#i think of him as the personification of the concept

[oflgtfol]

it's weird cuz for the first time ive encountered a character that i absolutely love but still don't get the hype that tumblr has for. like death from puss in boots. idk why im surprised that everybody is focusing on him mostly but i still am surprised

i guess because like. yeah i get the hype to some extent. his character design is fantastic and his overall whole deal is fascinating but i find him interesting moreso as. the narrative tool that he is? because he doesnt really exist as a character outside that and thats not a bad thing but its not very conducive to like . blorbofying yknow. and yet somehow tumblr is going at it. i dont know what i expected

[heliosphere-underthesky]

Halley's Comet! (concept)

[halcyon-autumn]

More concept writing for Dragon!Egwene au, where Rand and Egwene are twins and not romantically involved. This bit mirrors the scene in the show where Ishamael screws with Rand on the way to the blight. It goes a bit differently with Egwene as the Dragon.

Egwene awoke sharply, blinking to reorient herself. She had been dreaming - had she been dreaming? Something felt odd.

“What did you see?” Moiraine asked, all her Aes Sedai intensity once again solely focused on Egwene. “Dreams have great meaning, especially so close to the Dark One’s prison.” Moraine stepped forward, then arched backwards suddenly, a breathless scream fighting to leave her mouth. Something long and silver protruded from her jaw. A sword.

“No!” Egwene screamed, leaping to her feet. The silver blade retreated, but Moiraine was already dead, her bright eyes dull and pale skin already the color of the Blight’s blasted gray trees. She collapsed in a heap on the ground to reveal the Dark One, eyes aflame, mouth open in that eternal fiery scream.

He wanted her afraid, and she was, but being afraid did not stop her from also being furious. She grabbed Tam's knife and flung herself at the Father of Lies, blade out, and plunged it into his chest as hard as she could.

The Dark One didn’t react. She scrambled backwards, only now remembering that she could channel, that she was the Dragon Reborn and the Creator probably hadn’t put her on the earth to try to stab the Dark One in the face. She grabbed for the Source the way that she remembered Lews Therin grabbing for it in her dreams, but nothing came to her. Drift, she ordered herself as Ba’alzamon reached up and pressed the knife into his body. Drift!

The knife vanished. It was a man looking down at her now - a tall man, attractive, with a well-trimmed beard and a clothing style that she didn’t recognize but tugged on her memory nonetheless. She should recognize it, she almost did, but -

“Much easier to talk this way,” he said, and tilted his head. “You don’t look like him much - perhaps something in the eyes. Strange, how time changes us all.” And then the Dark One, the Father of Lies, reached out and tenderly ran his thumb along her jawbone to the soft skin under her chin.

She slapped his hand away as hard as she could. He didn’t seem bothered; she had a sense that he’d let her hit him. “Oh, sit down,” he said, as if she were a rambunctious child. “We’re finally having a conversation again. This is the best you could muster?” he glanced down at the corpse between the two of them. “One Aes Seda? You came with 99 companions last time, all of them more powerful than her. This - this is sad. You should have least brought the other channelers with you.”

“Shut up,” Egwene said. Drift. “I know that you’re trying to make me doubt myself.” DRIFT! 

“I’m doing you a favor, Lews. Old instincts run deep, I suppose. You’d have gotten so much further with a shred of humility - oh look at that, you’ve managed to embrace the Source. ”

It felt so good to hold the One Power again. Egwene turned on the Dark One, hands raised “I’m going to kill you,” she said, starting the painfully slow process of weaving the same fire she’d used against Eamon Valda. She had to be faster. She couldn't image that her fire would be enough, but the prophecies wouldn't exist if she didn't have a chance of winning. And besides, she had to do something.

“She’s barely taught you anything, has she?” The Dark One said. “Those women are going to use you; they’re not capable of anything else. Aes Sedai betrayed you before, and they’ll betray you again. Don’t you remember?”

Egwene unleashed her weave. She swore it was aimed right at the Dark One’s heart, but it seemed to twist in midair to land on the gnarled husk of a tree behind him. A tree which, when set alight, burst into flame like dried grass.

The Dark One’s eyebrows rose, and Egwene had the singular experience of seeing what the Father of Lies looked like when he was amused. “Stubborn as always Lews, now without the firepower to back it up. You tried, I supposed. That’s nice.”

The fire spread, tree to tree. Egwene tried to channel water, but couldn’t make more than a thimbleful. The Dark One watched, head still tilted. “You don’t have to go through this, you know.” The fire had ringed around the two of them and was pressing in, closer and closer. “Would that farmer want this? Tam al”Thor? Or your brother?”

“They both would want me to kill you,” Egwene said, and tackled him. If she was going to burn, so was he. She could have sworn that she felt her arms connect, but then the Dark One was two feet to the left of where he’d been and she was flying past him, crashing into the fiery roots and branches of the now burning Blight. Smoke burned her eyes and fire raced greedily up her clothing. She clamped her jaw shut to keep from screaming as the Power vanished.

The last thing she saw before the flames took her was the Dark One sitting down on a tree stump with an exasperated sigh to watch her burn.

--

Egwene gasped awake, eyes burning, skin still too hot. She smacked at fire that was no longer there and tried to cough smoke that didn’t exist from her lungs.

“What? Moirained asked “What did you dream? Dreams have great meaning -”

“The Dark One knows we’re coming,” Egwene said. “Of course it was a dream - I’m so stupid. I should have realized.”

“What did he say?” Moiraine asked, closing the distance. “What happened?”

The muscles in Egwene’s jaw tensed. “Nothing he said is important. All that matters is that I found out that trying to set him on fire won’t work.” She stalked forward, deeper into the Blight. “Let’s go.”

[aparticularbandit]

i will say, though. (and this is something i want to remember and use for fic purposes. and it's something that made me very happy.)

when they're fighting about the hajime/izuru reveal thing.

the white noise is a lot of probably mainly junko. and i went through it a while to catch more of them but like.

where's yasuke and ryoko otonashi didn't exist from the start were both white noise during that.

and it's like.

where's yasuke is ryoko. that is ryoko programmed into alter ego junko. and then that's clearly alter ego junko going fuck off you're not real.

which means that junko. programming alter ego junko. left ryoko in there. not just left her in there. intentionally chose to program her into this alternate version of herself. a ryoko who still exists and has thoughts and just.

that is important to me.

[tentacletournament]

This is very off topic but- i thought you would appreciate the fact that i'm going to write about the classic to geno to error timeline in my philosophy essay.

IM SCREAMING THEIR TIMELINE IS MY EVERYTHING I HAVE BEEN OBSESSED FOREVER AND EVER IF YOU DONT GET FULL MARKS ILL DIE

[schadenfreudich]

It is a normal thursday night and Franz is getting slightly sad at the fact that our god headmates see themselves more like concepts than actual real people. He is unsure about how he can fix that, but he sure is trying.

He's probably going to start by showing them music, because that's always the first thing he does when trying to help headmates find some sense of self.

[obae-me]

Human Things that Confuse the Non-Humans

I've seen a lot of headcanons on my feed recently that are all about demonic traits and things that seem to scare or facinate MC, but what about the opposite? So I was wondering what sort of typical human things might either unsettle the non-humans, confuse them, or enchant them in some way.

Most of these are based off of personal heasdcanons I already have, so it's very self indulgent.

If ya'll have any other ideas, feel free to share, I'd love to hear them.

Also not proof read cuz I'm writing this at like 5 am due to sleep issues.

------

Circadian Rythem. I've always wanted to bring up how I headcanon that the Devildom doesn't even follow a 24 hour schedule, since the 24 hour thing is entirely based around the sun, and since they don't have a sun, it makes sense that days would follow some other set rule (I always think that Devildom days are much much longer, hence why MC is caught so many times in canon just taking naps wherever even when Belphie is not around), but that's a headcanon for another time. Anyways, I think the fact that Humans almost need to follow a certain sleeping schedule would totally confuse the demons. Demons only really sleep to stay at their strongest, it's not as vital to them. And the fact that humans can die if they don't get the proper sleep? Totally freaks them out. If MC ever pulls an all-nighter, they all think they're one foot in the grave. Having Solomon and MC getting naturally sleepy more often than the non-humans do might seem pretty adorable at times though.

The fact that human hair does indeed shed. I don't personally think demon or angelic hair would, I feel like hair is something they can change at will within reason (There is a chat with Mammon about him getting his haircut, but he said he was going to change it, so I like to think he made it grow back instantly and cut it like normal again). So I like to think that MC or Solomon leaving strands of hair behind is shocking, because the non-humans only ever associated that trait with animals, but they also find it weirdly cute in a way. The demons and angels do try to ask to comb or brush Solomon's and/or MC's hair from time to time. They feel like they're helping.

