#idk if i'm really doing much reaching here.

[purinfelix]

HII!! can i request a mistletoe?

So i was thinking of the scene in notting hill where william(random guy) and anna(famous movie star) meet for the first time at the bookshop and later william spills orange juice on her, he take anna to his flat to change and before leaving anna kisses him (idk if i should be more elaborate with the plot help)

maybe you can write something smiliar or with this plotline for franco?

<3 love you

out of reach ᯓ★ - franco colapinto

w/c: 1.2k a/n: OHHH NOTTING HILL IS LITERALLY ONE OF MY FAV FILMS EVER I LOVE U FOR THIS - this req literally gave me an excuse to go rewatch this scene so tysm (also this started out as a blurb but .... here we are)

this is part of my 1k event - check out the rules here!!

It was your day off - or at least, it was supposed to be.

You had it all planned out, since being one of the hottest up-and-coming actresses meant time to yourself was extremely scarce. Starting the morning a little later by letting yourself sleep in, then going for a walk downtown through the morning markets and vintage stores, even dropping into a small travel-book store that caught your eye. Not so much because of your passion for travel books but rather for the boyishly charming store clerk who you locked eyes with through the front window.

But that was where you encountered your first issue, when the only other customer in the store recognised you and proceeded to ask you for a signature, while you were trying to pay for a book. Of course, you obliged, but to your surprise, the clerk continued to ring up your ridiculously overpriced book without even seeming to recognise you, or at least, he pretended not to - instead going on a tangent about how, really, your mistake was buying such a poorly written book, though you chose not to heed his advice just yet.

With just the little bump in the road cleared, you were free to return to your perfect day, a fact which lasted all of ten minutes before being interrupted. Only this time it was by a total idiot running into you with a coffee cup full of orange juice - and who even orders orange juice from a cafe? - spilling it all over your white shirt.

You were prepared to lose it until you peeked over your dark sunglasses, a weak attempt at a disguise, and caught the eye of none other than the boy from the bookstore. Immediately he began rattling off apologies, and whilst a small part of you found it a little cute, they did little to fix your sour mood. That's when he mentioned that he, conveniently, lived just a couple steps away from the street corner the two of you were standing on and that you could come over and clean yourself up.

So that's how you ended up here, in the entryway of some stranger's house - a charming stranger, but a stranger nonetheless - soaked in orange juice while he scrambled ahead of you to clean up the mess he lived in.

"Right," he huffed, noisily shoving empty pizza boxes into the nearest bin, "come on in, the bathrooms on the top floor."

You do as he says, offering an awkward smile to show appreciation for him allowing you to come over but also how weirded out you are by this whole interaction. Once upstairs, you hastily change into the only spare clothes you have - being a sparkly top and skirt combo you had been planning on wearing to tomorrow's press tour, but would have to do for now.

As you tentatively climb down the creaking stairs, you're met with the sight of the stranger clearing his dining table - which is covered in half-empty cups and unwashed plates. When he hears you though, he spins around with a bewildered expression, lips slightly parted as his eyes follow you.

For a minute you just stand there, watching his expression as the side of his mouth quirks up into a smile and as strange as it seems, you feel almost shy under his gaze.

"Oh, sorry," he finally says, breaking the silence, "do you want something to drink? Coffee?"

"No, thanks."

"Tea?"

"I'm good."

"Mate?"

"Ma- what?"

"It's from Argentina, where I'm from, it's really good, I drink about two litres of it every morning," he begins excitedly rambling once more, picking up a cup and flask from his counter and bringing it to you. "I know it doesn't look like much but it really flushes you out, like if you eat something bad in the morning just a couple sips of this and you're-" he gestures with his hands to demonstrate the laxative effect of the drink and you can't help but let out an amused laugh as you shake your head.

"Right, well, how about something to eat?" He moves swiftly, setting down the cup to open his fridge and from where you're standing you can just see inside it - though there isn't much apart from a couple old apples and a half-eaten mandarin.

"An apple?" he offers.

"No," you smile.

"Do you always say no to everything?"

You think for a little before replying slowly, "No." He nods, understandingly.

"Well, I better get going," you say. "Thanks for your," you pause, searching for the right word to describe this experience, "help."

leans his head against the corner of his fridge, green eyes on yours. "And before you go, can I just say," he begins and you brace yourself, finally, for him to make a comment about how he recognises you.

"Once you read that book, I don't think you'll be coming back to my store anytime soon, it's awful, really."

"I'll keep that in mind," you say, smiling in relief as you begin to move towards the door, and once he realises this, he moves quickly to open it for you.

"It was nice meeting you," he breathes out as the two of you stand in the doorway, "strange but nice." You nod in agreeance, and in amusement at how awkward he seems - but also how charmed you are by it. Standing there, with seemingly the only man in the world who doesn't see you immediately for the films you've been in or the characters you've played, you feel an intense force drawing you towards it.

And before you realise what you're doing or have the sanity to stop yourself, you're up on your tiptoes, with one arm wrapped around his neck, pulling him into a kiss. He doesn't seem any less shocked by your sudden actions than you do, but soon, you feel a strong arm wrap around your waist.

