#i wonder if the same connection was implied in the other versions...

[tenshiharmonia]

After a brief detour by ZDR, I've finally launched myself into Tears of the Kingdom. Having made it to Rito Village and the Lucky Clover Gazette, here is a fun tidbit that I wanted to share with you. You see, in the French version, Traysi is known as "Bourgette". Now, the thing is, exploring Hyrule in Breath of the Wild would also lead you to meet two other girls named "Florette" (a tourist in Zora Domain who mentions being a merchant) and "Fruguette" (investigating the skeletal horses near the Snowfield Stable)*. From there, we can see there seems to be a pattern : Bourgette (bourgeon/bud), Florette (fleur/flower), and Fruguette (fruit). With that in mind, I always thought that the intention was for the three of them to be seen as sisters. Sadly, aside from "Fruguette" commenting something along the lines of "as the eldest, I have to set an example", the game never brought any attention to this potential connection. But look who I meet when arriving at the Lucky Clover Gazette's premises : Traysi and "Fruguette", implying that the intrepid reporter is now working with her sisters. I don't know if the game will elaborate on the topic as I progress through the Gazette's questline, but still, I wanted to share the thought with you... :p

* Sorry, I don't know what their English names are...

[pearlywritings]

In father’s embrace

synopsis: HSR men as dads and what your family dynamic is like.

pairings: Blade, Gepard, Loucha, Sampo, Jing Yuan x fem!reader (separately)

tw: fluff, established relationship, implied initial mortal x immortal in Blade’s

word count: 5.2k words

a/n: Luofu Xianzhou timeline is hell, so Blade’s one is quite vague. Here’s the Genshin version!

Blade

Blade tends to say that he has no connection to his past, but that is not true and very few (mostly Kafka) know he is lying. Even with his life and death fucked up he can't simply let go of someone his heart has been always full with, of someone who he promised himself to by the altar, even if under another name, of someone, who gifted him the joy of both his previous and current life - your daughter.

The blade - a cold weapon with no feelings - should not experience being lucky, but that’s what he was, when you clutched him in your arms the first time after his return from the dead and sobbed in his chest, telling him how much you missed him, how much his little angel missed him.

Back then he should've left without a trace, maybe even coming to you in the first place was a mistake, but he just couldn't. And his resolve crumbled completely when a white-haired toddler in your arms gazed at him with the same soft eyes as yours and reached out to his face, hesitantly asking "dada?".

As much as Blade is capable - he loves you and your daughter. He is quite absent due to his involvement with the Stellaron Hunters, but you understand how important that magenta-haired woman's ability is when it comes to restraining the mara in his body. After all that's the reason why he can visit without fear of hurting you or his little girl.

Some other sacrifices had to be made - one of them was moving from the Lofu Xianzhou, but that was alright and your daughter loved her new environment. Besides, dada has been visiting more often ever since you moved! And no one really bothered or chased after you (after all, you are still registered as his wife and higher ups of Lofu know), which, you assumed, was somehow connected with a young girl that once came with Blade.

Kafka once brought up a proposition of moving you two to the Stellaron Hunters' base for Blade's easier access, but he declined. At least his loved ones should have a peaceful everyday life.

With a tired sigh the black-haired man lowers himself on a sofa in the living room of the house you two purchased to start a seemingly new life. The red-hot iron in his eyes disappears behind the heavy eyelids and for a moment Blade allows himself to relax. The little wonder, that is his daughter, ran to your bedroom to fetch some hair accessories, after you encouraged your husband to let her style his long locks.

He doesn’t move when you sit next to him, hip to hip and heart to heart. He welcomes your sneaking fingers, curling his, creating a secure lock of hands. The weight of your head resting on his shoulder is grounding and he can’t help but press his cheek against it.

It’s soothingly silent.

It almost reminds him of the past.

“For how long will you be staying this time?

Even your question, spoken in a tender, understanding voice, is familiar. You used to ask him the same thing in-between his Cloud Quintet-related missions. 

These days it’s difficult to sneak and see you during breaks though.

“Fifteen days,” his breath is even, and eyes are still shut, but he senses a smile that tugs on the corners of your lips.

“That’s a lot. She will be so happy,” and he knows that you are as well.

The rapid stomping of little feet bursts into your peaceful serenity, and you simultaneously glance at the doorway. Low and behold - the soon-to-be hair stylist is proudly running into the room, tightly clutching your jewelry box with various hair pins inside.

“Dad, I practiced! Mom says I’ve been making huuuuuuge progress!”

A tiny smile touches his pale lips - it’s such a miracle that a monster like him is blessed to have the most adorable child in the whole universe. With her and you by his side, this life gets more and more bearable.

“If mom says you’ve been, then it must be the truth,” he nods, letting go of your hand - but not before giving it a little affectionate stroke with his thumb, - sliding down and onto the floor, turning his back to the girl.

Giggling excitedly, she gives you the box, which you quickly unlock, and starts looking through the many intricate pieces of jewelry (many are your beloved’s presents), until finding the perfect one.

Having his hair being touched is weird. He was aware that the white luscious locks used to draw attention, but only you were honored to run your fingers through them, and only his baby was allowed to tug on them, making her father wince. Now it’s different - she is oh so careful, brushing, collecting stray locks and braiding, not once causing him pain.

Blade sighs again, but looks at you from the corner of his eye, catching you snickering in your palm upon gazing at something that your daughter is turning his hair into. Well, that’s concerning.

But at this very moment he can’t bring himself to care. If he gets fifteen whole days before his next mission, he is going to savor this time with his family - no matter how disastrous he’s going to look by the end of it.

Gepard

A family man. So no one was surprised when in the end the leader of the Silvermane Guards ended up with three kids - two sons and a daughter. Partly it was dictated by the rules of nobles and his family among them, but ultimately it was your mutual sincere decision.

It’s obvious he is not there for many of his kids’ first times, as sometimes his duties prevail and even the Supreme Guardian cannot help it, but he really-really tries to be there as much as possible. He appreciates the videos you send him, has every single one stored in his phone’s memory and sometimes, when there is no communication, in his spare moment he replays them to remind himself that soon he’ll return home and see his kids and you.

Only one time he really fucked up because of work - during your first pregnancy you both underestimated the soon arrival of your due date and he left on a mission with his troops, reassured that he’ll be back before the day you go into labor. The snowstorm was severe and the connection was cut, so the message Serval sent him when your water broke was not delivered. His soldiers would bring to their graves the image of a deathly pale Gepard, when many hours later he checked his phone back at the base and nearly broke the screen, trying to type his sister’s number.

After that he started taking paternity leave seriously.

You do not keep in touch with his parents a lot - there were instances where they disapproved of you, but all of his siblings are always welcomed in your house and to see their nephews and niece, because they supported your relationship from the moment they met you in flesh.

Serval is an enormous help when it comes to babysitting. It’s like her part-time job honestly - you even offered to pay her, but she declined, suggesting offering her a helping hand whenever she’d need instead. Oh, and to be the first one out of all the Landau siblings (after her brother, of course) to know about the latest updates on your kids.

The kids that are adorable. All three won the ‘blue eyes’ lottery, which, given the previous generations of Landau, is not a big surprise; both boys look like Gepard, while the girl took more after you in appearance. The man really doesn’t want to play favorites, but sometimes he is just too weak for his little princess, who looks just like her mom. She is the youngest too with a pretty big age gap between her and her brothers, who were born a year apart, so there is literally no jealousy, because your sons took their father’s example and became her protectors.

Even from a 'big bad dragon' that is their aunt…

When you step inside your house and hear the kids still fussing somewhere in the rooms, involuntarily your gaze falls to the old grandfather’s clock in the foye. Almost midnight. All three should be long asleep with Serval sending you a notification of her success. Which you didn’t receive and for that reason had to cut your date short and hurry back home.

Your husband looks as concerned as you are, locking the door and straining his ears to determine what’s going on. With both your coats abandoned, you carefully step further into the house, making your way to the line of light coming from under one of the doors.

Two jaws almost kiss the floor when you see Serval lying on the floor tied and gagged with a scarf. Alone. For a moment you fear the worst.

Rushing inside, you let Gepard search the other rooms for intruders. Helping your sister-in-law to sit is no problem, but the knot behind her head is awfully tightened. In the end you manage to yank it down to free her mouth, quickly switching to the rope constricting her hands.

“Y/n, oh my god,” she gasps, finally able to speak. “Who taught your sons to tie knots like this!? I didn’t know a sixteen- and fifteen-year olds can be so strong-”

“Come again?” Stunned, you stop untying her wrists, looking at the woman with widened eyes. Your boys did what?

“My precious nephews - whom I really do not want to strangle - took the game of knights too seriously, and when - maybe a half an hour ago? - I decided to play the dragon who was stealing the princess - my niece of three years, - they attacked and tied me!”

“Huh…” is all you can say, feeling relief wash over you. At least there are no burglars or kidnappers and your kids are safe.

When, listening Serval’s huffs of complaints, you move to untie her legs, the heavy steps of your husband are heard in the hallway, accompanied by the boys whining and begging their dad not to come to the living room, because the dragon would eat their sister.

His tall figure appears in the doorway, with your daughter in his arms, looking very sleepy, and two almost carbon copies of their dad pulling at his jacket to give them their sister back.

“Serval, what in blazes have you told them?” The judging tone and the squint of his blue eyes are directed at his elder sibling.

“It was just a game, Geppie! A silly game they turned into reality.”

“Aunt said she’d eat her,” your oldest pouts, eyeing her cautiously. “And she told us stories about the cannibals the other night-”

“Serval, you what?”

“Hey, they asked me to! Oh, thanks, Y/n,” she shrugs the loosened rope off of her. “Where did you even get this?”

“Aunt Lynx gave us,” the second son chirps, hugging Gepard’s side. “She showed us how to do knots.”

“This little-”

Suddenly you feel a headache coming. With big family come big challenges, but something of this caliber hasn’t happened in a while. It makes you smile though - you almost forgot what it was like - to raise two boys. Seems like your girl brings the borderline naughtiest out of them.

Loucha

To begin with it's worth mentioning that your and Loucha's marriage started as an unpredictable necessity. You both needed to enter the world that allowed only married foreigners' access. So, quickly figuring that your goal matches, you got married on a neighboring planet, spent a month there to make the marriage more believable in the sense of its duration and learning more about each other. Yeah, all of that just to fulfill your respectful jobs. You invented and rehearsed all the possible answers to the questions, perfected your affectionate act and were actually feeling quite comfortable around each other.

It was almost funny, when on the 'how many kids do you plan to have?' Loucha confidently answered 'two', and a couple of years later your first son was born, and then, after 7 more years, another one was too.

Admittedly, the oldest one was kind of unplanned, but at that point you traveled so much together, shared so many memories, even ended up caring for each other on a lover-like level, that you decided to give it a shot, just like you did with the continuation of your marriage.

And Loucha couldn't be more pleased. Surprisingly, he found the peace of those first years he spent settled down to raise your boy delightful. And there was something exciting about having a little wonder with a perfect mix of both of your features in your arms, as your husband's hand is resting on the small of your back, leading you through the crowds of the new planet's lively market, as the child's eyes shine with marvel, taking in his surroundings.

When Loucha suggested having another one it simply felt right.