Being able to roll (curl? Fold?) your tongue. I think it would be hilarious if despite the millions of other things demons and angels can do, none of them can roll their tongues. And then they get confused too when they discover that not every human can do it either, just certain ones. Solomon can do it and treats it like a party trick.

Allergies. I don't know if it's said in Canon anywhere that demons and angels can have allergies...I hope not because (as much as it sucks) it would make sense for it to just be a human thing. Just the concept entirely would have the non-human's heads spin. What do you mean certain things can just have your body essentially attack itself? And it's different for every human? It can be quite literally anything? (The non-humans would absolutely have a heart attack if they knew about mine)

Human mimicry. I think we as humans just have a natural instinct to mimic or repeat certain things. It's a lot more noticeable with internet culture and memes and references and things, but I think a very human thing to do is repeat or mock things we come into contact with. For example, if we hear an animal noise, we try to repeat it like we're talking to it. If we see something in a weird position, we might try to pose like it, etc. We try to relate to things, which is why personification is so prominent in everything we do. (Like how some of us tell wobbily objects to stay or loud machines to shut up) The non-humans think this is very cute. They don't really do that. The closest thing they might relate to is a current trend, but those pass by rather quickly. Mammon probably thinks we're almost like a bunch of crows.

Emotional control/suppression. Hear me out. It's well known in canon that the brothers blow up easily. They'll fight someone over miniscule things. Even Lucifer, who says he prides himself on his control, loses his temper quite often. And Mammon, while seemingly the best at controlling anger, is very open about all his other emotions. The only two demons that clearly have the best control overall are Barbatos and Diavolo who are the two most powerful demons in the Devildom. It probably takes so much energy and power to keep themselves in check. We hardly ever see that dark aura around them if at all in the game, which seems to give the two this unspoken common respect. As for angels, it was already mentioned once that the angels do have magical methods forcibly controlling emotions, and despite that, I'm sure it takes ages of training and practice to get to the level of "patient perfection" they're supposed to exhibit. Now, humans aren't perfect, and of course, there's a lot of nuance to this like mental illness I won't get into, but generally speaking, we quickly learn how to regulate our emotions or how to supress them for society's sake. At the very least, when we get angry we dont suddenly get surrounded by a dark shadow or shift into a different form. And I like to think this terrifies the non-humans to a degree. They don't know when humans are angry or upset until it's blatantly obvious. They already are off-put by Solomon because they never really know what he's up to. And what if it's not even because he's doing "weird" things, what if it's just because he seems to be so calm all the time and no one knows how to read him? None of them know how to read human body language. There's no aura to see, no puffed up wings, no glowing eyes, no whipping tails. Humans can just...stand there, sometimes with a blank expression, sometimes just staring. It can give even the stronger willed beings the creeps. Bonus points if MC is great at masking too. You mean humans can just...take extreme emotions and tuck them away for later? I'm sure that's an absolutely wild concept. Most of the non-humans are just not capable of that kind of control. Albeit its not always the healthiest option, but just the fact that humans have the willpower to just sometimes choose or force themselves not to feel at all is Barbatos level intimidating.

[gay-dorito-dust]

HEYYYY

Soo I'm here to rq another Damian x reader(platonic). But real quick, I'm sorry if I'm requesting too much or being a nuisance. Pls lmk if I am so I can stop! It's just hard to find somebody that writes for him like dis.

Anyways, basically the same thing were theyre friends but this time it's a diff scenario. So Damian n reader are obvi friends but theyre also complete oposites. Like Damian is intelegent, focused and meanwhile has reader is a bit dumber, daydreams too much, and kinder. They also get walked over a lot.

So he invites reader over to the manor and she meets his brothers n dad. It's all fine n dandy but they can't help but notice how diff they are.

Bonus points if reader talks positively abt him to his brothers and they're all like "fym he's nice?" And readers all like "fym he isnt?" (They're just not used to being treated like a normal human being) ‼️

Honestly I love writing for platonic! Damian. So pls don’t apologise for anything bc I’m having so much fun rn. 🦦plus I don’t know if this will read well as I’ve written this late at night when o should probably be in bed.

‘Am I seeing things or has Damian finally made a friend.’ Dick whispered to Jason, his eyes unable to tear his eyes away from you and Damian followed Bruce through the manor.

‘Nope, I’m definitely seeing it too.’ Jason replied also looking at you and Damian as if he was looking at the human personifications of night and day.

‘The fact that the demon spawn managed to get a friend sure is…something.’ Tim piped up, having overheard his brothers conversation from standing in between them. ‘I can only hope he didn’t kidnap the poor soul.’ Dick added as he was quick to click onto how Damian kept a hand on your arm, tugging and pulling you along when you stop to stare at a painting in awe for a little too long, gently encouraging you to keep up with him and Bruce by promising to go back to the painting later. Jason then looked over at Tim, ‘any ideas on who they are?’ Tim shrugged. ‘Only the fact that they go to the same school as Damian, share the same art classes and is known for being a little bit of a daydreaming pushover, but despite all that they’re still a kind person.’

Dick smiled sympathetically as his heart ached for you. It wasn’t easy being nice in a city like Gotham, if anything nice ever wandered into the accursed city it seemed as though Gotham itself would stop at nothing to see it destroyed, decimated and become as miserable and as bleak as the city itself; So it was rare to find someone who genuinely could still bring it in themselves to smile whilst in a city like this. And for that Dick had to give you props for being brave enough -and strong enough- to be kind in a place that would gladly take pleasure in stepping over and on you at any inconvenience. For it was truly a sign of bravery at its finest.

‘That kid is sure brave.’ Jason signed, knowing that people like you don’t last in Gotham but it was people like you that Gotham needed the most, but how could a retched place like Gotham heal when it’s always been a rotten city since it’s very conception? He didn’t believe it could be possible but there were always solutions to fighting the problem that seemed impossible to overcome. So who cares if you weren’t the brightest bulb at school? The education system in Gotham was shit anyway the last time he checked and he doubted much had changed when he…well you know…

Tim was silent. He was too busy recognising the protective measures that Damian was taking specifically for you; mainly the hand tugging at your arm anytime he thought you were getting distracted or wandering off elsewhere and muttering about how you need to keep or you’ll get left behind, despite the fact that even if you did Damian would allow himself to fall behind just so that he could walk besides you. While he might be part of the majority that didn’t think he’s ever see the day that Damian brought a friend home, never less a friend who was the total opposite of him. He couldn’t help but feel a sort of relief that Damian finally found a friend, and he knew that both Jason and Dick felt similarly from the looks upon their faces, silently observing how you interact with one another.

The one thing that Tim was confident in was the fact that Damian needed you as much as you needed Damian because you were a beacon of opportunity for his younger brother in many ways that Tim was certain you weren’t made aware of just yet. So while he and his brothers may tease and take this piss about how different you were from Damian, they mean well and express their happiness the only way they knew best; teasing and taking the piss.

‘This library is beautiful Mr Wayne! Do you have any fantasy books?’ You could be heard asking down the hallway, followed by the sound of Bruce softly laughing as he showed you the grand library. ‘This library has any book you can think of and please call me Bruce, it’s not often that Damian brings anyone home for the weekend.’ He says as you looked the Damian confused and a little betrayed. ‘You’ve got friends other than me?’

Damian groaned. ‘No. I don’t, you’re the only friend I’m willing myself to have.’

You smiled and gripped his hand. ‘Aww Dami! That’s so sweet of you to say, despite how brash and blunt you may come across, I’m glad to say that you’re the only friend I’m willing to have too!’ You said without shame. ‘Everyone else isn’t a nice as you are.’ You trailed off while a rare solemn look appeared upon your face as Damian was quick to squeeze your hand reassuringly, Bruce smiled sympathetically. ‘I’m not smart like your son mr Wayne, I can’t help it if things don’t come to me as easy as they do others but I try! I try really heard to do my best at every test but…but people tend to laugh of me because to them I’m either slow or thick.’ Damian’s jaw clenched and his brows furrowed upon being remembered of what people tended to call you.

He hated it and whenever he saw it happen, he was quick to utter some threatening words before taking his usual position as your pseudo-bodyguard for the rest of the school day. At first he wasn’t bothered but when you became restless in your pursuit of being his friend, he remembered vividly how people were mocking and making fun of you for trying to be his friend, that he often regrets not accepting your friendship sooner if it meant being able to be there when it counts.

