#i worth nothing haha

[lazycranberrydoodles]

i think the barbie movie would have a profound psychological impact on hua cheng

prev comic / next comic / follow for still more hualian barbie movie content because i am not done

bonus angsty version 🎉 i hate love expressions just a couple tiny lines on the mouth and eyebrows and it goes from silly to sad

:(

[skitskatdacat63]

2009 Abu Dhabi Grand Prix - Sebastian Vettel(ft. Mark Webber & Jenson Button)

[chellychuu]

Daily reminder to all my creatives; it’s okay not to post every single day! Take breaks, make things that’ll never be posted online, work on projects that are just for you, do things completely unrelated to your online presence! Don’t burn out trying to appease the algorithm ♡

[poisonousquinzel]

ngl real missed opportunity by DC to let Harley and Mr. Freeze become friends during her primary villain arc (btas or other) cause tbh I can't imagine he'd enjoy sitting in his cell listening to Joker brag about all the ways he's cruel, abusive and uncaring towards Harley, a woman who loves him, while Victor's entire goal is to save his wife who he loves dearly ya know ???? and it's not like all of them haven't been locked up together, the other rogues Know. Joker's not like most abusers who try to keep it behind closed doors, he's very public with his abuse.

And just that feeling of like "I am doing everything I can to save my wife, I have become a criminal and have done awful things in the name of love and I just want nothing more than to have her back and You Have Someone Who Loves You That Much, That Much To Become A Criminal As Well And You Repay That Love By ABUSING HER."

[pawsitivevibe]

Okay in honour of my 1st wedding anniversary here is a compliation of my dogs at my wedding last year

If anyone ever tells you "dogs don't belong at weddings" tell 'em to fuck off and do it anyway. My friends and family all ate their words, and multiple people tipped the dog handlers because they thought it was so nice. It was delightful having them there (for like an hour). My husband and I are super pleased to have had them be there for such a special occasion, and have photos with them (obviously we have tons more photos without them). Oh but pro tip: hire dog handlers because your family and friends don't wanna deal with it, and you wanna be able to send the dogs home early.

[sadmages]

I need to quit this job I need to quit this job I need to quit this job I need to quit this job I need

[sqlmn]

Unfortunately for everyone involved, Brent doesn't understand the concept of being bought a joke, like, why would someone SPEND MONEY on a joke? Since Karen's his friend and bought him a shirt, he's like. Legally obligated to wear it at least once... ? Probably?

So while he suffers over the idea of wearing it and not wanting to wear it at work he eventually would wear it and Karen would suffer the fact she needs to actually not try to joke too much in a teasing way if it's gonna be Treated Seriously. Right suffering from being gay because oh, Brent looks nice in color. (Chris would find out about it at work that he missed Brent in color and just stares at Karen because she is an absolute menace how did she manage that.)

[boyfriendyke]

idk whats worse the idea that my parents genuinely dont believe that mental illness exist or the apparent reality that they Do believe in mental illness they just dont think people need accommodations or medication. is this a joke. taps on the glass let me out of my enclosure

[imminent-danger-came]

Between

2x08 S: "As long as I'm doing something to help out a friend, I don't mind what it is! I just want to be there for 'em when they need me. Because at the end of the day, helping my friends is more important than anything in the world!"

3x03 Mei: "So wait, how did you get your gold vision back again?" MK: "I don't know! The same way I got them in the first place I guess. Every time I learned a new ability, it was because there was something I NEEDED to do, when there was no other way. Against the gold fish guy I NEEDED to do something to save my friends!" P: "Yeah, friends that YOU put in danger on purpose!"

3x10 MK: "NO! Mei is my best friend, I’d never abandon her when she needs me. We’re heroes! It’s what we do!",

3x14 MK: "A perfect world is what you make it. So as long as I have my friends by my side...this world! Is! Perfect!”

4x01 MK: "Honestly? I’m kinda liking the world as it is, right now. So...if it could just stay like this, forever? That would be awesome." SWK: "Yeah well...forever’s a long time bud...trust me."

