You say you don’t like the killer reveal, why? I actually think dev made some great choices and I’d love to talk to you about your perspective.
i don't want to get too deep into it because, like i mentioned in my previous post, i don't want my criticism to come off as negativity towards the series or discourage anyone involved in the production of the show because it's honestly not a huge deal. like, it in no way ruins the show or makes it less enjoyable for me. and i don't think the choice of who the culprit is is a bad one at all, i'm mostly unsatisfied with the way the chapter handles it.
[spoilers beneath the cut, obvi lol. and please remember this is just my opinion. me having and expressing my opinion is not hate towards the series. i'm nervous enough as it is posting just this and not a bigger essay on all my thoughts because i really don't want to have this be misconstrued, nor do i want any criticism i have to give, regardless of how innocent and respectful my intentions, to make drdtdev or anyone who works on the series feel bad.]
i think Ace being the killer DOES make sense. i have no qualms with him being the blackened, in theory. do i think he could've made for a great survivor, or have really interesting growth throughout the coming chapters? yeah! i would have loved for Ace to be kept around for much longer. but him being the killer this chapter isn’t inherently bad. it's now clear that there's a specific direction Ace's character was meant to go in this story and i think that's fine.
my problem is with what *didn't* happen with Ace's character up to this point.
the chapter hasn't concluded yet so there's still a chance for my thoughts to change, though i don't think it'll make much of a difference. but i'm still waiting to see if it can stick the landing. and even if it doesn't, that's okay. i've already accepted it, i'm just still disappointed by it all the same.
Ace, honestly, hasn't played much of an active role in the story. he's been a source of conflict and comedic relief, and that's okay, not every character has to be as important as Xander or David...but he hasn't really gotten to *do* anything. this series is very character-driven, and thus is very focused on the relationships between other characters. Ace has only had one notable relationship (outside of his feud with Nico, but i'm not really including that as a "relationship" for obvious reasons), and that was with Levi. and that didn't even stay positive for very long. and we also know now that Levi didn't even care about him to begin with because he doesn't care about people in general.
not only did Ace never really get to establish any other relationships, no one ever LIKED him. of course a good portion of the fandom likes him, but in the actual story, no one cares about him. no one will miss him. his death is honestly kind of meaningless character-wise. does it serve as a lesson to some of the other characters? sure. but he's going to be dying here with no one ever liking or caring about him.
Min's story wasn't just a cautionary tale. people did like her, people did care about her. she was friends with a lot of characters, she got to have an impact in the daily lives of others. we got to know her better, the things she liked, her deeper thoughts and opinions on things. she got to do stuff, and we got to learn about her. her death meant more to the characters beyond just being the first culprit. she died as a person, not just as a character.
most of the stuff we know about Ace is surface level or things confirmed in Q&As. he doesn't get to contribute much aside from the aforementioned conflict/comedic relief. i understand where the show is going with that idea, and why him not being liked by anyone is a specific part of what led him to murder, but that's not really what irks me. it's that Ace never got to really be a *person.* he's essentially a plot device, serving the greater "good person" theme going on this chapter, and filling in the smaller roles in the story when needed, like an antagonist in a scene or delivering a gag. yes, his admittance to killing Arei and eventual post-trial trauma dump will give him a bit more humanity and character...but that's not really enough.
we only get to see Ace how the other members of the cast see Ace: his loud, combative, aggressive side. the side that makes people think he's nothing more than an angry meathead who can't do anything right. we never got to see much of his other sides, of a much more somber, melancholic Ace. receiving even a hint of the Ace we see in his confession of guilt beforehand would have given him the depth we needed before this point.
to explain what i mean: imagine how unsatisfying it would have been if we never got to actually see Arei's breakdown in the playground. if Teruko had left before it happened, and we only get to learn what happened from a flashback from David's perspective. we already feel the weight and tragedy of Arei's death when her body is discovered because we knew beforehand why she behaved the way she did, how she never even liked being the way she is, and wishing she could be a good person like Eden. if we didn't get to see that happen beforehand, Arei's death would feel very flat and detached. her character growth would've happened entirely retroactively.