‘When will you get it that Damian doesn’t want to be friends with someone like you.’ One person said.

‘Then I’ll just have to keep trying.’ You rebutted, still smiling somehow.

Another person scoffs. ‘Get fucking real. You’re a weirdo, no one wants to be friends with a weirdo who so fucking slow at everything.’

You merely shrugged, even when someone’s insulting you, your brain doesn’t recognises it as such. ‘I’m sure he won’t mind.’

‘God you’re so fucking useless that I’m surprised that anyone bothers with you. Let me say this in a way you won’t have to try so hard to understand dipshit. Damian. Will. Never. Be. Friends. With. Someone. Like. You. Ever.’ A third slowly spoke and Damian had heard enough and within a blink of an eye had laid them out flat. You blinked before looking at Damian with a bright smile. ‘Hi Damian! Did you hurt these guys, that’s not very nice.’

‘They insulted you and yet you defend their honour.’ Damian asked incredulously as you both walked down the hallway, leaving the three bullies to groan from their injuries. You shrugged. ‘I wouldn’t say that.’

‘They were insulting you.’ Damian reiterated. ‘They insulted your intelligence and your abilities. People like them often hide bigger insecurities than others.’ Damian replied, finding your ability to keep smiling after such things both annoying as it was admirable.

‘Are we friends now?’ You asked innocently enough and Damian knew he had sealed his fate, and so he sighs and looks up to the ceiling. ‘Yes, we’re…friends.’ He mutters and doesn’t do anything to stop you from dragging him to art class.

‘I was alone before Damian.’ You admitted as you looked at Bruce with a smile as you squeezed Damian’s hand in kind. ‘But now he’s here and he’s my bestest friend ever!’ Damian honestly wishes that you respect yourself more because you could claim that he saved you multiple times, but you’d never acknowledge the times where you have saved him by being unequivocally kind, sweet and over all a better person then all of Gotham’s civilians combined. ‘I was finding my first week at school horrid before I befriended l/n.’ Damian admitted as you softly cooed. The boy then swallows thickly. ‘Their friendship is much appreciated.’

‘Aww! Dami!’ You cried as you crashed into him, causing you both to hit the floor in a heap of limbs.

While Damian was cursing mom lethal threats and you were laughing, Bruce had already made his mind up about you and was certain to make sure to have Damian invite you over as much as possible. It was obvious for him to see that you and Damian were good for each other despite your vast and glaring differences, however that’s what worked in your favour, the power to have over come all odds was incredible; not to mention the fact that your friendship with Damian had lasted as long as it has was another impressive feet on top of that. Bruce knows it’s been hard for Damian to fit in and find a friend, but he couldn’t have made a better friend than he did in the likes of you.

You were more than defiantly welcomed back to the manor if Bruce had anything to say about it.

‘Get off of me!’ Damian shouts.

‘Damian, I think my foot is stuck with yours.’ You reply, scared.

‘That’s your own foot- how did you manage to tangle yourself up in yourself? You landed onto of me?’ Damian asked incredulously.

‘Sorry.’ You apologised.

‘Don’t be.’ Damian said.

Bruce smiled one last time before leaving you both alone in the library to untangle yourselves, only to be greeted by Tim, Dick and Jason. ‘Can I help you three?’ Bruce raised an eyebrow at the boys.

‘Nope.’ Dick started.

‘Not really, just…seeing how the little scamps are dealing.’ Jason followed after.

‘Damian? Nice? The same Damian who tried to, oh I don’t know…KILL ME?!’ Tim asked, revealing to Bruce all he needed to know, their breathing behind the library door was telling that they were clearly eavesdropping on the three of you. Jason and Dick looked at him displeased as Tim looked back at them. ‘I’m not the only one of us who thought that.’ He defended himself. ‘I mean it’s nice that he’s looking out for y/n but still that’s not something someone casually forgets.’

Bruce merely leaves Tim, Dick and Jason to their own quarrel, he loves his boys he truly does, but sometimes they’re more trouble than what they’re worth. He can only hope that they don’t scare you off from coming back for good because he was already planning your next visit.

[avelera]

Ideas for different takes on Hob Gadling

I was just musing on Dreamling fic and came up with a list of some Hob-centric things I think would be super interesting to see more of in Dreamling fic. (These are NOT criticisms, these are things I've been ruminating about trying to include in my own works as well!)

Hob who still isn't good at predicting what Dream wants or Dream's moods. Canonically, Hob has gotten impressing Dream wrong almost every time (case in point, his 1589 wealth, 1789 "shipping" and 1889 "offering friendship"). Dream can be more tolerant now post-fishbowl and this concept could even be used for comedy but... yeah. Less "intuitive" "instantly knowledgable" Hob. Hob who still kinda sucks at guessing what Dream wants and gets it wrong at least half the time.

"Old Man Hob" - the guy is technically old enough to be a grandfather (if on average one becomes a grandfather at ~60 throughout time) 11 times over. Even if he doesn't *show* or *feel* his age or get nostalgic for the old days, I think he could be grouchier (see his comic canon self) or more conservative, or just have blindspots that being an old, if progressive (see: professor) white guy would have. Basically, if the IWTV fandom can write snarky Old Man Daniel, I'd be interested to see more of Hob acting maybe not "his" age but more than 30-ish.

Sailor/Maritime Hob - in comic canon at least, sailing and working on ships is the most common job we see Hob have. From the Tudor shipyards up through Hob's Leviathan, he spends a lot of time on boats. (Probably because Hob is at least a little bit the anthropomorphic personification of the English "Everyman" and they are rather famous for their navy, but I digress.) It's just a job I don't think I've seen any fic give him even though it's one of those ones most attested to in comic canon besides printing books.

Materialist Hob - I think there's a lot of evidence that in TV show canon, Hob stopped being as materialistic after Dream didn't show in 1989. Teaching is not a career you go into to get rich. There's also a lot of evidence for Hob that's made more money than he can spend through being immortal so he doesn't have to think about it at all anymore. But I would be curious to see more of Hob who thinks about money as much now as his earlier iterations did (1589, obviously, but 1689 mentions his loss of his gold almost as mournfully as the loss of his family, 1789 is another obvious one, and 1989 has major pro-Thatcher stock trader vibes). I dunno, even a Hob who is trying not to be as obsessive about money and materialism but still can't stop himself from tallying things up, comparing himself with others, checking out ways to get rich quick even if he does't use them, just... a guy who has been a merchant for longer than he was ever a soldier, to the tune of centuries, who is still always making these calculations even if he doesn't act on them (or is trying to impress Dream with more "erudite" pursuits these days). Hell, he could be economics professor for all we know, perish the thought.

[neversetyoufree]

I've remarked on this blog a few times before that I'm fond of the theory that The Shapeless One is Paracelsus, but I've always hesitated to elaborate, as I felt like there wasn't enough hard evidence that supported this theory being true. However, something recently clicked for me regarding one big parallel between them, and now I can't stop thinking about what that connection would mean for the story thematically.

In mémoire 61, after Machina pushes him to explain what his "plot" is, Teacher declares that he wants to achieve world peace. I've had no idea what to make of this line for a while now, just assuming that we'd need more context to understand what the actual hell he's talking about. But with the Paracelsus comparison, I feel like I'm starting to grasp what's going on there.

[This post needs a VnC-standard warning for mentions of suicide, sexual assault, and child abuse].

There are a few pieces of evidence that support the idea of Teacher being Paracelsus. VnC's Paracelsus is introduced as a great alchemist, just as he was in the real world, and the Count of Saint Germain was an alchemist as well. Nobody knows Teacher's origins, but he's one of the oldest vampires and close with the queen. There's also a little drawing of six-pointed stars that appears behind Paracelsus in the first storybook illustration of him, and those same stars are seen hanging from Teacher's walking stick in the scene where he first meets Noé.

That panel of Teacher and Noé appears at the very end of chapter 6, and the Paracelsus panel appears at the start of chapter 7, meaning these images are quite conspicuously close together.

So what does this mean for Teacher's idea of "world peace"?

In the storybook version of Paracelsus's life, he's described as wanting to alter the world formula not for scientific curiosity, but because he wants to save the world.

Paracelsus, per the childish version that Teacher presents to Noé, caused the Babel Incident because he was trying to "rid the world of its ills" and "guide people to happiness." The line about the human world's "rampant ills" is read over a drawing of dancing skeletons—a Danse Macabre. This is a Medieval way of drawing the personification of death, usually for the purpose of expressing the way that death comes comes for every person inevitably (the same theme later expressed by Vanitas art).

