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whentheynameyoujoy · 4 years ago

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So the ATLA Movie Is... Good, Actually?

Just kidding, of course it’s not, it’s so bad it sucked the paint off my walls. But after ten years of people pointing out its glaring flaws, why would anyone bother talking about this garbage heap if not to go the other direction? So here’s a very brief and very superficial list of things the movie does get kinda... not atrociously wrong.

And they won’t be fake hipster pokes, like “It’s fun to laugh at”, “The Rifftrax for this is OK”, or “Kudos to the actress for managing to say we believe in our beliefs as much as they believe in theirs with a straight face”.

(though now that I mentioned it, it is fun to laugh at, the Rifftrax for this is OK, and massive props indeed.)

Rasta Iroh

Yes, I know it’s not exactly the aesthetic of the real Iroh or that it makes no cultural sense for him to sport this do when no one else in the racebended Indian “OMFG what were you thinking Shyamalan” Nation does but goddamn, long-haired dudes are my one mortal weakness and I will ogle the hell out of him.

Jesus is that a man bun I see that’s it mum I’ve been deaded

Yue’s hair

No.

Now we’re talking. Yue’s hair turned white when the Moon spirit gave her life, so it makes sense for it to go black again when she sacrifices herself to revive the koi fish. It’s a neat detail I find myself expecting whenever I rewatch the scene in the show. Yes, I realize it’d be a pointless hassle to animate since she, unlike in the movie, immediately goes on to become the Moon herself but still. I like.

The Blue Spirit’s mop

Zuko, hun, what’s with the dance-off?

First of all, I want to imagine that Zuko the Theatre Nerd was about to leave his ship with just the mask like in the show but then stuck his head into the cleaning cupboard and went, “Yeah, more coverage might be good, even though it do seem mighty fried to shit”.

Which makes me giggle. I like to giggle.

And secondly, the hair’s movement is what makes the static mess of the Blue Spirit’s solo fight scene appear at least bit more dynamic because God knows the cinematography isn’t doing it.

Any particular reason why it’s at the edge of the action, shot all boring-like?

Now, I get why circular shots would be reserved for Aang while he’s in the practice area and then used once the two join forces. What I don’t get is why Aang’s part of the action scene has a defined visual style while Zuko’s delegated to a few stationary wide shots from afar as though he’s a tertiary goon, meaning that when the time comes to combine the respective pieces of cinema language and visually convey collaboration, there’s not really much to combine.

But as long as Zuko is stuck in this static mess, it’s that awesome disaster on his head flopping about that draws the eye, helping me understand that something even is going on over there.

It also prevents me from paying much attention to how the extras are mostly just staying put and a lot of the hits don’t land, so that’s good.

The music slaps

James Newton Howard is too good for this.

youtube

Pls ignore that the word “gods” is used in the ATLA universe

I can’t be the only one who constantly uses this piece to daydream about writing specific fanfic scenes instead of, you know, actually sitting down and writing them. It’s just so good at communicating a sense of sorrow while speaking of rebirth that I find myself getting misty-eyed whenever I listen to it. Unfailingly, the soundtrack as a whole manages to break through the mile-thick crust of horrible acting, confusing writing, and uninspired cinematography and make me feel things. And considering how everything on screen is working against it, that’s no small feat.

Imagine what a powerful experience it would be if the score was used in service of an actual movie.

Dev Patel

No wonder since he’s the only one in the film occupying that crucial intersection between “is a good actor” and “was given something to work with”. It also doesn’t hurt that he breaks with the trend of actors starring in martial arts flicks despite never having done any martial art.

And all EIP-jokes about “stiff and humorless” aside, he’s a pretty decent Zuko considering how abridged this version of the character is. A while ago, I remember hearing a reviewer say that with his comedic chops, Patel should have been cast as Sokka. And on one hand, yes, god, absolutely, I need to see that asap. But on the other? He captures all layers of Book 1!Zuko, the desperate obsession, rage, and self-loathing, and at the same time gives you a peek at the soft momma’s boy dork that’s buried underneath. For Christ sakes, he exudes intensity and ambivalence even when acting against an emotionless hunk of wood that’s giving him nothing in return.

Oh, and I guess there’s a tree in the frame.

Ba dum tss

What can I say, the guy’s good.

Showing vs telling

OK, so this movie is all tell and no show, except for one single moment. And it’s the exact moment where the original goes in the other direction in terms of how information is conveyed.

See, I never liked this. The revelation is preceded by Iroh giving advice to Zuko who scolds him for nagging. Iroh then apologizes, moves in to say the line above, and is interrupted by Zuko who seems rather uncomfortable with Iroh laying his feelings out like this. And once they’re out, Zuko verbally confirms that he knew already and Iroh didn’t need to bother.

All this extraneous information and pussyfooting ends up weakening what should be a profound scene that reveals to us, the viewers, how deep the relationship between these two in fact runs.

Compare to the movie where Dadroh acts like a parent by fussing and worrying, with Sonion needing a single look to tell him and us that he understands what it’s all really about.

It’s genuinely efficient and just good.

No Cataang

Fine, a bit mean-girl bitchy from me since I only start minding the ship in Book 3. And probably unintentional on the part of the creators since there are moments where I think they’re trying to set the romance up? There’s a, well, an attempt to recreate the famous introductory shot of fateful meaningful destiny of meaningness, there’s some slight note of saving each other’s bacon going on, I’m pretty sure they’re the only ones in the film who smile, and oh, right, Katara’s shoved into her post-canon useless role where she doesn’t ever do anything, and is all about Aang right from the get go.

Yes, I will blame the “executive producers” because a) I’m incredibly petty, and b) it’s perfectly in line with their vision of the character so why the hell not.

Hilariously, none of it reads on screen because the actors are just... yeah. These poor kids are struggling so much with delivering their own lines and portraying their own characters they don’t seem to have any strength left to create something between them. To be fair, the bare-bones shot-reverse shot style of their scenes doesn’t exactly lend itself to the idea they occupy the same universe, let alone are friends or each other’s crushes.

And I enjoy this immensely because it allows me to forget the depressing horror show Katara’s life turns into post ATLA.

Yes Zutara

I need to delve into this because it’s fucking hilarious. So in a movie which fails to establish the original’s central romance so spectacularly that if Aang got lost in a crowd I don’t believe Katara would notice, SomEOnE thought it’d be a good idea to add an utterly unnecessary non-canon moment where Zuko for some reason feels the need to pause his character-defining hunt for the Avatar which otherwise has him ignore everything and snap at everyone, and explain his central conflict to an unconscious peasant he doesn’t know, complete with gently pushing the hair from the pretty girl’s the soulmate’s the Water Tribe Ambassador’s the Fire Lady’s the love of his life’s her face away, AFTER his uncle nagged him twice to find a girl and settle down.

I just wanted to make sure we’re all on the same page and this is what we really saw.

Celibate Avatars

I have no idea why the decision was made, if TPTB thought expecting viewers to understand the story through the lens of Buddhism would be too much, or if the “executive producers” already worked their retconny magic. What I do know, however, is that there’s a big shift in worldbuilding and Aang’s struggle with his role as the Avatar stops being a personal conflict defined by a) his grief for Air Nomads, b) his notion of being robbed of the loved ones in his life, and c) the selfish attachment to Katara he confuses with true love. Instead, what he has a difficulty to accept is apparently a general notion of who Avatars are supposed to be, i.e. a fantasy version of Catholic monks, no family and worldly relations, period.

I guess either someone understood the original’s portrayal of de/attachment as “hermit no freaky”, or thought the audience would so why not go there outright.

Now, do I like this on its own? No, God no, it makes the world infinitely poorer and changes the story from an exploration of ideas which aren’t all that ingrained in the West, to a cliché tropester about a Catholic priest going Protestant so that he could be with a girl.

At least I assume that’s where they were going to take this eventually.

I mean, I think the direction was “look conflicted, this isn’t the final stage of your journey”?

But consider this—the show went there, it built on the concepts of Eastern philosophy and touched upon the ideas of spiritual awakening, only to swerve in the end and strongly imply they’re bullshit and Aang should have never wasted his time with them.

So honestly, I much prefer scanty worldbuilding to an insulting retcon by a damn rock.

Multiracial Air Nomads

Probably the most substantial “no hint of irony” point on this list and a genuinely good addition to the universe’s worldbuilding.

See, the notion of the elemental nations being perfectly separate and never mingling before Sozin has always been sketchy but it’s especially ridiculous in the case of airbenders. It never made sense to me for all airbenders to be Air Nomads and for all Air Nomads to be monks and for all monks to be chilling at the temples all the time to facilitate a quick everyone-dies genocide should an imperialistic warlord ever decide to commit one.

Because committing everyone to a single way of life at a handful of places kinda goes against the central philosophy behind airbending. Like the freedom and nomadism part.

Instead, there should be more variety to the airbending culture, with some staying at the temples as monks, hermits, and teachers while others live as nomads, travelling the world and creating more airbenders, with the resulting children in turn being influenced by the non-airbending cultures they grew up in.

And thus, not only should airbenders not be modeled after a single culture to create a one-size-fits-all lifestyle, but they should have the most diverse and dynamic culture out of the four nations.

And it’d be precisely this diversity which would pave way for an eventual reveal that some of them survived, that their complete extermination is impossible.

Because they’re everywhere.

You know.

Like air.

#atla #atla movie #zutara #anti bryke #dev patel #the last airbender #anti-kataang

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lizacstuff · 4 years ago

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SCK / Edser asks - ep 31/32

Asks about episode 31, some discussion of 32 under the cut

Anonymous said: with the past two episodes, i realized, for me at least, it's not so much about it feeling disjointed (31 didn't really feel disjointed to me tbf) but about the lack of edser screentime. when we do have their scenes, they're good! but the last 2 eps haven't had a lot of it which is what's frustrating (more annoying to me than even selin believe it or not). the fragman for next week looks good though.. with serkan losing his shit more and more.. which can only mean good things for us! lol.

Yes, I agree with this. This episode was a lot less disjointed than 30. 30 felt weird. For 31, there wasn’t enough Edser, but I found it leaps and bounds easier to watch than the last two episodes. As for not enough Edser, I was wondering if that was partly about the short shooting week. For episode 31 they only shot 4 days, a couple of paps said that they did that to give Kerem 3 days off last week because his family was visiting from US/Canada. I don’t know if that’s true, but they follow him around so they pry know if the fam is in town or not. Perhaps in doing that, they had to rely more on the second unit and focus on other characters?? Because there was a lot of focus on other characters this episode.

Speaking of other storylines, I do have to say that I’m very relieved that there is an actual reason why Ceren has lost the thread a bit. If she’s off her meds it explains a lot, and I’m thankful that while she tantrumed a lot about Eda and forced herself on someone who wasn’t inviting it with Deniz, she didn’t do anything unforgivable like actively try and hurt Eda.

Also the Erdem and Leyla scenes were amusing, and my queen Melo can do anything she wants. The only character who actually gives a damn about Eda and Serkan.

While there wasn’t enough Edser, there was more than a lot of people are giving the episode credit for. They had several really good scenes in the office with the balloons and the staring and later him questioning her about Deniz. We got jealous Serkan sniffing around Eda and Deniz’s cafe, and a really nice outside Eda’s house scene that got them being kind to each other and really, honestly talking. Then the funny scene inside with everyone thinking they were back together and Aydan freaking out. (we even got Serkan getting a few cathartic slaps!) The boat scenes were good, but they could have been better. I think they could have given us more and Eda could have been a bit more open with him trying so hard.

The final scene was a slap in the face and I think sort of tainted the rest of the episode, but without that, I thought there was actual progress made.

