#i think ive run out of characters

[ruporas]

trigunned the hades or hadesed the trigun (id in alt)

[umblrspectrum]

hi heres art so you pay attention to me now go read the tags

[bacchuschucklefuck]

official finish-this-sketch-how-you-want post idk what to call thisSAMPLE TEXT

hi! I miss drawing with people in a café and some folks mentioned they'd like to mess with my sketches themselves and that sounds cool so this is now a thing. if u play gartic phone this is basically the complement mode! but without the fucking ring noise that freaks you out right when you're getting into the flow of it

few things are 1/there's no hard deadline! take this at ur own pace if u do, but 2/I'll also be finishing this sketch and I estimate it to take around uhh 3 to 4 days? from the time this is posted. so if that's a structure u like then let's aim for something done in that timespan as well! and 3/if u finish ur piece and post it and want me to see it the best way to do that is to @ this blog! above all we go into this one determined to have fun and enjoy. I already bought u a matcha latte with oat milk sorry if u don't want that

here I got u today a sketch that's supposed to be Riz Gukgak (SY) (grey bg version and transparent version for ur ease of peruse)

remember to have fun & be urself & finish ur drink & see u in 4 or 5

[moeblob]

I love Chris so much you guys.

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[st4rstudent]

Constant visitor

[sforzesco]

CAIUS TREBONIUS AND MARK ANTONY, MARCH 15th

The Hetairia of Cassius, Luciano Canfora

Cic. Phil. 2

(taps mic) so as we all know, conspiracy is a kind of seduction, and actions not taken can be just as loud as the ones that are. so. uh. fellas! hey fellas. heyyyyyy.

like, I was looking at the Dolabella-Caesar-Antony mess yesterday, but something really fun and vicious happened here and I will be rotating it around in my head at maximum volume for the foreseeable future

the red panels are the Assassination of Julius Caesar by Vincenzo Camuccini (the pen and ink drawing, not the painting)

[creatively-cosmic]

fuck with me

fuck with meeee

im trying to do different sprite styles and sizing down full drawings to make a base is so fucking dumb looking. christ. also ace not looking like they havent slept in days feels illegal.

on another topic god seeing other pokepasta blogs interact with each other lately has been so fun. i really wanna do that sometime soon... it certainly wouldnt be canon but i havent gotten to see stuff like that circling around since my time in the daily pokemon community! though maybe its just cus of the blogs that i follow that im seeing it now hajnsljkns

[aroanthy]

trying to write something about how much i hate the ‘misandry in utena/the utena fandom’ crowd but it feels kind of redundant to me. i think i just don’t consider people who use the word ‘misandry’ serious people. i do however feel an obligation to occasionally make my position clear on that front, because im aware i tougapost and some people love to bring that guy up as the misandry in the utena fandom poster boy. which is so fucking stupid because touga is not victimised by ‘misandry’, touga is victimised by homophobic violence which is wrapped up in misogynistic violence, both of which are the cogs in the machine we call patriarchy. touga is not affected by misogyny in the same way that anthy is, that’s one of the key takeaways you can get from their being foils, and i don’t really like the whole ‘oh patriarchy hurts men too’ stuff because it neglects the fact that men reap so many material benefits from what some people deem ‘harm’ to them (emotional repression being the big one. it’s not great but when you’re the privileged party and gain power from it, who cares? it’s like the inverse of kozue trying to use sexuality to gain power: she can’t do that). but touga is a shitty dysfunctional person who has been shaped by violence and in turn perpetuated violence, and his character excels, imho, at examining how patriarchy functions and attempts to homogenise life’s many complexities. same deal as nanami really. they just play different roles in this gender essentialist nightmare that crunches out any grit. and you can extend that idea to all rgu characters but i am who i am and that is a kiryuu siblings enjoyer

[totally-lyrical]

will i ever be done? who knows!

guards! inflict that man with gender dysphoria!

[bitchthefuck1]

you know what, I actually will talk about this because it's bothering me. The issue with focussing so heavily on syd and carmy's potential for a romantic relationship isn't that there's something inherently unintellectual about romance or whatever, it's that a lot of people seem incapable of doing that without immediately flattening the story and ignoring or intentionally misreading any and all nuance for the sake of that romance. Every scene suddenly becomes about how it impacts their relationship, every analysis is done through a romantic lens, every frame or line of dialogue becomes about finding some easter egg or hint that "proves" these people should start dating. Their dynamic is absolutely a fundamental part of this show, but if you can only see it as a will-they-won't-they, you miss so much of what the story is actually trying to say with these two.

There are good versions of this story where their relationship is romantic and there are good versions of this story where it isn't, but as soon as you decide them being together is "the point," you lose the ability to actually judge the story for what it is, not what you want it to be.

[rhysintherain]

@blackjackkent's liveblog of BG3 has inspired So Many Thoughts about the Emperor and Raphael and how they compare as characters.

It's come up that the Emperor's character writing could be intended to portray very different motivations based on how the player character responds to it, but personally I don't think that's it. At its core, I think the Emperor is being honest about its motivations: it only wants to survive. What it's not saying is that it will do anything to achieve that end, at the cost of anyone in its way. And the best tool it has to do that is the protagonist.

