#i started watching this show in 2009

[lyricalnerd]

Good morning I'm still thinking about NCIS

That was a really good episode

I might rewatch it today

But yeah, here we go again lmao

[topthreedetectives]

turnabout teleportation: ace attorney investigations 2 case turned stage play?????

how come im only just now hearing about this!!!! what!!!!

apparently there was a case from the 2nd investigations game that was cut because they were worried the story was going to be too long and they decided to turn said case into a two hour long stage play.

and its fucking perfect

the fucking INCREDIBLE way miles and the other characters are introduced via ✨logic chess✨. the way some of the best music from the games shows up throughout the show at the best times. the way the costumes seem like they were ripped right out of the game itself. the way they have super epic dance breaks between scene changes. the way the HOW MUUUUCH guy moves with the case during a said dance break. the way gummy gives his coat to kay.

i could go on and on and on about this. GO WATCH IT RIGHT NOW. you will not be disappointed.

i was a lil sad ray and lang didnt have a role but theres the spirit of lang with 'reminiscence ~ the fall of the house of lang' making an appearance :DD

[amber-isnt-a-precious-stone]

I'm watching Emma (2009) and I've previously seen the 2020 movie, and I always can't help but aro-code Emma! As someone who is grey-aromantic, I see myself in her. She questions what love feels like, often questions whether she's in love (captures that platonic, infatuation, sexual or romantic attraction confusion) and in general, is perfectly content with remaining unmarried and never being in a relationship. I relate to horror, confusion and somewhat romantic repulsion when someone confesses they romantically like her. Also, it goes without saying that grey-aromantics can experience romantic attraction, and she falls in love with only Mr Knightley, which is a nice example of an aromatic person being in a relationship while retaining their lgbtq identity

[oveliagirlhaditright]

So, I was tagged in a "Top 10 Favorite TV shows" post a little while back, and I've sadly lost it (even though I really wanted to do it!):( And thank you to who tagged me in the post. I think it was @i-love-books-because-reasons? If I ever find the post again, I'll reblog it properly. But for now, I'll just answer it this way. (For some reason, I've decided not to included animes or cartoons, because no one did in their lists. Maybe that will be its own list. Or "younger shows," like Disney channel ones. But if I did, Lizzie McGuire would have made it:))

Buffy the Vampire Slayer and Angel the Series (though I'll be listing them separately) - have become my favorite shows of all-time (though they're also slightly tied with Dark Angel). They're just... so good and perfect, with such good writing and themes, and I could analyze and obsess over them for hours (and have), so of course they're here.

2. Angel the Series (mentioned above). - Though it and Buffy aren't exactly like. They're definitely their own shows and I love them both for different reasons.

3. Dark Angel season 1 - I just really latched onto Dark Angel, and have never been able to let it go... which is funny, because I didn't like it that much in the first few episodes: probably because they really went over my head as a kid. -shrugs- But I love my reluctant, badass heroine Max and how she grows. Speaking of Max? Love of my life. The love story between her and Logan is still one of the best written in all of TV to me. And the relationship between Max and her "siblings"--and just learning about this poor girl created in a lab, who had never even been in a house before when she was nine and things like that--has always spoken to me. The "fight the man" and "protect the downtrodden" plot is also great.

4. Tru Calling - It's thanks to my sister that I discovered this awesome show, and Eliza Dushku. The premise is just so wonderful: Tru having the ability to relive days and save people who died before their time. And whenever the show threw a wrench into the usual formula was fun. Particularly when Jack showed up, who was the opposite of Tru: trying to stop her actions, because he thought she was messing with the natural order of things and there would be disastrous consequences to it. The show was really finding its footing when it was canceled. And what the writers released of their plans for what they were going to do next? I cry that we didn't get to see that. But alas.