Your sons are so lucky in the sense of seeing the universe, because their father is a traveling merchant. Sure, he doesn't always take you and your two boys with him, but whenever his deal allows him enough freedom and your kids are doing great in school and can be taken on a little vacation - you three are going with him.

Usually he gets to take care of the youngest one, since only Loucha's vast knowledge can satisfy his curiosity, while the oldest one calmly walks hand in hand with you, content with listening to their conversation and pointing out to you the things he already knows himself, receiving a soft praise from you and an approving nod from his father.

Back home the roles reverse - the oldest is spending most of his time with Loucha to learn all about medicine and healing techniques, while the youngest is more interested in sharing your hobbies. 

The two hardly ever quarrel as siblings tend to do, and it must be because of the overall serene atmosphere of your family dynamic, your soft nature and your husband's tranquil behavior. 

More than a decade ago Loucha wouldn't have imagined himself with a wife and kids. Nowadays, however, he doesn't like the thought of not having the three of you by his side.

It is a quiet afternoon. A little house you rented for a little vacation has a nice yard - perfect for the kids to have fun outside. You occasionally glance at them from the window of the kitchen to make sure everything is fine, while your hands never stop moving - washing, cutting, stirring.

At some point you are so caught in the moment of tranquility, that you do not hear your husband walking in, until he softly hums to alert you of his presence, and puts his palms on your waist.

“Smells delicious,” you smile, feeling his chin on your shoulder, and grab a piece of a tangerine you are meaning to use for dessert, offering it to him.

“Mhm, I am trying to cook what we had yesterday at that restaurant.”

Ah, right, the restaurant the kids enjoyed. He remembers how you sneaked to the kitchen and came back with a little less credits, but with new recipes and an excited smile on your face.

“Hopefully my rendition will be to our boys’ liking. And don’t think I forgot about you - those Loufu Xianzhou-style noodles are already on their way!”

“So thoughtful of you, darling,” his silky voice caresses your ear and not a second later a kiss is pressed to your cheek. “Do you need any help?”

“Weren’t you busy?” You decide to clarify, clearly recounting how he locked himself in one of the rooms earlier that day to test something. To your question Loucha shakes his head.

“All done already. And I missed you and the kids.”

“Then go and play with them,” you urge, turning to face him to offer a sweet smile. “I’ll handle it here, but the boys could use some quality time with their father.”

“You say that as if they didn’t drag us all around the city yesterday and then climb into our bed and refuse to leave.”

“I mean, it’s the first time in two months they properly see you. That last deal of yours was exceptionally time-consuming.”

“You kept me updated on them so well and those video calls we had… it didn’t even feel like I ever left.”

You only huff and return your gaze to the stove, yet leaning into his chest a little. For a minute it’s quiet, and the man is taking his time before parting from you. That is until he takes a deep inhale and nuzzles his face in your neck.

“Thank you, Y/n.”

“What for, handsome?” There is that teasing lilt in your voice he came to love. Over the course of your lives together he discovered many things to love you for, and if not for that desperate decision to get married - he thinks he’d hardly ever feel the same about his life.

“For everything.”

He leaves your side with a kiss on your shoulder and the next time you glance out of the window again - he is already there, hoisting his youngest in one arm and chasing after the oldest one with his hair swaying in the gentle wind. And your heart is at peace. 

Sampo

In all his life Sampo has managed to never impregnate a single woman and he considers that a success. For all the crap people speak about him Sampo is not an idiot, even though he acts like a fool at times. He is extremely self-aware and bringing a child to this world is probably the last thing on his list.

But no one said anything about someone else’s child, right?

Your and Sampo’s relationship is… strange, not going to lie. One evening you happened to help a scared woman to escape from some drunkards (whom you lately found out were the Silvermane Guards, sober and on duty), only for the long wig to slip and the heavy coat to slide down, revealing shortly cut but nicely styled hair and obviously male broad shoulders. The only thing the man managed to get out was a sheepish “hehe”.

And boy did that “hehe” change your life.

That day Sampo Koski got off the hook, since you didn’t comment anyhow and just let him go, which, given you were an overworlder, he found intriguing. So he dug a little bit, out of pure curiosity. Besides, this man didn't like staying in debt to someone and he needed information to see how he could pay you back.

That’s when he found out you were a single mother. An opera singer, but divorced and with full custody over a six-year old daughter.

And honestly, he didn’t give it much thought at first. He simply arranged a nice bouquet of red roses for you, paid Natasha a little for a handmade plushie and left it all at the door steps with a ‘thank you’ note.

Until a couple of weeks ago, disguised again, he didn’t stumble into a group of kids obviously bullying a little girl, mocking her for not having a father, and throwing something among themselves that she tried to catch. And he recognized the toy. And one glance was enough to see how much she looked like the woman he met only once. And against his better judgment Sampo walked to the children, easily snatching the toy and effectively scaring everyone off. Only with that little girl still being there, eyes full of unshed tears and fingers digging in the skirt of her pretty dress.

That tiny ‘thank you’ when he handed the plushie back to her and she hugged it tightly to her chest made the conman’s heart clench, and for the second time that day he sent his plans to hell, keeping her company near the house you lived in until you arrived from work.

That day he learned many things - how much your daughter loved the toy and what a sweet little thing she was, how tired a person can look and how much a throat can hurt from the whole day of singing during rehearsals, how nice a home-made dinner can be once you are invited, but most importantly - how even such a damned man like him can be gazed upon with gratitude and not from one, but two people.

From that day many other instances happened, but in the end he just stuck around. It was strange, it was new, but in a sense it was comforting, especially when you would come home - on Friday, for example, - and he’d be there, entertaining your daughter and then greeting you with a smile and a silly wave of his hand.

You don’t have a husband, and your daughter doesn’t have a father - but with his presence Sampo Koski manages to fill those voids even if a little bit.

Aeons you love days off. A morning to finally sleep in and do not run around like crazy in attempts to get yourself and your kid ready. Even breakfast wasn’t on you today, because the ‘silly man’ stayed the night and told you to get your sleep, assuring you with that confident puff of his chest that the Sampo Koski would offer you his best service, which effectively made you giggle.

Tonight he even cuddled with you, letting you bury your face in his neck and be a little vulnerable in the arms of a man with whom you had the most peculiar relationship ever. But after such equally peculiar moments you really start thinking of suggesting moving from the couch in the living room to your bedroom permanently. It’s been months already, who would’ve thought.

Barefoot and not even glancing at the robe on the chair near the window you leave the room, rubbing at your eyes and brushing your hair away from your face. You are craving the cup of your morning drink, and so you let your legs carry you to the kitchen at first. However two voices coming from your wardrobe room instantly peak your interest and make you halt in your walking. What on earth could your daughter and your clown of a man be doing there?

And soon enough you find it out.

“Sit still, please!” The girl begs with an eye shadow palette in one tiny hand and a huge brush in the other. “It’ll smudge if you keep turning to the mirror!”

“Just can’t wait to see how beautiful I am, princess, ‘s all~”

There, on the floor among the rows of your clothes and shelves with beauty products and accessories, none other than Sampo is sitting, willingly offering his face to your daughter’s practice of applying makeup. And gods he looks absolutely hilarious.

But that’s not what exactly concerns you.

“Is that my dress?” You point at the red shimmery thing snuggly sitting on the man in front of you and that’s when the two notice you.

“Yes, mommy!”

“Say I pulled it off, right?” With a smirk the green-eyed menace winks at you and it looks even worse with poorly done lashes. You have to stifle your laughter. “Though I must admit, we had to keep it unzipped - my chest appeared to be bigger than yours-”

And that’s when you regret not bringing slippers with you - one flying in his head would be of great help.

“Sometimes I really hate you.”

“Nuh, sweet thing, you love me!”

“Well,” you step closer, grabbing a tissue to try and fix at least the overly bright blush on his cheeks, “maybe. Maybe I actually do.”

Suddenly Sampo is tongue-tied and silent, trying very hard to fight off the stupid grin forcing its way onto his face. But with thoroughly smeared red lipstick on his mouth it looks so damn comical.

“Mom, do you think pa looks pretty?” Your daughter hopefully asks, putting aside her tools, and that little two-letter word doesn’t go unnoticed by either of you. You feel a real blush burning under your deft fingers.

“Yes, sweety, Pa-mpo looks very pretty,” his head whips in your direction like you’ve just told him to go and surrender to the Belobog’s esteemed order keepers.

“...Pa-mpo?”

“Would you prefer Da-mpo instead?” Cocking your head in question, you smirk at him, relishing in the pout he is wearing at the moment. “Or maybe Sam-pa?”

“No, thank you very much,” he huffs. “Little princess called me ‘pa’, so be nice and respect it.”

And now it is you who is surprised. You haven’t really discussed with Sampo who he was to your daughter, and who she was to him - but if he is making this step of acknowledging the matter, then who are you to spoil it? Who knows, maybe things will work out quite pleasantly in the end.

“Alright, pa, I will respect that.”

“Hey! For you I am your precious popo baby, a koskiss to your lips, the love of your-”

“Don’t even dream of it.”

Jing Yuan

Yanqing would be enough of an answer to the kid question, but it is not. Sure, his young disciple is practically a son to the General, but it doesn't mean the man doesn't want his own children.

He does and he has. On multiple occasions Jing Yuan's subordinates walked in on him with a small figure sitting in his lap or perched on his strong arm, observing what the dad's been up to with his plans and documents. You scolded your husband for this many times, but the bastard only smiles and keeps stealing his daughter to work to keep him company. Or she sneaks on her own - that caused you many almost heart attacks when she was no older than a couple of decades.

For Jing Yuan it’s all good though - he gets to spend time with his baby and have you inevitably join him in search for your adventurous child.

The General has a separate folder for all the pictures of his daughter on his phone - every single one he takes and every single one you send him when he couldn’t bring his girl to some of his meetings (yet he really tried, until you put your foot down and saved many of his subordinates from the prolonging of said meetings). Even the background, hidden from prying eyes behind the passcode of your and her birthdays, is his little one, cradled in your arms, as the two of you are watching kites flying in the sky.

Yanqing at first was set on treating her with the same respect he does his mentor and you, his wife, but you quickly put an end to it, basically turning the boy into her older brother. He didn’t mind at all - if anything he is sometimes way too eager to push the two of you to go on a date so he can babysit. Often you would return to the two fast asleep either on the girl’s bed or cuddled to Mimi with toys scattered and at least two books lying on the floor. The huge lion adores the girl - sometimes you feel like it thinks of her as its own cub, and the thick mane of hair your daughter got from her father does not help.

And it appeared to be as eager to steal your daughter from you as your husband is…

“Y/n!” You practically jump when the doors to your bedroom fly open and Jing Yuan bursts inside. Immediately you notice his disheveled state - hair down and a mess, the robe he wore this morning for comfortable work in his home office is falling off one of his shoulders and a shoe is missing from his foot.

“Aeons, Yuan, don’t scare me like that,” you put a comb down on your vanity table and fully turn to face him. “What happened?”

“Is our precious baby with you?” He steps further into the room and starts looking around frantically. Okay, now that got worrisome.

“No? You took her earlier this afternoon after lunch to play in your study while you work. Have you really forgotten that? My love, you are getting old.”

You hear clearly as he curses under his breath, raking thick fingers through his hair. The golden eyes look at you and in them you spot a flicker of anxiety.