Pulling away, you let out a quick breath, mostly in disbelief at what you've just done, and when you look at the dazed expression on his face you can assume he feels the same.

"I'm really sorry about that strange but nice comment from earlier."

"That's okay, I thought the," you pause to mimic his actions from before when describing the mate, "bit was a real low point."

He laughs before saying abruptly, "Franco."

"Sorry?"

"My name, it's Franco."

"Well, Franco, it was nice meeting you," you turn to grab the doorknob with one hand but pause to turn to him again, "Oh, and I'd appreciate it if you didn't tell anyone about this."

"Right, of course, no one," he nods eagerly, "I mean, I'll tell myself but even then I might not believe it." You can't help but let out an amused laugh as you slip out his door, and back into the sun of the late morning - and as you do, you're unable to stop yourself from smiling.

[pedroscurls]

Hi! Idk if your requests are closed or not so feel free to ignore this but I’ve been going through a really tough time and I don’t have time to even breathe anymore so I was wondering if you could write something where Hugh just comforts the reader thanks!

safe with me (one-shot)

summary: hugh knows you've been having a difficult time and he hopes that he knows just what you need to help you feel better. pairing: hugh jackman x fem!reader content warnings: n/a, comfort / fluff, no use of y/n. word count: 701 a/n: to this anon, i'm so sorry that it took this long for me to fulfill your request. i hope things have gotten better since you requested this and if not, my inbox / messages are always open. thank you for requesting this (as i've been having a hard time myself with just life) - this was very cathartic and therapeutic for me. hope you enjoy. and as always, this is purely fictional! i mean no disrespect to hugh jackman.

Hugh knows you’ve been having a tough time lately, can see a change in your behavior even though you tell him that you’re fine. You smile at him, tell him that everything is okay, but Hugh knows that everything isn’t. Whenever you come home, he can see the distress and the exhaustion written all over your features and when he pulls you into his arms when in bed, he can feel the tension in your shoulders. 

It’s been like this for the last few weeks and Hugh doesn’t know if there’s anything that he could do that would help, that would alleviate the stress you’re feeling. If he could, he’d take it all away – whatever it is, Hugh would do anything to make you feel better. 

So, when you text him that you’re working late tonight, it gives him enough time to put his plan in place. He grabs two glasses of wine and your favorite white wine and ascends the stairs to go to the master bathroom. Hugh runs a warm bath for you, lighting candles around the bathroom. He looks around and bites his lower lip, slowly opening the blinds to reveal the skyline of the city. 

Hugh then jogs back downstairs to grab the bag of rose petals that he purchased earlier that evening and walks back into the bedroom. He scatters the rose petals on the white tiled floor and pours a good handful into the water. He hears his phone chime, but doesn’t have enough time to look at it when he hears you step inside the apartment. 

“Hugh?” you call out, a quiet sigh leaving your lips as you ascend the stairs. “You in the room?”

“Yeah, baby!” he answers. Hugh looks up when he sees you enter the bedroom and when your eyes meet his, he’s sure that he has done something wrong with the look on your face. Quickly, he steps out of the bathroom and walks over to you, his large hands coming up to rest on your hips. “What’s the matter? Is this too much? I just–”

Tears trickle down your cheeks and you wrap your arms around his shoulders, burying your face against the crook of his neck. Slowly, Hugh’s strong arms wrap around your waist, holding you tightly against him. “I’m not okay,” you whisper, voice trembling. 

“I know, baby,” he says quietly, moving a hand along your back. “But that’s okay,” Hugh reassures. “I’m right here.”

You cry against him, feeling like the last few weeks are finally catching up to you. You had tried to push it aside, tried to make yourself feel better, but it only pushed it further down. Being in Hugh’s arms, you finally feel like you can breathe, can finally get a glimpse that things will be okay. 

“I ran you a bath,” he whispers, turning his head to place a soft kiss on your temple. “You up for it?” 

You pull back and look up at him, wiping the tears away from your face. “You didn’t have to…”

“I know,” Hugh leans in and pecks your lips lightly. “I wanted to.” He releases his hold on you and instead reaches for your hand, leading you into the bathroom. 

You look around and bite your lower lip, tears again pooling at the corner of your eyes. “Hugh…”

“Too much?” 

“It’s perfect. You’re perfect.” 

Hugh smiles and turns to face you, gently reaching up to remove the blazer you’re wearing. “Far from it, baby. Now, let me take care of you. Will you let me do that?”

You nod slowly and look down to see your blazer pool at your feet. “Okay,” you whisper. 

Hugh hooks a finger under your chin, slowly lifting your gaze to meet with his. “Whatever you’re going through, I’m right here with you, baby. Now, let’s get you in the bath. You’ve been tense and I think you need a massage.” He smiles and pecks your lips lightly, pulling away only to help you disrobe the rest of your clothing.

You let out a relieved breath. For the first time in weeks, you feel the weight slowly begin to lift off your shoulders and that’s all thanks to Hugh.