When Paracelsus speaks of the world's ills, this is the reality he seeks to cure. The world is afflicted with suffering and death, and he wants to rewrite the world's formula so that humanity can live happily without that pain.

A world rewritten to be without suffering—isn't that world peace? "World peace" is often used to evoke an end to armed conflict specifically, rather than suffering at large, but the concepts must overlap if they're pursued seriously. How can world peace last if there are people starving in famines or dying of disease? Suffering breeds violence. And how can someone seeking to alleviate "the world's ills" not want to achieve world peace?

If this is true, if Teacher's hope for "world peace" is him carrying on Paracelsus's legacy (or carrying on his own work, if they're the same man), then what does that mean for Paracelsus's supposed altruistic intentions?

We know little about Paracelsus now, only Teacher's recounting of the Babel Incident by way of a book he's reading to a child, but I think there are two ways to interpret what we do know.

Trying to rid the world of suffering is, on its face, the most noble possible intention. To lead the world to happiness is to attempt to help every other person in the world. And I can think of a lot of ways that Paracelsus's goals make absolute sense to me. If you discover that the fabric of reality can be rewritten, and you know that there are people in the world dying of famines, wouldn't you want to reshape the world so that they no longer have to go hungry?

It's possible, depending on what we find out about him in the future, that Paracelsus really will be a noble figure whose one great sin was hubris, and all he wanted from his research was to help the world in ways that make both moral and logical sense.

However, given some of VnC's other themes, I think there's another lens through which we should consider Paracelsus's actions. We don't know exactly what he was trying to rewrite with that disastrous experiment, but that Danse Macabre does give us one possible clue.

One of the themes that VnC has been slowly developing throughout its run is the idea that, though trying to save a person's life is noble, it is not noble to deny all death as a whole. This is a story about the concept of Vanitas, the idea that death is inevitable and that all else is rendered meaningless in its face. Noé feels like he failed Louis because he was unable to kill him when he asked, and it seems like the manga's being set up to end with Noé killing Vanitas to escape a fate Vanitas considers worse than death. One big part of what makes Mikhail so unsettling is his denial, his laughing about his mother's draining and the fact that he cannot accept the reality Luna has died, and Vanitas is horrified to hear that Misha is planning to resurrect their parent. That same issue goes on to be the one thing that finally drives a wedge between Noé and his teacher, as Noé can apparently forgive the man for purchasing him on the black market and killing Louis, but he's horrified to hear that Teacher told Mikhail that resurrecting Luna was possible.

All of these scenes have other elements to them, other things that drive the characters and inform why these specific ideas of undeath are so deeply horrifying to them, but the buildup of this running theme is an undercurrent through all of it. Vanitas means that someday all people must die, so what does it mean when somebody tries to deny that?

Even further, there's the broader horror of both Noé and Mikhail failing to process the bad things that happen to them. Misha commits blithe horrors in part because he does not understand that his sexual abuse was wrong, so he seems to see no problem with sexually assaulting others now in turn—as he does when he pressures Noé to drink his blood. Noé happily recounts being kidnapped and sold on the black market, remarks on Chloé and Jean-Jacques's goodness minutes after Chloé assaults him in his sleep, and brushes off the incident of Jean-Jacques drugging him to the extent that even Jean-Jacques himself is unnerved by it. All of that is deeply concerning behavior.

Misha is written to be obviously uncanny in his denial, and that uncanniness holds up a mirror to the subtler horror of Noé's own disconnects from reality. The more recent chapters have also begun drawing direct attention to the ways that Noé's denial of the bad in the world becomes problematic. The aforementioned scene of Vani, Dante, and JJ being disturbed by Noé's "it doesn't bother me" line does this, as does the long discussion Noé and Vanitas have about why Noé's ignorance of anti-Dham racism upsets Dante so much.

There is an ongoing tension in VnC between the inherent goodness of peace and life and the horror of what comes when those concepts are taken too far. Noé and Vanitas are this in a nutshell: an endlessly clashing duo made up of a too-extreme pessimist and a too-extreme optimist. The story arcs thus far have taken turns challenging each of their worldviews, slowly pushing Vanitas to open up and let himself hope for peaceful solutions, let himself accept love and emotional closeness, while also slowly pushing Noé to confront the fact that sometimes not everything has a happy-making peaceful solution after all. Sometimes "saving" a child means she has to die, and sometimes an enemy will have an entirely sympathetic reason to hate vampires, but Noé still has to fight them anyway to save the people he wants to save, regardless of whether that enemy is "right" or not.

Noé lives in denial of his own past traumas and his own present-day potential for harm. He denies the potential that "good" people he meets might harm him, and he struggles to accept instances where he has harmed others in turn. Dominique and Vanitas go on for pages after the amusement park about how reckless and overly trusting he can be, and he turns around, unable to cope, when confronted with the truth of what he did to Misha with his claws. However, Noé also has the benefit of his proximity to Vanitas knocking just a bit of sense into him, and it might not be a sure thing that he's going to stay in denial-land forever.

One of VnC's specific points of tension is the question of if/how Noé will grow to accept the hard things that currently bounce off his oblivious denial like water off of a raincoat. The end of mémoire 1, the statement that someday he's going to kill Vanitas, suggests that perhaps he might learn to understand how death, despite its pain, is important in its own right. It suggests that maybe he'll come around to no longer denying death and insisting that salvation is always its avoidance.

However, if he can't quite make that leap, the story provides us with dark mirrors to show us what a monster Noé could become by doubling down on his idealistic, optimistic denial. Misha's current state is Noé to an extreme, an innocent child committing horrors as he utterly fails to process the truth of his own horrific early childhood. Misha's driving motivation is a hatred of pain and suffering, and he's willing to do anything to resurrect the family that saved him from that pain in the past.

Then there's also Lord Ruthven, a man who was once an optimist in Noé's own mold, but has since broken bad in a spectacular way. Noé and Ruthven recite the exact same line about liking both humans and vampires, an obvious parallel, but now Ruthven is working with Naenia. Now he's living in the aftermath of his idealistic peace plan imploding and almost costing him his life. Ruthven despairs the last time he visits Gévaudan, lamenting the wrongness of his naive past hopes for understanding, and now he's working toward some unknown end involving Naenia, Charlatan, and the Queen. Now he's committing horrors of his own, biting at least three people by force, overriding their wills, and associating with the being that steals innocent people's true names.

There's also the question of what the hell Ruthven is doing with the queen. It seems he was somehow involved with Faustina devolving to her current state, and Loki references "smashing up her corpse," so it's possible Naenia's existence may be a sign that Ruthven wants or wanted her dead and/or cursed. However, the shots of him with the Faustina-like body in the tank at the end of mémoire 18 suggest there's a chance that he could instead be involved with some form of resurrection scheme (or a scheme to preserve/save her if she's not yet fully dead).

Ruthven exists in part to demonstrate the ways that an idealist like Noé can go bad, and it's possible that he, like Misha, is attempting some sort of awful resurrection, once again denying the reality of death.

Then, finally, there's one more character with whom Noé has these sorts of obvious parallels. The man who, perhaps, is also meant to represent what Noé could become if the dangerous sides of his optimism aren't reigned in: his teacher.

Noé is fascinated by Vanitas, drawn to him out of care and connection, but also because he wants to observe and understand him to sate his curiosity. In a darker mirror of the same trend, we see Noé's teacher allow Louis, Noé, Domi, and Misha to come to harm at least in part for the simple enjoyment of seeing how they react when placed in dark new situations. Noé and his teacher are also the only crimson vampires we know of who find the Blue Moon beautiful and alluring, rather than a source of fear (assuming that Teacher is a normal crimson vampire).

Noé was raised by this man; his worldview has been shaped by him in countless ways big and small. Noé was already living in cheerful rejection of trauma before The Shapeless One found him, but he could not have remained so radically detached from the painful parts of the world around him if his teacher had not wanted and allowed him to do so. He censored Lord Ruthven out of Noé's education, and he apparently did the same with anything that discussed (or expressed) severe bigotry toward Dhampirs. How else did Teacher shape him, and to what goal?

We know that the Shapeless One taught Noé how to fight. Given that "world peace" line, I wonder if perhaps he may also have taught him his morals on wanting to avoid conflict.

