#idk i am just rambling here

[lazylittledragon]

y'know every time i feel guilty about bothering someone by singing along when i'm listening to music, i just remember that i have to tolerate my dirtbag brother screaming at his ps5 for hours every day so listening to muffled off-key fall out boy is probably preferable

[solarpunkani]

Late night wishful thinking but like

I think planting funky things around retention ponds should be more normalized!!

Like okay I get it retention ponds are meant to hold the runoff water from parking lots and drive throughs and the like so they aren’t exactly the cleanest water around. But like!!! Maybe this is different in other areas, but the only plants I ever see grow around retention ponds are cattails!! Which, like, are fine and great and dandy lets go cattails, but like

Where’s the whimsy?? Where are the flowers?? If I’ve got to see retention ponds whenever I go to a store or drive down the highway or pick up food for my mom, at least bring in some flowers!!

And it’ll benefit so much! A wider variety of plants can make it a more welcoming home to wildlife! Maybe the plants will filter some of the runoff stuff and the water can then be nicer for even more wildlife! Maybe the flowers can be a nice food source for butterflies and bees on their journeys and day trips!! And humans like seeing things be pretty!

Maybe its easier said than done! Maybe most places already do this and its just my city or state that doesn’t really I’d be willing to believe that! But lets get some color in these goddamn retention ponds!!

Swamp milkweed! Aquatic milkweed! Pickerelweed! Water lilies! Irises! Cardinalflower! Fuck it, put some goddamn duckweed in there!! Get some color in those things or so help me!!

[iamhereinthebg]

Let's talk about the clock keepers boundary!

(warning: spoilers until chapter 124!!)

I've had some guess on where they could be from so let's look at what we have in the manga for now. I will keep things on surface level for the most part but it's just some things I noticed!

The first mention of the town is in chapter 111, where we finally have a view on their boundary.

A lot of fans already guessed from their clothes that they were not from Japan, this panel definitely confirms it and even points more precizely to a European country, mostly Western Europe. And also a country where Winter with snow exist.

It's also not an English speaking country, since Akane cannot understand the language and we know he has english classes at school.

Now there are several things we can look at to have more clues!

First, the architecture.

This type of house is called Timbered framed houses. It’s important to note that the roofs on those houses are really really sharp here. Which means theywere built for snow, so it can slide off the roofs more easily. The trees are also pines, something that can be found in a lot of Europe. (wood was needed to be able to create houses made of wood/with visible Framework( Little note: I know Italy was a guess for a lot of person because of the link to Pinocchio, but Italy main material for houses is stone not wood. And it is also not known for its winter.)

Here we can also see bricks which is something more associated to countries like Germany, Belgium or the Nertherlands, we don't have the colors so we can't guess from which minerals it was made for now.

But we have even more informations when we look at chapter 124!

The bridge and tower may be inspired by a fortified city, something that you could find A LOT in Western Europe during the middle age, not a lot of cities still have their entire walls but you can still see it if you go into old medieval towns. We can also see something that looks like a Belfry on several panels. Towers used mostly to indicate each passing hour of the day (may be a campanile or a bell tower (the difference is wether it's linked to religion or not basically)

Second! Let's do a little bit of clock making history!

I won't go into details, but there are some countries to point for this. England, The Netherlands and Germany. We already took out England before and we can easily erase Nertherlands from the list with the next step (my favorite one).

The food! I already had my suspicions confirmed with this bonus art from volume 22.

First of all, they have tea which is not something that was in Europe before the XVII century. But let's look at the sweets they have here.

Chocolates which look close to Belgian chocolate ( I say Belgian but other countries' chocolate is pretty close to it) , Christstollen Cake, and Spiztbuden.

We have even more to look at with the new chapter! And they confirm that it's indeed a stollen cake.

With all these foods it's now pretty obvious which area the clock keepers are inspired from.

Stollen cakes are German cakes, ginger cookies are from Germany too. I will also add that there is a chance the crescent moon cookies are VanilleKipferl. We have another panel showing Sausages and bread. Only the Almond is something not typical from Germany but which clearly was all over Western Europe with trades.

Their city already looked like the 'perfect christmas city' you can see in movies, inspired by German culture. And they also mention Mulled Wine which is THE beverage to take in any chritmas market in Europe.

Chritmas markets are inspired and coming from Germany first, but I wanna point something more.

My main guess was, Nuremberg, the city where the ancestor of the pocket watch was created, the Nuremberg Egg. It's also a Fortified city and it has forests around it. It's also known for its Ginger cookies!

So Germany would be a great pic, but the more I think about it the more I can also see the link to another region: Alsace.

Alsace is a region from France right now BUT it's a mixt of german and french culture (I will not make a history lesson but it is a place that always switched between France and Germany basically, now it's French).

All the food mentionned before are also made in the Alsace region!

It's situated in the Vosges, a chain of mountains known to have a lot of forets of pines and which is known to have villages like this:

Which were also the main inspirations for movies like Howl's moving castle for example. You can see the similarities between the artchitectures

The first ever Chritmas Market was in Strasbourg, the capital of Alsace, when it was German and it spread accross Europe after.

