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arkhammaid · 9 months ago

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— ˚₊‧⁺˖THE LIGHTNING ON TRACK | THE GRID'S REACTION

fandom. formula one & mcu

about. the grid reacts to the news!

content warnings. some drivers are acting like assholes, some cursewords, 23!grid

notes. have another reaction chapter hehe

daniel ricciardo Guys

Guys wake up

IT'S IMPORTANT

lando norris ???

daniel it's 5am, why are you spamming rn

carlos sainz It's summer break, why can't you all shut up for once

daniel ricciardo Did no one see the news? Stark is coming to F1

carlos sainz To a race?

daniel ricciardo No you shithead, he's making a team

charles leclerc !!!!

lando norris at this point you'll never win monaco (because once stark joins, there no longer will BE monaco) charles leclerc Fuck you, nowins

daniel ricciardo This is serious... Tony fucking Stark wants to create an F1 team for the next season. @/max verstappen your winning streak will be over

charles leclerc Next season??? I thought for 26?

lewis hamilton Of course he would do that

charles leclerc Lewis, explain?? daniel ricciardo Yeah Lewis, please explain?

lewis hamilton Did any of you ever meet Tony? He will probably see the next season as test for the 2026 season. To train his mechanics and engineers and go all out. I bet many are saying it's a waste of money

carlos sainz It is a waste of money.

daniel ricciardo Yeah, they do. Reactions vary but 'experts' are saying that Tony is just wasting his time and should properly prepare for 26

lewis hamilton Knowing him, he already has a fully built car for 2026 and it's a beast.

fernando alonso Only the best for his daughter!

charles leclerc What. lando norris wdym his daughter??

george russell Why are you all awake at this bloody hour?

kevin magnussen Read the room. Everyone is in schock.

sergio perez Stupid. She will fail like every woman in motorsport with a rich father. Too dramatic.

lando norris i'm still confused???

oscar piastri Tony Stark has three children. Harley Keener-Stark, Y/n L/n-Stark, Peter Parker-Stark. Y/n is his only biological child and currently racing in Formula 3. She won Formula 4 last year.

charles leclerc I thought he only had sons?? When did Y/n appear? oscar piastri She 'appeared' the first time in January this year as Tony's daughter, no one knew before. lando norris how did you know? oscar piastri Google exists.

carlos sainz So daddy's money... great.

max verstappen I swear to god I will leave this chat the next time you all decide to fucking gossip at 6am like old women

daniel ricciardo It's important news!

max verstappen No it's not. Stark will be in F1 for a few years maximum and then leave again. It will pass

daniel ricciardo @/lewis hamilton you here? Don't you have anything else to add??

Fine, I'll guess I just ask the rest of the grid, you fucking bore.

daniel ricciardo @/everyone wakey wakey, it's time to wake up and talk!

mick schumacher Daniel? What's up?

george russell Ignore him. He has been annoying us because Tony Stark is coming to F1 and no one really cares. charles leclerc Lies and slander! I care!! lando norris yeah! me as well, idk what you're yapping abt

carlos sainz It's bullshit.

arthur leclerc Why do I have a bad feeling about Monaco...

ollie bearman THAT'S WHAT I'VE BEEN THINKING bianca bustamante It will be something for sure

lance stroll Well, I'm just happy to see another friendly face at the paddock :)

carlos sainz Of course you know Stark.

lance stroll You're just jealous esteban ocon As am I??? I'm your best friend AND MY BEST FRIEND HAS THE POTENTIAL OF KNOWING SPIDER-MAN???? AND YOU DIDN'T TELL ME???????

daniel ricciardo I want everyone who knows anything related to Stark to immediately share with us because Lewis is ignoring me and I need to know. The only info we have right now, is that Stark will make a F1 team and that's it. I refuse to believe that's it. So, @/mick schumacher @/lance stroll spill the beans.

mick schumacher He didn't say anything last time I saw him, so I can't help you much.

lance stroll I know nothing, ask my dad.

daniel ricciardo I don't believe you.

pato o'ward If they say they don't know anything, then they don't? I don't know what's the problem, just wait for the next press release

max verstappen Do you even know Daniel. He's unable to wait for gossip. And he classifies this as gossip

daniel ricciardo Gee, thanks, feeling the love here

nico hülkenberg I wake up to 100+ notifications, why are you all like this?

kevin magnussen They're all idiots.

kevin magnussen @/tony stark could you please speed up with the press release? Daniel is setting all grid chats on fire and it's not funny anymore.

y/n stark ha, weak ass bitch kevin magnussen Watch your mouth missy

tony stark Should I tag Seb in a Tweet to announce it?

peter stark do it y/n stark do it harley stark do it

pepper potts-stark Don't do it. We will proceed with the plan. No matter how annoying the people in your private life are.

kevin magnussen Yes, ma'am, sorry for asking.

sebastian vettel I deserve more than a Tweet at 10am.

y/n stark speak your truth king peter stark sorry for suggesting otherwise (@/yn stark stop being such an attention seeker, we all know seb loves charles the most) y/n stark but charles is not here rn is he?

daniel ricciardo @/kevin magnussen EXPLAIN YOURSELF?!

carlos sainz What is going on now...

charles leclerc KMAG FOR STARK???? I didn't put this on my bingo card, now I lost 100 bucks. Fuck you Kevin

arthur leclerc Pay up bitch

oscar piastri Well done, man

nico hülkenberg And so he leaves he burning, ever sinking ship... the true hero- sorry, I meant coward

daniel ricciardo @/kevin magnussen I KNOW YOU'RE ONLINE YOU COWARD, COME HERE

I just want to talk to you

kevin magnussen No.

*kevin magnussen has left the chat*

fernando alonso There is your answer

several people are typing...

taglist. @lilypadlover , @adorablezhui , @peqch-pie , @keyz-writes , @obsidianjewel, @themercyverse , @lem-hhn , @akiraquote , @kiiyoooo , @nichmeddar , @nothingfuninthislife , @minkyungseokie , @fionaschicken , @lyrasconstellation , @spideybv28 , @keii134 , @starssfall , @tpwkstiles, @fangirl-dot-com , @nichmeddar , @lady-laura-speaks , @nikfigueiredo , @hinamesgigantica , @brakingboundaries , @almostjollypizza , @yoremins , @raizelchrysanderoctavius , @celesteblack08 , @watermelon-sugars-things , @lighttsoutlewis , @radiantdanvers , @vellicora, @sterredem , @hiireadstuff , @jolixtreesunn , @mypage-myfandoms , @nelly187 @greeneyesandsunshine , @fulla02 , @welovediaaxx , @whyamireadingthis , @67-angelofthelordme-67 , @blueberry64857959 , @winchesterwife27 , @six-call , @skywalker1dream , @mellowarcadefun , @cherry-piee , @peterholland04 , @motorsportloverf1 , @renarots , @msbyjackal , @woozarts , @leclucklerc , @yl90

crossed off tags mean i can't tag you!

DO YOU WANT TO JOIN THE SERIES TAGLIST? please leave a comment on this post or send a non anonymous ask!

ARKHAM MAID 2024

#f1 x reader #f1 fanfic #f1 smau #f1 social media au #f1 scenario #f1 x female reader #f1 female driver #fem!driver #female driver #kevin magnussen x reader #tony stark x reader #peter parker x reader #harley keener x reader #sebastian vettel x reader #f1 imagine #— ˚₊‧⁺˖ creations #— ˚₊‧⁺˖ lightning on track

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galedekarios · 10 months ago

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gale's early access dialogue transcripts - part 2 b: the loss scene

in early access, gale had two additional major scenes in act i: the deer stew scene and the loss scene, both of which would happen during a long rest at camp.

the scenes in early access usually happened in this order:

-1: first night long rest scene (still in the final game) -2: mirror image scene (still in the final game) -3: deer stew scene (cut content / partially reused in act i) -4: weave scene (still in the final game) -5: loss scene (cut content) -6: tiefling party scene (ea version cut / partially reused in act ii last night alive scene)

you can watch the entire scene here. below you'll find the transcript of the scene itself as well as some additional info / context.

the loss scene revealed more about gale's life before the game, his abilities as a chosen of mystra and as an archwizard, as well as his status and his relationship with mystra. sadly, it was cut and only seems to have survived as (as of now) obsolete code:

at a long rest, gale would have a ! and stand by the fire, trying and failing to cast a spell:

Gale: [Fails to cast a spell] Gale: Khat-Tsjin Deth-Thra! Protag: [Wizard]: That was a failed spell if ever I heard one. Gale: Failure. You'd think I'd be used to it by now. It’s getting late. I think I'll turn in. Perhaps some sleep will do me good. - Protag [Option 1]: You don't sound very happy there, Gale. Gale: Happiness is like a stray cat; sometimes it seeks you out, sometimes it ignores you. Tonight, I'm ignored. It's getting late. I think I'll turn in. Perhaps some sleep will do me good. - Protag [Option 2]: Is something wrong? Gale: Let's just say not all is right. But that goes for all of us. - Protag [Option 3]: Do you mind? I’d like some peace and quiet Gale: Quiet you can have – peace I can’t guarantee. Especially not peace of mind.

Protag [Wizard]: I didn't recognize your hand gestures. What spell were you trying to cast? Gale: A bygone spell from a bygone age. It doesn't matter. - Protag [Option 1]: They say you should never go to bed angry Gale: Isn’t that advice for couples? The only one I’m angry with is myself. Please – just let it rest. - Protag [Option 2]: Ever the mystery man, aren’t you? Gale: I simply have a lot on my mind. - Protag [Option 3]: Suit yourself. Goodnight. Gale: Goodnight.

Protag [Option 1]: [if Protag intiated Gale's romance during the Weave scene] Come, you know I care about you. I showed you when we shared that spell. Gale: So you did. Very well. -> See below - Protag [Option 2]: [Insight] We shared the Weave the other night. Now share what's on your mind. Gale: [Failure] Tonight's not a night for sharing. Tonight's a night for regrets. With that I bid you an evening better than my own. Gale: [Success] -> See below - Protag [Option 1]: [Persuasion] I’m the leader of this party. I need to know what’s going on. Gale: [Success]: Very well. Just now, I was trying to cast a spell I once cast with ease, but I failed. You see, this fire – there was a time that I could make it come alive. That it would take the shape of a dragon and roar in delight. There was a time I could silence a Beholder with a word, and lift a tower from its foundations with a flourish. There was a time I was all but one with the Weave. But no more – a mere shadow of the wizard I used to be. Why? Because I’ve lost. Gale [Failure] You're the leader and I will follow you where you go, not down the path of my own regrets. With that I bid you good night. - Protag [Option 2]: [Intimidation] You will tell me, and you’ll tell me now. Gale: [Failure] I said ‘please’, but that courtesy was a mere formality. What I meant was; you will let it rest. With that I bid you an evening better than my own. Gale: [Success]: Very well. -> See above

Protag [Option 1]: I don’t understand. What is it that you’ve lost? Gale: I’ve lost… - Protag [Option 2]: Who are you? Gale: I am the man who came after – after having lost... - Protag [Option 3]: If this is meant to be suspenseful, I assure you it’s not. Gale: You don’t understand! I’ve lost… - Protag [Option 4]: It’s all right, you don’t have to tell me. Gale: Thank you. You’re a good friend. I want you to know that - Protag [Option 5]: [Persuasion]: You can tell me. You can trust me. Gale [Failure]: Trust is not the issue. The issue is that the truth doesn’t matter. Secret or revealed, the outcome is the same. Gale [Success]: I’ve lost Mystra. I sought to impress her personally. To turn the eye of my muse upon me. To win the favour of a goddess. But I failed, and all I invoked was death and dismissal. My death. Her dismissal. - Protag [Option 6]: [Insight] Go on. Every burden is easier to carry when shared. Gale [Failure]: I’m strong enough. I’ll carry on alone. With that I bid you an evening better than my own. (Die/Dice Roll Fail) Gale: [Sucess] An apt enough observation. I've... lost... Mystra. I sought to impress her personally. - Protag [Cleric of Mystra]: I'm sorry. I cannot begin to understand being abandoned by the goddess. Gale: Thank you. You're a good friend. I often think of that moment we shared- - Protag [Cleric of Mystra]: When devotion is blind, the goddess loses sight of you. Rightly too. Gale: You pray to the goddess for every spell and every blessing. You devote your life to her – are we truly so different? Then again, if that is how you judge me, there’s little I can do to change your mind. But know that I have this ambition still. First to save myself, and after that, the licence to dream.

Protag [Option 1]: I’m sorry for you. Protag [Option 2]: I don't know what to make of what you've told me, but I sympathise. Gale: Thank you. You’re a good friend. Gale: [Weave scene wasn't romantic] I want you to know that. I consider myself very lucky to have found you. -> Protag can initiate alternate romance route here -> See below - Gale: [Weave scene was romantic] I often think of that moment we shared together – one under the Weave. I hope you think about it too. / I'm glad to know you think about it too. [end] - Protag [Option 3]: Another fool pays for his arrogance. A tale as old as time. Gale: Arrogance? Ambition, rather. And ambition is a fine thing – until suddenly it no longer is. Then again, if that is how you judge me, there’s little I can do to change your mind. But know that I have this ambition still. First to save myself, and after that, the licence to dream. [end]

the loss scene also offered another way to initiate gale's romance:

Narrator: *You sense a moment of unspoken affection. You want to know where it may lead.* Gale: I consider myself very lucky to have found you. Protag [Option 1]: I think perhaps we could be more than friends. Gale: Perhaps. - Protag [Option 2]: I consider myself lucky too Gale: Good. Goodnight. And thank you for your patient understanding. / And try not to think too poorly of me. A cat can look at a king. A wizard can look at a goddess. - Protag [Option 3]: Don’t get carried away imagining feelings that aren’t there. Gale: I see. Say no more. Goodnight. And thank you for your patient understanding. - Protag [Option 4]: You are a good friend too, Gale. Gale: Hold on to that thought. I may just have to remind you before all is said and done. Goodnight. And thank you for your patient understanding. - Protag [Option 5]: Lets not get sentimental, shall we? Gale: Fair enough. Goodnight. And thank you for your patient understanding.

after the loss scene ended, the player-initiated dialogue had several options following it: you were able to initiate the romance on gale's perhaps, you could address the fact that he mentioned that he thinks about the weave scene with the player still, and lastly, you were able to ask how he can still cast if he had lost mystra's favour so.

if you picked the "I think perhaps we could be more than friends." option during the loss scene, you could talk about what exactly he meant with gale after by intiating a conversation with him again:

Protag: When I said we could be more than friends, you answered 'perhaps.' What does that really mean? Gale: If I recall correctly, the Waterdhavian Dictionary of the Common Tongue of Faerun defines it as an adverb that conveys the meaning of 'it may be that', or 'possibly'. Sorry, sometimes I can't help but being quite insufferable. Gale: In seriousness, I’m glad you asked that question. Gale: You see, I'm not a big believer in fate, but I do believe in serendipity. Life is a tempest of events that sometimes we brace against and sometimes we embrace. You are on such event, that soon, I would like to embrace.

you could also follow up with him on the mention of him thinking about the weave scene still:

Protag: You said you think about the moment we shared under the weave. Do you think about it often? Gale: Do you? - Protag [Option 1]: Yes. Gale: So do I. You see. I'm not a big believer in fate, but I do believe in serendipity. Life is a tempest of events that sometimes we brace against and sometimes embrace. You're one such event that one day soon perhaps I'd like to embrace. - Protag [Option 2]: From time to time. Gale: So do I. You see. I'm not a big believer in fate, but I do believe in serendipity. Life is a tempest of events that sometimes we brace against and sometimes embrace. You're one such event that one day soon perhaps I'd like to embrace. - Protag [Option 3]: Not really. Gale: And yet you ask. I do, as a matter of fact.

the follow up for the loss scene would also include this dialogue:

Protag: There's one thing, I don't understand. If Mystra abandoned you, how can you still cast magic? Gale: The Weave is still here. All around us. Inside of us, too. As long as the goddess lives, magic is still a tangible thing for those who know how to touch. I've studied magic for many years and in as many ways, I'm still a more than capable wizard. Gale: It's just that I'm no longer able to perform those feats even archwizards would marvel at. To have one hand at the pulse of divinity. You have to remember that the Weave is a living thing. Both the embodiment and the extension of Mystra herself. Gale: She can give and she can take away. I'm afraid I'm still very much on her naughty list.

anyhow, this wraps the loss scene up.

overall, i'm extremely sad this was cut. i think with minor adjustments this scene would have worked not only to combat the scene disparity amongst the companions, but it also would have fleshed out gale's backstory and character even more!

i hope this was helpful to some of you!

coming up next:

-part 1: the three tadpole dreams -> completed -part 2: major cut scenes: the deer stew scene & the loss scene -> completed -part 3: minor cut scenes: abandoned temple of jergal, failed to save arabella, talking to the paladins of tyr and agreeing to go after karlach, edowin and the tadpole reveal, mayrina giving ethel's wand to her or breaking it, handing astarion over to the gur or defending him, reaching the druid grove, killing lae'zel, reaching the goblin camp & looking for halsin, killing the druids, priestess gut & the brand & the cult of the absolute, dror ragzlin and talking to the dead mind flayer, ogre couple, necromancy of thay, ethel, zhentarim chest, myconid colony -part 4: gale's condition & the way it was treated in early access

taglist: @chainsawmascara, @randomfanner, @tacogoats, @khajiit-necromancer, @gwinharper, @galesenchantedpanties, @swampfaerie, @ardently-queer, @nirraein, @gale-enjoyer, @xiv-wolfram, @kairoswouldnever, @a-psychopathic-dream, @toboldlydammitjim

i thought i'd tag the people i'd seen taking an interest in my original post! if you want to be taken off the taglist, or added, please let me know!