As for the fragman (and the extra scenes released in the VDay video yesterday) I actually have hope for 32 being a turning point. We’ve seen him be curious about her and opening up with her, now I think we’ll see the ye olde sexual attraction hitting him hard. That should be good! Plus banning love in the office! Vintage jealous Serkan!

Anonymous said: Last week's episode was not my favorite but after this week's, I'm just confused at the writing situation. You could jump from episode 30, to the last minute of episode 31 and you would've seen all you needed to see. It feels like they're wasting potential. Maybe the showrunner knows something we don't about how much time they have but I'm at the "not mad, but very disappointed" phase with how this story is going. And the "Ceren is crazy off her meds" storyline is particularly striking an nerve.

I’m sorry that the Ceren off her meds story is upsetting to you, I can see that. Unfortunately, I really don’t have faith they’ll do it justice. This show has treated some very big issues like agoraphobia, claustrophobia, narcolepsy, panic attacks and lets not forget amnesia and PTSD, at a very superficial level. However, I am glad that they at least gave a plausible reason for Ceren to undergo a behavioral change.

However, I don’t agree with you that the rest of the episode was pointless. I thought the Edser we did get was very good and Serkan made big strides. He was drawn to Eda, intrigued by her, asking questions, very jealous of Deniz, lying to Selin, getting annoyed at Selin, and meanwhile Eda and Serkan had some nice quite conversations. Remember the man doesn’t know her, but he feels that primal pull towards her and it still terrifies him. Especially now that we’re past her heightened emotions of ep 29, and he’s realizing what a competent professional she is and also caring and sweet, not quite the picture that Selin painted him.

The problem is the 1 step forward, 2 steps back that they’re having him do. However, what I’m hoping will happen is that all these experiences, these big steps forward he makes with Eda, before he freaks, gets back under the influence of Selin and jumps backwards, will have a cumulative effect and he’ll take a giant leap forward soon.

There are so many moments that show his tendency to be carrying and attentive towards Eda (offering to drive Eda home after the yacht, vs telling Selin he’s busy and she can go on ahead so he can sit and think about Eda), the switch has got to flip sooner rather than later for him.

Anonymous said: So I noticed that "March 20th" is 5 Saturdays from now. I sincerely hope they don't drag this fake engagement out until then

Good GAWD, don’t even say that! LMAO. Honestly, truly, I don’t think we’re going to drag her fake engagement out that long. Really truly. Have I convinced you yet? Have I convinced myself yet?

That would be way too much. By March 20th I’m expecting them to be sexing each other up!

Anonymous said: Think I am going to shake off the not so greatness of the last two episodes by thinking about how hot it is going to be watching Serkan try to win Eda back. Because we ended yet another episode with Serkan apparently still having zero interest in putting his engagement on hold and no progress made towards unmasking Selin’s game. Edser scenes were fire always but still too short & too far in between. At this point I think most of us could write a novel about how all over the place the writing is and how little things makes sense but that is just too depressing.

Yes, I think this is very true. IMO they really miscalculated by going with these engagements. They are really wearing on the audience. But I do think you’re right, that them constantly changing writers is a big part of the issue. Also I think it has to do with constantly living on the edge and not knowing how many episodes this show is going to have. I don’t know how any show could have a clear and consistent narrative with that constantly hanging over the creatives heads. It’s an interesting way to do things.

It is a bit head spinning when you think about how much time on this show they spend with Edser together and how much apart. HOWEVER, I’m a big proponent that from 16-26, they were basically in a romantic relationship the entire time. Even though they weren’t together, they were together, they belonged to each other, they couldn’t leave each other alone, every decision they made was with the other in mind. But I’m one that doesn’t find those episodes as tortuous as some, there are a LOT of good moments and scenes in there.

Anonymous said: So was Deniz agreeing to work with Selin supposed to be the start of her downfall? Or not? It honestly seems like the show is not even going the route of Selin doing something to mess with his memories anymore and just going to have Serkan flat out choose Eda over Selin but who knows. Only shining light on that front was the fact that Selin & Serkan had very few couple scenes in the last episode.

You are me, I’ve been wondering about this. The last episode sort of made me give up hope that Selin is going to face any repercussions for the disgusting way she has manipulated and brainwashed an amnesia victim. I mean, she will be heartbroken and will have to slink out of town again, but it’s possible she may not face any blowback from the other characters and that will suck.

On the bright side (you know I always have to look on the bright side) that means instead of her being unmasked, it will be, as you say, just Serkan, once again, straight up choosing Eda over her. Which is delicious and romantic in it’s own right. Their love once again triumphing over the biggest of odds, with everything stacked against them and people actively working against them and him suffering from a brain injury. That’s big. And I think after the way Serkan has treated Eda, it’s important that he choose and not just have th choice taken from him by Selin being “unmasked.” Though I’m happy if she’s unmasked after he’s already fallen for Eda (which lets be honest is actively happening).

So there’s a lot of upside to that, to Serkan just choosing, however if that happens and she leaves prior to him regaining his memories, we’ll probably have to suffer through Serkan thanking Selin and apologizing to her and that might make me break whatever screen I’m watching the show on that night. I keep telling myself the writers have to know we need some comeuppance and consequences for Selin, but I’m not sure I trust them to do that. It’s possible she’ll skate again.

The spoilers (which so far are batting about 50/50, so this is still all grain of salt) said that the last scene of 31 would be “bad” (it was IMO, ouch!) but that it would start the unmasking of Selin. If Deniz is playing Selin (which I think is very possible) then that spoiler cold still be true.

Maybe Deniz is a straight up a manipulative villain, but it feels like we have enough of that already. Doesn’t he seem smart enough to realize that he’s never going to get Eda through trickery, and would be much better served by championing her best interests instead of employing underhanded tactics to separate Eda/Serkan? So maybe he’ll help humiliate Selin by reveling what she’s doing. Who knows, we shall see.

Anonymous said: The thing that bothers me the most is serkan's attitude towards eda. When he is alone with her he is vulnerable, attentive to her, listens and tries to find out more about her and their love and the moments they spent together, he tries to remember. And when he is surrounded by other people especially selin he is completely different with her. He is cold, says cruel things to her (the moment he said that he will never marry her seriously serkan?) and he humiliates her constantly. PART1

Really I wonder why this sudden change every time there is surely something we don't know yet. PART2

Yes, there could be something we don’t know that’s contributing to his behavior.

Though @echoapothecary had a good theory about those spoilers that came out about how Selin was doing something with pills and potential drugging of Serkan... what if the spoiler types got it wrong from call sheets and mistook Ceren with the pills for something Selin was doing?

Serkan’s behavior could just be his pre-Eda robotic personality terrified of the person he becomes after Eda, combined with Selin’s abusive manipulation and brainwashing, combined with traumatic brain injury, combined with PTSD from the plane crash. That’s a lot to overcome.

Anonymous said: Poor Eda how much pain can she bear , she is suffering so much and she tries to stay strong and do everything she can to get her serkan back. I feel so much sympathy for her character, she has endured so much but she remains strong in spite of everything. If she decides to give up I wouldn't blame her, she has the right to think about herself for once. It's up to serkan now to open up to her, to show that he cares about her and wants to remember her.

My heart breaks for Eda. However, come on, it’s been like a week. Eda is stronger than than that, she wouldn’t be Eda if she gave up. She knows Serkan is suffering from a brain injury and being manipulated by that barnacle.

Also, remember how we spent episode 20-26 with Eda keeping her distance and controlling everything while Serkan worked his tail off to get her back, his love never wavering. They work because they don’t give up on one another.

Anonymous said: The only way for serkan to react is to feel that he is going to lose eda (she had already tried everything, recreating their moments, kissing him but nothing worked). Eda knows this and that's why she decided to start this game with Deniz, it's her only motivation. To make serkan react, be jealous, feel that he is about to lose her just like in episode 11 to finally confess his feelings. P1/

At first I was totally against this fake engagement but now that I see it from another point of view it seems to me that it is a good idea. Just how could eda have guessed that deniz was not sincere in his intention to help her and just wanted to take advantage of the situation. P2/

Yes, you’re right. Eda knows that Serkan needs to be pushed into a corner to act. That’s what happened the first time. If only we see a reaction like he had the first time around!

What I didn’t like is when Deniz expounded on their “love story” and made up the whole thing about them promising to get married which prompted Serkan to ask Eda if he knew about that. Eda had to say no and I feel like that gives Serkan a mistaken view of their relationship. That they were not in a place where they would have confided such things. It feels like it works against Eda’s objective. So that move puts a mark in the “Deniz is actually a manipulative shit-stain” category.

I just so badly want one of the other characters (Engin, Leyla) to accuse Serkan of being jealous and for him to respond that he doesn’t get jealous and for them to be all like, “Yeah, maybe you didn’t used to get jealous, but with Eda you were jealous of anything that competed for her attention, including babies and dogs!”

Anonymous said: i love that scene on the boat where serkan stays behind after dismissing selin (when he all too eager to take eda home before btw!!) and he's thinking about their moments together.. it's not flashbacks to his memories of her, but he's thinking about the moments that they've shared the DOES remember right now... boy is he already falling for her all over again

Yes, me too! That was very good moment. He sends his “fiancé” on her way without really even questioning where she’s been and then sits and thinks about another woman.

He’s got to be close to catching a clue! If only he didn’t emotionally destroy Eda every time he freaks out.

Anonymous said: i think it's hard for most people to watch serkan be "robot-y" after sooo many episodes of him evolving and growing and being in love with eda.. but i remember back to the first episodes and there are times and moments where he IS harsh with her there too.. they would have a close moment and then the next day he would be ice cold.. the same things happens now.. he has always, even back then, fought himself falling in love until he couldn't any longer and felt like he was actually losing her.

Yes! This is Serkan circa episode 3 when he freaked out and was a total and complete asshole to Eda. It just hurts so much more this time around. Then Eda, and the audience, could let it roll off our backs because they didn’t have history. Now we have 30 episode of history and love and evolution and it is hella painful to go back to that place again.

However, it is pretty realistic to his character and the guy we met in the beginning. What’s not entirely realistic is him taking refuge in Selin. But I suppose you take the fact that the last thing he remembers they were together, and forget the reason they broke up is that he was never going to marry her, throw in her trauma, manipulation and brainwashing and here we are at engaged!

Anonymous said: you know i never considered how the show must feel if you binge watched all of it.. i started watching from the 1st ep so it's always been this cycle of waiting a loooong week in between, but it must feel different if you've binged it.. i feel like storylines def won't feel as dragged out and therefore you wouldn't feel as frustrated by how long the plot would take.. like we waited 10+ weeks for edser to get back together but now someone can just breeze thru those episodes lol.

Yes, binging would take away a lot of the pain those of us week to week have felt. I binged through episode 9 and it’s been week to week for me every since. Like I said in that other ask, I like week to week, because I like fandom. I like talking to you all in my ask box and I like content, and having time to digest things and I like following the cast and getting spoilers, but the downside is the PAIN. LMAO.

Anonymous said: wow, they even stole your caption. so sorry this happened to you , i hope they take it down soon! i know you work hard to create these gifs and posts ❤

This is about the gal who reposted my gifset yesterday. Thank you so much, she did delete it. As I say, I’m more than fine with people using the gifs for reactions and meta and stuff like that, but it’s against every bit of tumblr etiquette (and rules) to repost entire sets as your own. Please don’t do that.

#sen cal kapimi #edser #Sen Çal Kapımı #serkan bolat #eda yildiz #eda yıldız #sckask #sck speculation #sck episode discussion #edser discussion #asklizac #sck 1x31 #sck 1x32

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c-ptsdrecovery · 5 years ago

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Cults and Dysfunctional Families

The techniques of control used by cults (here meaning social groups that exert excessive and abusive control over their members) are also used by domestic abusers and child abusers. I’ve posted before about the commonalities between cults and dysfunctional families. Well, I was just looking back over the notes I had for a talk on cults that I gave in my Bible study group a couple of years ago... and there are definitely characteristics there that sound like my family. So here are some notes with my commentary added.