[hyperions-light]

okay everyone today let’s talk about profound, overwhelming emotion as a theme in Veilguard

Sounds fun right

Gonna do like a sort of deconstructed essay thing (or I WAS, but this is an actual essay. Sigh)

Thesis: DATV is exploring how its characters confront and process emotions and events so overwhelming that they could define the characters entire lives if ignored or pushed aside; the player is encouraged to provide the characters with the appropriate emotional tools to dismantle the seemingly impossible obstacles that stand in their way, in order to complete their character arcs and contribute to the resolution of the central conflict.

WOagh this got way long, like REALLY long, so I am cutting here. I hope you didn't think the Grey Warden essay was verbose, bc this is much longer! You've been warned lol

PART I: ISATUNOLL

I feel like we have to talk about Harding first bc what’s more overwhelming than having the entire history of your race shoved on you at once? (I've decided to relocate to the computer, so you know I'm taking this seriously) So Harding gets magic rock powers, and then you have that sort of lull in her story where she's just trying to feel them out, but you can already see the game setting up the dilemma, because she's constantly checking against Rook to see what they think about it. She doesn't know how to feel-- should she be worried, excited? You can encourage her down different paths, but whatever you choose, you're providing a way for her to conceptualize this thing that (as far as she knows) has never really happened to anyone else.

And then when you go to meet the Oracle, the game introduces the idea of this overwhelming rage, this intense frustration that IS hers, but also isn't. She (probably) doesn't know what happened to the Titans by that point (you can do Regrets of the Dread Wolf pretty early but idk if it's able to be finished at that point?) but I think the stone giant you fight there is her inborn anger resonating with the much larger, dormant anger of the Titans. And you see her deny her own anger and her own feelings generally (the coffee scene with Lucanis, while tonally lighthearted, is intended to set this up). Again, Rook can intervene, and this time you also see your companions providing their own advice (Lucanis and Taash both tell her not to hide her anger/try to make people happy and Davrin repeatedly urges her to stand and face 'whatever it is' directly). So both Rook and their friends are supplying tools to deal with this upcoming confrontation.

So, the culmination of the arc comes in Isana Negat, where Harding faces the physically manifested anger of the Titans in the form of herself. She says it is her anger, and it IS, she is angry and they are angry, together; Isatunoll-- I am, we are. She did not know what to do with it, and that is why it is here; the game is positing that avoiding confrontation and acceptance of one's feelings can lead to harm for oneself AND for others. It IS Harding that is attacking you, because it was her raising the enemies in the cavern. But, at the same time, Harding is here out of a desire to protect others, and she is compassionate to this manifestation; she apologizes for not knowing how to confront it and letting it run wild in this way.

Fortunately, by this point Rook and company have already provided her with the tools to be successful in this encounter. She does not turn away from her anger, she does not attempt to run or dissemble as she might have done before. By the time Rook reaches the platform she has already absorbed the being; she is just having a hard time fully accepting it. Rook and the other companion physically grab hold of her, as Rook directs her down the path of acceptance through compassion, or acceptance through embracing anger. It is important that neither choice offers a denial. Through the strength of the unity of the team, here represented by physical closeness, and because Harding herself has changed as a character, she is able to integrate the Titans' anger and affirm that she and the other dwarves will continue to persist in spite of what was done to them. DAI players may recognize this as a well-placed echo of the conversation thread between Solas and Varric about the man who persisted in spite of losing everything; Varric said then that the fact that the man lived, that he continued, was a triumph in itself. The dwarves triumph as a race here, by not allowing the horrific violation committed against the Titans destroy them, and so does Harding.

The final piece of Harding's journey is her meeting with Stalgard and his sister outside of Isana Negat, in front of the mountain that was/is a Titan. She returns to them the knowledge that was lost for centuries, and the anger that comes with it, but affirms that they cannot return to what was; this brings change, GOOD change, to the dwarven people and will redefine them. By successfully accepting this outsized emotional trauma, Harding has helped her people, and becomes a more effective member of her team. Catharsis, acceptance, and emotional growth make her stronger.

PART II: I AM NOT THIS

When Rook meets Lucanis, he has been kept in a prison for a year, being tortured and violated by the Venatori, who have been attempting to turn him into a demon. It hasn't worked correctly, because Lucanis and Spite have an accord. However, you first see him just kind of running around killing whoever he comes across; Rook provide direction and a specific target, a chance for freedom. It is significant here that the prison is underwater; Lucanis is, metaphorically, drowning. The prison is also referred to as the Ossuary, which is a place you store the bones of the dead; the outside world believed he was dead, and, metaphorically, he did die here. You kill his torturer, but it is not enough; the woman who kidnapped him and the orchestrator of his violation still lives.

Rook returns to Treviso where Lucanis finds out that he has truly lost almost everything. His grandmother, Caterina, appears to be dead, and his city, Treviso, is occupied by the Antaam. The only thing he has left is Illario, and he immediately grabs onto the idea that Zara, who he believes killed Caterina, is going to kill Illario, too. He panics in response, but he is trained as a Crow to shut down his emotion, and practiced at doing so from his year spent constantly disassociating in the Ossuary. He says he needs to work; Illario and Teia protest, but he insists. He is returning to the thing he knows how to do, grabbing for a sense of normalcy when everything else is lost and he believes the little he has left is in danger. He will destroy the threat and this will also conveniently allow him to put off his real emotional trauma from the prior year.

