#i think what makes this theory so appealing to me is that it actually feels likely to happen

[therainscene]

Gonna be a bit of a buzzkill here, but: I think what annoys me about Ted's been casually assuming that Mike was dating Will this whole time theories is that they always tend to treat it as a fun outcome.

Like, I get it: Ted's the useless one-dimensional suburban dad who makes bland observations he thinks are insightful quips, and he hasn't had much of a character arc beyond getting dragged along for the ride his more three-dimensional wife is on -- so what is there for him to do, really, other than to delight us with one final, genuinely insightful joke that subverts our expectations but makes perfect sense in hindsight?

But I feel like this would essentially make him one of those "allies" whose egos are more important to them than actually being supportive, and so they make smug jokes about how accepting they are at the expense of their kids' fear of rejection:

"I hate my gay son! Oh, not because he's gay, he's just an asshole." 🤭 "Why are you telling me you're gay? I figured that out years ago. Stop crying and go help your mother with the dishes." 🙄 etc.

It wouldn't be out of character for Ted to do this. I can totally see him doing it! But it's out of character for the show to make light of queer struggles, so I'd expect it to be critical of Ted for doing this.

Often, parents like the ones described above really do mean well, but they just don't know what they're supposed to do other than try to keep treating their kid the same as if they were straight. Lots of parents struggle with that; I'd argue even Joyce does in S3:

Will's clearly experiencing a specifically queer difficulty here -- boys like him aren't allowed to fall in love and he's upset about having to watch straight people openly enjoy things he thinks he'll never have -- and that apparently sails over Joyce's head. She just smiles at her Silly Immature Boy Who Doesn't Get The Appeal Of Sex Yet and drops the topic.

[Edit: To be clear, Joyce knows he's gay and is explicitly showing support for gay love here. She just has a blind spot when it comes to the gay teen experience.]

It's a disappointing change in her approach from the first two seasons, in which she fought her ass off to understand and advocate for his needs, even when communication seemed nigh impossible.

But then, maybe S3 is about granting Will his S2 wish to not be coddled by his mom anymore.

The Jonwill heart-to-heart at the end of S4 is my favourite scene in the whole show, because it's a pitch-perfect demonstration of how to balance closeted queer kids' need for support against their need to handle things on their own terms, all without embarrassing them by showing your hand of Already Knowing.

Maybe you're thinking: didn't Karen do exactly this with Mike all the way back in S1?

[Literally hiding his future beard in his closet during this convo lol 10/10 queer-coding]

Well, no. The point I made in my previous Wheeler analysis still applies: Karen, as of S1, is too prone to trusting dangerous authorities over her own kids -- and so her words ring hollow. She means well, but deep down she's prioritizing her need to feel like a good mother over putting any real effort into figuring out what Mike needs: reassurance that he and his flock of outcast friends will be safe if he's open with her.

The key thing Jonathan gets right is to understand his brother well enough to directly address the underlying fear that's been preventing Will from opening up:

So if Ted's sole contribution to Mike's queer arc ends up being a reveal that he's always known and been too cool to blab to anyone, but also that he did nothing about it other than to smugly wait for Mike to come out...?

...I just think that would feel more tragic than funny.

[hungriesttable]

this post is MY “oh man…this doin numbers”. while I have you all here anyone want to hear my thoughts on Out(interrupted by loud foghorn, signaling the breach of an abnormality)

(for those of you interested in hearing some of my Outis thoughts, check the tags. for those not, go in peace 🙏)

one of my favorite things about Dante Limbus Company is that they achieve a level of what I will call “sogginess” rarely seen in the wild (source material), more commonly seen in captivity (fanfiction)…

The insecurity. The inability to understand that they have a positive impact on others without being told outright. The sad, resigned self-deprecation. “I know it’s the same tired old face for you…but here I am” when you re-select them as an announcer (a line which you are literally incapable of seeing during gameplay). The “you guys only love me for my clock 😞” mentality.

Dante wouldn’t ask, “would you still love me if I were a worm?”, because they’d be afraid of a resounding NO.

Not to say Dante doesn’t have their satisfying moments of asserting themselves as manager, but man. What a creature

[molinaskies]

I rewatched Sonic Twitter Takeover 7 recently and been thinking a lot about this question (this is only part of the answer given) because I had a little epiphany about it.

Obviously these aren’t really ”””canon”””. The lore revelations to be had in these takeovers aren’t supposed to prove any major theories, BUT I like to look at the takeovers as a general guide for how the characters are meant to be perceived at the time of their release.

I remember people reacting to both this takeover and takeover 6 (sonic frontiers) a bit poorly because of how Amy’s feelings for Sonic were downplayed. Given the recent stuff with the Gens remaster, too, this still feels particularly relevant.

Amy’s romantic feelings for Sonic have been downplayed—there’s no denying that—but I don’t think they’re being erased. With the exception of that one clip from takeover 6 (where Amy says she loves Sonic, Tails teases her about it, and Amy backpedals, saying she said “like,” not “love”—very Boom! Amy, btw), Amy’s feelings have still been on prominent display.

However, two things have changed:

1) Amy’s love has matured,

And, more importantly, in my book—

2) Sonic’s response has matured.

In the above clip, Amy states emphatically that Sonic is “her’s” and that she loves him and that he’s perfect, but kind of stumbles over herself once she realizes what she says. Important to note is that she doesn’t take it back at all, meaning that she meant what she said, but probably would have said it differently if she had given it foresight, given the setting they’re in.

This reads to me like Amy is still very confident in her feelings but is making a conscious effort to be less pushy about it—perhaps for Sonic’s sake. However, sometimes it just gets away from her because her love is just so plentiful. It’s cute!

And what makes it even cuter for me is that Sonic is, just, like, totally okay with this?

What does he do when she goofed up and gets flustered about it? He laughs! Short and sweet. He’s very aware of her affection, and he doesn’t mind it at ALL. He loves when he can get reactions out of her (directly or not). It’s in this same takeover that Sonic rags on strawberry shortcake (Amy’s favourite cake flavour) again—specifically to tease her—and he laughs the exact same way, there, too!

(It’s also implied, there, that Sonic gets Amy to chase him, so he seeks out the game just as much as she does.)

Sonic’s response can still read as distinctly neutral on a romantic level, for those who’d prefer that, but objectively it’s a lot more overtly positive. There is no denying that he enjoys her attention.

So, it’s a rebrand. For sure. But I actually find this to be a lot more wholesome? Zainey Amy™️ (when written well and not over-the-top for comedy like in certain games) absolutely has its appeal and deserves its place in canon, but the idea of Amy literally being unable to contain her love for Sonic and her compliments bubbling over is very cute to me. I also find it more powerful and significant because she’s finding her words to express her love instead of just reacting. It’s more thoughtful and reads as more genuine, as a result.

It’s different, but in my opinion, not bad! She’s not boring. She’s still giddy, passionate, loving, and more compassionate than she’s ever been. And Sonic is more accepting (enticed, even) as a result.

[txttletale]

Do you have any thoughts about the general concept of fictional political ideologies?

um not that many. really i feel like there's not really such a thing as a wholly fictional political ideology. as long as your fictional ideology is concerned with things like 'government' and 'laws', then you're just bound to run up against something somenooe in the real world has believed or done at some point unless you're making your alleged ideologues, like, single-issue voters on Wizards with no opinions on the rest of society.

& so i think a lot of writers could stand to just look at actual history and the real positions which people have fervently held, many of which can be more interesting and outlandish than anything you could come up with whole cloth. like, idk, all the fictional settings i can think of with interesting "political worldbuilding" -- fnv, disco elysium, suzerain, the masquerade, teixcalaan, tyranny -- are all interesting primarily by virtue of just, clearly having studied actual political systems and theory from history and writing consciously based on that

& you know, i guess there's also my oft-repeated opinion that Evil Religions and other Badisms are just not very interesting and take me out of a story -- i feel like unless you are portraying an ideology specifically as an insane fringe with a single digit number of members i should be able to understand what aspects of it a relatively normal human being would find appealing or im just not gonna care

[moonstruckme]

id love to request spencer reid with a shy!reader🙈🙈 i love him sm and your work even more!! if this doesn't appeal to you thats all cool i hope you have a great day!!!

Love you <3

Spencer Reid x shy!reader ♡ 1k words

Spencer peers over the top of his cubicle as you type up your report, the mug of coffee he’d brought you still full and no longer steaming. He’s got a hypothesis. 

On Tuesday, he’d brought you a coffee at your desk. It had gone over like most interactions with you; you’d gone a bit red in the face, thanked him profusely, and cradled the mug in your hands like it was the most precious thing in your possession. But when he’d left that night, Spencer had seen the mug sitting on your desk, still full to the brim with dark, cold coffee. He’d brought you another today to see if those results would repeat. He feels a bit guilty for not just talking to you about it, but he’s got a theory and he knows you’d deny it if he asked. So instead, he’s sneaking furtive glances over the top of his cubicle, waiting until enough time has passed to call it. 

“What’re you peeping at?” 

He swivels his chair and Morgan’s leaning his hand on Spencer’s desk all suave-like. Spencer makes a face indicating he should be quiet, but you look up with a quiet “Hm?” and there’s nothing Morgan loves more than exposing him for his schemes. 

“Pretty boy here keeps looking over at your desk,” Morgan says. Spencer turns again, and your cheeks are already getting pinkish. Another thing Morgan loves: bringing attention to you, even though it’s your own personal circle of hell. “I just want to know why.” 

“I’m testing a theory,” Spencer admits. 

Unabashed interest gleams in Morgan’s eye. He quirks an eyebrow. “And what’s that?” 

Spencer tries to convey some apology in his look, and by the wariness in your features you read it. “You don’t actually drink coffee, do you?” 

The response is clear even before you open your mouth. Your eyes drop to the full mug on your desk, shoulders hunching inward sheepishly and face taking on a fire engine-esque hue. 

“I don’t,” you say quietly. And if there wasn’t already enough apology in your tone, you tack on a quick, “Sorry.” 

“No, don’t be sorry,” he says quickly while Morgan looks between you two and the coffee curiously. “That’s what I thought.” 

“Hold up.” Morgan’s eyebrows go up, and you shrink further. “I brought you coffee just the other day. You’re telling me you’re not drinking it?” 