I will now look at something I usually don't do because I exclude Aus from canon but it's just a funny thing to point out.

This au shows a snow town inspired by ginger bread houses. I just find it funny because Aoi is shown as a baker, with bread (which are not baguette I think, it's way larger here) but with some croissant on her table (disclaimer: Croissant are not french at first, this form here is, but it's from Austria otherwise) And Kako clearly has something similar to a Wine bottle in his hands. This au is the only one featuring them, was given with their volumes and the vibes are really similar to their boundary.

I would say no matter what it's definitely closer to German culture but I wanted to point out this region which is known for it's Christmas season and its typical houses.

I will mostly say that it's an inspiration from this region of Europe, I don't know if a real country is the reference for it since we don't even know where tbhk takes place, but it's always funny to look at those things :DD

Little bonus:

In a more messy note, the clothes. I put them at the end because besides their hats, I had no idea how to describe it, since it seems pretty typical of what people could wear in winter.

I did the research in the other way, to look for German and Alsacian clothing to see if it match and it kinda does but I don't think it's speficific to this region. The girls wear classic white Charlotte and big clothes with layers for Winter.

The clock keepers clothes are different, it looks like a mixt of Japanese and western European clothing (especially from england).

Their main outfits for Akane and Kako really just look like a typical waistcoast/costume you can find in the XIXth century in Europe and Mirai's seems more inspired by a mixt of a Kimono with several layers(she also has sandals and frills) and a coat? The little knots Kako and Akane have on their coats look like something inspired from Mizuhiki knots too (I actually saw a costume with those exact same knots in a museum but I didn't take a picture rip)

So I would say they probably changed slowly their attire when they arrived in Japan, we don't know since how many times they are here, but we know that what is happening in the deeper place of the boundary is linked to memories previous to their arrival. According to their origin I think we can say that it's pretty sure they arrived after the Meiji/during the Meiji Era in Japan (1868/1912), since it's a this time Japan mostly imported Western culture (for clothing here, the first contact was before this. And note: it was mostly rich people who dressed like this). And If we look at some others dates like the things they are eating, used to have or even their clothes, I would say it's more probably the Meiji Era and not in the XVs.

Another note is that their clocks have the numbers written in japanese on it (in the og version but it maye just be so it's readable for the japanese readers? idk if it's a choice or not).

I haven't searched much on their clothes but it was still something I wanted to note here ^^

[verflares]

collection of some loz origin au stuff i've been chipping away at for awhile now ^_^ with a healthy amount of dunmeshi insp for good measure LOL (the ooccoo isnt relevant she's just here for size comparison purposes)

feat my beloved good friend @linkvcr's hylia design also. because i am obsessed with her and you should be too 🫵

[welcometoteyvat]

"Come on. Everyone's waiting for you."

[myokk]

fast sketch of ominis & fast intro to the ominis longfic I'm working on!! This is going to be the most self-indulgent pride and prejudice ripoff that ever existed, 100% based on the ominis of my oneshot💘

I am just OBSESSED with exploring the idea that he’s a natural legilimens & OBSESSED with the thought that he thinks too much for his own good🫶🫶🫶

Ominis Gaunt has always suspected he is cold-blooded.

It makes sense, really.

He always seems to be cold: frigid, long fingers that are often stiff and difficult to move; goosebumps raising the skin of his arms and the back of his neck any time he walks through the drafty halls of the dungeons; even his eyes, he has been told, are reminiscent of ice. They are apparently quite unsettling. The only time he feels comfortable in his body is when he basks in the heat of the sun.

His earliest memory is of the cold. It went like this: he was four years old: his older brother, Marvolo, had led him outside as a joke, he swore up and down that it was just a small joke, and how was he supposed to know that poor, blind Ominis would not be able to find his way back home? When his parents had finally found him, his frail mother sobbing and holding his tiny, blue, hypothermic body to her chest, Ominis remembers feeling quite perturbed at the disturbance. Couldn’t he just be left alone, in the silent soft snow?

He does not know if he has ever felt warm since.

As he strides through the dungeons, the copious amount of warming charms he casts on himself do not seem to be enough, but he keeps casting them anyways and also: wrapping his wool scarf more tightly around his neck, quickening his pace in the hopes that blood flows more easily through his limbs, wishing that he had remembered his gloves. Winter is always a terrible time of year (this winter more terrible than usual), and every breath of warm air leaves his lips reluctantly. How he wishes that he could just hold on to it a bit longer and yet the warmth leaves him precisely fifteen traitorous times a minute, the frigid air gleefully entering and burning its way down his throat in response. Maybe it’s a punishment of some sort.

His whole life has been defined by punishments and sometimes he preoccupies himself with the thought that it is the only way he can view the world. Most of the punishments are manifested in curses inherited from his family. (His parents and Marvolo insist that they are gifts, but Ominis begs to differ.)

