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chuluoyi · 9 months ago

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first ultrasound with gojo (love entries) headcanons?❤️

࿐ ࿔ 🕰️ 「 12:55 P.M 」

*sigh* why am i so weak to domestic requests... this is just a little thing i wrote in one sitting while stalling my nanami fic (and after coming back from the company retreat!) sobs, i'm going back to it i promise!! :')) this loosely takes place after daddy-to-be <3

a part of gojo's love entries

“now let us see…”

you were lying on the examination table as the ultrasound gel made contact with your still flat abdomen. the sheer coldness and the way the probe pressed hard on your skin made you wince a bit, until that discomfort was eased by a comforting squeeze of your hand, prompting you to turn your head towards the source.

your husband, gojo satoru, offered you a smile so warm it made everything else fade into the background. beyond his sunglasses was the way he always fondly looked at you, as if he was silently assuring you that he would be by your side every step of this journey.

you couldn't help but smile back at him.

“ah, here’s the baby,” your doctor gestured at the monochrome screen with a grin. “around five weeks now. it’s the size of a seed.”

a seed? your gaze fixed on the screen with a sense of wonder. honestly you couldn’t really pinpoint where your baby was, until you saw one dot that the doctor zoomed in.

and there it was—the tiny beginning of life. the product of you and your husband’s love, growing steadily inside you.

suddenly it felt so real that you were carrying a new life. your heart overflowed with warmth, swelling with emotion, and you struggled to hold back tears as your gaze shifted between the screen and satoru, who offered you a comforting pat on the head.

“hush,” he whispered softly, seemingly moved too after looking at the living testament of his baby on the screen. “don’t cry now, hmm?”

after seeing the sonogram and had it printed, both of you sat before the doctor as she instructed you to take things easy from now on, and through it all, satoru held your hand firmly in his, attentively listening to everything the doctor mentioned and even proactively asking questions in return.

“doc, she gets dizzy and nauseous easily, can you prescribe her something to make it bearable?”

“i can certainly prescribe some anti-sickness medication, but i highly recommend you to have plenty of rests and eat healthy food too to reduce morning sickness—”

“hmm, and can you recommend anything to improve sleep? she can have trouble sleeping too…”

honestly it touched you to see satoru picked up on these little things about you despite being away so often. only now did you realize that he had always been watching over you, without fail.

back at home, he sat you down on your bed, back to being a carefree clown who would draw laughs out of you.

“now, little mom,” he began, his lips already turning up into a grin as he took your hands in his, kneeling before you. “you need to listen to me very closely, okay?”

you snorted. “don't address me like that!”

“uh-oh, no squirming,” satoru warned playfully, pinching your cheeks, and you swatted his hand, holding back giggles.

oh my. just what a blissfully happy couple you were.

“first thing first, now you are to have lots of breaks and rest,” he declared, amusement melted a bit from his tone. “the doctor said so. it'll help with your nausea too. if you feel the slightest bit unwell, you have to go back and rest.”

you rolled your eyes. “yeah, yeah...”

“and no staying up late too,” he added, fixing his clear eyes on yours. “especially not for waiting for me to be home.”

that got you to clamp up. so he noticed it too, the way you would always wait for him, even at the cost of not sleeping at all. satoru never really said anything all this time, but now you knew, he was indeed worried.

once again, your chest burst with love and warmth. but still...

“can you promise me that?” satoru asked you gently, his smile still in place, but you knew the underlying command behind those words. “i'm coming back. always. i have everything i want here, with you. there's no way i'm not coming back.”

you hung onto his every word, and much like spellbound, you let go of everything and nodded.

“and now baby...”

he then shifted his focus to your tummy, gently brushing his fingers across it, and the gesture stirred something inside you, making you throb with emotion.

“you only have one job. grow big and healthy, and you can even bother mama sometimes! just don't make her too sick or i'll worry...”

somehow your vision blurred with tears, hearing how unusually earnest he was. “satoru, you're so silly.”

but as always, he would pick this moment to flip the switch, reverting back to his usual teasing.

“hmm, what's that? you're getting soft now, aren't you, mommy~?”

“...why do you have to sound like that? you're making it lewd on purpose!”

in this little world of love of yours, it was just you and him, along with the tales of your life together. you had weathered various moments side by side, and now, as you were embarking on another significant chapter with him, you were certain that everything would be alright.

satoru pulled you to the bed and smothered your head with kisses, trapping you between his strong arms. “hmm, comfy now?”

“mmm, yeah. keep cuddling me...”

and from his side, he was sure, that right now, everything had never been and felt so right than ever before—with the love of his life and future in his arms.

#𝑙𝑜𝑣𝑒 𝑒𝑛𝑡𝑟𝑖𝑒𝑠 #gojo satoru x reader #jujutsu kaisen #jjk x reader #jjk x you #jjk x y/n #gojo satoru #gojo x reader #jjk imagines #jjk drabbles #jujutsu kaisen x reader #satoru gojo x reader #jjk fanfic #gojo satoru fluff #jjk fluff #gojo x you #satoru gojo fluff #jjk x reader fluff

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mythalism · 2 months ago

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i realized the other day after posting about this fan theory that, at this point, it is basically talked about in fandom as if its canon, and newer fans might not understand why. my goal today was to explain the theory and all of the evidence we have for it in inquisition to give people a better understanding of why this has become so ubiquitous, and to hopefully have something to look back on in two months with that "apollo gift of prophecy" dodgeball meme when veilguard proves us right.

very important before i get started: this is not my theory. i didn't make it up. unfortunately, i also don't know exactly who did and if it could even be traced at this point. this is something that many people have believed for a long time, and i'm not the first to write about it. there are a lot of great posts and essays that speculate on this theory, and what it could mean for solas's character going forward.

PLEASE feel free to contribute thoughts, or link to posts you have made yourself or seen before in the replies/reblogs!!! much of my own experience with this comes from long before this account existed, so i dont have exact sources but rather random, amorphous fandom knowledge of this theory and what major arguments have circulated in the past 10 years. this post by @sammakesart and this post by @mrs-gauche went around recently and both touch on this theory and i highly recommend them both! i know @corseque has also written about this theory multiple times over the years.

i was first introduced to this on tumblr when it started gaining ground in the fandom after the release of trespasser in 2015, predominantly due to a couple of lines of cole dialogue from trespasser, so that is where we will begin.

shoutout to @daitranscripts and the dragon age wiki for the dialogue

this line of cole's is basically the foundation of this theory, and what is cited most often. i'm not entirely sure if the theory existed before trespasser, but if it did, i dont remember it being well-known or widely accepted like it is now.

this line is usually interpreted to suggest that solas, who would have been a spirit of wisdom/pride at the time, took a body and came into being as an elf at mythal's behest. this is also the line that suggests solas himself once wore vallaslin, and that he removed it himself using the same spell he uses on a romanced lavellan thousands of years later, but did so clumsily the first time and left the scar we can see on his eyebrow.

first i want to acknowledge what are pretty much the most damning indications of this theory

solas means "pride; to stand tall" in elvhen, according to world of thedas vol. 1

the dread wolf form we see in murals, written descriptions, and of course, in real life in the veilguard trailer, bears a pretty clear resemblance to pride demons:

most notably, in the face and eyes. yeah i dont really have anything else to say about those lmao it's pretty blatant

overall, inquisition tells us a great deal about spirits, and gives the player an alternate worldview through which to understand them, distinct from the chantry/circle narrative presented previously.

solas himself, along with cole, has a lot to say about the nature of spirits throughout his dialogue and banter with several characters. one sentiment that he espouses repeatedly is that spirits and demons are the same thing, but demons are a spirit corrupted and perverted away from its purpose.

Solas: They rarely seek this world. When they do, their natures do not often survive exposure to the people they encounter. Wisdom and purpose are too easily twisted to pride and desire

During All New, Faded for Her:

PC: Solas, you said your friend was a wisdom spirit. Solas: That is not its natural form. It has been corrupted. PC: Corrupted? Solas: Forced to act against its original purpose. What did they do, what did they do, what did they do?

second, that spirits and the fade are a mirror, and reflect the waking world. specifically, that spirits reflect the perception and expectation of a mortal, and adapts accordingly. belief makes reality.

On Ostagar:

PC: I've heard the stories. It would be interesting to hear what it was really like. Solas: That's just it. In the Fade, I see reflections created by spirits who react to the emotions of the warriors. One moment, I see heroic Wardens lighting the fire and a power mad villain sneering as he lets King Cailan fall. The next, I see an army overwhelmed and a veteran commander refusing to let more soldiers die in a lost cause. PC: And you can't tell which is real? Solas: It is the fade. They are all real.

and third, that spirits are people.

solas expresses concerns over what the breach does to spirits at multiple points, including here with cassandra.

he also regularly argues in favor of spirits personhood, and passionately pushes back against characters who argue the opposite, such as dorian:

as well as the inquisitor themselves, should they choose certain dialogue options:

PC: You trust these spirits not to possess you the first time you accidentally make a wish? Solas: Do you trust your friends not to turn on you? (authors note: LMFAOOOOOOO) PC: Well, yes, but they're people. Solas: Ah, of course. PC: You know what I mean. Solas: Are people only people because they are flesh and blood? Solas: Is Cassandra defined by her cheekbones and not her faith? Varric by his chest hair not his wit? PC: They're not defined by their bodies, but they do have bodies. You need one to be a person. Solas: A demon possessing a corpse has a body. PC: A living body. Solas: A demon possesses a living mage to become an abomination. PC: They didn't make that body. They just took it over. Solas: Technically your mother created your body, with some help from your father, one assumes. PC: You've thought about this. Solas: On occasion, yes. OR:

PC: Spirits are bound by their nature. You said it yourself. They're shaped by contact with real people. Solas: Just as Leliana was shaped by contact with Divine Justinia, as those who serve the inquisition are shaped by you. If I change your mind in this conversation, does that mean you're no more real than a spirit? OR: PC: Im certain you have some rhetorical trick ready to counter anything I say. Solas: It's likely. I've had a lot of time to discuss the question with people. Or "spirits", if you prefer.

aside from this entire conversation being hilarious and very fen'harel coded, i think its notable that his enthusiasm and snark here is distinct from the way he engages in other debates, where he is often clinical and detached. on the subject of spirits, however, we get a lot more emotional investment from him - it feels personal. as he says, he's thought about it. on occasion.

solas having originally been a spirit adds helpful context for his insistence on spirit's personhood despite modern thedas's completely contradictory beliefs, and also helps inform his worldview more generally, especially in regards to elves.

one of solas's most heavily criticized aspects is his disdain for modern elves and the dalish. and i agree, it's fucked up and he is an absolute ass about it at nearly every opportunity. however, his feelings regarding the elves sometimes seem... strange, even in the context of him being an ancient elf.

keeping in mind cole's line from trespasser, that he "did not want a body", as well as another cole line from trespasser:

most people infer that there is some sort of resentment on solas's end for him having to become human at mythal's request. it seems as if he was turned away from his purpose. wisdom forced to be pride.

cole's personal quest, which shows solas passionately arguing to keep cole a spirit, supports this. it is almost as if he is trying to prevent cole from the same fate that was forced upon him.

throughout the quest he says things such as: "This is not some fanciful story, child of the stone. We cannot change our nature by wishing." "A spirit does not work through emotions. It embodies them." "You would alter the essence of what he is." "It is good that he is not entirely changed, however human he becomes."

most telling of all, i think is this line at the end of the quest if you elect to keep cole as a spirit.

Varric: "He could have been a person." Solas: Possibly. Would that have made him happier?

OUGGHGH.

clearly, for solas, the answer was no. being a person has not made him happier.

regardless, solas still values spirits as fundamentally equal to people despite their differences and worthy of the same freedoms, self-determination and respect.

this kinship with spirits, however, might help explain his disdain for elves, in a way i find to be more satisfying than "all ancient elves are assholes" and more in-line with his character overall.

it seems as if solas doesnt see himself as separate from modern elves because he doesnt see himself as a modern elf, but that he doesnt not see himself as an elf at all, but rather as a spirit.

solas infamously says, following halamshiral if you bring up briala:

"I'm sorry, I was confused. I do not consider myself to have much in common with the elves."

the inquisitor has the option for several responses, and although most of us probably pick the one that tells him to fuck off, the others are more telling:

PC: Nor should you. You're not defined by the shape of your ears. They're not your people. Solas: No, they are not. OR PC: Who do you have much in common with. Who are your people? Solas: A good question. Solas: I joined the inquisition to save the world. Regardless of who "my people" are, this was the best way to help him.