“...Jing Yuan, don’t tell me that you managed to lose our daughter.”

“I didn’t, I swear,” he winces at the full name usage, watching you rise from your seat and quickly approach him. “She was right by my side, watching the animal videos on my phone, but then I got immersed in the latest reports from the Sky-Faring Commission and when I finished whose - she was gone!”

“Uh, want me to call your phone? Maybe she still has it.”

To that he puts a hand in the robe’s pocket and brings out his device. Oh god.

“It was lying on the floor, still playing videos.”

“Okay, deep breaths,” you are not sure if you are telling it to him or to yourself, but you too take an inhale, meanwhile busying your hands with adjusting his clothes. “Even buried in work you’d still notice if a human sneaked in, right?” He nods. “And you’d notice if she left - she would’ve warned you about that.” He nods again, lips pursed and eyes staring at one point. “Yanqing is not as skilled to come unannounced and take her, and he wouldn’t do it without your permission, so-”

“Wait,” his hand catches yours and realization flashes in his features. “Mimi came.”

“...Mimi?” Before you can ask him to elaborate, your husband turns around and rushes out of the bedroom. Concerned and a little bit intrigued, you quickly follow.

In one of the rooms of your huge house the two of you finally find the lion, and Jing Yuan almost drops on the floor in relief when his girl is spotted in the animal’s embrace. 

“Is she…sleeping?” You ask, glancing from behind his broad back.

“It appears so. Hey, Mimi,” the maned head lifts, two ambers taking in your appearances and a pleased huff is let out through the nose upon recognition.

“Well, my dear,” you pat his shoulder, shaking your head, “it appears that people were right - like the owner, like the pet. Congratulations, your lion took your habit of stealing our daughter to heart. Good luck prying her from it.”

“You say it like it’s something hard to do,” there it is, a confident smile is back on his face as he strides closer to the animal, ready to bend down and get his girl. Only for that lift of the corners of his lips to be gone when Mimi growls at him in a warning and shields your daughter’s little body with its head.

You only smirk and leave the scene to go and get your phone - there is no way you are not filming your husband dealing with the consequences of his own behavior.

[thr0wnawayy]

Midoriya's Delusion

This is post that builds upon my previous one, I've copied many of the points I made there to here. Albiet with some corrections and tweaks.

To summarize, I have a bit of a crack theory that chapter 430 isn't as real as we've been led to believe. (As for when this actually takes place, that's up to you but I like to imagine the start of his third year marks the beginning of his mental decline.)

(As an update, I find it dubious whether 8 years have actually passed or if that's also a part of the fantasy. I can see Midoriya becoming so attached to the lie that his reference of time begins to warp)

This theory mostly comes from some inconsistencies in regards to the hero rankings and some other things I've found.

Corrections:

It's left ambiguous whether Best Jeanist and Endeavor are still active. However the fact that people view these two in a postive light (especially after Dabi and the war) still seems absurd.

2. Midoriya wasn't outright abandoned, rather their busy schedules make it hard for their days off to coincide. This falls apart when you look at this panel

"The rate of new villains keep decreasing and the number of heroes have stabilized"

Besides Ochaco who's funding a quirk counseling project, the rest of the class should be able to make time. Again it's stated that they aren't actually fighting.

There's no real threat to face. Besides PR and Community Service there's bot a whole lot else (besides the occasional natural disaster)

One could argue it's because the scope of what heroes do is increasing, thus keeping them busy. But again, we see heroes doing exactly what they did before, PR, Advertising and (implied) Showboating.

This leads me to believe that the lack of contact is based in reality, to some extent.

Whether it was by choice or forced by their (1A's) respective PR teams to preserve their images (can't be seen around the "freaks" for too long, now can we?).

The lie comes in the form of busy schedules.

Now whether that's what Midoriya tells himself or what he's been told, I cannot say for certain.

Disturbia:

For those of you who didn't read my last post, you may be wondering, so what's going on?.

Simply put:

Midoriya's having a breakdown fantasy to cope with the fact that he won't be becoming a hero due to the loss of his quirk.

Im aware it sounds crazy but consider the following:

1. Midoriya subconsciously knows the way he's been treated was wrong.

This manifests within the escapists fantasy in Bakugo's drop in the rankings + the attitude surrounding him (as well as his damaged hand never fully healing)

He meets a kid who just so happens to be in a near exact same position as he once* was (and still is to an extent). One could take this as his mind's way of trying to cope and heal itself, by having Midoriya do what he does best and help others, henceforth working though his trauma by using the kid as a stand in.

*Even the kid's "bully" seems to be a warped version of Bakugo (perhaps this is how Midoriya tries to fool himself into believing how it was)

2. We see Kota.

I believe that here, Kota serves as what Midoriya thinks he could have been had he not failed. Kota is the idealized version of Midoriya here, the unobtainable.

3. A lesson ignored

Apparently people forgot the connection between Endeavor and Shoto. You'd think this would be a good thing as Shoto would be able to become his own person.

This falls flat when you remember that also includes people forgetting the reason and happenings behind Shoto's existence, it feels like Midoriya is trying to have his cake and eat it too

To elaborate, this is a major copout, it allows Shouto to be unaffected by his family's past bith career wise and emotionally. While also feeding into Midoriya's rather toxic belief that forgiveness is required to be a good person.

(The fact that killing Tomura violated this only adds to my theory that this whole thing is an escapist coping mechanism.)

(You can also add the idea that Tomura didn't forgive society for what they did to him and his friends. That likely broke all the "rules" that Midoriya knew.)

4. The Mech Suit is a massive cope, it's the dying whimper of Midoriya's childish hope that All Might will save the day.

This time there's no magic quirk, no garrish mech suit, no plot twist.

No. There's only Midoriya and the consequences of his, his classmates and hero societies actions. It doesn't matter how shiny and seamless the illusion, how sweet the lie.

You can't hide the blood.

Concerning Aspects:

That was mostly the revised stuff, let me introduce you to some new points

1. A Frozen Lake

Something I noticed was certain characters seem to be almost frozen in time, as if someone tried to continue a story using scraps of the original text.

The curious case of Rei Himura:

This scene seems almost stagnant, what was most noticeable was Enji's bandages still being on and Rei still being there.

It's as if Midoriya hasn't seen them in years (or perhaps doesn't want to acknowledge what happened). So his mind uses what he last saw/heard of them, creating a sterile, static scenario. Little better than props.

Those surrounding her (with the exception of Hawks) also seem to be stuck in the past.

It's definitely strange.

2. See No Evil, Hear no Evil, Speak No Evil

Shigaraki is a representation of Midoriya's repressed guilt and his fears. I believe deep down Midoriya knows that, inevitably the cycle will repeat, so long as the system is allowed fester and wallow in it's complancy.

I find the fact that he's behind Midoriya to be ironic, as if to say: don't look back, don't think about what you've done.

A Symbol of Stagnation:

I should warn you that it does get lengthy from here, however I think it's important to get the full picture. Even if I tend to ramble here.

It's implied here that Lemillion's the top hero. This is awful for a variety of reasons. Mirio is a horrible symbol.

All Might was flawed for a variety of reasons, but a majority of these were byproducts rather than directly being his own doing.

Mirio on the other hand, has such a cancerous philosophy that it actively harms all who interact with it.

Mirio is a follower, he follows orders first and asks questions never.

Eri is the best example of this. Even after Nighteye's death, Mirio never truly reflects on the damage his actions could have caused ( only saved by the narrative, seriously it's a miracle Eri trusts anyone besides Midoriya after being abandoned like that)

You see, the difference between Toshinori and Mirio lies in their actions and principles.

Mirio left Eri to die, all for the sake of the "mission".

For all the heroes knew, Eri could have been a trafficking victim and either have been killed or relocated. But no, appearances and "gotta catch em all" take priority even after knowing Eri is in the Yakuza's clutches.

Lemillion made the worst decisions possible. He followed a known murder into a secluded, restricted area (with a hostage mind you) bringing his pupil with him.

Willingly ignored blatant signs of abuse (just look at the girl) and played hooky with thre leader of a criminal organization, who is known for his short fuse and willingness to kill.

He did all of that, when he could have easily detained Overhaul at any point (his quirk being a direct counter)

Toroshinori would fight tooth and nail in that situation. Consequences be damned if it meant saving Eri.

Part of the reason Toroshinori was so effective as a hero was 1. His sense of justice and 2. His compassion.

Mirio is a symbol that can be controlled, a weapon if you will.

The fact that Mirio is at the top shows that things haven't changed and are even beginning to decline. So this brings me to my next point

You may be asking, if Midoriya's losing it in his own mind, what's the outside world look really like?.

Allow me to set the stage.

4. Speculation

Within Midoriya's muddled mind, Lemillion represents both his toxic optimism and a subconscious understanding that nothing has changed. It represents denial and acceptance, a dysfunctional middle ground that's easy enough for Midoriya to stomach.

The truth of the matter is, delusion or not, the reality is soon to sink in.

Something that I don't see discussed is the lack of reactions from other nations or really any insight into how they were affected by everything that happend.

Here's the idea: Most likely they are foaming at the mouth.

Particularly it's the countries who suffered under Imperial Japan in the past (Korea, China, Singapore etc), however this also applies to every nation Nedzu brow beat into aiding with the rebuilding efforts, albiet their reaction would be latent.

Not not only is the attitude painfully reminiscent of how Japan handles it's past atrocities, Japan has had them clean up their messes. seen below:

(you cannot tell me Big Red Dot over here is having a good time)

From an outside pov. The Commission never told anyone about AFO, rather they suppressed any information, locked him up in Tartarus and then sat on the whole situation until it blew up in their (read: everyones) faces.

He then proceeded to: kill over 8000 people (+ those killed during the Blackout period), kill the top hero of one of the world's most powerful nations and incite mass panic. Destroyed massive amounts of infrastructure and transport nationwide, broke thousands of criminals out of prison, destroying those prisons in the process.

Meanwhile the heroes:

Abandoned civilians in mass by quitting in the middle of a war.

Left the public in the dark for months and allowing crime and paranoia to grow rampant, even (forcibly) bringing someone they knew was being targeted by AFO and his forces to the one place they could find shelter.

Mutilated a seven year old girl. Who has a history of being mutilated for the gain of others and patted themselves on the back. (Also having no holdup on how that may effect her physically via her quirk or mentally via her trauma)

Mic: tried to kill a docile prisoner who could be considered in comatose, based off of his emotional attachment to a dead man + viewing it as justified if it meant Spinner couldn't get to him.

Used hospital staff and patients as meatshields (Central Hospital) during a riot.

Most had no qualms supporting a child beating eugenicist and implied marital rapist, even with his one of his victims exposed him and citing it as his main reason for turning to villainy.

Held an illegal questioning* with said abuser while ignoring his main victim (Rei, who is probably the most reliable source of information there)

(*which effectively is like conducting an investigation on yourself and declaring you are not guilty)

And so much more! (But this post is getting too long)

My point is by the time everything was said and done, it seemed everyone but Japan was paying for it.

It's outright stated that the US president risked national security by sending every hero they had to help Japan. (Impeachment worthy if you ask me)

Endeavor's little plan to kill himself and Dabi in a blaze of death ended up disrupting the weather. Very likely it'll end up resembling an El Niño phenomenon, only vastly off schedule and even more destructive than normal.