Smallville - Baby's first show for teens and up:) I have so many fond memories of discovering Smallville... and rewatching the episodes again and again with friends, and between new seasons. Also, watching new episodes when they aired. I feel like the idea of Smallville was great: tell the story of Superboy growing up on a TV show. It worked so well: and made so many people connect with Clark Kent/Superman, who otherwise might have trouble with it. It developed him and his relationships so well... and we won't talk about how well Lex Luthor was also developed (and played by Michael Rosenbaum): the best part of the show to many people. And how genius it was to have them start out the show as friends only to become the enemies they were fated to be. -sobs- Also, as it's been said, we wouldn't have the Arrowverse if Smallville hadn't come first. So credit where credit is due. And speaking of that, this was the time before the MCU and that sort of thing. So seeing hero cameos on this show was so shocking, new, and the best.

Alias - The first badass female heroine I ever saw on live-action TV--and fell in love with--was Sydney Bristow (aside from Xena: Warrior Princess, that I don't remember that well, because I was, like, five when I was watching Xena). Also my introduction to the wacky world of J.J. Abrams' writing. And as wacky as J.J. Abrams can get, and we all know it, I think he did a good job with Alias, and was pretty nuanced and tame here. There was just enough of his Mystery Box stuff to keep me intrigued, in this interesting spy story that I loved. And Sydney Bristow is seriously the greatest, and deserves the world. And Alias actually has one of the few TV endings that I actually like, for the most part.

Kyle XY - Another show similar to Dark Angel, in that it's about a human made in a lab (though that's a mystery for most of S1). And I really liked this show--and its main family the Tragers. Definitely one of the best things ABC Family ever did... and I'll forever be angry that it ended on a cliffhanger.

Roswell - A TV show about what if aliens did crash in Roswell, and lived among us as half-aliens, half-humans. This show is definitely largely a romance, but there's definitely more to it than just that: with some battles with other aliens, the aliens trying to get home, and stay alive from the government trying to kill them, etc. Maily it's the characters and their various relationships that make this show so great. It's certainly a product of its time, early 90's WB, but I'm nostalgic for it and love it too much. And we wouldn't have a number of shows we do today without it. Liz and Maria also have one of the best female friendships of all time. And this show is another one where I actually like the ending.

The Chosen - A TV show that tells what Jesus' ministry was like through the disciples' PoV. And I can't explain just how well made this show is. Seriously. People who aren't even religious watch it and love it. People have compared its quality to Game of Thrones... err, in a good way (I know that can be considered an insult now, after S8). This is what all Christian media should always attempt to be.

Bonus:

Dollhouse - The idea of this show is really neat (with people who have their memories and personalities wiped, and someone else's placed into them, when they're "bought" to live out someone's fantasy), but also hella problematic... though, granted, it's sort of problematic on purpose to draw attention to these problems in real life, but still. This show also becomes completely different by the end, than how it started out (I actually love this plot twist, and won't spoil it for those who don't know). But sadly, it didn't have too much to delve into this twist before it was canceled. But I do still love this show for what it did, and all the potential it had.

Game of Thrones - I loved this show so much, originally. As most people did. But then it really started going downhill when it ran out of books to adapt. Even before that, though, you could kind of see the cracks, with how they changed Daenerys so much... Or how they changed Robb Stark's marriage plot line from being about honor (like how Ned died) to love, etc. But even so, we still (mostly) have a few really good seasons, at least.

[fish-bowl-2]

People always seem to forget that Ed Edd n Eddy was airing way past 2003, or the “classic” era of Cartoon Network. The last episode came out in 2008. That is close to a whole decade.

[inspired-lesson-plans]

Science / Social Studies, all grades, End of Year Reflection

Do Now:

Look back on everything you've learned this year to answer the following questions (a study guide may help).

Out of everything you've learned this year, what feels the most like common knowledge? Why does it feel like something everyone knows about? Explain your reasoning.

Out of everything you've learned this year, what do you think is most likely to no longer be true at some point in the future? Why do you think this change will happen? Explain your reasoning. You may need to use your imagination.

Example below the cut.