"not being defined by the shape of your ears" and solas's immediate identification with the statement and approval of it sticks out to me. it seems like he's just being racist, and he very well might be, but in the context of this theory, it can also be interpreted as him disliking being "defined" by having a body at all, or any physical characteristics, consistent with how he resists the idea that varric and cassandra are defined by their own physical characteristics.

if the player insists they want to help the orlesian elves even if he doesnt, he still has something interesting to say:

Solas: Stop Corypheus. That will do for a start. It speaks well of you to feel for the oppressed. Help them for that. Know them for what they are.

this is not the only time he equates all oppressed groups of thedas to one another, defined by their shared subjugation rather than the real, in-world divisions such as race and religion. it's also interesting to consider the relationship between oppression, as a situation that evokes certain emotions in those who experience it, such as pride. as solas says of ostagar, spirits there were drawn to the emotions of the soldiers there. are spirits of pride drawn to situations of oppression, where pride is needed for liberation?

solas's failure (or refusal) to recognize the reality of how oppression functions in modern thedas along lines of race and ethnicity specifically is one of his biggest flaws, but it continues to fit with this theory, as it is consistent with that same sort of single-minded, spirit tunnel-vision that we see from spirits and demons. i would also assume that he considers spirits to be part of this monolithic group of "the oppressed", considering the spirit slavery/bondage practices in tevinter and nevarra, both of which he criticizes.

i do believe, however, that to equate all of solas's unfair derision of the dalish to him identifying with spirits over people, rather than ancient elves over modern elves, would be too generous and an oversimplification. its also clear how much of his anger towards the dalish comes from... wait for it.... his wounded pride.

solas is prideful. when he is faced with pride in others, he becomes defensive, even nasty. when his pride is challenged, often by others pride, he becomes almost unrecognizable. the dalish specifically rub up against his pride, in the most specific of ways that grate at his most cherished qualities and that disregard his own perception of himself. the thing he is most proud of, leading a slave rebellion against corrupt tyrants, erased from history entirely. branded a traitor instead, while those he fought against are worshiped as saviors for millennia.

Solas: I have joined my fair share of causes. But when I offered lessons learned in the Fade, I was derided by my enemies... and sometimes by my allies. Liar. Fool. Madman. There are endless ways to say something isn't worth listening to. Over time, it grinds away at you.

its also possible, considering what we know of the nature of expectation creating reality for spirits, that the dalish framing of the dread wolf actually does indeed make him worse - more arrogant, less compassionate, more ruthless, more cunning, more of a liar. a spirit being perverted into a demon based on the dominant perception of it.

perhaps the most interesting tidbit about solas of all which supports this theory, is that this phenomenon of expectation shaping his nature, making him more prideful or more humble, is not exclusive to the world of thedas, but also occurs on a meta-level with the player by proxy of the inquisitor.

a 2020 interview of trick weekes, solas's writer, says this pretty much verbatim.

"Solas mirrors. If you approach Solas from a place of humility and say, "I want to learn from you," Solas will bend over backwards to tell you how flawed he is and how he's just coming at this from his own limited understanding. If you come in with ego, Solas is genetically incapable of not bristling when he sees your ego... because he can't not do that."

this is fascinating for like 7 million reasons, but most notably for the language trick uses that i believe to be incredibly revealing. first, solas himself talks about how spirits "mirror" the real world multiple times. second is the way in which they speak about solas's mirroring as innate, uncontrollable, and involuntary. he is genetically incapable of not mirroring. genetically incapable of not bristling at someone else's pride. this being a genetic incapability implies, pretty unambigously, that he is a spirit. we dont know of any people in thedas who have pride in their DNA. except. you know. pride demons.

pride is his purpose. he cannot turn away from it or betray that purpose to pursue something else. he cannot change his nature simply by wishing. if he were to attempt it, he would be corrupted.

trick offers this information as an explanation for player's extremely varied perception of solas when playing the game, and it perfectly mimics the way solas himself talks about spirits as being created by a dreamer's expectation of them.

when asked about his friendships with spirits, he says:.

PC: You're saying that you became friends with pride and desire demons? Solas: They were not demons for me. PC: Meaning? Solas: The Fade reflects the minds of the living. If you expect a spirit of wisdom to be a pride demon, it will adapt/ And if your mind is free of corrupting influences? If you understand the nature of the spirit? They can be fast friends.

i just love how perfectly this reflects every fandom argument that's been had on twitter about solas for the past 10 years. like seriously.

random twitter user: you like that guy!? but hes a [demon]!! solas stans: he wasn't a demon for me

and it is true; people who are pretty deep into the games often know what solas is like to a low-approval inquisitor, but it can be shocking for new players to see what he is like at the other end of the approval spectrum, whether that is someone who hated him seeing the tenderness with which he kisses a romanced lavellan goodbye to remove her anchor in trespasser, or someone who romanced him witnessing the cruelty and detachment which with he grabs a low-approval inquisitor to yank off their anchor. he becomes almost an entirely different person based on how the player treats him.

for all that solas, in true spirit form, reflects the perceptions of the players, he has plenty of pure pride-demon vibes on his own, independent of player expectation. he is not just proud, or made proud as a mirror for player/character pride, but he often even goes as far as to act in ways that mimic how we have seen from spirits more generally, as well as pride demons specifically.

the wiki states:

"Spirits are not complex in the sense that they seize upon a single facet of human experience, and this one idea becomes their identity.[3] They are formed as a reflection of the real world and its passions.[10] A spirit embodies and latches onto a specific purpose and will do all in its power to fulfill that purpose. For instance, a hunger demon will attempt to feed on anything it crosses,[4] and a spirit of justice will stop at nothing to uphold its name”

along with further reinforcing solas's tunnel vission as characteristic of spirits, he does indeed intentionally attempt to stoke arrogance in others, as well as test characters to see if they are vulnerable to arrogance and power-hungriness. this is probably best exemplified by his banter with vivienne, versus his banter with cassandra.

i mean this one is self explanatory. cmon.

but it becomes especially interesting when compared to his interactions with cassandra, of whom he starts out very distrustful of. however, through their banter, he immediately begins to test her for indications of her inclination towards arrogance and desire for power:

cassandra passes solas's tests and earns his approval through her humility, curiosity, and willingness to give up power for the greater good. as a result, solas softens considerably towards her, and becomes more evocative of wisdom than pride, offering her advice when she asks, though very humbly:

"i would hardly presume" is actually hilarious considering how he does presume. ALL THE TIME. but it shows the extent of this "mirroring" that trick mentions, when compared to how he speaks with vivienne, who does not pass his tests of pride: notice how his jabs at her specifically target her pride, the things she is proud of about herself, and tear them down:

he tells her that her position in the orlesian court is unearned, that the freedom she is so proud of winning for herself will come to an inevitable end, and that her resistance to demons does not make her special. its absolutely BRUTAL.

its especially important to note how little bearing vivienne and cassandra's backgrounds have on solas's perception of them. vivienne is a circle mage, a group of people who solas deeply sympathizes with, and believes should be freed. meanwhile cassandra is effectively templar, a group whom solas despises and finds unjust, and has been complacent in the oppression of mages that solas is so vehemently against.

and yet? it does not matter. he measures their worth based entirely on their propensity for pride.

it’s worth noting too, keeping in mind Solas’s almost uncharacteristic reverence for cassandra’s faith in the maker and (take this with a grain of salt because it was david gaider and he said via forum post….) that there are actually two types of spirits that become pride. wisdom, and faith.

"A spirit embodies and latches onto a specific purpose and will do all in its power to fulfill that purpose."

what we DONT know: pretty much everything else about this. what was the process like? at what point in history did he take the body? how was that body made? was it stolen? did he start as wisdom and turn into pride later? did he always oscillate between both? was he corrupted by what was asked of him, to fight, as his friend was in his personal quest?

i could continue talking about this forever, probably, especially with how it manifests in the solavellan relationship and what it suggests for solas's story in veilguard, but ill cut it here for both my own sanity and yours. but first, a few fun dialogue bits that strike me as very pride-demon coded but didn't fit anywhere else in this analysis.

in conclusion:

#phew!#love putting my autism + english degree to good use on a saturday morning :D #come get yall juice #solas #solas dragon age #dragon age #meta #dragon age meta

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cup-o-stars · 3 months ago

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How to draw like you no borax

Good question!

I'd warn against following my process (at least if you want to learn), but I'll be honest and show you, lol. (Heads up: this is just how I do FAN art. When having fun, I generally care less about the fundamentals.)

1. I slap down super rough sketches, jotting lines/expressions like bullet points of my idea. Pretty much stick figures with just enough detail to remember who's who later. Not shown here, I also move, resize, and add details to express the intended composition if I'm planning something larger. You may notice a lot of curved lines / haphazard circles.

2. I refine the sketch by drawing it with more intention and build structure with slightly blockier shapes. If I'm really struggling with a pose, this is also where I'll find references or look at myself for bits and pieces to fill in the gaps. (When practicing, I would highly recommend using a reference from the start so all your limbs are an appropriate length and you don't need to say things like "that's passable" right before posting. If you're a perfectionist you'll leave that thought with the rough sketch.)

3. I'll decide around here whether or not to leave the sketch as is or commit to lineart (not likely). I guess I'd say I "shape the lines" here by going over some to add thickness/weight, and by adding basic sort-of-shading to break things up a little. Then I'll just fill in space if the page looks empty. (Usually this is where I incorporate the borax, but I hear baking soda works nicely if you're worried.)

4. Onto coloring. I don't feel confident enough to pretend I know what I'm doing here, lol. I just choose my base colors, imagine the general direction of the light source, then add minor gradients to the light and dark layers so they don't look flat. Then I just add some BS highlights and outline them. I've only recently found the motivation to properly practice coloring and just go with the flow tbh.

You may notice that Nami's forearm is too long, her hand looks like a pancake and Chopper has no joints! My kind sibling explained to me once that my anatomy is poor, but cohesive enough that nothing stands out too bad, lol. That's why it is important to use references!! And if you're me, practice all parts of anatomy at the same time with full bodies so that even when you're at a loss, your hands aren't that much better than your feet.

All in all, to draw like me, just have a very hedonistic approach to art, ha. Draw what you want, avoid getting burnt out on any single piece (sometimes that happens when you try to perfect drawings one at a time), and follow my personal motto:

Make fun, not masterpieces.

Idk how helpful this was, but there you have it!

#drawing #one piece #fanart #nico robin #luffy #ask

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undiscovered-horizon · 1 year ago

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Hi! I really enjoy your one piece writings, they have given me so much comfort when I don't feel okay 😭

Can I please get a Mihawk (I'm completely in love w this man aah) imagine where his wife is a sensitive person who gets sad when someone is rude to them but they feel insecure couse they think it's stupid

Thank youuuuuu ❤️🥺

First of all, I'm honoured that I can provide a source of comfort to you. I'm glad my work has made you feel better in your time of need.

Second of all: oh yessss bestie this hits the spot. It also reminds me of a wonderful scene in The Gentlemen (10/10, highly recommend) [it also hits close to home because I am a sensitive person]

The thing about strong people is that they make others want to be just as strong, which isn't always easy if even possible. You've always known you're a little 'softer' than most people but only after marrying Mihawk did you find the difference in temperament bothersome. Instead of considering your sensitivity a fact of nature, you've begun to find it a flaw, something that you should change about yourself.

You've never admitted it to yourself but the truth is plain and simple - you think it's embarrassing. That Mihawk will find your sensitivity embarrassing. Maybe if you had been up-front about it with your husband, you'd learn that he adores your soft heart. If he felt forthcoming enough, perhaps you'd even hear that you're the source of warmth and light in his life. Hence he calls you his 'sun'.

To say that Mihawk grew concerned when he heard your muffled sobs would be like not saying anything. A delicious euphemism at best. Anger and fear bubble inside his chest. There's a strange itch in his hands that eggs him to wreak havoc.

"Apple of my eye," his voice carries well through the rather empty room you're both staying at currently. "What is the meaning of this?"

Frantically wiping away your tears, you look over your shoulder to meet his gaze. Mihawk is leaning against the doorframe, blocking the entrance if you so wish to run away from this situation.

"Oh, it's nothing. Really, I'm alright. No need to worry," you half-heartedly attempt to reassure him.