Every cutscene Rook has with Lucanis between his major plot events in this section involves him trying to contain and ignore Spite. He tries to constantly stay awake to ensure that the demon cannot take over, and he tries to befriend and placate his new associates by buying them stuff (a VERY rich person thing to do) and taking care of them. He is trying to convince himself and them that he is NOT dangerous; he is not a demon, not an abomination. But he is not confronting his fear, he is only putting it off; often, in conversation with others he will be flippant about Spite, or he will deflect their concern about it. He chooses his 'bedroom' in part because it can contain Spite, and because it is the farthest possible location from the Eluvian, where Spite keeps trying to go (I just noticed that! Very fun!). In the meantime, he is also ignoring the fact that Illario is being extremely suspicious, because he doesn't want to know that his brother is the one who hurt him. Lucanis is an astute person by nature, and could certainly have observed this, had he not been deliberately trying to obscure it from himself.

Davrin is a huge problem for him because he is the most direct person in Veilguard. He shows up and tells Lucanis that if Spite overtakes him, he will kill him. This touches on Lucanis' fear of his own lack of control and drives too directly at what he wants to ignore. They are immediately at odds, which is made worse by Lucanis' 'failure' at Weisshaupt, which causes him to lash out at Davrin. He believes that the fact that he was unable to kill Ghilan'nain is indicative of him losing his abilities as an assassin, which is one of the only familiar things that he has left. Fortunately, Rook and company are there to reassure him; the situation is helped by the presence of Taash, Emmrich and Neve, who are unafraid of Spite, and whom he can rely on to control the demon if he cannot. However, the problem remains that he refuses to seriously deal with Spite in any way. As the inextricable representation of Lucanis' trauma (it would LITERALLY kill him to remove it), ignoring him means Lucanis is unable come to terms with what has happened.

This comes to a head when Illario kills Zara, and Lucanis is unable to stop Spite from almost murdering his brother with his own body in response. This is the final, most devastating loss of control. He apologizes to Rook for the lapse, and tries to refocus on Illario, who he now has definitive proof betrayed him. He says he is going to take everything away from him, but truly this is just another distraction; revenge is not going to be enough because it will just mean that he has nothing on which to focus his and Spite's combined ire, and then he will still have a demon inside him and no accord. What saves him is Rook, and finding out that Caterina is still alive. This is fantastic news because it means he hasn't lost everything, but it also presents a dilemma; is it more important to attack Illario, to seek revenge, even if it endangers Caterina's life? Does he risk what he values most-- his family-- to pursue his vengeance?

I was going to write an entirely separate post on the mind prison, my favorite part of Lucanis' arc, so I'll (try) to be brief here. The metaphorical Ossuary is a prison of Lucanis' fear; those he is scared he will hurt, or who will see him for what he believes he is: a demon. In order to get him out of it, Rook needs to cooperate with Spite, and confront each fear individually, breaking down their flawed presuppositions about Lucanis which are trapping him there. It is also significant that Lucanis himself is unable to articulate that he is trapped, and is even unable to ask for help; it is Spite who invites Rook in and concretizes Lucanis' emotional state. He can't get out alone. When Rook reaches Lucanis he admits that he has been avoiding his emotions but that, "It's just... so much. I don't know where to begin."

What happened to Lucanis was life-alteringly traumatic. It is unsurprising that he does not have the tools to effectively confront it. However, Rook encourages him here to begin the process by creating an agreement with Spite in the short-term. Process your trauma by breaking it down and taking it one step at a time. After this section in the game, the player can hear Lucanis converse with his friends about trying to work with Spite; about how the spirit is learning to understand the physical world, and they are no longer fighting. Again, we see that ignoring his emotions was hurting both Lucanis himself and other people, and that by moving forward, no matter how slowly, he can regain control of his life and build a new one alongside Spite, accepting the new circumstance.

When he confronts Illario for what he did and, incidentally, control over the Crows, he does not kill him. He never loses control and he and Spite work together to resist the blood magic that Illario attempts to use on them. Working through his problems with the support of his team allows Lucanis to preserve what he values-- his family, the Crows-- instead of pursuing an endless and ultimately pointless crusade of death in an attempt to avoid his problems. He makes the Crows stronger and heals himself through confronting and accepting his emotions.

PART III: I WILL GO AND SEEK ATONEMENT

Hey it's Solas! Remember how this game used to be called Dreadwolf? That was probably because he's the thematic anchor of the narrative. So, here we go. (This section is going to discuss the 'good ending' for Solas, because I don't think the others really feed into this theme much.)

Solas is the instigator of the conflict in Veilguard, and he may be an antagonistic force throughout the story, depending on how Rook chooses to deal with him. This game gives confirmation that Solas is a spirit, and so the generally established rules apply: he acts as you expect him to act, he is what you expect him to be, so the player is likely to have wildly variable experiences with him.