First, his blindness: the only true punishment-curse that even his family rejects: caused by inbreeding, no doubt. He did not cry after his birth and his mother cradled his tiny body in silent arms, lovingly whispering nonsense-evil-Parseltongue to him but when he opened his eyes and she saw a brilliant celestine blue with no iris, she screamed in horror and shattered the frigid peace of the room. His parents tried everything to fix him, make him whole, throwing money at various possible solutions to no avail. Magically induced disabilities are not, apparently, curable by magic.

Ominis is not sure that he hates being blind, although he suspects everyone thinks that he should. It is as much a part of him as his fifteen-breaths-per-minute, and he thinks that vision is not all it’s cracked up to be. He is always terrified at the thought that his tenuous hold on sanity is only due to the fact that he cannot see, until he realizes he shouldn’t be terrified of hypothetical situations that cannot come to pass. He consoles himself with the thought that maybe, if he has had to give up his vision for his sanity, it is a small price to pay. Although, he also thinks sometimes that it would be nice to live a life without any morality holding him back.

He is entirely too introspective, after all.

It is precisely this introspection that is his downfall in this moment (and his cold blood). Ominis is so busy casting warming charms on himself and thinking in circles that he cannot use his wand to help him sense his environment and so he should not be surprised when he crashes into her.

And yet he is. Terribly surprised.

Maybe if he were not so caught up in his own thoughts he could have paid more attention to his surroundings. Instead, he spent too much time ruminating on his reptilian heritage and has now barreled head first into his arch-nemesis.

Rosalie Harris.

The girl who has stolen his oldest friend from him.

The girl who is currently making angry noises as she clambers to her feet and is picking up the things that he has crashed everywhere. Even if he could see, Ominis is not sure he would help her. Helping her would be akin to betraying himself, after all.

“Hey! Watch where you’re - oh, hello, Ominis.”

“Rosalie,” he says shortly, nodding his head where he thinks she might be standing and stepping to the side. He tightens his grip around his wand, feeling the texture of the wood change from rough to smooth as he runs his thumb down it. Smooth where he always seems to worry it, rough where the wood refuses to yield to the brushes of his thumb.

He surreptitiously casts the spell - he has at least done it so many times he no longer needs to say it out loud - and his surroundings light up. Or, he supposes that is the most apt description, considering he cannot actually differentiate between light and dark. He senses Rosalie’s silhouette to his left - she is standing with her arms crossed and her foot taps impatiently as she waits for him.

Waiting for what? he thinks, slightly irritated. She never seems to leave him alone and he wracks his brain trying to think of something, anything he can say to get rid of her.

Maybe if he speaks in Parseltongue, she would finally be scared away for good. He does not really want that second reminder of his family’s curse, though.

His family preferred speaking in Parseltongue with each other, believing the ability made them morally superior to everyone else and Ominis had not even realized until he had arrived at Hogwarts that no, it was not normal. When his name had been called at the Sorting, furious whispers had erupted amongst all the students, and his every step (terrified, confused, unsure - he had still been getting used to using his wand to navigate his surroundings) to the stool at the front of the Great Hall was plagued with a susurration reminiscent of snakes. Except these whispers, sneaking their way into his mind, had been unkind and overwhelming.

(He had not realized in that moment that he was also hearing their thoughts.)

Maybe now, with Rosalie standing in front of him and just annoyingly waiting for Merlin-knows-what, Ominis should use his Legilimency to find out what Rosalie wants. (He hates it, though.) It would not be difficult. (The thought makes him shiver in horror because he doesn’t want to abuse the ability.) He can feel the edges of her mind, her magic, and all he has to do is reach out - she is right there, and -

“Ominis?”

Her arms are crossed, he hears an impatient huff.

Why hasn’t she left him alone yet?

Hadn’t the Hogwarts Express already left the station, bringing all of the students home for the winter holiday? Ominis had thought he would be one of the only students left in the castle, and if he is being honest with himself, he had been looking quite forward to having the place to himself.

Ominis’s winter has just gotten infinitely worse.

Going to Gaunt Manor for the holidays is out of the question (he will not think about the nightmares that have been plaguing him ever since he received the owl demanding he go home), and Ominis does not want to be more of a burden to the Sallows. They already do enough for him over the summer, and Sebastian and Anne have convinced him to go to Hogsmeade with them at least twice over the next two weeks. Besides, with Anne’s curse progressing, Ominis does not want to be in the way.

“Why are you still here?” Ominis asks. He knows his voice comes across as cold as his blood, blunt, but he cannot help himself. Ever since Rosalie arrived - her entrance to Hogwarts also causing quite the stir - Ominis has been intensely annoyed by her presence. She is too happy. Too carefree. Too…well, everything he is not.

And, she does not seem to leave him alone.

Rosalie is always there, always hanging around Sebastian. (Taking Sebastian away.) He even showed her the Undercroft, which had almost caused a rift in their relationship. Ominis could not believe that Sebastian would be so careless, showing someone who for all intents and purposes is crashing her way into their lives, forcing them to pay attention to her. They barely even knew her, and yet Sebastian thought it was a good idea to show her such a sacred place?

(It does not help that she is intelligent, and Ominis has caught himself on more than one occasion about to ask her about her opinion on something before he catches himself.)

“I was looking for you.”