The swordsman loudly exhales through his nose. He's your husband, worrying about you is his duty. In slow steps, Mihawk walks over to the edge of the bed where you're sitting. Pride and titles as if forgotten, he drops on one knee in front of you. One of his hands gently squeezes your knee.

Unsure what's the best way to go about these circumstances, you timidly meet his intense gaze. The passion in his yellow eyes makes you think of a maelstrom captured in a jar - something devastating held back by a miracle. He's already seething, just doesn't yet know who exactly to direct his violence at.

"Indulge me," he prompts you to confide in him. There's a rare sense of pleading in his tone.

So indulge him you do - you tell Mihawk all about the unpleasant encounter with a local tearaway. Your husband tries his best to control his expression as you recount the unambiguously offensive words, unwanted touches and threats of real violence coming from someone who was probably looking for a cowardly scapegoat to vent his anger. As you continue your story, tears just keep rolling down your cheeks, fear and humiliation finally finding their way out of your heart.

"I know I'm being stupid," you mumble as you clumsily wipe your face, "he was just rude and it's not like he actually hurt me but-"

Mihawk's touch makes you cut your sentence short. His hand, its skin rough and calloused, gently cups the side of your face. Your hot, salty tears disperse as his thumb slowly rubs them away. Something about the tenderness of his touch, of hands that have killed and maimed, is enough to make you feel like you're about to break in his arms. Even if you do, you know that when dawn breaks you will be whole again, put back together with the unending love Mihawk holds for you.

"You've always been too good, my sun," he tells you in a low voice. He could have said 'too soft' or 'too sensitive' but then his remark would come off as deceitful as it would suggest his dislike towards your nature. Nothing of that sort - Mihawk genuinely thinks you're a better person than most people walking this plane. And he'd rather succumb to torture than let anyone make you feel bad about that.

The man leans in and places his warm lips against your forehead. Without much effort, he lays you down on the bed and you let him. Even if you wanted to fight back, you're way too tired to do so.

He's sitting on the edge of the bed, caressing your face, neck, arms and back as he's waiting for you to fall asleep. The anticipation doesn't require much patience - Mihawk's tender touches lull you to peaceful slumber rather swiftly. When he's sure that you're asleep, he kisses your forehead again before cautiously leaving the bedroom and closing the door behind him.

Perhaps he can't turn back the time and make the offending man choke on his words but he can ensure that the tearway won't hurt you ever again. Someone resting in peace so you can rest peacefully is a good bargain.

Mihawk knows exactly who he's looking for. He made a note of a certain characteristic trait you had mentioned - an earring with a single, red-coloured feather. It doesn't seem like a piece of jewellery that would be common anywhere.

It doesn't take much to find the tearaway. He makes his presence well-known as he stumbles out of a tavern, his legs almost giving away with each step.

So he assaults random women minding their business and then gets blackout drunk. It's pathetic enough to consider his death merciful.

Staying true to his name, the swordsman stalks his prey before lunging. Appearing as another patron of the inn, Mihawk follows the stranger around the corner towards barns, stables and pigstys. Fitting place for the likes of him, Dracule thinks to himself.

The man with the curious earring staggers his way towards a drinking trough. He's fumbling with his pants, desperately trying to pull them down to relieve himself but his fingers are not dextrious enough.

Mihawk picks up the pitchfork leaning against the barn wall. In one, swift motion he gores the tool through the back of the man's knee. A guttural scream tears through the night as he falls to the ground.

The swordsman grabs a fistful of the tearaway's hair. He forces the kneeling man to look up into his seething, yellow eyes.

"Do I owe you money?" The man is slurring his words. He squints his eyes, trying to focus his hazy vision on Mihawk and, possibly, recognize his creditor. "It's money, isn't it? Shit, just give me two days, man. I'll give it back with interest."

"I don't care about money."

Instantaneously, panic appears in the tearaway's eyes. Did he just find himself in the same position he's put hundreds of people in to cure his own boredom and need for grandiosity?

"Then what it is?!" he shouts, fear settling in his viscera. Dracule's calmness put together with the sheer hatred emanating from him makes for a deeply unsettling impression.

"You hurt my wife," comes the answer. The fist clenching the man's hair tightens its hold further, threatening to tear off his scalp. "My wife," Mihawk growls.

But before the tearaway can ask for clarification, his head is forced into the drinking trough. Surprised and scared, oxygen is escaping him fast. Soon, his throat and chest begin to clench and throb painfully. Dark spots dance across his vision, foreboding blindness.

Then, Mihawk pulls his head just above the surface. The man desperately gasps for air.

"If you believe in a god," the swordsman begins in a low voice shaking with anger and adrenaline, "I suggest you start praying. Fast."

The tearaway's head is forced underwater again but this time, Mihawk keeps it there until the ruffian's body stops trembling and shaking. After that, Dracule waits for a while longer - just for good measure.

You're woken up by the creaking of doors as they slowly open. Blinking sleep away from your eyes, you look over your shoulder only to experience a sort of deja vu: Mihawk is standing in the doorway. Before you can ask about his strange behaviour, your husband makes his way to you in long, quick strides. He kneels on the floor beside the bed.

Mihawk takes your hand in his. He takes something out of his pocket and places it in your palm. You recognize the red feather earring immediately. And is that... a piece of skin still attached to it? Gently, your husband closes your fist and lifts your hand to place a chaste kiss on your knuckles.

"The rat has paid for its sins," he whispers to you. Judging by the intense look in his eyes, you don't want to know the details of this story.

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banamine-bananime · 7 months ago

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Growing up I lived in an area with a lot of cattle farming and I was very scared of the cows. Do you have any cool facts that will make me either more or less afraid of cows?

oh hmm let me think on that!

facts related to how to interact with cows so all parties feel and stay safe:

they have a very prey herd animal mentality. they want to move with their herdmates. they want to watch any potential threats like people and move away from them. they don't like loud or unfamiliar noises (they're sensitive souls. sometimes if i visit a dairy wearing waterproof coveralls where the cows are only used to people wearing cotton coveralls, just the whisper of waterproof pants rubbing against each other can spook them) or abrupt movements or going into areas they can't see well (and they have difficulty with depth perception due to their wide-set eyes for 300 degree vision, and with high-contrast, so going from sun into shade or vice versa can look like stepping into a white or black void for them and they don't like it)

based on this, we know the keys to low-stress cattle handling are consistency in how you interact with them, calmness (small movements, quiet words to let them know you're there), moving cows in groups big enough to have friends but small enough you can control the whole group without them milling around or the ones in front stopping and causing a traffic jam, and slowly moving them by just barely getting in their "bubble" of "whoa, you're a little too close for comfort, i'm going to move in the other direction" without ever getting into their "YIKES RUN AWAY FROM THIS THING" bubble

the last point involves understanding pressure and flight zones and point of balance:

from Mississippi State University Extension:

from grandin.com (highly recommend as a source of information about animal behaviour and welfare!!! temple grandin my idol since i was like nine i love her so. and i tear up when i think about how much she's done for millions of animals ;_; she's a genius and no lie revolutionized low-stress handling):

pet cows that get doted on enough to bond with people may not see people as a threat so the normal ways we use pressure zones to iinteract with cows don't necessarily do anything for them. you would lead them more like a horse, using a halter. or lure them with treats.

beef cows typically have little contact with people, often just processing (vaccines, preg checks, quick exam for any health problems) a couple times a year, so they can be very wild. doesn't mean they're aggressive, the overwhelming majority are non-aggressive but they have very large flight zones, so if you don't recognize that and approach too quickly, getting deep in their flight zone, that can get you into a dangerous situation where they get aggressive as a last resort. that said, they do usually still choose flight unless their calf is with them. "never get between mom and baby" applies as it does with any species

dairy cows are in between beef cows and pet cows. they interact with people regularly, several times per day, and it's respectful but not doting. kind of a business relationship with their handlers. they're not terrified of people by any means, but they haven't been, like, hand-fed treats to get over their instinctive wariness of potential-predator-like animals, and they know sometimes handling results in unpleasant experiences like medical treatment or pregnancy checks, so they avoid touch and have a flight zone, though it's small (and sometimes they'll calmly let you walk right up to them unrestrained, or approach you and lick you out of curiosity). very very rare to have an aggressive dairy cow (as in, one that attacks you instead of moving away when you're bothering them a little. really bothering them and ignoring body language when they can't move away is much more likely to get you kicked)

bulls are not docile. not every bull will be aggressive, but you should assume that every bull has the capacity to become aggressive with little provocation, and always keep a respectful distance and know your escape route if you have to be in a pen or field with them

cows love exploring with their tongues. any time you're in a dairy barn there's gonna be at least one friendly girl mlem mlem mlemming who won't leave you alone

adding on to the above, there is a slight caveat that you still have to be a LITTLE wary of friendly cows. 99% of the time they're just friendly but sometimes cows in heat will try to mount people. you don't have to be scared of friendly cows but if they're right next to you just keep them in your line of sight so you can move away if they make like they're going to mount. again, not common, never happened to me, but something to be aware of

signs of a happy, relaxed cow: lying down, chewing cud or eating, tail hanging down relaxed, moving slowly with her herd

signs of a slightly wary cow (you have entered the "pressure zone"): standing still/stopping what she's doing, turning towards you, ears turning towards you (watching the ears is a very good way of knowing what she's paying attention to), tail swishing or raised a bit away from body

signs of a distressed cow: vocalizing (they also moo for other reasons though), tail swishing, fidgeting/pawing/looking like she wants to move but doesn't know where to, freezing up and intermittently making erratic movements (back away a little)

signs of an aggressive cow: head down with attention on you, pawing ground, turning to show you their broad side. (turn sideways and calmly but swiftly walk away diagonally)

#cattle #veterinary

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lilacstro · 3 months ago

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astrocartography and relocation charts in astrology

Paid readings open!!

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Hey!! I am clearing my drafts as much as I can before we start with Vedic astrology. This post would not be as big because there is overwhelming information on this topic as well, but let us see.

Astrocartography is a discipline of astrology that graphs out where planets were conjunct angles anywhere in the world at the moment of your birth. While relocation chart is a birth chart of a place if you were born there, what would your life look like.

These are very useful to see what place is best for you to travel, or relocate to for specific purposes like maybe education, finding a partner and so on..

NOTE: SKIP TO THE LAST SECTION IF YOU DO NOT WISH TO HAVE TOO DEEP INFORMATION ON HOW TO USE COMBINATION OF THESE CHARTS!!

🌐History and a little astronomical knowledge (skip if uninterested)

There are two techniques to study this discipline. En Mundo and Zodiacal. En Mundo is what we use by default as this is what Jim Lewis the creator of astrocartography used. For some extra knowledge, (you can skip pass this section if you want to!) look below:

Image source: kepler college

The basic difference is that En Mundo measures the planets relative to the celestial equator while the Zodiacal used Ecliptic. So basically the Zodiacal misses the declinations and the right ascensions (the 23 degree tilt basically). Now look at the charts below, the left one is En Mundo while the right one is Zodiacal. You can see how planets are in one line on the Zodiacal while the shift to different positions in the En Mundo chart.

🌐How to use astrocartography and relocation charts

🎀 here is how you can create relocation and astrocartography charts. I HIGHLY recommend using these in combination to have the best ideas of your experience at a particular place.

Know that your astrocartography map is based on your relocated birth charts. That’s the first, most important thing to know. Your birth chart shifts depending on where you are in the world. Meaning you have MANY charts for all of the places in the world! The natal planet and aspects of your chart don’t change, but the houses (areas of life), angles and aspects to those angles do. When you’re pulling up your astrocartography map, you’ll notice you have 44 lines criss-crossing across the globe. These lines show where the planets were situated on angles in the relocated chart.

You do not have to be situated right on a line to activate that story. You don’t have to live on a cruise ship and venture to the ocean to experience your astrocartography lines. Note where you have planetary lines and measure 150-200 miles surrounding it to see the strongest influence.

Jim Lewis, the creator of Astrocartography, used 800 mile of an influence. most astrologers use 600 miles maximum, meaning you can feel effects of a line around 600-800 miles either side from where the line passes. Now the question is which side is the influence strongest? the answer likely is towards the west.

There’s a saying by Jim Lewis that “west was best” but it’s been said that moving west of a planetary line makes that planetary line more angular and dynamic, and moving east of a line places it in a more cadent position, which is less powerful.

However you can always see a relocation chart for the desired place to understand what is it that you want!