Throughout the game the player can encounter sections which depict his greatest regrets in his life so far; taking physical form, creating the weapon that severed the Titans' dreams, incidentally creating the Blight, accidentally sending Mythal to her death, and accidentally creating the Veil (dang, nothing goes right for this guy lol). This series of decisions led, in Solas' time, to monumental harm for countless people, and it is what has led him to his current course. He cannot stop because he is utterly trapped in his regret; these moments, though degraded, surrounded him within the Lighthouse while he planned for a decade. The Caretaker tells you that his regrets are so vicious that they are the teeth with which Elgar'nan and Ghilan'nain are tearing into the Crossroads. Solas is destroying something beautiful he helped build because he is unable to let go of the past.

Although you, dear reader, may have your own opinion of him, Solas is undeniably compassionate. In DAI, he will give you massive amounts of approval for simply helping out villagers and performing menial tasks that serve no greater purpose than to alleviate suffering. The amount of suffering he (mostly) unintentionally caused could do nothing but horrify and pain him. His regret is oceanic. If you decide to persuade him to your side at the end of the game, one of the reasons he cites for continuing down his destructive path is because it would dishonor those he has wronged if he were to abandon his work. He is sunk cost fallacy-ing himself into mass murder, basically.

Part of the reason that he is doing this is because, like with Lucanis' issues, the emotion, the weight of the repeated failure is almost too big to effectively reckon with. But Rook can help him do it. Throughout the game Solas watches through his avatar in the Lighthouse; he sees Rook build their team, sees them solve the problems of the people around them and find strength in unity, and so when they appear in Minrathous he does actually believe that they can solve the problem that he cannot. He is deceiving Rook when he gives them the dagger, true, but this is his most valuable asset in the fight; if he did not believe in their success, it would be extremely foolish to give it to them and to commit himself to the comparatively lesser evil of Lusacan. So, Rook has effectively proven the Power of Friendship, as it were, through their actions in Veilguard.

To achieve the 'good end' for Solas, you need to have finished Regrets of the Dreadwolf and successfully confronted the fragment of Mythal that lives in the Crossroads. She will be impressed by your work in proportion to the amount of things in the game you've finished, so you must have bonded with your companions and you must have freed the Crossroads from the ravages of Solas' regrets. He helped make the mess, but other people can help him fix it, which is essentially the point that Mythal makes to him at the end; that he's not literally solely responsible for actually every bad thing that's ever happened.

You also have to tell the Inquisitor to attempt to reach him, which will lead to them saying something about forgiving his past actions if he stops trying to destroy the Veil presently (I assume the dialogue is similar in the friendship route; I have a Solas-romancing Inquisitor and that's basically what she said. I felt that part was general enough it probably carried over). All of these people and various pieces of Solas' past and present are here to break down the gigantic wall of regret that's preventing him from doing the right thing in this moment. All of his arguments for why he must keep going are refuted by these people he cared for, and to whom his regrets are attached.

Through Rook's actions they have demonstrated their ability to solve seemingly overwhelming problems. You can help Harding tame the anger of the Titans, you can help Lucanis confront his trauma, and you can help Solas finally see past his regret and be the hero he has always wanted to be. This is obviously not the only route the player can take through the game, but if they do, they help create a narrative that repeatedly deals with deconstructing and resolving overwhelming emotion. (Dear readers, remind me to make a post about Bioware games and participatory storytelling.) The story examines how intense emotion, ignored or denied, hurts oneself and others, and presents several solutions which all begin with asking for help. There is strength in unity, in compassion and togetherness, and if you cannot see the way forward alone, you will find it with other people.

WhEw okay if you actually finished reading that give yourself a high five and take a lollipop from the basket on your way out the door

on any other platform I think I would have hit a word limit of some kind, so thanks tumblr

edits incoming? very tired rn. Think I had some other point to make about Solas that I forgot maybe. I also think I could've added some of the other companions to this (Taash and Bellara were top candidates) but imo these two are the strongest for this particular theme. And it was already so long lol

okay I sleep soon. you can lmk what you think if you want? don't be a dick tho, I hope that goes without saying lmao

[simpingforbots]

Hello! I'm kinda new here in your blog and I saw those "what if a human ended on Cybertron" and I just love those stories they're so good

No need to do it now cuz idk if you are taking requests but could you make More of them? A part 6 with souls prime and amalgamous prime

hello there! thanks for letting me know that you like my stories and i will try my best as i am sort of new to Transformers. i got in to transformers thanks to Bay movies, Transformers prime, transformers animated and now Transformers One. So please forgive me if i might be incorrect. i will do my best.

