#idk i am just rambling here

[lazylittledragon]

y'know every time i feel guilty about bothering someone by singing along when i'm listening to music, i just remember that i have to tolerate my dirtbag brother screaming at his ps5 for hours every day so listening to muffled off-key fall out boy is probably preferable

[verflares]

collection of some loz origin au stuff i've been chipping away at for awhile now ^_^ with a healthy amount of dunmeshi insp for good measure LOL (the ooccoo isnt relevant she's just here for size comparison purposes)

feat my beloved good friend @linkvcr's hylia design also. because i am obsessed with her and you should be too 🫵

[journey-to-the-attic]

one thing about ik is that she will always reach out

[glitchedcosmos]

You know, I would love it if we get to see shadows medical failure guilt expanded on, it makes sense he would have a lot , he has a lot of deadly, raging guilt inside of him, survivors guilt, creation guilt, the guilt of past mistakes that almost destroyed entire planets ect, and the guilt of failing someone you were medically responsible for. I want too see that guilt of failure expanded on, Shadow is the ultimate cure, he sees himself as a tool, a weapon, a twisted distortion of a miracle for someone else, a creation to surpass all else for no one but his friend, pushing himself through endless tests, doing anything he was told to do for the sake of his only friend, his best friend, the only true friend he’d know for a long time. The weight of pressure and anxiety crushing him out of fear of failing Maria , not being able to save her from the conditions she faced, not being able to cure her, not living up to the only worth he was created to have. I want to see that expanded on , I want to see how absolutely crushing that guilt of failure is, during their time on the Ark, and the awful , doubled up guilt of the aftermath , the guilt of it all rooted in his most familiar failure. its a important part of his story, and I for one would love to see it expanded on .

[fightmewiatch]

The emotion behind the way Edwin uses fuck is so heavy, because outside of the pilot episode and the scene on the stairs, he doesn't swear. He's a proper boy, repressed and focused and he bottles everything up.

In the Pilot, "The police don't know what to do with a fucking witch", he isn't swearing about the witch. He's angry, and he's upset, and he's frustrated. He's trying to focus on solving this case, saving the girl, doing the right thing, fixing things. Edwin spent seventy years in Hell, fighting for a way out (the detail in his journal, he didn't get out on the first try, he spent those 70s years trying over and over and over to find a way out - but that is a story for a whole other time), torture and pain and heartbreak, only to get out and fall into the school to find out no one cared that he died. "An act of God." The school wrote him off, everyone wrote it off and that was it, that was the end of it, no one cared that a 16 year old boy went to bed and was never seen or heard from again, poof, gone. He spent Charles' last moments with him to keep him company, and calm, and not scared, the two of them knowing what had happened only for the school to once again cover up the death of a 16 year old boy and pretend that whatever happened didn't. Edwin spent the next 30 years connecting with Charles, trying to help ghosts so they don't spend their entire afterlives in a state of absolute sorrow and heartbreak like has. We get such a bare taste of the ghosts they've saved and helped move on, who knows how much good they've truly done, how many they've saved from going to Hell on technicalities like Edwin had done. He's frustrated with Crystal, because he's spent 30 years working with Charles and only with Charles, he knows his friend, he knows how he behaves and how he works and how he acts, those two are connected on a level some people only dream about, and here she comes, she latches on, and she joins them to help but she's so hyper focused on herself and David (understandably so), that she isn't giving the same attention to the case that Edwin and Charles have always done, and he's angry, and he feels like it's going to happen to this girl, he is worried that her focus on David, is going to cause them to fail. Crystal has every right to be upset and scared and everything else that she is, but she doesn't consider, until that moment, that Edwin has a right to be upset about how it seems to be interfering with the case. The way that she reacts when he says "The police don't know what to do with a fucking witch," she realizes it then just how important this case is. Edwin was dragged to hell, the boys around him obliterated - leaving behind the idea that maybe he was, too - so to the school, maybe Edwin just disappeared, like Becky, like all the other little girls over the years in Port Townsend. Solving Becky's case is so damn important to Edwin that he is taking it personally. And while it's subtle, Charles reacts to him swearing, too, as though Edwin does not swear. And based on the rest of the season, it's clear he really doesn't. The way he swears in the pilot is from a place of complete and utter sorrow and anger.