#gale dekarios #gale of waterdeep #gale x tav #tav x gale #baldur's gate 3 #bg3 #baldurs gate 3 #bg3 meta #ch: gale dekarios #vg: baldur's gate 3 #series: baldur's gate #meta: mybg3 #series: eadialogue

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trynafindbarbiee · 2 years ago

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VOID SUCCESS STORY <3

TW : Abusive family, bullying, suicide attempts!

Before I go straight into my success story I wanna THANKYOU from the bottom of my heart you are my fairy Angel and I love you more than anyone else bestiee :)

I'm sharing this here so everyone can see this

It's been so long since I've joined loa community but I always failed to manifest Consciously , I would constantly look for the 3D to change and I literally wasted years to learn how to manifest when it's the most easiest thing in the whole universe. Then luckly I came to know about the void state but I kept on failing I was unhealthy obsessed with the void with this my mental health became even worse I started to feel like not living anymore. I felt anxious very often, then one day I decided to end my life because things were getting terrible everyday. I attempted suicide and it failed and then the very first thing someone told me after this was "it failed because you deserve to live, you deserves the best, you deserves the world" And guess who it was! SHE WAS MY FAIRY ANGEL 🥺 YOU! MY BESTIEE <3 I'm very thankful to have a friend like you

What I've learnt over time is that these feelings are definitely not permanent and this too shall pass YES it hurts and survival feels difficult but the hope I got from my bestie (Barbie) throughout my recovery process is just unmatched, unexplainable especially for someone like me who keeps thinking that things will never get better. At the same time I was living in a abusive household I was being hated by my parents, friends, neighbours And one day IT'S nowhere near as bad as what you'll get, but my mom had a small amount of narcissist in her. SHE HELD MY HAND OVER A GAS STOVE because as an 15 year old I wrote something that she disagreed with in my journal. I experienced violence with my mother and father beating each other. Seeing drugs being used and knowing that there was something bad and wrong. I also seen my mother having sex with other men and once heard her having sex and I thought she was being beaten.As I got older, I began questioning her medieval methods. Whenever I brought it up, She would always say that she did it for my own good, or that she was showing me how the real world was like. As a baby, I was ferberized. I was sent to a daycare from the moment I could walk. My mother would often punch and slap me in the face, and so I developed a reflex where I put my hands near my head in defense if anyone raises their hands. I have been bullied and ridiculed.

I have overconsumed info to a point where I even started doubting bloggers and loa but then I met my fairy Angel, my life, my bestieeeee 🥺💗 Everyone, let me tell you all of you one thing that she's a real life Angel I swear! She was there with me when my own family was against me, she helped me through my toughest times, she never let me down, she took care of me like a big sister. I'M BLESSED TO HAVE A FREIND LIKE YOU CUTIE PIE <3! we started journey together and she entered the void but I was still struggling. When she messaged me telling that she did it I literally jumped out of my bed and cried, cried and cried I WAS SO HAPPY FOR HER. I got superrrr motivated after that so I took her advice and tried to enter the void once more but I still failed, I didn't enterbut she kept me motivated . She showed me the things and her mansion that she manifested so that I don't doubt void anymore and I'm so grateful to you for that . She told me to try to wake up in the void instead of entering I again listened her and tried and guess what! SHAMEFULLY I again failed , I was giving my power to a method, I didn't realize how powerful I AM.

After all the failed attempts I called Barbie and talked to her for 4 hours straight I told her all the things that were going on in my life and I cried a lot and even Barbie got emotional too and she cried for me I can't forget that day ever 🙂 she told me "Don't worry honey! It's never too late, I'll enter void for you and after that you will be free of all this bullshit" THIS MADE ME SO HAPPY LIKE I WAS NOT EXPECTING THISSSSSSS :) she already did so much for me and still she wanted to help me out, this is why I call you my Fairy Angel <3

And next day she did enter for me and affirmed that I'll wake up in the void but in the morning nothing happened I realized that I didn't woke up there I GOT SO DISCOURAGED and I told this to her and she said that I have to assume that I'll wake up in the void unless it will not work 🙁 I literally Slapped myself for doing such a stupid thing Not assuming that I'll wake up in the void :( But she again entered for me and again affirmed for me Like? How can someone be so nice?

AND THAT NIGHT I DID WOKE UP IN THE VOID 😩💗 I felt so relaxed there, I was in a whole dark space I manifested everything that I wrote in my journal , I was beyond happy that morning when I woke up in my dream apartment the first thing I did after seeing myself in my dream house was that I messaged barbie that WE DID IT 🥺 !!

Y'all are very lucky to have my bestie here , I love you honey, ily so much <3 God literally sent you for me

Sending you so much love, hugs and wet kisses 🤭

~ your beloved 🎀

The most beautiful SUCCESS STORY I ever saw !

Thankyou bub for sharing your story here too ♡

My eyes got wet while I was reading this :) like you are so sweet and strong! ily too and I always will and no need to thank me..Your life was exactly like mine bef I entered the void , I also experienced all this bullshit so I could understand your situation that's why I helped you so, no need to thank me 💗 You should thank yourself bc everytime u felt like ending ur life , everytime u felt like giving up YOU made it through... so thank youself honey ! <3 I'M SO PROUD YOU MAHH BESTIEEE

You also played a vital role in my journey !

I've been through a lot. I have been through things that I didn't even told u . I have been through things that I haven't told anyone . Because of the things that I've been through, I used have an EXTREMELY hard time trusting people. I used to overthink abt how to talk to you and share my feelings without making you feel bad or you thinking I'm dramatic. I don't know how to talk to you without it being awkward but not only u listened me but motivated me also even when u r going through the toughest time in ur life.... Yes I have so many friends But you r someone special , I love you differently than I love my any other friend. Yes we've been through hell. And it's been insane. But still we are together! ily ♡

Idk how do I put my happiness into words :) I'M JUST SO PROUD OF YOU

Enjoy ur life to the max <3

Want me to manifest for you too?

#void state #void success #void state success story

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gem-de-lune · 17 days ago

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Update & Other Topics

Hey guys, today I may not post readings until the evening, but I figured we could talk about everything going on real quick and cover some topics, then we can discuss what will be going on today for readings.

So first let's chat a bit abt topics that have come up or that I've been needing to mention.

1. I know that a lot of info abt Hybe's involvement in sabotaging SM and implicating Seunghan has come out. My stance is pretty much the same in that I think we have our own game to play right now and cannot afford for there to be attention anywhere other than on SM.

2. So it also came out that this whole ordeal was all SM's plan all along, and they had never planned to bring Seunghan back truly. This definitely checks out, imo based on the very early readings i did. A lot of people want a read on this, so lmk if that's one of the things you want discussed today. Within this read, we can look into what some have been asking, but I haven't gotten to yet- which is the 2 directors and their involvement and conflict, if any.

3. I know that a lot of you still hold SM responsible despite Hybe's involvement and that is correct. However, lot of you have been slowly but surely redirecting yourselves and I am here to tell you to stop. For every second you spend scouring the web gather more info on HYBE and what they did you are spending less time making sure you are sitting on SM's throat. You are allowing them room to breathe. I will also do a read on this later bc yall need to have priorities. A lot of you in the asks are way too interested in what HAS happened instead of what WILL happen. Let's get Seunghan back. We can hate bond over HYBE and demand SM sues them later. Seunghan's future is NOW. And it is for that reason that I will not be doing any readings such as:

How do SM artists feel abt Hybe doing what they did

How do Riize feel abt HYBE

How do SM feel about HYBE

HYBE this HYBE that

Frankly it does not matter and even if it did, I promise you that A: the artists simply do not care as much as you think they do bc they are worried about the now and what will happen regardless of how it came to be. And B: SM is just HAPPY bc it is shifting and sharing blame. You are doing exactly what they want you to do by giving a F. STOP.

To reiterate topic 3: I WILL NOT BE TAKING ANY ASKS PERTAINING TO HYBE PERIOD. With these things, you need to be looking at facts anyways.

4. I know many of you are excited since I did the updated timeline read. I want to make it clear that you all still need to take everything with a grain of salt. After all, I am not God. So let's keep it up with positive affirmations stating he will be back by the 4th, but let's understand that in reality we want him back period regardless of the timeline and THAT is what we need to be hyperfixated on, not the when.

5. I know you all are very anxious, and I am too. But asking "do the members think he will be back" is just another way of asking "will he be back tho" 😭 everyone on Seunghan's side is very hopeful and trying their absolute best to make this happen. If everyone does not let up and fights to the end, there is a very good chance here regardless of the past actions of SM. I have said this literally every single day. Please, please- remember this. Your effort is directly correlated to whether we get him back or not. Period. Any more of those questions will be deleting, not bc I hate u but bc I answered them and do it every single day.

6. Finally, I wanted to hear from you all, how are you doing? I would like some more fun questions to do for tonight. The main reading will be pretty long, and the check-in, of course, will be posted around the morning time in Korea. But if you have any other light questions feel free to post them here or send an ask and I will pick some for readings.

Some reads I'm thinking abt based on asks so lmk if you'd like to see these:

- Check-in on all members individually

- Seunghan + Sohee dynamic when he returns

- Potential concepts after Seunghan's return

Anyways, lmk how you guys feel in asks or comments!

#astrology #kpop #tarot #riize is 7 #riize is seven #smsupportsbullying #riize #seunghan #anton #eunseok #sungchan #shotaro #sohee #wonbin #bring back seunghan

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vidavalor · 4 months ago

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Aziraphale & Shostakovich's 5th

So, I did a little digging and there is a sweet and very funny Crowley connection to this symphony-- one that would make sharing it with him actually a very romantic gesture-- which is likely why Aziraphale was gazing at it fondly and so completely beyond excited to have it...

...and it also has a very Good Omens-esque history that is worth a look. Deep dive on the relevance of Shostakovich's Symphony No. 5 below. Happy anniversary, friends! 🤗💕

The first thing to know is that Shostakovich's Symphony No. 5 is one of the most analyzed and frequently performed symphonies in the world. Recordings of it are not rare by a long shot. Maggie probably has at least one other recording of this symphony in the classical music section of her shop. Aziraphale definitely already owns other recordings of it. (Especially because he knows exactly how long the first half of it is without that info being located anywhere visible on the record he's holding in the shop.) What Aziraphale is excited about is not just this symphony but *this particular performance* of this symphony because of its relevance to him and Crowley, as you'll see.

Unlike other pieces of recorded classical music that Aziraphale has in his collection, this is a record of a very historically significant live performance and it is, I'm willing to bet, one that is personally significant to Crowley and Aziraphale. It took place in a completely different era when it came to sound recording technology, as the record is a performance that was recorded live on October 20, 1959. The record that Aziraphale is so excited to receive is a digitally remastered recording of this performance. What Maggie has gotten for Aziraphale and Crowley here is, through advanced technology, some human magic. For Crowley and Aziraphale, this will be the auditory equivalent of a time travel experience.

This live performance took place at what was and still is, acoustically, one of the top places in the world for live music to be heard and recorded-- Boston's Symphony Hall-- and the equipment used to record it was state-of-the-art for its time. Obviously, though, the ability to record sound has changed dramatically since 1959. Records of this performance that were released soon after it were good by the standards of the day but were never stellar and they are really difficult to listen to by our modern standards. The recordings made then could not really fully capture the sound in a way that makes someone listening feel like they're there the way that a recording of a performance held today could.

You and I can pull up the digitally remastered sound files from this performance in under 3 seconds on our phones or computers and listen without issue to a performance with sound quality so good we will feel like we're sitting there in the music hall but for Crowley and Aziraphale? That feeling was only had on the night they were there in 1959. Records of that performance were unable to do it justice until very recently in history, when humans invented technology that could bring back the sound of that night as it truly sounded to them.

Adding to this is that humans, as a whole, despite all this advanced technology, have still not given up on a sense of the romantic so they've taken these advanced recordings and pressed them onto what is, technologically-speaking, an "outdated" form of technology-- vinyl records-- so that people who enjoy listening to music in this more old-fashioned but imminently more soulful way can have an experience that blends modern technological magic with something more intimate and personal. The result is the ability to have the romantic vinyl experience but one with the transportative quality of modern technology.

That is what is Aziraphale has had Maggie get for him and Crowley.

In 2.01, Aziraphale is so excited because he has in his hands the ability for him and Crowley to listen to a live performance of a concert from 1959-- a concert I am sure that he and Crowley were at-- and hear it sound, for the first time since, as they heard it then. Gabriel and Beez's "Everyday" records and Maggie's failed attempt at giving Nina a Nina Simone record do have a Crowley and Aziraphale parallel. We might have been distracted by the idea that, because "Everyday" is Gabriel and Beez's song, that the Crowley and Aziraphale parallel is "A Nightingale Sang in Berkeley Square" but, as you'll see, it's subtly not-- it's the other record in S2. It's Shostakovich's Symphony No. 5.

Ok, so why is Aziraphale so obsessed with this particular performance of this particular symphony and what does this have to do with Crowley?

For that, we have to look at the symphony itself.

Music is language and, within the language of classical music, composers-- particularly the sort like Shostakovich, who was limited in expression by confines of his society-- would slip bits of hidden language into their music. In his case, it was a form of rebellion against the repression of dissention by the Russian government, much in the way that Crowley and Aziraphale's hidden language-- which they speak right under the nose of Heaven & Hell-- is for them. The first movement of Shostakovich's Symphony No. 5 contains the single most Crowley & Aziraphale-ish bit of hidden language in music imaginable.

The piece of music being referenced has ties to a very famous religious parable that is Ineffable Husbands-y in the extreme.

You all have heard of Saint Anthony, yeah?

No, no that Anthony-- Saint Anthony. 😉

Patron Saint of Lost Things? The dude your grandma tells you to pray to if you misplace your car keys? The patron saint of sailors and all things nautical? And also the patron saint of pregnant people, as if Saint Anthony weren't already amusingly professional midwife Crowley-esque enough? 😂 If you know this guy, then you probably then know the most famous Saint Anthony-centric religious story, which is the one at the heart of the musical interlude that is the hidden message in Shostakovich's Symphony No. 5:

Saint Anthony's Sermon to the Fishes.

Oysters. Bouillabaisse. Gravlax in Dill Sauce. Sushi... we could go on and, indeed, I have, about Crowley and Aziraphale's ability to elevate the-sea-as-sexual-metaphor to its own art form and we all know how much they revel in blasphemy. As a result, a musical hidden message referring to Saint Anthony and his Sermon to the Fishes is possibly the funniest little romantic in-joke in a piece of music possible for Crowley and Aziraphale.