• Cults displays excessively zealous and unquestioning commitment to its leader (whether he is alive or dead), and regards his belief system, ideology, and practices as the Truth, as law. Questioning, doubt, and dissent are discouraged or even punished. [My dysfunctional family wasn’t quite the zealous, but yes, questioning my parents’ assumptions about the world is not popular with them.]

• The leadership induces feelings of shame and guilt in order to influence and control members. Often, this is done through peer pressure and subtle forms of persuasion. [My mom’s major forms of control are guilt trips and passive aggression.]

• The group is elitist, claiming a special, exalted status for itself, its leader(s) and members. ‪ The group has a polarized us-versus-them mentality. This discourages members from listening to the rational criticisms of the group by their loved ones. [The assumption in our home was that where other families or individuals differed in their practices from us, their practices were inferior. The way we did it was automatically the right and sensible way to do things. This constant, unspoken assumption made me think that kinder, more open families were somehow doing it wrong. This made me not only NOT question my family, but look at healthier families and practices as alien and stupid.]

• Members are encouraged or required to live or socialize ONLY with other group members. They are required to cut ties with family and friends. This means that they rarely hear any criticisms of the group from the outside, and also means that they have no social support network to help them after they leave the cult. [While my family isn’t totally isolationist, they ARE very selective about the people they hang out with. For instance, when I was a kid, my birthday parties were almost always with extended family, not with friends. I was not permitted to invite friends to them. A couple of times i managed to get my best friend invited however: because she was a second cousin. If she wasn’t, I doubt my parents would have let me invite her. Also the fact that my best friend was my cousin should give you some idea of my family’s idea of socializing. I rarely went to friends’ houses (except my cousin’s) or had friends over, yet we spent almost all Sunday, every Sunday, with extended family (very lonely for me, as cousins my age were rarely there). My parents rarely socialized outside the home except at church or with a few VERY select friends. I also lived in the country, and almost all my neighbors were relatives, so I didn’t have outside people to play with outside of school. I always knew, as a child, that it was pointless to run away, because there was nobody and nowhere to run TO. Unfortunately, while studies have shown that having even one person in your life that can nurture you can hugely decrease your trauma as a result of childhood emotional neglect, I didn’t have that one person.

The group is often preoccupied with money. [I have a lot of anxiety around money, partly because my parents mocked me for spending any of it on myself as a child. There is definitely an air of monetary preoccupation with my parents.]

“love-bombing”: Potential recruits are overwhelmed with attention which makes them feel special, loved, and an important part of the new group. Aspects of this technique include, but are not limited to flattery, verbal seduction, affectionate but usually non-sexual touching, and lots of attention. Love-bombing can produce a social high. Recruits can come to feel dependent on this feeling and the safety net of belonging to a close-knit group of people. It also makes them feel loyal and dedicated, as they now may feel they owe the group some attention in return.[like many abusers, my mom blows hot and cold. For almost a year now she’s been REALLY NICE: it dates from when she found out that I blamed their parenting for my PTSD. She’s clearly trying to convince me she’s a GOOD mom, a NICE mom, and not to tell anybody otherwise. What this has mostly convinced me of is that she COULD have been nice to me all along if she’d actually cared, but she decided she’d rather be abusive.]

In order to keep a member trapped in a cult, the group establishes a threat of some kind. This threat of death can be literal, but usually refers to spiritual death, loss of afterlife, loss of purpose, loss of identity, or the loss of important ideals and attributes. [If my family is right and everybody else is wrong, then disagreeing with my family would mean I was wrong and bad and worthy of contempt. Also, my family worked hard to wear down my self-esteem (see below) so that I believe that if I alienate my family, I won’t be able to handle myself in the outside world and something terrible will happen to me, like failure, unemployment, homelessness, and poverty.]

• Standards for thoughts and behavior are held impossibly high, so that members are never able to reach the goal of what they “should” be, and as such, they never feel as if they measure up. The goals themselves are presented as possible to attain, and thus the standards never become suspect, only the member who is not meeting them. Perfectly normal things like the desire for leisure time, the desire to be alone, or the desire to sleep are depicted as evil. Cult members are therefore tormented by their inability to reach the group’s standards, and can be manipulated through their low self-esteem. And just when they can’t stand the emotional abuse anymore… the leader will praise them for something they did well and they’re so grateful that they stay.

Creating dependency: A member comes to depend on the group for physical, emotional, social, spiritual, or other needs. The member has a high stake in continuing to stay loyal to the group. [see above]

• Cults encourage Black and white thinking: Broad spectrums of thought and morality become reduced to two options: Good vs. Evil, Love vs. Hate, Weak vs. Strong, etc. This stops cult members from seeing other options for their lives. [VERY MUCH THIS. But then if you express criticism of the family using this vocabulary, they can gaslight you by pointing out that “we didn’t do that EVERY time!”]

A persecution complex may exist whereby reasonable criticism is reframed as an attack. [This is a portrait of my mother.]

• Many kinds of abuse occur in cults. Cults mentally abuse their members by making them doubt their own ability to make decisions or live outside the group. They emotionally abuse members by tearing down their self-esteem in order to further control them. Cults sometimes physically or sexually abuse members. They almost always economically abuse their members by requiring or encouraging them to give most or all of their money and labor to the cult. Cult leaders frequently form cults in order to gain admiration, adulation, control of others, money, and/or sex. [My parents have never physically or sexually abused me, but the rest of this is true. My parents even tried to get me to use up $8,000 of my savings so that I could apply for SSI, which would MAYBE have given me an income of a couple of hundred bucks a month? A program of making me economically dependent on them as well as emotionally dependent.]

Why people don’t leave cults

· Sunk cost fallacy

· Fear of reprisals or shunning [yep]

· Fear of loss of identity [somewhat]

· Fear of death or damnation outside of group

· Leaving behind family members who are still in the cult

· Practical problems: no support system, no money, no education, no home, no job, custody of children [yep]

· Poor self-esteem and self-efficacy [definitely]

#dysfunctional family #cults #emotional abuse #childhood emotional neglect #abusive parents

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kyluxtrashpit · 5 years ago

Text

TROS Review

Okay here is my extremely long (almost 4k words >.>) review of tros. And that’s without the 2k meta on redemption arcs I also have filed away lmao. First off: I am not leaving the kylux fandom. It’s not a good enough movie to warrant that. Second: I might make a post of things I wished we’d gotten later, but this is already WAY too long lmao. Warnings for spoilers, opinions, and general negativity

EXPLICIT RISE OF SKYWALKER SPOILERS BEYOND THIS POINT

So. I have watched the thing. I went in knowing the spoilers and oh boy, am I glad I did. Still, overall this movie was… not great lmao. It’s messy and the pacing is off and there are some very weird and straight up Bad moments, but I’m not actually upset about it anymore. It’s more like ‘there’s a lot to unpack here’ except we’re not going to unpack it or even throw away the whole thing, it’s just gonna become that one box that’s still packed and untouched from when you moved 3 years ago. It’s there, but you rarely think about it beyond the occasional ‘maybe I should finally unpack that? Nah, too much effort’

I see a lot of people writing fix it fic and that’s totally valid but tbh… I don’t think it’s worth the effort for me. I think I’m just going to pretend it never happened and write my kylux the way I always have. Maybe I’ll do something with tros at some point, maybe some mean!Hux + redeemed!Ben because I’m awful lmao but for now, it hasn’t changed my plans at all. Which is actually a good thing tbh

Anyway. I’ll start with the good simply because there’s less of it lmao. Best thing about the movie? Everyone in it is looking like a fucking snack. It’s great. These people have always been hot, but this movie really nailed that. Also the trio stuff was fun and felt genuine. I LOVED the hints that Finn is Force sensitive, and I liked him in this movie even though I wish he got more story/time. I enjoyed Rey at the beginning, but her actions and plotline made less and less sense as the movie went on. Kylo was fun; I had gotten worried after that interview that said he’s calm now but he wasn’t lmao, like at all, so that was good. Also I didn’t like how Hux died but I’m endlessly grateful Kylo wasn’t the one to kill him. That might’ve actually ruined the ship for me

The visuals were excellent (save that strobing near the beginning; I’m not epileptic, but I had to close my eyes because it was too much). Some of the jokes hit will, as did some of the emotional bits (Chewie’s “death” was very well-executed and Rey’s scream broke my heart). Weirdly enough, C-3PO is kind of the heart of the movie, which I did not expect at all. Lando’s appearances were too brief but good. I also loved D-O a lot and he’s very cute. I liked seeing a bunch of new planets and environments, however briefly. The acting was also really great throughout on most accounts. I really enjoyed 2 of the Hux scenes (when he’s sitting in that board meeting making a face like he’s mentally eviscerating everyone in the room and when he gets so excited to finally get to blow something up and then Kylo shuts him up with the Force BUT WITHOUT HARMING HIM!!!)

That’s kind of it tbh. The movie overall is really messy. I’ve seen people say it feels like a fever dream and it really does. I’ve seen descriptions of people dreaming the plot of tros and they’re less weird. The pacing in the first chunk is way too fast and there’s way too much to take in. Then things get weird in the middle. Then, well, that ending. It feels like it’s trying too hard to be liked. It’s ‘joke’, ‘reference to past movie’, ‘joke’, ‘reference to past movie’, ‘mention of hope without showing it’, etc. etc. on and on throughout it. Some of those are fun, but it got tiring very quickly. And it made it impossible for me to suspend disbelief long enough to actually get into it

I also saw a lot of reviews saying if you didn’t like tlj, you would like this one. That was not correct. I disliked this for many of same reasons I disliked tlj, but it also managed to hold tfa’s weaknesses as well. Honestly, tros feels like the worst aspects of tlj mixed with the worst aspects of tfa, mixed with way too much nostalgia and then blended up with a good heaping of mania and desperation to keep it going. It tried so hard, wanted to be liked so badly, and you can feel that watching it. It doesn’t feel genuine

It also feels like every single movie in the ST was actually from a different trilogy. None of the 3 connect to each other. You can’t say tros is a successor to tlj or tfa; it’s totally on a different path, which I’m honestly not sure how they managed that. As much as I felt tlj wasn’t a true continuation of tfa, tros feels like its own trilogy mashed into one movie. There wasn’t one consistent plot or character thread to follow between all 3 movies

I think bringing palpatine back was the first fundamental mistake. It didn’t fit. And after creating Kylo and Snoke to be very specifically Not Sith, why bring the Sith back all of a sudden? Palpatine has had his day and he didn’t need this. No one did. Much as he was creepy as hell and that was well done, it didn’t feel right to have him there. Also, I really don’t like the implication he procreated at any point skdfjskldjk

As for Rey… I know I’m in the minority here, but I never found here to be a good narrative foil for Kylo. The connection between the two doesn’t really interest me at all (and this was one of the reasons I didn’t like tlj). It worked better if they were related, which was the biggest reason I was a proponent of Rey Skywalker, but that didn’t happen. The commonalities they have are just: 1) can use the Force, 2) have been lonely. The contrasts are: 1) light vs dark (sort of; this is less explicit in tfa and I miss that greyer view of the Force) and 2) had a family vs didn’t. And that’s pretty much it. In order for 2 characters to contrast and hit the ‘complimentary opposites’ sweet spot, you need much, much more than that. Finn has and always will be a better foil for Kylo and it’s a damn shame they abandoned that in tlj and even more so in tros. I have more thoughts on her that I’ll get to later too