Teacher is a contradiction. He talks about "world peace," but he blithely leads Louis to his doom and supposedly doesn't hesitate to half-kill anyone who calls him by the wrong name. Marquis Machina calls him an incomprehensible natural disaster for this reason. Yet, despite all his rampant cruelty, I'm beginning to think that he might be just as much of a dangerous optimist as his student.

Teacher is defined by the fact that, in every scene, he always seems to look like he's having fun. There's hardly been a single panel where he's not drawn smiling. Sometimes that fun is vicious, a cruel smile made as a threat to Vanitas when he fails to address him by his name, but just as often, his aura seems horrifically innocent. He's just a man with a sweet smile and rather dull eyes having a very good time with life.

In the past I've largely looked at this smile as an extension of Teacher's sadism. He toys with Louis and Noé for the fun of it, and I took his smile as an expression of his cruel enjoyment of the pain he creates in his wake. However, now that we've seen him interact with Machina, now that we've observed him speaking casually with a peer for an extended period, there seems to be a disturbingly sincere quality to him as well.

Based on how he's portrayed in mémoire 61, when Teacher says he does everything he does for the sake of "world peace," I honestly think I believe him. I don't believe that he's not a villain—I can't guarantee that his vision of "world peace" would even align with a normal person's definition of "peace" or "happiness," but I believe that he's speaking some version of honestly here.

There's an honest to goodness optimism in that ever-present smile. There's a hope and a genuine quality to what he announces to Machina, in contrast to his smiles of sweetly cruel schadenfreude.

So perhaps, if all that is true, if Teacher is another dark mirror to Noé and he really does want to bring about world peace, then the point of him is that "world peace" has the potential to be a horror. What is the pursuit of world peace if not the ultimate pipe dream of every idealist in the mold of Noé and Ruthven? And what is VnC if not a long catalog of the horrors that idealists can bring about if they aren't careful?

And that, finally, brings me back to Paracelsus and the Danse Macabre.

Depending on what Paracelsus wanted to achieve through his experiments, it's possible he may have been yet another character trying to escape the harsh reality of death. The line about the world's "rampant ills" is placed over the Danse Macabre, after all—a symbol of death's universal inevitability. Is that the painful ill that Paracelsus wanted to address by rewriting the world formula? Inescapable death itself?

If so, Paracelsus becomes the ultimate embodiment of what happens when one denies death's certainty and the necessity of that certainty. He's the ultimate denial of "Vanitas" and what it represents on a scale far larger than Noé, Misha, or even Ruthven could grasp. And the manga casts his failed experiment as a Tower of Babel, throwing the world into chaos and causing countless deaths in his failure's wake.

Meanwhile, Teacher seems to have some ideas about how to cheat death in the present day, as he's promised Misha that there's a way to bring "The Vampire of the Blue Moon" back to life. This could be a lie, of course, or he could be planning to bring back "the vampire of the blue moon" in a way that does not actually bring back Luna as an individual. However, even trying to bring back the Blue Moon in some other way, perhaps through the human Vanitas, still represents him trying to restore something he found beautiful that was lost because of death. It still ties him thematically to the perversion of death as an ending, the same as Mikhail and Ruthven.

So far every character we've seen that wants to undo death is cast as an antagonist. Ruthven, Mikhail, and The Shapeless One are all united by a cruelty and a perverseness in various forms, and their goal is part of this. Death is a tragedy, but although trying to save the lives of people who want to live is noble, attempting to undo or eternally escape death is a far worse horror.

If Teacher is Paracelsus, or if they're closely connected in some other way, then that serves to further this point and show how the horror of escaping death extends to Paracelsus as it does the others. Teacher is strange and cruel. Paracelsus might be a nobly hubristic historical fool in a storybook, but if these two characters are connected, that instantly reveals the unsettling truth of how wrong Paracelsus's potential attempt to thwart death would have been. Nothing Teacher is working for can be wholly good.

And, just as Noé and Misha's denial is both present and harmful beyond the most severe subject of death, even if Paracelsus wasn't trying to craft a world without death by altering the world formula, we know he was trying to create a world without suffering. Again, this is a noble goal in theory, but so long as death remains, some suffering will remain as well. Crafting a world without pain and suffering can also go much too far, can slip into denial and cruelty. Mikhail's whole motivation as an antagonist is his search for a life without pain, and look where that's led him.

A rejection of all suffering can be an extremely dangerous thing, whether it's running from one's own mental pain or wanting to rewrite the world to negate all suffering as a whole. This dream will never not be a detachment from reality.

The Case Study of Vanitas is a series that seems to be searching for a balance of optimism and pessimism, a way to approach the harsh realities of life that lies between the toxic extremes embodied by Vanitas and Noé. To lapse too far into hopeless pessimism creates a Vanitas, a Chloé, an Astolfo. It creates people who are suicidal, genocidal, or both, and dangerous to themselves and others for it. However, to go through life in a state of eternal joy without processing one's pain, or to attempt to create a world wholly free of suffering—that is just as dangerous and foolish. What are Noé, Misha, and Ruthven if not dangers to themselves and others? What is Teacher if not the most dangerous man in this manga?

Noé and Misha are unsettling because they smile through the bad things that happen to them and act as though they aren't bad. They each have some exceptions to this rule—Louis's death for Noé and the pain suffered at the hands of Moreau for Misha—but they still come across as at times disconnected from the reality of pain.

Yet, neither of them is as disconnected from the reality of pain as a man that can behead the grandson he raised with a smile on his face. Noé as a child sees the fun in being kidnapped and put up for auction. Teacher, if his smile is to be believed, sees the fun in every single thing we've seen him do, and that's what's so unsettling about him. He genuinely seems to be having a good time, including and especially when he's blithely committing horrors for the fun of it.

Noé and Misha's strange behavior stems from trauma, and we don't know that's the case for Teacher. Perhaps not, as he seems much colder and crueler in his tendencies than either of them. But either way, the happy sincerity displayed by both of them is echoed in the face of the Count of Saint Germain as he tells Machina that he's searching for world peace. That is the face of someone idealistic, someone who believes he's working toward a real goal that both justifies and delights him.

Teacher wants world peace, and his warped nature means that we have no real idea what "world peace" means to him. Is a world at peace a world where he still gets to violently beat people who get his name wrong? A world where he still gets to have fun observing the free will and choices of the traumatized children he raises? Maybe he once believed in a world that was truly without suffering, and his overly-long life and mad optimism have eroded his tether to reality, turning him into the awful person we see now. Maybe the catastrophe of the Babel incident broke him and turned him from a hubristic idealist to warped echo of his former self. Maybe he somehow thinks all the suffering he causes is justified if it's in pursuit of his noble end goal. Maybe his version of "world peace" is a world where all people can live free from the fear of death, and the smaller pains caused along the way are irrelevant in the face of that impossible dream.

Or maybe he's just a cruel hypocrite.

In the end, we still know too little about both Paracelsus and Teacher to make any grand proclamations about the truth of their characters. However, I can't unsee this connection between them now that I've seen it. Teacher is one of Noé's dark mirrors, a character that represents the horrors possible when one goes too far down his current emotional path. Noé is optimistic to a fault, convincing himself to see only the best in many truly awful scenarios, and Teacher is the man with an eternal smile printed on his face. Noé loves and wants to save Vanitas, and Teacher speaks of the Blue Moon's ultimate beauty and says he has a way to bring them back to life now that they're dead. Noé is the eternal savior, always desperate to prevent people from dying, and Teacher claims that everything he does is done in the name of achieving world peace.

Similarly, Paracelsus is defined by throwing the world into chaos and horror due to his over-optimism. He tried to go too far, tried to rid humanity of its countless ills and create his own form of world peace, perhaps even tried to rewrite the reality of death. Did he hate pain and cold like Misha? Did he want to stop unjust wars like Ruthven? Did he want to become a savior in the image of Noah?

If Teacher's goal of "world peace" is to be believed, then whether or not Teacher and Paracelsus are actually the same person, they represent the same thematic extreme. Death is inevitable, says the concept of Vanitas. It's inevitable and Noé must learn to accept that fact before he does something awful in the name of pain and death's prevention. Teacher and Paracelsus have both done something(s) awful in the name of pain and death's prevention. Teacher and Paracelsus have followed Noé's path of optimism to such an extent that they, in one way or another, both claim(ed) to want to save the world, and this requires a mad extreme of Noé-like cognitive dissonance and hubris.

