my own flashcards or study premade sets with good reviews.

[mintmoth]

Your oc's are so cool!! It's such a surreal feeling to get back into a fandom and wake up up find that one of my favorite artists is also there. Say, quick question do you plan on making executions for your oc's or do they survive? Well whatever you do I hope you'll have fun with it and as always remember to be well hydrated and take breaks, I hope your doing well mint.

BXDISBSK OH HELLA!! Also thank you 😭😭 I'm glad you're enjoying my silly dr2 art and my oc planning lmao

Honestly I was originally planning on having only 2 ocs specifically because I wanted one to kill the other in order to maintain the same group of survivors in the end lmao. I'm still trying to fully work out the setup and inevitable execution because the plot writing for dr2 is really tight and well progressed imo, so I feel like adding anything would weaken it-

BUT I'm also just having fun and being silly so I know it doesn't have to be perfect it just needs to let me have fun really lmao

I'll add a readmore but I'll ramble about each of them a little if anyone has any interest

First up is the first one I made, Haruka (forgive all of their basic bitch Japanese names, I can't do the fun wordplay to the level I wish) they're the ultimate ballerina, and by extension also nonbinary kind of feminine leaning androgynous but can be masc if needed because they can do any kind of role required of them for a performance

When they're tossed into the dr2 mix they'd probably be found being a third wheel to the dynamic duo that is Akane and Nekomaru, since they're also technically more athletic and would be stretching and practicing every day. I want to sit down sometime and draw them and Akane engaged in a flexibility battle and Kazuichi walking in on them and screeching because they look so creepy

Haruka is planned to be a murderer and I'll definitely get some drawings out once I flesh out my concepts for their execution more

Next up is Nao! She's the ultimate sharpshooter and yes that is a little vague but it's because this includes bows and such on top of typical guns. Hell, she probably even does well with throwing stuff if there's enough focus

With the dr2 cast she'd be mostly a friend to Ibuki and Kazuichi, their eccentricities are endearing to her, plus if either of them just want to ramble about something they're working on she's gonna listen for hours. Honestly they're such a movie night squad to me. Also post game I feel like she's like a girl in the same way I still see Kazuichi a guy, like in the vaguest terms cuz they're both just Themselves and are gonna have fun with it now since they're apart from society. Ibuki isn't included only since I feel like she'd struggle less, but this is the bi/pan gender fuckery trifecta of the group to me

Oh yeah and Haruka kills her. I've got the death already planned out and ideally I wanna do a cg style emulation for it but idk if I can swing it lmao I'm not very good at style emulation tbh

And last but not least is Tōru. I didn't plan on her existing so idk how I'm gonna get rid of her in time for the end hmm. But she's the ultimate tattoo artist and has the most fleshed out backstory of the three but it's embarrassing and I know it LMAO

Basic run down- and stick with me here- she lives with family that work under the Kuzuryu clan, so she's done a lot of sick yakuza tats, partially because of her skill and mostly because this shit is so good that her tattoos have like, an "aura" that influences the viewer a little. So these dudes have extra intimidating tattoo bullshit going on- BUT ANYWAYS so things start and she can recognize Fuyuhiko and Peko and knows what's up with them, but neither of them have officially met her so she's like "oh thank fuck they have no idea that I know who they are I'm gonna avoid these assholes like the PLAGUE"

But of course that won't hold forever but it just makes me laugh like chapter 3 Fuyuhiko trying desperately to be kinder to everyone like "yeah, maybe I'll see if you're good enough to tattoo me some day" and she's choking on her drink because Haha About That-

But yeah hopefully I can rope one of my friends into having their oc knock her off because I think that would be funny like, getting down on one knee please kill my oc tragically

[djljpanda]

In crk, one of Black Lemonade's lines when you level her up is "I somehow feel stronger now, thank you.?" Or something along those lines, which implies the cookies don't really understand how the levelling up/promotion/gacha system might work, just that they feel stronger afterwards.