For Reference [https://oceanservice.noaa.gov/facts/ninonina.html]

Very likely it'll lead to an agricultural drought in the northern America's and mass flooding in southern America's, likely starting at the west coast and bleeding inland. Leading to a domino effect where cost of living surges due to the sudden displacement of people and the rapid loss of products.

Worse still, because the US had no heroes (likely for months on end), crime has likely surged in the America's, which will further impact the rest of the world.

The rebuilding efforts likely emptied the wallets of most participating countries, leaving them unable to help anyone, including themselves.

Also keep in mind that Japan incriminated themselves with the Business Course footage. I don't think the general public (outside of Japan) is going to take too kindly to a known murder and abuse apologist being in charge of a system already known for it's corruption.

The end result is likely be a world that detests Japan, either from a moral perspective (Rei's treatment + the treatment of those society abandoned), a financial perspective (we can't afford shit and you contributed to that) or historical perspective (you do this everytime and ignore the consequences).

A world divided by struggle and united by an immense loathing for the Commission's Japan and the culture surrounding it.

Oh, don't forget there's no finding left for quirk research. Meaning that it's very likely no one will be prepared for quirk singularity to start manifesting in the upcoming generations (Thanks Nedzu).

_______________________________________

Update: Can I just say that Aizawa's lack of ownership infuriates me even though this is likely a fantasy and not grounded in reality.

Like what the fuck do you mean "with the way he talks, it was pointless" Fantasy Aizawa.

Because "Hey Asshole", You deliberately ignored his attitude and offenses!. And what? Now your just gonna shrug it off like it wasn't your fault. To hell with that you had two years, most teacher are said to only get one. As you so graciously mentioned at the start of this shit show of an epilouge.

Heres the moment I'm referring to btw:

While we're at it. Are you telling me it was too hard to get Momo some proper attire all three fucking years she was at UA for.

Not to mention Toru is still naked, how the fuck hasn't she died yet, she is literally exposed to the elements (and lord help her of she gets a cut)

Kirishima's costume is still his biggest liability considering it exposes his chest and back (also seeing as even when hardened he can't repell bullets)

Does Denki still fry himself with his quirk?

Before we move on Aizawa. How's that daughter you neglected, her horn still broken?.

Speaking of which let's look at the rescue team:

What the hell is this!?

Let's see, we got a guy who can only do damage (and his sweat detonates on contact, destroying whatever it touches.)

A brainwasher who only got into the hero course via nepotism and who can only brainwash people who directly respond to him!. A person trapped underneath rubble either frantic or groaning in pain isn't going to be able to respond or even just give consent.

(On a side note what are the laws regarding mind control quirks, does some sort of waiver have to be signed, can a person sue for being controlled against their consent?)

Oh, but wait there's more.

Midoriya running headlong with experimental tech that has, very likely never seen the light of day. Let alone preform in an actual high stakes situation before.

You're trying to carry someone and oops! Something malfunctioned or was miscalculated, now there's an even bigger mess (hooray!)

Who could forget Mezo "they'll come for your kids" Soji. Who climbed the ladder and pulled it all the way up.

Yeah forget that Heteromorph's were getting hate crimed long before the war, ignore the fact that you yourself were maimed by an angry mob after doing one of the most heroic things a person can do. Dismiss Spinner's comment about being sprayed with Pesticide for walking in public.

Nah screw it, let's all sing Kumbaya while the Creation Rejection Clan runs wild outside the reach of the cities, then ignore that the discrimination still is prevalent in the countryside and it's only a matter of time before somone gets fed up and takes matters into their own hands. (talons, claws, you get the picture)

But your a hero now Soji, you got your's. So fuck the rest of 'em

And don't even get me started on Hawks. Congratulations you ignorant bastard, way to kill time and by that I mean for everyone but the heroes.

"Yeah life is great!, everyone hates us, we're rapidly falling into debt from all that rebuilding 8 years back."

"Speaking of which some of those buildings are staring to fall apart due to being rushed to meet deadlines set within the month they were started."

"Social darwinism is on the rise and people are becoming more complacent that ever before due to heroes applying bandaid solutions on decade long, deeply ingrained problems."

"All so the average person doesn't have to think about what's festering beneath society's floorboards, so thank you Safety Commission. Here's your star of positivity ⭐️." - Some random anti-hero civilian

So much for greatest heroes, huh.

_______________________________________

UPDATE 2:

A dark thought I just had, is that the main reason Izuku killed Tomura was because Tomura broke the rule of "Forgiving Your Abusers makes you Good".

When Tomura refused to relinquish his hatred, when he stood his ground, that is when Midoriya decided he had to die. If not to "stop" him, then to preserve Midoriya's perception of the world .

Shigaraki + The LOV by their very ideals went against everything Midoriya has had beat into him by Bakugo and Aldera over the years.

Makes me wonder how'd he react to a person refusing to forgive their abuser. If he interacted with Natsuo or Rei, I could see that delving into a complete mess.

Now that I think about it, The Midoriya we know now, he would have never tried to hold onto Eri back when they first met.

Ironically, he became what he named himself after, a Deku. A puppet attached to thorns of liquid gold, glistening and burning hot.

A slave to his own biases and belief system, now trapped in a stage of his minds own making.

First bound by his past, then by legacy and finally, now by his own hand.

木偶.

[sepublic]

Alright, let's talk about some details from the TOH pitch bible;

A lot of the stuff is what we've already seen and/or in line with the show. What's interesting is that King WAS a former King of Demons at one point, and we would've had an episode where he runs into his old gang and chooses Luz and Eda over them. It makes me wonder if he even had a connection to the Titan in earlier drafts, if he wasn't recognized as one back in the day because he just wasn't big enough, etc. Eda makes a deal to help remove the collar, which IS the source of King's woes, placed by a 'mysterious wizard', I wouldn't be surprised if it was Obron AKA Proto-Belos.

What gets me is that Tibbles originally started off as a friend to the protagonists, while Bump was an antagonist! Coupled with Tibbles being re-elected as mayor after Bump is deposed for corruption. I like the detail of Bump being a parasite controlling a body from the head, because it carried over into his final design with Frewin, and before we got confirmation Frewin was a separate entity, I loved the joke theory that the imp on Bump's head was the REAL Bump!!! Seems that was always the implied story of the design, I love it. Tibbles being the demon fan of human stuff would eventually become Gus instead, so this is technically Proto-Gus too…?

Interesting how Bump and Tibbles' alignments switch completely with one another, and it makes sense that with Lilith no longer the principal in the final draft, it goes to Bump, who ends up being really chill and a subversion in his own right! Interesting, but I do prefer the final Bump we got, and that's fine by me, because when the concepts aren't as interesting as the final product, it means we got the best possible version.

I've already discussed Obron and William in a separate post, and Pupa is someone we've been told about in a previous livestream. Lilith would've been both head of all covens (and not just the Emperor's Coven) AND principal at the same time, and she seems much more of a jerk to Eda in general; She has no qualms with cursing Eda because of a direct order from Obron.

Apparently the curse would've been an AGING spell, which settles my questions on how it would've been portrayed in earlier drafts! This goes along with Eda's older look. Likewise, there would've been a subplot of Eda considering Luz's sacrifice as a way to restore her youth, which likely goes hand in hand with Obron's orders to bring Luz to her, etc. The 'Bloom of Eternal Youth' quest, which Eda and Lilith go through together as their sisterly relationship is explored, feels like a carryover from this past idea.

I think I prefer the final draft; I like that the curse isn't just aging Eda, but also takes away her magic, makes her turn into a beast, etc. I like Lilith being a lot more complicated in her relationship with Eda, instead of just hating her and cursing her without hesitation. The redefining of the curse makes it less about age, and more a chronic illness metaphor, and I like how Eda in the final draft is upfront about having to learn to live with it, deal with it, on her own terms. She isn't trying to find a cure (although Lilith being promised one by Obron feels like a carryover of Eda's moral dilemma with Luz), and that adds another nice dimension to her conflict with Lilith, as well as Gwen. It's pretty frank in its own right about normalizing disability, and those who play an antagonistic role (however brief) are the real weirdoes for making such a fuss about it.

The Bat Queen would've had more of a recurring role based on the description, which saddens me; I always got the vibe she was planned for more, but between all of the other stuff the show had to juggle, plus the shortening, she ended up getting shafted despite being one of the earlier characters. Sashley, Pasha, and Bruno are also interesting, with Pasha in particular giving me freaking Philip Wittebane vibes with his grossness, beard, and anti-demon attitude; He even starts off as a potential friend to Luz because fellow human, only for his true bigotry to show. Makes me wonder if Philip ended up incorporating Pasha, we also have bodily transformation because of consuming magical stuff... P-names.

(Also, I like how in the drawing of typical Demon Realm denizens, I can see an eye demon who resembles a past drawing of Dana's!!!)

Eda was actually a late bloomer, which creates a parallel with Luz in one way, and their relationship is referred to as sisterly (in the final draft it’s explicitly maternal). So Eda wouldn't have been the talented youth, in fact things may have switched between her and Lilith; Lilith's disdain may have partially come from Eda not being as innately talented as her.

Luz and Amity's dynamic seems like it would've had Amity retain a lot of her more stand-offish, pragmatic personality even as a friend with Luz, and this would've come up more; So basically, she'd remain more like S1 Amity. That, or this part of their relationship would've lasted longer, and then we would've seen character development as Amity unlearns a lot of the issues her parents passed on. I also wonder if the Willow who cameos in the pilot was originally supposed to just be an extra separate from ‘Paulina’, but then they combined the two together.

The themes are exactly as I expected, glad to see they're still there, nothing changed! Luz becoming a witch and defying all odds to do so, putting in real work and passion. Celebrating individuality amidst conformity, plus Luz trying to impose her own fictional tropes onto the world, only to have to put that aside... Just like Wing it like Witches. It seems Amity would've had more involvement with Luz's journey to become a witch, though we still do have a carryover of that disconnect with her rant near the end of Covention.

I love the Demon Realm being situated BELOW the Human Realm, way to be subtle about being Hell you guys lol... Apparently portals to the human world are a lot rarer to find and use, which makes me wonder if the pilot's 'dimension port' doesn't have access to the human world; Meaning Amity is Luz's only way back, so her improved relationship with her is linked to getting back home. There's a gag about the Knee having service with the human world, but I can see how that didn't make the cut, for dramatic purposes; It seems like the premise for a S1 episode or at least a B-plot. Would Luz have struggled to communicate with Camila through this, or would her search for wi-fi be for mundane reasons?

Apparently Luz's magic would've required a lot more steps to complete, and I see why the show simplified things down to just glyphs. I wonder if there was always going to be the connection of glyphs as a gift from the Titan, or if the Titan and her story was going to be less intertwined in the overall narrative. There also don't seem to be nine main covens, just the many, many covens, some of which are pretty ridiculous, and Covention's sub-covens seem a callback to that.

Luz's first spell would've been levitation, and THEN she would've infiltrated Hexside, with Amity being a lot subtler about exposing Luz, though in the final draft she does figure that out as the way to go in I was a Teenage Abomination. Yeah, I prefer Light being her original spell, feels so much more symbolic and personal, etc. I wonder if the Titan is even as much of a character in early drafts, and if there's still the whole connection/relationship with the land and learning to respect it aspect. Some of these hypothetical episodes push the idea of Amity as a more episodic, typical popular kid antagonist, though in the final draft, the show goes through her character development and explores Amity's romantic relationship with Luz and its complications.