In ep 7, it's different. He's spent the whole season struggling with who is he, trying to come to terms with a feeling he'd repressed for at least a century, and he's had to do it while dealing with the Cat King and Monty and watching Charles flirt with Crystal and struggle through his own rage, he's done it as quietly as he could, as if bringing it up out loud might ruin everything that he's worked so hard for. But now he's in Hell, again, now he's trying to get out, again. Edwin encountered the reason he was sent there in the first place, and found out what really happened. Edwin spent all those years thinking it was purely malice that got him sacrificed, only to find out it was just because Simon had a crush on him, and did an absurdly stupid thing thinking it was harmless. I think in that moment, Edwin realized how easy it is to misunderstand something - because clearly, Edwin had absolutely no idea that Simon liked him at all, until the moment he admitted it in Hell. And then Charles shows up. Charles came to save him, armed with a bomb, a Molotov cocktail, and Edwin's notebook with a map of hell on it. Charles came down, he listened to Edwin's directions, he ran behind him most of the time to make sure Edwin was going to get out. Charles was with him, saving him from one of the rooms, following him to the stairs and up. He stopped with him, even when they needed to keep going, Charles let him have a moment on the steps. Edwin is in shock, he cannot believe it. All these years, all these write offs, all these moments where Edwin genuinely didn't think he'd ever get out of Hell if he were to go back, believed that if they ever got caught by Death or anyone from the afterlife, he would be damned forever because who gives a shit about a technicality, who cares about the poor boy that was sacrificed and written off by the rest of the living. Edwin didn't know what else to do or say, the emotions he'd kept bottled up while he tried to figure them out were coming out one way or the other. "It's so fucking stupid, it's unbelievable." Edwin didn't think he deserved it, thought it was stupid to come down and save him, because who would do such a thing. Charles risked himself to come down to Hell to save Edwin. Edwin never thought he'd be worth it. And when Charles just shrugs it off a bit, reminds him that he was gonna do it, and he's so easy about it that Edwin just. Confesses. And corrects him, when Charles misunderstands for a second. Charles didn't think twice about "Great. Love you too. Can we go?" And he really didn't even hesitate to reassure Edwin when Edwin clarified what he meant, that they had forever to figure things out.

[myokk]

fast sketch of ominis & fast intro to the ominis longfic I'm working on!! This is going to be the most self-indulgent pride and prejudice ripoff that ever existed, 100% based on the ominis of my oneshot💘

I am just OBSESSED with exploring the idea that he’s a natural legilimens & OBSESSED with the thought that he thinks too much for his own good🫶🫶🫶

Ominis Gaunt has always suspected he is cold-blooded.

It makes sense, really.

He always seems to be cold: frigid, long fingers that are often stiff and difficult to move; goosebumps raising the skin of his arms and the back of his neck any time he walks through the drafty halls of the dungeons; even his eyes, he has been told, are reminiscent of ice. They are apparently quite unsettling. The only time he feels comfortable in his body is when he basks in the heat of the sun.

His earliest memory is of the cold. It went like this: he was four years old: his older brother, Marvolo, had led him outside as a joke, he swore up and down that it was just a small joke, and how was he supposed to know that poor, blind Ominis would not be able to find his way back home? When his parents had finally found him, his frail mother sobbing and holding his tiny, blue, hypothermic body to her chest, Ominis remembers feeling quite perturbed at the disturbance. Couldn’t he just be left alone, in the silent soft snow?

He does not know if he has ever felt warm since.

As he strides through the dungeons, the copious amount of warming charms he casts on himself do not seem to be enough, but he keeps casting them anyways and also: wrapping his wool scarf more tightly around his neck, quickening his pace in the hopes that blood flows more easily through his limbs, wishing that he had remembered his gloves. Winter is always a terrible time of year (this winter more terrible than usual), and every breath of warm air leaves his lips reluctantly. How he wishes that he could just hold on to it a bit longer and yet the warmth leaves him precisely fifteen traitorous times a minute, the frigid air gleefully entering and burning its way down his throat in response. Maybe it’s a punishment of some sort.

His whole life has been defined by punishments and sometimes he preoccupies himself with the thought that it is the only way he can view the world. Most of the punishments are manifested in curses inherited from his family. (His parents and Marvolo insist that they are gifts, but Ominis begs to differ.)