For those of you unfamiliar with this story, it goes a bit like this: the future Saint Anthony was getting a bit miffed about these heretics who weren't listening to him while he was trying to spread the word of God. He goes to his church one day and finds it empty because everyone's out doing non-God stuff. So, to make a point, he went down to the river and began to preach to the fish. (Yes, the actual fish in the river.) The story goes that the fish were all really interested in this and came up to the surface to listen to the sermon, all rapt with attention. They absorbed Saint Anthony's words and found God, leading them to then bow their little fish heads and pray hard in response.

The human people walking by? Well, their attention was naturally had as the fish were acting like people and listening to this dude preach and that was, ya know, a bit weird. The story goes then that people thought that if fish were listening to the words of Jesus as preached by Saint Anthony then maybe they should, too. The point of the parable is that Saint Anthony found a more receptive audience in the fish and, in preaching to these beings who wished to hear what he had to say, his message wound up amplified by being both received by those open to it and by drawing in others who then saw all of these engaged people listening. It suggests that the best way to speak to people and be heard is by starting with those who are already predisposed to listen and focusing on them, instead of ignoring them in favor of those whose minds are not yet open to new ideas.

(There are actual humans, though, who believed this dude really talked to actual fish, in case you needed another reminder to vote.)

As a little sidebar: there is also another story in a similarly Crowley & Aziraphale vein about Saint Anthony that is not part of the symphony in question but does relate a little bit to S2. In that story, Saint Anthony was dining with some non-believers who poisoned his food as a way of testing the fact that apostles of Christ were supposed to be immune to poison. Saint Anthony realized the food was poisoned and confronted them, found out why they did it, blessed the food, and then ate it without harm as a way of trying to prove to the non-believers that God was real.

So, yeah, the Sermon to the Fishes parable here boils down to a comparison between people and fish. It's using fish as a metaphor for humanity, which Crowley and Aziraphale do in an, erm, slightly different way lol by using fish as a metaphor for their human-styled sexual relationship. To the blasphemous and fish-obsessed Aziraphale and his partner, Mr. Anthony J. Crowley, there might not be a funnier bit of Biblical humor to be had than the story of Saint Anthony's Sermon to the Fishes. So, how does this story fit into this symphony?

In the 17th century, a priest named Father Abraham a Sancta Clara wrote a poem describing Saint Anthony's Sermon to the Fishes but this priest really kinda got how insane the whole thing is because the end of it is a bit tongue-in-cheek. It is also more insightful than the actual religious story itself is because it basically says that the fish listened to Saint Anthony-- but then they went back to being their usual fish selves as soon as he was done speaking.

The humor in the poem comes from the priest using the fish as a metaphor for humans listening to the sermons of Saint Anthony and others. The priest is saying in the poem that people listening to sermons do not fundamentally change as a result because they don't take the words to heart and really apply them to how they are living. He conveys this in the poem by saying things like "the carps still stuff themselves" and-- amusingly considering the references in Demon's Guide to Angelic Beings and elsewhere to Crowley as an eel-- "the pikes remained thieves/the eels, great lovers."

If you wanted to, you could make a case that Crowley or Aziraphale influenced the poem a bit (or, even, the whole Saint Anthony story in the first place.)

Anyway, the point of the poem is... ironically... that these fish people?

They heard the words but they didn't truly listen to what was being said.

*laughs in Good Omens S2*

In tone, it's also very similar to how while Crowley and Aziraphale are overall optimistic they also are, through their experience of human history, a little jaded when it comes to the ability of someone to really enact massive amounts of change in people. The poem is in the same tone of their responses to the reasons for why Jesus was being executed for preaching kindness:

Right, so, anyway... the symphony ties...

This poem was then later set to music by the composer Gustav Mahler, with both the poem and the score included in a book called Des Knaben Wunderhorn, which was the go-to compendium of German folk songs and stories. In its inclusion here, Mahler's song-- called Des Antonius von Padua Fischpredigt (which is just German for Saint Anthony's Sermon to the Fishes)-- made the jump to what is, technically, a secular book of folk songs. In those days, there was not as much of a separation between religious music and secular music but this book is kind of a blend of both them. The song is then played all over the place and becomes an extremely popular, well-known song. Everyone then knows Mahler's tune about Saint Anthony and his fishes.

Like Crowley and Aziraphale forced to hide a bit from the regimes to which they belong and using hidden language to communicate, Shostakovich, feeling the pain of government suppression that kept him from full, open expression in his art, was forced to make sure that his compositions sounded appropriately Yay! Russia! enough to not, ya know, be killed... but he slipped in little things along the way to troll his oppressors and inform his art for those who knew to listen for hidden messages in it.

In the first movement of his Symphony No. 5, he slipped in a musical reference to Mahler's Des Antonius von Padua Fischpredigt to express his distaste for Stalin and his government.

The exact bit of Mahler's Saint Anthony's song that is musically referenced in the first movement of Shostakovich's Symphony No. 5, off of the second movement of his Symphony No. 4, is the musical accompaniment to the lyric: "He goes to the rivers and preaches to the fishes." So, in addition to the rebellious nature of this and the blasphemy, Aziraphale has bought his Anthony a symphony that begins with a musical interlude that basically says "let's get it on" in Ineffable Husbands Speak. 😉

It was only decades later, though, when people realized just how much of a fuck you this musical reference to Mahler's Saint Anthony song really was-- and that is because of the fact that Shostakovich had actually first put that very same musical reference into the companion piece to Symphony No. 5-- his suppressed Symphony No. 4.

Here's where this whole thing becomes a really Good Omens-y meta joke as well...

Shostakovich composed and completed his Symphony No. 4 during 1935 and 1936 with the intent of its first public performance being in Leningrad in December 1936. However, he and the opera he had composed that was being performed at the time-- Lady Macbeth of Mtsensk-- were targeted by Stalin. All art criticism in Russia was monitored and influenced by the state and Stalin had been growing concerned about Shostakovich getting a bit political with his art in a way that didn't benefit Stalin and his government so he fired a bit of a warning shot at Shostakovich by targeting his opera. He didn't outrightly imprison or kill him because Russia only had so many really amazing composers who could make patriotic music for Stalin lol but, at the same time, he was warning Shostakovich to toe the party line and reminding him that was always being watched.

As a result of this targeting, the public performance of Symphony No. 4 in 1936 was canceled. The symphony was not actually publicly performed at all for the next twenty-five years. It did not see the light of day until it was first played publicly by an orchestra in Moscow in December of 1961. Back in 1936, though, Shostakovich kept composing and fought against being targeted a bit by hyping his next work-- Symphony No. 5-- as being this super-patriotic ode to Russia. He somehow actually managed to get Symphony No. 5 publicly performed for the first time the very next year after Stalin was threatening him-- in 1937.

Why this matters is that the two symphonies are thematically connected and they both contain the musical motif of this reference that's relevant to Crowley & Aziraphale but musical audiences-- including Crowley & Aziraphale lol-- actually learned all of this both backwards and decades apart...

...just like how we viewers are learning the story of Good Omens.

Shostakovich composed a story between the symphonies but that story wound up presented to his audience beginning in the middle (with the start of Symphony No. 5) and with a long wait of decades before the crucial beginnings of that story (Symphony No. 4) was ever shown to the audience-- even though Symphony No. 4 had existed for a quarter of a century. It's a bit of a meta wink at how Good Omens is presenting its story out of sequence and to the fact that more of its story with Season 2 took decades to make its way into being publicly viewed.

Maybe more to the point? Audiences who heard both symphonies then took awhile to realize how interconnected they are and their understanding of Symphony No. 5-- which they've been analyzing for decades-- was changed dramatically by the revelation of Symphony No. 4 and their understanding of how the two works connect.

Since Crowley and Aziraphale lived in the eras of Shostakovich's music being revealed and first performed, these two symphonies are a classical music version of understanding a full story that took decades to be fully understood. It's kind of like their version of what Good Omens is to us.

To understand it from their point of view? Symphony No. 5 was, as we said above, first performed publicly in 1937 and the performance that Aziraphale and Crowley saw-- the significance of which we're going to talk about in a second-- took place in 1959. Symphony No. 4 was still not publicly known when they were at the performance on the record Aziraphale got from Maggie. It would be another two years after that until Symphony No. 4 debuted in 1961, even though it was written in 1936, and it would take time after that for people to begin to understand how the two pieces went together... and to really fully appreciate the fact that this canceled 4th symphony that Stalin oppressed did contain a hidden reference to Mahler's music that made it as secretly radical as Stalin had feared-- which Shostakovich then turned around and stuck right smack dab at the beginning of the first movement of his Symphony No. 5-- less than a minute into the start of it-- as a middle finger to Stalin.

Saint Anthony's Sermon to the Fishes, as we can see, has taken this longer, cultural trip to wind up being used in this symphony as a pretty delicious act of rebellion and it's pretty easy to see how Crowley and Aziraphale would be very into that. By putting the Mahler interlude again into Symphony No. 5, Shostakovich was just growling fuck all of you idiots-- you'll never stop me! beneath a socially-acceptable exterior of this symphony that managed to pass as not subversive enough and quite literally saved Shostakovich from being killed by Stalin and allowed him to keep having his work performed publicly... and he was doing so by referencing this hilariously Crowley-esque Biblical story and adding some rebellion to its social history.

That, alone, would be more than enough for why Crowley and Aziraphale love this symphony but there's actually more...

The second bit relates to why Aziraphale is so excited to have a good recording on vinyl of this particular performance of Shostakovich's Symphony No. 5. That relates to the performance's role in international relations and history, how Crowley and Aziraphale use (and the story uses) the political relationships between countries as a metaphor for Heaven & Hell, and just the really, really beautiful symbolism involved in this historic performance of this symphony.

The record that Aziraphale gets from Maggie in 2.01 is a recording of Shostakovich's Symphony No. 5 as performed-- live-- on October 20, 1959 by the New York Philharmonic, under the direction of Leonard Bernstein, at Boston's Symphony Hall. This single performance of this particular symphony happening in this way, at this time, is maybe nothing short of a miracle and is a really great example of art transcending borders and how it can bring out the common humanity in us all.

Leonard Bernstein, a first-generation American whose parents emigrated to the U.S. from what was then part of the Soviet Empire, became the first American-born composer to lead an American orchestra when he took over the New York Philharmonic. Bernstein is the composer of West Side Story and the scores for films like On the Waterfront and is known for leading the Philharmonic as a conductor to international fame as one of the world's best orchestras. Under Bernstein's direction, the New York Philharmonic made recordings of American orchestral music-- like their completely stunning version of Gershwin's Rhapsody in Blue-- that really exemplified a kind of wild, passionate, expressive feeling in the music that combined elements of jazz into classical music and has come to be globally synonymous with America.

In 1959, during the Cold War and with the Space Race in full swing, Leonard Bernstein made headlines for taking an American-government-backed, art-as-diplomacy type of trip with his orchestra to Moscow to meet his fellow composer, Dmitri Shostakovich. In a 20-day trip that is monitored by everyone under the sun lol, Bernstein and members of his orchestra are shown artistic and historically-relevant places in Moscow and get to dine and spend some time with Shostakovich and other musicians. They're all admirers of one another's work and are excited to be able to talk about music and make some together. Their countries are enemies but they are not-- they're just people aware of the politics involved of their visit but just excited to have that visit so they can talk about art with other artists they admire. While they are there, Bernstein and the New York Philharmonic perform Symphony No. 5 in Moscow for Shostakovich.

Bernstein and the New York Philharmonic play the piece a bit differently than Shostakovich and other conductors in Europe do. The main difference is playing the piece a bit faster in parts, particularly in the last movement, Movement 4 (which is the piece of the symphony that is playing in Good Omens when Gabriel arrives.)

If you listen to recordings of how Movement 4, in particular, is played by orchestras under Russian and other conductors in the decades after its first performance in 1937 in comparison to Bernstein and the New York Philharmonic's take on it, it has a very different feel to it. The change in tempo in parts changes the feeling of the piece in such a way as to basically make it emote more. It is wilder, more openly passionate and less restrained. I've seen it described as the piece shouting its own joy at being set free and that's really it.

So, the Americans played it this way in Moscow for the composer himself and in front of half the Russian government, who seem to just see it as a coup that this younger composer is coming to their country to see their composer. Bernstein is most concerned with just not offending his new friend with his take on the work-- and he is thrilled to learn that Shostakovich loves it.

Bernstein and the American government had been hoping to somehow get an exchange trip out of this but Moscow is hesitant. Rumors exist that they were worried that Shostakovich would defect so while they're fine with the Americans playing music of Russian composers, they subtly (and, probably, not so subtly) threaten Shostakovich into staying in Moscow.

Bernstein, as thanks to Shostakovich for his friendship, expresses his intent to go ahead with what they had been planning on doing if Shostakovich could come to America and that is to conduct the New York Philharmonic in a performance of Shostakovich's Symphony No. 5 in Shostakovich's honor in the very musically and politically-significant place they had wanted to bring him to to hear his work played-- Boston's Symphony Hall.

Symphony Hall in Boston is considered the finest concert hall in America from an acoustic perspective and one of the top two or three in the world. If you enjoy music performed by an orchestra, there is almost no better place in the world to music played than Symphony Hall and there is not a place of its caliber anywhere in Russia. For a composer like Shostakovich, secretly long-suffering at the hands of the Russian government, it would have been one of the highlights of his life to hear his own music performed in this wild and free way by his American friends in what is basically the classical music equivalent of paradise and that, as a bonus, just so happens to be located dead center in the birthplace of the American Revolution.

Bernstein had hopes that they could convince Moscow to let Shostakovich come to Boston to hear his music performed at Symphony Hall but Moscow won't budge so Bernstein gets an idea that both governments also like because it winds up good press for both for them-- the New York Philharmonic is going to perform Shostakovich's Symphony No. 5 in Boston's Symphony Hall in honor of their time in Moscow with Shostakovich and they will make a record out of it, which the record labels love because the attention paid to the trip means the record will sell tons of copies. The musicians are all really also doing it, though, to make a record of the performance out of love for Shostakovich himself, so he can have the closest thing possible to hearing his symphony performed in Symphony Hall.

So, naturally, when this concert took place? The musicians were all really emotional and played the living fuck out of this symphony as a love letter to their friend trapped behind the Iron Curtain. There are many people who consider it to be the best performance of Shostakovich's Symphony No. 5 in existence.

It's October 1959-- there is no internet. No one can get Shostakovich a VPN and link to a livestream. He had to wait months for the record to be pressed and to get a physical copy on record through international mail before he could hear it. When he did, the sound quality was the best 1959 had to offer but it still was nothing like what the digitally remastered version of this live performance that Aziraphale has on this record is like.

Even though he was not able to hear this performance in person, Shostakovich did receive the record in 1959 and was able to hear with the best sound of that time what his music sounded like in Symphony Hall when performed by a bunch of Americans going wild out love for him and his work and giving what some consider one of the best orchestral performances ever in the process, in a place that is, acoustically, musical Heaven. Shostakovich died in 1975. Sound had barely improved by then by comparison to today. He never actually got to hear this Symphony Hall performance the way that Crowley and Aziraphale did in 1959 and can now again by listening to the record Aziraphale has just bought from Maggie.

Aziraphale's love of classical music, plus his financial and magical resources and having plenty of time to travel mean to me that he has undoubtedly heard music live in Boston's Symphony Hall before. Because of how much of an international and cultural event this particular performance was in 1959, it was hyped for weeks before it happened. It was almost impossible to get seats but Aziraphale is very wealthy and very magical. Given how much he loves classical music and the really moving story of this performance, Aziraphale, if he didn't already have an in from knowing different composers (probably Bernstein heh), he would have gone so far as to give away a book to get to this thing. He and Crowley were at this concert.

