#i wrote it because i couldn't find it

[heroin-vaccine]

His Favourite Person

jim moriarty x reader

Summary: You have a nightmare, but the consulting criminal is there to calm you down.

Warnings: it's angsty at the beginning, but turns into comfort/fluff at the end, death (not really though, just in a dream), gun usage

A/N Hello! It's just a small piece I wrote after not writing any fanfiction for 7 years. I hope I did our dear Jim justice. Let me know what you think! Please keep in mind that English is not my first language.

You watched as he pressed the gun against his scalp. A smirk evident on his lips, like he wasn't bothered in the slightest by what he was about to do. Your heart raced, panic was written all over your face. No. This is not happening.

"Jim!" You tried calling his name, but he didn't hear you. You tried louder and louder, but it was like you weren't even here. Like you were just a ghost.

You wanted to run to him, to do something, but some kind of invisible force was holding you back. You couldn't get closer. You couldn't stop him.

Before you could yell out his name again, it happened. He pulled the trigger, a loud noise from the gun firing hit your ears and his body fell motionless on the ground, blood pooling around his head.

"No..." A whisper fell from your lips. Your hands were trembling, your heart squeezed.

"God, please no." Sobs started to rack your body, as knees your hit the hard ground beneath. The world around you began to fade. This is not happening...

You wake with a gasp, your eyes shot open. Despite the immobilizing panic your eyes quickly scan the room you're in and you recognize it as yours and Jim's shared bedroom. It was just a nightmare. Your eyes and cheeks were wet, and it felt as if your heart was about to jump out your chest. Despite the slight relief of realization that what you saw was indeed not real, you just couldn't calm down. You needed to see him.

Just when a thought of searching for Jim crossed your mind, you felt a hand on your shoulder, making you jump a little. You looked up, your frantic gaze meeting his concerned one.

He was still dressed in his day clothes, indicating that he probably didn't even went to sleep that night, even though it must be awfully late by now. Still, it wasn't a surprise, as Jim's sleeping patterns were a complete mess. He was either going over business with his clients or conveying orders to his employees or planinng his next move. His mind almost never stopping, which resulted in the man rarely getting any sleep at all.

His brows were furrowed, dark eyes scanning your face. Assessing your state it seemed obvious that it was a nightmare that has shaken you up so much.

"Hey, it's ok. It's ok." He spoke softly, his distinguishable accent pouring from every word. He sat down on the bed beside you and took you in his arms. You pressed your face into his chest, hearing his heartbeat; a clear indicator of him being alive. Your arms came around him, and you inhaled deeply, trying to calm down. The slightly faded scent of his cologne has grounded you further.

"I'm here." He said as he left a small kiss on your head. Seeing you in such a state bothered him. The sight made him frown. Many thought that Jim Moriarty didn't feel anything, that he was heartless. And while it is true for the most part, you were the exception. The only thing that mattered in the long run. You were partners in crime, most of the time; literally.

He propped his chin on your head, his thumb rubbing your back in a calming motion. Finally all the emotions started to slowly evaporate. Your heart rate started going back to normal, as you soaked in Jim's touch, his warmth, his scent, his whole being.

You were the only person who's distress bothered Jim. You're his favourite person afterall. The only equal in this world full of ordinary people. And he will always be there for his one and only other extraordinary person.

[tackykachowch]

By the way, did we ever talk about how stupid it is that they made Silco the reason Felicia died? I don't mean that he killed her personally, but that he jumpstarted violence on a peaceful protest. Because that's sooo who Silco is, right? A character who makes impulsive and poorly thought out decisions, right? A character who goes into a fight headstrong without carefully planning his moves and strategy and just YOLO-ing it, right? Right?? ......sigh

And don't even THINK about giving me the whole "wElL hE cHaNgEd SiNcE tHeN dUh" crap. Even s2 is smart enough to show us him writing something in a notebook in a flashback, which implies that he was the brains behind the Lanes' creation/revolution as a whole. And if he was he would never sabotage his own plans with something so stupid as throwing a single molotov at enforcers. Literally who does that???? Silco we know would probably organize an attack under the guise of a peaceful protest, but not just. Straight-up ruining just a regular peaceful protest. That's stupid. And Silco is the last character in arcane that would do something stupid. Literally the whole plot of season 1 relies on him being intelligent and sneaky with his plans are you kidding me.