I think this could further lead the cookies into believing the player is some kind of higher power. Maybe one with the ability to give others power. Which, if the player does go to Earthbread and does in fact have that ability, could be interesting to explore.

It also implies, as mentioned previously that they don't understand how the gacha system works, and if we're taking this very literally.. does that mean we're technically abducting the cookies??? (I actually saw the theory tossed around during crk's early days), I get the vibe we're just kind of ripping them away from whatever they're doing at that moment, which seems a little.. rude.

I also think exploring what soulstones/soulcores are lorewise could be really cool. I think all the nonsense above would lead different cookies to investigate wtf is happening while in your kingdom, either to gain your power themself for nefarious purposes, or because they're completely freaked out, due to the whole weird ass summoning ritual that got them here in the first place (gacha pulling).

I imagine them intentionally going under the radar, since you don't really seem to notice their day to day activities there and they might be worried about what you would think.

Ngl, this could make a really good oneshot where the cookies investigate and it leads them into our world or something idk

Hydrogen Anon - I might expand on each of these ideas in other asks if you want-- if you have any expansions on this or have ideas any characters you write for I'd love to hear it. Cheers!!

I actually find the idea funny of the cookies doing little cookie things only to disappear and to reappear moments later.

But no I would also like to add the detail that some cookies don't even remember that gacha space kind of like here of what we think of aliens.

Like some cookies would disappear and everyone is just freaking but when they come back they don't remember anything but they feel stronger now. Or some will come back and just talk about where they were at and they felt some force. Some cookies don't think there is another exploitation and that there is no ther being besides witches.

I remember that you mentioned that MC helps the Main crew in battle, maybe that's how they e helps them she gives them a power boost.

I feel like even if cookies go under the radar MC might still be able to track them down. But when MC does end up in Earthbread I can see groups of cookies trying to track down MC because everyone wants that power boost.

Cheers! 🥂

[greetings-inferiors]

I know it’s a weird ask but I really want to be able to fight Sora’s friends. I’d love in kh4 to have a limitcut type thing but with Riku, kairi, Donald, goofy, Roxas, etc. I just think it’d be really cool.

1.) Riku. I want the fully evolved form of the destiny islands Riku fight, have him have a dumb ass counter that he spams ever five seconds.

2.) Kairi. Let the girl rip and tear she deserves it. Her reckless teleporting to her keyblade noctis style is also sick as hell I’d love to fight it instead of alongside or as it.

3.) Donald and Goofy. Tag team. Donald zoning out Sora while goofy pressured him, and goofy protecting Donald while he charges up a massive spell. It’d be really cool.

4.) Roxas. The kh2 Roxas fight is one of my favourite in the series and I just want to see how they’ve both progressed.

5.) Axel. Okay so this is the main reason I’m making this post - I want to fight axel, it’s CRIMINAL that he doesn’t have his own theme yet. Every other character on here does, yet he’s stuck with sharing the 13th struggle. Why. Also him stance changing between his chakrams and his keyblade and the fire arena would be sick.

6.) Xion. Any excuse to hear vector to the heavens I’ll take. Also she has one of the best fights in all of kh3 so I want to fight her AGAIN. It’d be so cool if she dons her armour from days and becomes a giant fuckoff gundam as part of her dm too lmao

7.) Terra. We kinda got this in remind but it was terranort so I don’t count it. Also I think the lexaeus boss fight in kh2 is so cool and this is the closest we could ever get to it happening again lol

8.) Ventus. I just really want to see them fight. He’s so quick too I think it’d be Yozora and Xion levels of dancing with your opponent.

9.) Aqua. I want to not be able to make out her or Sora underneath the sheer mass of projectiles she’d release. I need her fight to be a bullet hell. Also she deserves to let off some steam after being trapped in hell for a decade.