What if human ended up in Transformers one.

part 6 (requests)

Solus Prime

(reade in this situation are female)

Being the first fembot of Cybertron is nothing easy, especialy when you have this much weight on your shoulders. Even if she found joy in creating things, the constant need for weapons was becoming exhausting. thankfully Megatronus were there to comfort her, even if they had some fights here and there, it was something good. So when something small and week showed up on surface of Cybertron, being chased by Quintessons, the injustice towards such pathetic creature fired Solus right up and they took care of those pathetic, ugly, disgusting bug creatures. They smashed them all with their hammer, letting their fiery side out along with all the frustration, all while YOU scrambled for safety to let those huge creatures duke it out. Though you did not stayed hidden for long as you wanted. A servo reached in to the hiding spot you were in, apparently not small enough for them to reach in at all, easily puling them out. After expecting this small creature they were shocked to see that it was as same frame as her, meaning she must be not the only fembot, even if in weird fleshy body. A small creature with no clear way of defending them self against harsh environment of Cybertron. So she takes you with to Iacon to keep you safe from anything dangerous and started working on creating something to help communicate. it is a bit hard as your little chirps were hard to decipherer, but signs were easy to learn. And let's just say you were also subjected to her little experiments as now SHE had a whole new reason to create.

Amalgamous Prime

Being the most unserious of all thirteen, Amalgamous felt a bit out of place time to time. he just wanted others to be a bit more... unserious all the time, this constant monogamy of data pads, meetings and fighting was surreally exhaustion for every one. He did felt a bit jealouse a bit of Solus and Megatronus since they started seeing each other, even if it was "privet secret" between 13 primes, he still wanted something else. He would venture to surface time to time, just exploring away, watching strange deer creatures "graze". Or change in to something else and joing his "subject" and wonder around Iacon. he found you in one of dark markets that he knew was illegal, yet still something about you caught his single optic. Purchasing you along with some book about "hoomans" he returned to the palace, knowing that now he had something to break the rutine. At first it was hard as you most of time hid away, to scared, but overtime you grew used to this strange bot, snickering quietly at his "tricks". after some time you were comfortable enough to laugh along side him at his little pranks.

Zeta Prime

So much responsibly for one bot - having matrix of leadership, being leader of 13 Primes, taking care of entire civilization and defending them from quinteson will be a tool to any one, no mater if they were born to do this. at first Zeta refused to believe that HE - the matrix bearer - was tiered, but in the end no one can escape the truth. It did not helped that a suden raid on Quintessons ship brought a small flesh being in to his existence. so much needed to be done so taking care of something so small and fragile was really not in his plans. But he was sort of stuck with you and just kept you in a cage, for your own safety of course, he does not want any bot to step on you by excident. If you behaved and did not flipped him off or yell something in strange language - you would be reworded by being let out of the cage and let to wonder his table while he was buissy. He would drift away from data pads just to play with you, rolling pen between him and you, chuckling seeing how hard you had to push just to roll it towards him, or simply watch you doodle inside one of the pads he would push towards you, giving the smallest pen he could find to doodle in, finding that it was one of a few ways you can communicate with him through doodles. and apparently he has a new name - Crown, about which he did not complain about.

part1 part2 part3 part4 part5

[changbinsboobs]

Changbin as husband is next I'm curious for his and hyunjinss

This is the longest fucking reading I've ever had so i just HAD to split it in 2 parts so bear with me. I love him but i hate him right now😩 (no im not)

Husband Series: Changbin pt. 1

Ugh...that guy🫠 i bet you if i let him use up my whole deck he would. The amount of "ok last card" i had to say...and yet there was still so much gushing put...and ugh, i just can't stress enough how much into details he is and how much he wants to stress on them and make sure they don't go unnoticed or get misunderstood or overlooked. Reminds me so much of my audhd friend😭. Anyways back on track - tho i don't even know where to begin from, i really think he used up half my deck. I just counted 23 cards😳 i do indeed draw a lot for the others too but thats just next level. Not on topic but i think he's a really chatty drunk��� now i wanna read on them when drunk🙌🏻😂

Ok soooo since i have so many cards ill try to combine them as much as i can and keep the messages as concise as possible so this post doesn't become a novel - the overall energy i noticed here is not so much emphasis on him as a husband but overall him as a partner in a committed relationship. Which leads me to believe he himself doesn't view marriage with such dread as the others did (there wasn't really any dread with felix bust still a certain anxiety around responsibilities, meanwhile that with changbin is absolutely nonexistent). I would say he seems himself as capable and even ready to take on that responsibility and role if the opportunity presents itself and i think he believes he'll do a good job. He's responsible, capable and can take care of it. I actually sense a feeling of pride in him about that.

Another MAJOR theme is him being a "simp" for his partner (he insists on wife). There are many cards that im trying to sum up:

He's very protective over her and doesn't let anyone say shit about her, he's giving me guard dog vibes. Also a big bodyguardy. I can see him when being out with her eyeing people and being on alert and just idk, looking scary as to scare of any weirdos before they even think about trying something. And to clear any misunderstandings up, im really not getting this coming from jealousy (not that its not there, it is😂, but its just 10% reason, out of 100), but rather because he wants the woman he loves to feel safe and protected around him. He wants her to be able to relax and trust that he will always have her back and keep her safe. He wants her pretty little witty head not to be bothered by ANYTHING!