Its conversations with the protagonist always remind me of abusive relationship dynamics. it plays nice as long as that works, and changes tactics when nice doesn't get what it wants. It constantly reminds you that you need each other, that you couldn't survive without it, that it is the only one you can trust. It offers moments of vulnerability to lure you in, then tries to cut you off from any allies or courses of action it doesn't approve of.

The thing about abusive relationships is that they only turn violent and confrontational when the abuser doesn't get their way. Violence is a last resort, and most abusers prefer to manipulate people without it. Some people go years without discovering their abuser has the capacity for violence, because they never confront them on the control they exert.

And that's exactly how the Emperor relates to the protagonist. If you never question it, never choose a path it doesn't like, you never get pushback. As long as you play by its rules it has no reason to change tactics, because what it's doing is working.

It's only when the protagonist's aims clearly don't match its own that it resorts to threats. It's only when you call the Emperor's bluff, tell it you know it doesn't care about you, that it shows you the truth about its relationship with Stelmane.

Because the truth is, it only cares about its own survival and freedom. And it's very skilled at the game it's playing. It has a profound ability to judge what the protagonist needs to hear, and show them what they want to see. If you want to see a friend who transcends what a mind flayer is supposed to be, it plays that part flawlessly. If you see through that, it has other methods of control at its disposal.

And the Emperor is brilliantly written as a manipulator. It can convince you that it's been on your side all along. It leaves just enough doubt that you might never know the truth. It preys on trust, and exploits the protagonist's willingness to believe in the inherent goodness of people. It expresses trust and vulnerability to the protagonist, anticipating that they will return that trust in response, regardless of whether it can be trusted.

And the cool thing about Raphael is that he's a very similar type of character. He also knows that being nice gets you further than being dangerous. The difference between them is that Raphael isn't quite as good at it: he has a temper, and is quicker to drop the mask. He has an ego that won't let him tolerate even the slightest resistance without breaking character. He believes in bribery over trust, and it makes his act easier to see through. The protagonist can express the same doubt in both of them and get threats from Raphael and disappointment from the Emperor, which pushes them away from one and towards the other.

And one of the striking things about BG3 is the sheer range of dangerous people it throws at your party. You have the tyrant queen, who took power through betrayal and maintains it through disinformation. The power-hungry boss, who offers what you want only until his rise to power is threatened. The abusive parent, who sees his children as possessions who exist to entertain him. The political climber, who treats his loyalists as pawns in a long game of personal gain. The sadistic elite, who's never had to hide her cruelty to those she controls because that's what authority means in her social circle. The loving father, who cares so little for the rest of the world he'd burn it all down to keep his daughter safe.

It's all excellent writing, but the Emperor might be the masterpiece. You can play out the whole story without clearly seeing how it fits the pattern. It can be your loyal partner, standing at your side and protecting you from all those dangerous people.

But it doesn't have to be. If you question its protection and loyalty, it can also be your worst enemy, determined to use all your shared struggles and deepest secrets to tear you apart.

[triglycercule]

cross is so shippable with anyone OUTSIDE of the bad sanses it kills me that his most popular ships ARE LITERALLY ALL BAD SANSES SHIPS 💀💀💀💀

i say as i saw this one tweet saying cross and xtale was originally meant to be art themed and he was gonna be chalk instead of cross and that meant. ink and chalk. ART SUPPLIES????? THATS SO CUTE!!!!! and then i just saw the cutest crink comic and,,,, SIGHS!!! WITH FURY BEHIND THE SIGH!!!!!!

crink cream clue crerror what other OH YA crepic (HOW COULD I FORGET CREPIC) i thought of cross x swap x fell in class like a week ago. i think it would be cute lowkey. monocherryberry. ive been seeing sprinklings of ccino x cross and i think its cute even tho i care naught for ccino. wait what would a cross x classic ship name be??? cross sans. LMAO. crossic???? comicross. paneling. OOH cross/geno. CROSS/FATAL,,,,, what about that one like crepic + fresh ship!!!! the silly gang thats so cute. literally has so much chemistry with ANYONE. ANYBODY!!! but nm killer dust and horror. outrageous

[skunkes]

observation post but ive found myself doing a lot of "problem solving" for commissions in my sketchbook because it helps me in a way that drawing digitally does not... Now im trying to figure out why that happens and how to bridge that disconnect because well why would it be different. Why is it so different 😭

[moeblob]

Rey, who is in my very biased opinion, one of the funniest "girls" I have because she's just a guy, truly. Like Rey is just short for Reynold because he was recruited by a a goddess to help the hero she selected and the hero is conveniently Reynold's younger brother. So he agrees to help under the condition that the goddess gives him a female body for the other world. She's like "really odd flex but whatever" and gives him a female form and he's like "you know. I can't really blame anyone but myself for not specifying 'please don't turn me into a Lisa Frank personification'."

[puppyeared]

i also have unaddressed therian feelings… sometimes i feel like a creature looking out from a human’s body yk

i get what u mean..!! im still trying to understand it too, but im happy to finally have a word that describes the feeling. i cant say for sure what will help u come to terms with your feelings, but i think its good to find people who will listen and take it seriously ^_^