that's how i feel with Ace. it's not like he didn’t get enough spotlight this chapter, he certainly did. but every scene he was in really didn't really add anything new to him. the only thing that "progressed" with him was his hatred and paranoia. we just see him descend with no uplifting moments, no emotional hook to make us feel anything for him. the closest we get is the scene where he's arguing with Nico and Veronika at lunch, ranting about how poorly everyone thinks of him and that they all assume that he's for some reason happy to be the way he is. but it's really the barest of scrapes towards the deeper layers of his character.
a big problem is that there were a lot of chances for his character to actively be *explored*, but instead, the narrative perspective of him stays completely stagnant. the time we get with him this chapter doesn't give him any greater focus. and sure, you could say that that might be a big giveaway to him being the culprit, but i think if the time between character spotlight is distributed evenly, that would be easily circumvented. there was a lot more time that could've been spent building Ace's character beyond his animosity and self-loathing tendencies. we could have had someone actually attempting to bond with him, even if it doesn't turn out well. even if all the characters distrust each other to varying degrees, there's still a lot of characters that like each other or have unique bonds with each other that make them stand out and feel worth remembering, because those bonds contribute something to their characters. but with Ace? he truly gets the short end of the stick, because this isn't just the characters neglecting him, it's the story itself. if Ace got to have a moment like Arei, maybe someone to confide in, even if he wasn't really friends with them or liked them at all, him being vulnerable just once and having a moment with someone else would have rooted him in more as a person who fell victim to what the killing game wanted from him and not just a fictional character fulfilling the purpose required of them in the story.
honestly, it's a bit of a slap in the face, the way the show goes about it. because in hindsight, Ace's whole character is *meant* to be wasted potential. after all, his related phrase on Mai's bio page is "a girl who had a bright future".
he was set up to have the potential to change, the potential to add more to the story, the potential to show us more than what we were given. and i think the show kind of knows that and specifically perpetuates that. the scene where Teruko tells Levi to give up on trying to apologize to Ace almost reads as the show itself telling you to give up on Ace. that, why should we care about him? he's not going to amount to what we want from him. there's no use in investing our feelings in him.
whether or not any of that actually was intentionally doesn't matter, unfortunately, because rewatching so many scenes having this new context really makes it all seem like Despair Time doesn't want you to care about Ace. that Ace is meant to be a waste, that that's the core of his character. him being the epitome of wasted potential could have been great, actually, if they chose to use even a slight bit of that potential to build him up more before his inevitable demise. instead we watch him eat shit throughout the entire show thus far only for him to get royally fucked at the very end in the worst way possible. Ace's theme of wasted potential is only wasted potential because nothing is ever done with him. not actively, anyways. whatever his post-trial confessional is like won't really give us what we needed from the start. Ace didn't just deserve better in his life. he deserves better as a fictional character. he deserved to be a person and not *just* a character. he deserved to have deeper, emotional character moments outside of the trial, long before his murder confession and rapidly approaching demise. he deserved to be 3-dimensional.
again, this is all just my personal opinion, and there's still a chance the show can stick the landing and make Ace as the culprit feel a lot more natural and deserved. i'm not really confident in that happening, but drdt is full of surprises as well as a lot of great writing. that being said, even though i believe they kinda fumbled the bag with Ace here, i don't hate this turn of events. although he's a big favorite of mine, i still wanted Eden to be innocent over him, because she's also a great character and her killing Arei would not only be pretty huge character assassination, but would also make Arei's death meaningless. and i also think there were other characters who could have been better candidates as the chapter 2 killer (not just Hu, i think Levi, Arturo, and maybe even J also could've made for compelling culprits with the right reasons).
i'm content with this. i'm heartbroken he's going so early and i wish the execution of his guilt had been a lot better, but overall it's not terrible. he just deserved so much more in many different ways.
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An opinion on sexuality no one asked for, and I’ve been putting off for a long time because it’s a little bit touchy for me;
I kind of refuse to put any label on Kuzco, and here’s why.
In the movie they portray Kuzco as flamboyant, feminine, sassy, arrogant, narcissistic and lazy before the big llama fiasco— which to some, automatically makes him gay, or as some people put it ‘a bi/pansexual icon’ or whatever.