Given how much the story of this concert parallels he and Crowley and their love across enemy lines, this would be worth the risk. They definitely would have had no trouble being inconspicuous and blending in amongst the crowds here as this concert was very sold out. They snuck off to America together for a date to watch its best musicians play a passionate ode to the subtly subversive music of their fellow artist with whom they couldn't always physically be because of who he was forced to work for but whom they love madly anyway.

The hidden language, the hilarious blasphemy of St. Anthony and his fish, the way they use Russia and America as a parallel, the absolutely beautiful music itself and all the parallels to their relationship in this particular, live performance and how it came to be, and the fact that he and Crowley were there together... It all makes this record different from other ones Aziraphale is shown to have or has listened to in the past.

He loves those, too, and they probably have significant meaning to him but the Schubert he was listening to in 1.01, for example, is not a live performance. A lot of classical music recordings are edited. It's music played by others that is like music Aziraphale once heard live. This is a literal record for Aziraphale, in the sense that it's a live concert and he and Crowley were there.

Think, for a moment, about how special that really is to Aziraphale and how much it will be to Crowley when he finally finds out Aziraphale has this record...

They have souvenirs but nothing that is overt and nothing that is any sort of audio/visual record of any time they've ever spent together. They either destroyed or have deeply hidden the one picture of the two of them together that they had. Everyone else in the modern world is walking around snapping photos and making videos left and right of the people they love but Crowley and Aziraphale are not. They don't have pictures of each other or videos or a recording of each other's voices. It's too dangerous. They've been sneaking out for dates for literal ages and they don't have a single record of what any of those countless nights sounded like.

Aziraphale is vibrating with excitement over this record in 2.01 because he is thinking that, when Crowley comes back later in the day, he'll be able to give him this record of the music from this very memorable night they once had together in 1959. Aziraphale knows this is romantic as all holy hell and that Crowley is going to love this so he can't wait for later that night when he and Crowley can listen to this album together. Aziraphale knows he has a very amorous evening in store as that demon is going to be mush over this record.

I think that's actually the joke as to why he's listening to the album backwards.

As others have pointed out, it's the first half of the symphony-- its first two movements-- that are just over 21 minutes long and one might assume that someone would begin listening to the record of the symphony with Side A of the record. This is what Aziraphale seems to tell Maggie that he's going to do when he makes the hilariously lewd little "21 minutes" comment. However, when we actually see him in the bookshop after just a few minutes have passed, it's clear that he actually put Side B on the record first and began in the middle of the symphony with Movement 3, as the record is playing the very beginning of its ending-- Movement 4-- when Gabriel arrives. There's an etymology joke that explains this a bit.

Aziraphale is obviously thinking about Crowley while being excited to get this record and about the hidden language within it and his and Crowley's own hidden language. Both of them actually frequently phrase sentences to other people around them that sound normal to those people but actually mean something slightly different if the words they say are viewed through a filter of the rules of their vocabulary. Crowley will say things to Maggie in their speak in 2.06 when he's irritated over the fact that she says they don't talk and Aziraphale is doing so with the "21 minutes" comment. The key word in the sentence that actually changes the meaning of it is the word next.

Next, from the Proto-Germanic nekh, meaning near, and nigh, meaning near and soon.

In other words, Aziraphale's comment sounds like he's, ah, really excited about his music and is about to go, ah, really enjoy the first side of this album but, while he is rather excited to have the record, the 21 minutes of the first side of it are not something he's going to be listening to in the next 21 minutes-- meaning, the exact following 21 minutes-- but that he will be listening to in the next 21 minutes with next in its etymological root meaning of soon.

He's saving the first half of the symphony and its Saint Anthony's Sermon to the Fishes for Anthony.

This actually though winds up making the lewdness of Aziraphale's "21 minutes" comment even funnier when you take into account the musical natures of the different movements of this symphony. While everyone's taste is different, I feel like it's a safe bet that if all of you go listen to this symphony in full right now, you will agree with me that the only truly fuckable-music part of it is Movement 3-- which is very much so.

The joke winds up being more like Aziraphale is listening to the second half of the symphony on the B side of the record alone when we first see him because he really loves the damn symphony itself and wants to hear all of it right away to appreciate the performance of the music in its own right but he knows that he and Crowley are going to be getting busy from the hot Movement 3 on and he will not be able to pay attention to the music so he's sneaking a listen to Side B of the record first just to have the musically orgasmic experience as well. 😂

It also adds a funny element to Gabriel's arrival. Movement 4 of the piece is wild and soaring and then winds up in this weird kind of funeral march-- these two and their sex and death-- and Aziraphale's just trying to appreciate the piece when a naked, American-presenting bit of celestial harmonies shows up on his doorstep, bear hugs this Shostakovich, and defects to his and Crowley's embassy.

Gabriel's arrival causes a chain of events that culminate in Aziraphale still not having shown Crowley this record and, as Gabriel is in the street, arriving in 2.01, he is being recorded with ease by hundreds of people on cell phones-- all of them easily making high-quality records of an event with technology that is nothing shy of magic that now exists in everyone's pockets-- Aziraphale is inside listening to a record on vinyl that was made during this same modern era, using its advanced technology to act as an accurate recording of a concert from the past that would have been lost to it without the magic of the humans and their technology.

It continues the theme of different kinds of records-- Muriel the Scrivener, books and diaries, Maggie's record shop, "Everyday", the Gabriel file in Heaven, the Satanic nuns and their lots of records that were lost in the fire, etc.-- and underscores the themes of memories and existence.

Ok, a couple of more things about this record here that tie to the story. We should probably note that the Movement 4 that Aziraphale is listening to when Gabriel arrives is labeled allegro non troppo, which means fast, but not overly so. Not only does it describe both the original intent of the music and still works with Bernstein's interpretation of it but when you consider the pacing aspect of Crowley & Aziraphale's story with the car and around that particular word of fast (which also means to withdraw from eating for a period of time), it adds in the music motif to some of that as well.

Also about the final movement: not within the part we hear in the show but within Movement 4 as a whole, Shostakovich references a song he wrote separately from this symphony that was musical accompaniment for a poem by Russian poet Alexander Pushkin called Rebirth. It is worth a read as there might be some threads to pull on there when it comes to where Aziraphale ends up over the course of the season and in general.

Another thing is that the first movements of the symphony have been described as a kind of mix of lamentation and grief with a sense of pining and longing to them, which I got when I listened as well. There is a lot of angst in it and musical motifs that kind of go nowhere at times, representing a lot of anxiety and unfinished threads. Some attribute this to the fact that Shostakovich had a tragic romantic life and, around this time, a woman with whom he was madly in love refused his marriage proposal, fled to Spain and married a film director there.

Shostakovich also included something else of Crowley and Aziraphale relevance in the first movement, possibly off of that failed romance of his-- so, alongside the reference to Saint Anthony's Sermon to the Fishes. It is a musical reference to the Habanera, the famous aria from Bizet's Carmen.

While lusty and playful, lyrically, the Habanera is also a bit of a pine fest about not knowing when or if you'll ever get to be with the one you love but about how that love is wild and untameable and cannot be stopped.

Its formal name is its first lyric, which is:

L'amour est un oiseau rebelle, which is French for...

Love is a rebellious bird.

youtube

#ineffable husbands #good omens #crowley #aziraphale #aziracrow #good omens meta #good omens 2 #ineffable husbands speak #crowley x aziraphale #good omens speculation #good omens analysis

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youngies-bae · 7 months ago

Text

The Lorax

Characters/Pairing: Wooyoung x Gn!Reader

AU/Trope Info & Warnings: Idol AU, Body Contact(?), Use of Baby, Teasing, Massage(?).

Genre & Rating: PG, Fluff.

Taglist: @minkilicious

W/C: 1.1K

Summary: You take care of Wooyoung after his great performance at Coachella.

A/n: This story is completely FICTION and does not represent Wooyoung in any way. I FINALLY DID IT. Idk why it took me so long to come out with something... but either way Ima thank my PAPA (@yessa-vie) for her very INSPIRING words. 😔

You walk in the door to see your boyfriend and his members sitting on the couch in a row, with Hongjoong bending down in front of a tripod.

He takes his phone off it and slides it into his pocket.

“Hey, Baby.” Wooyoung pops up quickly, his hands are in his pocket, and you can see that his cheeks are slightly flushed.

“Hey! You did so amazing! I- I can’t get the way you smiled out of my head. I’m replaying your part of Crazy Form repeatedly.” You can’t believe how awesome your boyfriend and his friends are.

When you found out that they were goi no to Coachella you were so excited. Couldn’t believe it. You were so happy for them.

They were so happy. They couldn’t stop talking about it.

“Really?” Wooyoung flashes his beautiful smile. The smile that you love so much.

“Yes! I wouldn’t say it if it wasn’t true. And when have I ever lied to you?”

“Okay. Got me there.”

“And I SO glad that you kept your clothes on unlike somebody…” you drag out the last word making sure the certain “somebody” you're talking about heard you.

“Hey! I look good! And I’m sure Atinys loved it!” San defends himself.

“Oh, I’m sure they did. I’m glad you were half naked. It’ll distract them from looking at what’s mine.” You put your arms over Wooyoung shoulders.

“Hmm, how are you, baby? We haven’t had time to talk all day.” Wooyoung asked you.

“I am fine, you are the one I wanna focus on right now.” You counter.

“Wait…,” you lean into Wooyoung and smell his neck. Next you look at his clothing, “ohh baby. You were sweating so much. And it was cold out. You better not get sick.”

“I’m fine I promise. Plus, I have you to take care of me.” His hands are placed on your hips, and he leans in to give you a soft tender kiss.

“Gross… you know we’re still here, right?” You hear Mingi complain.

Wooyoung softly pulls away from you and turns his head to his members, “yeah. That reminds me,” he turns back to you, “I reserved us a different apartment.”

Your eyes widen, “oh thank God! I didn’t wanna be sharing a apartment with 8 smelly men.”

“Hey!” Wooyoung wines.

“Sorry… 7 smelly men.”

He smiles and glances at your lips, his hands still placed on your hips. He pulls you closer to him and lays his lips on yours.

“Let’s bounce.”

***

“You sure they’ll be, okay?” You ask him.

“Y/n. There 8 grown men. I’m sure they can handle themselves.” Wooyoung states.

You nod your head agreeing.

On your way over to the different apartment you and Wooyoung decided to pick up some take-out.

KQ decided to go with apartments instead of regular hotel rooms since their stay would be longer than usual.

Wooyoung stripped himself of his clothes then hopped in the shower as you to him. Because he was stankin…

He lays back on the couch with his feet up as you make plates.

“Hmm, it smells so good~” he says.

You just smile.

You know how tired he is by listening to his voice, plus you know good and well that if he wasn’t he’d be trying to pick some of the food out with his hands.

He’d also fight for the bigger plate.

“Here you go, Sir.” You hand your sleepy boyfriend his large plate of food. He already had his drink placed on the coffee table beside him.

You run your hand across his bare chest and turn it softly rubbing his shoulder and following with the other hand.

“Hmm, baby. What are you doing?” Wooyoung tilts his head back, softly tapping your stomach.

His features are so breathtaking. His lips, eyes, jaw, neck. Makes you just want to kiss every part of him.

You take the way his head is leaned back as an opportunity to.

Your hands work on his tense shoulders as you explain what and why you are doing this, “Well, since you worked so hard I figured that you’d be tense, or at least sore.”

“Huh. Thank you, Y/n.”

Everything changed since he met you. He’s been having great meals, spending less time on his phone, standing up for himself. Many things that improved him.

“It feels nice~” he says softly with his eyes shut. He takes his fork and fills his face with rice.

After about 15 minutes he’s done with his food, and so are you with his shoulders.

“Hey, why don’t we watch a movie? There’s a tv in the bedroom if you prefer it in there.”

“Nah, let’s stay in here. Actually, I think I’m gonna stay in here for the rest of the night this coach is really comfortable.” You tilt your head to the side and stopped rubbing his shoulders.

“You sure? Last time you said you were going to sleep on the coach you didn’t get any sleep and could barely keep your eyes open. And we still have two more nights here. We're going to the second day of Coachella tomorrow. You need energy.” You state.

“Yea, I’m sure. I just...” You come around and sit on the couch next to him. “I didn't have you sleeping next to me last time.”

He draped his arm behind you and pulled you closer, laying a soft his to your temple. He pulls away and you look at him and smile.

“What are we watching?” You ask him.

“Terrifier.” He responds.

“Oh hell no. You're gonna be shittin’ bricks watching that. I’m going to have claw marks from you holding onto me so tightly. I don’t need these Americans thinking that you are cutting me.” Your tone is a little stronger and your eyebrows are furrowed. “Remember when we watched “IT”? You literally screamed like you just saw someone get killed in front of you.”

“Maybe because someone did?!” Wooyoung throws his hands up, with his eyebrows raised as a way to defend himself.

“Mhm.” You shake your head, disagreeing.

“Fine then,” he rolls his eyes, “we’ll watch “The Lorax”.”

Your eyes light up, “YAHH!!”. Your favorite movie is “The Lorax”.

You turn around so you're facing the TV, and your body is pressed against his. He also moves to position you both comfortably. He set his left arm under the pillow that your head was resting on and wrapped his other arm around you after he put the movie on.

He pulled you close to him before laying one final kiss to your head.

“Y/n.”

“Yes?”

“I love you.”

#ateez #ateez fanfic #ateez fic #ateez fluff #ateez x reader #wooyoung #ateez wooyoung #wooyoung ateez #wooyoung x reader #wooyoung imagines

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clarionglass · 5 months ago

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gang,,,,, gang. i am honestly still reeling from The game changer account reblogging the comic,,,, my god. my god.

for newcomers: welcome! thank you for being here!! for those who may have only seen the part of the fic linked to the comic, this is part 6 in the series (because truly i cannot stop myself). all the other parts are linked in the lil game master cinematic universe blurb i've got down the bottom of the post, and the whole thing is now on ao3!

and speaking of my lil blurby thing, if anyone else wants to play around in the game master cinematic universe, tag me so i don't miss it and i'll add whatever you make to the list!! and if you just want to chat about the crossover, hit me up! truly i am so happy to have as many people playing in this sandbox as want to be here :D

but anyway, without further ado:

a selection of correspondence (game master cinematic universe, part 6) | read on ao3

From: Sam Reich (@dropout.tv) To: Group <Dropout cast and crew> Subject: Announcements and info

Hi all,

Just a quick announcement that we have a new member of the team joining us at Dropout! Some of you have met him already, although you may not have realised it—he worked on A Game Most Changed and Escape the Greenroom in season 5, and Bingo, Deja Vu, Beat the Buzzer and Sam Says 4 in season 6, doing some of the hosting in my place.

And before you ask how that can be, this man is my exact doppelganger! He’s a time traveling alien who, for the moment, we are calling Other Sam, because we’ve agreed that the name he’s chosen is not exactly appropriate in a workplace setting. He’s here on a kind of rehabilitation program, as shows like Game Changer provide the sort of enrichment that he needs, without him having to resort to things like planetary conquest and murder. We also have him to thank for our new studio—he has kindly allowed us to use his (currently grounded) spacetime machine to record in, seeing as he did blow up our original studio. On an operational basis, nothing should have changed with the studio, but I do recommend you don’t go poking around in cupboards, just in case.

I promise on everything dear to me that this is not a joke.

I hope you’ll all make Other Sam feel welcome! So there’s minimal confusion between the two of us, he and I will be taking care to differentiate ourselves (he says he will try and look, in his words, “more evil”, although I’ll admit I’m not quite sure how that will work).

Series leads and producers, if you would like to include Other Sam in one of your shows, please let me know. He’s a lot of fun to work with, and he’s promised us his best behaviour, so I can guarantee there will be none of the aforementioned planetary conquest and murder. Of course, the wellbeing of all Dropout cast and crew is my highest priority, so if any of you are not comfortable working with him, please let me know as well, and production and I will ensure you are not cast in the same episodes. In future seasons of Game Changer, we will be sharing the hosting duties, so if you’re on an episode, it’ll be made clear which of us you’ll be working with.

On a related note, you know I hate being the bearer of bad news about mandatory seminars, but there is a training seminar next Monday on psychic defence techniques. This seminar is a requirement if you’re going to be working with him, and even if you’re not planning on that, I’d strongly advise coming along anyway.