It seems the idea of the Mirror Ghost was split into Adegast and Vee, with Adegast being the one who offers the easier narrative for Luz to believe in about becoming a witch (only to be a fraud who uses uncanny puppets), and Vee being a doppelganger whom Luz communicates through with mirrors. Interesting how Yesterday's Lie was born from this. We saw the test animation from Spencer Wan for TOH, so I guess we know what Luz's puppet-doppelganger is called! And we can safely call her Proto-Vee. I wonder if she also would've been a sympathetic character, I always thought she reminded me of Lake from Infinity Train (and speculated her to be as such since Enchanting Grom Fright), and now the similarities are even MORE apparent!

Alas, The Good Witch Azura, or 'The Unassuming Princess' seems like it'd have been a lot less dear to Luz's heart, as the pilot also reflects; In the end, it turns out the author is just Eda's ex using her adventures as basis, and including private information. I remember when I once speculated that Raine, before we saw their face, would've been just like this as the author of Azura... Again, I think I prefer Azura as being a lot less mean-spirited in the final draft, and instead a celebration of who Luz is as a person, her relationship with fantasy and fiction, etc. We also would've had a Luz birthday party, the Quincenera we've been hoping for since S1...! In the final draft (and episode) we still get that Human-Demon Realm disconnect, though by that point, Luz is much more attuned and chill with the isles.

There’s definitely more of an episodic, sitcom feel to this pitch bible, especially when you compare Proto-Yesterday’s Lie to its final version. Makes sense, Dana is pitching this to Disney executives, though her statement on Understanding Willow feeling truly like her show makes me wonder if she always intended to push TOH in that more serious, emotional route we got.

[athina-blaine]

Psst. Hey. What do you think Kabru's opinion on Laios' issues with his parents would be?

Gosh, I can barely manage to form my own concrete opinion on Laios' feelings about his parents, much less ascertain Kabru's, haha! After all, Laios says the source of his strained feelings towards his parents is how they treated Falin after her powers manifested, but then again, Falin still regularly writes to them and Laios himself says she wasn't particularly phased by her parents or the village's treatment of her (which is additionally confirmed in the AB). I can't help but wonder how much of Laios' resentment actually stems from how they treat Falin, or if he uses it as a justification to hide how deeply it hurt for him to feel like an outsider. I think this is best supported by how he says he couldn't stand how the village treated Falin, and yet, somewhat paradoxically, says this is the reason why he leaves her behind, which was worse for her than anything the village had done. As with all things, the truth likely lies somewhere in the middle.

Personally, I can't help but feel a lot of the tension between Laios and his father comes from the two of them seeing in each other the parts they don't like about themselves. Ryoko Kui leaves just enough breadcrumbs in the supplemental material to imply Laios' father also has trouble connecting with and taking an interest in the people around him, finding solace in hunting and his dogs, and that could be why he appears to be so standoffish with his family. It's probably especially frustrating for him when Laios falls up short of his expectations because he himself has already run this circuit. I think it's intentional that Laios' father seems to be an alternate version of Laios if he'd never tried to become adventurer, although it's hard to say if Laios had ever picked up on that himself. If they were to ever understand the similarities between them, I think it would go a long way to mend their rift.

As to how Kabru would feel about it, I'm sure he'd recognize how deeply complicated and tangled Laios' feelings would be, considering his own complicated relationship with Milsiril. Coming to terms with your parents' flaws is such a tough pill to swallow, and lord knows it's 10x more complicated with everything going on between Kabru and Milsiril, but Kabru at least seems to have already reached a place where he's made his peace with it, the same as with Falin (which, ugh, Kabru, you are a much stronger person than I am lol). I do feel that he'd want to help Laios mend his relationship with his parents if it's something Laios expressed an interest in doing someday. If nothing else, I feel that Laios' opinion of his father would likely soften over time after having experienced a few stressful years of leadership himself. (I also think Laios' father would more easily come to terms with his own mistakes as a father after seeing Laios surrounded by people who love and accept him for being himself.)

[joyce-stick]

The Beef Stroganoff Song! (arbitrary subtitle discourse edition)

So, you may have noticed here that the subtitles in this clip (from Symphogear GX episode 3) are fairly different from what you're used to seeing when people post this video, and the phrasing in the subtitles is fairly different from what the associated memes often say

For those who don't know, Symphogear got itself released on blu-ray by Discotek, and with that came with a new translation authored by Noelle (@ulsairi on twitter ) who is notable for being the only trans lesbian anime translator I know of off the top of my head.

Her translation appears, in my opinion, really rather polished and very good, and I strongly appreciate the way it's written and how much character it adds to the dialogue by giving everyone distinct voices and adapting things into more natural English. It's also a fair bit gayer. I haven't encountered many people who've seen these subs, but I think most fans of the series would consider these a net positive change. There are some people who are mad about these subtitles, and they can die mad.

Anyway, let's talk about the different phrasing of the beef stroganoff song. I'm mostly going to compare to Crunchyroll's subtitles for reference since that seems to be what most others go off of. Here's a link to that version.

So right off the bat we can see here that while CR's translation appears to be a lot more, for lack of a better word, functional, Noelle's translation tries to apply more dialectal force "it's beef stroganoff/Yes! It's THAT beef stroganoff!" And generally communicate through the tone how excited the girls are to get started. Additionally you'll see throughout that the latter is a fair bit more lyrical, there's a lot more punctuation and verbal tics and filler phrases written into the dialogue to express that they are singing, which makes sense since Japanese tends to omit a lot of the sorts of prepositions that Noelle threw in here,

Like, Yumi (yes I went and looked up her name on the wiki) just says "beef stroganoffu" because it's obvious from context that it is beef stroganoff, she doesn't need to spell it out, at least, not in Japanese

(We know like maybe ten hiragana and 1 kanji do not trust us on Japanese this is all just basic shit we learned from online guides)

So this probably leads to a rushed translator from Crunchyroll (they are notoriously crunched for time) who's just trying to Get It Done probably not really bothering to throw in extra additional connecting letters to express the tone of the character, only doing so when it's required to make basic grammatical sense in the target language. So they likely didn't think to make the subtitles have flourishes like this that aren't explicitly in the original Japanese. Noelle meanwhile had the time to consider things like this and take such liberties in order to attempt to convey the same tone that was arguably implied by the Japanese, even if not explicitly put forth

And that's about all the things I should not repeat I guess, TL;DR, these subtitles are more fun to read because the translator had more time to think about the best way to make them more fun while still being accurate to the spirit of the original dialogue, who'd have thought!

(In case you're wondering, the Commie subtitles say kind of the same thing here, and y'know, it doesn't seem like a wrong translation, but also I really dislike this subtitle styling, orange on pink with that font and that drop shadow is just kinda bad. I appreciate the effort but like. Come on. Please fansubbers, please think about if the font and colors you chose actually work with the image you're putting them on)

Moving on!

horizontal and middle rhyme with each other so you can almost actually sing this, actually let me take a moment to try it right now- never mind, I can't sing. Hahaha. I don't actually think it lines up that well with the melody But I thought it did! Didn't I? That's significant, that this actually reads like plausible lyrics to a silly song someone made up instead of a literal translation of a Japanese song

Anyway, here comes the first major difference!

So in the Crunchyroll subtitles, Yumi says "it doesn't have to be beef" which in English (in my estimation) sounds a tad scatterbrained, like, "oh yeah sure beef but whatever really it doesn't actually matter," while Noelle's subtitles rather say "Got no beef? Don't you worry!" Which implies something different.

"It is recommended to use beef, but you may substitute something else if you are sorely lacking in beef" as opposed to "Oh the beef doesn't actually matter, zoinks lol!" CR's translation is kind of a bit funnier in how it sorta comes from nowhere without this qualification, which probably lead to this phrase's memeticness, but Noelle's translation seems more reasonable to me so yeah again, tada, yay for sensicalness.

Now here's another interesting change:

Again, the flat manner in which the CR subtitles say "finish with salt" with rendezvous only being included because that's literally what they said, is sort of absent any stronger emotional implication,

Noelle's translation meanwhile going with "don't forget them, they need it" imparts personhood upon the salt and pepper. The implication being that the girls are saying, "the salt and pepper are in love, please reunite them, they must be in gay love together." Or maybe you think the salt and pepper cannot be forgotten and must be reunited because they are Only Friends.

Whether you choose to believe that this is the salt and pepper getting married, or merely subtext, or an interpretation, or salt and pepper shipping bait, this is a deeply important tonal indicator because it reminds you that these girls are ultimately playing with their food!

"And there, now you're in for a treat!" I don't think I need to explain this one.

Now, here's an interesting one!

In the Crunchyroll subtitles, it just says the memetic "boys don't know this." With no context, no elaboration, no clarity, no qualifiers. Boys don't know. Did the boys magically get their brains wiped? Are the boys biologically incapable? Who knows. Nothing is said but that.

Noelle's subtitles, on the other hand, qualify this statement by saying "Boys aren't taught to cook, so they may not know" (And note again how, it says "kno-ow" to emphasize, once more, that they're singing, and also this lines up with the long "ooooo" sound they make at the end of this lyric, so cool)

There is now context! Boys aren't taught to cook! Anime and Japan's culture in general still pigeonholes people into gender roles! And an anime translator just wrote you a hidden translation note about it! You might be a boy, you might know how to cook, but certain boys in another part of the world aren't traditionally taught cooking, so they may not know

They may not, but they could!

Trust a trans person to express gender facts with subtle nuances like this in anime translations.

And with that lovely bit of good translation and good writing and good localization of a thing to make it make sense to people

Mew!

[wildflowercryptid]

Hope its okay if I ask about your versions of Florian and Juliana, thanks ^ _ ^

- Are they siblings?

- What are both their personalities?

- Were they actually raised in Paldea? The MC's in the game are implied to originally be from Galar so I was just wondering that

- Which storylines from the game are each the of them the main character of?

I'm so sorry if I've missed out an info sheet on them hhhhghg

Thank u again!

oh, it’s more than okay to ask about them! i actually really like talking about my interpretations of the pokémon characters, but i just struggle to articulate my ideas a lot of the time. or forget to share them. i’ve been meaning to drop lore for these two so i’ll do that now!