The scene with the brides is and has always gone down as a ‘LOOK! Here’s the proof!’ that he’s gay because he’s so dismissive and condescending to them, and insists the match maker could do better. When in reality, it’s because he’s 17 IN THAT SCENE, and is more concerned with his upcoming birthday and the meeting with the peasant who’s hill he’s going to destroy to build a WATERPARK ON. Because he is a selfish little PUNK, and does not care about the bride stuff. At all. Not because he isn’t interested in women.
The brides thing is a tradition— a boring one at that— and while yes he has to marry to hold the throne, I’m of the mindset that it has been DRILLED INTO HIM from the moment he could walk that as Emperor, he is FLAWLESS AND PERFECT in every way, the ideal of the Incan people and a literal descendant of the Sun God— any potential bride he chooses should be AS perfect or flawless as he is, to carry on the Royal genes and continue the perfect bloodline. Which? If he thinks HE is the ideal and the most perfect Incan and a gift to all mankind, WOULD MAKE IT IMPOSSIBLE BECAUSE NO ONE WOULD BE ACCEPTABLE TO MARRY, since there is NO ONE as perfect as HE IS.
It literally says it in the song;
“The quintessence of perfection, that is he.”
“Years of such selective breeding, generations have been leading to this MIRACLE of life that we all know!”
I dislike the idea that BECAUSE he is a sassy man who at that point in time (before character development) had incredibly high, near impossible standards and no interest in following along with a boring tradition, is automatically assumed to be gay or at the very least, not the ‘western’ interpretation of straight or whatever else.
The scene was meant to portray him as an arrogant, selfish prick who finds enjoyment in belittling others and has little care for anything that isn’t himself or something that can immediately benefit him. It was supposed to give us an idea of what his personality is like, how cold and dismissive he is, not that he’s not interested in women or that he’s gay.
In Incan times the Emperor often had a harem of women at his disposal, marrying several who held his fancy, but his ‘main’ or primary wife would often be his sister and any children they had would be of the official royal bloodline since they kept it in the family, continuing on the perfect genes.
I don’t think it’s fair to classify Kuzco as anything based on the movie, because the only thing we saw of that nature was the bride scene and all of the sass he carries like a security blanket (bc it is but that’s a different Headcanon) and the fact that he doesn’t have a love interest, but WOULD have if the original adaptation (kingdom of the sun) had more influence on the very troubled finished movie.
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Helloooo, just saw the big ol Callie rant and thought I’d share my (albeit not as detailed) thoughts cause the first Splatoon game I played was Splatoon 2 and I took my sweet time on the story mode.
Despite her being your main companion throughout the story mode, I found Marie’s spiteful and clearly discriminatory language towards the Octarians to be consistent overkill, while she was obviously mad about Callie “going missing”, these fellas were only doing their jobs and it was painfully clear that Marie had an inherent dislike for their entire species. Since I hadn’t seen Craig Cuttlefish before I didn’t know that this discrimination came from him, with a distinct parallel between their jabs (aggression being directed and focussed at the Octarian species at a whole rather than the reason you’re here in the first place) and with the fact that I was the one barging in and committing wanton destruction and violence in their territory the universal hate felt incredibly undeserved.
As for Callie, no Squid Sisters songs feel so authentic and genuine as the ones made in Octo Canyon. Even Bomb Rush Blush isn’t trying to sound perfect for any pop lover’s fragile little ears, it’s erratic and fills every silence like a one sided argument. With each song sounding like a vent album and the art showing Callie to be miserable and having to desperately hide it on the surface, she’s seemingly using her distance from Inklings as an opportunity to be completely outwardly honest and express the deeper emotions that wouldn’t be accepted in the media she’s surrounded by. Rather than “I REMEMBER!!!” being some ooga booga the cool glasses magic has been dispelled, I saw it more as Callie accepting these emotions she’d kept from expressing and realising her lifestyle and family meant enough to her that it would be more worth it to try and work through those feelings with them rather than use an outlet that worries them. Additionally, she has quite the opposite view on Octarians to Marie, finding them consistently cute and clearly still being friends with Octavio as they collaborated during the Low Water Party after the events of Octo Expansion (discreet lore but it shows she truly had an enjoyable time there!)