Ominis tilts his head at that and fiddles with his ring. He considers walking away, leaving -

“I mean…Sebastian said that you were also going to be here over the holidays and since everyone else just left I thought -”

“Thought what?” Internally, Ominis winces at the biting tone to his voice. It came out harsher than he intended, his voice loud and echoing through his mind, bouncing off the cold, stone walls surrounding them.

[glitchedcosmos]

You know, I would love it if we get to see shadows medical failure guilt expanded on, it makes sense he would have a lot , he has a lot of deadly, raging guilt inside of him, survivors guilt, creation guilt, the guilt of past mistakes that almost destroyed entire planets ect, and the guilt of failing someone you were medically responsible for. I want too see that guilt of failure expanded on, Shadow is the ultimate cure, he sees himself as a tool, a weapon, a twisted distortion of a miracle for someone else, a creation to surpass all else for no one but his friend, pushing himself through endless tests, doing anything he was told to do for the sake of his only friend, his best friend, the only true friend he’d know for a long time. The weight of pressure and anxiety crushing him out of fear of failing Maria , not being able to save her from the conditions she faced, not being able to cure her, not living up to the only worth he was created to have. I want to see that expanded on , I want to see how absolutely crushing that guilt of failure is, during their time on the Ark, and the awful , doubled up guilt of the aftermath , the guilt of it all rooted in his most familiar failure. its a important part of his story, and I for one would love to see it expanded on .

[fightmewiatch]

The emotion behind the way Edwin uses fuck is so heavy, because outside of the pilot episode and the scene on the stairs, he doesn't swear. He's a proper boy, repressed and focused and he bottles everything up.

In the Pilot, "The police don't know what to do with a fucking witch", he isn't swearing about the witch. He's angry, and he's upset, and he's frustrated. He's trying to focus on solving this case, saving the girl, doing the right thing, fixing things. Edwin spent seventy years in Hell, fighting for a way out (the detail in his journal, he didn't get out on the first try, he spent those 70s years trying over and over and over to find a way out - but that is a story for a whole other time), torture and pain and heartbreak, only to get out and fall into the school to find out no one cared that he died. "An act of God." The school wrote him off, everyone wrote it off and that was it, that was the end of it, no one cared that a 16 year old boy went to bed and was never seen or heard from again, poof, gone. He spent Charles' last moments with him to keep him company, and calm, and not scared, the two of them knowing what had happened only for the school to once again cover up the death of a 16 year old boy and pretend that whatever happened didn't. Edwin spent the next 30 years connecting with Charles, trying to help ghosts so they don't spend their entire afterlives in a state of absolute sorrow and heartbreak like has. We get such a bare taste of the ghosts they've saved and helped move on, who knows how much good they've truly done, how many they've saved from going to Hell on technicalities like Edwin had done. He's frustrated with Crystal, because he's spent 30 years working with Charles and only with Charles, he knows his friend, he knows how he behaves and how he works and how he acts, those two are connected on a level some people only dream about, and here she comes, she latches on, and she joins them to help but she's so hyper focused on herself and David (understandably so), that she isn't giving the same attention to the case that Edwin and Charles have always done, and he's angry, and he feels like it's going to happen to this girl, he is worried that her focus on David, is going to cause them to fail. Crystal has every right to be upset and scared and everything else that she is, but she doesn't consider, until that moment, that Edwin has a right to be upset about how it seems to be interfering with the case. The way that she reacts when he says "The police don't know what to do with a fucking witch," she realizes it then just how important this case is. Edwin was dragged to hell, the boys around him obliterated - leaving behind the idea that maybe he was, too - so to the school, maybe Edwin just disappeared, like Becky, like all the other little girls over the years in Port Townsend. Solving Becky's case is so damn important to Edwin that he is taking it personally. And while it's subtle, Charles reacts to him swearing, too, as though Edwin does not swear. And based on the rest of the season, it's clear he really doesn't. The way he swears in the pilot is from a place of complete and utter sorrow and anger.

In ep 7, it's different. He's spent the whole season struggling with who is he, trying to come to terms with a feeling he'd repressed for at least a century, and he's had to do it while dealing with the Cat King and Monty and watching Charles flirt with Crystal and struggle through his own rage, he's done it as quietly as he could, as if bringing it up out loud might ruin everything that he's worked so hard for. But now he's in Hell, again, now he's trying to get out, again. Edwin encountered the reason he was sent there in the first place, and found out what really happened. Edwin spent all those years thinking it was purely malice that got him sacrificed, only to find out it was just because Simon had a crush on him, and did an absurdly stupid thing thinking it was harmless. I think in that moment, Edwin realized how easy it is to misunderstand something - because clearly, Edwin had absolutely no idea that Simon liked him at all, until the moment he admitted it in Hell. And then Charles shows up. Charles came to save him, armed with a bomb, a Molotov cocktail, and Edwin's notebook with a map of hell on it. Charles came down, he listened to Edwin's directions, he ran behind him most of the time to make sure Edwin was going to get out. Charles was with him, saving him from one of the rooms, following him to the stairs and up. He stopped with him, even when they needed to keep going, Charles let him have a moment on the steps. Edwin is in shock, he cannot believe it. All these years, all these write offs, all these moments where Edwin genuinely didn't think he'd ever get out of Hell if he were to go back, believed that if they ever got caught by Death or anyone from the afterlife, he would be damned forever because who gives a shit about a technicality, who cares about the poor boy that was sacrificed and written off by the rest of the living. Edwin didn't know what else to do or say, the emotions he'd kept bottled up while he tried to figure them out were coming out one way or the other. "It's so fucking stupid, it's unbelievable." Edwin didn't think he deserved it, thought it was stupid to come down and save him, because who would do such a thing. Charles risked himself to come down to Hell to save Edwin. Edwin never thought he'd be worth it. And when Charles just shrugs it off a bit, reminds him that he was gonna do it, and he's so easy about it that Edwin just. Confesses. And corrects him, when Charles misunderstands for a second. Charles didn't think twice about "Great. Love you too. Can we go?" And he really didn't even hesitate to reassure Edwin when Edwin clarified what he meant, that they had forever to figure things out.