[taterthepotato]

IM GOING FERAL. FOREVER 17 TIM. DAMIAN GETTING OLDER THAN HIM. LIKE JUST- DAMIAN BEING PROTECTIVE OF HIS NOW YOUNGER BROTHER HHHHHHHH. TIM IS THE BABY, THE DANGEROUS AND GENUIS BABY. I LOVE HIM AHHHHHHHHH. rando scenario time because im going fucking feral and i dont think a fic like what i require exists

Stranger: *is flirting with Tim*

Tim: *Is trying to politely excuse himself* (mostly because he doesn't want to cause a scene, he's probably in a very public place? idfk)

*Stranger just keeps pushing until they hear a cough from behind them.*

They fucking turn around to see the entire gaggle of batkids glaring at them. Motherfucker would probably piss their pants.

I bet Damian would be twirling a dagger in his fingers while glaring down at this fucker.

Dick has this smile that says 'I am going to politely eviscerate your intestines.'

Jason cracking his knuckles with a nasty grin on his face, probably about to beat this fucker up

The other ones are there too, but i dont trust my grasp on my interpretation of their personalities yet to say what they'd be doing other than beating the dude up or getting tim away, lol

[gingermintpepper]

As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version

Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].

So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.

This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus

Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.

So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.

Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺

ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.

I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!

That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.

For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:

(Ovid. Metamorphoses. Book X. trans. Johnston)

Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:

(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)

Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:

(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)

Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:

and when Zephyros breathed through the flowery garden, Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...

(Nonnus, Dionysiaca, Book 3. trans Rouse)

And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!

Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:

(Ovid, Metamorphoses Book Two. Apollo's regret)

And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:

(Ovid, Metamorphoses Book Two. Apollo wept.)

Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.

(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)

But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:

(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)

Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.

These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.

(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)

Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')

And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:

But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.

It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.

Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.

All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?

The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.

[quoththemaiden]

My running list of interpretations of "And they aren't talking" in Good Omens Season 3:

Yep, they sure did separate at the end of S2

Shocker. The beings who haven't been allowed to talk openly since before the stars existed still aren't talking

They are absolutely the type of petty bastards to firmly insist they're "not talking" to each other to each other

They're talking with each other but aren't spilling the tea to others

They're not talking on purpose because Heaven and Hell want them to work together

Notes left at dead drops, meaningful glances, miraculous music, clandestine clothing cues, and messages relayed by intermediaries aren't "talking"

The first two seasons were absolutely rife with beings who "weren't talking" via a grapevine "that obviously doesn't exist"

This is probably just a teaser for the first half of the first episode anyway, just like with Season 2

Can't talk if you're too busy making out

[melverie]

Okay, but you guys do realize that the reason Mephisto behaves the way he does is because he has been raised with the intent of only being beneficial to the future demon king and nothing else, right?

(Buckle up because this is going to be a loooonnngggg post)

Mephisto comes from a family that has been serving the royal family for ages. He mentions multiple times that his family has always acted as their knights, their advisors and their protectors to them, and it won't be any different with him. It shouldn't be any different with him. Being beneficial to Diavolo has literally been decided to be the very meaning of his life even before he was born. He's been forced into the role and he's following it to a T because he's never known anything else, and because he can't afford to lose that. Without it, what else is left of him? What worth does he hold other than being essentially a tool for Diavolo?

And then the brothers fall and suddenly his position is at risk. Lucifer and Diavolo have already gotten along fairly well back when Lucifer was still an angel. Both Diavolo and Lucifer (as well as several others) mention that they go way back in their Nightbringer homescreen dialogues, and we see them having mutual respect by the end of the 'The Glory Days' Devilgram in the original game. Mephisto and Diavolo meanwhile might be childhood friends, but here's the thing

Diavolo wants a friend. A real friend. Someone that genuinely appreciates him for who he is as a person instead of focusing on his status as the future demon king. And that's something Lucifer can give him. They often hang out for the sake of it (apparently even eating dinner at Ristorante Six together regularly), they regularly engage in lighthearted banter, and Lucifer isn't afraid to give Diavolo his honest opinion

But that's not really the case with Mephisto...? He was never meant to be on equal footing with Diavolo; Diavolo even calls him "mini-Barbatos" at one point. He is literally still calling him 'Lord Diavolo' all the time, requests to speak his honest opinion first and waits for Diavolo to allow him to do so before actually giving it. That's why Mephisto keeps pushing down his own feelings and keeps showering Diavolo in praise any opportunity he gets while he adjusts every aspect of life to be beneficial to Diavolo in a way. Sure, he might be popular, but as long as Diavolo doesn't want him to get married he doesn't even waste a thought about relationships. He might have no real interest in journalism, but of course he'll take over RAD's Newspaper Club. After all, Diavolo asked him to! He's part of the House of Lords because as the future king's right-hand man that just makes sense. He was always just meant to be a tool for the crown prince to use, so he doesn't know how to treat Diavolo as anything but. He was literally groomed to be dispensable, so he's obviously going to act like it