When my mom was in school, during the era of the First Doctor, it was perfectly common knowledge that there are two kingdoms of life - Plants and Animals. Sure, some organisms like the Euglena seem to hinge between the two kingdoms, but if it's animate then it's an animal and if it's planted then it's a plant.

This was still true during the era of the Fourth (and best) Doctor, when she was studying biology at University.

But just before she started teaching biology in the late 1990s, between the Seventh and Ninth Doctors, and even though she hadn't forgotten anything, she decided it might be a good idea to see if anything's changed.

"What do you mean five kingdoms?"

[lautity]

have been informed that there are like 5 ntn fans out there so maybe you will get an extensive post about gabe & touching the set/diana . because it makes me insane. the way this show is staged and set and acted makes me crazy

[vesna-v-irkutske]

Video from Nikita's YouTube channel, uploaded on December 1, 2009. They're watching TV without sound and voicing people on the screen. Artyom (reading the name of the news program; Nikita says something indistinct too): NOW. A small sound from Nikita, something between a chuckle and a cough. Artyom starts laughing and hitting the floor, Nikita joins him for a short moment. Artyom (talking about the news anchor's face): What a fucking mug! Fucking awful. (but more rude than that) Nikita (voicing the woman, in a stupid voice): HELLO, I'M A SILLY WOMAN. (Artyom chuckles) I have... (the scene changes to show some people) Oh, fuck (OR he says "Buryat", hard to tell), fuck off. (Nikita makes random sounds and growls, Artyom laughs) Nikita (reading the text in the bottom right corner, in a stupid voice): "Mongolia?" Fuck it, they'll be Buryats (a Mongolic ethnic group native to southeastern Siberia) anyway. (Artyom chuckles) AAAAAAAAHH! (Artyom laughs) Nikita starts speaking ("I- *something else*"), but Artyom interrupts him, voicing the man on the screen himself: I'm a Buryat, but I live here because I like communicating with Irkutsk people, they are all so kind, but they all beat me the fuck up. (Artyom tchk's with his tongue) Yeah. I also suck skins (skinheads) off. (Artyom takes a deep breath and makes random sounds, presumably trying to imitate the Buryat language)

[venusinmyrrh]

You said you love a good fashion doc- do you have any more to recommend?

Designers and tastemakers

Very Ralph (2019). The preeminent American designer of our time, one of the very few who can stand toe to toe with the titans of Paris and Milan. To call Ralph Lauren's work "sportswear" is to call the Sistine Chapel "kind of a big painting".

Halston (2019). Speaking of going head to head with Paris, Halston did it first. Skip Ultrasuede-- this is a much better doc about the king of American 70s disco glam.

McQueen (2018). When people talk about fashion as an art form, chances are they're thinking of Alexander McQueen. Worth watching for the pulse-pounding runway shows alone.

Westwood: Punk, Icon, Activist (2018). Obviously you already know about this one, but it's gotta go on any comprehensive list. Without Vivienne Westwood, punk would have been nothing but a handful of noisy assholes.

Diana Vreeland: The Eye Has to Travel (2011). My icon, my north star, my personal hero. The empress of taste and high priestess of personal style. Watch this doc whenever you need encouragement to do and wear whatever the hell you want.

The Gospel According to André (2017). Diana Vreeland's protegé and a godfather of style in his own right. If it happened in fashion in the last fifty years, André Leon Talley was there for it.

Lagerfeld Confidential (2007). I have a high tolerance for difficult and unpleasant people as long as I like their work. Your mileage may vary, but Karl Lagerfeld's immaculate, relentless taste cannot be denied.

Institutions and events

The First Monday in May (2016). Witness all the hustle, bustle, savvy, and stress that goes into planning the Met gala!

The September Issue (2009). Same as the above, but for the famous September issue of Vogue. Watch this to learn who Grace Coddington is.

Dior and I (2014). How do haute couture collections get made? In 8 weeks from start to finish, I guess, if you're Raf Simons during his first season at the House of Dior. A documentary and a thriller.