[phantom-pinetree]

Can we talk about how Medic would 100% be an ally to the trans community?

Like this is a man of science. Even if he doesn't understand right away, you bet your ass he's looking into it and doing all the research possible once he first hears about the topic. Before joining Team Fortress, he's probably done top and bottom surgeries on random people without even realizing that it's top/bottom surgery because he just likes adding new organs and parts and shit for the sake of his experiments. We literally see him talk about how he gave all the Classic mercs uteruses for fun.

After he's done his research, he's 100% got everybody covered on all things medical when it comes to transitioning. You need estrogen? He's got you. You don't like how your voice sounds? He'll fix that. You want your tits removed? Done. As long as he can keep them afterwards for experimenting (or shit, he might even slap em onto another person who wants them). As long as you're willing to let him cut you open, Medic doesn't care what your gender (or lack thereof) is. And even if someone's not looking to medically transition, he's still supporting them while asking questions n shit because his curiosity doesn't stop at the physical aspect - he wants to know the psychology, the why, how the brain comes up with this and works with it. It might almost come across as creepy, but he doesn't have any malicious intent, he's just SUPER fascinated with the concept of someone's brain not quite matching their body. He'll definitely give surgery and HRT to any of the mercs that need it (cough cough Sniper and Scout in my headcanons-) and will 100% beat the shit out of anyone who thinks trans people are freaks or abominations or whatever other bullshit names the transphobes come up with. He firmly believes that trans people are amazing and will continue to believe that even after he inevitably gets dragged to hell by the Devil.

And for those of you who headcanon Medic himself as trans? You better believe he felt the same curiosity and wonder towards himself. He only felt even more justified after doing research and learning there were others like him. When no doctor would give him top or bottom surgery, he did it himself. How? No one knows, but he found a way.

TLDR: Medic thinks trans folks are neat and no one can change my mind. Thank you for coming to my TED talk.

[maythedreadwolftakeyou]

perhaps my most #cancelable videogame take i can post on this website is i think that the kind of people who say that anyone who picks the "morally wrong" or "mean" options in video game dialogue should, as a player, feel bad about their own choices/morals in real life. is that those people are just another flavor of the kind of dudes who play Disco Elysium and get mad for not being rewarded for picking the facist options. both of these groups are reducing games to "a thing I want to agree with me and everyone else who doesn't either suffers or does not have the option to play a character who behaves otherwise" rather than "a medium where you get to (or even Have to) explore different kinds of characters in order to experience the full depth of the story and characters in it."

When I want to pick options in a game that are mean, negative, arrogant, or ignorant, it's because I want to explore what would push a character into becoming that kind of person. Sometimes I want to see how the NPC characters who I-The-Player like/agree with react to someone who is fundamentally different from them. I think it's GOOD actually when the narrative allows you to push limits and especially when it has the option to then punish you for it in some way, such as losing options/routes later on, or companions straight up abandoning you for your choices. It DOES often make me deeply, viscerally uncomfortable to make choices in a game that are so counter to my own, but it means I get to experience that discomfort in an isolated environment and also think about what it means, what would push the character or even yes a real person into actually feeling those things. And I get to play with what ways the narrative could challenge them/make them grow over the course of the game--or on the other side, it can let me make a character who does start off more open/accepting but let the events of the narrative push them into being more reactively closed-minded instead.

I like that we have invented a medium where you can play a game multiple times and experience it differently depending on the character you play as. Books and TV and movies are all static--the greatest draw of games to me is the ones that are responsive, that can tell a slightly different story every time--when other characters in the game respond differently to you because of it, or some paths open up and others don't. And so yes it did disappointment me when a franchise that previously had these elements, Dragon Age, did not include them in the most recent installment. I don't think games should have options where you get to just hit a button to say something racist with no consequences or exploration into why a character would do that. but like, if i can only ever play a game as an upstanding person who is morally right all the time in basically the same flavor for every dialogue. I only get to truly play that game Once, you know? And I only get to see the way the companions react to someone they like and trust. And never really go deeper than that.