10.) Naminé. Dear god please give her something to do. She’s literally done nothing since 2005. Kh3 forgot her so bad they had to make up a scene just to justify putting her on the boxart. I know that she technically has no offensive prowess since her only power is being able to change the memories of people related to Sora specifically, but please oh please just give her something else. Have her become a keyblade wielder. Have Donald teach her magic. Actually that’d be sick as hell, have the witch be incredibly strong at magic without needing a keyblade like everyone and their grandmother. Just please do something with her.

11.) Mickey. Let me beat up Michael. Let him go all out. See who deserves the title of king.

Extras:

Have “hard mode”s where you have Riku and Kairi, Mickey Donald and goofy, Roxas Axel and Xion, and Terra Ventus and Aqua pairing up. Who’d Naminé pair up with? Nomura knows.

Have Cloud, Tifa, and Yuffie grouped up as a fight and it’s literally just them ripped straight from 7 rebirth to its synergy skills and everything.

Yozora rematch? Idk it might be too soon.

I would say to have union cross characters as fights but that’ll probably happen in kh4 anyway. At the very least the lost masters for sure.

[oh-my-may]

LET'S TALK GENSHIN AND REMURIA AND ARLECCHINO BEFORE I FORGET AND WE'RE ALREADY IN SECOND HALF OF THE PATCH WHY DOES TIME FLY WHEN YOU'RE AN ADULT

I'm gonna start the post with a few paragraphs I wrote just a few days after the patch went live:

So I finished the first Remuria world quest - it was beautiful. And really not as long as I first expected it to be. I probably could have finished it on the first day if I wouldn't have been as tired as I was

First of all the new map is beautiful. You'd think after 3? patches of map expansions where we already got underwater stuff it would feel repetetive but somehow it looks and feels different and refreshing. Maybe because majority of the map are caves where you can walk normally or they're ruins... idk.

I couldn't help but draw parallels between Remuria and HSR's Penacony tho, especially look-wise, the talk of a dreamscape and the theme of music. Especially now after finishing Penacony 2.2 I can't help but feel the two are very similar in certain aspects... the motive of Harmony and Song and Peace and saving a people and Gods? Also the way Remuria looks is so similar to certain things in Penacony? I already said rhis in my post on HSR, this is absolutely no hate whatsoever. I reckon there's only so much you can do with these motives? It's interesting how differently it looks in both games tho.

So yeah, Remuria is beautiful. The music is an out of body experience and encapsulates the whole thing perfectly. I haven't explored all of the map yet, but I like the new mechanisms a lot. The floating books look so cool and just generally the significance of music through it all... *sigh* it's so enjoyable.

So far for Remuria... i definitely missed a few things I wanted to say but it's been like 2 weeks since I played this and I definitely forgot something haha

AS FOR ARLECCHINO THO

First of all she's broken omg. It is kind lf annoying that it'll take weeks to max out her talents, rn for me she's sitting at crowned NA and skill and burst are level 7 each. But she still hits for like over 50k with each normal attack when she has a bond of life. Don't even get me started on her with Yelan MY GOD.

Okay with that out of the way let me talk about her story quest. First of all I find it very intriguing that hyv gave up on the usual pattern of having the second weekly boss for a nation be tied to the Archon and their respective second story quest (besides Mond ig)... i mean yeah Fontaine's archon situatipn is very peculiar but technically Neuvilette has taken over the role for now, right? Neither him nor Furina getting a second story quest makes me think Neuvi's probably gonna get his way later because it'll be HUGE. Again I wanna say that lore wise Neuvi is my fav character... HES JUST SO FNDNDBDN. And Furina is probably gonna get a pretty "random" one at one point kinda like Yoimiya did or Cyno... like its gonna be a good quest but it'a gonna be random. ANYWAY

I wonder how much different I would habe perceived the quest if I hadn't watched the Animated Short about Arlecchino that they put on Youtube... like it's her whole backstory? I could see where the quest was going right from the beginning because of it... that doesn't mean I didn't enjoy it, tho

Childe's little surprise cameo made me so happy c: MY BOY. He's alive snd well AND IN FONTAINE. Let me remind ypu we last officially saw him in the last Atchon quest gwtting yeeted into a black hole by Skirk. Then it was mentioned at the end that he was being treated and sent gome to Snezhnaya. Well...