4x02 AL: "It’s too late to save them! We can’t risk unleashing the curse into the world." MK: “You don’t know! We’d risk it for sure! I won’t abandon them when they need us."

4x07 IMK: "You can see it, can't you? This is your fate. Your friends will turn on you, seeing you for the monster you will become. They will destroy you, harbinger of chaos."

4x11 MK: "We have to try, he'd do the same—for any of us." and

4x14 YT: "I know full well what would happen should Azure fail. But- but he is my brother. I owe him my life." S: "We get it! I'd do anything to help my friends. But at the cost of the world?" P: "I'm sorry pal, but NOTHING worth that price!"

I'm like, really worried scoob.

[2hoothoots]

I know you’ve got this already, but I also was starting to think you’d left. I’ve loved your art and style for Psychonauts, they’re very awesome! Anyway, have a good one and take care of yourself

reports of my death have been greatly exaggerated

(but thank you!)

[longagoitwastuesday]

So so indebted to u for posting those lovely illustrations from Cyrano <333 & even more so for yr tags!! I'm completely in love w yr analysis, please feel free to ramble as long as u wish! Browsing through yr Cyrano de Bergerac tag has given me glimpses of so many adaptations & translations I'd never heard of before! I'll be watching the Solès version next, which I have only discovered today through u ^_^ As for translations, have u read many/all of them? I've only encountered the Renauld & Burgess translations in the wild, & I was curious to hear yr translation thoughts that they might guide my decision on which one I buy first (not necessarily Renauld or Burgess ofc). Have a splendid day & sorry for the likespam! 💙

Sorry for the delay. Don't mind the likespam, I'm glad you enjoyed my tags about Cyrano, and that they could contribute a bit to a further appreciation of the play. I loved it a lot, I got obsessed with it for months. It's always nice to know other people deeply love too that which is loved haha I hope you enjoy the Solès version, it may well be my favourite one!

About translations, I'm touched you're asking me, but I don't really know whether mine is the best opinion to ask. I have read... four or five English translations iirc, the ones I could find online, and I do (and especially did, back when I was reading them) have a lot of opinions about them. However, nor English nor French are my first languages (they are third and fourth respectively, so not even close). I just read and compare translations because that's one of my favourite things to do.

The fact is that no translation is perfect, of course. I barely remember Renauld's, but I think it was quite literal; that's good for understanding the basics of the text, concepts and characters, but form is subject, and there's always something that escapes too literal translations. Thomas and Guillemard's if I recall correctly is similar to Hooker's in cadence. It had some beautiful fragments, some I preferred over Hooker's, but overall I think to recall I liked Hooker's more. If memory serves, Hooker's was the most traditionally poetic and beautiful in my opinion. Burgess' is a whole different thing, with its perks and drawbacks.

Something noticeable in the other translations is that they are too... "epic". They do well the poetic, sorrowful, grief stricken, crushed by regrets aspects of Cyrano and the play in general, but they fall quite short in the funny and even pathetic aspects, and that too is key in Cyrano, both character and play. Given the characteristics of both languages, following the cadence of the French too literally, with those long verses, makes an English version sound far too solemn at times when the French text isn't. Thus Burgess changes the very cadence of the text, adapting it more to the English language. This translation is the one that best sets the different moods in the play, and as I said before form is subject, and that too is key: after all, the poetic aspect of Cyrano is as much true as his angry facet and his goofy one. If Cyrano isn't funny he isn't Cyrano, just as he wouldn't be Cyrano without his devotion to Roxane or his insecurities; Cyrano is who he is precisely because he has all these facets, because one side covers the other, because one trait is born from another, because one facet is used as weapon to protect the others, like a game of mirrors and smoke. We see them at different points through the play, often converging. Burgess' enhances that. He plays with the language itself in form and musicality, with words and absences, with truths masking other truths, with things stated but untold, much like Cyrano does. And the stage directions, poetic and with literary value in their own right in a way that reminded me of Valle Inclán and Oscar Wilde, interact with the text at times in an almost metatextual dimension that enhances that bond Cyrano has with words, giving them a sort of liminal air and strengthening that constant in the play: that words both conceal and unveil Cyrano, that in words he hides and words give him away.