“No,” you murmur. You look as though you fully expect to be shunned for your answer. 

“Then why not say something?” 

Spencer thinks that’s fairly obvious, but he’s not going to answer for you. 

“I just…” You’ve got your hands in your lap now, probably fiddling with something under your desk in that nervous way of yours. Spencer wishes you’d warm up to them. You’re new and green and always so certain you’re doing something wrong, but he wishes he could pull your hands from beneath the desk and soothe them—soothe you—until you were comfortable. “I didn’t want you to think I didn’t appreciate it.” 

He can see Morgan ready to dissent, so Spencer cuts in. 

“Do you just not like coffee?” he asks, trying to stay as far from interrogative as he can for your benefit.

You do seem to relax a bit, pulling your stare from Morgan’s eagerly. “I just can’t do caffeine,” you admit. “It makes me too jumpy.” 

Spencer can’t really imagine you much more skittish than you already are on a daily basis, so he agrees that’s for the best. 

“I have seen you drink it, though.” Morgan’s voice is bemused. “In the break room. You had a cup just the other day.” 

“It was decaf,” you tell him softly. 

“We have decaf?”

“Have you looked on the top shelf of the cabinet?” Spencer asks. “There’s a surprising amount of variety. We have decaf, teas, hot chocolate mix—sometimes even apple cider mix.” 

You nod, starting to look less fidgety. Spencer likes to get you like this when he can. It’s an ongoing project of his. Maybe it’s just that it’s easier to relax when the people around you are relaxed too, but there’s something about setting you at ease in particular that makes his chest feel warm and full. That might be something else to look into. When he has time. 

“Yeah, yeah, the wonders of the top cabinet.” Morgan waves this off, as if he’s ever heard of it before (he hasn’t, Spencer can tell). “All I’m hearing is that you let us bring you coffee for weeks just because you were worried we’d bite your head off if you said something.” 

You grimace, but there’s a bit less tension in you now as you look up at Morgan, thoroughly chastened. “Sorry,” you all but whisper. 

“Fine,” he rolls his eyes good-naturedly, “I forgive you. Decaf only from now on, got it.” 

“Thanks,” you squeak as he turns around, sauntering back to his own desk. Your eyes find Spencer, meeting his for a fraction of a second before dropping to his chin. “Sorry I didn’t drink your coffee.” 

“It’s really fine,” he almost laughs, and the humor in his voice gives you the confidence to lift your eyes to his again. He’s glad for it. “I don’t care, I was just curious why you didn’t like it. And for the record,” he leans closer to the short wall dividing your desks, speaking low, “if there’s anything else like that, you can tell me. I won’t bite your head off the way he does.” He cuts a glance towards Morgan’s desk. You push your lips together, tamping down a smile. Spencer grins too, partly to encourage you and partly because he wants to. 

“Thank you.” Your voice is quiet, a new teasing edge to it that he likes the sound of. “I’ll let you know if anything comes up.” 

“Great.” He reaches over, taking the mug from your desk. “I’m going to go pour this down the drain. Do you want me to grab you a decaf?” You can’t seem to decide between thanks so much and really, you don’t have to, so Spencer brings you one anyway.

[glassrowboat]

Letters For You

Valentine’s Day letters from Anaxa, Aventurine, Gallagher, Jing Yuan, Phainon, Ratio, Reca, Sampo, Sunday

Wrote these for my online friends, so I hope you all have a lovely Valentine’s. Love you all, xoxo

Anaxa

My fellow scholar,

I won't lie and pretend as if I wouldn't rather be spending my time doing something actually worthwhile like studying, but whenever I finally bring myself to put pen to paper in my hectic schedule I find myself unable to use my quill for its intended purpose. I bought it for note taking and truly wished to use it for that purpose, only for me to find myself unable to focus on the words before me as I am stuck thinking of you.

You see, these were originally meant to be notes, so excuse the scribbling at the top. It's all mindless drivel and half-baked theories I'm certain you're already planning to jump at. Your curious mind never rests, just like mine. Which is why I'm so loath to admit that even us scholars need a break.

With that in mind, I ask that you find me at our usual spot to enjoy the current festivities. I'm sure once we're done, it will leave us both refreshed and ready to return to work.

In best regards,

Anaxagoras

Aventurine

Dearest friend,

I already know what you're going to say about the gifts I have left for you. “It's too much or you should save your money on something else, Aven.” To the point I can almost hear the words ringing in my ear in that scolding tone of yours. It's just as bad as the higher ups scolding me for breaking the cornerstone and yet I can't help but want to spoil you.

But I'll be nice. Just this once.

Instead of dinner at another fancy restaurant you'll roll your eyes at, let's just get takeout from your favorite place and we can play dress up with all the clothes I got us. And yes some are for me, too. I'm sure if you dig around a bit you'll find a particular lacy item you and I can both agree has its merits.

Until tonight,

Aventurine

P.S. No overtime. I promise.

Gallagher

Babe,

I'm sure you've already figured out the bag of candy is for you. I even wrapped it up with a neat bow and everything for ya, so I hope you like it. If you want, we can even try making a drink out of a few of them like we did with the cotton candy vodka. Remember that? It was interesting, that's for sure.

We can even have what's left after dinner tonight. I'm cooking. Just for you, too. I was thinking of Clockie Pizza with all those toppings you like, and we could have it at the lounge? I'm sure Dreamjolt Hostelry will have open seats even on Valentine’s Day, knowing how dead the place usually is. I'll even dress up if you want me to. Though it might just be best to put myself in your or Sioban care to choose an outfit. Either way, I'm trusting you here, so don't let me down.

Your man,

Gallagher

Jing Yuan

My darling,

It's a beautiful day out, don't you think? The sky is clear and bright blue, the wind is just right, and the sun as artificial as it might be is perfect for dozing under its shining rays. I even found a record to play a song I remember from days long past. The only thing missing on this perfect day is you. And my work to be done, too.

I take it you're wrapped in endless stacks of paperwork just as I am, aren't you? Even after all the time, they managed to keep you this week. I'm merely lucky I'll have you all to myself once the day ends. The weekend will be ours to enjoy the garden, eat good food, play with our adorable little lion, and each other.

While we may not get Valentine’s Day together between your work and mine, I am happy to make sure we still get to enjoy being together. Besides, choosing only one day to love you when I would rather do so every day for every year you're willing to share with me is far more appealing than showing you appreciation only on special occasions.

Yours,

Jing Yuan

Phainon

My favorite shopkeeper,

Time really does flash by in an instant, huh? It feels like only yesterday that I came to The Holy City with the weight of the prophecy, both bearing a heavy weight on and lifting my shoulders all at once. Back then, I was ready to face the world as a Chrysos Heir alongside the others of golden blood without daring to think anything could stop me. I was going to be the one who takes Nikador's Coreflame, and I'll be the demigod of Strife. It will be a title I wear with honor.

And that is still my intention, mind you, but I've found something else that fills me with just as much conviction as being a hero to the masses. Do I even have to say what it is? It's you.

Ever since we first ran into each other at your shop and you were giving me a side eye (yes, I saw that) at all the questions I was asking about your collection of antiques I knew I would be willing to take a moment to step away from the duty I have sworn to uphold to simply be with you.

So I guess what I'm asking is: will you be my valentine?

Your hero,

Phainon

Ratio

My dear,

Today has already been full of one headache after the next from students deeming fit to load my desk with gifts to dealing with Aventurine texting me about how many roses is “too much.” At this point, all I want to do is go home and fall into your embrace.

Still, I have tests to grade. And from what I've seen of them, it's looking like some of them have finally learned how to pick up a thing or two after I started to use the method you suggested last time. As loath as I am to admit, I never would have thought to have my student role play as great mathematicians from the past to keep them engaged. It worked.

You truly astound me. Always finding new ways to show that creative thinking plays a part in being knowledgeable as well. You put the term genius to shame, my dear.

Sincerely,

Veritas Ratio

Reca

My love interest,

I have met countless actresses and actors who have been praised as if they were Aeons themselves. Looks, skills, the way the camera is naturally drawn to them, why you could name it all! Yet they all pale in comparison to you, my snookums.

No shot is truly complete without your radiance, without your smile, or without just the thought of you lingering in the back of my mind and changing how I see each scene laid out before me. You have changed how I view romance, entirely flipping the genre on its head for me to make something entirely new and unique. You inspired me in a way I never would have thought possible despite all the stories of star-crossed lovers I know. You have simply made me, for lack of a better word, more.

The only thing I could possibly regret about you is not meeting you sooner.

So allow me to make up for all the time we have had apart, my honey bee, by coming to a play with me as my valentine.

Your charming director,

Reca

P.S. I have entrusted the Assistant Director to be in your care today while I am away. She shall take care of you in my stead while I am away, my valentine.

Sampo

Boss,

It's me, your good old buddy, your pal, your bestest guy, Sampo! Now, now, before you go and throw this letter in the trash or worse yet, set my poor heartfelt words on fire, hear me out. I only have the purest intentions for you today, and that is on my honest word as a businessman.

It is Valentine’s Day, after all, and I can't have such a profitable holiday be soured for my favorite customer. That would just hurt my coin purse. So to ensure that doesn't come to pass, I took it upon myself to give you a gift as a show of gratitude for all you've done for me these past few years.

I'm sure you've noticed them by now.

Now, I hope you like the roses I left for you. They have a bit of an extra boom to them if you know what I mean. Just not the bomb kind. Though you do always manage to blow my heart away so who knows, maybe it is.

Your number one guy,

Sampo

P.S. Okay you can light the letter on fire now just know that if you do I'll be left with nothing to do but drink at the bar until I'm crying my eyes out all by my lonesome. Orrrrr…you could join me. I would never complain about getting some time in your delightful company.

Sunday

My dove,

This is my first Valentine’s Day away from Penacony, let alone on the Astral Express with a lover I can call my own.

I find myself still adjusting to the sudden change. There's no one watching my every move and expecting utter perfection from me now but me. I still find myself checking my clothes, assuring my feathers are neat, and shining my halo to the point that it shines in the light of the stars surrounding us. They remind me of just how vast this galaxy truly is. How my past choices were a flicker of a flame to everyone else, but to me, it was my last ditch effort at saving a dying light.

Everything is different now.

I find myself mourning.