As always, if you’ve got any questions, don’t hesitate to get in touch!

Cheers, Sam

---

[Note: many responses with the general sentiment of “what the fuck?!” have not been included in the selection of return correspondence.]

---

From: Brennan Lee Mulligan (@gmail.com) To: Sam Reich (@droput.tv) Subject: Re: Announcements and info

I need this man in the dome immediately.

---

From: Siobhan Thompson (@gmail.com) To: Sam Reich (@droput.tv) Subject: Re: Announcements and info

Hi Sam,

Many thanks for your email, and for letting us know about Other Sam. You don’t need to confirm or deny this, but I’m assuming he did something to us during the Deja Vu recording. I haven’t felt entirely comfortable around you since then, and until now I haven’t been able to find a logical reason why. You mentioned psychic defence techniques in your email, so I take it that there was some kind of mental fuckery involved—perhaps a memory wipe?

I don’t know what he did, and I’m not sure I want to know, but whatever it is, I don’t think it’s good. I would very much appreciate it if I don’t have to work with him.

Best wishes, Siobhan

---

From: Grant O’Brien (@gmail.com) To: Sam Reich (@droput.tv) Subject: Re: Announcements and info

Hey Sam,

I’m already digging up info for a Breaking News segment. There’s someone on reddit called scarfytwin who says they might be able to give us some good info, but I might need to sign a few things first? Looks like it’s tangled up in some British government stuff, which is wild. Sounds juicy, whatever it is, and I reckon it would be good payback…

Best, Grant

---

From: Lou Wilson (@gmail.com) To: Sam Reich (@droput.tv) Subject: Re: Announcements and info

Man, are you telling me that Samuel Dalton was kind of a real fucking thing?? No way. If you let me punch him *hard* one time I’ll go on any show with him.

Cheers, Lou

---

From: Brian David Gilbert (@gmail.com) To: Sam Reich (@droput.tv) Subject: Re: Announcements and info

Hi Sam,

This explains a lot about the weird feelings I’ve been having since Deja Vu! I know something terrible probably happened during that recording, but I’d love to just sit down with Other Sam and have a chat. Do you recommend we just meet in a professional context, or would that be something you’re able to organize?

Thanks, Brian

---

From: Zac Oyama (@gmail.com) To: Sam Reich (@droput.tv) Subject: Re: Announcements and info

Cool.

---

From: Ally Beardsley (@gmail.com) To: Sam Reich (@droput.tv) Subject: Re: Announcements and info

Absolute freak behavior and i love this for you, sign me up for anything!

---

From: Mike Trapp (@gmail.com) To: Sam Reich (@droput.tv) Subject: Re: Announcements and info

Hi Sam,

Huh, that sure explains some things. This will probably be cool in future, but for right now, I think I need to do a bit of processing. I’ll let you know!

Cheers, Trapp

---

From: Vic Michaelis (@gmail.com) To: Sam Reich (@droput.tv) Subject: Re: Announcements and info

Hi Sam,

Intriguing! If you think he’d be up for the prosthetics, I’d love to have either of you on Very Important People next season. Both of you together would be even better!

Vic

---

From: Lily Du (@gmail.com) To: Sam Reich (@droput.tv) Subject: Re: Announcements and info

Hey Sam,

I’ve had a chat to Grant, and I would love to put this guy on Dirty Laundry. Grant says he’ll share what he finds out from the reddit person with me, and we might be able to make a good episode happen.

Cheers, Lily

---

From: Sam Reich (@dropout.tv) To: Other Sam Reich (@dropout.tv) Subject: Fwd: Announcements and info

Well, most people seem to have taken it well! Looks like we’ll be having some fun…

---

From: Other Sam Reich (@dropout.tv) To: Sam Reich (@dropout.tv) Subject: Re: Fwd: Announcements and info

“Not exactly appropriate in a workplace setting”?

---

From: Sam Reich (@dropout.tv) To: Other Sam Reich (@dropout.tv) Subject: Re: Re: Fwd: Announcements and info

We discussed this. You agreed.

---

From: Other Sam Reich (@dropout.tv) To: Sam Reich (@dropout.tv) Subject: Re: Re: Re: Fwd: Announcements and info

I most certainly did not. I said “hm”. “Hm” does not count as agreement.

---

From: Sam Reich (@dropout.tv) To: Other Sam Reich (@dropout.tv) Subject: Re: Re: Re: Re: Fwd: Announcements and info

You do know this is a group of people who I can guarantee, on hearing the word “Master”, would react the exact same way Grant did?

---

From: Other Sam Reich (@dropout.tv) To: Sam Reich (@dropout.tv) Subject: Re: Re: Re: Re: Re: Fwd: Announcements and info

Fine. “Other Sam” it is.

---

missed an installment of the game master cinematic universe?

original idea by @ace-whovian-neuroscientist: x

art by @northernfireart concept: x scissor sisters sketch: x sam and his doppelganger: x escape the death beam: x

by @bloopdydooooo drawing collection: x

writing by me (!) part one (escape the greenroom): x part two (deja vu): x part three (sam says 4): x part four (you think you know someone): x part five (point and counterpoint): x part six (a selection of correspondence): you are here!

#game master #sam reich!master #doctor who #dw #game changer #dropout #the master #i'm not going to character tag other than that bc truly there are so many characters in this with single lines and that'd just be tag spam #also i cannot believe i am writing this but #if you are from dropout. and you stumble across this.#please do not tell me that this isn't how these people email #i know it isn't. but i am playing with these carefully created comic personas like dolls #and the last thing i need is for the real world to intrude on this very silly bit of fun #my god. smh my head.#anyway for those who are missing my usual prose: part 7 is in the works! ft. brian david gilbert #i have 5 hours on a train tomorrow so gdocs will be Open

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bunniekittiee · 11 months ago

Note

Imagine Bi-Han’s S/O and Tomas sharing a strong sibling(in law) bond, they became their other half who enjoyed sharing their one braincell. I just thought it would be funny and that Tomas is fun to get along with.

I can definitely see that! I have written a few headcanons about Bi-Han's s/o and Tomas interacting (like finding the ocelot named Jia), as well as ones with Kuai Liang. I go into their relationship more here, but I am happy to go more in depth with Tomas and Bi-Han's s/o. I just wrote for fem. reader because it was a bit easier that way and I got less tongue-tied, but it can be read from any angle.

Bi-Han's S/O and Tomas' Relationship

Bi-Han's s/o usually keeps him in check when it comes to his brothers, especially Tomas.

She knows that Tomas is mostly targeted by Bi-Han's rage, especially for no reason. So, she does her best to keep Bi-Han's comments to a minimum.

Tomas always shrugs Bi-Han's rude comments off, but he is happy to know that someone else cares and wants to change it.

Kuai Liang steps in, but he definitely does not do it as often.

Only when Bi-Han is being extremely cruel.

Tomas is the brother that is absolutely down to go out and anywhere of her choice. He is just happy to be out and get a break from the Arctika.

He knows that it is their home, but it is never wrong to get a break every once in a while, right?

They tend to go out as often as possible, and sometimes Kuai Liang will join! It just depends, he is a bit of a homebody.

Tomas takes her out to Madame Bo's often and they definitely get special treatment.

Liu Kang's champions were not informed that Bi-Han had married, so they assumed she was Tomas' s/o.

Tomas did get a little embarrassed and had to tell them that she was Bi-Han's wife. And Johnny was in complete shock.

How could anyone marry the Ice King? (hehe)

Sometimes they will get mistaken for being a couple when they are out somewhere, but they learned to just ignore it.

They don't tell Bi-Han just in case he does get angry and puts a stop to their outings.

But Bi-Han trusts Tomas and his s/o, and he knows that his wife deserves a break from the Arctika. It can be endearing sometimes, and he understands this.

However, he knows how stupid they can be, and that's what can worry him a bit.

One time, Tomas had accidentally told a lady congratulations on being pregnant when she wasn't, and he was nearly skinned alive.

Y/N thought it was absolutely hilarious as Tomas was berated and they both had to run in the alley way in order to escape the angry woman.

They both still laugh about it to this day.

"I would have made the same mistake! I really thought she was." She had told Tomas, so he felt less bad.

Tomas does like the chisme, so if Bi-Han's s/o has any info about the champions or people they know, he wants to hear about it.

There have been many late-night tea times when Bi-Han was swamped with work, and they have both stayed up late talking about other people.

Kuai Liang is not a big chismoso like Tomas, but sometimes he will join.

Tomas is down for spa days, and they will both do face care and meditate together.

When dealing with Bi-Han, it is definitely needed.

Tomas has painted her toes before, and he slathered them with nail polish.

It was like a bad art project, and it made a horrific mess.

Her and Tomas both have a habit of finding random animals, more so after they found Jia. Some of them they take in, others they can't because Bi-Han won't allow it.

An ocelot you can tame, but a bear?! He thought they were absolutely out of their minds.

They came across a baby cow one time, and Tomas was run over by its mother.

Bi-Han's s/o was worried about him, but she did fall over laughing after he got up and looked like he had seen a ghost.

"Her udders were in my face!"

That did not help her laughter.

One time, a cockroach scurried near them, and they were both sent into a screaming mess.

Tomas was full on screaming like a girl. Bi-Han was pissed at first until he saw what it was.

Because they interrupted his work, he left them there to wail about the cockroach that was nearing them.

Kuai Liang had to set it free outside for them to calm down.

Bi-Han did not get laid that night.

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simmerianne93 · 19 days ago

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I'm participating in Simblreen 2024

-----------

Hello everyone!! How are you doing???

Yeah, I know... I was MIA again.... and yes, It was still 'cause of my kittens... as I told you last time, they were sick... they were doing better, but sudenly one of the kittens, the younger one, got worse... I really thought i was going to loose her last week, She looked really haggard... it was three intense days of cares untill she gots better...

Fortunatelly, now they trully are doing it good... the younger is in a strict diet and the other kitten is doing good... the mom is also better, she is fully recovered from her surgery!! And I just wish them to not get sick again 'cause it has been a hell of two stressful months.

As you may know, Simblreen is really special to me... this is the third year I'm participating and I'm really sad 'cause I hadn't the time to finish as much packs as I wanted... I was mad last week 'cause i couldn't finish on time but this week I will be participating... I had 16 packs planned but with no time to sit in my pc to work on them, it was imposible... So there will be less gifts this year... I hope you understand.

In the other hand, yes, I have a few comission packs which I haven't delivered yet, I'm working on them as fast as I can to give them to its corresponding owner but although it may sound bold on my part, I ask for patience. I have not forgotten and I am working on them. I don't usually take this long to finish comissions so trust me, I'm really ashamed but the whole situation with the kittens has been unexpected and I need more than 24 hours a day now to catch up with absolutely everything haha.

Now, about the event:

This year I won't be doing a treasure hunt... It was funny last two years, but now I have too much info (and packs) to hide the gifts and the candies can be lost in the void XD haha so, this time I'll be doing a simple knocking door for treat or tricks and you will receive a riddle.... if you answer correctly, I'll be giving the link to the pack.

The event starts tomorrow 25th and ends on the 27th but of course, as always, there will be a limited time to have the gift while my porch light is on. However, after the event is finished, I'll be sharing all the packs [FOR FREE, as it should] in my patreon page... But even if I'm sharing the packs after the event ends, I hope you participate on it... I have being working on them nonstop and I'm excited for you to see all the packs I have prepared.

You can know more about Simblreen here.

----------

BTW here you have a list with my last two years of simblreen gift, in case you want to download them now:

Download them here: 01 - 02 - 03 - 04 - 05 - 06 - 07 - 08V1 - 08V2 - 09

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Download them here: 01 - 02 - 03 - 04 - 05 - 06 - 07V1 - 07V2 - 08V1 - 08V2 - 09 - 10

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And in case you want some more Fantasy theme related, I'll also leave links with all the Fantasy - Action and Reaction poses that I have done to date and that can be used for this spooky season:

Download them here: 01 - 02 - 03 - 04 - 05 - 06 - 07 - 08 - 09V1 - 09V2 - 10V1 - 10V2 - 11 - 12 - 13 - 14 - 15 - 16 - 17 - 18 - 19

Download them here: 01 - 02 - 03 - 04 - 05 - 06 - 07 - 08V1 - 08V2 - 09

Download them here: 01 - 02 - 03

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And now, I have a last gift for you today, so... go HERE to grab it. And I hope you enjoy it.

Thank you so much for been always there, supporting my work!!! I love you, guys... Happy Simblreen!!!

Dag, dag!!

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clarisse0o · 2 months ago

Text

Camp Wiegman-Part 67

Lucy Bronze x Ona Batlle

Alternative Universe: Military School

Words: 6K

Masterlist

———————————————————————

Friday, March 5th; 11:15 PM - On the plane.

"Sweetheart," Lucy whispers to me. "We're about to land."

I groan, sinking into what seems to be her neck, judging by the familiar scent reaching my nose. I’m so comfortable. I don’t want to open my eyes, but I feel like I have to when she alternates between caressing and shaking my thigh. A grumble escapes me, making my girlfriend laugh.

"Come on, sleepyhead. Don't make me take drastic measures."

I can’t help but smile. I missed that nickname.

"I’d like to see you try."

My voice is rough, betraying my six hours of sleep. Lucy runs her hand through my hair, making me hum with satisfaction. Reuniting with her after a week of classes feels so good. I’ve worked so hard that I’m completely drained. I pull back to stretch, and Lucy waits until I’m done to kiss me. I glance to the other side, where Ingrid is still lost in her own world with her headphones on. Either she woke up before me, or she hasn’t moved since takeoff.

"Am I the only one who slept?" I ask.

"Mmhmm," she teases.

I sigh and cuddle back against Lucy. We still have a few minutes left. She kisses the top of my head, making me shiver.

"It feels like ages since I’ve been home."

"A month," Lucy comments.

"It feels longer."

It really does. Ingrid and Mapi had started dating at my place. A little month, and yet so much happiness has been shared since then. I hope it lasts. The plane lands smoothly, and the passengers disembark with a bit of jostling. Shay wasn’t here this time, but I hope to see her on the way back. I liked her. We make our way to the terminal. Hector is picking us up, but I’m not surprised to see Mapi by his side. She rushes into her beloved’s arms, who welcomes her warmly. We take the opportunity to greet my driver, who seems happy to see us again. After picking up our luggage, we head out. I sit up front to give Mapi and Ingrid time to catch up. As for me, I’ll have plenty of time to enjoy the arms of my girlfriend, which I missed so much last night. I sleep much better with her, but I’m not complaining. We have weekends, and not everyone is that lucky.

The ride is short. Mapi's conversations make time fly. Everyone seems full of energy except me, even though I slept. I’m lucky my suitcase is the lightest. I didn’t bring much, following Lucy’s advice. That way, I’ll be able to bring some stuff back to Manchester. Our move is progressing, and it makes me happy. When we arrive at the house, I expect Lucy to greet me, but to my surprise, my mom welcomes us instead.

"Good evening, girls. I hope you had a good trip."

"Hey, Mom. Yeah, it wasn’t too bad."

"Speak for yourself. You slept the whole way," Ingrid mocks, making Mapi laugh.

I glare at her, but Lucy quickly pulls me into her arms to ease my tension.

"Okay, that’s enough."

"Can we go upstairs?" I suggest with a tired sigh.

I’m not in the mood to face everything right now, even though I came to settle many things. Lucy smiles and kisses my forehead.

"Yes, I think we’re all exhausted."

"We’ll chat tomorrow morning over breakfast," my mom agrees.

"You’ll be there?" I ask, surprised.

"I’m on duty for a few hours in the late afternoon tomorrow, but otherwise, I’m free for the weekend. I had some hours to take, so I arranged it because I knew you’d be coming."

"Oh... okay. Do you know if Joan is in my room?"

"I don’t think so. I put him to bed in his own room, and I haven’t heard a peep since. Who knows, maybe he’s changed rooms."