But not all is good, at all. Unlike Hooker, Burgess reads to me as not entirely understanding every facet of the characters, and as if he didn't even like the play all that much, as if he had a bit of a disdainful attitude towards it, and found it too mushy. Which I can understand, but then why do you translate it? In my opinion the Burgess' translation does well bending English to transmit the different moods the French text does, and does pretty well understanding the more solemn, cool, funny, angry, poetic aspects of Cyrano, but less so his devotion, vulnerability, insecurities and his pathetism. It doesn't seem to get Roxane at all, how similar she is to Cyrano, nor why she has so many admirers. It does a very poor job at understanding Christian and his value, and writes him off as stupid imo. While I enjoyed the language aspect of the Burgess translation, I remember being quite angry at certain points reading it because of what it did to the characters and some changes he introduces. I think he did something very questionable with Le Bret and Castel-Jaloux, and I remember being incensed because of Roxane at times (for instance, she doesn't go to Arras in his version, which is a key scene to show just how much fire Roxane has, and that establishes several parallels with Cyrano, in attitude and words, but even in act since she does a bit what Cyrano later does with the nuns in the last act), and being very angry at several choices about Christian too. While not explicitly stated, I think the McAvoy production and the musical both follow this translation, because they too introduce these changes, and they make Christian as a character, and to an extent the entire play, not make sense.

For instance, once such change is that Christian is afraid that Roxane will be cultured (McAvoy's version has that infamous "shit"/"fuck" that I detest), when in the original French it's literally the opposite. He is not afraid she will be cultured, he is afraid she won't, because he does love and appreciate and admires those aspects of her, as he appreciates and admires them in Cyrano. That's key! Just as Cyrano longs to have what Christian has, Christian wants the same! That words escape him doesn't mean he doesn't understand or appreciate them. The dynamics make no sense without this aspect, and Burgess (and the productions that directly or indirectly follow him) constantly erases this core trait of Christian.

Another key moment of Christian Burgess butchers is the scene in Arras in which Christian discovers the truth. Burgess writes their discussion masterfully in form, it's both funny and poignant, but it falls short in concept: when Cyrano tells him the whole discussion about who does Roxane love and what will happen, what they'll do, is academic because they're both going to die, Christian states that dying is his role now. This destroys entirely the thing with Christian wanting Roxane to have the right to know, and the freedom to choose, or to refuse them both. As much as Cyrano proclaims his love for truth and not mincing words even in the face of authority, Cyrano is constantly drunk on lies and mirages, masks and metaphors. It's Christian who wants it all to end, the one who wants real things, the one who wants to risk his own happiness for the chance of his friend's, as well as for the woman he loves to stop living in a lie. That is a very interesting aspect of Christian, and another aspect in which he is written as both paralleling and contrasting Cyrano. It's interesting from a moral perspective and how that works with the characters, but it's also interesting from a conceptual point of view, both in text and metatextually: what they hold most dear, what they most want, what most fulfills them, what they most fear, their different approaches to life, but also metatextually another instance of that tears/blood motif and its ramifications constant through the whole text. Erasing that climatic decision and making him just simply suicidal erases those aspects of Christian and his place in the Christian/Cyrano/Roxane dynamic, all for plain superficial angst, that perhaps hits more in the moment, but holds less meaning.

Being more literal, and more solemn, Hooker's translation (or any of the others, but Hooker's seems to love the characters and understand them) doesn't make these conceptual mistakes. Now, would I not recommend reading Burgess' translation? I can't also say that. I had a lot of fun reading it, despite the occasional anger and indignation haha Would I recommend buying it? I recommend you give an eye to it first, if you're tempted and can initially only buy one.