Only for you to walk in the room and wash each thought away like the oncoming tide to a cluttered shore just with your gaze and a twitch of your lips. It's like I'm hit with a revelation again: that things do in fact get better.

So please, keep smiling as you always do, my valentine.

All the best,

Sunday

[punksocks]

Astrology Observations: No.25

*just based on my personal observations, only take what resonates

Omg my first degree theory observation was wrong Danial Kwan has moon at 18 degree, a Virgo degree ! (My bad y’all I’m learning). I’ll say that he had to get a hold of his mental health while in Covid and his adult adhd diagnosis and that influenced the writing of everything all at once (Imma learn this lol, more studying must be done)

Ok better degree theory lol, the degree of your Venus and/or mars can show placements you attract. My Venus is at a cancer degree and I’ve dated a l o t of people with Cancer placements (an experience lol)

A guy’s Lilith can show that his sort of femme fatale attraction (type of girl that overstimulates him, makes him feel enamored but is also his weakness.) His Lilith placement can describe this femme in more detail. For Aries, a go getter that takes no shit (I believe @zeldasnotes said Lilith in Aries in a man’s chart is a strong indicator that he’s a feminist and I totally agree.); For Sagittarius she’d be untethered and have a great sense of humor and may be outside of his culture. For Aquarius she’d be idealized as a manic pixie dream girl, like quirky in a way he could never figure out. let me know if you all would like a whole post on this !

Only outer planets (Uranus, Neptune, Pluto) in your 1st can give you an extra ordinary appearance and make you stand out quite a bit.

Your mars conjunct to someone’s sun can make them feel competitive with you. Venus on the other hand can make you put the sun person on a sort of pedestal and can make the relationship feel like you’re a fan of the sun person. Moon to someone’s sun can feel more at home and at ease.

Men with water Venuses seem to be super monogamous or like incapable of monogamy (which is fine lol, but be ethical about it and establish boundaries and don’t cheat yo)

12th house synastry is sticky asl, as soon as you moved on someone just appears on your mind out of nowhere, lotta hidden energy all tied up together; 8th house synastry is really intense but it’s often hard to build something stable out of the intensity. 4th house feels like home, but as someone with Uranus over their 4th, I associate this synastry with being unpredictable and chaotic in familiar way. 5th and 11th house synastry tends to be good long term. 5th house means you feel fun and creative and always excited together. And 11th house will mean that there’s a feeling of friendship underneath the passion that usually sustains the connection imo.

For all of the seriousness associated with Capricorn placements (especially suns) often focus on a lot on whimsy in their creative works, like it’s the outlet for a lot of their hidden optimism (Hayao Miyazaki, Nobuhiko Obayashi the director of Hausu).

Ok ok I know Scorpio risings are known for intense, bedroom eyes and their overwhelming s*x appeal and making suitors flee because they’re so intimidated etc etc… but quietly I think our biggest weapon that people don’t see coming is our sense of humor. (Honest to god I was thinking of how funny Hugh Grant is even though he doesn’t need to be bc he’s been so handsome this whole time lol. He always puts in the effort into that comedic timing) (Also people still think if you’re hot and intense you can’t be funny so it defuses some of the tension pretty well imo)

I feel like Virgo placements always seem to think they feel boring even though they’re like very knowledgeable and compelling in their own right (I’m getting all reflective and remember when like Virgo moons/mars would always ask if they’re being boring or complain about being boring but they tend to be good conversationalists when they allow themselves to analyze things so deeply)

I think cancers are actually the most defensive sign, naturally. I want to say they have this in common with their sister sign bc Capricorns are defensive and don’t like to show “weakness”. But the way that underdeveloped cancers (can) play the victim when scrutinized is different. (Like Capricorns do that earth sign thing where they use their perception to make you feel like you’re wrong, and they want to be seen as the authority not the victim). Where cancer is in your chart could show where you’re especially guarded and trying to protect your sensitivity.

To me Jupiter conjunct south node means you’ll reap benefits of good karma from a past life (or the effects of bad karma will be a lot in this lifetime but I saw this in obama’s chart and it’s a benefic planet so the first thing is what I thought of lol, he’s not a good guy but becoming the first black president of the us seems like a past life power play imo)

[eddiezpaghetti]

Okay, so my experience with Stranger Things is a weird one.

I didn't care when it first came out, started to watch it out of "might as well" in 2020, wasn't interested in it enough to make it past S2, forgot about it outside of going "oh, hey, cool, there's a lesbian in it now, I guess," in S3, got really annoyed when "Running Up That Hill" got popular from it because it was a song I listened to on fucking loop after one of my best friends died in high school and I fully expected its appearance in the show to ignore the whole survivor's guilt theme of the song (and was very happy to learn later that it did the exact opposite of ignoring the lyrics), saw people drawing Eddie, suddenly got a lot more interested, watched just the fourth season like a fucking psychopath because I was seriously only there for Eddie, then got interested enough to start the show over properly, having mostly forgotten what I did watch of the show before.

And let me tell you something from the perspective of someone who started with the complete fourth season, who wasn't there from the start, who wasn't tainted by ship goggles or this internal battle of hope and despair, who wasn't theorizing about what the painting could be or expecting Mike and Will to kiss when Volume 2 happened or rooting for Mike and Eleven's relationship to go down in flames or whatever the fuck. Just someone who went blind into Season 4.

It's really fucking obvious that Will and Mike are gonna be endgame.

Like holy fuck. It's so fucking blatant I don't even know why people are nervous.

No sane fucking person would shoot this scene this way if they wanted the audience to care about El and Mike as a couple. Despite being all blurry in the background, Will's reaction to what's happening here is smackdab in the fucking middle, clearly showing that the important part is what's going through his head here. What he's feeling. It's like the opposite of that scene from Kingdom Hearts II where Sora and Riku reunite and Kairi just fucking vanishes into the aether while it's happening because, despite the fact that she was standing between them when the scene began, she doesn't matter to the scene, so she's just kind of gone when the camera angle changes. Will could have been behind one of their heads, or so far in the distance he blends in with the background, but he's not. He's so obvious that despite being massively blurred out, he's still the first goddamn thing you look at. What, you think that's an accident? You think he's in the middle of this dramatic fucking scene because of a mistake? He basically has a big flashing neon arrow pointing at him with "THIS IS THE POINT" being screamed through a megaphone.

And then this?

They're paired up like they're taking fucking prom pictures. Each one of these pairs is so fucking close to one another and so fucking far from everyone else. It's not, "Oh, they're standing vaguely near each other in a group shot," it's fucking Noah's Ark out here. Again, there's no way to take this as an accident. It's not just a framing issue. If they wanted to make the shot look balanced while still not hiding anyone else behind El, they would have scattered people around much more naturally. Even if they wanted to keep Nancy with Jonathan and Hopper with Joyce, there's so much room on that hill for three people to stand on El's left and three on her right. But they didn't do that. They put Mike and Will together on purpose in the most obvious way possible.

Like I get that coming up with crackpot theories is fun in and of itself and I'm not blaming anyone for having fun. I totally get the appeal of arguing a point and reaching for every stupid little thing to pull into it because it's like a game, okay? I've done that. But if you're trying to actually convince someone (whether it's someone who wants to believe or someone who's pissed at the very idea that Mike and Will could be in love), stay away from blue and yellow lights, stay away from costume design, stay away from the existence of closets in backgrounds. And don't worry about whether Mike's gay or bi when he's in love with Will either way. I'll give you a little tip about persuasion: You're only as strong as your weakest argument. Even if you've got strong stuff in there, too, the person you're trying to convince is going to dismiss anything you say as complete insanity the second you start going on an entire tangent about the shape of a character's fucking pocket.

Sometimes, clothes are just clothes. Sometimes, there's a closet in the background because it helps establish that a character is in a bedroom. Sometimes, blue and yellow are just a couple of colors that look nice together. And sure, it might be set designers and costume designers and cinematographers smirking and winking at the audience from behind the camera. But if the show was just those things, instead of those things in the context of everything else, they wouldn't be saying anything of note.

But this?

This tells a story all on its own. Someone with no context can look at this and automatically assume that each paired person is standing with someone they care about deeply, seeking comfort as they watch some sort of disaster unfold. And yeah, romantic couples usually come in twos, and we live in an amatonormative society, so that's going to be the first association anyone makes seeing a bunch of people paired off.

It's the same reason you look at this

And go, "Oh..."

"Those two are probably a couple."

And I genuinely don't understand how people could have watched S4 Vol. 2 and gotten scared. Because as someone who went in with no investment whatsoever, I just looked at these two--

--and went, "Oh, those two are a couple. Good for them." And I moved on. Shut up about the trees for five seconds and just see the forest for what it is.

Oh, and if you're still nervous? Little thing from a storyteller here: You don't leave a hanging thread like "Will confessed his romantic feelings for Mike by projecting them onto El, but Mike either didn't understand or at least didn't say he understood," without coming back to that later. That's Chekov's gun hanging on the wall, babes. It's gonna fire at some point. If Mike was going to reject Will's feelings, if they weren't relevant, they would have had that discussion in Argyle's van. There'd be no reason to leave you in suspense.

[redcamellia13]

Mitsukou Analysis: Red House Arc

Okay. God, I was not excited for this arc…

*motivational (platonic) KouNene*

Honestly, when I first read this scene I was quite surprised.

Isn’t it sort of odd Kou isn’t super affected by Mitsuba or even Hanako’s disappearance?

Yashiro became a veritable shell of herself, and Akane fell into depression, so to have Kou as his usual smiling self was quite shocking to see.

Woah, woah, can… can we back up a bit Kou? That’s twice now you’ve shown signs of contemplation of killing yourself for your ghost boy friend. (In my opinion, it should be ghost boyfriend, but ya know.)

Wow, so he’s actually considering this. I assumed Kou knew he probably couldn’t die back in the picture perfect world, since it’s supposed to be picture perfect, but he’s genuinely thinking about it.

So. At this point in time, Kou doesn’t know “whether the old Mitsuba is really gone.”

Well, Kou, for better or for worse that’s about to change. Which brings us to the next point of interest:

Right here. Kou has realized, for the first time in (Hanako or Tsukasa’s, I can’t remember) words, “the Mitsuba Sousuke that lived and died in this world is not here anymore.”