So like... I just sit and think about the scenes you can get in Inquisition. with Cassandra breaking down, because she fears she placed a would-be tyrant at the head of a powerful organization--that she searched and searched and chose wrong. Of Varric who is desperate to convince you not to become a monster, like the last person he feels betrayed him. Vivienne intentionally pissing you off because she wants to see how far you'll go when angered, how much she has to worry about your reactions. They say so much about the companions, what they fear most, and where they will draw the line. And especially in Inquisition, at these crisis points--you don't have to double down. Your character can have a come-to-Andraste moment where they go "woah... is that really how people see me? is this what i want?" and I think that kind of option can do way more for encouraging actual players to examine the choices they make in stories, more than locking the player into supportive, non-aggressive options does.

now. do i think all games execute these flavors well? no. writers and devs will have their own biases and blind spots, even if they are otherwise well-intentioned. and I don't think the ends of the scale need to extend from "absolute angel" to "horrible bigot", because the real complexity of course lies in the middle. I am not asking for games to let me be bigoted at every turn, what I want is games that let me make the protagonist deeply flawed in one or more ways--fearfully closed-minded to things outside their upbringing, or afraid of change to the status quo, or who want to advance their own aims regardless of consequences to others. I actually agree that the game was correct not to include any options for disrespecting Taash and their personal journey for example, but I do wish... idk maybe that we could have had a scene where if for instance the player character avoided outside-world missions relating to clearing away blight, they could confront us on how this might devastate the natural world and its creatures like dragons, and push us into trying to resolve it. Or in the other direction, if you spend the (currently meaningless) time giving money to background NPCs begging in the cities, Neve could could have a special cutscene thanking you for your attention to people otherwise beneath notice. You know?

And of course not every game can do this, I can write those sentences up there that represent hundreds of hours of dev time, of course they can't do it all. But the prior games usually did have at least a little of this, and that was enough to make me really fall in love. I KNOW the tumultuous development cycle, restarts from scratch, interference from higher-ups all contributed to why Veilguard was unable to hit those same marks this time. And we probably won't ever know how much of the loss of options/reactivity was intention vs a side effect of these things. But I wish people wouldn't frame players who miss these aspects as insane/morally corrupt. When for most of us it's because we genuinely enjoy challenging and exploring these aspects of reality in fiction in a way entirely unlike what we actually support in real life. i fully acknowledge not everyone desires to play this way. and that's fine!!! i am glad people can enjoy doing a "good" run each time that brings them joy. but for me it really limits the potential bounds of my enjoyment i guess. I like media that is complicated and messy and makes me think, and extra so when I get to see how playing that way impacts the greater story around it.

[whumpty-dumpty-doo]

Late night mush-brained I-really-need-to-edit-this-draft-because-this-is-probably-all-way-too-much-irrelevant-information late night thoughts

[sainz100]

Carlos Sainz | F1 London Live in 2017 | x x x x x

[sirensea14]

Mother's love

"Mother knows best."

-Mother Gothel

Or is it really love?

[iwantmochisoup]

mochi soup's sappy happy crying session

i'm so sorry, please bear with me, but i really need to be super sappy rq. (it's gonna be a long one, so imma add the read more here)

i just recently hit 10k likes and lost my shit over it qwq;; i was overthinking a lot, i wanted to run away, and it kinda hit me because honestly, i don't think i deserve all this ;; like i'm just being silly on here and having fun ;;

but that aside, i have been thinking how to properly say thank you, since words are really hard for me (wow big shocker ikr lmao) but i realized it's thanks giving, despite me not being from america i saw all the love today and i thought maybe i can try, this time, to put it to words. (i'm sorry if i don't make sense at all, and honestly don't mind me honestly, i've always been super scared of talking on here but i need to ramble)

so, idk how to start this, i honestly quit art for good like 4 years ago, won't comment on it but this year i tried to pick it back up. i am so scared of people, especially online but i thought why not, so i made a lil acc on here, i wanna say i'm so lucky to have met you all and seeing people like my art, seriously it's what keeps me going. (that sounds so sappy but for what feels like the first time in my life i am genuinely being myself and i am so happy idk what to do) this is way too long of an intro...

i'm gonna start off my twin of course, it feels fitting hehe ;; so, @saltedbiscuiit you know how shit i am at words, and you know how thankful i am for you, and we talked so much about it already so i'll try to keep this short ;; i am genuinely so happy to have met you, kinda feels like it changed my life back then, it honestly hasn't been that long really, since the art trade back in july, i honestly feel like i found my other half (that's so sappy pls don't cry but i'm being honest) thank you so much for everything, you do so much for me, even if you don't know it and i am honestly so so grateful and happy. thank you so much <3 hehe, salty soup salted mochi

the next one is @cryptid-juzou we just recently met, but i fell in love with your writing, almost instantly!! you're such a great friend, and it's sm fun talking and playing games with you!! and i'm so happy and grateful to have met you!! Really, thank you so much for all you did for me and for accepting the collab! To be working with you on our thing (i won't go into detail, yk big surprise and all) honestly, i'm so so happy and i can't wait to finish it!!