Now I could ramble about DJ Octavio for hours so I will cut this short, while - as you mentioned - Octavio was helping Callie escape the stress of her lifestyle in the interest of his own species, (uh oh the can of worms is threatening to open) insert the fact that Octavio winning means species equality through political negotiations put off for hundreds of years. I know! Oh goodness gracious how terrifying! The spicy beats man has used drastic measures due to neglect and forced poverty of a substantially sized society through giving stressed squid sanctuary! Next he might use his technological advancements in energy efficiency to revolutionise our industrial infrastructure- SHIELD YOUR EYES, CHILDREN!!
oh hey! cheers for reading the full thing!
Oh... oh damn... you just plopped your own rant in here, jesus.
I respect it honestly, i respect the hustle.
You know what's kinda crazy? From my knowledge and what people say online, Marie's hatred for Octarians as a species is a NoA localisation thing and not something in the original Japanese version of Splatoon 2. I could be wrong on that but that's just something I've heard in the grapevine.
Yet another example of poor localisation due to deadlines and rushed development cycles!!! ISNT IT SO FUN HOW IT KEEPS OCCURRING AND HOW PEOPLE BELIEVE IT INCLUDING LOUD VOICES IN THE COMMUNITY AND WIKIS TAKING THE NOA VERSIONS AS THE HOLY GRAIL?!?!?! SO FUN!!!!
(Massive fucking sarcasm.)
I dont have much else to say in response to your ask but, I wanna touch on DJ Octavio for a bit because I think the way that Nintendo treats him as well as the fanbase treats him kinda fucking sucks and flips flops between different personalities and actions he's done.
I swear to god people have such different takes on his personality and what he's done over the three games and it's a real headache to deal with. And the way that a lot of people talk about what he did in Splatoon 2 and the suggestions people say.... ugh... they make him so unredeemable and disgusting.
In Splatoon 1, depending on if you play the NoA version or European/Japanese version, he's either very silly and in your face, making musical puns and being a loud mouth. Or he's trying to be intimating and he gets to the point in his dialogue instead of making musical puns.
The worst things he did in that game was kidnap Cuttlefish and tie him up as bait to fight Agent 3, and stealing the power source for the Inklings. Cuttlefish is a frail old man and Octavio has anger towards him, so it makes sense he would go after him and snatch him up.
And then in Splatoon 2, people wanna fucking say that Octavio kidnapped Callie and brainwashed her, removing all of her memories and making her into a slave for the Octarian army... LIKE... WHAT?!?!?! OCTAVIO IN SPLATOON 1 WASNT THAT EVIL!!! WHY DO PEOPLE SUDDENLY SAY HE DID SOMETHING INCREDIBLY UNREDEEMABLE LIKE THAT?!?! WHY DOES NINTENDO PUSH THAT SHIT TOO?!?! ITS SO ANNOYING!!!!
AND PEOPLE BRING UP THIS PIECE OF CONCEPT ART TOO AND GUYS!!! ITS JUST FUCKING CONCEPT ART!!! ITS NOT CANON!! THERES NO EVIDENCE TO PROVE THAT THIS HAPPENED IN THE REMATCH FIGHTS!!! YOU BRAIN DEAD SONS OF-
You can't just go from "im gonna use Cuttlefish as bait because I hate that guy!" To "neheheh, when Callie isn't looking... I'm gonna grab her and brainwash her!" And then to "IM GONNA GET THAT OLD BASTARD AGAIN! HE TOOK MY ARMY!!!" You can't flip flop between silly old guy wanting vengeance against his lover to enemy Cuttlefish, to a malicious beast that kidnaps young women dude. You can't just do that.
You see the issue here? People give Octavio this ultra dark stain on his legacy and I think it ultimately ruins his redemption in Splatoon 3. He did something unredeemable and you cannot go back from that.
It makes more logical sense for Octavio to use his abilities of propaganda and manipulation out of desperation to convince Callie to join him. Octavio is a general and does things out of rage and vengeance from the past. He is not malicious in his actions and a lot of them can be justifiable. It makes more sense for Octavio to go "I need Callie because my peeps are dying, I'll convince her to join me and then I'll hypnotise her so she's more comfortable in the Octo Canyon to help my troops!"