I nod and thank her for the info, though it doesn’t help much. We exchange goodnights before heading upstairs. The girls take their usual room, and Lucy and I go to mine. I don’t turn on the light until I’m sure my brother isn’t there. Surprisingly, he’s really not, but I’m not going to complain. It means I can enjoy Lucy’s company as much as I want.

"I’m going to change," Lucy announces after rummaging through her suitcase.

"Yep. Hurry up."

She winks at me before slipping behind the bathroom door. She acts like she’s at home, and I love it. I quickly change in the dressing room, wearing one of my dad’s old T-shirts. I don’t bother with shorts since the shirt falls almost mid-thigh. Lucy’s seen me in less, and I feel comfortable with her now. It’s not like she’d take advantage of the situation. I’m done by the time she reopens the door. I join her to brush my teeth, admiring her curves highlighted by a tank top and shorts while she finishes the task herself.

"I’m almost done," she says with a mouthful.

"Take your time," I reply with a smile.

She rinses and wipes her mouth, finally giving me space. I quickly brush my teeth and rush to join her in bed, where she’s already lying down. I make sure to turn off all the lights before lying beside her. A satisfied sigh escapes me. I particularly love my bed, especially when I’m sharing it with Lucy.

"For a change, could you hold me tonight?" she asks unexpectedly.

Her request catches me off guard, but I immediately turn toward her and wrap my arms around her.

"You don’t need to ask," I murmur. "Come here."

A few seconds later, I can feel her against me, her breath brushing my chest. My T-shirt had ridden up, but I didn’t mind. Lucy took the opportunity to slip her arms underneath. I wasn’t wearing a bra, but she didn’t push the intimacy.

"I missed you," she whispers.

"I missed you too," I admit. "So much."

I kiss her face repeatedly. She hums little sounds of amusement.

"Good night, my love," I finish, kissing her lips.

"Good night," she mumbles in return. "I love you."

Smiling, I fall asleep without any trouble.

Saturday, March 6th; 9:30 AM - At Ona’s house.

The atmosphere in the house felt strange this morning. When Lucy and I came downstairs, I was surprised to find Marcus in the living room, reading the newspaper, waiting for breakfast. That wasn’t all. Samuel wasn’t in the kitchen today. It was my mom making pancakes, burning her fingers in the process, with Joan. Something had definitely changed.

"Morning," I mumbled.

"Ona!"

"Oh, hey girls. Did you sleep well?"

I hugged my brother as Lucy answered my mom, saying everything was fine.

"Where’s Samuel?" I asked.

"I gave him the weekend off. Marcus and I are here, so we didn’t want to bother him."

"Oh..."

I struggled to hide my disappointment. I would have loved to see him again, just like I miss Lucy so much.

"Can we help with anything?" Lucy offered, noticing my reaction.

"The table isn’t set yet, but don’t worry about it. I’ll do it when I’m done here."

"No, we’ll do it," Lucy insisted. "Will you help me, sweetheart? I don’t know where the silverware is."

I obey without showing my joy. First, I set Joan down after kissing his cheek. Then, I help Lucy find everything and bring it to the dining room.

"She's trying to be nice, so please, don't lose your temper," my girlfriend scolds me when we're alone.

"Something's off. This house has never been this calm and full before," I say, placing the silverware after Lucy set the plates down.

She stops and cups my face, making it impossible for me to look away.

"Stop overthinking."

"You don't know them," I say, raising my voice in a whisper, forcing her to let go. "They’ve never spent a weekend together at home."

"Maybe they talked things out. Didn’t you say things weren’t going well with Joan?"

"Hmm," I respond uncertainly. "Usually, when things seem this way, something bad is about to happen."

She sighs, offering a small smile.

"Nothing will happen today if you just relax. I'm here, okay? And I always will be. Just stop expecting the worst in this house."

I sigh and nod, struggling to believe her, but I’ll trust her for now. Mapi and Ingrid interrupt us at that moment, and then my mother enters with a huge plate of pancakes. The girls look happy and it’s nice to see. We sit down for breakfast. I’m having a hard time enjoying myself, especially since Joan has placed himself between Lucy and me. I notice he seems more cheerful than last week when he stayed with us. Maybe Lucy is right. Conversations start flowing at the table. I don't feel like joining in, too lost in my thoughts, and Lucy notices. When she finishes eating, she lets her hand linger near my neck, a silent reminder of her support, all while sipping her coffee and engaging in the discussion.

"What do you all have planned today?" my mother asks.

"We’re not sure yet. Nothing special," Lucy replies.

"But I can tell you we won't be here tonight," I say calmly.

"Yeah, it’s going to be a party!" Mapi adds.

"Really? You’re going out? Where to?" my mother asks excitedly.

"Ah, that’s a surprise. It’s our couples' anniversary, so we’re celebrating!" Mapi grins.

"Already? Time flies."

I sigh softly. If Lucy weren’t touching me, I would've gotten up long ago to clear my plate. My mother, sitting next to me at the head of the table, smiles at me timidly, but I don't return it. I feel uncomfortable in this picture-perfect family atmosphere.

"I’d like to take a walk along the beach," I say to Lucy. "It’s been a long time since I’ve been."

"We can go, if you want. The weather looks nice outside, and I haven’t been yet," she replies.

"It’s already warmer than Manchester," I remark.

"You’ll have to get used to it," she teases.

I smile, nodding. It’s the right time to share the news. We haven’t told anyone yet, and while it might seem obvious, it’s good to confirm it.

"I’ve decided to move in with Lucy," I announce bluntly.

"Really?" Ingrid exclaims. "Since when?"

"You two are so secretive, it’s unbelievable," Mapi adds, looking more surprised than anything.

My smile widens despite myself. She really knows how to lighten the mood. I glance at Lucy, who keeps supporting me from where she sits.

"We decided last week."

"Well, the house will stay quiet, then," Marcus comments.

"It’s sudden," my mother adds.

"It was a bit of an impulsive decision," Lucy admits.

"We had a bit of a spat over the gallery’s response," I explain.

"Oh, did you finally get an answer?" my mother asks, surprised. "What did they say?"

"They want to send me to Cardiff. I’m applying elsewhere. We prepared my applications this week, and they were sent yesterday, just before we left."

"But it’s a good opportunity," Marcus remarks.

"I know, but I don’t want to be far from Lucy. I have a meeting with Mr. Fields next Monday. We’ll see how it goes," I shrug. "Either way, my decision is made."

"Let’s wait for the meeting first," my girlfriend interjects. "The decision isn't final yet."

I feel like she still hopes I’ll accept the offer… Or maybe she just wants to reassure my mother and Marcus? Either way, if it’s the first, she’ll have to accept it won’t happen because, for me, it’s already clear.

"Well…" my mother says, getting up from the table.

"You’ll stay for lunch, right? I’m making lasagna."

The girls look at me with starry eyes. I roll mine and end up agreeing to please them. Lasagna, of all things—one of my favorite dishes. At least we’d enjoy the morning here. Everyone pitches in to clear the table first. I'm not sure how it happened, but at one point, I found myself alone with my mother in the kitchen, loading the dishwasher.

"So…" she starts. "Everything’s good with Lucy?"

"Uh, yeah. I think my decision to move in with her says a lot."

"True…"

"And how’s Joan? Is he behaving better?"

I had checked in with her last week to make sure Mapi and Joan had arrived safely. I’d briefly mentioned my concerns, but since it was late in Barcelona, we hadn’t had time to delve deeper into the conversation.

"A little. We’re slowly getting him back on track. Marcus and I have adjusted our schedules so one of us is always around to be with him."

I nod. Lucy was right. That’s already a good step. I didn’t have that privilege. Lucy was the one who took care of me when I got home from school.

"During the day, he’s fine. The main issue is after school. But we can’t always be available; we both have demanding jobs."

"At least he’s seeing you more. What about Sofia and Sam? You’re not planning to let them go, are you?"

"Oh no! They do so much for us that the thought never crossed our minds. Now that we’re around more, we try to give them more time off when it suits them. I think Samuel even went away for the weekend with his boyfriend."

"Okay," I murmur. "That’s good, then."

I turn around when I hear footsteps and feel relieved to see Lucy. Her timing couldn’t have been better. She brings in the last of the dishes. We exchange a smile.

"Need any help here?"

"Oh no, we’re almost done."

"The girls are settled on the couch. Apparently, Joan picked Mulan… The animated one, of course."

I chuckle softly, just imagining Mapi watching a Disney movie. I stop when I realize Lucy is serious.

"Really?"

"Yep. And he’s asking for you, but I bet you guessed that."

I groan, causing my mother to laugh. I hadn’t imagined our morning ending like this, but well, we’re family after all.

"Go ahead. I’ll finish up."

"Thanks."

I put away the last plate before heading off with my girlfriend. She wraps her arm around my shoulders, pulling me close.

"Everything okay?" she asks, kissing my temple.

"Let’s say it is…" I exhale.

"Did she tell you what she wanted to?"

I frown, realizing I’d completely forgotten about that in the middle of everything. She had insisted on sharing some big news.

"No. I forgot all about it. We talked about Joan instead."

"You’ll tell me later," she says as we enter the living room.

The couch has been pulled out into a bed. Our friends are already lying on one side, with my brother in the middle. His face lights up when he sees us.

"Can we start?"

"Yeah, just give us a second," I laugh. "Let us settle in."

I sit next to her and snuggle up to Lucy when she joins me. Maybe this moment won’t be as bad as I thought. My brother starts the movie, but honestly, I don’t pay much attention. I’m too focused on the soothing touch of my girlfriend. It’s so comforting and relaxing.

Saturday, March 6th, 6:30 PM – At Ona’s Place

I’m nervous. I look at myself in the mirror one more time. I think I look beautiful, wearing a dress and heels. I hope Lucy finds me beautiful too. I’m not used to seeing myself like this, even less with Mapi, who’s sitting on my bed looking just as stylish.

"Everything will be fine, you know," she teases. "It’s not like this is your first date."

"I know," I murmur. "Do you have the tickets I asked for?"

"Oh yeah, they’re downstairs," she says, standing up.

"Downstairs? What are they doing down there?"

"Well, did you think I’d risk Ingrid finding them? The last thing I needed was her thinking they were for her, and then I’d have to explain everything."

"Hum..."

I take a deep breath. I’m a little scared. I planned to go to the Barcelona theatre for a show. I had fallen in love with it and wanted Lucy to experience our theatre. This was the perfect opportunity. But of course, dinner had to come first. I chose a casual restaurant. I wanted to impress, but not too much. I wanted it to feel like us. We didn’t need anything grandiose—just a moment to share, like we always love.

"Alright, can we go down? I’m sure the girls are already waiting for us."

"Yeah, I think so."

She laughs, patting my back.

"Come on, stop. You’ve already won her heart. Tonight’s just a romantic evening."

She winks at me, and I smile. She’s right. We just need to enjoy ourselves. That’s the theme of this weekend. The afternoon was already amazing by the beach. I loved seeing it again. I missed the scenery, but I can’t complain about where I am now.

"Let’s go. We don’t want to keep them waiting."

The girls got ready in the guest room that Mapi and Ingrid were staying in. Lucy just grabbed her bag and locked herself in there. Now, I’m eager to see her again. We head downstairs quietly. My anxiety returns as we descend the stairs. I hope we’re the first ones down, but of course, we’re not. Ingrid and Lucy are already there, chatting and even laughing with my mom. She looks stunning, just as I expected. She’s wearing a navy blue dress with an open back. The front is held by a strap around her neck. I stand there for a moment, just admiring her. She’s the first to move, walking toward me in her white heels. She takes my hand to help me down the last few steps and plants a kiss on it.

"You look stunning, my love," she murmurs, pulling me into her arms, making me melt completely.

"You’re not too bad yourself."

She laughs softly. I’m tempted to kiss her, but I remember we’re not alone. Mapi has joined Ingrid, and my mom is watching from the side.

"Shall we go?"

"Yes... Did you manage to get the car keys?"

"Of course. Your mom seems to trust me more than she trusts you."

"That’s undeniable," I say, rolling my eyes, making my girlfriend laugh.

"Have a great evening, girls," my mom says as we head outside.

"Thank you."

Outside, I’m surprised to see not one, but two cars. It makes things easier, but I wasn’t expecting it. There’s Hector’s car and my mom’s.

"Well, I guess this is where we part ways," Ingrid says.

It’s at that moment that I take a good look at her. It’s the first time I’ve seen her looking so different. She’s dressed up for a night out as well.

"Yeah," my girlfriend responds. "Have a great evening on your side. See you later, maybe."

As she speaks, she opens the door to my mom’s Jeep. I get in, feeling a bit uneasy. I don’t have great memories in this car, the few times I’ve been in it. It’s what she used to take me to my detox sessions at the hospital, at least when she could. Lucy takes the driver’s seat, and we’re the first to leave. I’m floating on a little cloud, with her hand resting on my thigh. She hums along to the song on the radio, and after a while, I realize she’s driving without me giving her any directions. Then, I remember—I forgot to get the tickets!

"You know!" I exclaim.

She laughs heartily, squeezing my knee in her palm.

"Sorry, baby. I hope you won’t be mad, but I made a small change to your plans."

"W-what? What do you mean?"

She smiles, glancing at me briefly before turning her eyes back to the road, knowing I prefer that.

"Mapi told Ingrid she was panicking because she lost the tickets for what you had planned, and she didn’t dare tell you."

I widen my eyes. Sure, the theatre was important to me, but I wouldn’t have been mad at Mapi for something out of her control.

"Of course, I found out and contacted Mapi. I offered to take over the planning and make it a last-minute surprise for you. So here we are. I hope you won’t be upset that I made that decision."

I exhale softly. I don’t know if I want to be mad at them or not. I was really looking forward to organizing this evening for once, but at the same time, it’s so sweet. I can’t be mad at her for this. She always wants to make me happy.

"I know you wanted to plan this evening yourself... but I just love surprising you. I can’t help it."

What did I just say? I laugh as she brings my hand to her lips. This woman will drive me crazy. I definitely can’t be mad at her.

"You’re not mad, are you?"

"No... So, what have you planned instead?"

"You’ll find out soon enough. Don’t expect anything wild. It’s just us tonight."

We had the same idea—it’s amazing. I smile, feeling at peace.

"I’m already excited then."

We reach the city center, and I recognize the street we’re on. I think I know where we’re going, but I wait until we’re closer to be sure. She must’ve gotten the idea from Mapi. There’s no other way—she doesn’t know anything about my old life, let alone my habits. She parks the car, and with a squeeze on my thigh, I understand I should stay in my seat. She walks around to open my door and offers me her arm.

"Really?" I tease playfully.

"Only the best for my lady," she replies with a mischievous grin as we start walking.

"But tonight was supposed to be my chance to be the gentlewoman. You missed the boat, what a shame."

She laughs and kisses my cheek.

"This night doesn’t belong to anyone in particular. What I mean is, it’s our night—just the two of us."

"You’re right."

I hold onto her arm and rest my head on her shoulder, smiling as I see the Arkadia sign glowing red in the distance. It’s been a while since I’ve been here.

"You know where we’re going, don’t you?"

I laugh a little, taking my eyes off the sign. She must’ve noticed my gaze. I have a lot of memories here, with Mapi and my high school friends. We used to hang out here a lot when Miller didn’t throw a party. I’m eager to see if the place has changed.

"It was obvious the second you drove by here," I admit.

"I’m becoming predictable—that’s not good."

I giggle again, leaning into her a little more.

"Don’t be silly, baby. It was unexpected, really. I was expecting the theatre, so you know."

"The theatre? That was your plan?"

"Mmhmm," I confirm. "With a nice little dinner before, but yeah."

"I didn’t know you liked that."

"It depends on the show. When my dad came back from missions, he’d take me there every time. I loved going because it was our moment, you know?"

"I see," she smiles. "One day, I’ll take you to the one in Porto."

"Are you crazy? The shows there cost an arm and a leg, and they’re not even the best. But I’d love to visit it. »

- Very well, Princess. We'll visit it when we go to Porto then.

I smile as she opens the door for me to enter the restaurant/bar. The décor hasn’t changed one bit over the years. It’s a totally modern style with a central bar and all the tables surrounding it.