Paracelsus pursued some goal, some way of granting humanity happiness that was supposedly noble but still murky in its specifics, and he warped the fabric of reality and caused the countless disasters of the Babel Incident in the process. And that's assuming the storybook is true, and Babel really was accidental on his part. Meanwhile Teacher has warped the seemingly noble dream of world peace into something that he can claim is served by the way he's tormented Louis, Misha, and Noé. There's a chance that both men tried or are trying to undo the reality of death. They're bound by the same underlying current of scientific curiosity intermingled with their dreams of world peace.

Noé is not an alchemist, and he's not particularly skilled at rewriting the world formula. He's unlikely to have any chance to rewrite the fabric of reality itself for the better. He's unlikely to have any chance to achieve "world peace" by any definition.

Noé is, however, a dangerous optimist who has not yet learned that death is unavoidable. He hasn't yet learned that death can be preferred to its alternatives. And he was raised by a man who seems like he has not learned or does not care that disrupting Death in the grand sense will inevitably lead to horror. Or perhaps a man who enjoys horrors and wants to toy with absolute death as a part of that. And all this in a world warped and defined by the folly of a man who may also not have understood the horror of evading death.

So Teacher might be Paracelsus. I think this connection between them only strengthens the odds of that theory being true. But even if he isn't, they represent a similar thing for Noé and for the manga's themes at large. You cannot rid the world of the Danse Macabre, and attempting to end that dance will only bring greater ills and greater pain than death on its own could ever hope to bring.

A strange and dangerous man proclaiming with an honest smile that he wants to bring about world peace does not make him any less strange or dangerous. Depending on his definition of world peace and his idea of death's place in it, that idealistic goal may actually make him far more dangerous than if he were nothing more than a simple sadist.

[doctorsiren]

Finally some Silly Little Monster AU designs! Here we have Thalassa, Lamiroir, Jove, and Zak

Thalassa is the name of one of those ancient primordial Greek gods, and she was the personification of the ocean. This goes along with Lamiroir being the “siren”. Since her kids are an angel and a demon, I thought going the goddess route would work since they aren’t hybrids and I can do what I want with my lore :3

As I was drawing up the design, I realized that what I was wanting was literally just Sea Fairy Cookie from Cookie Run, so I went with it. The goddess Thalassa has horns made of crab arms, so I gave this Thalassa some horns as well. Her hair and dress are always flowing like water.

Next we have Lamiroir. Since her design with the cloak is more based around constellations, I went the space route. I decided it worked since the moon controls the tide anyways, so there’s already a connection between the sea and the sky. When she lost her memory in The Incident, it caused her form to change, resulting in what we have here. It’s essentially a cracked gem Lapis situation, which is what I based her design off of. I thought the mirror eyes was perfect, and that actually makes her (la)Mirror Gem and makes Thalassa the Ocean Gem. I’ve always associated her with Blue Diamond anyways, so it works! Also I was just a big fan of both design concepts, so I did both.

Then we have Jove, who is a demon like his son. Apollo’s hair horns translated into his demon horns in his design, but Jove’s hair goes down, so I opted to give him both his hair horns and regular demon horns. I also decided to have one of his horns be broken just to spice up the design a little.

Finally, we have Zak. He’s an angel like his daughter. I started off the design wanting him to have silly little tiny wings, but as I drew, I couldn’t decide if I wanted that or if I wanted him to have big giant wings. The discord decided that small wings were funnier and so I went with those. His design didn’t change much, save for the halo hat, his ears, the wings, and the silly sparkles. Also, I believe that he wasn’t bald on the top before the 7yg lmao so yeah 😁

Thalassa’s husbands were both really warm toned while she was all blue and watery, which I think worked out.

[gabessquishytum]

So I might write something for this someday, but definitely not someday soon and we all love multiple cakes, so I figured I’d send this to you as well 🤘

Basically Dream and Hob are having sex for the first time and Hob is fingering him looking for his prostate, and Dream seems like he’s enjoying himself well enough but there’s no big WOAH moment and eventually Hob, remembering that his bf isn’t human, is like “do you… HAVE a prostate? Can’t you change forms at will?” And Dream is like “why would I make a prostate?” And Hob is like “because it feels good???” And Dream, just completely oblivious is like “me having a prostate feels good for you??” And then Hob is like. Ah. I see we have. Some Things™️ to work through here. :/

Cue Hob convincing Dream to make a prostate as like, a “””favor””” or something and then cracking his knuckles and getting to work making Dream feel SO GOOD he can’t even think, let alone argue about how he’s “supposed to be making Hob feel good” and “they should be focusing on Hob that’s Dream’s purpose”. If he can form syllables that just means Hob needs to try harder, he’s getting this anthropomorphic personification addicted to pleasure if it’s the last thing he does. 😌💕

-🦇

This is such a CONCEPT I'm very much obsessed with Dream’s non-humanness. Like, if he doesn't have stuff like a bladder or a stomach or lungs,, why WOULD he have a prostate!!! (This also begs an interesting question: if you squish Dream’s tummy, what happens? Is there anything in there?)

Hob is honestly an expert at gently manipulating Dream into enjoying himself. He has to put extra emphasis on how much he enjoys kissing Dream, cuddling him, generally sharing their time together. That way Dream will feel like he's doing a good job! Maybe it bleeds into a little bit of praise kink, making sure that Dream feels useful... the more he positively reinforces Dream’s pleasure, the more Dream relaxes and allows himself to experience good things. Every single time they have sex, Dream internally promises himself that this time he won't let Hob distract him, this time he'll make sure that Hob is the one squirming with untold pleasures. But goddammit, Hob is good at making Dream’s Endless brain dissolve into a horny mess. Before he can even think, he finds himself in the aftermath of another amazing orgasm while Hob grins smugly and cleans him up with a damp cloth. Even in the dreaming, Hob somehow manages to manipulate the very fabric of Dream’s reality to make sure that he's thoroughly enjoying himself!

It does finally occur to Dream that maybe the thing that brings Hob the most pleasure... is pleasuring Dream. It brings tears to his eyes to realise that his partner is so devoted to him. He's not quite ready to unpack all of the emotions, but he is ready to let Hob have free reign over blowing his mind.

It's not such a hardship to give himself all the finicky little human pleasure spots - a small price to pay, if it makes Hob happy. Admittedly... it all makes Dream quite happy, too.

[orbch]

people talking about analogical and being like “their identities balance each other out really well” and im like NO KIDDING!!!! 😂🤣

anways heres an essay about their storylines and how they mirror each other

(everything im about to say is very mentally unconstructed and thought up in a 3am haze. and also i feel like all of my thoughts abt sasi are stagnant and surface level so please argue with me if you think im wrong..) (also these ideas have likely already been written a bajillion times. but let me do it anyway LOL)

^ with that being said i feel the need to set a definition on what makes sasi sides “dark sides” and “light sides” because like,, to me the only difference between them is the means in which they get the rest of the sides to listen to them

obviously.. none of the sides are actively trying to be evil. or trying to hurt cthomas on purpose. OBVIOUSLYY. because why the hell would they want to do that? they are all literally That Guy, and all of the sides have their own personal goals for thomas that they want him to follow. this is like. the plot. and very known information..

but remus, janus, and formerly virgil are the “dark sides”… like what? because janus manipulated and pretended to be the other sides because thats the only way he could get the others to really listen to and consider his ideas of self preservation and prioritization? and virgil would actively terrorize the others and thomas to get him to be anxious about the stuff virgil believed it was IMPORTANT for him to be anxious about? and remus. listen remus is a whole lot of “being awful for the sake of being awful” but evidently in DWIT he has a strong attraction to the idea of infamy and legacy. so even he is sort of looking out for thomas in. uhm. his own way i guess…

so obviously we know virgils storyline was;

purposely scare the others to get them to see situations from his point of view -> always get insulted and pushed away for being a “pessimist” (its his entire purpose) -> “duck out” and leave thomas and the others to discover the negative affects of zero anxiety -> only after that, finally become recognized as an important aspect of thomas

tw: mention of suicide [not in detail] (and on that note, i think its a little morbid that the light sides only fully realized virgils worth and objective after he attempted the sanders sides equivalent of suicide (which you can NOT convince me isnt what the concept of “ducking out” is. they are all metaphysical personifications of instinctual human traits. what the hell are they gonna do? become real and walk out of the house? bffr))

and whats logans journey?

be considered the [reasonable problem solver] of the group -> be placed in a MULTITUDE of situations where the range of solutions are emotions v. emotions v. emotions and suddenly be considered “cold hearted” and “uncaring” for your objective view points -> get excluded from discussions and ignored when you try and help in the only way you know how -> ???