( putting the answers under a cut because i kinda ended up rambling. oops. )

are they siblings?

yes, they are! juliana is the older of the two, but they’re actually super close in age ( with jules not even being a year older than florian. ) because of that, they’re pretty close and sometimes get mistaken for twins. they still bicker and annoy each other like any other typical sibling relationship, but they respect each other a lot and consider each other their greatest confidant. their relationship kinda ends up paralleling carmine and kieran’s own dynamic as siblings, with juliana and florian seeing each other as equals while the same can’t really be said for carmine and kieran.

what are both of their personalities?

while they’re both pretty level-headed, juliana is definitely the more outgoing and confident of the two. florian is more of the reserved type, someone who typically keeps to himself and would much rather wait in the wings than be center stage, ( too bad he’s basically the major protagonist of the story. ) they’re both fairly friendly, but he struggles connecting with others more when compared to his sister. essentially, they’re kinda like a dialed-back version of mabel and dipper pines. florian generally is a very sweet and open-hearted kid who tries to see the best in others, which often leads to his kindness being taken advantage of and getting pushed around easily, ( i.e. carmine convincing him to keep the secret about ogerpon from kieran. ) because of that, juliana is a little protective of him and isn’t afraid to step in when he struggles to stand up for himself. and while she does like to be seen as reliable, that doesn’t mean that she doesn’t encourage florian to be more confident and advocate for himself more. he does end up growing more of a backbone during the timeskip, which makes her very proud. meanwhile, juliana is a lot more outspoken and doesn’t hold back when things need to be called out. she’s still just as compassionate as her brother and is extremely reliable, along with having a very strong moral compass. she definitely fills the cool, reliable older sister role pretty well.

were they actually raised in paldea?

they grew up in galar like what’s implied in canon, but the details are a little different. they’re actually paldean on their mother’s side, who was originally from cabo poco herself. their family decided to move from wyndon back to her hometown after their father lost his job at one of macro cosmos’s now defunct finance subsidiaries. luckily, he was able to land a new desk job in medali and now larry’s his boss. ( the two get along well, they talk about their kids during lunch breaks. )

which storylines from the game are each of them the main character of?

juliana takes on the victory road and starfell street storylines while florian tackles the path of legends and filling out the pokédex, with both of them coming together for the way home. initially, i conceptualized them as co-protagonists and they still kinda are… but florian has definitely taken on the role as primary protagonist with how much shit keeps on just happening to him. i would expand the specifics of how the path of legends plays out for florian and how his friendship with arven develops, but i’ve already rambled enough so i’ll try to talk about that in another post.

hope this answers all your questions and sorry if it's a little long, i've just gotten attached to these kids and have a lot to say about them.

if you have any other questions ( about the paldea kids or mjverse in general, ) please feel free to ask them! it might take me a sec to reply, but i'll try my best!

[mufos-photo-album]

I've read a fic that had Sky kids sometimes follow an Elder, like a disciple. Followers were called by different names depending on who they followed. I think they were called the Sandwalkers (who value the stories of the past and ancient traditions, like the Cave of Prophecy), the Caretakers (who care for animals and people alike), the Architects (who build various things, from crafting furniture to constructing treehouses), the Champions (performers who push themselves to excel, such as athletes, actors, and musicians), the Watchers (who don't fight so much as watch for danger and warn others), and the Scholars (who research, record, and sort through knowledge). I was just wondering if this would fit into your worldbuilding for Sky

Some of these archetypes probably would pop up in my version of Sky (so yes, they could fit), though I have a differing view of how they may come about.

I've read a fic that had Sky kids sometimes follow an Elder, like a disciple.

The phrasing here suggests a more personal connection between a skykid and their respective Elder, however my current idea on what the Elders' deals are is that they're all trapped in the Void and can only be reached through meditation (more on that here, though everything may be subject to change). So unless they're under verbal guidance, it might be difficult to have that relation that "disciple" implies to me.

In more physical terms, the values/virtues of each Elder could still permeate through the spirits/ancestors they have influence over. Best example of this is Mufotsuki, who would best fit under the Scholar archetype mentioned in your ask. She was raised by magely spirits who once worked with the Vault Elder and who continue to carry out their scholarly duties. The work of the mages rubbed off on Mufo, so she would have been a Scholar for a little while despite not having a strong relation to the Elder. (Maybe they've met once or twice while Mufo was practicing meditating for the express purpose of meeting the Vault Elder, though I don't imagine much of a relation beyond that.)

Followers were called by different names depending on who they followed.

I considered adding the word "follower" to my spiel about skykids as "disciples", though I realized follower is a different flavor of relation to me. In the same way the mages could be followers of the Vault Elder, a skykid could be a follower of an Elder. But again, it would be more about following ideals/values/virtues rather than a direct relation to the Elder in question — almost like following a religion or a historical figure.

[atamascolily]

One thing that I've never seen anyone adequately explain (and rarely if ever comes up in fanfiction) are Walpurgisnacht's trees. What's up with those things, anyway?

They don't seem to fit with either the cogs or the circus motif or anything, they're just kind of... there. So why the arboreal theme? Kinda random, right?

They also seem to persist after Walpurgisnacht herself has vanished.

Seriously, what is this tree doing here??? Why would Walpurgisnacht make these in the first place? They certainly don't show up in Homura's big showdown later on. And okay, fine, maybe Homura intercepted Walpurgisnacht before she could start causing botanical mayhem, but still... their presence in these scenes perplexes me.

It took me a ridiculously long time to figure out the connection, but I think the trees represent branching timelines radiating out from a single point--just like a model of parallel universes. And of course, the fact that its branches are bare and seemingly dead implies that none of these timelines will bear fruit. No life can arise out of the wreckage, just as there is no future for Homura in any of these timelines.

The only other time in PMMM we see this same tree imagery is with Homura. In a scene added for the Blu-Ray (not sure if this is the original series or recap movie), Homura walks through a grove of similar trees immediately after confronting Kyubey about Kyouko's death.

A similar mist appears right before Walpurgisnacht arrives in episode 11, but I don't know if that was meant to be an intentional reference. Regardless, the monochromatic palette in all of these scenes is evocative of depression and despair as the world is literally drained of life, vibrancy, and hope. This is Homura's existence now, trapped in an endless series of loops she cannot break and unable to do anything but keep on fighting.

In keeping with my theory that trees = branching timelines, the next shot immediately afterwards begins to flicker like a piece of film (another recurring visual motif in this series, especially with Homura), eventually resolving into multiple silhouettes of Homura.

After that, we cut to a series of film leaders (the numbered countdown signs), which are yet another visual parallel between Homura and Walpurgisnacht, and one not included in the original TV broadcast.

Similar trees also appear in Rebellion. The first one is in the glass dome where Homura meets with Kyouko, its branches full of bells. Notably, it's by the river, which is likely where the trees from the original series were located (at least the second and third examples above).

The second one is... in Homulilly's skull:

And this is where it gets interesting, because this is immediately after Homura has burst free from her purple-goop-form at Madoka's touch. The tree is either the result of their combined magics, or triggered by it, because it immediately bursts into bloom--the first time we've ever seen one do so over the course of this series.

It's a cherry tree, of course, with all the symbolism that comes with it--full of pink ephemeral flowers (just like Madoka) that bloom on otherwise bare branches. Beauty has emerged from ugliness as the result of Homura's love for Madoka, just as she herself has emerged from her grief thanks to that same emotion--which she will later describe to Kyubey as "more passionate than hope, far deeper than despair".

Thus, it's not surprising that when Homura remakes the world, the first thing we see are blooming cherry trees--even though they were always green and leafy in earlier versions of this scene. The flowers are a symbol for her love even if no one else recognizes it.

So here's the question I wonder about: what would it take for Walpurgisnacht's trees to finally bloom? Or is such a thing even possible in the first place?

[lavellenchanted]

okay I have a bit of a theory that was inspired by your Yuna Aerith parallel gifset, while I immediately thought of Yuna during that scene as well, I didn't really think about it beyond it being a reference until seeing your gifset again just now. A lot of people think there are parallels between ff7/ffx already and that maybe the games are connected in some loose way. And thinking about Yuna's story... how the game revolves around her intending to make this big sacrifice in order to save everyone until we find another way and are able to put an end to things for good without her needing to die (a better ending than her sacrificing herself and restarting the cycle). Not to mention other parallels between her and Aerith in general. And a lot of people are unsure if the ending of og FF7 is actually a "good" ending. And I am now wondering if Aerith's lifestream dance scene was more than just a fun reference and it was actually more of an intentional nod to her and Yuna's similar stories and maybe a hint to the fact that she doesn't need to die for us to win in the end (ofc Aerith already meeting her fate in rebirth has happened, but with the other worlds etc we know things can potentially be altered somehow in game 3 and that we may have saved a version of Aerith already). Perhaps this time we can get an even better outcome. Defying fate/destiny is very relevant to Yuna's story and is a heavy theme in this re-trilogy which I would like to see have a purpose beyond faking us out. I feel the direct comparison between her and Aerith does potentially feel more intentional along that line of thinking

apologies that got quite lengthy and disjointed but hopefully made some sense hah

That's a really good catch! I think as well it's interesting to note that as well as Yuna not having to sacrifice herself, they also brought back Tidus at the end FFX-2 - albeit only in the hidden ending that you have to 100% complete the game to get. So clearly SE aren't against bringing back characters that appear to be gone for good.

I definitely think that Aerith is going to live at the end of Part 3 - the lifestream dance is obviously a nod to Yuna, but in terms of FF7's narrative I think it was also deliberately meant to show is that Aerith can and is learning to control the lifestream while she's alive, so she doesn't need to die to be able to manipulate the lifestream to help defeat Meteor.

I'm absolutely convinced we'll get a payoff to the idea of defying fate, just because otherwise it would be really bad writing. They very carefully set it up in Remake with Aerith and Nanaki having full knowledge of the future, and Cloud having fractured visions of it and have then built on it further in Remake; both through Marlene having gained that knowledge from Aerith, and using the interludes with Zack to establish a) that characters we expected to die could survive and b) the rainbow motif to show when fate's been changed, a motif that then appears when Cloud blocks Sephiroth's sword and in both scenes when he's holding Aerith and she wakes up. To suddenly undo that in Part 3 and return to the status quo of the OG would be a complete narrative letdown and anti-climax after everything they've teased, and I think the devs are better than that.

The OG ending is a complicated one and was always intended to be bittersweet, but it's telling that in an interview in the Rebirth Ultimania, Kitase said that he hopes all the characters find happiness at the end of Retrilogy, implying that he doesn't consider that they did at the end of the OG. And if you want everyone to have a happy ending . . . well, the characters that had the most obviously unhappy ending of all of them were Aerith, who died, and Cloud, who was broken by her death.

Not to mention that Nomura said in the same interview that Kitase asked for "a very major something" that wasn't in the OG for Part 3, and I really don't see what else that would be except a ending in which Aerith, and possibly Zack, both get to live and Cloud and Aerith are reunited.

[prof-ramses]

The Sounds of Nightmares episode 4 analysis: Head in The Clouds

HOLY FUCK, ACTULLY HOLY FUCK, BEST EPISODE ,BEST EPISODE

Forgive me, now that I've disposed of the build up of hype, we can sort this into two parts, what this means for TSON and for LN3

The young blood:

Given this is our first exposure to teens in Nowhere, and Noone's comments about them "being there for a long time" we can safely say they've at least partially turned into residents, especially with how they're being conditioned to only see themselves as their given roles.

Considering the series is implied to be the earliest point in the timeline so far, I'm wondering if we might see the magician and fire breathers as adults when LN3 launches, though I'm highly doubtful we'll be seeing Rusty alive.

A place of joy in the sky:

The idea that the Circus is an airship is definitely one I didn't consider before, but makes it's similarities to the Maw much more interesting.

On a side note, Noone describing the Fairgoers as having faces like bad drawings lines up with the lumpy looks of their faces we see in the trailer, further proving it's the same places.

Double act:

Now on to who I'm sure would be delighted to be called the main attraction, the Ventriloquist(s?)!