next!! @k-aez !! you've been haunting me in dreams, scolding me and i still think about that raw chicken art you did. okay jokes aside, i'm so happy to have met you and i feel the need to thank you like forever for creating the server and everything you've done. you've been supporting me and pushing me to get out of my ass and kept encouraging me sm. i can't put it into words, but i will be forever grateful for everything!

big big thanks to @ohhcinnybuns, @anticidic and @ediblepandas ya'll have been feeding my brain so many good ideas and enabled some brainrot i will thank you forever for. cinny, you know how much i love your fics and your massive brain in general, i'm so happy i was brave enough back then, and did some art of your ideas, idk if i would even tried to join the server if i didn't see your reblog. rosie, you know how much i love your fics, i'm not about to fangirl in public but i'm truly thankful, you've inspired me so so much, i love with your writing, your kitsunezai au and your scream in phasmo still is the best scream ever! pandas, hehe yk i need to thank you here too! your yapping about dresses and in general talking to you is so much fun! i love your brain sm! thank you so so much for enabling me so much, and please send me more dresses, i love them all!

and, ofc i have to give big thanks the chaos trio too @thatghostinyourbog @spccts & @msshinylemon !! yes, i'm calling you that, that name is fitting, shovel fight if you disagree, losers >:3 i have to thank you three a lot, ya'll are so fun to hang around and play games with, i seriously love what you all do, be it drawing, writing or just the way ya'll yap nonstop! it's sm fun hanging out and i love how we bounce off each other so well and ya'll inspire me so much!! also tysm @nolongerforthetainted for babysitting them!! i really love your writing sm and it's always sm fun yapping with you, and also pls make more coleslaw beds!! i need them! but honestly, thank you so much, i am so happy to have met ya'll and i always look forward to talking and hang out with ya'll!!

WAAAAA THAT IS SO LONG OMG BUT!!! I also need to thank each one of you, all my moots and everyone that just takes their time to look at my art, leave a like, reblog, comment what ever really, i appreciate each and every one of you so so much! thank you all so much, from the bottom of my heart, i can't explain how much it means to me! i also want to give a lil thanks to @noakiie @nevertheblood @altruistic-meme @artsyaudience @konbupie @jellyphink & @lethargyinafishbowl i wanted to tag more but i'm so sorry but i'm too scared, really ;;;

idk how to end this, honestly, i feel like i wrote too much and rambled way too much. i guess i'm just gonna-- *runs*

WITH MUCH LOVE AND A BIG HOP STEP JUMP -mochi soup

[dootznbootz]

While their stories are different , Helen and Odysseus are very similar in "roles" of their narratives

Sounds nuts but hold on. I'm also probably wording that weird. but here we go.

Obviously with the time, the culture, and their genders to consider, they ARE very different but there's just...something that's been ITCHING me about them and their stories.

1.) Both of their homes/lovers are "fighting for them". Obviously the Trojan War is about bringing Helen home through the Oath of Tyndarius. (Also, "You kidnapped my wife, wtf?") Menelaus LITERALLY fighting to bring Helen back home. Penelope is fighting so that Odysseus has a home to come back TO.

2.) Paris/Calypso: Cause them both to weep in their stories, literally keep them captive through the means of an immortal/magic for YEARS. People will fight about how "willing" they are

3.) Deiphobus/Circe: Another "lover" where both were just...going through the motions. Trying to survive. Just another day in hell. Shorter amount of time. Both Deiphobus and Circe "defeats" involve someone's "rescuing" (Odysseus rescuing his men, Helen herself being rescued)

4.) Taken away from their home that they didn't want to leave

5.) Missing most of their only child's childhoods unwillingly

Even then, they are technically the CAUSE of each other's circumstances in life. Odysseus made a deal with Tyndarius to marry Penelope. Helen only got to choose Menelaus because of Odysseus' idea. Odysseus had to leave home because of said oath and still tried to resist leaving. Helen is only able to go home (aka the war is over) because of Odysseus' idea again. Both Penelope AND Menelaus leave the place they were born in (Sparta and Mycenae) to rule with their spouses in THEIR homelands. Even with how they're both an "enigma" could be something.

Obviously, they are not each other's "center of the world" but they both have affected each other with their actions (or actions under duress) Same with their spouses.

JUSt... SOMETHING'S ITCHING MY BRAIN WITH THIS skldjf klsdjf MAybe it's a whole "This is how men and women both "fight"" with their expected roles at the time and comparing the two? IDK I feel like there's something there.

I would even say that since Ancient Greece was patriarchal, the reason why Odysseus is abused by goddesses while Helen was abused by immortals who had the HELP of a goddess is because of the notion of "Men cannot be victims unless it was an immortal". Both went through the same horrifying experience regardless however.

Feel free to say something about this if you know more about this topic or shed some light on this or if you just want to chatter about this.