More from the simpy train - looks up to her a lot and kinda puts her a bit on a pedestal. This is not a very debilitating energy but feels rather like something he has made peace with and accepts - which is that she is indeed better than him and he can never be able to reach her, which means he is incredibly lucky and appreciative of the fact a woman like that has chosen him and he tries whatever he can to live up to her standard and continue to give her reasons to stay with him and continue to love him. Although she can never love him as much as he does (thats his thought🥲). But as i said this doesn't feel victimy to me at all but rather just seems realistic to him and he's a big boy and can accept reality for what it is and choose to feel lucky instead of beating himself up for not being good enough and self sabotage. Im actually really shocked looking at his energy because i can really feel the strength of his mind and ughh just how innovative and flexible he is. His will is just astounding and making me really happy, despite him obviously having some issues he doesn't let himself be defined by it and chooses to spin them to him favor. What an amazing guy💗

Back to the reading - so he spends a lot of time in his head, doing A LOT of 2 things. One is being thinking of his girl and what he can do to make her happy, analyzing previous conversations to see if he missed something or if he has remembered everything. Contemplating if she maybe gave him a hint about something, or if she maybe looked hesitant with something. Maybe her body language was off? He notes that. If there was any difference in her behaviour today, if she looked different. He's really putting LOTS of energy thinking about her and analyzing her and her behaviour. Again this doesn't seem to come from distrust (although he thinks of that as well, its just not his motivator, he just considers everything, thats why) but rather for his own feeling of safety. I think he is a very thoughtful and analyzing and sensitive person in nature so this may be something he always does, except when its something very important to him, and a relationship at that - he does it even more intensely. He doesn't only think about and analyze her tho. He does that to him too, to their relationship as well. He just wants to have a good understanding and overview of everything that is happening in the relationship so he has a sense of control and safety. You can always fix something if you know its broken. Or beginning to bend. You can fix the problem before the branch brakes i think is what he wants to say. And he wants things to run as smoothly as possible with them, and once again he has taken on the responsibility to make his girls life as easy and carefree as possible and how can that happen if he leaves the whole relationship in her hands?! He can't, so he doesn't his part very diligently and tries to keep up on the same level as her, emotional-intelligence-wise.

He also doesn't to just thinking but planing & organizing. So i think he takes lots of care for other stuff too like planing and booking fun dates. If he cant attend then books fun stuff for her. Provide her with the needed tools/means for her to be able to create, to indulge in her hobbies. He really loves that feminine creator energy and really wants to do his best to encourage and provide an encouraging environment for his wife to get in her feminine creator energy and bring him joy with it. Also thats really random but he's always ready and loves giving her massages😂💗(after her long day of crafting). He just loves hearing about it, seeing the excitement in her voice and face. It charges him.

He also spends lots of time fantasizing about her. Reminiscing wonderful dates, imagining potential future ones, creating scenarios etc. He's just A LOT in his head, his mind is really really active, and its very occupied with his love. Also another random message, commitment and love are tied with him somehow. Im seeing he cant commit if he doesn't love but he also cant love if he can't commit. So i would say he's very extreme-y. Like he's either all in or all out. No middle ground. What i mean is he HAS to be this intense in a relationship because for him thats commitment, THATS expressing love. And if he's not able to do that, then his love and interest and enthusiasm begin to fade away. He HAS to be able to be like that in a relationship and i think often he has been labeled (or was) just WAYYY TOO MUCH for the girls he has been in a relationship with. Im seeing he can get very overwhelming and overbearing if the person he's with just isn't the person to enjoy that kind of commitment and effort. But to go back to the cards, he also fantasizes about physical stuff too, for example he's riding in the car, and for the whole ride he's imagining and giggling and wiggling his feet and twirling his hairs because he plays over and over how that one time while they were still just dating she looked him in the eyes with that wet sexy look, and how his whole body got shivers and his stomach dropped and his heart skipped and his palms got sweaty and he swears some saliva started dripping out the corner of his mouth and his knees got weak and he almost felt like he was gonna black out and by the time he came back to his senses she was already sooo close to his lips and them BAM. Fireworks everywhere. He can never forget how that wonderful kiss felt and how sweet the sexual tension and anticipation before it was. He plays stuff like that OVER AND OVER again the whole damn day.

While being on physical stuff, he is pretty horny ill say. But not in a bunny way,m where he wants to fuck 5 times a day, but rather when around his girl he's always half way up, always ready to rise for the occasion iykwim. I think he gets *excited*👀 very easily and is just really weak when it comes to his girl. He's always ready to deliver whenever she ask, whatever she asks. Als im seeing once again he's a giver (and despite him loving head so much) he's focused on her pleasure and he can off just from watching her enjoy...whatever it is. So yeah thats that😂

Bro im so tired im thinking about doing this in 2 parts😭 im just halfway. Ok yk what im splitting it.

[neptunescore]

Still seeing so much shit everywhere abt both charles and carlos, like it's reaching a peak.

I just don't understand why both fanbases are destroying the other, when the only one to blame is the TEAM. ITS FERRARI. THEY ARE THE PROBLEM!!!

I'm not even gonna talk abt the pitting calls, bc that was just one major fuck up after another. However, I will talk abt the absolute shite communication that ferrari had with both drivers that led to whatever war between fans is happening right now.