First, his blindness: the only true punishment-curse that even his family rejects: caused by inbreeding, no doubt. He did not cry after his birth and his mother cradled his tiny body in silent arms, lovingly whispering nonsense-evil-Parseltongue to him but when he opened his eyes and she saw a brilliant celestine blue with no iris, she screamed in horror and shattered the frigid peace of the room. His parents tried everything to fix him, make him whole, throwing money at various possible solutions to no avail. Magically induced disabilities are not, apparently, curable by magic.

Ominis is not sure that he hates being blind, although he suspects everyone thinks that he should. It is as much a part of him as his fifteen-breaths-per-minute, and he thinks that vision is not all it’s cracked up to be. He is always terrified at the thought that his tenuous hold on sanity is only due to the fact that he cannot see, until he realizes he shouldn’t be terrified of hypothetical situations that cannot come to pass. He consoles himself with the thought that maybe, if he has had to give up his vision for his sanity, it is a small price to pay. Although, he also thinks sometimes that it would be nice to live a life without any morality holding him back.

He is entirely too introspective, after all.

It is precisely this introspection that is his downfall in this moment (and his cold blood). Ominis is so busy casting warming charms on himself and thinking in circles that he cannot use his wand to help him sense his environment and so he should not be surprised when he crashes into her.

And yet he is. Terribly surprised.

Maybe if he were not so caught up in his own thoughts he could have paid more attention to his surroundings. Instead, he spent too much time ruminating on his reptilian heritage and has now barreled head first into his arch-nemesis.

Rosalie Harris.

The girl who has stolen his oldest friend from him.

The girl who is currently making angry noises as she clambers to her feet and is picking up the things that he has crashed everywhere. Even if he could see, Ominis is not sure he would help her. Helping her would be akin to betraying himself, after all.

“Hey! Watch where you’re - oh, hello, Ominis.”

“Rosalie,” he says shortly, nodding his head where he thinks she might be standing and stepping to the side. He tightens his grip around his wand, feeling the texture of the wood change from rough to smooth as he runs his thumb down it. Smooth where he always seems to worry it, rough where the wood refuses to yield to the brushes of his thumb.

He surreptitiously casts the spell - he has at least done it so many times he no longer needs to say it out loud - and his surroundings light up. Or, he supposes that is the most apt description, considering he cannot actually differentiate between light and dark. He senses Rosalie’s silhouette to his left - she is standing with her arms crossed and her foot taps impatiently as she waits for him.

Waiting for what? he thinks, slightly irritated. She never seems to leave him alone and he wracks his brain trying to think of something, anything he can say to get rid of her.

Maybe if he speaks in Parseltongue, she would finally be scared away for good. He does not really want that second reminder of his family’s curse, though.

His family preferred speaking in Parseltongue with each other, believing the ability made them morally superior to everyone else and Ominis had not even realized until he had arrived at Hogwarts that no, it was not normal. When his name had been called at the Sorting, furious whispers had erupted amongst all the students, and his every step (terrified, confused, unsure - he had still been getting used to using his wand to navigate his surroundings) to the stool at the front of the Great Hall was plagued with a susurration reminiscent of snakes. Except these whispers, sneaking their way into his mind, had been unkind and overwhelming.

(He had not realized in that moment that he was also hearing their thoughts.)

Maybe now, with Rosalie standing in front of him and just annoyingly waiting for Merlin-knows-what, Ominis should use his Legilimency to find out what Rosalie wants. (He hates it, though.) It would not be difficult. (The thought makes him shiver in horror because he doesn’t want to abuse the ability.) He can feel the edges of her mind, her magic, and all he has to do is reach out - she is right there, and -

“Ominis?”

Her arms are crossed, he hears an impatient huff.

Why hasn’t she left him alone yet?

Hadn’t the Hogwarts Express already left the station, bringing all of the students home for the winter holiday? Ominis had thought he would be one of the only students left in the castle, and if he is being honest with himself, he had been looking quite forward to having the place to himself.

Ominis’s winter has just gotten infinitely worse.

Going to Gaunt Manor for the holidays is out of the question (he will not think about the nightmares that have been plaguing him ever since he received the owl demanding he go home), and Ominis does not want to be more of a burden to the Sallows. They already do enough for him over the summer, and Sebastian and Anne have convinced him to go to Hogsmeade with them at least twice over the next two weeks. Besides, with Anne’s curse progressing, Ominis does not want to be in the way.