I think some subconscious part of Kou’s brain really believed Sousuke was still out there somewhere, and because he only met him very briefly as a human, and still quite shortly as a ghost, he never really processed the fact Sousuke had family that cared about him.

This is divulging into more theory territory than analysis, but why did Sousuke have a picture of the Red House?

His connections with it are nonexistent, and even No. 3 doesn’t know it exists, and is only associated with it because of his relationship with Amane Yugi/Hanako.

This is mostly just context for what’s about to happen next. Aidairo has made it crystal clear the house appeals to your desires.

Ah yes, so of course Mitsuba shows up immediately afterwards, almost as if Aidairo are implying when you say “think of your greatest desires,” Kou’s brain immediately thinks of Mitsuba.

Another interesting thing about these panels, and also the main reason I added it is that this is the first time we’ve seen Kou’s desire to be needed, and be needed specifically by Mitsuba.

“I can’t go on without you Minamoto-Kun. You’re all I have.”

This is saying Kou wants Mitsuba to rely on him and only him, a fact that was already well-established, but confirmation is always nice.

Perhaps this is pulling from Kou’s desires of Hanako being “a run of the mill evil spirit” so he would be easy to exorcise.

However, I believe this is more pulling from Kou’s… suicidal tendencies, and wanting to be with Mitsuba on the other shore.

It might actually be a combo of both.

Actually, this got me thinking for a while. Do Kou and Mitsuba trust each other? Kou certainly doesn’t think so, but do we have examples of them showing mutual trust?

Welp, guys, thats another ding on the “are they a healthy relationship” perspective.

“You know you wanted me to say that.”

My sleep deprived brain cannot even begin to pick out why the hell Mitsuba would say that, but let’s try.

I have a vague feeling it’s because Kou wants Mitsuba to know that he wishes for Mitsuba to know he needs him to need Kou… but why?

Like I said, I am on not a lot of sleep and a lot of caffeine, so I can’t really say. I might come back later with new ideas, but for now this is what you get. (Sorry!)

Kou wants closure from Mitsuba’s death, which is understandable. However, Kou, you might wanna organize your priorities, because a solution for Yashiro’s lifespan isn’t even present, while Mitsuba comes up twice?

*ahem ahem*

🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈

Wow. Real smooth Aidairo. Stopping Kou right before we get an answer as to why Mitsuba (both!) is there, while not being an actual desire.

Yes, I updated my oneshot book- all entries below <3

[hollowed-theory-hall]

What are your thoughts on drarry?

spireasalix asked:

Hi! I just found your blog and find your theories really interesting. I don't know if anyone has asked you before, but what do you think of Draco Malfoy? Do you think he would have a chance with Harry? Could they fall in love or there is too much history between them? Let's make Harry/Draco canon! Hahahaha

Hi, thank you so much! 😊

Since it's a ship/character ask I want to preface that everyone can ship what they want and like whatever characters they want and this is my personal highly subjective opinion.

I'll start with my thoughts on Drarry, as I had an arc there, like, back when I just got into the fandom I really liked the concept of Drarry, so I read some Drarry and didn't like most of what I found back then. That dislike kinda colored Drarry and Draco's character as a whole for me, so it was kinda like: "I can see the appeal on paper, but I don't like it". More recently though I read a lot about canon Drarry from @iamnmbr3 and she honestly got me rethinking my opinion on Draco and Drarry.

As I stand on it now, I'm not invested in Drarry, but I see them occasionally on my dash and sometimes I like what I see. It's the: yeah, I can see it happen, but it's not a pairing I'm passionate about.

Now, to @spireasalix more specific questions.

Draco Malfoy is an interesting character in theory but I don't think it comes across in the books as much as it could. Like, in books 1-5, I find him an annoying spoilt little brat. It can be entertaining when he comes on the page, and I know he'd be whining and dramatic and make a scene. And it makes sense Draco is this way, he's an only child of very rich parents who love him, he looks up to his father like Lucius could do no wrong, but he is lonely and attention-seeking. This need for attention is interesting and is part of why he is so obsessed with Harry. It shows he wants approval and is actually quite insecure under all his pride and mean attitude. He was raised to be a blood-supremacist spoilt jerk, and he does a decent job at being a schoolyard bully without crossing any super major lines.

Younger Draco can be a fun character, he's a problem Harry feels comfortable with because he knows how to deal with him, unlike his other problems (of which he has a lot). I think part of why Harry focuses on Draco as much as he does is because Draco is a predictable problem, one Harry feels he has control over how he wants to deal with him. Which is comforting considering how little control he has over literally every other area of his life.

Then in books 6 and 7, that's when Draco starts actually having his character development, and there are interesting things there, or the potential for them. I love what he goes through, becoming a Death eater only to realize, that: no, he can't really do violence. The constant fear for himself and his family, the torture he most likely goes through, being a prisoner in his own home, like, there is so much potential good angst there but I don't feel like the books really take it as far as it can go.

I recently finished my reread of HBP, and Draco in it was having a crap time, truly. He partially brought it on himself, but he really was thrown into the deep end and he is flailing around to keep his head above water regretting ever asking to leave the kiddie pool (because make no mistake, he asked to be in the grown-ups' pool). And you see how he matures there, going from a spoilt brat to a terrified teen. In one summer he went from the top of his own little world to seeing how powerless he actually is. And, like, out of everyone, the person he apparently confides in is Moaning Myrtle, like, idk, I love that, I think this friendship should be mentioned more. Like, Draco is having a crisis over his family, his worldview, his own worth, being a Death Eater and what it means, and his confidant is the ghost of a muggleborn girl who Tom Riddle, his new master, killed. Like, there are some implications.

I find it fascinating Myrtle says this about Draco:

“No,” said Myrtle defiantly, her voice echoing loudly around the old tiled bathroom. “I mean he’s sensitive, people bully him too, and he feels lonely and hasn’t got anybody to talk to, and he’s not afraid to show his feelings and cry!”

(HBP, 462)

That combined with the fact that Draco doesn't ever really try to harm Harry too badly (@iamnmbr3 wrote many great posts about this). Like, at the beginning of HBP, he has Harry petrified and he just breaks his nose. And this is already after he becomes a Death Eater. He also helps Harry multiple times throughout Deathly Hollows, something that places him and his family at risk.

And, yes, he makes some attempts to kill Dumbledore that harm others (the cursed necklace that hurt Katie Bell and the poison Ron drank) but I think the methods he uses are telling. Draco attempts to kill Dumbledore with methods where he himself is far away from the action. You can say it's due to a Slytherin sense of self-preservation, and that's part of it, I'm sure, but I think the main part of it is that Draco is averse to violence. At the end when he was face to face with Dumbledore he couldn't bring himself to cast the curse. Dumbledore was disarmed and surrounded, there was nothing he could've (or would've) done to hurt Draco, but Draco still hesitated. He couldn't kill him even when his own life and his family's were on the line. Harry also talks about how much Draco is likely hurt from having to torture others on Voldemort's orders in Deathly Hollows, and I think Harry is spot on about it.

If we look at the bullying of younger Draco, he doesn't act out violently. He is the cruel words and insults type, and I remember being honestly surprised he physically hit Harry in HBP because it's not the sort of thing Draco does. So, while Draco as schoolyard bully is mean, he practically is never shown to be physically violent, at least not that I remember. He only starts being more of a physical threat in HBP, and in the cases of Ron and Katie, he does so from a distance in a way he isn't directly involved in the violence.

That being said, while what he goes through is interesting and has plenty of potential and I do like his character, I find him kinda annoying. Like, in my very subjective opinion, I find his whining in the early books incredibly annoying and I find him, even in the later books, kinda underwhelming. Like, I want more out of his character, idk. Like, really, all power to you for liking Draco, he just, unfortunately, doesn't make it into my top Harry Potter characters purely because of personal subjective bias.

Like, for all of Draco being a Slytherin from a long line of Slytherins, he doesn't showcase many Slytherin characteristics (yes, that's something I dislike about his character, go figure 🤷‍♀️). Like, Draco isn't cunning, like, at all. He's smart, I'm not saying he isn't, he gets good and even outstanding grades in various school subjects, and he fixes the vanishing cabinet he knows nothing about on his own. He is skilled and talented magically and he can figure out complex magic on his own, but when it comes to long-term planning or general cunning... yeah, I don't think that's part of Draco's arsenal.

He acts out on useful information on the first opportunity he has, with very little thought about timing or how to best use it and very little forethought in general. In 1st year he gets Harry and Co caught outside after curfew but doesn't think his plan through so he too, is caught out after curfew. And sure, he's 11, but 11-year-old Harry wouldn't have made that mistake, I think (neither would Ron or Hermione). In 3rd year, his plan against Buckbeak and Hagrid was laughable and only worked because Lucius could pull it off. I mean, Draco wasn't even doing a good job at faking an injury compared to Harry who could believably pretend to be the Bloody Baron to scare off Peeves at 11, not to mention lying reliably to McGonagall at 12. In GoF he makes these Potter stinks badges, which are magically impressive (considering they still work 3 years later) but are again, an example of Draco acting on something immediately because that's how he tends to operate. Like how he goes straight to Harry every time he finds something in the Daily Prophet to make fun of.

Even if we look at Draco's later plans, like in HBP, he was mostly trying to buy plans rather than think about how to solve his problem. Because Draco knows how to buy his way out of problems, not think his way out. And while all this does make for an interesting trait for him to have in his rule in the story and he has an invisible arc to break away from this thinking pattern and that does lead him to the vanishing cabinet eventually, it does make me like him less. I'm biased, I can't help it.

His ambition is another thing, I don't know if this is an unpopular opinion, but I don't think Draco is particularly ambitious. Like, he wants to make his parents (especially Lucius) proud, he wants people to like him, and he wants to be popular, sure, but he doesn't have any long-term plans or specific goals in mind. He grew up already having everything, so he doesn't really have any ambitions bigger than that. I'm not saying there needs to be, Harry isn't particularly ambitious either, it's just interesting to me that our poster Slytherin in Harry's year isn't that much of a Slytherin at all.

As I mentioned earlier, Draco also seems to be averse to violence and doesn't have as much of a ruthless streak as his house is usually associated with. Draco, at the end of the day, seems to me like a very sheltered kid who idolized war when he heard about it in stories up until he had to actually take part in it. He is one of the softer characters in the books actually, in my opinion.