I did like Rey in the beginning, but the longer it went on, the less I could rationalize her actions. Why is she doing that? Why is she trying to ditch her friends all the time? Why does she heal the cave snake? Why does she stab Kylo when he’s just become a non-combatant? Why does she heal him after? Why is she trying to reach out to the spirits of past jedi? Why did she Do That after she wakes up in the end? Why did she then seem to not even care that Kylo died right after? None of this is explained. Show, don’t tell, is great, but you can’t just make massive leaps like that. I didn’t get it. None of this felt like the character I’ve gotten to know over the last few years, nor did it feel consistent within the movie itself

That said, I want to discount one complaint I’ve seen: I got no impression she’s exiling herself on Tatooine at the end. It’s very clear she’s just doing a quick funeral ritual for Luke and Leia. The Falcon is still there, ready for when she’s done. I don’t get where the ‘she’s all alone in the desert again forever and ever’ comes from because it’s clear she’s not. It’s just a private ceremony (plus obvious fanservice). That’s it

For Finn: I liked that his character got to be a lot cooler here. I’m sad that he didn’t get half the attention and plot he deserved, but at least he wasn’t treated as a joke and a coward. My tlj complaint for Finn was that he went through the exact same arc he did in tfa over again; here, he doesn’t. He’s clearly grown into himself. That I liked. But damn, he was supposed to be a main character and he really got sidelined hard. It’s also very clear finnrey was planned at some point but didn’t end up in the final cut. The tease with that felt cruel tbh. He deserved to get to tell Rey he loved her on screen

And Poe: Poe was okay in this one. He felt to me like a different character in tfa and tlj, but this one managed to mesh the two characterizations well. He’s a bit of a hothead who doesn’t think (tlj), but he also really cares about people and is trying his best to lead (tfa). That was very successfully done. However. Poe is the one character with the most backstory. He’s got novels, comics, all of it. Where in the fuck is this history of being a spice runner in all that??? Sketchy as hell to make your one Latino character being a drug runner but you know. It also felt like a HUGE retcon of the one character that actually has fully revealed backstory. Also his thing with Zori was just weird and forced and exhaustingly heterosexual. Completely pointless tbh

As I was rereading this, I realized I forgot Rose but really, that’s because she does pretty much nothing. She has very few lines, never comes along. It’s like they forgot she was there. Or just didn’t care. It was really sad and a huge disrespect to everything KMT has gone through. Both her and her character deserved more

For Hux: I liked the 2 scenes I mentioned above, but other than that I was disappointed. I said this on twitter already, but the biggest crime they committed was getting rid of his fanaticism. Tlj may have turned him into a joke, but at least he was still a zealot. Here, it’s clear he gave up his last fuck like a year ago. It’s 9 am and he’s had 6 glasses of wine because he’s lost the will to live and it’s all pointless. Might as well fuck around and give the Resistance info that might lead to the end of everything he’s worked for his entire life because nothing matters and at least Kylo will lose. That’s dumb and violently ooc. I get him being a traitor to Kylo, I am DOWN for that, but not to the FO. He cares about the FO. He is fanatically devoted to the FO. That was ridiculous and wildly out of character. Also the FO is just gone in favour of Palpatine’s fleet as soon as Hux dies? What happened to them? Are they still out there? Who even knows? WHAT A FUCKING WASTE

Also Pryde? Fuck that guy and fuck JJ/LF/Disney for thinking it’s okay to have an old imperial kill Hux. Especially since the visual dictionary today confirmed Pryde knew Brendol and our Hux had known him for years. The possible implications are gross as fuck. If anyone was going to kill Hux one on one, it should have been Finn (with a wonderful stormtrooper rebellion arc involved) for the sake of both characters. I’m personally going to choose to believe Hux was wearing a blaster proof vest (thank you, Delilah Dawson, for putting those into Black Spire as canon) and faked his death. He’s living in blissful exile with Millie now or rebuilding the actual FO and ready to take over as the Emperor he deserves to be

Oh and Leia’s scenes did feel weird. I appreciate them trying to incorporate her, but it didn’t quite work. I feel like having her be offscreen yet present would’ve worked better than most of what they used. Some worked better than others though. I also have some Thoughts about her death but I’m about to get into the second half of the movie stuff and I’ll cover that there

Now Kylo. My darling, sweet, disaster boy. So. Okay. I knew no matter what happened his end would be controversial. And I have a lot of feelings on redemption arcs that can be distilled into one thing: if they’re written well, I like them, no matter how much bad the character has done; however, they are almost never written well enough. One of the first things I said coming out of tfa back in 2015 is ‘that’s going to be a disappointing redemption arc in a few years’. It was never about what ending I wanted (I actually favour something more grey than simply ‘oh he’s good now’ or ‘dies evil’, but that was way too ambitious for them to attempt so I never bothered to hope for it), because I knew it was coming. So this didn’t really bother me beyond the fact that it was too sudden. I do blame that partially on tlj, because it took Kylo from conflicted and torn apart to ‘yeah, I’m in charge now’, but I still think this was not the way to do it. Anyway. I have a 2k word rant somewhere about redemption arcs and when they work and when they don’t that I never posted and this is the much, much shorter version of that

Also. Okay. One more thing on this. So I usually don’t like redemption arcs because they’re written badly, but my least favourite redemption arcs are those that end in death. The only one I can think of that actually worked was Vader’s, but it doesn’t work as well with Kylo. Why? Because redemption is about making amends, not being punished. It’s about choosing to stop doing bad shit and instead to do good things to make up for what you’ve done. In self-sacrifice, not only does it send the message that the only path to redemption is death, but also it means you do literally one thing and then die. That’s it. One good deed, die, you’re done. That’s too fucking easy. True redemption is waking up every single day, for the rest of your life, and continuing to choose to do good. You know that evil is easier, feels better; you’ve done it. But you’re making the choice to keep doing good and to make amends instead. And you do that for years. Decades, even. That is SO MUCH harder to do than just one good thing and then immediately dying without showing if that change is lasting or not. That is how redemption is achieved: in making that choice not once, but again and again and again. So yeah. I didn’t like that. Death redemptions aren’t convincing to me because one choice is easy; consistently making that choice over the rest of your life is much, much harder

End of point: if they were going to redeem Kylo, he needed to live and work to make up for his past mistakes in order to make it impactful. It’s a damn shame he didn’t

Also: having Leia die for the sake of a man, son or not? FUCK THAT. And, even worse, if we follow the movie’s logic: Leia died trying to reach and save her son. Which lead to… him dying anyway?! Which means Leia’s death is meaningless and she died for literally nothing. Fuck that. FUCK THAT. What the fuck. That’s bullshit

Again on the redemption: Kylo just… kills his good friends the KOR without a shred of hesitation? Also the KOR literally never speak? And Kylo says literally one word (‘ow’) after the redemption? I admit, it was fun watching him fight and also watching him get hurt. If I ignore the context of it, watching him crawl out of the pit, scrabbling on the ground, so hurt he can’t even stand up? Fuck. That was good shit tbh. Also those big, desperate puppy eyes. They’re even worse with him as Ben instead of Kylo. Bravo to Adam for playing such a convincing sad boy. I hate that his scar got healed though; I liked it

Now. The whole ending and the plot stuff. Rey being a palpatine is… okay. Fine. I don’t like it but whatever. Seems like an unnecessary excuse to bring him back. Also Luke and Leia knowing? How? Luke knew Rey for literally 1 day. And how would Leia know? And why not tell Rey, who was so desperate for answers to her past when they thought Palpatine was dead? It makes no sense. It’s just very unnecessary. Not to mention the line “you’re a palpatine” is not a thing any real human being would ever say, jfc that was clumsy and unrealistic dialogue. I don’t mind Rey going a bit dark for some time, but this was not the way to do it. Also I was really hoping for a resolution beyond ‘dark siders dead, light sider alive’ because the dichotomous nature of the Force MAKES NO SENSE. Balance is needed. Leaving the only Force user alive a light sider means something dark will come again for the sake of it – Rey should’ve gone grey and tbh tfa made me hope this trilogy would end with all surviving Force users grey. So that was disappointing

Now. The kiss. Straight up: I do not ship it. I don’t mind if other people do, but I do get touchy when they go out of their way to prove there’s nothing inherently problematic about it. I ship kylux; it’s problematic as hell. That’s a good part of why I like it. So I’m fine with r*ylo shippers as long as they do the same. Problem is: most don’t and go around insisting it’s actually the highest romance possible while leaning on incredibly misogynistic and racist tropes to prop up that argument rather than accept their ship has some questionable parts to it (like kyluxers do). It’s more a problem with the fandom for me than it is the ship in theory. Still, I don’t like it and that’s what matters for this

The fact of the matter is it felt extremely sudden and out of place. The entire first half of the movie is Kylo being an aggressive, creepy asshole to Rey. I can theoretically entertain the idea of Kylo having feelings for her (though I don’t), but I cannot see the other way around, not when Rey has so many kind, wonderful people around her. Which is why this feels so weird. There was not enough build to it. I saw a cam clip off reddit before I went in, so I had accepted it was happening but I expected a lot more lead up to it to make it not seem so sudden. None of that was there. There was no build up or reaching of understanding so it reads exactly like those versions of it I dislike: there is nothing wrong with a man berating you and insulting you and attacking you and you should love him for it. That is not enemies to lovers. That’s just abusive bullshit

And then the death. Both of them. Rey dies from… what exactly? It’s never shown at all. And same with Kylo. The leaks said it was Force exhaustion, which a) why? And b) that’s not clear in the damn movie. You need to explain things!!!! And also that means Leia, Luke, Kylo, and Rey all died (even if one didn’t stick) from using the Force too hard. Meanwhile Darth Maul survives getting cut in half and Palpatine survives falling down a shaft in a space station that explodes 2 minutes later (and, you know, all the wacky Force shit he did in this movie too). The fuck? It’s dumb. I hate it

Also the dyad thing was weird. I know the early leaks had it more explained, then the leaks said they cut it, but now it looks like they left in 3 lines of dialogue with it and cut the rest. Again, explanations people! This is not a thing in previous canon! Maybe in the EU, but that’s not canon anymore! The fuck!!!! The idea is dumb and forced to begin with, but the execution made it worse

And now for the final, largest criticism I have. A confession: I am not a star wars fan by nature. I’ve always liked them, but I preferred other sci-fi more. I’m more of an invasive species who forcibly carved my way into this fandom ecological niche because I really loved Kylo lmao. But if there is one thing star wars is defined by, I don’t think it’s love or family or any of those common themes people say. It’s hope. That’s the thing star wars does well. Even when things are darkest, it keeps the hope alive and it makes you feel that. Good will triumph. There is reason to believe in heroes, even when they stumble

This movie is not hopeful. Rogue One, a masterful tragedy, still manages a message of hope despite every single lead character dying. This one doesn’t. And tbh, I think tlj missed on this a bit too (a lot of talk about having hope, not a lot of showing us reasons to be hopeful), but it was still there. Tros does not feel hopeful. The Skywalkers are all dead. Rey has decided to download the legacy (why? No idea! The whole message was ‘don’t be afraid of who you are’ and she just then decided to become someone else? Makes no sense!!!). Anakin’s sacrifice meant nothing because Palpatine came back (and it is CRIMINAL we never got an Anakin and Kylo scene). Han and Leia’s and even Luke’s (a bit) deaths meant nothing because yeah, Kylo turned back in the end, but then he died anyway. They all gave their lives to save him and it was all for nothing. He’s still dead. Palpatine is gone and so is his fleet, but what about the FO fleet? Are they still out there? Are there brainwashed stormtroopers still trapped in its clutches (also, they were so close with Jannah and Finn to adding depth here, but nope, the stormtroopers are still cannon fodder in every fight scene even though they’re literally slaves!!!!)? Who knows!