For example: Having planets in angular houses, the 2nd house and 6th house may be really good if you have been wanting a career success and recognition, having planets in 9th house is good for higher education and so on. You should see the location of chart ruler for more information on the main themes you can expect! The rising sign is incredibly important as well. I would not be making this too long because you can interpret your relocation chart very similarly to your natal chart, however let me know if you guys want a separate post on that one! I also recommend looking at the Vortex and Part of Fortune for more information.

Now let us see what do the lines on your Astrocartography map mean for you. Below would be an interpretation table for each lines, HOWEVER use these lines with accordance to your natal chart. If say you have Moon in 8th house, you could experience extreme emotional experiences along your Moon lines, and though depending on whether what type of line it is would make differences, your natal chart would still show effects.

For example if you have Uranus on your angular houses or maybe you are Aquarius rising or have Uranus in 1st, or aspects to Uranus like Uranus Trine Sun, Uranus lines passing through your birth country or where you live currently, you could either want to or struggle or maybe both for self expression and crave freedom, rebel. There was some actress whose chart I saw and she was very rebellious when she was in her home country and much better when she moved out, she had her Uranus lines passing through her birth country. It is worth mentioning that all aspects to Uranus are important, if I remember correctly, astrologer Noel Tyl used to take these very seriously.

Here is what astrologer Helena says:

We all have a fixed permanent astrocartography map based on when we were born. That never changes. But what does change is timing. Regardless if whether or not you’re in a nice location, if you have hard transits or progressions at that time, and hitting that location (and the angles of that new relocated chart), it will bring up challenging times. Progressions can last up to 3 years and transits can be as short as a few days to 3 years. Timing matters. Just as much as location. So if you’re wondering, “why am I having such a hard time in this location but I’m on a supported planetary line!” first ask yourself if you’ve looked at the relocated chart and parans, then ask yourself if you’ve looked at the timing.

(Parans are the latitude lines that are within 70-75 miles north and south. These crossings of lines create latitude lines that are a blend of two planets. Parans are incredibly powerful and can make or break a place. I would not be discussing them here since it is beyond what most people here would be willing to dedicate time to, however if anyone is curious they can study it themselves or I can make a post!)

🌐Meanings for each types of lines, AC, MC, DC and IC.

AC (Ascendant) Lines:

Moon: Heightened intuition, emotional sensitivity, and connection to needs and heart. Strong emotional bonds but be cautious of neediness and psychological worry.

Sun: Vitality, creativity, self-expression, and ego increase. Ideal for networking, social connection, and personal relationships.

Mercury: Energy abounds! Expect mental agility, restlessness, and a love for travel, writing, and speaking. Social interactions are lively, and this is an excellent place for networking, learning, and sharing ideas.

Venus: Enhanced beauty and identity, ideal for romance, indulgence, and a relaxed lifestyle.

Mars: Increased leadership, motivation, and action. Caution advised for impulsivity, recklessness, and relationship challenges.

Jupiter: Optimism, expansion, and resilience are heightened. A lucky place where you may feel compelled to share wisdom, but watch for overconfidence.

Saturn: A serious, stoic outlook on life is adopted here. Increased responsibilities and leadership roles, but also potential physical strain. Relationships may feel monotonous and duty-bound.

Uranus: A place to break free from your identity and explore authenticity. Expect changes in lifestyle and possibly even physical appearance. Relationships may be interesting, spontaneous, and non-traditional.

Neptune: Life feels dreamy and romanticized, but also prone to confusion and escapism. Relationships here can be enchanting but may involve glamorization or projection.

Pluto: A transformative place where you explore your identity and inner power. Relationships can be intense, with themes of power dynamics and potential for conflict.

MC (Midheaven) Lines:

Moon: Excellent for compassionate service careers, fame, and emotionally led work. Caution against emotional thirstiness and people-pleasing.

Sun: Optimal for launching products, promotions, and realizing potential in work and vocation. High public profile and exposure.

Mercury: The ultimate career line for work in communication! Ideal for advancing in travel, media, sales, writing, teaching, and any field that involves communication.

Venus: Ideal for careers in design, beauty, fashion, and the arts. Recognition and public acknowledgment are common.

Mars: Great for daring, risk-taking careers, especially in entrepreneurship, training, and the military. Expect hard work and bold moves.

Jupiter: One of the luckiest places for career expansion, especially in publishing, travel, teaching, and spiritual work. Expect growth and new opportunities.

Saturn: Increased authority and responsibility in your career. Success comes from hard work and effort, though it can feel lonely at the top.

Uranus: Ideal for breaking new ground in careers involving science, technology, and entrepreneurship. Expect fluctuations and sudden changes in work and public image.

Neptune: A place for public visibility in careers related to media, spirituality, and healing, but be cautious of illusions and confusion in contracts and agreements.

Pluto: A powerful location for career transformation, often involving work in government, psychology, or disrupting and transforming industries. Be cautious of controlling bosses and authority issues.

DC (Descendant) Lines:

Moon: External situations reflect subconscious needs. Emotional relationships are likely, but watch for desperation or worry.

Sun: Opportunities for business, friendships, and personal relationships increase. Ideal for popularity and extroversion.

Mercury: Social butterfly energy abounds! You'll enjoy lively discussions, meet interesting people, and possibly start a client-based business. Great for flirting, gossiping, and learning from others.

Venus: Romance and pleasant relationships thrive. Likely to meet romantic partners or enjoy romantic getaways.

Mars: Challenges in relationships, with potential for breakups, confrontations, or aggression. Strong need for physical activity or training.

Jupiter: Relationships expand and grow, with the possibility of meeting uplifting people, teachers, or guides. Business partnerships may also flourish.

Saturn: Relationships may be slow and laborious, with a focus on duty and responsibility. Romantic partnerships could face delays and challenges.

Uranus: Relationships can be exciting, inspiring, and non-traditional but may also be unstable and unpredictable.

Neptune: Romantic and spiritual relationships thrive, but there's a risk of confusion, escapism, and projection. Stay grounded in your interactions.

Pluto: Intense, transformative relationships, with themes of power dynamics and psychological exploration. Be cautious of conflict and manipulation.

IC (Imum Coeli) Lines:

Moon: Deep connection to home and family life, with a focus on nourishment and settledness. Often a more private and comforting location.

Sun: A place to build a joyful private life and focus on self-expression at home. Ideal for settling down and family life.

Mercury: One of the best lines for working from home, writing projects, or exploring family lineage and the past. Local travel and community engagement are common.

Venus: Creates a love for domestic life, pleasure, and beauty in the home. Ideal for creative expression and local community involvement.

Mars: Home life may feel chaotic and busy. Not ideal for peace, but careers in risk-taking and pioneering thrive.

Jupiter: An ideal place for a joyful home life, personal hobbies, and retirement. Expect freedom and space to pursue your interests.

Saturn: Not the easiest place for family life, with a sense of duty and obligation. Maintenance, renovation, and feelings of being stuck or isolated may arise.

Uranus: A place for breaking away from family and tradition. Restlessness and frequent home changes are likely, so consider a trial visit before moving.

Neptune: A peaceful, dreamy location for healing and escaping reality, but be cautious with real estate investments and contracts.

Pluto: A location for deep psychological exploration of family roots and ancestry. Be wary of real estate investments and potential family conflicts.

Now I would yet again say this could be such a lengthy post but no one really has time for that. For example,

🎀people usually would suggest against travelling to your Pluto lines, however, if you have Pluto trine/conjunct Sun, you could benefit from travelling along your Pluto lines.

🎀Jupiter DSC lines can sometimes show the location of your spouse or maybe where would be the best place to find abundant love/partnerships.

🎀 I have often seen people having IC and ASC lines passing through their childhood home/birth country.

Now you can look up a combination of your relocation chart, natal chart-astrocartography chart to get a good idea of what your life could be at a place

I hope this helped,

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send post suggestions

xoxo

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mollbabe · 10 months ago

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celebrating palestinian science

in the face of israels' targetting of scholars, scientists and intellectuals...

saw a tumblr post by @/anarchistfrogposting that got me heavythinking about the relevance of language and culture in chemistry and science, it's unfortunate english has been accepted as its' lingua franca and most other input is lost to the globalization of this change. formulae and structure are essential and in a subject so specific, the average chemist will need to memorize hundreds of chemistry-specific words, and it becomes a barrier past entry when direct translating gets murky. deconstructing the history of science will always lead to political waters as the politicization of science and populist anti-intellectualism ethos rooted itself since the beginning of the study and these implicit biases result in a lack of consensus amongst borders.

before wwi the geographical spread of language in science was much more diverse, a lot of french and german researchers were common in research publishing, but after the allies established new scientific institutions that excluded germans and the isolationist decades that followed suit, foreign-language education was reductionist and excised globally as a result of elitism, being a language considered spoken only 'by the educated'. english-language proficiency is undeniably a prerequisite when an inexaggerated count of 99% of natural science papers are published in english, starting since 2015. this is a /heavily/ debated and discoursed topic and is terribly intimidating to sink your teeth into because of globalization of english and the complexity of modern language but getting over this hurdle will blossom a culturally rich rabbit hole to go down and it is all super interesting. there is so much great palestinian scientific practices, not as in western scientists work imagined in palestinian hands, but palestinian-born theories and practices. i think it's really integral, to always, but especially during times like these to uplift the people of palestine and their beauty just as much as funnel hatred toward their oppressors and murderers.

[image ID: a lineup of various glass pots and vases, ranging in color and size, placed in front of a plain background. end]

this is a specific sort of glass called 'hebron glass' which is an extremely renowned palestinian practice and passed down traditionally through multiple families and businesses. dating back as far as the 100~s in BCE, their technique of glassblowing was far ahead of their time and not used commonly anywhere else until much further in BCE. the /exact/ practice of hebron glass is kept a family secret amongst palestinian businesses, but a metal tool called 'kammasha' is used to blow the glass. a palestinian artisan talks about the process in more length here, i would recommend doing extended reading directly from palestine:

the colors are so vibrant and beautiful, i am endlessly impressed by how elegant these pieces have been made since the middle ages. these pieces and techniques have inspired a lot of famous modern day forms of glassblowing and glass artistry, most notably the venetian glass of venice.

i include this under science as much as it is art because it often goes unseen how much temperature and calculation goes into this craft. its highly skilled and intense work to bend over the hot flames and handle the glass in such a vulnerable state that could easily shatter. the material is more than 1800F and the palestinian kammasha is very carefully timed.

[image ID: an online video call meeting titled 'School on Synchrotron Light Sources and their Applications' at the top. end]

what you're looking at right now is the SESAME initiative run by the international centre for theoretical physics. a famous alumnus of this school was sufyan tayeh, a palestinian scientist. he was a prominent researcher and mentor and advocate for international understanding through science, introducing: SESAME, an alternative vision for the future of peaceful coexistence and cooperation and offered a meeting point around the globe to speak the common language of science, making communication possible. sufyan tayeh was an inspiration and bridge builder for all of these young students and an entry point for future scientists. he was a winner of multiple awards for his contributions to science and was appointed chair man for UNESCO (united nations educational, scientific and cultural organization) and head of physical, astrophysical and space sciences in palestine. he was regarded as a leading researched in science and applied mathematics globally, and tragically was killed in the current genocide. this is one case of many, many palestinian researchers. the impact of their contributions are insurmountable and irreplaceable.