While I think he definitely values the traits of house Slytherin as he grew up learning to appreciate them, he doesn't actually possess them, at least, not in abundance. Maybe this is an unpopular opinion, but honestly, I think Draco is more of a Gryffindor than a Slytherin considering he is brave (in the last book especially. I want to note he isn't the same brave as Harry. Draco fears a lot more than Harry does, but when push comes to shove, he keeps going despite his fear. He's more similar to Neville in that regard), bold, and definitely has his personal code of honor and chivalry he acts according to, but I digress.

My personal issue with Draco is the main issue I have with Drarry as a ship, because, like, I can't be actively invested in a ship when I find one of the characters annoying. I have a similar stance on Romione as I have on Drarry. I like Romione well enough, I enjoy the fanart of them I see, but I wouldn't actively search for fics of them. Neither would I write fics where they are the main pairing. In Romione's case, I love Ron but find Hermione kinda annoying, I don't hate her, I don't even dislike her, I actually like her, but she annoys me. Draco is the same way, I like him, but he just gets on my nerves sometimes.

To summarise, I see the appeal of Drarry, and I can see how it could work on paper. I don't think Harry and Draco ever truly hated each other in the books, so, yeah, I think they could get together. They could definitely forgive each other everything, hell, the books practically outright say they forgive each other everything in canon. I think you can build a very compelling love story for them, it's just not a story I'm invested in reading/writing mostly because Draco isn't a character that I'm overly invested in.

[fjskdshzx]

Jealous of what a reader you are. Do you have any tips or routines? I used to be such a reader but I feel like brain rot culture has taken over my ability to pay attention to anything lol

Hi! Yes, I sure do. I struggle with reading.

1. Getting out of the habit of watching reels helped me get out of a major block a year and half ago. Which sucks because my friends love sending funny shit to me but I found that I would just get home from work and scroll mindlessly because my brain was tired after work and I couldn’t think or produce or take in any more information which brings me to my second point:

2. Get to know the rhythms of your brain. There’s times during the day it’s more able to absorb information. For me, that’s before work. For a while I’d wake up at 5-6am so I could get 3-4 hours of me time in where my brain was alert and awake. I found it was more productive to sleep early (since my brain is useless in the evenings) and use that time to actually rest, then wake up early alert and read then.

3. Because I read multiple things at the same time (a tip in itself!) I set timers. 10 minutes on this book, 10 minutes on the next, 10 minutes on the third book. This makes it less daunting and also kind of appeals to my attention span. What I usually find is that the knowledge that I’ll have to switch soon ends up triggering the part of my brain that can deeply focus, it’s sort of like how you get the urge to clean your entire room just when you have to leave the house for work or something. I don’t know what it is or why that’s the case.

4. Is your environment working for you? I find myself more able to focus in certain spaces. Some are too silent, some are too noisy, I like just the right amount of background noise.

5. Reading is a muscle. Just as you mentioned how our attention atrophies when we sit around consuming shortform media online, it strengthens as we continue to exert ourselves in reading a book.

6. It’s silly, but I like to develop imaginary relationships with the author of any text I’m reading, esp. with theory. That makes it more fun and less intimidating. Marx is a father to me— he’s boring and dense, but has important things to say. Lenin is like my cool stylish uncle, Kristeva is my mysterious spinster aunt, Simone de Beauvoir is my sister, Sylvia Plath is my homely best friend who’s jealous of me because I’m hotter than her, but whose writing I envy in return, etc.

7. There is no “right way” to read a book, esp. theory. Start in the middle. Jump to the beginning, skip five pages, read backward, if it’s a good text ultimately it will draw you in and you’ll consume every last bit. Let your curiosity pull you in, reading shouldn’t be punitive and it feels that way often because of how we’ve been taught to approach a book.

8. Don’t be afraid to use resources on the internet to supplement your reading. It’s not cheating to look things up, develop a roadmap, run your understanding by other interpretations of the text.

9. Annotate, but not in a boring way taught in schools. Books should be a source of play and creativity. Write in the margins, talk to your book, use it as a diary. “I’m drunk” is my favorite annotation in a book. Often times my annotations are also just lists of associations my brain makes while reading a sentence or paragraph, and nothing to do with trying to extract deeper meaning from it. You and I could read the same book and have our own universe of associations which influence our experience of the text.

[yourlocalbadgerscales]

I think the most beautiful part of being in the Byler fandom is that you find new analyses all the time, and people come up with new theories and find new things to speculate about all the time, so the first impressions I got of Byler while watching the show are totally different to the way I view Byler now. The first days of being in the fandom I didn’t really know what to think of anything, I mean, I saw some of the queercoding in the show and followed my gut feelings from there. It was obvious to me that Will and Mike liked each other, but there’s wasn’t more to it than that at first.

Since then I’ve read countless mindblowing analyses here on Tumblr, and I’ve learned sm more than I knew before about queercoding in media and cinematography. I took me a while to actually start coming up with my own theories and have my own opinions on things, but when I started doing that I realised how fun it truly was. I rewatched some scenes and interpreted them differently each time, I write long posts where I ranted about my theories and I also had so many questions to share with y’all. Some I’ve come up with the answers to myself later on, some y’all answered for me and I went with the theories I found the most appealing. So many of y’all have influenced me more than you probably realise, but I’ve also learned over time that coming up with your own theories is fine and also really exciting.

Now, when I look back to my first Byler posts, I disagree with about 90% of my beliefs back then. Because that’s the thing: in the Byler fandom you’re introduced to new things all the time. Your opinions vary from time to time and when you look back to what your thoughts were only a few months ago you’ll quickly realise that they’re so very different from your thoughts today. And it makes me so happy, yk? That most of us are so openminded and eager to learn new things. We all have different scenes we think are the biggest Byler proof, we all view scenes differently and we draw different conclusions from Noah’s and Finn’s expressions… we all have different headcannons and we all have our own opinions on Mike’s sexuality. We all have different ideas of how s5 will play out.

It all makes me so very happy, because this fandom truly is *something*… we’re all so creative, we pay attention to things other people don’t, and we’re always here for each other when the doubt kicks in.

I sometimes see people jokingly saying “Maybe Byler endgame is the friends we made along the way”, but yk what? Fuck yeah.

Maybe Byler endgame *is* the friends we made along the way.

[lover-of-mine]

I'm here to argue my case about how Eddie fell first and has in fact been semi-aware of his feelings since season 3 and it's currently dealing with the way he thinks he'll have to be the best man on Buck's wedding. So sit down, buckle up, grab your delusional drink of choice (today I'm drinking my delusional tea lol), and let's go.

Okay, given season 6 information, we know Buck and Eddie are roughly the same age and we know Eddie was pursued by Bobby and Bobby wanted a partner for Buck (unrelated but Bobby so hoped the military guy would balance out Buck and for a while there he ended up with two very impulsive firefighters and he definitely had a few what the hell have I done moments lol) so it's kinda safe to assume that Buck was one of the selling points of the 118 because Buck is a very competent firefighter and they would be on the same shift. So Eddie went in with the expectation of someone his age he could befriend. I'm making some assumptions but the internet tells me the academy takes a year, we know Eddie still doesn't have a permanent childcare plan, so this man is interacting outside of the academy exclusively with his 7 yo, his abuela, and tia for a year, so I think that the idea of having a friend his own age was appealing to him. Especially after the army and Shannon leaving him. So much so that with his sharp edges, you can actually read things like "I'd go lower" or "you're in the wrong light, man" as attempts to create a bond, very awkward I haven't tried to make friends in forever attempts but attempts nonetheless because he's trying to be helpful. Buck is being Buck, but even Eddie says I hear you're a good guy, so dude is trying to understand what's happening, what's setting Buck off, and while he matches Buck's energy after the gym conversation, he actually continues to try and bond with Buck with the thing that actually works and the "you're badass under pressure" that is still another attempt to get through to Buck. I have various theories about the way Eddie keeps trying to start something, the one I like the most and the most painful one is about how Eddie has had the weight of the world on his shoulders forever. And he had to grow up really fast, and then there is Buck annoying him about nicknames and discussing his body fat percentage, and with all that really carefree energy season 1 and beginning of season 2 Buck had that he probably wanted to know what it felt like. But Buck is Buck and Buck also wanted a friend so dude imprinted on Eddie like a baby duck. But Eddie doesn't mind, like before Bobby comes in to say who got the spot on the calendar, Eddie looks amused by Buck not annoyed. But up until now, that's casual. They're coworkers.

Then we have the earthquake. We know Christopher is Eddie's whole world and he's very careful about the people he lets into their life, considering the earthquake happened on Maddie's first day on the floor and she must've had some sort of training before that, it's safe to assume that Eddie didn't mention Chris at the firehouse for at least a few weeks and he is very hesitant to tell Buck about him, but again Buck is Buck and he switches into reassurance mode and that's when Eddie actually lets him in. I actually would love it if we had an explanation as to why Buck drove Eddie to Chris' school after the shift, but it's something that he went from being hesitant to even mention he existed to introducing Buck to him. But then we have the moment Buck becomes his ride-or-die, you imprinted on me but now I'm hanging on to you, with the whole going to the hospital with him because of abuela and also the way that Buck clears Chris staying at the firehouse before Eddie thinks to do it.

This moment right here it's what gets Eddie. He's ready to apologize and justify and he doesn't have to because Buck stepped up to do something simply because he realized Eddie needed help and he could do something about it. Eddie is doing everything alone and he needs help but he doesn't know how or who to ask for it and Buck just steps in and does it before he needs to ask. And then there's Carla. Buck tricks him into showing up and literally hands him the solution to his problems because Buck knows Eddie wouldn't accept it if Buck had said what that was about beforehand, but at no point does Buck make it seem like Eddie is a bad parent for needing help. And I think with the whole thing with his parents trying to take Chris from him, that really does something.

I really like to use the second gif here as a major example of Eddie's heart eyes for Buck, but the first one, when he realizes who Carla is and what she can give him completely changes his demeanor. He was ready to be polite, was probably trying to figure out a way out without saying he was still married, but instead, Buck does something that not only makes Eddie's life easier but makes Christopher's exponentially better. And right then, Eddie is done for. I'm not saying he fell in love with Buck here, I'm just saying right here is when Eddie goes you're stuck with me now dude, and let his guard down with Buck, as much as this Eddie can at least. That's when something starts for him. You can't change my mind on this one. But for now, there's the Shannon of it all, because Eddie does love Shannon but their relationship is beyond complicated. 