- Oh, I can’t believe it... Ona Batlle! It’s been a while!

- Sterling? I’m surprised. Hey.

I awkwardly accept his embrace, which catches me off guard. He’s an old high school friend. We were never particularly close. He was an athlete, and we were always in the same class. We know each other that way, but also from a few parties we attended together thanks to mutual friends.

- How are you? What have you been up to? he asks, stepping back.

- I’m doing pretty well, I say as I feel a hand slide across my back.

I glance at Lucy and give her a soft smile.

- Let me introduce you. Sterling, an old high school classmate. Sterling, this is my girlfriend, Lucy.

- Well, you must be doing really well, he laughs. Hi.

He extends his hand to Lucy. She takes it for a polite handshake but doesn’t say anything.

- Do you still hear from Mapi? he asks. She still comes by here from time to time, unlike you.

- Oh, yes, yes. We see each other regularly when I’m here. I live in Manchester now. And you, what are you doing here? Do you work here?

- Yeah, on weekends. I’m still in college, so I need a bit of cash.

Lucy clears her throat, catching Sterling’s attention. I hold back a smile. She just can’t help herself.

- I’ve reserved a table for two under the name Woods, she announces.

- Oh yeah, sure. Sorry, I didn’t mean to keep you. It’s just been a while since we last saw each other. Come on, I’ll show you to your table.

- Could we get one of the round tables in the back? I ask. That’s my favorite spot.

- Yeah, I think that can be arranged.

He takes us exactly where I wanted. I love these spots because the seating wraps around the table in an arc, and there are walls that go all the way up to the ceiling, shielding us from the other tables. The other side has chairs, but what I love most is how cozy it feels, making the space less noisy.

- Here you go, ladies. I’ll leave you with the menus and be back to check on you.

- Thank you.

I slide onto the bench first, quickly followed by my girlfriend. This way, we sit side by side.

- I can see why you like these seats, Lucy murmurs.

- It’s perfect for tonight, don’t you think?

- Exactly, she says, picking up the menu. We can eat and have a drink here, right?

- We don’t have to stay here the whole night.

- No. This is great for tonight. I even saw a pool table over there...

- Yeah, there’s a pool table here, I giggle. Maybe it’s time for you to give me a private lesson, you being the expert. Maybe I can finally beat your friends.

She laughs and nods.

- That would be an idea, because you’re a walking disaster at pool.

- Hey, that’s not my fault, I pout.

- I never said it was, she teases. So, what do you recommend from the menu?

- Everything, I laugh. No, for real, we could order something to share. Like this dish, look. My friends and I used to get this because it was cheap, and we could split the bill.

- Don’t worry about the price. I’m paying tonight.

- No, I always pay! You could let me pay for once!

- No way, she smiles. Since I planned tonight, I’m going all the way.

- You have a secret stash of money or something?

She laughs heartily at my little joke. I actually wonder how much she earns because she never seems to have any complaints, considering what she owns.

- Nonsense. I’m just well-paid, that’s all. And since I’m still in school, I don’t have daily expenses, so I save a lot. Plus, I got paid for the nights and weekends I worked... thanks to you, by the way, she laughs. So, yeah.

- Well, when you put it like that... Do you pay for your meals?

- No, it’s included in my contract, along with my living expenses for staying in the dorm.

- That’s amazing!

- Not really. It’s a private school. It’s either you or your parents, in your case, who pay for the teachers. Plus, there are partnerships, like with the government. There aren’t many schools like Camp Wiegman.

- Did you know the Putellas and Leah and Alessia families ended up there because of a judge? I ask her.

- Yes, I knew thanks to Ingrid.

- Does everyone confide in you?

- Yes. We don’t let students leave until they’ve talked at least once about why they’re there. We want it to have a freeing effect on them, you know? Not everyone has someone to listen to them.

- That was the case for me, I murmur. But you had to push hard before I opened up.

- That’s true, she laughs. You weren’t easy, but I understand why. It depends on the case... Like Alexia, for example. Within two weeks, we knew why she and her sister were there. Ingrid practically let her go right away. She was a good student and didn’t have any internal struggles.

- That doesn’t surprise me. She’s always been happy and studious.

- She was relieved to be there, you could tell.

- Well, the school brought them stability, and she no longer had to worry about her sister taking care of everything on her own.

- That’s true.

A brief silence falls between us. I close the menu after glancing through it quickly. It hasn’t changed, so I already know what I’m going to order.

- Have you decided?

- Yeah. I’m getting what I always get.

- And what’s that?

- A Margarita cocktail. It’s excellent here.

- Well then, I’ll follow your lead.

The evening goes perfectly. We order quickly, and we talk, laugh, and eat... all while staying close to each other. I wouldn’t trade this night for anything in the world. This was our first night out alone, and I regret that we don’t do it more often. I get to hear numerous anecdotes she shares over drinks and our shared plate.

- I’ve always wanted to travel, she tells me.

- Really?

- Yeah. I think the world hides so many secrets. I’ve never had the chance to go to America, for example.

- I’ve been there once, I confess. When I was little, but honestly, I don’t remember much.

- What country did you visit?

- Cuba, I think, one summer. My mom loves warm places. That’s why she chose Barcelona.

- Cuba, she murmurs. It must be a beautiful country.

- I’d love to visit Argentina one day. I hear everything there is gorgeous.

- That’s true, she agrees, nodding. Egypt too. It must be amazing to see a pyramid. Or New Zealand.

- Oh, and Japan too! I add.

- Japan? she raises an eyebrow. I’m not sure you’d like the weather there, she laughs. You’re always complaining about Manchester, and it probably rains even more there.

- Yeah, well, I’d get used to it. It’s not like a week would kill me.

- Noted, she smiles, popping one of the last fries from the plate into her mouth.

- Oh no, I see what you’re up to! You need to stop getting ahead of my surprise ideas.

- I don’t know what you’re talking about, she replies with a mischievous grin.

- Yeah, right! You’re always one step ahead of me!

- You’re exaggerating.

- No, I giggle. Look at tonight. I had everything planned, and you just flipped it all.

- I didn’t flip anything, she laughs. Maybe you had something special planned that I didn’t know about? she teases me.

I blush, remembering what I had intended to do tonight. Maybe now is the time to make my announcement. Lucy notices my state and smiles gently.

- Oh, so you did have something planned? she teases again.

- Stop it, I giggle, lightly pushing her away. Or I’ll cancel what I was going to do.

Oh, threats now?

She laughs but steps back to give me space. I clear my throat and turn slightly on the bench to face her, trying to show her that this is serious. She doesn't take it that way at all. She looks like she's teasing me, with her head resting on her hand and a small smile on her lips. I can't speak anymore. The apprehension of opening up to her leaves me speechless. But she gives me time. So I watch her, especially her beautiful eyes. From the first day, they had haunted me. I could always relive that moment as if it were yesterday. I was frozen, trapped in that disorienting vision. It was silent, for the first time that evening. I take advantage of it to gently touch her beautiful face, tracing its contours. Lucy says nothing. She lets me rediscover her with her eyes closed. I touch everywhere: her eyebrows, her chin, her nose, her lips... I linger on the latter before kissing her as tenderly as possible. We rediscover each other softly before separating again. There's no trace of amusement on her face anymore. She understands that this is serious. So, I begin.

"I love you," I murmur. "I love you so much... You're the person I've always wanted in my life. You really don’t understand what you mean to me. You make me better... you make me happy. If we ever talk about breaking up, it would never come from me. Because I love you so much. Like I've never loved anyone before. Y-you must be my soulmate. I can’t see it any other way..."

The words are strong, but I had to let them out. I’d been holding it in for too long. My eyes fill with tears. Lucy is in the same state as me. It's the first time I've seen her eyes this watery. She says nothing, though, and panic starts to rise in me. Maybe I went too far, talking about soulmates? But that’s what I feel, and she deserves to know. She, who has waited for me all this time. She, who has accepted me with my character, my flaws, and my mood swings. To be honest, I don't even like myself sometimes.

"Lucy, I-"

"Shhh."

Her fingers brush my lips, encouraging me to stay silent. She replaces them with her lips, starting another kiss. Soft at first, then rougher towards the end. We can't hold back anymore. Our emotions speak for us. We kiss, again and again, barely pausing for breath, closing the gap between us as much as possible. The only regret I have is being in a public place. I have this overwhelming urge to tear off her clothes, to discover this body that belongs to me.

"I-I want you," I whisper against her lips in a moment of euphoria.

My comment breaks the powerful connection between us. We’re both out of breath. She smiles at me before resting her forehead against mine. This moment allows us to come down from our high, eyes closed. I blush, realizing what I just said. When I open my eyes, Lucy is already looking at me. Her eyes are dilated, dark with desire. I’m speechless at the sight. She gently runs her fingers across my face.

"I love you, and I’ll make love to you one day... But definitely not on a whim and certainly not under your mother’s roof."

I burst out laughing despite myself. Tears fall from my eyes at the same time. It's adorable that she can still think of my mom in this situation. She smiles and eventually laughs too when she sees that I can't calm down. This unique moment is so us. It’s reserved, full of love, and sprinkled with joy. My laughter slowly fades. We return to the moment where we're gazing into each other's eyes. I feel silly for being so scared. With Lucy, everything was so simple. She made things feel so easy.

"I love you," I whisper again.

« and I love you," she says with a soft smile.

She knew this was a big step for me. She never even questioned my reasons. That’s admirable of her. I plan to explain it all to her one day.

"I feel like I'm starting a new life with you. It’s like I'm reliving my first times all over again. Maybe not for everything, but for most of it. I know it’s strange, but... I don’t even know how to express it."

"There’s nothing strange about that. You’ve erased your past from your mind, and now you’re starting your life over, so it feels like you’re experiencing everything for the first time again."

I nod. She completely understood what I was trying to say. She takes my hands in hers.

"I would've loved to be your first. I completely understand why you’re anxious, but you don't need to be. You won’t mess up this new chance. I fully intend to be the last person you’ll ever know that intimately."

I throw myself awkwardly into her arms, burying my head in her neck. I’ve never needed to explain much for Lucy to understand me. That’s one of the reasons I love her so much. She kisses the top of my head, holding me as tightly as she can, whispering sweet words to reassure me. Meanwhile, I keep repeating that I love her in what feels like uncontrollable sobs, overwhelmed by all the emotions coursing through me.

#woso #woso community #lucy bronze #ona batlle #barca femeni #woso soccer #lionesses #sefutbol fem #ona batlle x lucy bronze #mapi leon #ingrid engen #mapi and ingrid

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detailtilted · 6 months ago

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In Search of Supernatural Fans from the Early Years

Hi! I’m looking for the legends who originally recorded old Supernatural convention panels featuring Jared or Jensen, or possibly Misha. See "What I'm Looking For" below. If you know one of them, or if you're a member of a community with people who were in the fandom in those early years, I’d greatly appreciate it if you could let them know about this post. I can be reached at [email protected] or here on Tumblr.

If you aren’t familiar with my project, see the “Project Background” section below. This is not a low-effort exercise to merely repackage old videos. I’m putting many hours of work into each video to improve their watchability and accessibility. I will always credit my sources unless you wish to remain anonymous.

Even if your videos are on YouTube, I’m likely to have more success upscaling them if I can get the original video files. Thanks to the videos AgtSpooky kindly sent me, I've learned how big of a difference it can make when I have the original files to work with. That's why I’m putting more effort into finding those elusive original video takers.

The problem is that they all seem to have fallen off the face of the earth. Most of their YouTube accounts, LiveJournal accounts, and whatever other accounts I’ve dug up haven’t had any activity in 10-15 years. I’ve left a few messages on some of them, but I doubt they’ll be seen on dormant accounts. I’ve also gone down some crazy and twisted Googling paths trying to find current contact info for them, but without much success. In one case I even messaged the wrong person, who was at least kind enough to reply to the psycho asking for videos to let me know she wasn't the person I'd hoped she was. Oops!

What I’m Looking For

I’ve already finished CHICON 2007, Comic-Con 2008, and CHICON 2008, so I don’t need videos from those events, but I’d be happy to try to upscale your videos for your own collection if you have some you'd like to send me.

Actually, I could use CHICON 2008 Breakfast videos if you have any. I plan to attempt to redo that video either late this year or early next year.

I’ve been trying especially hard to reach people with original video files from either LA 2009 or Asylum 3 (2009), and I’d also be ecstatic to get some from LA 2008.

Any other old con videos you’re willing to share that have Jared or Jensen in them would be awesome. I hope to get to all the old conventions eventually. I haven’t yet defined “old”, so I don’t have a specific cutoff point.

Even if you just have audio files without video, those could be helpful too.

Length doesn't matter. Both long and short videos are welcome. Maybe I won't end up using them all, but the more options I have the better. Even if I don't put your video in my final edit, it would still be used because I always listen to every single video I can find when I'm finalizing my subtitles. Each video sounds at least a little different, and sometimes just hearing the audio in a slightly different way lets me catch a subtitle I'd missed or misheard.

Also, just to be clear, it isn’t necessarily my intent to exclude Misha. I’ve watched and enjoyed many of his convention videos and I liked Castiel for the most part, especially in the earlier seasons. I’m just not obsessed with Misha like I am with Jared and Jensen, and these videos do take quite a lot of work, so I’ve been putting my energy where my greatest interests lie. I’ll absolutely be including him when he’s in panels with Jared and/or Jensen, and in the future I may consider doing some of his solo panels.

So if you have original video files of Misha's solo panels that you’d like to send me, I’d be happy to add them to my stockpile for future possible use. If your videos turn out to be mostly complete, and if they upscale easily, then I might go ahead and do his panel at the same time I do the other panels from the same convention. If they'll take more effort to work with, I’ll probably skip them for now, but I may come back and tackle them if/when I run out of old Jared and Jensen videos to work with.

For any con videos you send me, regardless of whether I use them or not, I’d be happy to try to upscale them and send them back to you for your collection. I can’t always get things to upscale, so I can’t promise success, but I’ll definitely try.

Project Background - Enhanced Edition Con Videos

You can find my videos on my YouTube channel. (If you're already familiar with my project, skip to the next section -- there's nothing new to see here.)

I started this project in December 2023 to enhance old convention videos. My goal is to make them easier on the eyes and more accessible to both new and old fans from around the world. The videos on YouTube from that time can be difficult both to watch and to understand due to a combination of the older technology used to record them, the difficult recording conditions the fans were working with, and the lack of subtitles that make any sense.

I’m enhancing the videos as follows:

Visual Improvements: I’m upscaling the videos if possible, making color corrections if needed, and adding some slight stabilization to reduce the jitteriness. The end result is far from perfect because there’s only so much that current technology can do, but it's noticeably improved if you compare it to the originals.

Subtitles: I’m adding good, color-coded, English subtitles that can be turned on or off through YouTube’s CC button. The color-coding makes it more clear who's saying what when multiple people are speaking, and YouTube can auto-translate them into other languages to improve the accessibility.

Multiple Sources: If one video has gaps in it, then I'll try to find another that I can edit in to fill those gaps so the end result is as complete as possible. If I have more than one source that captured the same portion of the event, then I'll cut to whichever video I think had the best view of the action. In a few cases I’ve added a split screen with two different videos showing simultaneously so we can see action that's taking place in two separate areas. For example, when Jared and Jensen are on opposite sides of the stage. (There were also the infernal talking head bubbles on my Comic-Con 2008 video which nearly made me throw in the towel, but taught me a lot. 😅)

Extra Content for Context: These older videos don’t take up the full width of a modern video frame, so I’ve taken advantage of the extra space to display some still images with text to add extra context for many of the things they discuss. Some things are a lot funnier, or at least a lot more relevant, when you know exactly what they’re talking about. I clarify Supernatural episode references and pop culture references among other things. Sometimes I’ve also inserted short video clips, usually just a few seconds’ worth, if I thought it would add worthwhile clarity or entertainment to the topic at hand.