This movie only feels conclusive in that so many characters we love are dead. That’s it. There’s more questions than answers and so much left unresolved. There’s no sense of hope in it. There’s barely a sense of victory. It’s not satisfying. Even the celebration at the end feels weird and like it’s trying to force you to be happy. The jedistormpilot hug was good, but the lesbian kiss was such a cheap attempt at trying to appease people calling for representation. The moment with Lando and Jannah at the end was probably the most hopeful part of the movie and neither of them are lead characters

Idk. I know this is pretty negative. But I didn’t really enjoy this movie. Some parts were fun, or funny, or exciting, or emotional. But overall? No. This was not a satisfying conclusion for any of these characters, either the new or the old. They missed. Hard. Not one character was truly done justice. And it’s disappointing. But it’s over now and I have no intentions of letting it dictate my fandom activities. I’m just going to pretend it didn’t happen and call it a day

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bigskydreaming · 5 years ago

Note

What kind of house/apt do adult successful Scanny have?

I think it would be something smallish and unassuming on the outside, very approachable. Maybe even like, a townhome or a duplex or something like that, depending on what city Scott ultimately settles in with whatever pack he builds up around him there vs whomever stays in Beacon Hills.

I don’t have any specific headcanons for where Scott relocates to, its just very important to me that he does, because like. He deserves to get far, far away from Beacon Hills. There are too many bad memories there. Its where he died. Its where Allison died, Boyd, Erica. Like, all the bad things that linger with Scott came from Beacon Hills and that damn evil attention-seeking tree stump, and all the good things that linger with Scott are one hundred percent the product of his own actions and the relationships he fostered with the people that became important to him.

There’s nothing in Beacon Hills that gives Scott anything he doesn’t already have by this point, no reason for him to stay other than his mother, who can literally just move as well. But not with Chris Argent. On account of like, well he died too. It was very sad and tragic, I don’t want to talk about it. Tears were shed, its all still really fresh and raw, we should probably just move on. Its what he would want. Probably. Also who cares, ding dong he’s dead and Melissa’s married to some nice doctor who’s never pulled a gun on her son, as well as possessing other qualities that meet somewhat higher standards, I’m sure.

Anyway. We were talking about Scott saying hasta la vista baby to Beacon Hills followed then by a slow motion dramatic walkaway shot before he gets on his motorcycle, adjusts his mirrors, revs the throttle all action movie star-esque, and also sexily - look, they’re not always automatically the same thing - and then he drives away forever from that toxic cesspit of a homicidal zipcode where square footage is calculated in terms of dead bodies. Leaving behind all the like, million and one reasons for him to say Bye Beacon Hills, see you never, try not to become a central locus for evil, but also, I don’t care if you do, it is hashtag NotMyResponsibilityAnymore. But also, I mean. It never was. Just FYI.

And then he flips the town off and accelerates off into the sunset while the town eats his dust, and admittedly Scott isn’t really the type to throw around middle fingers even where deserved, but fuck it, I’m projecting onto him and its my headcanon and I say that pile of excrement in real estate form needs to be flipped off and also, like. Its just an aesthetic thing. For the visuals. Its the whole dramatic end scene, roll credits, “I came, I saw and I blew shit up and now I’m off to reunite with my love interest and have vigorous victory sex” vibe. You get it.

So they relocate somewhere, wherever that is. I honestly don’t care, so long as its nice and doesn’t murder them or inflict gratuitous bodily harm every week and the nearest Satanic foliage is at least two statelines away. Preferably with a thriving supernatural community where Scott and his pack can all feel welcome and like they belong, rather than outsiders eternally hiding in plain sight among potential enemies. Like, somewhere where their neighbors are all vampires and Fae and other supernaturals, but only so long as like, the only reason they ever come over is to borrow a cup of sugar. Never to betray them to randomly resurrected enemies or guilt trip them into solving someone else’s centuries old and completely pointless grudgematch of Unnecessary Drama and Also Doom.

And wherever it is, the pack have their own dwellings and much needed privacy. Far enough apart that even supernatural hearing and smell don’t have them all playing Peeping Tom whether they like it or not, every time a couple wants to get frisky, but close enough together that they’re all still together, and know that more pack, more community, is always just a short walk away.

Scott and Danny’s place is some sort of small but cozy townhome or duplex or something like that, as I said. Scott’s always very aware of his presence and reputation and the power he both commands and also is afforded by peoples’ embellished expectations regarding him. So it was really important to Scott, and thus important to Danny, that their home be unpretentious. Inviting and approachable and not ‘above’ anyone else, or trying to be. Somewhere that when you got to their street and checked the address if you’re new in town and looking for an audience with True Alpha Scott McCall, you stop and do a double take and almost have to revise whatever preconceptions you have, or at least put them on hold, because like…this is where the famous True Alpha lives? Its so…ordinary.

But that’s the point after all….because the more he was looked at as standing apart from all others, the more ‘ordinary’ became the only thing Scott’s really ever aspired to be.

So its not poor, by any means. They do well for themselves, the whole pack, like you said, Scott and Danny are successful in this future. They have jobs that afford them both a sense of purpose and fulfillment of longheld interests, as well as the potential for discovering more, rather than getting locked into things that grow stale overtime as they outgrow fantasy careers that seemed more validating when they were kids dreaming of the future.

Also their jobs, whatever they might be, make them at least successful enough that it allows them both a large degree of autonomy. They can pick their own schedules, more or less. They have finances, but none that will be massively disrupted or stress-inducing if Scott has to take time off for a couple weeks to help a neighboring pack relocate somewhere new after they flee from hunters. Something where Scott’s never forced to choose between his job and keeping him and his pack financially afloat, versus someone needing his help and it not immediately apparent how long that might take resolve. The dream is stability and comfort, and enough personal agency for Scott in how and where he gets both of those, that he never feels like he’s letting down either his pack or innocents asking for his help, because the demands of his job or finances make him feel like it has to be one or the other, he can’t possibly do both.

Ideally, that flexible schedule means that when Scott isn’t helping others, something he now does by choice and simply because he wants to and he can, not because he’s made to feel he has to, like its his responsibility and his alone, because certain boundary-blind best friends have decided they want to play Peter Parker but are gonna need Scott to step up and play the actual Spider-Man part and lend his power even when someone else gets to decide for him when its his responsibility. Oopsie, I tripped and fell and my Bitter Resentment and Still Not Over It slipped out. Oh no. How terrible. Much woe.

Ahem. Anyway. As I was saying, before I was so rudely interrupted by myself, Scott’s flexible schedule means that when he’s not using it to help others, he has enough left over that he can afford (and justify to himself) using it for himself and his own personal enjoyment and interests, actually prioritize and commit to his own self-care, because a healthy, happy Alpha is a healthy, happy Pack. Someone said that once, probably. Probably not Hobbes. Definitely heard that somewhere though. Trust me, I’m a doctor.

So with the aid of this newfangled invention produced by cutting edge technology, this quote unquote “Free Time…” Scott explores other interests. His own. Le gasp, le shocking, le about the fuck time. He explores the novelty of being able to even have hobbies, because depressingly (why am I like this, science side of tumblr), there was once a time when Scott stopped bothering trying to figure out what all he was interested in, because he kinda assumed he’d be long dead before it ever had a chance to matter.

But by the power invested in me by Fuck You, Jeff Davis, in this future, none of that comes to pass. So free time and personal passions for Scott. He has them, in abundance. So like. He gardens, for sure. That’s why I specified a duplex or townhouse instead of an apartment in a complex or building….they live somewhere where they at least have their own garden or yard. Scott designs and implements it personally, something like his own personal Zen garden on a scale commensurate with What He Deserves. He goes outside whenever he’s starting to feel stressed about some obligation or commitment or another, and just….plays.

That’s what it is to him. He just plants things. Prunes things. Adds fountains or bird feeders or statuary, little personalized touches here and there that make his own personal territory uniquely his and his alone. Gardening in his yard is His Time in His Space, and all the pack know better than to interrupt him when he’s out in his yard working away, unless its an absolute emergency.

Danny enforces this with an iron fist and an ability to tank your credit score and spread all your most embarrassing pictures internet-wide with just a single keystroke. And Danny is the enforcer Scott doesn’t have to be. People forget that everyone loves Danny….but in no small part due to his usual proximity to Jackson. Next to Jackson, everyone looks like an angel. But Danny, on his own? Can be mean. Will be mean, if you touch or hurt or threaten or even just inconvenience his man, because like, who the fuck do you think you are and also it doesn’t even matter because he just replaced your whole identity online and if you’re nice and apologize and kiss ass without Scott ever having to know What You Almost Did, maybe Danny will have mercy on you and actually let you know what your new identity is, so you can use it to like, make a new life with the details he made up to replace your old personal info that no longer gets you anywhere.

Danny - that’s Miss Nasty if you mess with his husband - is chaotic neutral with an exception for “this is my list of special people. Touch any of them and my alignment is Chaotic Evil for however long as until I have personally escorted you to your Doom and physically kicked you into a bottomless pit where you will suffer for eternity.”

But then he smiles and charms everyone into only remembering lol oh yeah, everybody likes Danny, so that once again, everyone forgets that’s at least partially self-preservation because if you don’t love Danny and everyone Danny loves, like, you’re dumb and also screwed. Why are you bad at making good choices.

Don’t feel bad though. Danny’s very good at making people forget this part, t least until the next time he reminds people of that little piece of trivia. Have you seen him smile? Its like that flashing bulb thing Will Smith uses in Men in Black to make people forget what they just saw or were doing. Except without any supervision and/or morality because fuck your ethics, its Danny’s bewitching smile, he’ll use it however he wants. Get your own.

(The thing is, any best friend of Jackson has to have at least a little capacity for Evil. Danny just hides it well, thanks to the cloaking camouflage of Actually Having a Soul in Addition, and like, being a people person who actually understands how people work and how not to alienate them by being a total uncaring jackass 24/7. Its a fine line, except its really not, and Danny is very talented at all things and possesses an abundance of charm. Plus he’s just hot, and like. Let’s face it. That always helps. I mean, definitely never hurts).

The end result of all this tangent-having, is that Scott has enough him time and enough of a barrier from people constantly distracting him, that the exterior of Scott and Danny’s place, for all its otherwise ordinary appearance, Scott has over time turned into his own personal slice of paradise, and is exactly what that looks like to him.

See, the thing about Scott is no matter how hard he tries to be ordinary and value being just like everyone else and get lost in the crowd…..he never will quite manage it, because Scott just isn’t like anyone else. He’s good, in a way that too few people even aspire to be, because so many people just think its not possible. Especially not after having lived through the kinds of traumas Scott has, been dealt an especially unlucky hand. But Scott manages it anyway, in spite of everything, spiting every thing that tries to make him be anything lesser….and because of that, he’ll always stand at least a little apart from the crowd, be a little distinct from the rest, impossible to ever fully be lost or muted by any crowd of any size.

And the little slice of the world Scott makes just his and Danny’s, no one else’s. He doesn’t even need to share it with his pack without it being any less inviting to his pack for all that. It reflects this understated aspect of Scott, this impossible to quantify essence of him that he himself is too unassuming to ever fully realize is there, and everyone else just accepts without questioning…because they’ve learned by now when you’re given a gift, just accept it and appreciate it.

So in structure and layout, their home is nothing special, but amidst a neighborhood of similar structures, it pops all the same. It draws the eye without dominating your vision. It makes you want to look at it, want to come closer, want to be around it, much like the man who designed it. Who made it, cares for it, and never neglects it or takes it for granted. Its always green, year round, and filled with a variety of flowers that come from all over the world but can all complement each other and coexist without endangering any of the neighboring plants. None of them overgrowing the garden or in any way being at any of the other plants’ expense.