i (and most of the fandom) fully believe logan (ESPECIALLY after WTIT) is going to start resorting to some pretty drastic measures to be acknowledged by the rest of the sides + thomas. some actions that are likely incited by a “dark side” (nudge nudge the orange guy nudge nudge). and if the harshness of the measures he takes in order to be listened to is all it takes for the rest of the dark sides to be considered “dark sides” in the first place. then uhh well… well!!!

but anyways yeah. yeah. logan and virgil kinda have mirrored character development and that is so fucking interesting. virgils path from dark to light and logans path from light to dark… sighhh.. good stuff

[cosmicghoul99]

An interesting Hannibal theory I think you should know about

I'm not sure how many people know this, but if you're unaware, some really interesting things relate to the show and Hannibal's character specifically. (Wanna add that I am not religious, so apologies if I get something wrong. I mean no offense to anyone, this is just a little analysis on my part)

There are a lot of biblical references in the show. It makes sense; religion has always been a deep, moral, and philosophical concept, and Hannibal loves to incorporate the ideas of religion and God into his actions and that of those around him. One of these references is a recurring one. Hannibal is often referred to as the devil. Like this quote from Gideon:

"You really are the devil," Abel Gideon - Antipasto

Or this one from Bedelia:

"Who holds the Devil, let him hold him well. He will hardly be caught a second time." Bedelia Du Maurier - The Wrath of the Lamb

Add this to all the religious imagery, the references to stags and the wendigo, plus the season three discussions about Dante. Bedelia says that she was "swallowed whole" by the beast at the mouth of Hell. You get the picture. There is a lot of talk and allusions to Hannibal being "the Devil."

Obviously, this is a metaphor first and largely used because he is the main "evil" or antagonistic character, but there's actually some truth to this.

Both Bryan Fuller, the creator, and Mads Mikkelsen, the actor of Hannibal, have stated that Hannibal is meant to be the literal devil. He is meant to be both a personification of the devil and the literal devil.

According to Bryan Fuller, Mads Mikkelsen plays Hannibal like he is Lucifer. In an interview, he stated that "he is as close as you can come to the Devil, in the sense that the Devil has no reasons," following it up by saying that Hannibal's reactions aren’t something of a person, but of the Devil. He intentionally plays the character through the lens of the fallen angel, Lucifer. Hannibal is meant to, in the eyes of the actor, be a manifestation of the Devil

Bryan Fuller has also said in interviews and online that he believes Hannibal is the devil. Of course, he states that this is his opinion and that others are up to their own interpretation, but the show's main creator and writer believes this also means that we can reasonably see this in the show.

Throughout the show, Hannibal is simply on another level. Many times, he does not seem human but rather otherworldly. I think that is where Mad's acting presents itself, alongside whenever Hannibal is talking about humanity and God.

Hannibal loves to play at being God and also criticizes God as well. I believe it is in episode three after Will kills Hobbs, that they discuss how Will killing Hobbs felt good. Hannibal responds with this.

"Killing must feel good to God, too... He does it all the time, and are we not created in His image?" Hannibal Lecter - Amuse-Bouche 

Oh boy. This is such an interesting line. He talks about being created in His image. Let's be honest; he speaks as if he were God or knows God at least. His comment actually makes more sense if you view this as him being the Devil. Lucifer, the fallen angel, was cast from Heaven for rebelling against God. He feels that it was unjust. Most people talking about God and His actions view him with benevolence. Hannibal does not. In the bible, Lucifer had a problem with humans. And humans are, of course, said to be created in God's image. You could also argue that angels, especially Lucifer, were created in that same image, too. Hannibal has an issue with the rude. Why the rude particular? It is because those who are rude often showcase the worst of humanity's attributes and free will. Hannibal despises the rude because I believe that it, in some ways, represents the hatred that the Devil, or Lucifer, holds for humanity. The Devil had an issue with humans gaining free will and felt they did not deserve life via God's hands. This is similar to how Hannibal feels that those who are rude do not deserve to live. Hannibal, then, of course, being Satan himself, would be resentful of God for casting him from Heaven. Again, Hannibal often discusses God's motives, or what God feels doing certain things. Literally, a few seconds later in that episode, he says this:

"Hannibal: God's terrific. He dropped a church roof on thirty-four of his worshippers last Wednesday night in Texas while they sang a hymn.

Will: Did God feel good about that?

Hannibal: He felt powerful." Will Graham and Hannibal Lecter - Amuse-Bouche 

That last line about him feeling powerful gets me thinking. Hannibal is speaking not just about this but also about his own fall. But more importantly, he's also showing us what he thinks of himself. Killing makes God feel powerful. That means that killing makes Hannibal feel powerful as well. He is both giving motives and somewhat criticizing God at the same time. Hannibal seems to find the situation amusing. I think he believes it quite funny that humans were killed while worshipping God. He might even see a comparison between what happened to him and what happened here. He is simultaneously praising God and calling Him a hypocrite.

Hannibal's motives for killing are also interesting, and I said earlier that I think the reason why he kills is because he believes that rude and ill-tempered people are the problem with humanity. And he wants to get rid of them.

Now, let's explore how this connects with other metaphors, his decisions in canon, and his relationship with Will.

Let's talk about the stag. I did some research, and in many religions, including Christianity, stags represent God and his might, at least from what I could find. I find this interesting because stags are also meant to represent opposition to the snake, another symbol of the Devil. Why is the representation of Hannibal, at least in Will's mind, a stag? I think it actually represents the darkening of Will. If stags are meant to represent good, then that means that Will starts off that way and then slowly follows the stag and is affected by it, which, to me, means that Will is slowly being corrupted. Just like the stag was corrupted due to Hannibal's influence, Will is starting to change and fall deeper and deeper into darkness. It's also interesting that the dynamic between Hannibal and Will is clearly that of one between the Devil and the person they are trying to tempt. Hannibal is trying to tempt Will into changing himself and embracing the darkness inside of him.

Will is Hannibal's realization that humans are actually not that bad. They are complex, and their free will actually makes them relate to him more than he thinks. Will is his weakness, and Hannibal is intrigued by him. If the Devil, which is Hannibal, is the snake, then, in Hannibal's own words, Will is the mongoose that preys on the snake. Hannibal originally fell because of humans, and at the end of the series, he falls because of humanity again. He fell for Will. Will is meant to represent the lamb of God. The symbolism is that Hannibal fell for Will, who sacrificed himself to keep the Devil away, getting corrupted in the process.

Dolarhyde is also a factor. The original painting, "The Great Red Dragon," represents Satan. How does that tie into this idea? I think it's not Dolarhyde who is meant to be Satan; rather, it is Hannibal. We know that Dolyrhde idolizes Hannibal in a sense. Like Will and many of his other patients, which I'll get into later, Francis is influenced by what Hannibal says. Yet another temptation by the Devil. This is also connected to Will coming into his own life because Francis is also manipulated by Will. There is a connection between Hannibal and Will, which is shared via the tempting and manipulation of Francis.

I mean, we have this statement by Jack talking about The dragon, the lamb, etc. Jack says that,

"He's not the Dragon, you are. The Devil himself bound in the pit." Jack Crawford

Hannibal compares Jack to God. But I think they both are, in some way.

Many of Hannibal's patients and the people in his life, in general, are manipulated by him. I mean, some of his patients are tempted and influenced by him to do bad things commit crimes, and murder people. That's very indicative of the Devil's work, in my opinion. Even Jack and Alana end up being manipulated and deceived by him.

There is a lot of other religious imagery and symbolism, so I'll only discuss some of it. To start with, the reference to Bedelia's presentation and Hannibal's name in Italy and what they could represent. I mentioned earlier that in season 3, Bedelia talks about her time in Florence with Hannibal. She talks about how Dante gave a physical space to Hell, a solid concept, but before that, people would say, the "mouth of Hell." Then she says that she was "swallowed by the beast." This refers to Hannibal, but here's the interesting thing. In the Bible, the Devil is also referred to as the Beast. Bedelia is yet again referring to herself being used and brought into the mouth of Hell by the Beast, Hannibal. The name that Hannibal was monikered by in Italy is also the same. "Il Mostro" translates to the monster, which can be interpreted as yet another way to refer to the devil. Then, there is the obvious references to lambs in the show, with it being a sacrificial symbol. I'm sure that's been talked about a lot, and I mentioned it earlier.