No two ways about it, they are HORRIFYING, and line up great with Tarsier's old philosophy of making Residents look like grisly version of childish misunderstandings of what they represent.

Gameplay-wise I have a suspicion one may function like an alarm, alerting the other of our presence, though I may be completely off on that. From a lore perspective, it feels very LN-like to not clarify if they actually run the Circus or not.

The (not quite) best boy:

Rusty was a pretty great companion to Noone in this trip to Nowhere, he seems to be the most capable kids she's met so far (no offence, episode 1 kid who's probably RK). His confession of fear and hate in the ferris wheel might imply he was closer to becoming a resident than the other kids we've met so far.

The absent local:

Our slightly blobby old friend not appearing was a slight surprise, though he's certainly there in spirit, it helps that he's all but confirmed to actually hail from Nowhere, further solidifying my theories regarding him.

Noone's allegory:

Noone describing the Nowhere as a place with many connected but individual places with unique functions confirms, at least to me, that there is no central force controlling literally everything, rather, there are forces that drift from region to region, upkeeping the nature of the world as a whole-

A few notes:

Since every episode has a different color for the background, I'll go out on a limb and say the finale will be yellow, for fairly obvious reasons, leaving green as the most likely color for episode five.

The idea of fleeing the Circus (in chapter FOUR) reminds me of @queen0fm0nsterz idea that one of the cancelled LN1 comics would be about escaping a facility, and that it would parallel the FOURTH Lady, might be nothing, or it might be a sign we should revisit past episodes with the Ladies in mind.

[rose-icosahedron]

I am working on a project that involves the six Numa Hours (presumably the Mare-in-the-Tree, The Crowned Growth, The Witness, The Applebright, the Rising Spider, and the Chandler). I just did my reaserch on the first one, the Applebright, which took 2 hours and 2 notebook pages and through which I gained very little.

Like, she's probably her own hour? Before the release of book of hours it seemed like she might just be another version of the Flowermaker but she's definitely just his twin? or at least she probably is. She's at the same time known to sometimes become "the Witch", which makes people wonder if she is somehow a piece of the Twins, like some other aspect of them? She's noted for collecting, restoring, and consuming the remains of the player if they achieve a major grail victory in cultsim, that ending implying that some grail asenctions leave behind the body so could she be somehow connected to the hungrier of the twin's in having consumed her body? Is this nothing? is she another piece of them making them almost triplet gods? Also she's probaobly not one of the Hours of the Calyptra, which is confusing given that the text of "Applebright Euphonies" is about the third flower of the Calyptra, since that's probaobly currently the Snow (if you haven't heard about her that's cause she's just like, been leaked once and pretty much nothing else).

Also the Calyptra existed in the time of the carapace cross so who the fuck was the third god back then since it changed?

anyways the applebright is probaobly her own hour, she isn't one of the calyptra but she's assoicated with them as she presides over one of the branches of the watchman's tree. She's the god of youth, which makes sense as she might be the youngest Hour?

There are like, only three things I know for sure and its that she's got a basket and is called the Applebright and collects the body of a major grail victory, and that's pretty much it.

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

[foundationsofdecay]

Thinking again about this post that @a-s-levynn made a while back, as well as @moonchild-in-blue's and @tonguetyd's comments there, about Vessel and the mask's own identity and the idea of the person Vessel used to be before meeting Sleep, this nebulous Him that we hear in intermissions during rituals, was "cocooned" inside a body that was no longer his and is experiencing this all as a spectator, and that Vessel kills the current version of himself that he's become, a spiritual suicide of sorts. How that was done so that He, without the influence of the mask and by extension Sleep, can move forward and start anew even after being irrevocably changed by what He's seen, and Vessel finally obtaining that "redemption, eternal ascension, setting [him] free" that was described in "Ascensionism".

I'm especially thinking about the funeral pyres reflected in Sleep's eyes. This could imply the fates of past vessels of Sleep, or it could imply that Vessel is dead in all ways but physical, or perhaps it could be a promise of Vessel's demise, burned alive and left to turn to ash - or are "those eyes like fire" and the raging flames within doing much, much more than that?

To add a very belated addition to the discussion, I want to bring up something regarding the lyric "I'm a winged insect, you're a funeral pyre." In fact, it is going to be the focus of this entire post. In continuing with this idea of the death and rebirth/resurfacing and possibly rebuilding of the self, and identity fractures that I described in great detail in this post on DYWTYLM, it's important here that I start off stating that there's two underlying assumptions that I'm making, which first is that He and Vessel are both the insect at first, their own selves tangled as noted by Levynn but capable of separation under the right circumstance, like a fantastical version of plurality where they can separate physically while still being connected as parts of a whole. My second assumption is that Vessel meets his death voluntarily, and Sleep is involved, regardless of whether or not Sleep is actually the one to do the job.

I'm using these as bases because in my interpretation of this theory, Vessel has to die, and that even though the two of them connected in mind and soul and often body, He is ultimately able to survive and live on, which requires physical distinction. This separation is in accordance with descriptions in the same song we've been discussing of Vessel fighting back against Sleep. Vessel, who used to fight Sleep's enemies "to let them know that they contend with [him]", now turns the blade against Sleep, his new enemy that he faces for Him. Perhaps this is a show of both his anger and his newfound devotion, a final attempt to damage Sleep to whatever extent he can while he has the chance, not with any hope of surviving but to give Him the best chance to carry on, since Vessel knows firsthand how much Sleep struggles in a weak enough state.

Describing Him and Vessel as a winged insect is a very interesting choice, which is what I ultimately want to focus on here and dissect. What kind of insect would that be, I wonder? I don't recall if there is official artwork depicting that, but without anything official as reference there's a near-infinite number of possibilities to choose from - flies, mosquitos, cicadas, bees, wasps, butterflies, moths, beetles, the list is endless - all with their own symbolic interpretations and impacts on this original theory and extrapolations. I would need an entire separate post to go over all of that, though - imagine examining just the different eyes that vary from species to species! - so I'll just go into one possibility and leave the rest as an open question.

One major question I have about this winged insect, and about Sleep, is this: Does Sleep still have eyes looking in other directions like we had seen several times in previous songs, or is Sleep's attention all on Vessel now, "[taking] aim at him for once" like he used to ask for?

See, there's an inherent contradiction here, going back to the labeling of a pyre. Sure, it's said to be for a funeral, but it's never explicitly stated who it's intended for. Not only that, but we also questioned at the end of the first paragraph if there is something else to be said about the fire and its behavior, what all Sleep is doing with it and plans to do with it. That's the thing about fire - perhaps it's been created and cultivated for a specific purpose, as part of a funeral in this case, but when you take a look at how Sleep has historically behaved, and the kind of language we see used to describe this behavior and motivation, there's other themes that comes up that give Sleep's fire another layer of meaning.

For fire doesn't just burn, it consumes. It has an endless hunger, latching onto anything it can grab hold of that can fuel its existence, taking and taking until there is nothing left. There's a sort of joy in that, a celebration, bursts of light and sound coinciding with the addition of more fuel, greater the more powerful that intake is over time and growing wide and tall in the most ideal circumstances. When the fire is weak, a breeze could snuff it out, but even a pinch of smoldering ash can manage to survive and grow into something that can lay waste to forests and home and towns, nearly apocalyptic when watching it as it razes thousands of square miles and jumps across roads and rivers. It, too, can rush and flood you, and swallow you whole.

Before Vessel, He discovered Sleep in a state like that smoldering ember. Yet, with the fuel of His initial deal and Vessel's inception and overtaking of Him, with every ritual bringing worship in greater numbers and greater fervor enabling rapid growth, this is what Sleep has turned into. This is what Vessel must face, not just a powerful God but one that he fed and nurtured into this state. The fire in those eyes is extreme, but it's also not eternal. It can still be deprived of that which feeds it, and if that were to happen, even be extinguished. There's hope in that.

Throughout the story, we see Vessel always coming back to Sleep, despite the flames that threaten to lick at his skin and singe and burn. Instinctively, perhaps even compulsively, he returns to this source of light and love and fear and wonder, the flame that grows each time he's fed by Vessel's worship. Examining one of the possible winged insects, his behavior is like that of a moth, drawn to the aura and essence of this God that desires him and hurts him in unequal measure.

Recall how one of our basic assumptions is that separation between the two is possible, despite how entwined they've been from the start even as they've been drifting apart. This coexistence and indeed codependency with Him is all Vessel knows, it's quite literally his entire life next to Sleep. If you consider the admission that "it's been two days since the mainframe went down and [he's] still messed up" as a reflection of the breaking down of the connection between Vessel and Him, which we've been seeing accelerate over time in songs like DYWTYLM, with this "life like wires," severing those wires is all it would take, messy and painful as it would be.

No longer would we have "the mouth of the wolf, the eyes of the lamb," but that'd turn out to be the key to Vessel's victory, even as it sealed his fate. It's clear that Vessel would eventually get too close and be brought down by those eyes, but this time it was deliberate in a way that is fueled by something completely different than any self-destructive behavior he exhibited in the past, and it paid off. That lamb survived, by no means unscathed but still not lost.

The one thing that remained the same, persisting throughout their parallel existence that transcends life and death itself, is memory. The autumn leaves, the rain, the night. The lights of his eyes, his grin. This grief that accompanies it will never go away, will never grow any smaller, but He can break though the walls that are closing in on Him, keep running forward, become something new. Most importantly, He has to do it for Himself. He'll be alone, but the memory will always be there, knowing Vessel is just an inch apart from Him, on his own continuum.

[mozart-the-meerkitten]

Hmmm it's been a while since I posted one of my weird crossover ideas on tumblr. Let's fix that.

For the past few days I've been enjoying daydreaming about a Avatar the Last Airbender/Wingfeather Saga crossover. But it's. probably not what you would expect, haha. I'll probably never write it as more than ideas though, so I may was well post the concept here.

So this takes place in the Wingfeather world of Aerwiar, several years before the Fall of Anniera that jumpstarts the war/plot happening in the book series. One day, Artham Wingfeather is in one of Anniera's port towns and is called over by a concerned citizen, who leads him to a crowd watching a rowboat slowly drift to shore. The rowboat contains two small children, who Artham brings ashore and takes back to Castle Rysen.

The small children in question are Zuko (age 4) and Azula (age 2). In this version of events, the Fire Nation royal family is a bit darker than in canon and, after Ozai flies into a rage and burns Zuko (yes he still has his scar I know I'm mean, but there's a POINT I swear) Ursa decides she needs to get her kids the heck out of the Fire Nation. But Ozai is suspicious and possessive of her in general and has her under guard so she can't escape the palace, so she entrusts her kiddos to a few trusted servants, who pack them up in a rowboat with food and water and send them off, hoping they'll make it to a coastal village and be taken in by a kindly family.

Most of this is explained/implied in a note that Ursa sent along with the kids, that Artham reads and passes on to Esben (and Nia and Arundelle). They are properly horrified.

However, what no one realizes is that these kiddos have come through a portal between the two worlds. So Artham and Esben ASSUME that SOMEWHERE these kid's mom is being held captive by their cruel father and so they send out search parties/reconnaissance teams to try and rescue her, and because any father so cruel as to hurt his son the way Ozai hurt Zuko needs to be stopped. The brothers also wonder if, perhaps, this is somehow connected to the Tragic Accident that befell their parents and aunt Illiya a year before when their ship was lost and they were killed. And they start to wonder if, perhaps, that wasn't an accident, but that they stumbled upon whatever This was and tried to stop it and got in the way. (They don't suspect Bonifer... at first...)