Octavio is still obviously in the wrong for hypnotising Callie, duh. But, like I've said a trillion times, hypnosis isn't mind control, you cannot force someone to do something against their knowledge and morals. So it's more justifiable for Octavio to hypnotise Callie than to literally kidnap her and brainwash her while she was kicking and screaming, trying to stop him. Okay? WE GOOD SPLATOON COMMUNITY?!?!?!
Ugh.
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Thinking about Altmodes.
The fact that cybertronians even have the ability to “scan” vehicles (created by other alien species) tells me that they’ve always not only been aware of other intelligent species, but also possibly interacted with them. They were designed to interact with them that way, assuming scanning was an ability Primus gave them and not an extra gadget they added into their frames afterwards (Which is also an interesting concept) But maybe that interaction only went one way.
Taking the catchphrase Robots In Disguise™️ seriously, it is easy to imagine cybertronians being a horror story for other species. Aliens that hide in plain sight, lying in wait. Indistinguishable from the very vehicles you use to travel around. Would you trust your car, be sure it wasn’t replaced? Cybertronians would be TERRIFYING if they wanted to conquer your planet from the shadows.
On another note, I like to imagine there’s More Than Meets The Eye™️ to scanning altmodes. It’s not just to hide. Take TFP for an example. Neither Airachnid nor Dreadwing/Skyquake transformed before scanning an altmode even though they were in situations where doing so would have greatly helped them. This was probably an animation thing, the people making the show not having the time and budget to design two seperate altmodes for the characters.
However, if we read into it, I think it’d make sense that the true reason they scan earth-based altmodes is that their cybertronian altmodes are not fully compatible with earth. Or at least they don’t know how compatible they would be so instead of risking they wait to scan an earth-based form. Especially when it comes to flyers. The atmosphere, the gases in it, the gravity, all work a whole lot differently on other planets. It’s more advantageous to become something that was built to maneuver on this planet, than trying your chances with your cybertronian altmode and seeing how it fares in this unfamiliar environment, while also in the middle of a battle.
The Autobots specifically mention to Wheeljack and Smokescreen that they needed an earth-based altmode for disguise purposes, so we know they could have probably transformed this entire time but simply chose not to out of convenience.
They would probably not be able to go back to their earth-based altmodes again without scanning if they reverted to their cybertronian ones, which is why they don’t when they go to Cybertron. I also imagine the process of un-scanning an altmode (dunno what else to call that) would take a while, so if it ain’t broke don’t fix it.
In episode where Arcee and Jack go to Cybertron, she’s gonna come back in a few hours so why would she go through the trouble? In the movie, they don’t really have a reason/motivation to do so. The Autobots probably want a reminder of Earth, Decepticons like Shockwave and Megatron already have cybertronian altmodes. I don’t think we see Knockout transform but he’s always been very vocal about how pretty he is as a car so he probably kept his altmode as well.
That leaves only Starscream to be explained, and my personal headcanon is that he secretly grew to like human-made aircraft. Although it would’ve been cool to see him as a cybertronian jet in the movie, the movie scriptwriters didn’t really care about Starscream anyway.
In my AU the earthplane enjoyment is in part due to him bonding with Nicole and pitying all the trouble humans have to go through to achieve what comes to him naturally.
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X-Men rewatch part 7
This round: Logan.
Well that was horribly violent and depressing.
I don't think I enjoyed almost anything in that.
I mean the whole end of mutants and how do you deal with end of life care for the world's most powerful telepath concepts were kinda fascinating, but didn’t really go anywhere.
The idea that medication in food and drink stopped mutations is an idea I would have liked to play around more with. What must it have felt like when the news broke to the world? What did Charles feel? He's spent all of his life trying to look after mutants. And it was kinda sweet to see he was still trying to do that. That was one small blessing - that the fundamental traits of Charles remained with him to the end, even if clouded by dementia.
Interesting concepts, but they weren't the focus of the movie. But I didn't find Logan's journey particularly engaging. It seemed meandering and pointless. I found myself checking how much longer the film had to go to see if we were likely to come to a turning point or climax, but it didn't really. It was one long miserable road trip.
I can't imagine how disappointing this must have been to see in theatres for anyone expecting an X-Men movie.
I won't be watching that again.
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