And that's also where Mephisto's dislike for Lucifer stems from—he can only watch as Lucifer slowly grows closer and closer to Diavolo, and threatens to take the role that was always made up to be his. And so Mephisto keeps challenging Lucifer over and over again, trying to sabotage their friendship any way he can in hopes of winning back his position as the crown prince's right-hand man

That obviously doesn't make the way he treats Lucifer (and the rest of the brothers!) right. Lucifer isn't responsible for any of this, and blaming him for it is misguided. But it still doesn't change the fact that Mephisto has the right to be hurt at the situation at hand. His entire purpose of existence is just being ripped away from him right before his eyes and all he can do is watch. That must hurt. Especially when your entire familiy's purpose has been to serve the royal family, and you are the first one to lose that

Also, I feel like something else we need to talk about is how his fight only ever really seems to be with the brothers, especially Lucifer? Again, part of the reason is the entire Diavolo situation, sure, but I feel like it also has to do with the situation in the Devildom at large? I already vaguely talked about this in a different context a few months back, but ever since the brothers have been cast out of the Celestial Realm and arrived in the Devildom, the entire situation has just been super unstable. We as a player have a unique perspective on the events because we only have a limited outsider view to on the actual politics going on the the Devildom, while also being aware how things will play out in the future. We know that ultimately letting the brothers stay is the right choice, but that's not the way a regular denizen who has to live through all this sees it. I mean, just the way Mephisto describes the brothers really puts things into perspective:

The entire realm is super destabilized, they just semi-lost their current king, and there have been multiple very real threats of war—first when the Devildom took the brothers in in the first place, then when "Raphael" showed up and told the brothers to return, and Lucifer rightfully points out to (a comatose) MC that they are bound to go to war should the Celestial Realm ever find out that Diavolo turned Lilith into a human. There's just a lot of tension in the air, and the brothers—extremly powerful as both angels and demons—seem to be at the root of most of it in one way or another. From a the House of Lords' perspective, it makes sense to want the brothers gone, same goes for a denizens perspective. And while it is a delicate situation all around that can't just be blamed on the brothers, it makes sense for Mephisto to also see them at the center of it all. Again, that doesn't make the brothers' treatment right, but it's at least understandable given the circumstances

On a side note, when discussing his beliefs, I think it's also important to remember that he to this day is incredibly sheltered. He just accepts all this as normal because to him it is normal, but as we've seen in lesson 31 hard mode Thirteen was so shocked by his views that she immediately decided to drop everything and play therapist for him (absolute Queen for not just blaming it on him btw 💖). I know this was just a throw-away line, but this paired with him basically excisting to serve Diavolo already says so much about his character:

And with everyone else he seems to be generally pleasent? I mean, he says he doesn't want anything to do with angels or humans, and yet he risks getting injured in order to save Luke from falling. Yet he actively seeks out MC to solve one of the 666 Mysteries of RAD together with them, and saves them from tumbling on the floor because "anyone else would have done the same" (they wouldn't have. The season 1 brothers would have laughed straight in MC's face). He literally complained to Thirteen about how he was just about to go home and how he doesn't have time for her, yet diligently carries all her things for her as rain is pouring down on him. His actions always end up betraying his words

Also he has a massive sweet tooth which alings perfectly with one of the headcanons I had for months and is RAD's local horse girl so we stan! <3

-> more character & relationship analyses -> masterlist

[hanzajesthanza]

it is absolutely so weird to me to try to imagine a version of geralt that is like, my age. like, no. get back to being an old man

[fictionadventurer]

The way I'm tempted to actually use my Imaginary Book Recs sideblog just because it's pretty.

[arcane-vagabond]

If you're reading this, this is your sign to write that weird/fun AU or trope even if it's been done before.

[katkat030]

finally getting a chance to sit down and read the hotguy comic zine and oh my goddd.

striking me that Kryptonite by 3 Doors Down is very, very much a Hotguy-like song

[stargazing-enby]

What is your main fandom? I once noticed you wrote "if Hellaverse was my main fandom", and I thought it was, so now I'm curious

Well, that's a good question 😂 my main fandom from 2017 to about 2022 was Harry Potter (more specifically Drarry), but... Between the awful JKR bullshit and the fact that my love for the ship slowly died down over time, I haven't been very active in the Drarry fandom for a bit. Still, I feel like most of my followers followed me for my Drarry fanworks originally, and still know me for that.

Now I'm waaaay more into Helluva Boss, and I do think it's becoming my main fandom. But since I created a sideblog/alternate ao3 account for it, it doesn't feel main. It feels like a side gig accidentally turned full time gig 😂

I can't completely let go of Drarry, though, because of how much it has shaped my adult life. I don't feel like creating for that ship right now, but if I ever do in the future, I will very likely still post it, just with a huge disclaimer that I have no respect for its creator or her views. So yeah, it's... complicated. 😅

[dollypopup]

all this talk about Pen and Eloise mending their friendship but let's take just a second to be real. i mean really real.

if your best friend did to you what Penelope did to Eloise, would you ever trust that person again?