But Buck is still constant through Shannon and I think that's important, actually, because Eddie is having trouble trusting Shannon and I feel like having Buck around helps him not go straight to the worst-case scenario all the time. I don't have a point in mentioning this, it's just a clear show of how much Eddie already trusts Buck, but to have Buck go with him to take Chris to see Santa is so wild. Who takes their best friend to see Santa with their kid? Like, what?? But Isn't it interesting that Eddie decides to propose again after Buck asks when is the wedding? I find that fascinating really. Then Shannon dies, Buck almost dies, dude goes into move past it mode but the seed is there. Forever thinking about the wistful shot of Eddie saying almost after Hen says things are back to the way they should be. Something else about the finale it's that it's the first in the list of irrationality moments from Eddie regarding Buck. Eddie is a firefighter, he's objectively stronger than Chimney, so the logical thing to be done is to have Eddie helping lift the truck and Chim treating Buck. But no, at that moment he's a medic who's there to hold Buck's hand. He's just holding Buck's hand. He could've left Buck with Hen and go help lift the truck. But no, he's staying by Buck's side.

But season 3 is when things HAPPEN. We start out strong with the sheer excitement on Eddie's face that Buck is going back to work. Then the way Eddie just hands Christopher over to Buck without a single worry. "Oh, you're falling apart? Here's a kid, he will help" and just goes. We focus a lot on Buck's reaction to them finding Chris because it is what the show wants us to focus, this is the moment Buck looks at Chris and goes "shit I really love that kid" but Eddie looking back at Buck as he holds Chris is interesting. Eddie just went through 30 seconds (actually it's 1 minute 4 seconds from the moment Eddie notices Buck to Eddie having Chris in his arms not that it matters) of the worst possible moments in a parent's life and I guess, since Buck didn't have Chris, and Buck was too shaken to explain what had happened, he assumed Buck lost Chris during the first wave and he's looking back because he's shocked he saved not only himself but Chris from the wave, but from his focus to shift to Buck like that it's interesting. Even more, considering the way he barges into the loft to hand Chris over again. "There's nobody in this world I trust with my son more than you" I'm sorry, there's no platonic explanation for the wording of this, okay? This is a man who looked at his honest to god wife, the mother of his child, and said "I can forgive you, I'm just not sure I can trust you" and trust is always the thing Eddie struggles with. To trust someone with Christopher is Eddie's ultimate show of love because it's what makes sense with his character, he is loyal until it kills him but nothing goes above Christopher. Also, Mr. Kids are signs hands over his own child to someone and I'm not supposed to look at that and go "huh wonder what he's feeling"? And there's the lawsuit of it all. Eddie gets that mad because he misses Buck and has no idea what to do with it. Because he got used to being a priority to Buck and he cannot handle the idea that maybe he's not. He's struggling, Chris is struggling and he needs Buck to do the thing he does where he fixes the problem without Eddie having to ask. But Buck has no real responsibility to Eddie or Chris, you can't really expect your best friend to base his life decisions on what's best for you. But it is the expectation Eddie has. He needs Buck to consider him. He needs Buck to be there for him no matter what. And at this point, when he's screaming at Buck as if they are a divorced couple, he's aware of something. He's definitely aware of something he doesn't want to look too closely at. 

Because being left by Buck leaves him completely off balance. And since Eddie is famous for not dealing with the shit he's feeling, things keep escalating because anger it's easier. Anger he can deal with. But in the end, he just wants Buck back so he forgives him the second he lets Buck speak. Because he wants the Buck that looks right through him, he wants what they have back. And he doesn't hesitate once he does. There are definitely some lingering feelings about how he kept pushing Shannon away and then she died and he "lost" time he could've had if he had let her in after he sought her out, so when Buck apologizes he just goes let's go team and moves on because tomorrow isn't promised to anyone. 

But I think there's something important to take into consideration, that it's Eddie's therapy session. He talks about not feeling anything, good or bad, and the his feelings are boxed thing and how he doesn't know what to do with them and yes, that comes back into play later, but it is important that Eddie doesn't name his feelings and he consistently tries to box them and move past them instead of feeling them, and it gets to a point where he's doing this even to positive things. So he is not looking too closely as to why missing Buck throws him off balance. He's all let's go back to the way things were and they do. Forever seeking for a heterosexual explanation to the kitchen scene in 3x09 but I also do think there are different types of tension between them there. Because while Buck is teasingly trying to get Eddie to admit on what had happened and how Buck's absence was a trigger for Eddie's fight club era in his flirty way of his, Eddie is trying to make him stop talking in a real "man don't make me look at what happened too closely" because he doesn't know what he'll find. Or if he's ready to find it. Considering the whole widower who never processed a big emotion in a healthy way he has going on there. But Buck is a really steady presence in Eddie's life, and Buck does his best to not put them in the lawsuit situation again, he's around, he's helping Eddie with parenting issues and then we have the well.

The well is a pivotal moment. Not just because of the sheer amount of Buck in Eddie's I need to keep fighting montage and the way Buck is acting above the ground, but because of the way Eddie changes his will after that and chooses to hide the fact that he did. Eddie has parents who are more than willing to raise Christopher, he has sisters, he has a lot of blood relatives that he could assign as Chris' guardians if something happens, but he chooses Buck. He chooses a firefighter, who is not only a firefighter, it's also his partner so if Eddie ends up in a life-threatening situation, Buck will probably be there too, so it's not the biggest safeguard. Buck is also single and without kids of his own. He also has known Buck for what? 2 years at that point? Eddie's lawyer probably stared at Eddie in disbelief when Eddie explained the situation. But the real thing about the will is that Eddie doesn't talk about it. Dude had some revelations while under all that mud because the only reason he wouldn't tell Buck is if he couldn't tell Buck without talking about himself. That's the only explanation for why he would hide it. Because Buck would ask why him, why now, like he did when Eddie did finally tell him, but right then Eddie can't shift the focus back to Buck. But there's a very subtle change in the way Eddie acts around Buck after the well. And again, sure, you can play off Eddie's reaction to when Buck wants to do something dangerous as he needs Buck to stay alive, but you can't really apply that logic to the way Eddie acts about Abby. Like, Eddie is petty to girls who want Buck, that's a fact. And Eddie is petty about Abby, but he also gets unsure about his place in Buck's life when he sees Buck's reaction to seeing Abby. And they focus on Eddie there. We get Eddie's reaction to that interaction. That means something.

We get Eddie legit feeling insecure about his place in Buck's life over the fact that Abby is there. And Eddie knows Abby as this entity, the one that got away, the person responsible for Buck being the way he is, because that's the way Abby is talked about, and sure, if I was in Eddie's shoes, only seeing the damage someone did to my best friend and then have them risking their life because of whatever lingering feelings are still there, I would also reserve myself the right to hate them, but it's more than that. Like, the way he backs away from the both of them once Buck goes into protector mode.

"Abby, His fiancée's Abby." *stomps away*. Absolutely insane interactions happen there that paint Buck as still hung up on Abby, even more after the whole thing with Red, but if you look at it with the right lenses, it paints Eddie as jealous of the way Buck is willing to put himself in danger to keep someone who broke him happy.

Every reaction from Eddie in the train wreck feels so calculated to give this idea that he's unsure of his place in Buck's life. His face when he realizes who he's talking to, his hand hovering over Buck's shoulder like he wants to comfort him but doesn't know if he can, the way he looks at Buck after Abby and Sam are in the ambulance. He's completely off balance at the sight of the ghost of Buck's great lost love and I'm supposed to believe that man is just experiencing platonic friendship feelings about his best friend? Come on. 

Season 4 is complicated. Because of the Ana and Taylor of it all. They do have the easy banter, Eddie being someone Buck can rely on during the whole mess with his parents, a few scenes of Buck completely comfortable in Eddie's space and Eddie just moving around him like he's meant to be there, but we know the Ana of it all happens because of external pressure. Eddie thinks he needs to date, so he grabs onto the first woman he can. The way his whole body relaxes when he realizes Christopher is with Buck is actually insane. But even though he's dating, he's holding on to Buck in a way. Absolutely obsessed with how much he hates Taylor. Dude legit looks like he's fantasizing about running her over with the fire engine while watching Buck and Taylor interact making Buck ignore him. 

But then Eddie gets shot. Say whatever the fuck you want Eddie reached for Buck. He thought he was dying. And he reached for Buck.

Eddie's been aware of something he doesn't want to look at too closely since the lawsuit that became harder to ignore after the well that he became fully aware of when he got shot. I know that what we have now says Eddie doesn't remember the shooting but wouldn't it be beautiful if he lied because he can't say what he remembers because everything he remembers is about Buck? The dramatic effect of I'm lying to you because I realized I loved you then but I can't tell you that now? Ugh. Anyway, Eddie got shot, things fell into place when he hit the ground, terrible place to have an oh! moment though. Dude just got shot, he's bleeding out, and the thing he gathers the rest of his energy is to ask if Buck is hurt. Sure, you can look at that as I think I'm dying so one of us has to make it home to Chris, but the possibility of it being an I love you I need to know you're okay before this kills me it's there. But he doesn't die. And when he wakes up Buck tells him it would've been better if he had been shot. You can see it on Eddie's face that he kept rehearsing what he was going to say about the will. Something else is the way that Ali takes Buck home after the truck so it would honestly make sense if Ana took Eddie home but he probably asked Buck to do it. That scene feels like an aborted love confession. "You act like you're expendable but you're wrong" the way he's saying you're not spare parts, you're not less important, you matter so much to me. Eddie knows Buck, he knows Buck associates love with pain. He wouldn't actually say something after he almost died, but it feels like he's working up to something. Sure he needs to break up with Ana, but there's time before he heals and can just, do something about it. But then Taylor fucking Kelly is in his welcome home party. He knew Buck and Taylor were working up to something. He knows Taylor being there means it happened. A violent reminder that Buck is straight (debatable) and doesn't feel the same (also debatable). So back to safety, he goes. 