Anyway, Artham finds himself caretaker for these two small children and develops a bond with them, especially Zuko (what, you thought I WASN'T going to use this as an excuse to make a connection between two of my favorite characters of all time?). Arundelle also becomes close with them, and- besides the cooks in the castle- she's the first person Artham tells about the kids. Because I thought it'd be fun to make Arundelle a healer (hey, why shouldn't she be good with healing plants and herbs? heh) and have her be the main person who treats Zuko's burn.

Azula recovers from the trauma of being separated from her mom and home pretty quickly since the new place she's in has kind, caring people, nice food, is still a palace, and she's two. She loves playing with Arundelle and listening to Artham's stories. She's very bright and friendly and talkative. She IS very attached to her brother tho, sleeping in the same bed as him the first few nights in this new place, even defending him/trying to explain his actions the way she's heard adults do. (when Artham finds the siblings they're clinging to each other in their little boat, terrified)

Zuko is more complicated. He's had the physical trauma of being burned paired with the emotional trauma of being hurt and abused by his father (the burning wasn't the first time, just the most severe). He understands a little more of what's going on than his sister. He love, love, loves being held, especially by Artham, because since Azula was born he's not been allowed to act like a "baby" and hasn't gotten much physical affection. He's very shy and has periods of mutism when meeting new people or encountering distressing/unfamiliar situations. Little guy has also had his senses severely rattled by losing both half his vision and half his hearing in one fell swoop. In short, he's a mess. The first time he's alone with Artham he has a panic attack because he thinks Artham will hurt him, but Artham being so kind and understanding and gentle with him helps him unlearn that. Zuko becomes very attached to Artham very quickly and... Artham becomes attached to him pretty fast too.

(Additionally, Zuko is terrified of Bonifer. The only explanation he can give for that is, "He looks at me like father did." which does plant a little seed of suspicion in Artham's mind specifically)

So, long term, this severely messes up Gnag/Bonifer's plans, since suddenly the Annierans are combing the Hollows/The Killridge Mts/even the Doonlands trying to find Zuko and Azula's family. This either forces the baddies to speed up their plans... or derails them altogether. I haven't decided yet, haha. The Annierans do find out something of what Gnag is doing (they don't connect Bonifer to it right away tho) and end up with some preparation for the attack that eventually comes. I think the attack on Anniera is still somewhat successful, but a lot less so than in canon. Like, I don't think the entire populace is captured/scattered and I haven't decided if I want Artham and Esben to still get captured or not. (if they do I have this great mental image of 7-year-old Zuko and 5-year-old Azula trying to rescue them from Throg. Just. just imagine the CHAOS even a pair of BABY firebenders could do in Aerwiar. Imagine.)

Oh yeah, to give you a better idea of WHEN this happens, Nia is pregnant with Janner when Artham finds Zuko and Azula. I just thought it'd be fun for Zuko to have the same age gap with Janner he has with Aang and it makes it close enough for things to come together plot wise.

So yeah, that's my thoughts on how Zuko and Azula could potentially have prevented the Fall of Anniera. xD

Other random things they cause:

Artham adopting them

Artham and Arundelle getting married a few years before Anniera falls after the closeness and bonding that comes from caring for a pair of traumatized children.

Absolute chaos with their firebending (the Annierans chalk this up to the old stories of Annieran/Anyaran kids having special powers to defend their home with and decide not to question it further)

So yeah, there's my late night thoughts on a WFS/ATLA AU. where Artham adopts Zuko and Azula. because why not. I hope it was a fun read. :D

[2n2n]

I was wondering if you’ve heard of the Japanese myth that lovers who committed dual suicide get reincarnated as twins? It feels like the Yugi twins are a warped version of that myth if the incestual undertones ( not even undertones ) have any credence to them, in that Aidalro sensei shows us a kiss or something. I just wanted to see if you felt there was a connection with that myth! I find your thoughts and ramblings very interesting!!!

I'll veer slightly off-topic and quibble a little bit about ancillary stuff, but I don't think there needs to be something like a kiss to lend credence to the Yugi twin's love!! I think they could never, ever kiss within the canon, and we could still have effective 'confessions' in a metaphoric and symbolic sense, which we could all understand plainly & have a hard time denying. I think central, evocative story themes that are understood in a prevailing literary sense to be symbolic of romance, is actually lending all of the credence it needs. (In that case, cultural divides probably would become the factor in not perceiving it...)...

I think an awful lot of people would not have any questions or second-guessing if they got the kinds of images we get for the Yugi twins, for their pairings… and, I think if one replaced the images participants with Hanako and Nene, or , well, Mitsuba and Kou, that it would be transparent. If you had an image of Mitsuba on his back, clutching Kou's lips, Kou looming above him, dressed as his Knight, with imagery of flower petals & torn wings scattered about them, and anyone looked into the symbology of such… there wouldn't be a single question about the intentions of that image. Actually, I think if you tried to fervidly deny the implications, you'd be called homophobic or something, right? I mean this playfully and with good humor, ok.... it's funny!!!

The same can be said about story parallel between Hanako and Nene-chan, and Amane and Tsukasa…. Sumire and Hakubo's story…

Anyway, I would say that, the entire aspect of a murder-suicide does call to mind all sorts of various theater plays, stories, myths, etc, in Japanese culture!! the very word 'shinjuu' contains the 'mind/heart' (心) and 'inside'(中) characters...

isn't it an interesting thing..............

'Shinjuu' are said to grant lovers to be reunited in heaven/the next world together. This is why Amane's decision to perform a shinjuu with Tsukasa is innately suspicious-- it's loaded… What was he hoping to accomplish? There almost isn't a way to depict this negatively or neutrally, in my opinion… the deciding factor (in how familial we perceive it to be) becomes the author's choices regarding imagery, emphasis... the very language of 'bound' reminds one of the dire passion of a shinjuu, the act of lovers binding fates. He is bound-boy Hanako-kun! He binds Nene-chan to him through the mermaid's curse ... binds, binds, binds....

As for this 'lovers reuniting as twins' contingency you specifically bring up... it doesn't seem to actually be a historical mythos quite like the old buddhist beliefs around shinjuu, but more secular, and maybe it seems to be more of a scattered superstition? I'm not very familiar with it, as a result!! It does seem to exist ? but not altogether popularly ?... hmm.. the only research I could easily find on it as well, referred only to twins of different sexes (kind of makes sense-- I don't think most people would want to like, imply or lampshade a same-sex relationship even by a magical proxy like this... I think it would generally be seen as tragic to be lovers reunited to be same-sex LOL... also, this research is dated from the 90s)

the term 'shinjumono' mentioned here, I mostly just see referring to shinjuu-centric kabuki/puppet plays.... no relevance to the superstition here. I can't find much.

I would say it's doubtful as a reference AidaIro-sensei themselves intend to make?

if YOU know of other research or historical accounts, let me know ?! I'm no expert hahaha....

However, I would love to take the chance to reference the mythos of lovers turning into butterflies after dying together, which AidaIro-sensei do borrow imagery from....

AidaIro-sensei love to use the imagery of butterfly's wings… for both the twins, and HanaNene. With Hanako, we'll see his wings as torn, damaged…. this spread coupled with the Severance arc-- an arc which ends with Nene-chan attempting to kill herself to be with Hanako in the far shore.... in the story, a girl mourning the death of her beloved, leaps into his grave to die with him instead of marrying another.

so too, of course, does Nene-chan forsake her future prospects in favor of dying with Hanako, her beloved.

Of course, someone else threw their future prospects away.... but why?

so, tattered butterfly wings scattered around a pair of lovers, gives an interesting impression...

[whispering-about-loki]

I had a thought!

Possible future episode LOKI SPOILERS!

Okay, here I go...

What if General Dox is actually a Variant of Sylvie from a branched timeline?

It's weird, I know, but bear with me...

I was rewatching the episode, and there was something about the way Dox carried herself -- about the way she walked down the hallway that evoked younger Sylvie for me. Also, there was the familiarity with which she spoke of Sylvie in the war room and the... odd relationship with X-5.

In a previous post I suggested that Rafael Casal might be playing a version of Brad Wolfe (Zaniac) that was possessed and ordered to hunt down Sylvie, but now I am wondering if this Brad Wolfe is fully aware of who he is as X-5 and that he had some kind of deal with Sylvie on that timeline. I mean, in the clips where X-5 is shown "hanging out" with Mobius at McDonalds there is definite familiarity there, so he clearly knows Mobius enough to banter with him. And hell, why would they take him to the McDonalds where Sylvie works at all unless there was some connection there?

Okay, so maybe this is how it happens: The Sylvie working at McDonalds and the one in the record store from the trailers are not the same person. We know that the screen said that when Sylvie ended up in Broxton, Oklahoma in 1982 it was a branched timeline. That implies that there are other branched timelines that Sylvie could have ended up in. What if one of the branches took her somewhere else, and while she lived a peaceful life in Oklahoma for one of them, she had a somewhat more complicated life in another?

I mean, we can assume that the Sylvie we saw in the record store is a Variant Sylvie and not the same one as in the McDonalds, because there is a poster on the wall of the record shop for the German band Camouflage in concert, and they did not tour until 1989; while the uniform Sylvie is wearing at McDonalds was phased out in the early 80s. Additionally, the Sylvie shown working with Loki and the others in the TVA later has the same earring that the McDonalds Sylvie is wearing, while the Record Store Sylvie does not appear to have one.

So, here's my thought: The Sylvie at the record store is living in the late-80s to early 90s and is in a relationship with Brad Wolfe, the actor. He knows about her and what she is, and she has helped him to be successful while she (for good reason) stays out of the limelight. But for all this, she is not happy. Then, one day, everything all begins to unravel. Literally. While Sylvie is listening to records, the time tendrils begin to twist and wind.

She knows that time has caught up with her, so she tries to escape by stepping through a time door, only to find out that it is too late to go that way.

So she makes a decision. She goes and gets Brad, then takes him with her to an alternate, branched timeline. There, they are captured by the TVA, by Sylvie's design. Once in the TVA, she manipulates the system and sets herself and Brad up as Hunters, making sure that neither of them lose their memories. Over time, Sylvie makes her way up the ranks to General (Dox), all the while trying to eradicate the Lokis so that this will not all happen again. Eventually, she finds herself as a child and has her captured, hoping that this time things will be straightened out. But again (as it was meant to happen all along) Young Sylvie gets away and it all begins again, with Dox!Sylvie now realizing it was her that set this all in motion, she again tries to fix her mistake by hunting down the other Sylvie and pruning all the timelines that her mistake caused.

I know this was all a bit out of left-field, but it was something that came to me and I really wanted to share it, and if it does turn out to be true in any manner, you can find me over here pondering my orb.

Oh, as an aside, Camouflage (the band I mentioned above) had a song that came out in 1989 called "Love Is A Shield", some of the lyrics of which are:

There is a feeling that flows through me When you are near you make it real And we could live for this ideal And all the pictures we run through Seem to be perfect, seem to be true But nothing is quite forever, especially staying together

...make of that what you will