They’re like Scott’s pack in that way….of all shapes and sizes, coming from all around the world, of all kinds of types, not even just limited to werewolves. All beautiful, all unique, all existing in harmony. Even though Scott’s never shared this with anyone else, in his mind, each flower or plant he adds to his garden represents one specific member of his pack. Its Theirs, its what he associates with them. In this way, they’re all represented, it reminds him whatever conflict arises internally, its nothing they can’t ultimately all work out without compromising any single individual. And with each plant needing its own special attention and time devoted to cultivating it and caring for it, they serve as proxies for the pack members they represent.

Due to this, Scott can tell himself with just a glance at his garden - reassure himself, whenever his self-doubts get the better of him and he starts to beat himself up for not being there enough for someone or neglecting someone or not doing better - but with his garden, just going outside and checking it over can remind Scott that he’s not neglecting anyone. Because every time he tends to the plant that represents a pack member, Scott reflects on that pack member as he does so. Just going over what they’ve been up to, mentally checking in on them, casting about to see if he’s noticed any sign something’s been bothering them, making sure to spend one on one time with them.

He can’t tend to a plant without associating it with their linked pack member….and in this way, as long as he can look around and take in with a glance the sight of his garden, all carefully tended to, no plant neglected, all watered and pruned and harmonious and appreciated….and it serves as a visual reminder with which to reassure himself….he’s not forgetting anyone, overlooking anyone. Nobody’s being neglected, he’s always thinking about his pack and keeping their best interests at heart and if any problems do pop to mind while he’s tending to one of his plants or flowers, of course that would be the first thing he’d make a plan to go check in on and address personally, once he’s making his rounds later and having a little face time and conversation with his various packmates.

Of all the flowers and various plant types in his garden, there’s only one fruit….a single eye catching and lovingly attended orange tree. That’s Danny. They’re his favorite, and orange is his favorite color. There’s just something unique about it. Especially in the midst of so much green.

The flowers nearest the front door and around the external structures of the building, a pillar underneath the small, roofed-in entrance way, perhaps, a gate at the front of the property, next to the driveway, maybe a trellis along the wall just next to the door…..the flowers adorning and framing the entrance to their home are a carefully arranged spray of seven different hues.

A literal rainbow, advertising this House and All Who Live Here Be Gaaaaaaay.

Scott’s always had a sly, understated sense of humor. Mischievous, but not usually at anyone’s expense, and subtle enough that most people don’t tend to credit him with having much of a sense of humor. He does though….he’s just never needed words to express it.

Advertising himself and his personal pride with a literal year round rainbow that’s still subtle enough that most people don’t clue into its layered meaning or implications without being told. Later in life, stable and safe and more centered, Scott gets a pretty big kick out of how often people fail to see what’s right in front of them. Him living his best life on his own terms and not even being shy about it….and if other people can’t connect the dots on their own….its a pity, Scott muses with a mostly internalized laugh, that most people are just in too big a hurry or too eager to take things at face value to truly see what their surroundings look like and are full of.

Danny gets the joke, and thinks its hilarious how few other people figure it out. But that’s mostly just because Danny can be kind of a dick. He’s sorry not sorry. Its not his fault people are dumb. RIP to 90% of humanity, but he has braincells.

He and Scott complement each other well.

Similarly, just as Scott’s personal space is outdoors, natural, and helps him feel part of the world, feel part of nature, connected to it and in harmony with the natural order of things and not something completely separate….Danny’s personal space is indoors, the extra room converted entirely into his personal office or Batcave. Filled with monitors and screens and hard drives, a Hacker’s Paradise that keeps Danny plugged into the grid, manmade tools and his own cultivated expertise giving him the world at his fingertips. Any needed information or a satellite view of something happening with allies on the other side of the world is just a few clicks of a mouse away.

He’s also got every video game console known to man, because Danny’s Me Time is kicking ass on whatever game the latest redditor or twitterbaiting bigot to catch his ire is high-ranking on.

And if he also happens to use his gameplay as an opportunity to backdoor into said Wankstain’s systems and do whatever needs doing to make his life and those of all his enabling social circle’s a living hell and a lesson in empathy that comes too late cuz nobody has any for them because they suck and are Satan….

Well. Sucks to be them, and also, what kind of moron makes enemies while online gaming without first erecting even a nominal defense against Superior Intellects who might feel like retaliating against his jokes, that aren’t really jokes so much as the synaptic misfiring of racist braincells and proof that sometimes, evolution shits out a turd?

“That sounds like victim blaming,” Scott notes in an absent kind of tone when watching over his husband’s shoulder one day. Not really judgmental so much as just something to say.

“You say victim blaming, I say pest control,” Danny hums unapologetically. “Sides, can’t be victim blamed if you’re not a victim, and you can’t be a victim if you’re really just a human-shaped mistake who has no redeeming qualities, an online presence that’s the virtual equivalent of bad BO with no medical cause for an excuse, and a social media history that makes a strong case for your best possible contribution to society being a qualifier for a Darwin Award. Would you blame a cockroach for getting itself stepped on by stepping out into the light? I mean, you could, I guess. Just doesn’t seem terribly productive if you ask me.”

“Why do you hate cockroaches? They’re living creatures who never did anything to you, why would hurt them by comparing one to this guy?” Scott asks, because that’s really the more important part of the conversation.

“Dunno,” Danny shrugs. “I’m sure I could find some way to blame it on childhood trauma if you really need an answer.”

“No, just wondering if you’re gonna be done in time for dinner. I’m making tortellini.”

“I’ll be done in ten minutes, I swear. And ready to eat like a metaphor that’s more appropriate to you. Righteous vengeance really works up an appetite.”

“Uh-huh. Just out of curiosity, who exactly are you righteously avenging at the moment?”

“Humanity? Good taste? God, who couldn’t possibly have foreseen this free will thing would go so very wrong? That poor defunct condom that tried its best but in the end, just wasn’t up to the task of keeping this shithead from being unleashed unto the Earth? I dunno. Do I have to pick just one?”

Not really. As stated, Scott’s not actually judging anymore than Danny’s trying to hide this from him. They’re both in total agreement about the kind of people Danny cyber-vigilantes. They just have different approaches about how they should be handled. Scott, while not violent by choice for the most part, does tend to favor the direct approach. He just feels its right that a person know why exactly he thinks they’re a terrible person who deserves what they get. So he tends more towards the approach of: punch a bigot in the face, wait for a second for a whiff of remorse or sign someone might be suddenly reevaluating life choices, because he’s Scott and hope springs eternal, but when no such revelation comes, just shrugging and walking away. Oh well. He tried. Sorta. Well, kinda.

Danny, in contrast, prefers to go for the jugular and leave no hint of who or what might have been behind the all-encompassing full frontal assault that hits every online trace of his target’s miserable and miserly existence. It keeps them paranoid and this keeps him sated. Plus, his stance is when they don’t know what exactly earned them an enemy of his caliber, it forces them to reflect or at least call to mind every thing they can think of doing wrong to someone that might result in that someone hating them this much.

The ironic thing of course is Danny doesn’t even really hate them, because that implies a level of giving a shit he can’t ever quite seem to muster. He mostly just thinks they suck and should suffer for that. And he gets bored a lot.

Look, his husband and fellow werewolves are off saving the world every other week and being all kinds of kick-ass and action adventure movie-star types in the process. A guy sitting behind at home all the time has to get his jollies somehow. Also, he’s compiled a very engaging soundtrack to accompany his personal heroic undertakings, and it does wonderful things for his self image. Danny’s all about that self-care.

Plus, the first time he and Scott had something of a disagreement on their approaches, Danny unapologetically stated that loving him meant loving his vindictive side, because he personally was quite fond of it and thought it was really something of a Look. Also, making that Look into a Thing might be something of a dealbreaker for him, because he really didn’t want to undersell his capacity to be petty, and how little shame he felt about having said capacity. His essential life philosophy boils down to sometimes people just suck and somebody needs to say so. Maybe by draining their bank account and redirecting the funds to an ironically relevant charity.

“Fine,” Scott had conceded with a sigh. “Just be careful about making enemies like this, I don’t want you to get hurt.”

(That was really his only real concern all along. He’s a Nurturing Nelly. Scott can’t help but be a worry wart when his husband roams the internet highways under a masked IP address, taking on bandits and bigots all willy nilly, with not a bit of concern for himself. Its their biggest common ground, and Danny doesn’t have claws or a killer bite to protect himself with. A bite fetish, maybe, but that’s not quite the same thing, and also neither here nor there, and also also, he would like to plead the fifth while reminding you he can access and pull up your full porn-browsing history if you’d like to press that line of conversation further. Pervert).

Anyway, alls well that ends well, and thus Danny couldn’t help but be charmed at the reminder that his hubby is a man with clear priorities and his biggest is always gonna be the safety of his loved ones. Aww, sweetums.

“Aww, sweetums,” he said, just to see Scott squirm, because the more unexpected the endearment, the more Scott doesn’t know how to take it. And a squirmy Scott is an adorable Scott, Danny has always felt, and he is a man who appreciates his eye candy, as well as a go-getter who knows what he likes and goes and gets it, even if that means playing dirty. Especially if that means playing dirty. Danny likes dirty.

After all, dirty men need to shower, and showering together conserves water, and having sex while showering together is just a solid application of having eyes, a hot husband, and a healthy libido. It just makes good sense. He’s goal-oriented and a linear thinker, what do you want, leave him alone. He’s valid and you’re just jealous.

Still, exotic endearment applied, he’d then followed up with:

“How dare you accuse me of being so bad at the thing that I am most skilled at that you imply I’m even capable of ever leaving digital tracks like a total N00b. What do I look like to you? A 4chan poster who just figured out how to spoof their GPS for the first time?”

Danny rolled his eyes, exaggerating his wounded pride. It was the principle of the matter, and he was very principled. Sometimes. Kinda. If principles mean whimsy and whimsy means shh, don’t interrupt me, I’m doing bad things to bad people and this is very important work that must be savored or you really don’t get the full oomph of the revenge-gasm. Yes, he said revenge-gasm and he meant it. No he will not elaborate. Imagination is free.

“Ten points from Gryffindor for your low opinion of me, your valued and valuable life partner. Also, no sex for you, until…..okay maybe that’s too far. You seem like you’ve learned your lesson.”

“You’re too merciful,” Scott had said drily.

“Nobody’s perfect,” Danny had said lackadaisically. “Also, not to disrespect your tortellini-making expertise, but any chance we can put a pin in dinner until after we go have wild, passionate sex? This pending revenge-gasm is making me horny and I really hate to waste a good head of moral crusading.”

“That was a terrible pun.”

“I have never made a pun in my life, how dare you, my sense of humor is sophisticated. I’m not a peasant, Scott. And where did we land on the sex.”

“Didn’t we just do it this morning?”

“I have needs, Scott.”

“You’re insatiable.”

“And water is wet. I don’t see the relevance. Also, if you don’t want me jumping you 24/7, you have no business being so hot. Its your own damn fault, deal with it.”

“There you go with the victim-blaming again.”

“I’ll do five Hail Marys after I finish doing sinful things to you and racking up another five. Its more efficient to tackle them all at once.”

“Not sure that’s how that works, babe.”

“Eh, guess I’ll just go to hell then. Still worth it. Still your fault. Oh look, I’m naked all of a sudden, how did that happen?”

Scott sighs. “What am I going to do with you?”

“R is for Ravish me, if you’re really looking for suggestions. I can probably do the whole alphabet if you need. Or just do me. Whichever.”

Scott cut off further melodramatic peacocking with a kiss.