I need to know who decided that having this particular look when they are literally talking about how Eddie is about to meet Ana's whole family was the way to go.

Also, can you believe Eddie needed Buck's approval to break up with the girlfriend he didn't even want to date anyway?

Season 5 is complicated because of Eddie's PTSD, 5A has a lot of Eddie pulling away because of the way he knew when the dam broke it wouldn't be pretty and he didn't want to take down anyone with him. But even when we see Eddie out of the job, we see him making an effort to include Buck and Taylor so Buck would know that he really did mean the whole "you're stuck with us" thing. I can talk about 5x11 to 5x14 and the implications of it to buddie for days, really, (you can read this for some of those thoughts), but the thing here I guess, it's a lot about how when the box exploded, the feelings are all over the place, Eddie sits back and lets Buck in. He talks about the way he's feeling in a way we don't really see Eddie do all that often and he leans on Buck through his recovery and the process of finding out how to not feel like there's no hope for himself and how to feel comfortable in his own skin again. And it's a lot about Buck and the way Buck is constant. Eddie feels like Buck is this steady presence in his life that can and does help Eddie move forward.

But the thing is, the shooting happened, Eddie realized things, Taylor Kelly (derogatory) happened, Taylor Kelly (derogatory) took herself out of the running, Eddie now has the tools to deal with his own emotions, he's single, Buck's single, they're having dinner with Chris at Buck's loft and Eddie is asking Buck about things Chris kept from him, but Eddie is in a fantasy bubble where he can pretend he has the things he wants without actually asking for anything to change. I mean, post therapy Eddie is better with his feelings, but he's still Eddie. He was in his little I have time bubble. That was violently popped. Because Buck died. And he had to save him. "Do more" is such a desperate thing for a first responder and former combat medic to scream at a team of doctors. He knows they always do the best they can. He did the best he could, but there's only so far he can go. The way he follows the gurney hurts me in so many ways. Some real don't go where I can't follow bullshit.

This is a man who watched Buck almost die multiple times. But this is also a man who never contemplated the possibility of Buck actually dying. The thing that drives me crazy about Eddie and everything surrounding Buck's death is that he can't look at it. He can't take his eyes off him, but once he's out of his sight he can't look at him again. He spends the whole time not looking at Buck. He looks away every time someone mentions it. Even when he's in the room with Chris he's not looking. 3 minutes 17 seconds. Look, this number bothers me. Bobby said they were 3 minutes out from the hospital and that it took 3 minutes to start compressions. So Buck was dead for 6 minutes. The rescue took 3 minutes. And Eddie counted. That's the only explanation for this particular number. He counted how long it took to get Buck to Chim and Hen and in the ambulance ready to go.

But Eddie was living comfortably in his bubble, I don't think he was at peace with it, but I do think he accepted it. But Buck wakes up, Buck seeks him out to help deal with the trauma. They look like a family, they act like a family, maybe it's not hopeless after all. Maybe Buck can feel the same and they can talk about it once Buck is not feeling so raw over his own death. Buck is just there all the time, something like that can't be one-sided, can it? But then Buck pulls the rug from under him. I made a very long post about the cemetery, you can read that one if you want, but the thing about that conversation is that it is a reminder that they are not on the same page. Because Buck throws him off balance again, considering the way Eddie was trying his hardest to be there for Buck just for Buck to say he's getting what he wants from a random woman he met a few days before. And it makes Eddie back away so he won't end up hurting his own feelings more. I think at this point Eddie has accepted the fact that he's going to have to be Buck's best man and is trying to find a way to be okay with it. So he's retreating to familiarity again. It explains why he's trying to recreate what he had with Shannon because he loved Shannon, so maybe if he found that again he wouldn't have to cut Buck off to move on. Because he needs Buck on some level but there is a limit on how much he can take while Buck goes around looking for something he already has.

And yes I talked and talked and talked but why does this mean Eddie fell first? Well, Buck will never figure it out on his own. The thing about Buck is that Buck doesn’t know what healthy love is. He thinks love is work, but in a it’s bleeding himself dry for someone way. He thinks love is pain. Eddie is safety. Eddie is home. He never knew home as a place where he can find love.

This is all for today. If you read this I love you. Also the doc I typed it out says it has over 4.3k words so this is long as fuck congratulations for sticking through it 🩷

[genericpuff]

Are there any things you like about LO? Or is it all shit to you. Personally, I think it could be a great storyline with the right execution, but a lot of the stuff and plot is unnecessary (I.e. Hades being thousands of years older than Kore and making characters fall in love with people they are racist/classist towards 😨😨)

Oh there are LOADS of things that I liked and still enjoy about LO despite all the shit I've thrown at it. I love love LOVE a lot of the older art-

Like, damn, that shit is so charming! I swear I had that Tower 4 panel as my phone background for like, 2 years LOL

Rachel had a really strong understanding of shape language, composition, color theory, and expressive linework in a way that was really appealing and unique at the time, but along the way it was just lost, undoubtedly due to her taking more of a backseat in the character art process and leaving it to her assistants.

That said, there's a lot of... not so charming, too.

I think, on the one hand, there's a lot to appreciate in the old art that shouldn't be rejected as we criticize this series. At the end of the day, as much as we riff on it, many of us did love this series at one point in time, so we shouldn't cringe at what it used to make us feel or pretend like we were ever above it when we were very much lost in it for ages before it went down the tubes.

But there is a lot to be said about the effects of rose-colored glasses, and how LO was never perfect. The reality is that much of Rachel's work is exemplified by the odd beautiful thing that sticks in our memories, but when we actually go back to relive those memories, we find they're all strung together by some not so beautiful stuff that makes us go 'wait what???'

Case in point, with LO we remember beautiful compositions like this:

But then within those same episodes we get:

And it's like oh. Yikes.

Aside from the art, there was also the SA plot as well as the Act of Wrath. The SA plot felt really special to me at the time because I was someone who was once in Persephone's shoes, being pressured into sex that I wasn't ready for but wasn't capable of saying no to. I can appreciate what Rachel was trying to do with that plot, but over time it became clear that she wasn't committed to seeing that plotline through and so I kind of just dropped my expectations for it entirely.

That said, it wasn't the SA plotline that set me off. I had good faith in that one still that it would be addressed eventually. It was the Act of Wrath plotline that did me in. The premise of it was totally my cup of tea in the way of "quirky character has a dark evil backstory!" which is shit that I absolutely LOVE, but then when the "twist" happened that Eris was the one to give her wrath, that was literally when I had my almost "canon event" moment of realizing "wait... I don't think Rachel knows what she's doing." And then it was just all downhill from there. The S2 finale sealed my fate LOL

All that said, as much as my brain is often defaulting to "ew! gross! bad!!!" in all honesty I do still appreciate what LO meant to be back when I still enjoyed it. It meant enough to me that I just couldn't let it the fuck go when it started to go downhill, so much so that I started making my own version of it! And that's something that sets it apart so much more from other comics I really don't like anymore (or comics I never liked to begin with) like Down to Earth, The Kiss Bet, Let's Play, etc. where I really can't even be bothered to think about them let alone talk about them to the extent I do about LO. I may be full of beans when it comes to LO, but I'd still rather be talking about it and all its failings and what it used to mean to me than about any of those other works. I loved it enough to still want it in my life and that's what Rekindled has accomplished for me.

[donamori]

Please indulge me to speak at length about Don Quixote (post Warp Express Intervello)

Unfortunately, this will be riddled with spoilers, however, I'm not necessarily making this post to make any real predictions. I'm mostly just collecting my thoughts, crafting some theories, and talking at length about my thoughts on the upcoming canto, their possible themes, and to gush and wail about my most favoritest sinner ever. If you've finished Murder on the Warp Train then feel free to continue

Alright, end of the most recent Intervello, it was revealed (much to my surprise at least) that Don Quixote, our pride and joy and ever most excellent knight-errant, is in fact a Bloodfiend. A bloodfiend who apparently has their true form suppressed by Rocinante, the shoes Don wears that are named after the steed Don Quixote rides upon in the book.

This new reveal has millions of possibilities forming in my head for the upcoming Canto and here's the gist of what I've kind of formed and gathered from what we know so far in the world of Limbus and Project Moon as a whole, what I personally know about Miguel De Cervantes and his works, and the general thematic ties that are now unfurling within my noggin that I'm trying to spool together in this nice little indulgent post.

Let's start with Miguel De Cervantes:

For those who may not know, Cervantes is the author of Don Quixote, born in 1547, died in 1616. A few important tidbits that I think will be important in the upcoming Canto-

Something that has been known for awhile is that Don's battle sprite does not list her name as Don Quixote but as Miguel. For awhile now I had been wondering if within Don Quixote's Canto we are going to receive some sort of reveal that Don Quixote is actually Miguel De Cervantes. Originally the basis of this theory I had was a quote from Cervantes about how "[he] would not exist without Don Quixote." (Something that was expanded upon in a lecture about Cervantes and Don Quixote that I found on youtube). In fact a large portion of that lecture, which I will link here, contributed to this idea I had built up in my head about the relationship between Miguel and Don.

What this essentially culminates to in my mind is that the Bloodfiend will reveal that they are Miguel, but for some reason or another, they "became" Don Quixote. So, in many loose adaptions of Don Quixote, this connection is typically made. In my personal favorite adaption, The Man of La Mancha, a musical about the book, they present the story of Don Quixote as a play for prisoners after Miguel Cervantes himself is arrested. And who is the man that plays Don? None other than Cervantes himself!

(you should really give it a watch, it's a lovely musical)

Now, within the book of Don Quixote itself, our titular hero sadly perishes at the end. He loses to the Knight of the Mirror (who is actually the Bachelor Sanson Carrasco, a man hired by Don's family to bring him home) and returns home. He then dies in his bed after renouncing the name of Don Quixote and all of his adventures. Saying with much seriousness that he is not Don Quixote, but Alonso Quijana. He leaves money to Sancho and his estate to his niece and then soon passes (after a heartfelt appeal from Sancho to return to adventuring together once more.)