Current Project Status

If anyone has been wondering how I’m doing on my current video and what’s next… I’m almost done with the last video from CHICON 2008, which was Jensen’s solo panel. I should be ready to publish it on YouTube this Friday, May 24. I plan to use the same schedule as last time and put the Tumblr post up the following Tuesday when it’s a little more likely to be noticed here.

The next sequential conventions are LA 2009 and Asylum 2009, but I haven’t had much success in my attempts to upscale the available videos. If I were to work with what I have now, I know I could turn out something better than what’s on YouTube today, but the end result wouldn’t be nearly as good as what I might be able to achieve if I can get some original videos to work with. So I think it’s more logical to skip over these conventions for now and give it some time to see if I get any responses, in hope of a better end result.

I do intend to come back to the skipped conventions eventually, even if nobody sends me anything. Once I run out of conventions for which I can upscale the videos, if I still don't have anything better to work with for the ones I skipped, I’ll just do the best I can with what’s available. Even if I can't upscale, I can still do color corrections and stabilization, plus the subtitles and extra content. Some of these panels are split up into a bunch of very short videos, so it would also add value if I can combine them into something more sequential and cohesive. (I found 130 videos from the Jared and/or Jensen panels at LA 2009, and most of them were under 2 minutes long. 🤣) I don’t know if there’s enough footage to cover the entire panels seamlessly, but I’m itching to get my hands on that jigsaw puzzle of videos to try to make sense out of them.

So… the next videos I intend to work on will be from Vancouver 2009. This is one of the conventions that AgtSpooky attended and sent me videos for and they upscaled very well. Her breakfast video had already found its way onto YouTube, but wasn't properly credited. Her main panel videos aren't on YouTube as far as I could find, so that version may be new to newer fans. I'm only just starting to play around with upscaling the other sources out there, but my first attempt at the other main Breakfast source came out well. Both breakfast videos were taken from extreme opposite angles, so that should provide some useful editing opportunities. I’d still love to get more videos of this event if anyone has them.

If you made it this far, I am in awe. Sorry for putting this wall of text on your screen! 😅

#jared padalecki #jensen ackles #misha collins #supernatural #spnfamily #spn family #spn #spnfandom #j2 #jared and jensen #jensen and jared #enhanced edition con video development #spn con #supernatural convention

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oneatlatime · 10 months ago

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The Guru

Happy 2024 everyone and welcome to the first time I managed to type 2024 without first typing 2023! Oh and also a write up of The Guru. That too.

Me too Iroh. Me too.

So Zuko is riding high on that post-crisis 'time to get my life together' buzz that, similar to 3 am life plans, should absolutely not be listened to. Wonder how long before he crashes and burns? There's literally 2 episodes left, so I'm guessing one and a half?

Poor Sokka. My boy's got anxiety.

I don't know if it's a monk thing, an airbender thing, an Avatar thing, or an Aang thing, but I envy his complete lack of nerves.

How is Appa ok with them splitting up for a week after JUST getting them back?

I paused in a funny place. Have bonk-eyed Appa.

I love them comparing heights. What do you want to bet that that guy on the right was one of the youngest allowed to go fight, and Sokka made a big deal about how they're almost the same age and surely that means he can go too, right?

A lot of these Southern Water Tribe people have dreads or braids. That's neat.

Bato's arm is still messed up. That's some good continuity.

I've found the source of Katara's cheek bones. I guess Sokka takes after his mum.

Ok I know this is a really emotional moment (and it is! Sokka's spent two seasons earning this!) but my brain fixated on the furs and briefly thought they were sky bison pelts.

"It's been a difficult week for me." This guy thinks the Kyoshi Warriors are there to provide him therapy. Someone please just crown the bear instead.

He just gave away literally every relevant plot point AND outlined how to make sure all these plot points don't succeed. Crown. The. Bear.

Maybe if these generals spent less time playing with their giant model Earth Kingdom and more time general-ing, the war wouldn't suck so much?

Pretty.

I LOVE LOVE LOVE the designs, the colour palette, the music, the sound design of this air temple. I love everything about it. If I had the chance to live anywhere in the Avatar universe, it would be here. Even in its ruined state it's such a refreshing contrast to the claustrophobia of Ba Sing Se. I can feel the freshness of the breeze through the screen.

"A spiritual brother of your people" an adult perspective on a near extinct culture! What a resource!

"and a personal friend of Monk Gyatso" an old as balls perspective. He's got to be at least 130.

Anthropology cul de sac time: this guy is so valuable as a resource on the Air Nomads. There's probably parts of Air Nomad culture that Aang can't ever accurately talk about, because he was a kid when he left, and there was almost certainly stuff that the adults kept to themselves, or only shared with the older Air Nomads. This Guru doesn't seem to be an Air Nomad himself, but there's a good chance that there is knowledge that he has, that Aang doesn't. Aang should be nerding out more about this. I'll do the nerding out for him.

Aang just breezes right by that Gyatso name drop like it's nothing. Huh.

Oh hey Toph. I'd forgotten she was in a box. Tweedle dum and Tweedle dumber really are quite the pair. What's their plan for keeping her fed and watered? Actually, these guys apparently don't know that maps exist, so it's probably never occurred to them that humans need sustenance. They'll rock up to the Bei Fong estate with corpse Toph and wonder why they aren't getting the reward money.

Mai gets called out in-universe for shopping at Hot Topic.

Ty Lee's buttering up of Azula is getting less and less subtle as the season progresses. It's a testament to Azula's lack of awareness that she's hasn't noticed that, and that Ty Lee can get away with it.

Azula's right that it's an extraordinary opportunity. The King gave them quite literally every piece of info required to overthrow his kingdom in a 25 second conversation. I can't blame her for taking advantage of such an easy win.

That's a very effective unimpressed face. And a very impressive beard.

It's funny to see a spiritual concept from the real world pop up in a show that includes things like bending and giant fish possession. The mention of Chakras kind of sticks out. They couldn't invent a Avatar universe version?

"Once you begin this process, you cannot stop until all seven are open." Well that doesn't feel like foreshadowing at all.

This episode should be called "Aang's self-care Journey." It's about time the kid had a me day that wasn't avoidance-based.

Fear: Losing Katara - makes sense. Losing control of his powers via fish possession - makes sense. The Fire Lord - makes sense. But the Blue Spirit? He helped. Doesn't make sense.

Guilt: Running away - makes sense, although I thought he'd worked through that with Katara in the storm. Nuking that idiot General's base - makes sense, but boy did he quite literally ask for it.

This guru is saying some wonderfully accurate, and realistic, things. I love that he's not taking the Katara route of denying anything is wrong. He's going for the acknowledge, then heal route. And yes, it's unfair of me to compare the emotional maturity of Katara to a century+ old spiritual expert.

I'm going to ruin the immersion here and point out that Sokka's dad's voice actor voiced a bunch of characters in season 1. He's doing an excellent job, but couldn't they get a unique voice for a character that's so important (albeit offscreen) to Sokka?

That's an incredibly roundabout way of avoiding pointing out that the Southern Water Tribe are active participants in a bloody war. Sure, we can show multiple characters with visible scarring from horrific burns, but heaven forbid we imply that the Southern Water Tribe sinks ships. The parameters for what is and isn't appropriate on this show sometimes make no sense.

"Aren't you listening? I said the rest of you men get ready for battle." He hasn't seen his boy in two years, but fifteen minutes in his company and he knows exactly what needs to be said and how. That's some top tier parenting. Dad of the year. Dad of the century. Only decent Dad in this show that isn't technically an uncle.

"Follow your passion Zuko, and life will reward you." Great advice for your eight year old audience. Also a great way to end up unemployed.

Positive Sokka creeped me out a few episodes ago. Now positive Zuko is freaking me out too.

Pretty.

Back to Chakras! Shame: Burning Katara - makes sense. But that's it? To have the inner peace of mind of a twelve year old who's somehow only ever done one thing that he's ashamed of.

Is there anyone in the earth kingdom who isn't stupid? Once again wondering at the network's standards. Visible burn injuries are fine, but Mai can't say 'Shut up." It's got to be Shush up. Although I do seem to recall of brief time in the early 2000s when Shut Up was treated as a curse on par with Shit or Fuck. Maybe that was just at my school.

Chakras again! Even for a show that often has an A, B, and C plot, this narrative is ping ponging around a bit much.

Grief: nothing major, just a whole nation. Makes a horrific amount of sense. but I don't buy that he can get over grieving the whole world as he knew it by thinking about his crush. That's way too high a pedestal for Katara to be placed on.

Lies: Not accepting he's the Avatar. Interesting that not accepting that he's the Avatar and not accepting that he's a firebender are two different problems.

I see you reusing the opening credits footage. Your blue filters can't fool me.

PRETTY

Illusion: So we're relearning what we learned in The Swamp. Aang's probably the person currently alive least likely to believe in the rigid separation of the nations anyway. This doesn't feel like an illusion he's subject to?

The way this episode dances between its narrative threads is so great. It's all woven in so beautifully. And this makes perfect sense! Toph's spent her life secretly doing things excellently that everyone says are completely beyond her capabilities. Life has taught her that the statement "you are not able to" doesn't apply. Of course immutable laws of bending physics are treated with the same respect as an adult telling the champion of the Earth Rumble that she's can't earthbend beyond breathing exercises. If you told her that humans can't fly, she'd figure out how within the week.

Plot collision incoming.

Interesting that Katara initially recognises Zuko by his voice rather than his scar.

I'm pretty sure that Zuko and Iroh don't know about the whole brainwashing thing, but wouldn't it be hilarious if Zuko introduced himself to Katara as Joo Dee, and his uncle Joo Dee, welcome to the Jasmine Dragon, can I take your order? That would throw Katara into one hell of a moral quandary.

Katara being framed as the solution for Chakra number four comes back to bite Aang, as she's the problem in Chakra number seven. I knew that pedestal was too high.

I've changed my mind. This episode should actually be called "Half a dozen reasons why everyone should just learn to keep their goddamn mouths shut already."

So is anyone going to let Zuko and Iroh know that they're now in immediate danger and need to leave, like, yesterday?

I think the Guru is going for the whole 'if you love them, let them go, and they'll come back to you' thing. Don't cling, in other words. But for the sake of the plot he's suddenly lost his ability to explain Chakras in a way that makes them seem like the logical thing to do. The only clunky bit of this episode so far.

May I introduce you to our Lord and Saviour Toph?

"I am the greatest earthbender in the world." Yes. Yep. Yeah. That's now a quantifiable fact, and it's correct. Look on ye mighty and despair. She's even got Bumi beat.

Earth Tongue Running is a bit wonky looking but it covers a crazy amount of distance.

What's the range on Toph's earth sense? Can she sense what direction Ba Sing Se is?

I hope those two idiots' horse bird is ok.

"You don't know how much this means to me dad." He does. Very much so.

Every word out of this guy's mouth is precision engineered to make Sokka feel like a million bucks and I for one think it's about time someone built him up. Also, seeing this makes me realise how few good parents there are in this show. It's a trope of kids' adventure shows that the parents fundamentally can't be there, but I also think it's a commentary on yet another thing that this war has messed up.

Hey look! Being a man is knowing where you're needed the most, and right now that's in Ba Sing Se, protecting your sister! I love narratives that tie their themes up with a pretty bow on top.

This is Azula laying a trap, right? Which means that Katara squealed to someone about the exact location of Iroh and Zuko's tea shop. Don't like the implications of that.

Photos taken seconds before disaster.

Final Thoughts

This episode was a lot! I mean that in a good way! But I felt a bit like the Maxell Blown Away Guy, the way I kept getting assaulted by yet another plot thread. Don't get me wrong, this isn't a criticism. I think the switching between plot threads and the amount of info in this episode worked 99% of the time. But I'm kind of in awe at the balancing act the writers pulled off and I'm sort of sitting here blinking a bit trying to fit all this stuff in my head. I'm probably going to forget half the stuff I wanted to talk about in this write up, so here goes nothing.

Given the Azula reveal in at the end of last episode, I thought that this would be the episode where the shit hits the fan. I was wrong. I'm glad I was wrong. An episode of set up is required and is nice breathing room, even an episode as busy as this. And I got to leave Ba Sing Se! But this does mean that next episode is going to be calamity after calamity.

Aang and his Chakras: I'm fascinated by this guru. I hope he comes back. That brings the total number of people who were alive before the war started up to three: Aang, Bumi, Guru Patik.

I'm impressed that the run through of the Chakras rarely felt like an info dump. The onion and banana juice thing didn't work for me, but I'm sure it worked for people in the target age bracket. Kids love burp jokes.

So many shows sprinkle in tragic backstories for flavour and then never have them influence the character in the present. It was a nice contrast to see a show take a whole episode to tell Aang "yeah all that sucked. It's ok to feel down about it. Here's how you move forward."

Sokka and his dad: Love it. Love it so much. I love seeing Sokka built up, and he definitely deserves it, but I wonder if this is the reward for a character arc well done, or the set up for a character arc that's about to start? Is his dad's praise his prize for crossing the finish line, or is it so he's built up with farther to fall?

I loved seeing more of the Southern Water Tribe. I loved the fashion. There's a lot of variety in accessories and variations on a few basic elements like those knee guard things. I loved their hairstyles. I loved how cozy and communal that command tent felt. I loved their ships. I wonder how often these guys work out, that they can make loading ramps that are presumably deployed and stashed out of the way frequently, out of whole logs rather than planks. I have a bone to pick with the child-friendly sea mine. But it provides a good set up for a dad joke, so I'll let it slide.

Zuko and Iroh: Of course the one time Zuko is allowed to be in a good place, it's so that he and Iroh both have farther to fall when the inevitable happens. Poor guy just can't catch a break. I'd be mad at Azula for the party crashing that I'm assuming she'll do next episode, but it's been established that Zuko has all nice things taken away from him as soon as he gets them, and I can't blame Azula for being a tool of the universe.

Azula & Long Feng: Azula's acting in Long Feng's prison cell was miles ahead of what Long Feng was doing in front of the Earth King, so I'm wondering if Long Feng has bitten off more than he can chew. Also: conspiring with the enemy to bring down your own city just so you can reinstall yourself as the power behind the throne that will presumably cease to exist as soon as the Fire Nation takes control? That is both treasonous beyond description and an incredible case of shooting yourself in the foot. What's Long Feng's plan here?

Toph and the Dunderheads: it says something about the consistency of Toph's characterisation from her introduction onwards that she breaks the universe this episode and my reaction was "that's neat." It's obviously a huge moment, but of course Toph can do that. Toph can do anything. More importantly, Toph knows that Toph can do anything, so Toph routinely does do anything, especially things she shouldn't be able to do. If you had asked me a few episodes back which character would be most likely to fundamentally redefine bending, I would have said Toph, since she's already fundamentally redefined bending with her earth sense sonar vision.

Also Toph just breaks stuff. Things that come into contact with her cease to function as intended and instead function as Toph requires. Look at the two idiots: both successful business owners, one also a successful hoodwinker of the richest family around. But they come into contact with Toph and their brains take an extended vacation.

Katara & the Generals: this plot was more like an extension of Azula's plot than its own standalone thing. You can't blame her for spilling the news about Zuko and Iroh to someone she honestly thought was Suki. Not much else to say about it, although it's cute that she asks for a table for two at the tea shop. Momo gets a chair!

I like that there's a theme this episode of things going wrong despite the best intentions. No one's acting maliciously here apart from the Antagonists. The Earth King is having an honest chat with people he thought were friends. Sokka vouched for people he honestly thought were the Kyoshi Warriors. Katara shares information about a presumed threat with people she honestly thought were her allies. You can quibble with the wisdom of some of these decisions, but there were all done with good intentions. The best laid plans of mice and men oft go awry and all that. It brings to mind that Star Trek quote about how you can do everything right and still lose. And this set up is going to hit harder when whatever goes wrong next episode happens. And something will go wrong. A few months ago I figured that the Season 2 finale would be a triumph, but all signs are pointing towards a tragedy instead.

This episode was visually stunning, the soundtrack in the Air Temple sections especially was very evocative, and I applaud the minds that could juggle that many plot threads at once without dropping any. This one is definitely going on my rewatch list.

#atla #avatar: the last airbender #avatar the last airbender #the guru

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