Scatter My Ashes at Bergdorf's (2013). No matter what other retailers might want you to think, Bergdorf Goodman is the last great department store. A portrait, already halfway to a time capsule, of what luxury shopping used to be.

Peripheral, but may be of interest

Nose (2021). The passionate, delicate art of perfume creation for the House of Dior. The French landscapes where they source their materials will make you swoon.

Larger Than Life: The Kevyn Aucoin Story (2017). As the makeup artist to pretty much every single icon of the 80s and 90s, Kevyn Aucoin invented the image of that era as much as any designer.

Fabergé: A Life of Its Own (2014). Come for the dazzling jewels and sumptuous objets d'art; stay to find out how this illustrious name ended up on hair care products in the 70s.

Crazy About Tiffany's (2016). Another luxury jeweler whose name alone is the stuff dreams are made on.

Bill Cunningham New York (2010). The original street style photographer, since before "street style" was even a thing. A love letter to curiosity, and a testament to the power of taking an interest in the world around us.

Still on my watchlist

Salvatore: Shoemaker of Dreams (2020). Directed by Luca Guadagnino, which is enough to put this Ferragamo doc at the top of my list.

Advanced Style (2014). Portraits of seven women aged 62-95 with truly fab personal style. Top Letterboxd review is seething about how out of touch they are with the real world, which means I am probably gonna love it.

Suited (2016). A study of gender through clothing in modern culture.

Dries (2017). A year-- and four collections-- in the life of Dries Van Noten, who, interestingly, doesn't see the point of clothes that people can't buy to wear, and so does not do couture.

Yellow is Forbidden (2018). This doc about Guo Pei appears to use her career as a framework to understand the gatekeeping of global culture by the West. Dope as hell, if it can pull it off.

American Style (2019). The political, social, and economic history of America through its fashion. Another one that could be really awesome if done with insight and panache.

Quant (2021). She may share the credit for inventing the miniskirt with two other people, but it cannot be argued that Mary Quant invented 1960s Swinging London. And for that we say thank you Dame Mary.

[am-i-the-asshole-official]

( 🟦 🎞️ 🟦 )

AITA for telling my coworker that he’s stupid for liking an objectively TERRIBLE film?

I (27M) and my coworker (25M) usually have “movie nights” on our days off. We find time to sit down and watch a movie together. He’s usually agreeable on what movie I want to watch, but sometimes I do let him choose the movie, as long as I don’t find it too unbearable. (His taste in cinema is below average.)

Earlier today, he reminded me that neither of us were scheduled on Friday or Saturday, and he asked me if I wanted to do a movie night. I agreed, and asked him if he wanted to watch anything in particular. (This is more of a pleasantry. He usually never suggests anything specific when I ask this.)

Surprisingly, he said that he did have a movie in mind! Unfortunately, the movie he had in mind was the 2009 movie, Avatar. The one with the blue people.

After he said this to me, I laughed at him, because no one actually LIKES that movie. The best anyone can say is that it’s visually appealing! The plot is drawn out, bland, and not worth nearly three hours of my time. I asked him if he was serious about wanting to watch it, because I never took him for the type to enjoy something so dull.

He frowned at me and said that he'd watched it a few times with his ex-girlfriend when they were still dating, and that he’d really liked it… and not just for the visual aspect? He said that he wanted to watch it with me too. He continued to justify it by bringing up the fact that I like other sci-fi movies and shows, and that he didn’t see how this was any different from those.

I told him that it was different because there was no reason for a movie to go for so LONG and to give so LITTLE, and he started whining about the first Lord of the Rings movie (which we’d watched a few months ago) and how it was longer than Avatar.

I told him that there was a HUGE difference: LotR is actually good! This only seemed to upset him more. He scoffed at me, saying that I couldn’t see a good movie if it was right in front of me. He said this jokingly, but I could tell he was upset. I glared at him, but didn’t say anything.