After his death, the book ends with the author who is detailing Don Quixote's history writing this final paragraph-

"For me alone was Don Quixote born, and I for him; it was his to act, mine to write; we two together make but one, notwithstanding and in spite of that pretended Tordesillesque writer who has ventured or would venture with his great, coarse, ill-trimmed ostrich quill to write the achievements of my valiant knight... And I shall remain satisfied, and proud to have been the first who has ever enjoyed the fruit of his writings as fully as he could desire; for my desire has been no other than to deliver over to the detestation of mankind the false and foolish tales of the books of chivalry, which, thanks to that of my true Don Quixote, are even now tottering, and doubtless doomed to fall for ever. Farewell.”

I've paraphrased it a bit, but you get the gist. While the author detailing Don Quixote's history is a fictional author made up by Cervantes, I believe it is a cheeky way of Cervantes to insert himself in the story and express his true feelings here.

Now, with Cervantes and Donqui being one and the same I believe the strong thematic thread tying this all together is one of dreams. It's now known to us this whole time that Don Quixote is in fact, both dream and dreamer. The monster that Don Quixote is sleeps while they allow for their true self to live, ever dreaming. But now that Dream is Ending.

I think we're going to see the 'death' of Don Quixote and some sort of joining of Miguel and Don. I think Miguel wants to keep dreaming. They are a bloodfiend, a horrible monster, one of the more powerful beings that are mentioned in Project Moon's games. But i think that Miguel doesn't want that. I think that Miguel wants to be cured. Something that has never really been done for a bloodfiend, an impossible dream, perhaps?

I think in Don's Canto we're going to see what we see within the book. Miguel/Don's family trying to get him to come back, to stop him, to get him to give up on this silly dream of Knight-Errantry. And I believe Dante will finally be able to help Miguel take the first steps towards realizing this impossible dream.

Some small little thoughts that I've had that i think push this a bit further.

Don Quixote was written by Miguel when he was 50 while he was in prison.

I've been wondering now whether this cell we see Donqui in within her base ego was actually some sort of representation of this. Don Quixote was born while Miguel was locked away. This looming shadow of Rocinante keeping the Sangre De Sancho locked away within this small starry-eyed girl <3

Nothing that I really have any like, evidence for, but based on vibes I think representing the specific sort of Spaniard from this time period as some sort of high class vampire is excellent and really fits thematically as well.

Cervantes has a bunch of quotes about the nature of oneself and death (bloodfiends are undead). Some that I think are quite fitting are :

“A Man Without Honor is Worse than Dead.”

“Take my advice and live for a long, long time. Because the maddest thing a man can do in this life is to let himself die.”

“I know who I am and who I may be, if I choose.”

“When life itself seems lunatic, who knows where madness lies? Perhaps to be too practical is madness. To surrender dreams — this may be madness. Too much sanity may be madness — and maddest of all: to see life as it is, and not as it should be!”

and finally, to conclude this,

“All I know is that while I’m asleep, I’m never afraid, and I have no hopes, no struggles, no glories — and bless the man who invented sleep, a cloak over all human thought, food that drives away hunger, water that banishes thirst, fire that heats up cold, chill that moderates passion, and, finally, universal currency with which all things can be bought, weight and balance that brings the shepherd and the king, the fool and the wise, to the same level. There’s only one bad thing about sleep, as far as I’ve ever heard, and that is that it resembles death, since there’s very little difference between a sleeping man and a corpse.”

If you read this whole thing, thank you for indulging me. I greatly appreciate it.

[genoskissors]

Finally done! Thank you everyone for your patience!

Principal Monokuma’s Room Check!

Trigger Happy Havoc Boys

THH Girls Rooms

There are a few notes throughout to explain some things I thought most would not know (like Japanese traditions) or just to clarify things changed in localization.

Naegi-kun’s Room Edition

Sigh. It’s the private room where a high school boy spends his agonizing nights, even so, what’s with this plainness!? Why don’t you have something more shameful or embarrassing!? Naegi-kun, I’m disappointed in you!

Checkpoints: A: It’s the memo pad I prepared. It would be nice if it had Hope’s Peak Academy’s school emblem on it, to give it a rich feeling.

B: This is the key to the room. It has a key holder with the appropriate name on it. It cannot be bought and is very sophisticated, so improper usage is prohibited!

C: It’s a mock sword that was kept on the display shelf. Even though it was only decoration, it was carefully displayed, so an incident happened. Upupupu.

D: I heard that mysterious curly hair grows in boys’ rooms. An adhesive lint roller is useful for frequent cleaning! I’m so attentive! Note: Don't really know what this means, I think it might be referencing Junko's hair.

Ishimaru-kun’s Room Edition

It’s a room filled with study materials and is well organized, just as one would expect from a serious person like Ishimaru-kun’s room. Hmm~ If you spend all your energy on this, you won’t be able to focus on the killing game!

Checkpoints: A: Dictionaries and reference books are the most exciting when lined up neatly on your desk. Huh? Are you using them properly? Hee~...

B: He irons his uniform every day. Also, the armbands as well, so you know he really likes this things.

C: A New Year’s tradition, Kakizome. I suggest “In early spring, be careful of bears, as they can get ferocious!” Huh? Aren’t you going to start writing?

D: What kind of guy likes to swing around a bamboo sword even though he isn’t part of the kendo club? Do you stand on the ground, put your forehead on it, and spin around to split a watermelon? Note: This is a Japanese game called Suikawari.

Togami-kun’s Room Edition

Genuine rich people tend to seek a more modest sense of luxury rather than those who are nouveau riche. I have no clue how much Togami-kun’s room actually costs. Note: “Nouveau riche” refers to people who become rich themselves and “genuine rich people” refers to people who were born into a rich family, like Byakuya.

Checkpoints: A: It’s a violin or something. Famous ones can be worth billions. That’s more expensive than the famous Chinese medicine, bear bile, which is very pricey, roar! Note: Based on the phrase "violin or something" it's likely a viola. That's just my theory though.

B: There is nothing more difficult than determining the value of a painting. In many cases, collecting these masterpieces is not about appreciating art, but investing in it.

C: Ahaha! A red carpet laid out from the entrance, Togami-kun must be kidding me! That’s what the life of stardom is about!

D: The famous line “I will kill you, without fail!” is what makes Togami’s glasses indispensable! I can’t believe he has 10 of them, that’s quite a thorough preparation!

Oowada-kun’s Room Edition

I believe that biker gangs are a style and a fashion. That’s why it’s necessary for those who call themselves bikers to have an easy-to-understand logo or item that appeals to everyone. Upupu.

Checkpoints: A: These are the big flags put on the back of bikes, aren’t they? I always wonder if they are safe from being blown away by the wind.

B: These are all motorcycle magazines, right? I’m not going to go as far as suggesting philosophy books or economic magazines, but maybe it wouldn’t hurt to open a textbook once in a while?

C: Are you really satisfied with the 5G “ Cypress Stick”? Isn’t the 1500G “Steel Broadsword” the catharsis? Note: I’m pretty sure this is a Dragon Quest reference.

D: This is the colorful banner of Oowada’s gang, “Crazy Diamonds”. Hmm, you’re only really good at difficult kanji.

Kuwata-kun’s Room Edition

Hey, Kuwata-kun, baseball doesn't even have a “ya” character! I know you don't like it, but now that you're at our school, maybe you could try to act like a baseball player, even if it's a front? Note: The Japanese word for baseball, Yakyuu (野球), has a “ya” in it, so I think Monokuma is just saying this to see if Leon will even care enough to react to his statement.

Checkpoints: A: Why do self-proclaimed punk fans like human skulls? A sea bream head has another sea bream inside, right? That's even more favorable! Note: I'm not gonna lie, I have no clue what that second sentence means. I think it relates to the saying “鯛の尾より鰯の頭”, but I still don't know how it correlates.

B: I want CDs and DVDs to come in splendid limited edition packaging, but they don’t fit neatly like this. How troubling.

C: Carrying your guitar case on your back and feeling tired as you walk around town is super cool. There was a time when I thought that way too.

D: In order to stand out and be popular, you need to have vocals. Kuwata-kun's purity is manly in a sense. I would like to hear his beautiful voice. Upupu.

Yamada-kun’s Room Edition

A utopia making the world’s geeks water at the mouth, the pink love nest of Buuko and Yamada-kun. As a despair maniac, I am driven by a desire for a room devoted solely to my hobby. Note: Buuko is Princess Piggles in the localization.

Checkpoints: A: Hey, I’m giving it everything I got to ask this question, is this what Yamada-kun is wearing? Isn’t it self-indulgent to wear it on his 170cm and 155kg body!?

B: “MARTIAL ARTS LADIES”, “This time, I’ll punish you on the mat!”.  I don’t understand why martial arts cosplay makes your heart pound.

C: Some people say these sheets and body pillow are perverted, but the desire for skin contact is neither two-dimensional nor three-dimensional.

D: Three-dimensional objects have a sense of unity because they are equipped with a three-dimensional concept. The shading of light and the convergence of existence are astonishing (The following is omitted). Note: “The following is omitted” is just a way of saying Monokuma kept rambling.

Yasuhiro-kun's Room Edition

Hagakure-kun’s love of fortune-telling is, quite honestly, shady, right? Even though he has all these tools, he still uses intuition to tell fortunes, doesn’t he? So, what in the world are these piles of junk for!?

Checkpoints: A: People with extremely dry skin tend to have a lot of wrinkles on their palms, which makes palm readers cry. It’s hard to even do fortune-telling these days.

B: Fortune-telling cards are great for mysteries and romance. If I sold "Monokuma’s Carefully Made Pure Gold Tarot", maybe I could make a profit. Upupupu.

C: If anything, Hagakure-kun has more of an oriental divination image. When I see tools like this, I want to display them in an alcove or something.

D: Come on! How many times do I have to say this!? When buying fortune-telling goods online, do not cash on delivery! This time, I was the one who paid for it too!

Fujisaki-kun’s Room Edition

Even though he’s the Super High School Level Programmer, Fujisaki-kun actually has a variety of hobbies. That’s good, science... a science student! I want to learn many things from him.

Checkpoints: A: Three monitors and a luxurious-looking executive chair. He looks like a young company president or day trader. A serious side profile would be wonderful!

B: I don’t know what this is, but it looks amazing anyway! It looks like an ancient map or some other geeky item.

C: After people learn how to interact with the romantic hyperspace of the universe, their outlook on life changes drastically. That’s what I thought just now.

D: Tada! There are hand grips on the bed! It makes me tear up to know he was secretly training.