[image ID: a list documenting the 45 palestinian scholars killed by israel since october 7th: Sufian Tayeh, Mohammad Eid Shubair, Omar Ferwana, Taysir Ibrahim, Ibrahim Hamed, Naeim Baroud, Azou Afana, Mohammad Bakhit, Mahmoud Abu Daf, Salem Abu Mukhda, Mohammad Abu Asaad, Osama Al-Muzayni, Refaat Al-Areer, Wael Al-Zard, Ismail Abu Saada, Khaled Al-Ramlawi, Mohammad Al-Najjar, Saeed Al-Dahshan, Raed Qudura, Mohammad Abu Zour, Yousseff Jameh Salameh, Nidaa Afana, Moumen Shweidah, Saeed Al-Zabdeh, Saqid Nasaar, Ahmed Abu Saada, Mohammad Jameel Al-Zaaneen, Ismail Al-Ghamari, Razq Ali Arouq, Walid Al-Amoudi, Abdullah Al-Amoudi, Hassan Al-Radi, Mohammand Abu Amara, Mohammad Al-Louh, Khaled Al-Najjar, Sharif Al-Asli, Mohammad Hassouneh, Yassar Hdeib Ridwan, Jihad Al-Baz, Hazem Al-Jamali, Nasser Al-Yafaoui, and Jihad Al-Masri. end]

the fabric gauze was also invented in palestine. if you've ever stepped foot in a labratory, you will know what this is lol. used in surgery and in chemical labs for multiple functions: separating liquids and gases, strain acids from bases, filter substances at extreme temperatures, prevent contamination, and to treat water. it is also used to diffuse heat and help protect glassware, seriously, these guys influence in glassware was HUGE. i think glass would still be sand without palestinian input.

i've set this post just up as a basis summary of the sciences, i would love to give an add-on going more indepth into the scientific process of some examples i gave and also in the history of palestinian scholars listed above.. when i get the time! but i hope this was an apt introduction! may good things come in 2024. feel free to recommend things i should check out or correct. OH OH also there is a lot of palestinian sci-fi.. 'divine intervention' and 'the second war of the dog' are both good, iirc they won the international prize for arabic fiction. just random things i found while looking up things for this post haha but they're good

#free palestine #ceasefire now #chemistry #science #long post #VERY LONG POST

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cina-full-moon-xanadium · 3 months ago

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Heisei/Reiwa Kamen Rider Bike Riding Time research

Hello there! Does anyone remember from a little while back when this image was going around?

For a while, at least in fan communities I frequented; this was quite infamous for showing just how sharp a decline Kamen Rider's namesake had become in the last few years, with the absolute nadir of the Heisei 20th anniversary Kamen Rider using his bike for a total of 47 seconds (and also, on the other end; just how much Kuuga would not get off his bike)

Obviously, it's been a few years since Saber now; and I've found myself wondering from time to time exactly how the Riders since then have fared, especially since both Geats and Gotchard have garnered a reputation of sorts for putting a bit more emphasis on the bikes and feeling like they have more screentime than your Zero-Ones and your Sabers.

So! I went looking and found the source. This extremely dedicated Japanese poster called Yamashita Radio who of course I will be basing the majority of this on, including his rules and his counting. And when I say 'dedicated' I mean that at one point he lost all his data so he just counted Kuuga through Saber all over again. MAD respect for this man! I highly recommend a full readthrough of this 5-part post at one point because it's very impressive and interesting stuff in my opinion

One other interesting point is that that chart there? That's main rider only; and also includes any riding they did as civilians. There is a separate chart for all motorbike riding in the show as a whole; including other riders, including monsters, including even just random civilians! For posterity, I think it's important to post that chart for comparison with the main rider one -- I've colour coded here so that red is Heisei 1 (Kuuga-Decade), green is Heisei 2 (W-Zi-O) and yellow is Reiwa (Zero-One onwards). Main rider only on the left, all biking on the right.

Up front there are some absolutely fascinating observations to make here - Zero-One had the least bike scenes of any show! Brand new era of Kamen Rider! - but I think I've talked about the past enough. With all this said and what I feel is a very important plug to make, let's get into the meat of this -- how do Revice, Geats and Gotchard compare to previous shows?

Rules

... okay, yeah, sure; let's quickly establish a baseline first. As I'm going off of Yamashita's work, I'm also going by all his rules; it's a good thing I agree with all of them because I kinda didn't want to completely redo the count of every season!

TV Show ONLY! No movies, no TTFC specials, no HBVs, no V-Cinema, none of it. The main reason given is that, uh, Paradise Lost has a 100+ bike scene near the start so that's too much of an advantage -- fair enough! Personally I also think it's more interesting, because movies generally have more budget and allowances for bike scenes so those tend to be the same. Maybe a separate count would still be interesting, but I think including movies would flatten out the times too much and make the data pretty uninteresting

No openings! Agito has too much of an advantage

Non-transformed states count the same as transformed states. Godai riding a bike is the same as Kuuga riding a bike.

All motorcycles are treated equally! Mopeds and even CG scenes and bikes are allowed

Other vehicles such as cars, trains and even bicycles and hoverbikes are excluded. Two big exceptions are made for Drive and Revice as they do not have a main motorbike otherwise, but this does exclude things like Gaim's Dandeliner, many of the Oni in Hibiki's transport vehicles, Den-O's Den-Liner, Gotchard's Steamliner and Madwheel and Decade's Agito Slider

Transformations of the bike still count as long as it's being ridden. The Boostriker turns into fox mode while you're riding it? That's fair game

Flashbacks and other repeat footage ("previously on" segments etc) don't count of course. But in cases where it's clearly stock footage but it's still a new event, like the many Ryuki Rideshooter scenes, that's still counted

Count from the moment the bike is straddled to the moment the bike is gotten off, and everything in between. Scenes where the bike isn't technically visible - such as close-ups of the rider's face, or cutting to another character's reaction - are still counted if it's all the same scene

Revice

3m21s (2m23s for Revi only)

Oh lucky me, this was actually done for me! Yamashita made a small update after Revice finished to add this. I just went over and double checked it.

At 3m21s, Revice is at this point the series with the 2nd least amount of bike riding; above Zero-One and below Zi-O. For Revi alone he's in 3rd least; above Zero-One and below Saber. Happy 50th anniversary!

An interesting note here is that Ikki never rides Vice Ptera untransformed -- concerns over the actor's safety, maybe? Daiji also pulls in 58 seconds for the show on his own motorbike, but abandons it completely after episode 13; only bringing it back for the summer movie (which is also the only place he rode it as Live). Interestingly, the 12 seconds he rides it with Sakura in episode 13 is the only time he uses it in the show after becoming a Rider. The skateboarding scene in episode 7 for Jackal Form goes on for over a minute, but unfortunately can't count for this...

I think most people expected Revice to place quite low, though. So let's move on to a show I think a lot of people expect to place higher.

Geats

4m05s (3m45s for Geats only)

I keep repeating it, but this is a show where it seemed a lot of people got the impression of the bike having more importance than before. I think there's a lot of aspects that come together into that -- the bike being tied to a specific 'special' item that's even part of the main rider's main form, the upgrade forms going off of that, and the bike being used in prominent scenes including in the first episode. Geats even arrives on it in his Revice summer movie cameo!

But ultimately if you look at riding time, Geats ends up in 3rd place for overall bike time; above Revice and below Zi-O, while for main rider only Ace ends up in 5th last; above Saber and below Decade. As such he ends up being the main Reiwa Rider to use his bike the most.

This is where I started splitting main rider and untransformed rider in my personal tracking charts, just for fun -- I actually couldn't do that for Revice because as said Ikki never rides anything untransformed except his bicycle. Until episode 11 Ace actually just slightly edged out Geats for having more bike time which was enjoyable to see.

A very interesting thing happens in regards to the Boostriker's transformed state. I decided not to include finishers involving it unless the Rider is specifically riding it -- and the one and only one to do so was Buffa in episode 6, accounting for every single second he rode the machine. He had a penchant for using the buckles' weapons in ways he wasn't supposed to, and he kept up that rule even when the 'weapon' was a bike.

Geats spends a decent amount of time in the final episode sitting on his bike while talking to Regad and the other Riders, and that really saved the show's overall times.

Gotchard

5m09s (2m32s for Gotchard alone)

According to production blogs, Gotchard had a stated aim of using the bike more. Unfortunately it seems this didn't manifest itself in a very major way... but I think we did see more interesting uses of it! Spanner has his own bike (that like Daiji, he never rides transformed!), there's a version of Golddash from the future, other characters including Golddash itself ride rather than Hotaro at multiple points!

For 'others', the 3 seconds in Episode 2 is when Minato rolls up to deliver Golddash to Hotaro personally. Episode 9's 5 seconds have Renge (with Sabimaru in the back) riding it to deliver Hotaro's cards to him in Kyoto.

Spanner shockingly saved the series' overall time here in a similar way to final episode Ace, by sitting on his for an extended period of time during his conversation with Lachesis at the start of episode 47.

While it's not a very long scene nor did it change anything for the rankings, the bike scene in the final episode that just aired is notable for an extremely rare instance of a Rider Machine being ridden by a Kamen Rider's final form. To my knowledge this has previously only been done by Agito, Den-O and Revice (the latter in a movie). Fittingly for a show where part of the direction was inspired by Agito, both Agito and Gotchard do this Final Form bike scene in their final episodes.

And now, for the final count...

Gotchard ended up in 21st for overall bike time between Zi-O and Saber, but this was largely due to other characters; so Hotaro alone ended up in 22nd between Revice and Saber.

Overall we're now 5 shows in instead of 2, we can indeed see a very large dropoff in the Reiwa Era -- including Zi-O, the most recent 6 shows are all at the bottom of the list. This is especially notable when The next most recent series, Build, had 12m31s; almost double that of Saber's -- and this wasn't uncommon, with Ghost and Ex-Aid sharing similar times.

This was the main thrust of my research... but what say we go on a little addendum? Because when I mentioned Yamashita updated his post to include Revice in 2022, there was... one other series he saw fit to do a count for. One that was only halfway through, but nonetheless saw an impressive amount of bike riding time. He only got halfway, but what say I finish the job out of pure interest?

It is "Avataro Sentai Donbrothers"

The extremely normal 2022 entry into the Super Sentai series has a number of bike scenes. Some you may expect from Don Momotaro riding his CGI Enyarideon on his Palanquin for much of the first cour. Some of you might say that CGI shouldn't count, it's easy enough to animate together a scene than deal with road laws and such -- but does Kijibrother not count? Does Inubrother not count? Do none of the mech scenes count? It's a festival, people. Let's enjoy it.

Even aside from the CGI, Yamashita noted halfway through the show; that can't quite account for everything else. Sonoi has a bike he rides in multiple episodes, every time with a wheelie. Inuzuka twice within 4 episodes steals a bike and almost runs people over with it, as is perfectly fine for a hero. Don Kaito shows up with his own motorbike to promote his new book, which you should buy. For a show where it's not even in the name and for recent Sentai, there's an awful lot of riding going on.

Yamashita in his post speculates that part of this is Inoue's own habits -- as a man whose Toku experience largely consists of regularly writing for Kamen Rider in the 00s, it's natural to expect he would be inclined to write something like "Inubrother escapes the scene on a motorcycle..." as if it was second nature; as if that's nothing special for a modern show.

And I would be inclined to believe that... as such a habit is something that would likely get ironed out after a while; and sure enough, while bike scenes are frequent for the first half of the show, they disappear entirely from episode 23 to 43. It is at this point in my own count I thought we would simply never see a large bike scene from the show again, and the sheer fun of counting up Donbrothers would be lost.

And then... he appeared.

My saviour from the future.

With a full uninterrupted 1 minute 15 second bike scene

I could hardly believe what I was seeing. I remembered the future episode but I had completely forgotten this was a part of it. When I started timing this episode I was leaving the house fairly shortly and I figured like the past 20 episodes this would be easy enough to count, and I was utterly bewildered. I should never have disbelieved for a moment.

With all that said... where does Donbrothers end up in full?

7m21s (4m23s for Don Momotaro alone)

This overwhelming record easily puts both Donbrothers and Don Momotaro in 20th place of their respective charts; beating all Reiwa Riders and Zi-O -- with Don Momotaro even coming close to dethroning Kamen Rider Decade's riding time!

This is where we stand, my companions. In an era where Kamen Rider's biking time is lower than ever before and shows no sign of significant recovery, Donbrothers swoops in to steal its glory. Never lose faith. The festival never ends

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yuri-is-online · 1 year ago

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Plead the Fifth (Riddle, Floyd, Azul, Jack, Lilia, and Ace x Yuu)

Summer vacation is all fun and games until someone asks you to be honest with yourself. Unfortunately for Yuu, they got dragged to the beach by some "friends" and are getting a big old dose of heat stroke, just not from a source they want to confess to outside of a court.

notes: they/them pronouns used for Yuu, no spoilers for Lost in the Book with Stitch this is just about their summer outfits. Vague tsundere vibes from Yuu, Yuu is implied to be physically strong, Floyd knows he's hot and has a bone to pick from Portfest, also he's a red flag have I mentioned that before? Azul is only mildly possessive don't worry about it ♡. Mild suggestiveness all around, but I don't think it's too much. Feel free to check out my more serious work on my masterlist.

