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ruporas · 2 years ago

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bound to want (part two) /// part one rest of pages under READ MORE after ID

[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.

It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."

Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.

A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.

A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.

A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.

A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."

"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.

If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."

Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.

"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues, "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."

A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.

The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.

The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.

Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."

With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.

"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.

This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."

The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.

Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."

In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."

The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you." The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.

The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...

That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."

The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]

#vashwood #trigun #trigun maximum #vash the stampede #nicholas d wolfwood #its done.... after 2 months.... collapses on the ground #theres a lot of things i would prob change about this but. its so sappy that it makes me a little happy where it ended up #they deserve a little sap too!!! and in the end this is the closest they could get to a first confession #through want! want in each other's life and company since they both have this strained relationship with keeping people permanent in their #lives... and the people or things that are tied to them in the long term tend to be something that harms them.#and as the saying goes -- good things never last! and im sure they prob gave up trying to find a good thing for a long time #vash managed to be found after the moon accident and got his good thing for a bit but even he prob knew itd come to an end eventually #ironically it was wolfwood that ended it. but he really just planted smth new for vash... and now they have some security #or at least vash does. or at least just for this one moment #a moment of bliss and feeling like they are deserving of love is so Fluctuating for vashwood #and ultimately i think wolfwood could only push onwards to initiate because he sensed there was smth vash wanted. and its just #naturally in wolfwood to give to those that he love #but anyway anyway.... i like to think in a sweet universe -- they had the chance to confess like this and got a little bit of time to #enjoy and share their company in this manner. to be a little less restrained and love each other freely #ruporas art

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moongothic · 1 year ago

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You know I was wondering if Crocodile ever did have any kind of involvement with the Revolutionary Army in secret (lest the Government finds out and revokes his Shichibukai status), what kind of involvement would that even have been

And now, with both the Vegapunk/Ohara flashback and Kuma's flashback, it's being made very clear to us that the Revolutionary Army was broke as hell 22 years ago. Like the fact that this has been brought up twice now in a relatively short span of time is interesting to me, that's usually a sign it's not an unimportant plotpoint

But you know who would have had money to help fund the Army

A funny little warlord who would eventually go and build a fucking casino to run for funsies. A warlord who had to give the Government some of his Pirating Income to keep his warlord-status

Like Crocodile hated the Government anyways so why not help fund the Revolutionary Army in secret, out of spite if for no other reason

Vaguely related, but I keep on remembering this scene (post-Enies Lobby), which at first glance just seems like a basic Lore Dump

But then there's the

"Yet..."

(Or "however", she says "no ni" in Japanese and you could translate that in many ways, I would probably have gone with "however" but that wouldn't have fit into the speechbubble)

Mind you, the conversation just kind of ends there, next we see Garp realize he probably shouldn't have mentioned Dragon infront of such a massive audience, so wherever that "yet" was going to lead to we will never find out, because Oda conveniently changed the subject before we got to it

And you know. Like yes, Robin could be just expressing her shock over finding out that the leader of the Revolutionary Army had a child with someone

But also, Robin was a part of an organization that was trying to overthrow one of the founding countries of the World Government in an explicit attempt to go against said Government (compared to like, Blackbeard, who currently wants to make Fullalead into a "pirate country" that's a part OF the World Government)

Like you don't have to be a genius to look at Crocodile's ultimate goals and compare that to what Dragon is doing and find a few similarities here and there maybe

(Also like, Crocodile's equivalent in Romancing SaGa 2 is meant to be Wagnas, the queer-coded leader of the Seven Heroes (whom the OG Shichibukai are based on) who "hoped to help the world". You know, an interesting detail and all.)

Not to mention, during the time Robin spent with Baroque Works, if Crocodile was ever in contact with the Revolutionary Army at all, considdering she has the ability to easily spy on people and that she didn't trust Crocodile one bit, it wouldn't be unsurprising if she ever spied on Crocodile and/or just overheard a phone call or knew about Crocodile having secret spending habits or something

(Mind you, I'm not saying "she knew" Crocodile was involved with the Revolutionaries, more that she might've been Suspecting Things, that "yet" being about her connecting the dots while unsure if her conclusion was right or not)

Of course Crocodile's plans can't have been Dragon Approved by any means, especially considdering the Army had been looking for Robin for over 10 years (pre-timeskip)

Four years of which were with Crocodile. Like if he was FULLY allied with the Army and KNEW they were looking for Robin, surely he would've called Dragon and been like "hey I found the kid from Ohara, wanna come hang out" or something. But no, he had bigger plans and kept Robin a secret from the Revolutionaries and the Government alike

Also like, I have seen people question why the Revolutionaries weren't involved with Alabasta's rebellion at all, and "Oda hadn't come up with the Revolutionaries yet at the time of writing" (/"OP was meant to end at Alabasta at one point so there would've been no reason to introduce the subplot at that point") aside Between Baroque Works being a secret organization working undercover (thus the Army might not have been aware of the civil war being manufactured), the framing of the King making him look bad and very much the type of monarch that deserved to be overthrown in the Army's eyes, and Crocodile maybe lying through his teeth about what was happening in the country... Yeah, the Army's lack of involvement with Alabasta suddenly makes sense

EDIT Minor addition: Just realized that because Crocodile was technically working for the Government, if the Revs ever did send forces to participate in Alabasta's civil army and taking down the throne, the Government could've easily ordered Crocodile to step in to stop the rebellion and take down the Revolutionaries, right? Because he was supposed to be on the Government's side, right? And surely the Army wouldn't have wanted to fight against Crocodile if they were secretly allied (Croc's secret betrayal aside), and if Crocodile refused to fight the Revs the Government could've seen that as a reason to revoke his Shichibukai rights (which wouldn't be great if they wanted to keep Crocodile in a position where he could fund the Army?). So it could've also been a case of it being for the best for everyone's sake to let this one play out "naturally"

But my point is

I'm just deeply intriqued by these little details and wonder if I'm Actually Masterfully Connecting The Dots Like a True Genius or just seeing a pattern where there's none. Like this is far from confirming the theory, I'm just saying, the pieces do kinda fit together do they not