After a few seconds of tense silence, he asked AGAIN if we could watch it on Friday, because I’m the one who always picks the movies, and that it was unfair that he never got to pick any. I told him no, because Avatar is an awful film, and that he was really stupid for liking it.

I don’t think I’m wrong for telling him that Avatar sucks, considering it’s common knowledge, but calling him stupid might’ve crossed the line for him. I’m pretty sure that this comment is what made him mad, because it sparked a bigger argument, which eventually led to him sleeping on the couch for the night. I’ve called him stupid in other situations before, so I’m not sure why he’s making such a big deal about it now.

I don’t think I’m the asshole… If I am, I’m definitely justified. The only reason I’m asking is because a close friend of mine (28X) said that I was too harsh about it, so now I'm second-guessing myself. AITA for telling my coworker that he’s stupid for liking an objectively TERRIBLE film?

[natalievoncatte]

Everything was in place. Lena dropped down into the passenger seat of Jess’s car. The trunk was loaded with presents and books and Lena was ready. Jess fired up the engine of her 2009 Honda Civic and off they went, navigating National City traffic.

Lena’s stomach was full of butterflies. She had her hood up and was dressed down in sweats, not looking at all her fashion place self. Jess parked by one of the service entrances and a security guard let them in with a curt nod. Lena had dropped him a four figure tip to cooperate.

The kids were gathered in a common area on the fifth floor pediatric intensive unit, ranging in age from three to fifteen. Lena fought the lump that formed in her throat as they gathered, some of the younger ones in the laps of the older.

Lena started with a reading of How the Grinch Stole Christmas, complete with sill voices and big smiles and a lot of effort on her part to keep tears from welling in her eyes.

Some of these kids were having their last Christmas, and some of them knew it. Some didn’t. Others would go home, and a lucky few would help change the world with their participation in clinical trials.

On some level Lena knew that Kara would show up eventually- she’d been dropping in regularly enough, once learning that Lena read to the kids.

Sure enough, she showed up as the kids were eating turkey and mashed potatoes and gravy prepared under the supervision of a Michelin star chef that Lena had hired at great expense to prepare their dinner.

Supergirl, all swagger and power, strode into the room. The response was curious. They knew her of course, and she’d been there enough times, even read to them, that there was a peculiar familiarity to her visits and only the new kids got truly excited.

They were more excited by Kara’s plus one. She’d brought with her the most perfect Santa Claus that Lena had ever seen. No fake beard here; every whisker was real, as was every crease and wrinkle. Even his costume was flawless, velvet coat and paints lined with genuine fur. He had a huge beach sack thrown over one shoulder and greeted the kids with a cheer, setting to work handing out gifts.

Kara came over and stood next to Lena.

“You’ve outdone yourself this time,” said Lena.

Across the room, Santa gave a hearty Ho! Ho! Ho!, and had taken up a seat to invite kids onto his lap.

“Believe it or not,” Kara said, “he owes me a favor.”

Lena snorted and Kara winked.

“‘sides, I live at the North Pole, too. Sort of.”

Lena watched the man with the children. He really was quite good, a consummate professional.

She looked over at Kara. There was a twinge of pink in her cheeks and snowflakes melting in her hair, and her new suit showed off her muscular arms. More than that, there was a look of a wistful joy in her eyes as she watched the kids enjoy themselves.

Lena’s heart would have grown three sizes that day, if it didn’t already feel like it might burst through her ribs every time she looked at Kara, really looked at Kara.

She’d long ago admitted her feelings to herself- it was getting them out that was the problem, even now.

Across the room, Santa Claus stood, startling Lena out of her reverie.

“I’m sorry kids, but I really must go. Lots more visits to make tonight!”

He stood and walked over to Kara. “I do have that one stop to make before I begin my rounds proper. Shall we?”

He even had the perfect Santa voice.

Kara turned to Lena and offered a hand.

That was how Lena ended up in something like the setup for a bad joke: Riding in an elevator with Santa Claus and Supergirl.