Riddle

"Seriously!" Riddle's cheeks are puffed in annoyance, and you have an uncomfortably close view. Not that you don't like looking at Riddle, quite the opposite, it's just hard to look at him... properly when he's fussing over your injured hand. "You would think that such a highly recommended resort would have better quality glasses." You don't know if you should be relieved or insulted Riddle believes it's cheap glass and not your raw strength responsible for the glass shards stuck in your hand. You flex it uncertainly, and he stares you into stillness. It's hard to focus with him so close, hard to breathe even. How Riddle hasn't noticed how beautiful he is normally is beyond you, but with how carefree he's been, staring out at the ocean and happily bringing you to see every unique shell he can identify, there is no way he can't at least sense how you look at him. It's just too much, and you find yourself pulling away worried he will find you disgusting.

But that's not what Riddle sees. He sees someone he cares for refusing to let him help. He certainly does not see someone who is nervously infatuated with him attempting to soothe their heart rate, otherwise he wouldn't have the nerve to continue being strict.

"Just where do you think you're going?" If he could collar you, he would, but instead he has to satisfy himself with yanking your shirt to keep you from struggling away. "Don't move, that's a direct order, prefect." You wheeze and Riddle decides to politely ignore your struggles, instead focusing on the weight of your hand in his with a smug sense of satisfaction. He is useful to you isn't he? So let him monopolize your attention for just a little longer.

Floyd

"Oooh Little Shrimpy~" You want to die. You probably are going to, Floyd has never been so close to your face without pinning your back to a wall, you would be stupid not to see it as a threat to squeeze. "You better not be thinkin' about callin' me adorable that'd really piss me off." You swallow. Or at least try to, you are horribly painfully aware that he has chosen to pick this fight just off the boardwalk meaning everyone can see your little spat and how little you have been looking at his eyes. Floyd can too, it's been sending a vaguely exciting shudder up and down his spine all day. He knows every dip and curve along his chest your eyes have followed, every lingering stare at his flexing shoulders, it's like you want to eat him for a change. He found that electrifying.

Or at least he had, but this little dance was starting to get boring.

What sort of predator never makes a move after setting the mood? He had tried telling himself he should be patient, shrimps aren't predators. Maybe Yuu needed extra time to set up their attack, he could work with that, maybe leave a few openings. But he was starting to run out of buttons to undo on his shirt and he really didn't want to ditch the sunglasses or beads just yet. He had been such a good patient eel, so why weren't you jumping on him already?

"I don't think-" You force yourself to look up at Floyd's eyes instead of his chest and your brain immediately fries. "I mean that isn't to say-" He glares at you and you try to wrack your brain for what compliment he could possibly want out of you. There is no way Floyd Leech is going to these lengths to try and get you to call him cool.

"Y'know, it's really rude to not answer your seniors shrimpy." Floyd draws himself up to his full height, with an oddly solemn look. "You're usually such a well-behaved little shrimp, is somethin wrong? You know if somethings wrong you had probably better tell me or Azul's gonna have to call the Headmage."

"It's because you're too hot ok! I cant focus on what you're saying because I keep looking at your fucking chest! Happ-" You can't get your compliment out before he's squeezed you into his chest and started shaking you around like a rag doll, squealing something about how hunting isn't that hard and he knew you could do it.

There's no way you were ever the one on the prowl here.

Azul

This isn't a date. Nothing about this is meant to be romantic, you are having a "purely platonic at best but lets be real this is probably for business" drink with Azul at the tacky (his words not yours) poolside bar. "I wouldn't have thought about putting a water park next to a beach." He murmers to himself, carefully photographing every angle of his float before sitting down to drink it. "It just sounds redundant." You shrug, idly stirring your own drink.

"You'd be surprised. Some humans really don't like swimming in the ocean." You're the one saying it, so he has no real choice to belive it but it's hard to wrap his head around.

"How is one of these parks safer? They aren't nearly as clean." He thinks that if he ran a place like this, that would be the biggest problem, humans are messy creatures already, but the level of mess he has just casually observed while sitting here with you really makes him wonder just what the actual appeal of this place is. Well, at least just what the appeal was to paying customers, he knew why he wanted to bring you here. Usually, when Azul turns to look at you, you immediately look away from him. But as long as you've been on this little vacation, no matter how many times he's looked your gaze has remained exactly where it should be. He's puffing with pride, looking you over wondering exactly what angle he can press to get you to say what it is you actually are thinking and not whatever cheap jab you have prepared to protect yourself.

You remain none the wiser, stuck staring at Azul and his shirt simultaneously drowning in how attractive you find him and how much it reminds you of a man in his mid fifties who relies on his bank account to make up for his miserable personality.

"See something you like, prefect?" Azul is unbelievably happy, you are tempted to say smug but then he sort of always does. It's the glasses you think as you bite on your straw and hope he doesn't notice how hard it is for you to maintain eye contact. But he does, oh he does, taking advantage of your flustered state to move closer to your side.

"You- you..." Azul is stupidly attractive he has to know that, but you also know he is desperately insecure and don't want to send him into a spiral with your stupid tongue. "You look like a middle-aged dad on his third divorce on vacation trying to doge the tax man." You mutter, trying really hard to sound threatening. It doesn't work, Azul just gives his best put upon sigh as he clucks his tongue in disappointment.

To your great surprise, he moves his hand to tilt your head to look him directly in his bright blue eyes, a similar smile to the one he has while trying to sell you on something directly kicking your heart rate up. He is trying to sell you on himself, you realize...

"How insulting, my dear. You should know better than anyone that no one gets out of a contract with me so easily they'd be able to do it three times." ... and he doesn't intend to take no for an answer. Not that it was the answer you intended to give him in the first place, and oh how happy he is to know that.

Jack

"Honestly! You would think you'd know to be more careful by now." You might as well be talking to a brick wall, Jack's certainly solid enough to pass for one. He still seems to be under the impression that he's fine despite how much of his weight you are supporting. You think he is trying to talk, but the heat has him only babbling nonsense. Reluctantly, he lets you guide him over to a shady patch of trees close to a water fountain before he is well and truly gone.

"This is nothing. I handled the Savana I can take a stupid beach." He mutters as if he his extremely visible chest isn't heaving or rolling with droplets of sweat that other, lesser people have been watching drip from his abs with extreme disrespect.

Not you, though! No, your eyes have been firmly on the spicket on the fountain, determined to soak one of the smaller towels you brought and gently press it to Jack's forehead. Despite his insistence that he's fine, he leans desperately into your cooling touch, tension leaving his shoulders in one deep breath.

Just as all strength leaves yours as he decides to collapse into your lap.

"J-Jack!" You don't know what you want to ask next. Your back is pinned to one of the trees, Jack's head is resting firmly in your lap, but the arm that had been around your shoulder has decided to move around your waist. He growls (growls!) when you gently try to push him off you to try and get him set up in a more comfortable position. "Bad dog." It's all you can think to say and he doesn't seem fazed, if anything you swear he starts holding you closer. There is no way this could get any more embarrassing.

"Mommy, what is that guy doing to his partner? It looks like he's trying to eat them." Never mind yes it could. You make awkward eye contact with a very young mother as you try to silently plead with her that "no, this isn't what it looks like, I swear" as you desperately try to revive Jack with the damp cloth. The young woman looks at you then to her child, clearly trying to hold back her laughter and not doing it very well. She manages to usher him off before he can ask any more pointed questions and you glare down at Jack.

"You're setting such a bad example." You mutter and he lets go of your waist only to cross his arms over his chest and start to snore. Oh he is going to be so embarrassed when he wakes up, assuming he believes half of what you'll have to say.

Lilia

Love and Lilia are old strangers. He knows he can feel it, no matter what ancient denials he might have made, but he finds no matter how long he lives he is no better at recognizing it, no better at knowing what to do with it. There's something ironic about how much of an outlier this chance meeting between you both that makes him feel something akin to apathy. He doesn't think that's quite the right word, but he struggles to better find an explanation for the little knots it ties itself in sometimes.

So Lilia may not know just what this emotion is no, but he knows he likes the way it looks on you.

"Well, prefect? It's rude to stare you know." He says that as if he is not trying to make you, winking just over his sunglasses and striking a pose Cater had shown him on magicam in just a silly enough way that he can pass it off as one of his usual jokes. Your usual denial flutters up on your face, but your heart seems to be beating your brain to your tongue today.

"You look very cute, Lilia." That strange pit is filling with nervous flutters again, but his brain beats his soul to his mouth.

"That's good! I was worried I'd have to spend this vacation in the shadows out of shame." He says, fully aware that you are both currently sat in the shade of a particularly large umbrella precisely because he can't be out in the sun for long, even if that's the purpose of a beach vacation. Speaking of which... "Why don't you go join the others out on the beach, prefect? You helped me with my little errand, you deserve to take a break." He says it much more gently than he'd intended, if it wasn't pointless, he'd keep you here and needle you for more cute reactions. Maybe he would ask you to try on his shirt and demand yours as payment. But that's not fair, that's not life, this connection is destined to be as fleeting as it is precious. The way disappointment and confusion mingle in your eyes tells him you know that too, on some level.

"Calling you cute isn't a chore, but sure, I guess." You tell him something about calling for you if he decides to go somewhere else, and he thinks he promises you only if you do the same, but he doesn't know. He's too focused on the way the sun takes you into it's embrace, taunting everyone but certainly him specifically with just how much you look like you belong out there in the daylight.

But the moon can still observe can't it? In a way that's all he knows how to do.

Ace

You really hate how low your standards are. Who the hell gets all jittery and flustered over a guy in a boater hat? You apparently, Ace has the worst dad on vacation fit you have ever seen, assuming you are politely ignoring Azul. Something that's unfortunately easy for you to do and has led to you paying just that much more attention to Ace.

Or at least that's what you've been trying to tell him while pointedly staring out at the shore. You wish he was too lazy to put things together, but as usual, when there is an inch to tease you over, Ace Trappola will take a mile.

"Admit it, you think I'm hot." He sounds so infuriatingly smug. It makes you want to kiss him but only to shut him up! Not because you like him!

"The only thing hot about you is how full you are of hot air! Seriously, what's up with that bunch of fruit on your shoulder? Why would I find that attractive?" You know it only sounds like you are asking yourself, begging more like, because you really do think he's attractive. It's written all over your face, you might as well scream it with just how flustered you become when finally you decide to look back at him.

"It's ok to admit. It might be self-centered to say, but I really am a catch. Really prefect how did you get so lucky?" Oh he is never going to let you live this down.

"Please, you look like a dead beat dad on his third divorce!" Your voice is unnaturally high, and Ace just laughs off your insult. "Who would be attracted to you!"

"You, duh." He takes your hand and pulls you back towards the beach. "Besides, if I convinced you to marry me twice, I can do it a third time." He winks at you over his shoulder and you stop dead in your tracks, so overwhelmed with annoyed affection and embarrassment it's all you can do to grasp for a come back.

"Was it Duece."

"What?" Ace is momentarily thrown, extremely confused by what he perceives as a change of subject.

"You said you could convince me to marry you a third time, but you're on your third divorce. So when did you leave me for Deuce ?"

"Wait I didn't- you know that's not what I meant!" And yes, technically, you do know that's not what he meant, but you refuse to be the only one embarrassed here. You hope he chokes.

#twisted wonderland x reader #twst x reader #riddle rosehearts x reader #floyd leech x reader #jack howl x reader #lilia vanrouge x reader #ace trappola x reader

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watership-clown · 2 months ago

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Debunking Lily's "Behavioural Psychology Degree" with facts and logic (and a two minute google search)

First of all, big ups to @skrinkskronk (EDIT: ammended the screenshot credit :) thank you to skrinkskronk for both the picture and the clarification!) as, without their keen screenshot button, this post could not and would not exist. You can check for yourself - the original ask no longer lives on Lily's blog (a fact that I'm sure many Lily defenders will have quite the opinion about - please see the questions section below! <3) Second of all: who the fuck am I?

Someone who attended university in Canada, that's who!

For real though: I have a bachelor's degree from the University of British Columbia, double majoring in English Literature and History. Does this mean I know anything at all about getting a behavioural psych degree?

No!

But I do know how attending university in Canada works. It is not at all as Lily describes. I'm going to largely avoid talking about the degree itself in this post - CrimsonEnder has already done the research on that and I highly recommend checking out his post for more information on why Lily couldn't even get the degree she claims to have studied for. Instead, I'm going to go forward as if we are in an alternate dimension where Lily made the far more believable claim that she was working towards a Bachelor of Science degree with a focus on Psychology.