The whole cryptic talk between Arle and Childe was quite interesting... so this project by the Fatui, right? (Forgot the name rn bc it's been a few days since I played the quest) Is it fonna be significant for Natlans story? What does it entail?? THE TEASE NNNNGNNGHH

I wonder if at some point in the game we're actually gonna see Lyney become the new head of House of the Hearth. Like... it's mentioned quite a lot in his story as well as in everything that has tp do with the House and Sröecchino herself... I wonder 🤔

Throughout the story I was reminded that one of the first things we heard about her (Childes voiceline that came out in like??? 3.0 or so???). It was that she would turn her back on and betray the Harbingers (AND THE TSARISTA) without second thought. She even says this herself in her voicelines. I just wonder what her ultimate goal is? To free herself from the curse? Which btw they tell us nothing about in the story. Story is all about the House and its inner workings and Arle's feelings about it and plans for the future (which I love btw but still not quite understand)... we also casually get told that Arle is not even that old??? Like the whole thing with Crucabena is so recent that Freminet remembers her???? Amd Arle was maybe a Teenager when she killed her so like??? She's only around 10 years older than the kids????

So how come she's a descendant from Khaenri'ah? I don't know if I read somewhere abput it or if its a rumor but not confirmed or if its said in her personal story which I haven't read yet but... she'a from the crimson moon dynasty? Or has some ties to it? And her curse is definitely related to it BUT WHAT IS HER CURSE EXACTLY. WHY DOES SHE HAVE IT. If she's only in maybe her late 20s she couldn't have been an actual Khaenriahn citizen (same as Kaeya and he still gives me the same headache thinking about this) so how does it all tie together in the end?? Does it have to do with the God of time maybe??? (Nevermind if this is talked about in her personal story in her profile I haven't read that yet)

So yeah... the fight woth her was so cool. The animation??? I saw people get upset about the fact that Traveler couldn't beat her but I actually love that?? Like... She'a #4 of the Harbingers and has some curse probably tied to Khaenriah and she KILLED A HARBINGER WHEN SHE WAS A TEENAGER??? Traveler nlt being this almighty MC makes them so much mlre likeable like yeah... they are obv far from having their actual power back? It took us ... how many times to fight Shuki No Kami before we could defeat it in the final try to learn all the patterns? The game wants to tell us that there's much more powerful enemies in Teyvat and rhis is only the beginning. Let me tell you yeah we beat Signora but it was Raiden who killed her... it was Zhongli who subdued Azhdaha. We only healed Apep with Nahidas help. Traveler has never been able to easily defeat these big enemies, they always had help. Yeah they have been getting stronger, they've been getting access to more elements but the bis enemies are just getting stronger and bigger too... I wonder where that will lead. Maybe the twins are only gonna get their true power bavk once they're united... ANYWAY

Her weekly boss fight is cool too. Using different mechanisms again, with the whole Bond of Life thing and all. She does this one attack in her second phase that I just... can't get behind tho. Someone always has to be the victim, THE SACRIFICE, to get me through haha. Idk how to dodge or avoid that attack. The one where she floats above the arena and then these bombs? Idk? Come down and basically crash down on the whole arena and I haven't found a spot where you can aboid getting hit and therefore killed immediately idk.

So yeah that's all for now. Very excited to play Cyno's second story quest. Heard only good things so far about it, which is good because I really didn't like his first one 💀 probably gonna get around to play it one of these days. Same as with the rest of Remuria exploration, gonna need mlre Clorinde funds :3

(Gonna add screenshots later, it's been so long that the ones I took aren't saved in the PS App anymore 💀)

[kryptiq-kreachur]

Do you have tips on uploading trad art to tumblr and not having it look scuffed as all hell 😭😭😭 your art looks great pls share your secrets

Aaaa, thank you! I actually decided to shift my focus back to traditional art very recently and it means a lot to hear that ;; I hope this helps you and anyone else with similar questions!!