It was actually rather awkward. Kara opened the roof access door and motioned for Lena, and the Santa Claus impersonator followed her out. Kara went last, lingering by the door.

“May we speak in private?” Santa said.

“Sure,” said Lena, happy to play along. She pulled her hood up against the chill and walked a few dozen paces from Kara, and Santa turned to face her.

“I’m sorry I didn’t bring you that easy bake oven you wanted when you were six,” he began.

Lena’s face fell. Lillian had exploded at her when she asked on Santa’s lap, a much less convincing Santa, and asked for the silly cooking toy.

She’d screamed that menial tasks were beneath a Luthor and Lena was supposed to ask for the American Girl dolls that Lillian had already bought, and what an ungrateful, spoiled little bitch she was. It was the first time that Lillian had called her that and far from the last; she’d added many insults to it over the years, like stupid or lazy or, most painfully of all, fat; dropping that one had sent Lena into a spiral of crash dieting that almost turned into full blown bulimia by the time she graduated from high school.

She’d never told anyone about the easy bake oven. Not even Kara.

Before Lena could demand an explanation or even speak, Santa reached into his bag, withdrew something, and handed it to her.

Lena took the stuffed bear on instinct. When she did she knew it was more than a bear. As her hands touched the somewhat ratty fur and she saw the little tear in his left ear she knew, she knew.

When the Luthors took her in, Lillian destroyed everything of her old life- everything of her mother, as if to erase her from ever existing. It was spiteful, and hateful. Lillian couldn’t revenge herself on his husband’s mistress so she did it to her child.

She’d burned Lena’s stuffed animals. They were all gone, reduced to ash.

Except… except…

“Clive?” Lena whispered, hot tears burning down her cheeks. “This is impossible, how…”

He placed a gloved hand on her shoulder and Lena felt a wave of indescribable shock roll through her. Something just… opened.

Her mind filled with an image of perfect clarity, and a song fresh and bright in her ears. Her mother’s voice and the distant sound of the sea that would eventually take her. All her life Lena could barely remember her mother- she clawed at scraps, more able to feel her than truly remember her.

Not anymore. As she clutched the bear to her chest, memory flooded her mind like warmth from a hearth fire filling a cold room. She grinned like a fool and choked back sobs.

“How?” Lena chirped out.

“Kara asked me to bring you something very special, and I do owe her a favor. I really must get going, though.”

Then she heard it. Jingling bells.

Lena had seen a woman fly; said woman had saved her from splatting on the pavement too many times. She had never seen reindeer fly, pulling a sleigh behind them.

Wait.

No.

This was not possible.

Santa Claus threw his sack in the rear of the sleigh and climbed aboard. He threw Lena a wave.

“Merry Christmas, Lena Luthor.”

“Wait,” Lena called. “Did you bring Kara something?”

“What Kara Zor-El Danvers wants, I cannot give her,” he said, with a cryptic grin.

Lena stumbled back as the reindeer launched into a full gallop with a blast of air, the rider snapping his reins. It was only then that Lena noticed that the lead animal had a glowing red nose.

Kara stepped up behind her and put her hands on Len/ shoulders.

“Kara,” Lena said. “That was the real Santa Claus.”

“I know.”

“No, you don’t understand. That was the real Santa Claus. He’s real. Santa Claus is real and he gave me my stuffed bear back.”

As Lena turned, Kara smiled. “I know, baby.”

Lena swiped at her cheeks.

“I-I don’t know how you did this, but thank you. Thank you so much. I don’t even know what to say.”

Kara stepped closer, into her space. Very gently, she brushed away one of Lena’s tears with the pad of her thumb.

“You don’t have to say anything.”

“He said he couldn’t get you what he wanted. I find that hard to believe.”

“He can’t just give it to me because it’s not his to give. He did give me this, though.”

Kara reached under her cape, drawing out a small twig with a pair of scalloped leaves and some red berries.

“Is that mistletoe?”

“Yeah,” said Kara.

She lifted it over her head and held it there, smiling at Lena.