Let's do a close reading, shall we?

And barely graduating is still graduating.

Starting off strong: this is a true statement! She's right, to get your high school diploma in the province of Nova Scotia, one must:

Meet the minimum number of credits requited for graduation, which is 18 (source: creditsforgraduationdiplomaen.pdf (ednet.ns.ca) )

That's it! (in my province we also had to pass a literacy assessment and do some 30 odd hours of community service. no, I'm not still salty about it 10 years later.)

However, passing is not succeeding. Lily has stated that she barely passed high school, did the bare minimum to get it over and done with. This is fine in and of itself. I attach no moral or intellectual weight to not caring about high school as it is by no means set up to let every child succeed. However, doing the "bare minimum" to pass does not open many doors for further schooling down the road. So, in order to pass a class, one must achieve a minimum of 60% - otherwise known as a grade of C. Assuming that for her 12th grade year Lily took a full load of 4 courses over two semesters, achieving the minimum grade that would allow her to walk the stage and get her diploma, she would leave high school with a 2.0 gpa.

Remember this score. 2.0. We will come back to this.

This is in Canada, there's no SAT's to take.

Look at that! 2 for 2 true statements. Canada has no SAT or nation-wide equivalent. Understanding this, in order to meet the minimum requirements for admission into university, one's GPA plays an extremely large role. For example, in order to even be considered for admission into McGill, one of Canada's top universities, one must have a 3-year minimum grade range of 85% (an A) and a final GPA of 4.0. Grades equal to or above this minimum do not guarantee admission (NO, I'm NOT still salty that I didn't get admitted). With a 2.0 GPA, Lily's application would have been tossed after a glance. "BUT BUT BUT!" I hear you say, "this is from one of Canada's most selective institutions! In a province Lily doesn't even live in! You're holding her to an improbable standard!" And you would be right! But this was just an example to showcase how university admissions function. Let's look at a uni a little closer to home. Let's even look at four:

Dalhousie University Undergrad minimum requirements: 75% or 3.0 (source: General admission requirements | Dalhousie University) )

Mount Saint Vincent University: 70% or 2.70 with no individual grade below 60% (source: Admissions (msvu.ca) )

Saint Mary's University: 70% or 2.70 with no individual grade below 60% (source: Canadian High School Curriculum Requirements | Future Students | Saint Mary's University (smu.ca) )

University of King's College: 75% or 2.0 with no individual grade below 60% (source: Undergraduate Admission Requirements | University of King's College (ukings.ca) )

She doesn't meet the minimum requirements for any local Halifax university or college with a psych program. However, if we are to be charitable, (and believe that Lily scored slightly above the true minimum of 60%) MSVU could have admitted her based on individual merit. From their mature students policy, we can read:

Applicants who present overall grade XII averages between 65 and 69 percent will be reviewed for admission on an individual basis. (source: Admissions (msvu.ca) )

I'm not going to pretend this isn't the case or couldn't be true or try to obfuscate it from her and her defenders.

... But if the rebuttal is so easy, why doesn't she say that?

You either graduated High School or you didn't.

I'm sure Lily did graduate high school. I'm certain she did so after putting in the minimum amount of required work. I do not believe that she has or ever intends to attend university in Canada.

Objections I'm sure this post will spark:

"skrinkskronk's screenshot could be faked!"

And I could have blue skin, but that is not reality. Rather than taking my word for the fact that this ask was real, the answer Lily gave was as shown above, and many people saw it before it went MIA, I instead invite you to consider something: asking Lily yourself. Go on! Ask her! In whatever way you find most comfortable, ask how she went to university for a) a degree that doesn't exist b) with a below-requirement gpa and c) paid for it with money she doesn't have. When she deletes your ask, ignores your superchat, or approaches your honest and genuine thirst for truth with hostility, I then want you to ask yourself why that is.

"Lily could have upgraded her scores at a local college before applying to university!"

Did she say that? Has she ever claimed to have done that? Or are you putting the right words into her mouth so she can easily go "Yup! that's what I did! Obviously!"

If she had done this (or had at least thought of this herself), why didn't she claim to have done this in the original ask? Wouldn't it be easier to just say "I upgraded later" than pretend that a measly 2.0 could get you into an advanced degree program? I have no doubt that Lily is going to recount her story and claim the above statement was true all along. "[She] just upgraded!" But I ask you to think on this, to really consider it: why is the story only changing after confrontation? If the answer is so simple and so obvious... why was it not always true?

"You say at multiple points that Lily could easily provide a rebuttal but she doesn't owe you or any of her critics a response!"

This is true! However, she responds to criticism all the time.

Her taking down Sai's streams is her responding to Sai's criticism. Her snarkily talking around Ant and his content in her videos is her responding to his criticism. Her answering asks from her fans (despite in her "rules" stating that she will not) filling her in on the goings on of her critics is a response to their criticism. A response isn't always the literal "and to that I say: blah blah blah".

If Crimson, I, or anyone else who thought twice about this situation were wrong: could we not be easily disproved? She is the one who (supposedly) attempted the degree. The records would exist. She would have access to them. She would not run away when challenged with a very easily disprovable argument. As much as Lily loves to protest that she ignores the haters and refuses to respond to criticism, that claim is demonstrably false. She responds to criticism all the time - she can't keep Sai, Crimson, or Ant's names out of her mouth while on stream, in her videos, or on her blog. If she had an easy win, she would take it. She has before. She will again.

Closing Arguments

I feel like I have adequately demonstrated that, even if Lily did apply for an undergraduate degree, if not the flashy shiny

Behavioural Psychology

that she claims, she likely wouldn't have even made it past the admissions stage. I don't want to say that it's completely impossible for her to have attempted post-secondary education. As stated above: MSVU could have admitted her based on individual merit.

What I do hope is that this post invites people think more critically about her claims.

What do I think happened with the original ask? I think some anon, the original question asker or otherwise, challenged her before I or CrimsonEnder did. This scared her and, realizing she'd been caught, tried to wash away the evidence before anyone else could trip on the lie. Sadly, that's not what happened.

If she did attend university, how did she pay for it? Is a 2.0 GPA enough to qualify her for a scholarship, grant, or bursary? A 4 year degree in Canada can easily run a person $6,463 per year, not including textbooks or other fees. Where did she suddenly get that much money? These claims are so easily questioned and disproven because Lily Orchard thinks her audience is too whipped and fundamentally too stupid to ever seek the information for themselves.

She does not respect you. She does not respect your intelligence as a human being.

You deserve better.

#lily orchard #lily orchard critical #lily orchard is a liar

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sophieinwonderland · 1 month ago

Note

Hi sophie (again) one really quick note, the reason i read through your ENTIRE blog is because my dissertation is on facetious disorders portrayed and influenced by social media and the likes of such- it is literally a 250 page document about people like you. It's literally a part of my research to read long-winded things like this and write about them. My livelihood revolves around this. I don't expect to see a Dr. before your name, but you can damn well expect to see it before mine.

The only reason I sent that ask and wrote a targeted post was to get a response from you. The only reason. Had some writers block lol, I needed some material 😅😅

Another note to add to the grooming part was not about LGBTQ or transgender people as I am both myself. Please do not take it as a jab to your gender identity, and I apologize if it came off that way. It was in no way meant to insult you in that regard.

First, thanks for clarifying about the use of grooming. I don't mean to suggest you did intend it as a remark about my gender identity.

But I do think it's important to note in a "you are not immune to propaganda" way. Because I think, consciously or unconsciously, anti-endos have adopted transphobic talking points.

I assume and hope that this is unconscious. That rather than looking at how conservatives have used these talking points to harm queer communities and going "yeah, we can use that talking point too with these people we don't like," this absorption and repetition of these talking points is happening on a subconscious level. In which case, I think it's important to understand where they've originated and what the history is behind them.

As well as what misusing these terms normalizes. Because repeating them does contribute to a culture that is okay with using "grooming" this way to associate people they don't like with child abusers.

Now, allow me to first commend you on starting work on your dissertation so early. Working on it at just 20 is quite impressive indeed.

Although I have to question the subject matter.

A factitious disorder is when somebody is faking a disorder or pretending to have a disorder. It seems strange that you would seek to use examples of people who do not actually have a disorder and are not claiming to.

Even if endogenic systems were lying, unless they're presenting themselves as having a disorder they weren't, they wouldn't qualify for criterion B.

If you do want to write about people who have plural experiences without having trauma or a disorder, you might want to actually read my studies and research page. I'm sure that you could find stuff there that could help you on your journey.

And if you plan on writing about tulpamancy, specifically, Dr. Samuel Veissiere's Variety of Tulpa Experiences is probably most useful in understanding the tulpamancy community and viewpoints on the practice.

I would also recommend Learning to Discern the Voices of Gods, Spirits, Tulpas, and the Dead, as it offers a great comparison between tulpamancy and other forms of non-pathological voice hearing.

I imagine that these studies are much more productive uses of your time than scrolling through over 11,000 Tumblr posts, and would look better as sources in your dissertation.

Finally, if you are committed to doing a dissertation on factitious disorder, I would highly advise learning how to spell factitious. Because it's not "facetious" disorders, and spelling it that way might look a bit awkward on your dissertation about factitious disorder.

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pinkrosealice · 10 days ago

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A non-exhaustive list of art, pieces of media, franchises, authors, and thinkers that I really need my fellow Cultsim/BoH/Secret Histories fans to get into and discuss with me and between themselves.

(WARNING A LOT OF THE FOLLOWING RECOMMENDATIONS COME WITH A LIST OF CONTENT WARNINGS AND ARE SOMETIMES CONNECTED TO CONTROVERSIAL ARTISTS AND PUBLIC PERSONS. THIS LIST IS NOT A ENDORSEMENT OF ANY PROBLEMATIC IDEALS OR STATEMENTS MADE BY ANYONE MENTIONED IN THIS LIST AND IT IS HIGHLY RECOMMENDED THAT ANYONE WHO LOOKS INTO ANY OF THE MENTIONED WORKS OF ART DO THEIR DUE DILIGENCE AND THOROUGHLY CHECKS FOR DISTURBING / TRIGGERING CONTENT AT THEIR OWN VOLITION)

Film Recommendations:

1. Dario Argento's Three Mothers trilogy, especially Suspiria & and especially especially the 2019 remake of Suspiria. Very Dancer DLC-coded, very Sisterhood of the Triple Knot and Thunderskin.

2. The Magic Lantern films of Kenneth Anger, who was a practicing Thelmaite* for many years. Lantern Principal is obviously what comes to mind when you hear of the name of the series and the dreams that were mystical experiences that inspired and were expressed in art, in this case films is very much akin to stuff we see in Cultist Simulator.

(* As shown in later parts of this recommendation list I argue that the games of Weather Factory become even more interesting and artistically impactful if you learn more about late 19th and 20th century occultism and movements like Theosophy and Thelma.)

3. Hereditary and Midsommar are obvious recommendations but even more so I would recommend the original 1970s The Wicker Man. Folk Horror in general is a great source of what the arts of The Bosk would look like in real life. They were definitely worshiping The Low Red Sun on Summer Isle.

4. A Dark Song, a 2016 horror film that actually revolves around the performance of a very famous and important real life occult ritual. I think a lot of the visual imagery in that film can give some inspiration for the kind of Rites our player character in Cultist Simulator is performing.

5. The Lair of The White Worm is a movie loosely based on a Bram Stoker story and is also very much a Gods of Stone overthrown by forces associated with humans raised to Divinity and the powers of the Sun and Apollonian principles type of story. Plus the whole Worm/Wyrms thing going on. I also recommend it because it's one of the more light-hearted and comedic entries on this list and I want some variation in tone. Also its psychedelic visuals compliment a lot of the surrealist elements that are tied to things like the Moth Principal.

6. Black Swan isn't explicitly supernatural but it is very Dancer Coded.

7. The Hellraiser movies, but only the first second, fourth, and the reboot. Leviathan, being associated with pain and pleasure and having the name of a mythical sea monster is probably very similar to whatever the hell The Tide was before The Red Grail vored her. The Cenobites are Long with Grail, Knock, & Forge as their Principals.

8. Pan's Labyrinth, for the Woods and the Bounds appreciators. I also think there is something to be said about the fascist subtext that underlines much of the Edge Principle, especially in The Colonel that can be explored and appreciated in this film and its reckonings with the evils of Spanish fascism.