“Why are you still here?” Ominis asks. He knows his voice comes across as cold as his blood, blunt, but he cannot help himself. Ever since Rosalie arrived - her entrance to Hogwarts also causing quite the stir - Ominis has been intensely annoyed by her presence. She is too happy. Too carefree. Too…well, everything he is not.

And, she does not seem to leave him alone.

Rosalie is always there, always hanging around Sebastian. (Taking Sebastian away.) He even showed her the Undercroft, which had almost caused a rift in their relationship. Ominis could not believe that Sebastian would be so careless, showing someone who for all intents and purposes is crashing her way into their lives, forcing them to pay attention to her. They barely even knew her, and yet Sebastian thought it was a good idea to show her such a sacred place?

(It does not help that she is intelligent, and Ominis has caught himself on more than one occasion about to ask her about her opinion on something before he catches himself.)

“I was looking for you.”

Ominis tilts his head at that and fiddles with his ring. He considers walking away, leaving -

“I mean…Sebastian said that you were also going to be here over the holidays and since everyone else just left I thought -”

“Thought what?” Internally, Ominis winces at the biting tone to his voice. It came out harsher than he intended, his voice loud and echoing through his mind, bouncing off the cold, stone walls surrounding them.

[dootznbootz]

While their stories are different , Helen and Odysseus are very similar in "roles" of their narratives

Sounds nuts but hold on. I'm also probably wording that weird. but here we go.

Obviously with the time, the culture, and their genders to consider, they ARE very different but there's just...something that's been ITCHING me about them and their stories.

1.) Both of their homes/lovers are "fighting for them". Obviously the Trojan War is about bringing Helen home through the Oath of Tyndarius. (Also, "You kidnapped my wife, wtf?") Menelaus LITERALLY fighting to bring Helen back home. Penelope is fighting so that Odysseus has a home to come back TO.

2.) Paris/Calypso: Cause them both to weep in their stories, literally keep them captive through the means of an immortal/magic for YEARS. People will fight about how "willing" they are

3.) Deiphobus/Circe: Another "lover" where both were just...going through the motions. Trying to survive. Just another day in hell. Shorter amount of time. Both Deiphobus and Circe "defeats" involve someone's "rescuing" (Odysseus rescuing his men, Helen herself being rescued)

4.) Taken away from their home that they didn't want to leave

5.) Missing most of their only child's childhoods unwillingly

Even then, they are technically the CAUSE of each other's circumstances in life. Odysseus made a deal with Tyndarius to marry Penelope. Helen only got to choose Menelaus because of Odysseus' idea. Odysseus had to leave home because of said oath and still tried to resist leaving. Helen is only able to go home (aka the war is over) because of Odysseus' idea again. Both Penelope AND Menelaus leave the place they were born in (Sparta and Mycenae) to rule with their spouses in THEIR homelands. Even with how they're both an "enigma" could be something.

Obviously, they are not each other's "center of the world" but they both have affected each other with their actions (or actions under duress) Same with their spouses.

JUSt... SOMETHING'S ITCHING MY BRAIN WITH THIS skldjf klsdjf MAybe it's a whole "This is how men and women both "fight"" with their expected roles at the time and comparing the two? IDK I feel like there's something there.

Feel free to say something about this if you know more about this topic or shed some light on this or if you just want to chatter about this.

[ganondoodle]

(Original art) Xaror, any pronouns, species (?), age (?)

short summary about them; they act as both an antagonist and an ally since they are only really interested in what they want or whats fun to them, they are immortal and call themselves 'death itself' since they have a special connection to souls (being the only one able to communicate with them) and the ability to seperate souls from their bodies in such a way that nothing can harm the soul afterwards their main goal is to .. bother and disturb the 'celestials'*, which they hate, as much as they can, breaking into their palace, freeing prisoners, destroying research, destroying the place, and most importantly, making as many souls unusable to them as possible-

they dont want to destroy the celestials though, they cant fight them anyway and this game of doing 'good' only with the goal of annoying them is their most treasured activity, so Xaror doesnt intend to stop them from killing or hurting anyone, only from harvesting what they are actually after (though Xaror doesnt actually care as little as they think they do about people, and has a soft spot for demons)

most of their appearance is later into the story; Zaphira (the empress) had been in coma and the medical facility she was treated in was destroyed by Shargon (orange eyed demon who acts as her bodyguard for the first part) in an attempt to save her from her estranged relatives taking over her country after they heard of her decline in health, she is believed dead but washes up on the shore of the mountain Xaror resides at years later (it has a reason, too much to write here) and they slowly nurse her back to health, the reason they give for it is that they found their first encounter very fun, thats all (is it?)