You can read Burgess' translation entirely in archive.com. You can also find online the complete translations of Renauld, Hooker and Thomas and Guillemard. I also found a fifth one, iirc, but I can't recall it right now (I could give a look). You could read them before choosing, or read your favourite scenes and fragments in the different translations, and choose the one in which you like them better. That's often what I do.

Edit: I've checked to make sure and Roxane does appear in Arras in the translation. It's in the introduction in which it is stated that she doesn't appear in the production for which the translation was made. The conceptualisation of Roxane I criticise and that in my opinion is constant through the text does stay, though.

[4lph4kidz]

Tell us more about Jake's chrub connections. 👀

can i tell you more? i don't think i have formed anything close to a conclusion here. or even, like, an argument. but i can certainly collect my observations and comparisons into a pepe silvia style conspiracy board (see below the cut & click for full size)

that was fun! it's like scrapbooking for insane people. obviously keep in mind this lacks full context and is probably cherry picked as hell. i did not have time to reread the entire comic in one night. i'll come back to this some time

[fellhellion]

[gemharvest]

Need to get on top of whatever dumb fucking inferiority complex I got going on I'm tired of looking at everything about myself and going "Wow I am really sub-par." I know it's 2am but this isn't the midnight thoughts talking this is a fucking persistent curse throughout my day.

[front-facing-pokemon]

Now i know this blog is obviously for.. well. Front facing pokemon, but your tags are always super interesting. I think your opinions on pokemon are pretty neat

i've gotten a few asks like this so far, and it's always nice to see that folks aren't annoyed about how much i talk in the tags. i have lots of opinions on lots of things! and i like to talk a lot. the reason i started talking more in the tags is actually because of asks like this—folks saying they liked seeing what i had to say on particular pokémon has encouraged me to actually talk about my thoughts more (although if you regularly read my tags, i tend to get off-topic pretty quickly. i queue these up very early in the morning, as soon as i get up, and i'm usually a little delirious), especially compared to my first early posts on this blog which didn't even have any tags at all, beyond the names of the pokémon. you're one of the like 4 ffp-mod likers how's it feel

[spamtoon]

(Out of nowhere, you are approached by a familiar lightbulb-headed Cog.)

Ah, it's you, cat. Thinking you're oh-so-slick. Muttering and whispering under those raggedy whiskers of yours... Thinking I am unable to hear it all...

Well, you've simply underestimated my fantastic hearing. You probably want to know the reason why I'm here, taking a 'break' from my incredibly important scientific breakthroughs? It's quite simple, really!

(She gets close, and squints her eyes.)

I know what you are.

Farewell, now!

(She then leaves the way she came from.)

(Spam giggles immensely, covering her face... it always seems like she's giggling, isn't she? This lasts... at least thirty seconds. Longer than usual.)

And I know what I am too, Sparky! You broke through something, that's for sure. Really, broke through...

(She looks down, continuing to laugh nervously.)

You know, I find it odd you Havent tried to bulb blast me into the stratosphere by now. I mean knowing how you acted with Frostbite. Is there something peculiar about me that you perhaps can't quite track? Something about me that you... don't know what I am?

I know, I know, I'm talking to nobody again. But you were there when I had a moment today with the one the only Frostbite The Bravecog. You may be remaining. Lurking in the shadows. Knowing about these thoughts that I'm thinking.

(The giggling resumes, lasting far shorter this time.)

Your brother's a piece of fucking barp, by the way

(She braces for impact for a few seconds, wincing while smiling, before comically looking around to realize nobody's there. She sighs.)

Wow, okay maybe toony superhero show logic doesn't apply in this situation. Cool.

WAIT I JUST FUCKING REALIZED WHAT SHE MEANT but like. Dude if she meant that then what's the point I mean the whole ahh sellbot department barping knows unless you're Really low on the ladder. Heheh... maybe she did mean what I thought she meant.

Oh i'm so fucking screwed. What kind of bitch gets filament fever