On one hand, we have ferrari telling Charles that carlos wouldn't overtake him, and on the other, we have ferrari telling carlos not to pressure Charles. Most of you might think it's the exact same thing, but it really isn't guys. In no way did Carlos pressure Charles. Carlos' tyres were 2 laps old. They were heated up. Charles was PARALLEL to Carlos upon pit exit (NOT ahead). Charles had new, cold, dead tyres, all carlos literally had to do was drive arnd him, there was no pressuring.

A lot of ppl are also talking about how the results for ferrari would've been much better if Carlos had let Charles past... yeah no. They wouldn't have. Mercedes was absolutely on fire this week. There was genuinely no way Ferrari could've gotten any better result than a P3 and P4, and telling one driver to give up a podium position just to try and cement your other drivers standing as SECOND place in the drivers standings?? Um... yh that's just in bad taste.

Also, ppl are arguing over the stat they showed that if the team would've just listened to Carlos' requests about pitting earlier, he would've ended ahead of Lewis. Personally, I don't think that would've happened, BUT I do believe there would've been a much larger chance of Carlos and Charles being closer to the Merc if Ferrari had just LISTENED to their drivers.

And abt this radio msg:

I honestly don't think Charles was even talking abt Carlos here, this is just him talking abt the team. I feel Charles has ALWAYS blindly trusted the team, done whatever they told him to do. Then we have Carlos, he argues back. Tells the team what he thinks would be better. Ignores orders sometimes to do what he thinks would be better, and it ALWAYS is better. This is Charles being over it, and I'm glad. I'm glad he's over it. Ferrari need to get their heads out of their asses and listen to their drivers because it is reaching a point.

Sidenote:

This radio msg mad me laugh so hard (literally as a carlos fan), idk why y'all are talking abt how it's XENOPHOBIC??? LMFAOOO that's a MAD reach. Carlos is literally a slightly tanned European man BWAHAHAHAH, as a POC I feel slightly mad abt all of u losing ur ahit over this yet when it comes to injustices done to ACTUAL POC drivers, everyone stays silent?? Yh shut up.

I feel u guys forget that this is a competitive sport where drivers are filled to the brim with adrenaline, ofc Charles is gonna make some comments when things don't go the way he thinks they will.

Anywayyy, that's my rant done. Just had to get all this shit out. Even if none of this is true or what acc happend I still stand with my drivers rights and wrongs, so Carlos my pookie dw I love you ur so real.

[elvisqueso]

the purpose of the film is actually to objectify this man

[deoidesign]

I’m a trans man that recently got diagnosed with hyper mobile eds, so now seeing Steve makes me extra happy, because cool disabled ftm rep. Thanks for making the radical dude bro, he’s funky.

same disability (waving hand emoji)

Always extremely fulfilling to know my work makes people happy in some small way, it means a lot. Thank you for sharing with me

[squishosaur]

hey man. i'm just saying. why would we put inexperienced teenagers with over-inflated egos and obvious emotional issues into combat classes and make them claw their way to the top of their dorms and expect things to just run smoothly. who actually thought this

[solradguy]

There have been a lot of days recently where I'm scrolling through GG tags/feeds and it just isn't fun. I'm too involved, I think; I need to find some other way to distract myself when I'm bored before I explode

[passerinesoncaffeine]

the irony of one the first main things established about omori as a character is that he's known for his great memory as if he hasn't lost the entire fucking plot repeatedly for years.

like he has a great memory!! if you don't take into account He's Actually The God Of Repression.

[talkorsomething]

I have Got to get more transgender

[palms-upturned]

Sorry for being late today coming online, a lot has happened and I am trying to think about the best way to organize this blog going forward. For now though I will try to get the list updated quickly and read through my messages/@'s

[landgraabbed]

be the shadowscale you want to see in the world

[daz4i]

bro why is my reflex to always make up a very flimsy excuse when i know that the people i'm talking to won't mind me saying the truth (not to mention the truth usually isn't like. offensive or disrespectful. maybe weird at most but eh most ppl i interact with know who i am and are likely just as weird). and then bc i'm a stubborn pos i tend to sink into it. i learned how to say no at least to strangers even without explaining myself so why is it still hard to do with friends.........

[tricksterlatte]

The Online Fandom 7 Deadly Sins

sloth: complaining about how no one writes the tropes or pairings you like and bashing what's already out there, while refusing to create anything you desire yourself

greed: zine and other finance-related scandals with zero remorse for those negatively affected

gluttony: spending rent money on merch, experiencing buyer's remorse, then repeating the same process next month

wrath: anon hate over literally everything under the sun, even harassing official writers and threatening them if they don't make your ship canon

pride: devaluing other's characterizations and ships to praise yours as better, whether through a canon perspective or a moral perspective, when neither matter in the long run when it comes to your own enjoyment

envy: trash talking others' fandom creations or saying you won't bother creating anything because it'll never be as good as them

lust: fighting over who tops or bottoms because of your personal preferences when one, both, or neither could happen, especially when most of these characters never even kiss canonically nor have most people fighting done any of these things irl themselves