Things proceeded to a total media black out from there. Further voyeuristic attempts at seeing the Alpha and his mate get down, get down, would necessitate the invocation of the cautionary tale of the last pack member to not properly respect the sanctity of the inner sanctum of the Vindictive Master of Digital Identities and Other Important Details. His name is Chester, middle initial A., surname with a phonetic similarity to certain orifices. That wasn’t always his name, but it was once Danny got done with him, and that was only after Scott gave him the Pointed Stare of One Who Will Look More Benevolently On Those Who Demonstrate Both Mercy and Restraint.

Tis very much a tale of woe, as Chester is 6′5″, 260 lbs of visually intimidating werewolf muscle, and facial features that when accompanied by choice words and phrases, rather does call to mind certain similarities to certain orifices.

Like I said. Danny is very good at what he does. And everybody loves Danny.

….Aside from all other motivating reasons, its just a good idea in general.

Y’know.

Practically speaking.

#scanny #future fic not fic #idk #look call it whatever you want just dont quote me #like I ever know how to describe half the stuff that comes out of my head #lol as ifffff

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kalico-to-the-letter · 6 years ago

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REVIEW // RWBY | 6.12 | “SEEING RED”

AKA love.

Welcome in to my review of Volume 6, Chapter 12, entitled, “Seeing Red”.

In this episode: One fight becomes pointless. Another fight ends.

Deep breath, everybody.

ONCE MORE, WITH FEELING.

As someone who was watched a lot of episodic stories, be it web series like RWBY, or an anime, or western television, I can say that one of my favourite experiences is seeing a long-term storyline come together and hit its climax.

I don’t write this to suggest that the culmination of Blake and Yang’s story is the best thing I’ve ever seen – who knows what that even is, after all these years? But it’s still really damn good, and the definite standout of a great episode.

You know, the story of Blake and Yang is one defined by demons, both internal and external �� even going back to Volume 2, when an insomnia-riddled Blake spent ages jumping at shadows and snapping at her teammates until Yang was finally able to snap her out of it.

Of course, it undoubtedly took off at the end of Volume 3. One girl losing an arm and the other fleeing in the dead of night will do that for a storyline like theirs. Between then and now, Blake has spent two seasons embroiled in the Menagerie uprising and at times clearly has avoided reflecting on what happened with Yang. On the other hand, Yang was left alone to confront trauma and disability, and eventually had to deal with reuniting with Weiss, Ruby, and her estranged mother, with the thought of Blake very much on her agenda throughout. It’s an uneven divvying up of them time, to say the least. And while this season has teased great explorations of their relationship, those execution has been disappointingly limited to some flashes and the odd good scene here and there.

Not to mention that the primary spectre of the storyline, Adam, fulfilled the minimum requirements for a character of his kind without providing a whole lot of depth. At this point in the story – the penultimate episode of Volume 6, he solely existed to be vanquished and provide closure to this loop.

But even with those foibles, this is ultimately a story of the love between two people conquering the demons that threatened to rip them apart, and it manages all those requisite beats with aplomb.

The fight itself is shorter than expected, but constructed with enough efficiency that it doesn’t shortchange the viewer. Psychologically, it’s satisfying and consistent, calling back to some of Yang and Blake’s old moments of teamwork. I love the use of Blake’s broken sword as the thing that finally does Adam in. The fight dredges up the problems between Yang and Blake, correctly pointing out Blake’s abandonment and Yang’s past failure against Adam and everything that came as a result. And the story uses that thread to craft its conclusion; individually and as partners, Blake and Yang prove wrong Adam’s ideas of them, and beat him by affirming their bond. Lovely, that.

And this is just one half of a great episode.

It’s not that the conclusion to Gang vs Mecha Cordovin can match the other story for significance or action. This particular fight – and its fallout – is far more about establishing images to set up the finale rather than providing catharsis, but these images set up enough to have me very interested indeed in whatever is to come.

There’s Ruby diving into the barrel of the mecha suit’s cannon, all maturity and growth, disabling the weapon. And before that, standing up to the Atlesian zealot and speaking the real about the pointlessness of their fight, and shrugging off Qrow’s concern. It’s not as if she knows she’s absolutely going to win, either, but she knows there’s always another way to get where she and her friends need to go. There is Cordovin herself, someone who has let her grand proclamations and her desire for control obscure the true purpose of her presence in Argus. And while I feel that the sudden appearance of the Leviathan is a cheap way to create some higher stakes for a finale otherwise lacking in obvious crisis points (due to the mismanagement of the antagonists aside from Cordovin and Adam), the dynamic it creates with Cordovin’s delusion is one I really enjoy. And it looks pretty badass, stomping through the ocean like that. Reminds me a lot of Nier: Automata.

But now, we as the viewers know that Cordovin cannot be relied upon to deal with the new Grimm threat, right? Good thing a certain red-caped someone has been sufficiently built up to the point that she can just step into being the new Guardian of Argus in Cordovin’s place.

So, despite my issues with how the back end of this season has chosen to ignore much of the early setups, the season as a whole has been thorough and consistent with Ruby’s storyline, and it’s set to deliver right to the very end. And now the finale has a clear direction, something it’s been lacking up to this point. Take that, and add everything that Yang and Blake have just done? I would say there’s still plenty to feel good about with this season, and this penultimate episode did quite a bit to restore my positivity for what’s to come.

OBSERVATIONS

Ima discuss the particulars of that relationship here, because I don’t want to bog the review down. Some people may think it absolutely matters for the show to be more explicit in defining what now exists between Yang and Blake. And while I understand that argument on representation grounds, I do also subscribe to the idea that some bonds transcend explicit labels. Now, I will say that what these two now have is love, or something close enough that the difference is irrelevant, but personally, I feel that arguing over “romantic” or “platonic” in this case will just be pointless semantics, and ignore the clear and obvious beauty in how these two are depicted together.

I’ll discuss Ruby in greater depth with the finale. While there is plenty I could say about how this episode all but solidifies Ruby’s growth across this season, I have a feeling that another important chapter will be added to her story next week.

Goddamn, Adam got the sticks put in him. Huh?

That moment again: Yang catches another charged slash, and tosses Adam’s sword into the water. He goes after it, only to be hit with an out-of-nowhere uppercut from Blake. They both lunge for a piece of Blake’s broken sword; Blake gets there first, and Yang picks up the other piece. From there, it’s academic. This fight in its entirety has been very well-staged across the three episodes.

“What does she even see in you?” – Adam. I’ll just leave that line there.

For many years, I’ve been a Blake/Weiss shipper. If you’ve read my fan fiction, you know this. Since I stopped writing fan fiction, however, I haven’t really “shipped” any particular pairings. These days, I more or less just pay attention to what the show does with its relationships and do my best to explore them as they come. All of this is to preface my statement that I love how the show has built this relationship between Blake and Yang. In the early days of the series, I wasn’t a big fan of them together, just because Yang’s character was too thin for me to buy into the ship beyond a surface level. Of course, Yang has since gone on to become a fantastic character … it’s funny how these things evolve.

Cordovin paints an interesting picture of the “Atlas Superiority Complex”, doesn’t she?

I imagine that Yang and Blake won’t be asked to do too much fighting in the finale.

GRADE: A-

While reservations about squandered story potential remain and will likely persist beyond Volume 6’s conclusion, “Seeing Red” cleans up the trajectory of the season’s endgame and creates some interesting character-based action and drama for next week’s finale. It all but solidifies Ruby’s ascendancy as a heroine, and even though the reappearance of Grimm at this point smacks of lazy writing, it creates interesting stakes nonetheless. But of course, this episode’s strength is buoyed by the culmination of Yang and Blake’s long-running storyline. Emotionally satisfying as well as efficiently crafted, their final showdown with Adam is a beautiful affirmation of their bond and everything that has gone into it up to this point. – KALLIE

#rwby spoilers #rwby reviews #rwby6 #rwby volume 6 #rwby

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madfictionland · 6 years ago

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KHIII - Strengths and Weaknesses of Nomura’s Insanity

1. Xehanort Saga’s Closure

Great:

- Axel vs Xemnas sequence and that entire battle alongside Xion and Roxas, with Shimomura’s orchestrated music - Sea Salt Ice Cream Rules!

youtube

it was just golden and weighted heavily on me! Lots of emotions and great closure there

- Xemnas and Ansem... being awkward... it was extremely weird at first, seeing them on strange errands, behaving the way they did, no Darkness lines for Ansem, and overall the two of them kind of less important than Xigbar, for example.

But it was actually perfect and then it all came full closure with their defeats! They were taken from their own timelines (in which they were soon to be defeated or right before the final blow?), briefed on the current situation and assigned tasks under MX. And Ansem being the most awkward because...

no madness, no darkness showdown! Being approached by some children! it’s just aren’t his thing, clearly... Oh, and Xemnas handling the “benched” Norts as if they were his students, something that he does proudly. Pretty much the only thing that gives them both purpose after that time travel ordeal is the sense of companionship and MX’s goal which they feel obliged to pursue “because they are him” - only not really, actually. Because as it turns out... they found they did not really care, in the end.

So yeah, in the end it’s actually pretty sad... and they fade away to be ultimately defeated in their own timelines!

- Young Xehanort being an utter dickhead of darkness (although the bad thing is... no more backstory, explanation and only minimal amount of screen time for him, damn)

I mean, seriously, I enjoy the fact he turns out to be one of the most engaging KH3 villains, so focused and bitter. When you think about it, then it makes sense since he was given great power early on and explored through time... obtaining even more power. He never met Eraqus, he never created his bizarre self-rightous grand goals to begin with... He was just... alone, traveling through time, and exploring the outside world through darkness and his dark future selfs, the future that he embraces fully. He is the embodiment of everything what’s dark about Xehanort, in some aspects perhaps even more souless than the old man himself, and we even have him take on Ansem’s role... lol

I like his interactions with Sora, especially here.

- Goofy being smart in the Xehanort’s plot business, lol and they’re always debriefing Sora on Mickey’s encounters from BBS. Nice!

- Finally we know how Axel and Saix got turned into Nobodies - we really needed that backstory...

- The replica research plays a big part here and it serves to create vessels for hearts... with data!memories... and we even get glimpses of artificial hearts being researched now... nice, it REALLY does bring into closure all this data madness that Nomura had started

- Vanitas regenerated through negative emotions of children’s screams in the Monster world + his entire ending with Sora/Ven which was amazing - Vanitas was darkness and it was his own choice because his very nature was darkness... he wouldn’t have it any other way! but despite this, he appears to be actually humanized in the end, at least as much as a rebelious pure darkness plucked from someone’s heart can be

- Terra reveal and him being Ansem SoD/Terranort’s sidekick pet all this damn time... like, I never thought that’s a possibility... even though it does make sense...

Now that’s the kind of crazy Nomura reveal that I like!

- Yen Sid finally takes action! WOOOOW

- final battle with 3 main Norts, and Master Xehanort doing a fingers thingy!

youtube

With a glorious MAD score and mix of all three bosses themes! YESSS

Bad:

- Kairi situation... although to be honest it was expected so it doesn’t weight on me too heavily, personally

- very few cutscenes/very few long dialogues and NO backstory cutscenes... now that’s a BIG flaw

- none of the time travelling stuff from DDD gets explained... we don’t know why Young Xehanort is still here despite (apparently) dispersing at the end of DDD... and we don’t even know which Norts are time travelers... and we don’t know their backstories either... how they got Norted? When? How many are there??? It’s not even clear if all of them (those that we meet in game and cutscenes) are present at the final battle because 13 figures showcased with MX prior to battle... all of them with hoods! And we know Demyx is not one for fight so maybe he bailed? Plus Vexen betrayed them? Also, Marluxia, Larxene, Demyx and Luxord were all secondary vessels... kept only due to their Keyblade War connection... so I would assume they had other more serious Norts in store? So who exactly was fighting and who wasn’t? Who was a time traveler and who wasn’t? Who was in a replica body and who wasn’t? Also, is Xigbar a Nobody or somebody Braig with Xigbar’s features? Just FUCK IT. I really like all these convoluted little details but none of this was discussed... which is so unlike Nomura...