There are many mentions of justice, redemption, retribution, and more in the show. This connects with the religious themes, of course, but it also plays into Hannibal's view of himself as a God, as well as how the show depicts him as the Devil. He is the one who casts judgment onto people, like his patients, and onto the rude, like a God. He is the one who issues punishment for sins and misdeeds, like the Devil. I think it's so interesting to see them both working in tandem.

I once saw a post saying that Hannibal acts like he's lived the same life a hundred or so times. And I agree. He does. He acts like he has been around for a time so long that many have forgotten it. It makes sense why he's so confident, and nothing seems to phase him. Nothing that happens has any consequence for him. The only thing, really, that he cares about is Will. That's why he tries to get Will to have his Becoming and Fall with him. He wants Will to be there with him. Which is sweet, I think :) And not to bring up related trauma for anyone that has ever been a fan of Devilman or Devilman Crybaby, but IMO, it really really reminds me of Akira and Ryo and how Ryo is stuck in the same cycle over and over again as a lesson. Idk, my opinion. Let me know what you think.

I also wanted to touch on some other interpretations of the raven stag shown alongside the wendigo and how other religions and beliefs might relate to this.

The Wendigo is a demonic entity or evil spirit from the Algonquian people of Canada. It is a winter spirit that is meant to represent greed and gluttony. When humans succumb to greed, like being greedy for money, being cruel to people, or generally evil things, the Wendigo spirit can possess you. During harsh winters, when food is scarce, people commit taboo acts and consume another human, participating in cannibalism. This also causes a possession and turns this person into a wendigo, never to be satisfied and constantly craving forever. I am not Algonquian, or even Indigenous/Native American, so I can't speak too much on this, and I don't know too much, but I hope I explained it well enough. I apologize if I did not. The show has its own visualization of this, and Wendigos traditionally doesn't look like the one in the show, but the overall message is the same. Even if Hannibal is not the Devil, he could be some manifestation of a Wendigo. It makes sense. Remember his back story? He was forced into captivity while hiding by soldiers during an extremely harsh winter during the war. Harsh enough that food became scarce, and the soldiers had to resort to cannibalism. They fed Mischa to Hannibal, which might have triggered something. Ofc this is a reach, but I did want to bring another interpretation into this.

Obviously, this is all just speculation. I love this show, with its dark complexities and incredible depth, and I wanted to talk about something I've been thinking about for a while now. Again, not everything might be correct. I apologize if that's not the case. Please feel free to correct me. I also apologize if this made no sense or was not cohesive, it's pretty late for me, but I couldn't get this out of my head.

I hope it was interesting ;)

[still-a-morosexual-help]

Okay fine Mechat has some actually interesting concepts & stories.......

1. Succubus LI trying desperately to suck out MC's life via sex Vs. Demisexual MC who just wants to eat burgers, go on walks & sleep well at night

2. DR. JEKYLL AND MR. HYDE!!!??

3. Her:

4. Dead guy trying to scam other dead people out of their money and trying his best to seem scary and morbid Vs. MC who lives next to a cemetery, is morbidly fascinated by death, at most thinks he's funny

5. Genius indie game developer escaping an abusive family + MC willing to throw hands with his mother at any given moment

6. Nonbinary mermaid. That's it. (merperson?)

7. Polycule with 4 eldritch horrors. They're personifications like the Sins but they've got 0 control and you get to see what that actually means

8. Sea demon trying desperately to eat MC Vs. MC enjoying making his life living hell and making him flustered by flirting with him - also they have some of the funniest chats

10. Nonbinary dragon with a gem/jewellery making hyperfixation

11. Modern day beauty and the beast retelling except it's VERY CLEAR that if he ever permanently turned into a human MC would ditch him so fast.

LI: I'm a terrible hideous monster, a freak, no one will ever want me, I literally look like if someone stretched a dog's skin over a human's body, you should leave me and never come back

MC: Take off your shirt

12. Overworked barista MC who is just done and dead inside and just begging the man with a gun who just crashed through the cafe's window to shoot them in the face

13. """The stray cat I brought home turned into a hot naked guy who basically called me useless, kicked me out of my own bed and home, then texted me to cry about how I don't care for him because I went to work without leaving any cat toys out for him to play with but I'm going to coo at him and give him anything his little bastard heart desires no matter how much it inconveniences me and no matter how much he flip flops between hating my entire existence and Immediately crying when I leave him alone for longer than five minutes because I'm still a cat owner and this is the type of insanity that consumes every single cat owner ever"""

Also includes:

• They/them gender neutral MC

• Customizable sprites for MC

• Voice messages with amazing voice acting

• You can choose if you want to see 18+ content or not, and the sex scenes can range from being inferred to very explicit

• Dom/sub/top/bottom/switch/vers MCs

• Multiple poly LIs

• Some stories allow you to switch LIs - play the same story with a different character so you can have your preference

• Treasure trove for the monster fuckers ft LIs like;

a.) Mythical beings like Medusa

b.) Extraterrestrials like aliens similar to the ones from Avatar

c.) Straight up furry content - like anthropomorphic animals

d.) Hybrids - humans with animal ears & tails

e.) Eldritch beings like Death

f.) Horror-esque characters like killer (?) clowns & ghouls

g.) Supernatural beings like demons and witches

h.) Not monsters but also: knights & pirates

• Also just normal average sweet LIs too

• My favourite: updated mod for unlimited gems

Part 2 of interesting routes

[ennn]

Finale predictions for Agatha All Along

Time to lock in your bets! Here's what I guess/expect will happen based on shots from trailers/promos. 'Tis in good fun and some of these I'm definitely more confident about than others -- under a cut because this post is a long one:

The Earth trial in episode 8 is focused on Billy because he is part of the coven. I expect it to tackle the question raised of "Am I Billy or am I William?" I mean, we know he's both but I'm sure they'll execute a dramatic answer. I'm guessing Agatha's grabbing his head for a spell to unlock his suppressed memories and power.

The trial should still have a heavy death theme (the characters emerge from body bags when entering the area). Someone (apologies i forgot who) mentioned that it makes sense because Billy should be dead and in the earth. The danger of the trial is being buried alive.

At some point during the trial I guess Agatha tells Billy and Jen something about Nicky as there's a promo shot with her holding the locket open and saying "death". I assume both Billy and Jen hear this as there seems to be only one big cell of a room. Yay coven bonding time!

I guess we'll get a split of Agatha backstory flashbacks across Episode 8 and 9. I do expect an Agatha and Rio flashback kiss happening in 8 and flashbacks would make sense if Agatha's telling her story to the two of them during 8.

So, we know from ep 7 that there are ways to leave the Road without completing it.

Given we get a shot of Jen crawling out of the ground at what looks like the outskirts of Westview near the town sign, I'm guessing Agatha's going to get Jen and Billy off the Road before the End by tricking or outmanoeuvring them somehow (credit to @trickofthelights for this idea by the way).

Agatha's actually trying to keep them safe from Death but they'll think she's a manipulative asshole (just when they were bonding!). I call it the Bad Wolf / The Parting of the Ways plot thing.

Before they split Billy gets a clue of what Agatha's up to when his mind-reading power unexpectedly kicks in – the setup I talked about here. Either Agatha is too distracted in the moment to shield her mind or she deliberately does so to give him a hint.

There's also a promo shot of Billy doing his blue magic over what looks like the entrance to the Road. He's wearing different clean clothes so I guess he and Jen have been out of the Road long enough to clean up and probably work out what Agatha's really up to. I'm guessing Billy's doing something to help Agatha or influence the Road. He's emotional enough that his magic kicks in. Probably where he suits up as Wiccan.

Agatha and Rio face off in the final "battle" and Agatha gets absolutely wrecked because throwing hands with Death with zero powers ain't gonna work any better the second time.

I doubt the fight will be a straightforward one, even after Agatha gets her powers back. Schaeffer doesn't like simple, black-and-white conflicts. See: the Black Widow movie and Wandavision where even Agatha who was really being self-serving made valid points.

And I don't think Death herself can be defeated in a conventional sense. As a genre-savvy rule, even if you are able to, binding or trapping or hindering a personification of Death is usually a bad thing (can you believe I looked up the recent Puss in Boots movie for further validation on this). You shouldn't mess with Death because it messes with the natural order and witches are supposed to be rooted in nature.

My guess is with Rio some kind of balance needs to be restored, Agatha owes some kind of debt that needs to be paid – before the Road can give her what she needs. This goes back to the initial concept Schaeffer had before Rio of a "debt collector".

I'm also still hanging onto my theory that something is up with that crystal gem thing Death looks to be holding now but was previously wearing. What is that in her left hand?