So I have two methods that I usually rely on when capturing my traditional art. The first one is kind of limited, but it is faster and more accessible. For these demonstrations, I'm going to use a colored sketch of my OC, Brinley. Step One: Taking Your Photo! All you'll need for the first method is your phone. What you want to do first is to find an area with nice, even lighting- the less warm, the less you'll have to correct later, so the closer to daylight, the better. In fact, using the light outside is a great way to capture your art! Note: If you are in a place with very cool lighting you will also have to correct the colors, but in my experience, cooler light is easier to work with. Position your artwork so it's illuminated with the light source directly in front of you. If it is behind you, it will be harder to get your shadow out of the shot. The spot I was in had my light source behind me, so my arm covered it a bit.

I repositioned myself to a spot with the light source in front of me instead, and I was able to get a nicer shot.

Keep your phone as level as possible over your drawing, and as close as possible without your phone going out of focus.

And now the first step is done! Step Two: Editing Your Photo! This is where everything starts to come together! Firstly, crop your drawing to your preference. I try to keep the negative space around my art as even as possible. IPhones have a handy feature where you can choose an even aspect ratio, so that will help keep things simpler if you want. Next, all you have to do is mess with the settings until you get it how you want it to look. Filters can help it to look more cohesive. I like to keep the art close by me to reference so I can get it to look as close to real life as possible. Note: black and white art is the easiest to edit due to the high contrast. Finished! Congrats! Your art is ready to post! Here's what my sketch looked like after I added a vivid filter and then messed with the settings.

The second method can be a bit more difficult, but the results always look better than just taking a photo. What you'll need is a computer (I think you can also use an ipad- any device will work as long as it can connect to the scanner), a scanner and any art/photo editing software. Step One: Scanning! The scanner I use is technically used for office work, but can be used to scan photos, therefore the quality is very much in the middle. There are scanners that are used purely for scanning high quality images of art and photography that will produce much better results on the initial scan, but this works just fine! There are also stores and other places where you can scan your work even if you don't own a scanner. First, make sure your art is as flat as possible and in the middle of the scanning bed. It doesn't have to be perfectly straight as it can be edited later, but if it isn't flat or it's on the edge of the bed, it will end up blurry in some areas or completely cut off. After that, go to your device and set the resolution to at least 300 dpi to guarantee a high quality scan, and then begin. This is what my sketch looked like after the initial scan.

Now we can move onto the next step! Step Two: Editing! You may have noticed that the colors are very washed out- scanners that aren't optimized for art and photos tend to do this, but with some editing, it'll look great! After opening it in CSP and selecting a canvas size, it's ready to edit! Note: Opening the image directly will automatically set the document's dpi to 72. Idk if that's a constant for other programs, but this means the overall image quality will be very low, so the picture has to be imported into a higher quality document with dpi set to 300 manually. I usually just copy and paste it into another document. Level correction is your friend! That's the correction layer I use the most when editing and it does the most heavy lifting, usually. After that, I sometimes edit the saturation. Since this is a digital method, you can edit your drawing however you want! You can fix some mistakes this way, or completely change things. There were notes and a sketch next to this drawing that i didn't want, so i painted over them with white- since i edited the level correction to up the exposure, the painted areas are indistinguishable from the background. Finally, I add either a gradient map for cohesion or fiddle with the tone curve until I'm happy with the final product. Once again, I like to keep the original art next to me while I'm editing for reference. (And then after that I might add a noise filter or some other effect, LMAO) Finished!! And now you have your scanned art!

These are all the editing layers I used!

Like with anything, trial and error are very important! You'll get better at editing art over time, so don't be discouraged if it doesn't look like you wanted it to the first time. Thank you for the ask, bye!!!!!!!