#i want to ugly sob

[phoerby]

gay people and their school festivals

[chrisbangs]

Bang Chan Doing That Move

[dollya-robinprotector]

I heard people talking about traces of a new male character beside Sunday in the beta already and high chance it's Screwllum...

PLEASE NOT SO SOON AND ESPECIALLY NOT SO CLOSE TO SUNDAY TTOTT) Please mister I don't have enough resources for both of you so close to each other aaaaaaaaaaaa rolling crying in poverty

[piowasthere]

so like- they might've taken over all my brain capacity

i wanted to give 'em a skirt at first too but the binaryn'tity didn't allow me so just know u've missed out

i would also make their hair blurrily-fluffy(???) as i typically do but it was supposed to be a doodle at first so i did it on the same layer but then it wasn't a doodle and too much struggle to move the layers or blur on the same one so oh well normal fluff 3000 is all u get

[forgetfulmachineart]

[ID: A three page digital comic featuring characters from Jujutsu Kaisen. It only has line art. Page one: Toji's body with a hole in it is half seen before the page fades into three panels of Gojo's crying eyes in decreasing size. The last panel is a chibi Gojo being bit and brought out of crying by the two divine dogs. Page two: Gojo takes a note from one of the dogs' mouths. It says 'Your crying's too loud" and labeled with doodles of Megumi's and Tsumiki's heads. The next three panels is Gojo's expressions with the borders increasingly becoming more expressive and explosive. At first he looks bewildered, then he holds back laughter, then he's tearing up laughing and smiling. The last panel he's hugging one of the dogs while he laughs. Page three: One of the dogs has a note on its head reading "thank you, kids" and the other is trying to lick a letter stuck to its head. The second panel is Tsumiki smiling and patting Megumi's head while saying "Good job, Gumi" The last panel is cartoon styled as they look into the last envelope with large eyes. Tsumiki says "This is our allowance!?!" /End ID]

Do you think Gojo ever felt bad for creating two orphans?

[aka-indulgence]

@llamagoddessofficial HOW DARE YOU MAKE ME FALL IN LOVE WITH (ANOTHER) PURPLE DIFFICULT TO DRAW INHUMAN MAN WITH A SNATCHED WAIST

HE IS SO GORGEOUS, HANDSOME MAN OWAUAUAHEUAAHH I WANT HIM TO STEAL ME

(retaining psychic damage) AUAOEUAEAAUUUGHHHHHH

[makesyouevil]

I love making them play dress up

[twentyfivemiceinatrenchcoat]

suguru geto and his love for the ugly and rotten and unwanted . his desire to know you as you truly are

[mochiitopia]

welp, that's about it so *cracks knuckles*

IS THERE ANYONE THAT WANTS TO BE MUTUALS WITH ME I WANT MORE HETALIA FRIENDS

[wow-an-unfunny-joke]

I’m doing a project on Gulper Eels (aka Pelican Eels, Pelican Gulpers, or Umbrella-mouth Gulpers)

And- these fuckers don’t even look REAL-

A lot of deep sea critters, you see them and you understand Lovecraft’s fear of the ocean

But some of these guys-

LOOK AT HIM! HES SO STUPID LOOKING!

THIS IS MY IDIOT SON WHO I HATE HIS NAME IS BONGWATER AND HE HAS EVERY DISEASE!!!!!!!

[jestroer]

Dash on desktop.... What in god's name has happened... Who did this to you...

[sunnysideasleep]

ruan mei

[miriamladyvoid]

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Worldbuilding and fanfic writing

As I work on my drafts for my future Lies of P fics, something I would like to achieve in my writing is to get a good handle on the social and cultural context in which the game is set in the city of Krat: Belle époque (1871-1914), not only to make the setting feel more real, but also to show how the context affects, influences and conditions the behaviour of the characters in their world. Since it is a fictional alternate world that obviously collects elements of that time and different places in old Europe (in addition to the fantasy elements and steampunk aesthetics), I always had a little doubt about how much the environment culturally and socially influences the condition of the people. Obviously, the game developers pay a lot of attention to the details and setting of the city in terms of fashion, architecture, technology, music, etc. But I still have more doubts, especially about how the city was socially and culturally before and after the disasters we already know happened.

1.-Is there a single idiom or slang in the language? 2.-Were social labels very strict or were creative liberties taken to make them less rigid in Krat? 3.-How pronounced was the social structure and inequalities? 4.-Are there political tensions? 5.-Is there strong censorship and cultural control? 6.-Were there social movements and struggles, especially with the industrialisation of puppetry? 7.-Are there myths and legends that use elements of European folklore? 8.-How strong or cautious were the scientific and medical ethics? (cough, cough, Geppetto, Simon) 9.-Will there be a future equivalent to the First World War? 10.-Will there be conflicts between the traditional and the future modernity? 11.-How will modernisation progress in Krat when the frenzy is over? (I have the basic idea that the game obviously starts in 1871, but when the city slowly resurfaces, it will progress until the early 1900s).

I don't know, it's these issues that always come up when I'm trying to write and, well, they tend to give me a bit of a headache about how to incorporate them. It would be interesting to know more about them, especially how they affect Pinocchio, given that he is someone who has not been raised or conditioned by these social norms, and how his social maladjustment would cause him to step out of the norm. Not to mention the issue of not knowing whether P ends up being a real human or some weird human/puppet mish-mash. I think it would only add to Pinocchio's existential crises, but now add a social inadequacy and a VERY likely rejection of his person and what he represents (poor guy can't catch a break).

It would be interesting to read this topic in more fanfics (especially in lop x reader scenarios) (and how the reader or an OC helps P with these topics, perhaps creating debates and social criticism) I know many like to write more about action or expand the lore of the game, but I've always been someone who has had a fondness for everyday stories and how they develop and condition individuals. Especially with the character of Pinocchio, the way he builds his individuality and humanity, and the existentialism of his condition, already influenced by his environment.

˚₊‧ Just P Learning about the complexity and beauty of the turbulent human condition and its social implications. ‧₊˚

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[rottenpumpkin13]

If we could forever stay in this innocent moment

[brw]

Hank Pym taught me that there are choices beyond programming! Janet Van Dyne, that there was beauty in the smallest of people. Pietro Maximoff, that if one's father is evil, it does not mean the child must be! Clint Barton, that there is no such thing as a powerless man! And Wanda, my dear Wanda... taught me that even an android can love!

Universe X #X by Alex Ross, written by Jim Krueger and drawn by Dougie Braithwaite

[arkhamsbrat]

sorry to all my lovelies requesting anything abt dick grayson i cannot write for him because i am Literally Him!

dont look at the tags im not writing for him look away