[sysig]

He’s my little meow meow, my darling, my bbygirl (Patreon)

[maideninorange]

Let's Play A Game, I'm Curious

Put an ask in my inbox answering this question: "If you had to describe my writing with one word, what word would that be?"

[it-begins-with-rain]

Halloween Recommendation: Stephen King's Rose Red

** This one can be tricky to find. It was originally released as a 3 night mini-series in 2002, but then re-released as a motion picture. Apparently Hulu has it?

In 1906, oil barron John Rimbauer built a veritable palace overlooking Seattle. It was his young bride, Ellen, who would give the house it's name: Rose Red.

First blood was drawn before the foundation was even laid. A foreman, murdered over a simple argument. Bizarre deaths and mysterious disappearances plagued Rose Red, swallowing up the Rimbauer family, their servants, friends, and anyone who dared enter.

Eventually, the grand estate fell into disrepair. Paranormal investigators descended upon the property, but none were ever able to solve the mystery, nor stop the deaths.

Now, more than 90 years after the first deaths at Rose Red, Steven Rimbauer, the last living descendant of John and Ellen Rimbauer, has been offered massive sums of money to sell Rose Red. It will be totally leveled, the land used for condos.

Before the house is destroyed, Steven agrees to let Dr. Joyce Reardon and a cobbled-together team of psychics, mediums, and other paranormal investigators do one final sweep of the house.

What evil lurks within Rose Red?

What horrors did John and Ellen Rimbauer summon in their palatial estate- or were they victims themselves?

Why does Rose Red kill the men, but swallow the souls of the women and force them to haunt it's halls?

How many of Dr. Joyce Reardon's team can escape with their lives?

*** Stephen King wrote the screenplay for this story, but there is no novel. Instead, as part of the publicity and hype leading up to the miniseries premiere, "The Diary of Ellen Rimbauer" was published, serving as a prequel. You can buy the novel on Kindle.

[moongothic]

Crocodile having such an explosive debut in his early 20s and such deep trust issues could also point to him having an even EARLIER start a la Shanks as an apprentice or something to an older pirate and their crew as a child/teenager — doubling down on the humiliation factor from facing off whitebeard as also a failure to “come of age” and broader sense of betrayal in watching eager encouragement fickly turn to “what did you THINK would happen”s like the kid who gets egged on by their peers into doing something dangerous and then immediately abandoned when they hurt themselves

Can't say if he did have like an early start for sure, since we really don't know anything about Crocodile's early childhood

But simply considdering how Oda typically layers backstories, I absolutely agree, I do think it's more than likely he has somekind of pre-Whitebeard trauma, be it either unrelated childhood trauma or early-pirating-life trauma (or something else)

Like the way Oda structures backstories, although we always remember like The Big Life-Changing Tragedy that happens at the end of the flashback, more often than not the flashback already begins with something horrible to indicate the character's already had a rough life

Robin was already alone, abused and rejected by most of Ohara even before the Buster Call Incident (followed by a life of running in fear for decades)

Franky had already been abandoned by his family before he lost Tom and got ran over by a train

Law had already lost his entire family before Doffy killed Rosi

Etc etc. Like not all the flashbacks are entirely like this, especially the East Blue-saga ones, but the backstories have been growing in complexity and structure, adding layers to the tragedies (like 🧅 onions 🧅) as the story has gone on

And with Kuma, his backstory doesn't end at two layers of tragedy. Like there's the early childhood tragedy of slavery, then there's the tragedy of losing his loved one in the most cruel, inhumane way possible, and we know there's at least one more gut-punch of a tragedy coming in the next two chapters to finish it all off

So with Crocodile especially I feel like... Like yes, possibly getting betrayed once in his life and having his dreams crushed by Whitebeard could break the man's psyche. But considdering just how seemingly broken his psyche might be, I do absolutely believe there's more layers here. Like his trust must've been broken more than once for him to end up the way he has.

Which alone gives Crocodad a bit more plausibility in my mind, because being rejected by the person you loved and trusted the most would most certainly break your heart (even if it was understandable why). And that really would make for a fine Final Nail on the Coffin for Crocodile's ability to have faith in others

But to really get that broken trust to be an on-going theme in his life that just happens again and again.... yeah it needs to start earlier

Personally, I think some kind of early childhood trauma would make the most sense, at least to me, not just because it could help Crocodile get started "on the wrong foot", but also because Rough Childhoods is just. A General Theme in One Piece lmao. Of course, it wouldn't be The Key Life-Changing Tragedy (I think Dragon would be that), just a "bad start"