[ganondoodle]

(Original art) Xaror, any pronouns, species (?), age (?)

short summary about them; they act as both an antagonist and an ally since they are only really interested in what they want or whats fun to them, they are immortal and call themselves 'death itself' since they have a special connection to souls (being the only one able to communicate with them) and the ability to seperate souls from their bodies in such a way that nothing can harm the soul afterwards their main goal is to .. bother and disturb the 'celestials'*, which they hate, as much as they can, breaking into their palace, freeing prisoners, destroying research, destroying the place, and most importantly, making as many souls unusable to them as possible-

they dont want to destroy the celestials though, they cant fight them anyway and this game of doing 'good' only with the goal of annoying them is their most treasured activity, so Xaror doesnt intend to stop them from killing or hurting anyone, only from harvesting what they are actually after (though Xaror doesnt actually care as little as they think they do about people, and has a soft spot for demons)

most of their appearance is later into the story; Zaphira (the empress) had been in coma and the medical facility she was treated in was destroyed by Shargon (orange eyed demon who acts as her bodyguard for the first part) in an attempt to save her from her estranged relatives taking over her country after they heard of her decline in health, she is believed dead but washes up on the shore of the mountain Xaror resides at years later (it has a reason, too much to write here) and they slowly nurse her back to health, the reason they give for it is that they found their first encounter very fun, thats all (is it?)

(more lore under the cut bc this is already so long .. im trying to keep it short q-q ......... this is stuff i have been working on since i was a kid so uh, some things might be cheesy but i cant change them anymore ..)

just to get some basics out of the way; theres three worlds, the celestials palace, human world and demon world, each are their own planet connected via different gateways

*celestials (possibly not final name, loosely based on angels) are the last remaining "survivors" of their planets demise, when their world died the most powerful among them cannibalized the weaker to sustain themselves until there were only less than 10 left, who each turned into different beings from it and dont resemble their own people much anymore, they built a palace from what was left on their world that protects them from space as its atmosphere collapsed shortly after- however they still needed something to live off; they discover the human world and are delighted to find rather short lived people with powerful souls, the best kind of sustenance for them (now), they aim to herd them like cattle, but a problem arose when it turned out another world has long been in contact with the human world; demons

demons are semi immortal creatures that act as protectors for their world, protection they extended, more or less secretely, to the human world ensuring them a long and secure life- the celestials need them to die at their whim though (demons are few in numbers, hard to kill and rarely have offspring, not an ideal target); as they worked out a plan on how to get rid of demons one of the celestials, Xanthriel (time) grew somewhat fond of people as they spent alot of time in the human world to observe and research them; in the end turning on their own completely, but losing the fight against Uriel (knowledge)

Xanthriel was supposed to be executed for their betrayal, but it doesnt work, instead they are splintered into many parts after a lot of struggle, most body, memory and most strength is one part (ending up as motionless forever bleeding corpse kept locked up in the palace), the rest is some time later gathered together and reforms as a seperate, weak mockery of them, they embody Xanthriels emotion- Xaror, without memory, strangely cut to pieces (hence all the missing limbs and broken halo) but driven by an unstoppable desire to disturb the celestials (they live seperate long enough to each become their own person, at some point Xaror discovers Xanthriels body after all and they merge back together, though as they are now two, Xanthriel only takes over once directly after merging, stays silent for a long time and lets Xaror be themselves, only later revealing that they are there at all .. hiding perhaps- i rarely have specific ideas for voices, but Xanthriels is like, like coarse rocks being violently rubbed against each other, less voice more noise)

(also, the celestials use Xanthriels blood from the day of their execution to create a plague that nearly wipes out all demons, only the youngest of them survived, effectively robbing them of everything, culture, history, knowledge etc- as demons rarely have children, like a complete restart of their society, they disappeared from the human world, and over time being largely forgotten as actually existing- the celestials wanted them all gone however, so they kept kidnapping them to try and find somethign that would work similarly against the young ones too (and then in general, bc the only usable blood of Xanthriel was from the day of their fall, and that has long since been used up) one of the young ones was Shargon, he was the only one still alive from his group

(also, the celestials use Xanthriels blood from the day of their execution to create a plague that nearly wipes out all demons, only the youngest of them survived, effectively robbing them of everything, culture, history, knowledge etc- as demons rarely have children, like a complete restart of their society, they disappeared from the human world, and over time being largely forgotten as actually existing- the celestials wanted them all gone however, so they kept kidnapping them to try and find somethign that would work similarly against the young ones too (and then in general, bc the only usable blood of Xanthriel was from the day of their fall, and that has long since been used up) one of the young ones was Shargon, he was the only one still alive from his group (he wasnt the strongest or special, he was jsut the last in the row and always got the lowest dosage) when Xaror found them in yet another break in into the palace and got him back to the demon world .. where he was promptly blamed for the others that were taken and treated like a pretender/fake/spy bc what he got put through changed his eye color (something that demons cannot change in any form) to one that does not exist among 'real' demons (orange ... notice the inner color of Xarors broken halo? :) ), some even suggesting killing him, but none of them were brave enough to do it (they were all kids still) .. except Eadrya (the big blue-ish one, largely regarded as the strongest demon alive) but Shargon managed to escape, and since then lived largely in isolation- this is part of why he is so hated, and why he starts to spend so much time in the human world after rediscovering the pathway there)