(more lore under the cut bc this is already so long .. im trying to keep it short q-q ......... this is stuff i have been working on since i was a kid so uh, some things might be cheesy but i cant change them anymore ..)

just to get some basics out of the way; theres three worlds, the celestials palace, human world and demon world, each are their own planet connected via different gateways

*celestials (possibly not final name, loosely based on angels) are the last remaining "survivors" of their planets demise, when their world died the most powerful among them cannibalized the weaker to sustain themselves until there were only less than 10 left, who each turned into different beings from it and dont resemble their own people much anymore, they built a palace from what was left on their world that protects them from space as its atmosphere collapsed shortly after- however they still needed something to live off; they discover the human world and are delighted to find rather short lived people with powerful souls, the best kind of sustenance for them (now), they aim to herd them like cattle, but a problem arose when it turned out another world has long been in contact with the human world; demons

demons are semi immortal creatures that act as protectors for their world, protection they extended, more or less secretely, to the human world ensuring them a long and secure life- the celestials need them to die at their whim though (demons are few in numbers, hard to kill and rarely have offspring, not an ideal target); as they worked out a plan on how to get rid of demons one of the celestials, Xanthriel (time) grew somewhat fond of people as they spent alot of time in the human world to observe and research them; in the end turning on their own completely, but losing the fight against Uriel (knowledge)

Xanthriel was supposed to be executed for their betrayal, but it doesnt work, instead they are splintered into many parts after a lot of struggle, most body, memory and most strength is one part (ending up as motionless forever bleeding corpse kept locked up in the palace), the rest is some time later gathered together and reforms as a seperate, weak mockery of them, they embody Xanthriels emotion- Xaror, without memory, strangely cut to pieces (hence all the missing limbs and broken halo) but driven by an unstoppable desire to disturb the celestials (they live seperate long enough to each become their own person, at some point Xaror discovers Xanthriels body after all and they merge back together, though as they are now two, Xanthriel only takes over once directly after merging, stays silent for a long time and lets Xaror be themselves, only later revealing that they are there at all .. hiding perhaps- i rarely have specific ideas for voices, but Xanthriels is like, like coarse rocks being violently rubbed against each other, less voice more noise)

(also, the celestials use Xanthriels blood from the day of their execution to create a plague that nearly wipes out all demons, only the youngest of them survived, effectively robbing them of everything, culture, history, knowledge etc- as demons rarely have children, like a complete restart of their society, they disappeared from the human world, and over time being largely forgotten as actually existing- the celestials wanted them all gone however, so they kept kidnapping them to try and find somethign that would work similarly against the young ones too (and then in general, bc the only usable blood of Xanthriel was from the day of their fall, and that has long since been used up) one of the young ones was Shargon, he was the only one still alive from his group

(also, the celestials use Xanthriels blood from the day of their execution to create a plague that nearly wipes out all demons, only the youngest of them survived, effectively robbing them of everything, culture, history, knowledge etc- as demons rarely have children, like a complete restart of their society, they disappeared from the human world, and over time being largely forgotten as actually existing- the celestials wanted them all gone however, so they kept kidnapping them to try and find somethign that would work similarly against the young ones too (and then in general, bc the only usable blood of Xanthriel was from the day of their fall, and that has long since been used up) one of the young ones was Shargon, he was the only one still alive from his group (he wasnt the strongest or special, he was jsut the last in the row and always got the lowest dosage) when Xaror found them in yet another break in into the palace and got him back to the demon world .. where he was promptly blamed for the others that were taken and treated like a pretender/fake/spy bc what he got put through changed his eye color (something that demons cannot change in any form) to one that does not exist among 'real' demons (orange ... notice the inner color of Xarors broken halo? :) ), some even suggesting killing him, but none of them were brave enough to do it (they were all kids still) .. except Eadrya (the big blue-ish one, largely regarded as the strongest demon alive) but Shargon managed to escape, and since then lived largely in isolation- this is part of why he is so hated, and why he starts to spend so much time in the human world after rediscovering the pathway there)

[anxiety-and-fandoms]

do you think Gill ever thinks about episode 97’s Chip and Jay? The ones he couldn’t save? Do you think he feels guilty? That he failed them? do you think he ever gets the urge to try and go back again and save them, even if it risks his own demise? even if it risks him seeing their demises over and over and over again?