9. To compliment the recommendation for the Magic Lantern films, also check out the short film The Wormwood Star, you can find it easily on YouTube and it's another piece of art heavily influenced by Thelma and stars Marjorie Cameron who I will talk about more later in this list.

Game Recommendations:

1. Hollow Knight, it might as well be a story set in the era of the Carapace Cross. Sentient bugs, mighty Wyrms and dream gods with the powers of light but not necessarily moral goodness. Even the Void in Hollow Knight, and it's antagonism to The Radiance is very similar to The Nowhere and it's relationship with the established hierarchies in The Mansus.

2. The Silent Hill games, particularly the entries that revolve around The Order; like 1,3, Origins, and Homecoming. Dream worlds, Sun worship, the Dark Feminine and female psychics/mediums with deep associations with blood, birth and menstruation. Valtiel is totally a Name. Even the fog and mist of Silent Hill is giving The Bounds and it's Forge smoke meets Woods darkness type energy.

3. Vampire The Masquerade Bloodlines, it's basically playing a Grail Long.

4. The tabletop games Geist: The Sin Eaters and Wraith: The Oblivion line up really well with the Ghoul / Medium DLC. *

(basically most if not all of the World of Darkness and Chronicles of Darkness tabletop games contain some themes, elements, or bits of World building that should appeal to anyone interested in the games created by Weather Factory)

5. The video games created by Korean studio Project Moon. Lobotomy Corporation has a lot of timers and simulation elements that have many similarities to those found in Cultist Simulator, and as the title implies Liberty of Runia takes place literally in a paranatural library just like Book of Hours even though the game play between the two is very different.

6. Fallen London and it's related media. The reasons why should go without saying. The controversies around AK aside, Echo Bazaar and Secret Histories are blood siblings and I desire more intersection and interaction between the respective fandoms.

7. The Bayonetta games have a surprising amount of real mythological and occult influence in their world building. The Solar Lumens juxtaposed with the Lunar Umbrans definitely has some resonance with Church of The Unconquered Sun and their on again, off again antagonism and allyship with The Sisterhood of The Triple Knot. The Apollonian natured House of the Sun contrasted with the Dionysian Woods & House of the Moo, and the Nowhere being connected to all three but being distinct; is not all together that different from the division of the Bayonetta universe into Inferno, Paradiso, the human world and Purgatorio between all of them.

8. The Shadow Hearts series of JRPGs are a Gothic, urban fantasy, historical fantasy, lovecraftian adventures around late 19th / early 20th century Europe and Asia. It has a lot of comedic elements and its world building and cosmology are not all that similar to the ones in Weather Factory games (barring their shared history as being inspired by Lovecraft). But if you want Lovecraft in video game form without the racism associated with his writings and you found Cultsim/BoH to fill that niche, then I recommend you give these games a try as well.

9. Secret World Legends, a functionally dead MMO but still incredibly fun to play and I think one of the best examples of urban fantasy / soft Lovecraft or post lovecraftian media in existence. Absolutely fantastic & memorable fully voiced NPCs and characters, really intriguing and rich world building and takes on mythology and folklore. Also given that you play as a quasi immortal with a deep association with bees and an ancient techno-organic goddess you're basically a Long.

10. To compliment the Lobotomy Corporation recommendation and the later SCP mention I think it's only natural that I also recommend the urban fantasy games of remedy entertainment like Alan Wake 1 & 2 and Control. Artists channeling / being used by Eldritch Forces in other dimensions and government institutions related to keeping a control on the supernatural are the most obvious similarities to stuff in WF games.

Visual Artists:

1. Francisco Goya, especially his Black Paintings, his insights into the witchcraft and folkloric traditions of the Basque region and elsewhere in the Iberian peninsula should be very appealing to fans of The Twins and The Thunderskin. Plus all of the Catholic imagery brings to mind The Mother of Ants.

2. Austin Osman Spare, Rosaleen Norton, and Marjorie Cameron. All three of these people were heavily influential occultists and illustrators/painters so their work is definitely a great representative example of the kind of occult art that you are making when you Paint in Cultsim.

3. Salvador Dali is also a relatively obvious, but I think very appropriate all the same recommendation. Surrealism is by and large the big big tonal influence on Secret Histories in my opinion. He also did a tarot deck so that brings in the Lucid Tarot connection

4.Erté, absolutely the kind of art and fashion you would find in Cultist Simulator's 1920's. Art Deco for days but also his works in particular show a more flowy and organic influence that we would more stereotypically associate with the Art Nouveau of decades prior.

Comic Books:

1. Alan Moore's run on Swamp Thing and Grant Morrison's run on Animal Man. DC's Red and Green (plus all the other elemental forces) are a deeply underappreciated and underexplored element of the setting, and I think they have a lot of similarities with the Principles we find in Secret Histories.

2. Related to the above, Alan Moore's Promethea and Grant Morrison's The Invisibles for an exploration of 20th and 21st century occultism. Despite the two authors general distaste for each other, their works are often very complimentary.

3. The Hellboy franchise doesn't have a lot of one-to-one parallels with Cultsim & Co. but they draw from the same artistic influences of gothic fiction, weird fiction, mythology and folklore and the occult. So I feel very strongly that fans of one would and should find the other to be enjoyable. Both fandoms need to be more active on this hell site and though there are a handful of quality hidden gems of fanfiction for both franchises I desperately need more people to be writing & reading fan fiction for both. Plus I do strongly believe that Mike Mignola' s art style would really excel at illustrating characters and settings from Secret Histories. His non Hellboy work is also recommended especially the works that fall under his Outervers setting, like Baltimore and Joe Golem.

4. Although I will admit that I am not up to date on it, and that there has been a considerable amount of discourse around the quality of its storytelling (especially within the past few years) I would recommend the webcomic Gunnerkrigg Court to fellow Cultsim fans. Alchemic imagery, interesting reinterpretations of folklore and a setting and tone that is quintessential British urban fantasy / science fiction, Gunnerkrigg is in my opinion a work that has a lot of appeal for fans of WF's games and stories.

5. Lackadaisy Cats is an awesome Webcomic and animated web series. 1920s/ 30s gangsters and bootleggers in the form of anthropomorphic cats! And absolutely beautiful Art Deco illustrations! What's not to love.........

Anime & Manga:

1. Any of the anime directed by Ryūtarō Nakamura especially Serial Experiments Lain and Ghost Hound(this one is seriously underrated in my opinion.) Surrealism is the name of the game as I've said earlier.

2. Le Chevalier D'Eon, both it's manga and anime even though the two are very totally different and have divergent takes on a similar premise. Historical fiction that reinterprets 18th century historical events through an occult lens is so very very Secret Histories. Plus both works have interesting explorations of gender and the nature thereof. It helps that as far as we know the French monarchy's Secret Histories equivalent are associated with the Hours, my personal headcanon is that Louis XIV was Lantern Principal aligned, and Louie XVI had Knock as his Principal. Also the manga version of the story has a lot of its magic system based around the Tarot.

3. You can't recommend D'Eon without recommending it's biggest inspiration (apart from Rose of Versailles of course) and that would be Revolutionary Girl Utena. Edge Dyads for days with that one. Utena and Anthy are totally The Twins. And the whole show and it's movie are full of surrealist pseudo occult imagery practically to the bursting.

4. Baccano! , a light novel / anime series that's about a bunch of immortal Mobsters in the 1920s and 30s. I mean that's basically The Exile DLC right there.

5. xxxHolic and Legal Drug / Drug & Drop, by CLAMP. A shop that grants wishes and a pharmacy that handles the paranormal are both the kind of businesses that I could see existing alongside Morland's, Oriflamme's Auction House & The Ecdysis Club. Plus both manga are hella gay and I will push my Weather Factory games are inherently Queer pieces of media agenda till the day I die.

Theater, Operas, Music and Albums:

1. Jimmy Page's unused soundtrack for Kenneth Anger's Lucifer Raising. Definition of Occult rock and role.

2. Kiki Rockwell, especially her two most recent albums Rituals on the Bank of a Familiar River, and Eldest Daughter of an Eldest Daughter.

3. Stravinsky's Rite of Spring might just be the closest we will ever get in real life to an occult ritual in the form of an entire ballet like we see in Cultist Simulator and Book of Hours. Definitely a skill that could fall under the Wisdoms of Birdsong and The Bosk.

4. On that note, Mozart's Die Zauberflöte is also full of Hermetic Elements, Lunar / Solar antagonism, mystical initiation and ritual deity impersonation. Mozart was a Freemason so the fanfic of him as a Heart Adapt practically writes itself.

Literally Fiction:

1. The webnovels Pact and Pale by wildbow. A magic system that revolves around incredibly hierarchical relationships between humans and mystical beings, where magic fundamentally requires discarding one's humanity and transforming into some kind of mystical being yourself is very similar to the Adapt to Long pipeline we follow in Cultist Simulator.

2. The Rivers of London series is one that I'm still familiarizing myself with but it's another example of wonderful British urban fantasy (that isn't the wizard books that shall not be named) The fact that the main characters of the series are magic police officers gives it a certain Suppression Bureau appeal.

Nonfiction- Philosophy and Occult works and Authors:

1. Georges Bataille!!!!!!!! If you only pick one thing from this list to investigate further let it be the philosophical works of this man. His theory of religion as it relates to concepts such as economy, sacrifice, and eroticism you literally completely change how you understand The Hours and The House Without Wall.

2. Aleister Crowley, and any of his students, especially Kenneth Grant. He really is the quintessential modern English occultist, whether or not AK and Lottie intended it, the DNA of his beliefs or those of his Golden Dawn contemporaries, or his students is all over Cultsim and BoH. The Red Grail is like, so blatantly Babalon it's kind of ridiculous.

3. The Book of English Magic by Phillip Carr- Gomm & Richard Heygate, is a good introductory source of information on the history of magical practice and occultism on the British isles.

4. Occult Paris by Tobias Churton is a fascinating insight into some of the mystical practices that were en vogue in Europe just a few decades prior to when Cultist Simulator takes place.

5. Atlas of Cursed Places by Oliver Le Carrer. I could totally see some of the places documented in this book as being locations you could send your Followers to in Cultsim.

6. Please read everything you can that is academically critical about Greek magical Papyri. There are tons of resources for reading translations and analysis of these documents that are some of the most foundational examples of what real historical magical belief and practice actually looked like.

Web Original Content, Podcasts, YouTube Channels and Tiktok Recommendations:

1. Greedy Peasant over on Instagram and tik tok does fascinating content related to Catholicism, medieval history and art, and other related topics. If you like all of the interesting reinterpretations of Christian religious iconography into sun worship that happens in Book of Hours I highly recommend his content.

2. The last few years have really seen an incredible ecosystem of academic scholarship on religion, mythology, occultism and esoteric philosophy develop on YouTube. Channels like Esoterica, Angela's Symposium, Let's Talk Religion, Religion for Breakfast, Jackson Crawford, The Modern Hermeticist, The Archaeology of Ancient Magic, and others are just overflowing gold mines of accessible and easily digestible but still academically critical and pseudoscience and conspiracy theory free information about mysticism historical occultism and esoteric religion and mythology.

3. There are also a number of great YouTube channels that aren't academically critical but are run by actual practicing witches and occultists and they offer fascinating and interesting insights into these same topics but from a lived more personal perspective which is just as important I think to learn about as the academically critical sources. Great channels include Benbell Wen, Maevius Lynn, Marco Visconti, & Nordic Animism.

4. In terms of fictional internet media, SCP is so broad that there's a lot of stuff that is completely different in appeal from what is enjoyable about Secret Histories, but there's also so much overlap. I need crossover fanfics and fan art more than air!!!!!

5. Lastly this is a fiction podcast so it's a little incongruous with the other nearby recommendations but, I cannot stress enough......... The Mangus Archives and Magnus Protocol!!!!!!!!!!!!! There are a lot of key differences between those two podcasts and Weather Factory games, but there are so many similarities that I have to write an entire three other posts about how similar the settings are and how I want to write a crossover/ fusion fic. I've seen like, one or two pieces of fan art and fanfiction that was related to both series but in my humble opinion it's not nearly enough. I really really really really really need Cultsim fans to talk more about Magnus and I need Magnus listeners to play these games soooooooo badly!!!!!!!!!!

Well that mostly concludes this piece of propaganda for the time being, will probably make another post with further additions in the not so distant future. Feel free to reblog this with any other pieces of media that you think would also be appealing to fans of Cultist Simulator and Book of Hours.

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