- very little presence for MX, no backstory explored and... overall VERY anticlimatic final boss fight and weak ultimate resolution to his “big” saga

- Vexen is just too good at pretending... he really does seem like a bad guy again, who just wants to do research, I don’t buy his sudden redemption and I actually thought he was going to double cross Ansem and use him as his puppet! How can Vexen even feel anything, especially redemption desire, as a freshly cooked Nobody? lol

- Big big flaw is that many Norts were... not really Norts. What’s the point of them getting Norted if they don’t get a slight change in personality and aren’t driven by Xehanort’s purpose? It worked so well with Saix... only think what kind of Demyx or Larxene we could get if they were actually Norts. Seriously, that was disappointing. Frankly enough, we even have Demyx say this line...

which is EXACTLY the case, he would make an interesting vessel, and I assume one capable of good fighting skills or intimidation... if only they were influenced by the entire process and written as actual Norts - important to the plot - not just some toys and Keyblade War Legacy research project for Xemnas...

2. Union X / more...

Good:

- Ephemer and all the Keyblade wielders coming to help! With players’ names shown! Just wow, this was super powerful, and great soundtrack for it too. Also, it kind of confirms my suspicion there were two Keyblade Wars? The “Lost Masters” one and “Union Leaders” (the one in which Ephemer fell, thus he is there with the “spirits” of the wielders).

- Ven’s Chirithy, such a cute little detail :)

- The Final World - atmoshere, music and design... all of them GREAT. It makes sense in the lore + some of its design/animation reminds me of data worlds... Hmmm, could it be... some kind of bin folder on the MoM desktop?

In any case, the future of Nomura Mindfuck seems bright

- the ending with Sora vanishing (to another plane/world?) and Secret Movie with MoM fucking conceptualizing Kingdom Hearts under the normal’s moon light, all of it in a remake of the newest FF title......

I mean, we are one step closer to ultimate shit, right? Which would be Nomura self-inserting himself into the game as Master of Masters... and I’m all for it! XD

- seems like the time travelling Ven + other guys from Union Cross will be progressing places... diferent worlds, planes, realities? And I like it, this seems more interesting and like a fresh surge of madness from Nomura that he kind of wanted to do with Xehanort (hence time travel) but wasn’t really able... in the end. So maybe, just maybe... MoM will get a better conclusion?

- Xigbar makes it to another game. What can I say? I like him, he’s entertaining, that’s all

Bad:

- Xigbar being Luxu seems to be poorly explained, like... he ONLY pretends? Even in those Braig scenes from BBS? And when talking with YX? Really? Even though his BBS scenes were short and we knew nothing about him... it could have been done better, like maybe Luxu planted a piece of himself into Braig and pointed him towards Xehanort, but he wasn’t actually Braig? Hence the guy who gets Norted - Braig - isn’t Luxu? At least not yet? But then Luxu can take over? Well, I think that would be much better... unless there is more to it that we don’t know but i really doubt

- Maleficent, the Box, Xigbar searching for the Box... (wtf even? what MX has to say about this? what’s that box Xigbar? and how dare you hide shit from me?)

All of this... is quite different than earlier KH hints or reveals. It’s just extremely CRYPTIC. It leaves you with nothingness because the characters themselves feel like nothingness when they are forced to speak about this. I could understand it if it contributed to KH3 plot in any major way, like the box being a catalyst in MX’s plans maybe, but it wasn’t - it was pointless, so the attention it got, and they always speak about it in such vague terms... what’s the point? because that’s hardly a surprise and we knew about the box...

- Maleficent and Pete are pointless, especially pointless because the only way for Maleficent to be interesting was to explore some of her hidden (?) memories regarding her time travel experience (which she does not remember, I assume?). Instead, something was “etched”... and a black coat told them about the box... and replica Riku has an akward encounter with them... but nothing is explained or actually said in clear terms. OK, so it sucks, why don’t you skip their cutscenes then - it does NOT create a *Nomura mystery*, it just says “here is some random gibberish that won’t be ever explained because it doesn’t mean anything and doesn’t introduce anything new” A Nomura mystery would be to explain to us whether Maleficent actually remembers the box from her time travel experiences and THEN introduce a new solid mystery, like: she doesn’t remember, but there was a mysterious black coat guy who said there was a box (and there would be a flashback of this past encounter!). But at this point it seems like Nomura just completely doesn’t care, at least not in KH3

The Final Judgment: KH3 was quite a letdown (as the Xehanort’s saga conclusion) but still enjoyable and with grand potential for better mad shit in the future.

PS: Also, it delivered the greatest score in the history of KH... so that’s a win!

#kingdom hearts iii #kh3 spoilers #kh3 opinion #xehanort saga #tetsuya nomura

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placetobenation · 4 years ago

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Last week, I called for a bit of reflection and honest from the WWE. And I think they delivered a solid week on the rebound.

I’ll admit, it didn’t start well as the first couple hours of RAW wasn’t exactly must see TV with Nia Jax and some questionable booking messing things up. But, Sasha Banks title win and Dolph Ziggler vs. Drew McIntyre’s Extreme Rules match changed the momentum. Add in The Legend Killer’s new lust for the WWE Championship and they were off in running!

Keith Lee carried the torch over to NXT with a career best promo on Karrion Kross along with a strong presentation in the ring Wednesday night.

And how about SmackDown on Friday! The Fiend unleashed again, FINALLY!

Plus, I’ll say this – the shows “sounded” better with some renewed energy. It’s a good start and no, one week doesn’t make everything ok, but it sure makes everything better than it was 7 days ago.

It’s a positive sign as we head to the year’s next major PPV at SummerSlam. I wonder if the rumors of the WWE trying to hold it outside on a beach or in the NorthEast somewhere in front of a small crowd come true. If nothing else, it would be a visually pleasing change for a night. And what’s with the announcement of a Payback PPV just one week after SummerSlam? Brings back shades of Tuesday in Texas back in the old In Your House Days as The Undertaker took on Hulk Hogan in back-to-back weeks on a PPV.

Star of the Week:

Dominik Mysterio – OK, I’ll admit it’s a bit of a stretch, but damn, that was some nifty kendo stick wielding Monday night. It looks like the kid might be able to handle himself. We’ll see in the upcoming weeks and we’ll have to see if Dear Ol’ Dad sticks around to see it. See what I did there…

RAW

RESULTS

Andrade & Angel Garza defeated The Viking Raiders and Ricochet & Cedric Alexander to win tag team title match at SummerSlam

Nia Jax vs. Shayna Baszler went to a double count out

Bobby Lashley defeated Mustafa Ali

RAW Women’s Championship Match: Sasha Banks defeated Asuka to win title

Murphy defeated Humberto Carrillo

Non-Title WWE Championship Match – Extreme Rules: Drew McIntyre defeated Dolph Ziggler

Loved it:

Drew vs. Dolph II – While I don’t think we needed a rematch one week later, I give big time props to Drew McIntyre and Dolph Ziggler for putting on another amazing match. This time it was Extreme Rules for everyone and they did not disappoint. Kudos to both for putting themselves through another brutal physical match just one week after their first one at the Horror Show at Extreme Rules PPV. Dolph, even in defeat, helps steal the show.

The champ never saw it coming. RKO OUTTA NOWHERE by @RandyOrton! #WWERaw pic.twitter.com/2XJINy7R1N

— WWE (@WWE) July 28, 2020

Randy vs. Drew – The two hottest stars on the men’s side of Monday Night RAW are now set for a collision course at SummerSlam. Sure, once Randy Orton made his feelings for the WWE Championship known at the start of the show, we all knew an RKO was coming to end the night for McIntyre. Still, out of nowhere, a feud that could be one of the year’s best has begun!

I was able to accomplish so much in the last three years, but it wasn’t because of my ability or my strength. It was because of all of the constant, warm support from the fans. I am so thankful I could meet you all. Thank you from the bottom of my heart, Kairi Sane

pic.twitter.com/BaH2UBi9wn

— KAIRI SANE (@KairiSaneWWE) July 28, 2020

The Main Event – There’s nothing wrong with Sasha Banks and Bayley holding all the Women’s Gold in the WWE! Sasha has earned it now with a win over Asuka Monday night. The odd part of it is that the WWE used Bayley’s attack on Kairi Sane to make it happen. Of course, this tactic has been used time and again over the course of wrestling history. No shame there. It’s the fact that Sane is now gone from the WWE and they let Sane tweet about it during the show. Very strange indeed to those on both screens at the same time. But, mind you, only 13% (give or take) of Americans are actually on Twitter so take it with a grain of salt. It just shows lack of detail. Great feud somewhat overshadowed by a sidelight. Now, what does Asuka do next?

Hated it:

Nia vs. Shayna – Why on Earth did they waste my time with not one, but two segments that settled nothing. Jax just lacks depth on-air and it’s the same ol’ story. A battle between Baszler and Jax would be fine if they just let them go. But, to give me a short brawl followed later in the night by a useless (and short) count out was pointless. If you want them to fight, let them fight. Don’t waste our time.

Why?:

.@WWERollins & @WWE_Murphy went TOO FAR with @WWEAleister…but @35_Dominik went to the EXTREME!#WWERaw pic.twitter.com/3RPkoRte9T

— WWE (@WWE) July 28, 2020

Monday Night Messiah – If Seth Rollins is that influential and The Messiah, why does he only have one minion? You would think after months of saying he’s a cult leader, he would have a bigger following. Plus, what exactly in this continuing obsession with people’s eyes? I was hoping that would be left in the past with Rey Mysterio, but now it’s Aleister Black’s turn as he is on the shelf with arm and eye injuries after this week’s attack by Murphy and Rollins. I guess it’s Dominik Mysterio’s turn to take on the MNM. Let’s hope he continues to bring us to the Extreme with more than kendo sticks. But, it was a nice start for the younger Mysterio.

Intrigue:

Just like THAT, it's official.@Zelina_VegaWWE will lead @AndradeCienWWE & @AngelGarzaWwe into #SummerSlam to challenge @AngeloDawkins & @MontezFordWWE for the #WWERaw #TagTeamTitles! pic.twitter.com/dY1ZilL1IK

— WWE (@WWE) July 28, 2020

Tag Team Titles – I love what The Street Profits bring in and out of the ring and now they have a new challenger in Andrade & Angel Garza. They are so many ways they can go to get to their Tag Team Title Match at SummerSlam too. Maybe we’ll get a Bianca vs. Zelina side story too to make things interesting. Either way, the matches should be fun and if done right, it’s a pairing that could (and should) last on and off for the rest of the year.

Where’s Apollo – C’mon WWE – just be honest and let us know the deal with Apollo Crews. If it was just a neck/disc injury, wouldn’t Crews have done an interview segment at least? Maybe the rumors of Crews having COVID-19 are true and if they are, the WWE would be serving the superstar and its audience better by being honest.

NXT

RESULTS

Io Shirai & Tegan Nox defeated Candice LeRae & Dakota Kai

Johnny Gargano defeated Roderick Strong

Mercedes Martinez defeated Shotzi Blackheart

Non-title NXT Tag Team Championship Match: Imperium defeated Ever-Rise

Isaiah “Swerve” Scott defeated Jake Atlas

Triple Threat Match: Dexter Lumis defeated Timothy Thatcher & Finn Balor to earn spot in North American Title Ladder Match at TakeOver: XXX

Loved it:

"Kross, you have clearly made it a point that you 𝒘𝒂𝒏𝒕 my attention, that you 𝒘𝒂𝒏𝒕 my championship and you've done such extra BULL****!" #NXTChampion @RealKeithLee is PISSED. #WWENXT pic.twitter.com/QinBFDoKDd