[kaiserouo]

sometimes its weird to think of ordis as ordan karris

[dusty-siltstrider]

Surely this is a safe place to say this

Random thought while struggling to find references for this fucking outfit THIS ACT 2/3 ACADEMY(?) UNIFORM IS FUGLY I'M GONNA SAY IT

The fuck is this mess. What is it. Why does it have like 5 layers. wtf is his tie tucked into. The color scheme. Vertical stripes. Tf are those weird strappy buckles for. What are the reflective bits. Is it a reflective vest. For all the forklifts driving around ofc. The only saving grace of this outfit is that it exists on Viktor's body and that elevates it from a 1/10 to a 2/10.

Is this specifically Viktor's wardrobe or is it an Academy uniform cuz it's a lot different from what he and Jayce wear in Act 1 (and they're not really involved with the academy in later acts iirc I guess but I'm in no logical state here)

Look at that. Comfy. Practical. Scholarly. A dress shirt and a thin vest. The kinda shit you can wear while hunched over at a desk for 15 hours straight. Easy to cosplay. Shit I wear this on the regular already.

Why'd they give him a goddamn sleeveless silver surfer ass parka later on. I hate the vest. Why it look like that. Is so fucking bulky. That shit looks heavy. My boy gonna melt in any decent summer. I worked up a sweat and a sore neck just looking at it. Spent 20 minutes trying to figure out the fucking act 2/3 fit for cosplay and drawing purposes and I'm like 90% sure he's wearing three separate tops not including the vest. Viktor if this is your own style and not like obligatory businesswear then this ain't it (you're still stunning ofc)

(im very sorry im rather drunk and have been spending too much time thinking about this)

[monochrome-stars]

also maybe because these are super acidic, that makes them like that maybe??? sidenote however, lemons/limes dont affect me so maybe im just .funky idk

[snaplight-anxiety]

cannot fucking believe. edwin brought charles a lantern when he was dying…….charles brings edwin a lantern when he rescues him from hell…………

[misty-moth]

These questions are morbid, but…

In ikevamp, if a pureblood gets a part of their body chopped off, do you think they could somehow reattach it to speed up the healing process or would they have to wait to grow it back like a lizard tail? I’d imagine it would depend on the size of the missing part? I guess?

From Vlad’s explanations, he’s pretty adamant that he can survive just about anything. Even Comte is like “Jean could slice me to ribbons, but he’d be pretty pissed when I waltz back into the room a few days later”. I just… what part would they keep to grow from?? Brain? Heart? I’m guessing heart, but then do they keep the “spare parts?” Do those heal on their own, or decay like a human’s? Now I’m thinking of a pureblood repopulating by asexual reproduction 😭 Jean would not be pleased if two Comtes showed up 🤣

But then if it’s just the heart, could they be decapitated? And then would they just… sit… there? And if they’re regrowing it, when can they move again? How much brain do they need to wake up? That sounds terribly painful.

We only really see how insanely fast they heal from Vlad’s route. To remind anyone, he lost an absurd amount of blood, was stabbed an absurd amount of times, and was 100% recovered in the time it took to get a carriage back to his castle. He didn’t drink any blood on the way (lest he create new vamp children), so that was pureblood magic baybeee.

I went on a tangent, but all that to say… I wanna know how tf all of this works and it has nothing to do with romancing hot historical figures so I’m never gonna know unless—

Faust! I have questions and you’re the only shot I’ve got to get answers! Vlad, cmere.

[blighted-lights]

do you ship ravage and drift? you draw them a lot and they're always so touchy lol

nah. they're really touchy amicas, tho. probably because im always touchy with my friends and it just kinda rubs off on my art. ravage is my Me character so i do end up giving him traits i have. one of those is being touchy with people he cares about 🤷‍♂️. he's especially touchy with drift as when they were grouped together in the dead end (which is where they met in my brain), ravage spent a lot of hours curled up in drift's car alt with laserbeak and buzzsaw for shelter. that touchy aspect never really left their dynamic.

and besides,

drift/deadlock's candle has always been lit for someone else.

(plus an extra doodle of them)

[fogwitchoftheevermore]

i would like to say thank you penelope scott for giving a girl’s always right to the world in this time of need (pearlescentmoon is being mistreated in the life series again)