It took a moment for her brain to catch up. Kara was holding the mistletoe over her head. She was under the mistletoe.

Lena faltered for just a moment, but then stepped forward, closing what little gap was left between them. Kara was every inch the dashing prince as she put her arm around Lena’s waist, spinning her a little as the other hand cupped her chin and tilted her head just so for Kara to place a gentle, loving, and utterly devastating closed-mouth kiss on Lena’s lips.

Suddenly Lena understood what it was that Kara wanted and for the second time in as many minutes her heart soared and Lena threw her arms around Kara’s neck and they swayed there like dancers amid the snow flurries until Kara flew them home.

[socialistexan]

Was it seemlessly integrated when the Doctor just sort of paused the story to monologue about environmentalism in Invasion of the Dinosaurs?

How about when he called a character who working with the Daleks a Quisling multiple times and told him to join the rebels or perish?

Or maybe it was when the Doctor asked Sarah Jane directly to explain feminism to an alien monarch on Peladon?

Y'know, Peladon? The planet where they met a nonbinary alien a couple years before and the Doctor explained to Jo, on camera, that they were neither man nor woman?

And What about this little moment?

How about when the Doctor references Marx?

Or was it so well hidden with Ace and her girlfriend of the week and the not so subtle queer-coding of the late-80's run?

How about this literal actual quote from the show in 2009?

I feel like I've been dealing with people screaming about how Doctor Who is too in your face about political and social messages when it "wasn't political" in the past since I started watching the show.

[vero-niche]

this is very real (and fun)

somehow its even funnier in the dub. local european vampires in disbelief over the current state of usamerican politics

[violetwolfraven]

Wait wait wait remember that post about how Team Starkid/the Lang brothers are going to be comparable to Shakespeare 500 years from now and it was mostly played for laughs like yeah lol you’ll need a paragraph of footnotes to explain the zefron poster but like

I don’t think that’s actually far off from how Starkid’s place in theatre history might play out and here’s why. Just hear me out

Why is Shakespeare so popular today when he definitely wasn’t the only playwright from that era? When he’s not even the only playwright from that era from England that we have surviving works from?

Two main reasons:

1) Shakespeare’s work is (relatively) universally relatable. The characters do things that are so fundamentally human. They make jokes at their friends’ expense. They complain about being awkward in front of their crush. They have daddy issues. The plot lines of the plays aren’t too complicated. The dick jokes land whether you’re watching in 1611 or 2024, and they probably still will in 2637. Shakespeare’s works are timeless because he didn’t try to outsmart his audience. He wrote about things everyone could relate to rather than trying too hard to peacock his intellect in front of the nobility. This is not true of every playwright.

2) Shakespeare was really popular right around the time England started colonizing everything in sight. Copies of his work got shipped all around the world, translated into dozens of languages, performed probably thousands of times. Setting aside the moral implications of this, the important thing to note is that Shakespeare was about the most easily accessible English playwright during a time of rapid, intense globalization.

Meanwhile, Starkid:

1) Invests hard in meaningful, relatable character arcs instead of spectacle and expensive sets or costumes. Also, lowbrow, immature humor and dick jokes that make A Very Potter Sequel funny and enjoyable regardless of if you’ve ever seen any other Harry Potter media in your life.

2) Posts professional recordings of their musicals to YouTube FOR FREE, making their shows about the easiest, best quality musical theatre you can get pretty much anywhere in the world, regardless of if your area has an active theatre scene. Proshots from other companies are rare and usually not free. Bootlegs are all well and good, but even if the video quality is alright (and that’s a big if) the audio is usually garbage. Starkid has been posting the best quality free recordings they can afford since 2009, shortly after the birth of social media, another time of rapid, intense globalization.

In short, I’m not saying that theatre historians in 500 years won’t remember any our current Broadway faves, but I am saying that in my opinion, Team Starkid is probably going to be more accessible for the general public. If you’re a 26th century English teacher trying to teach your class about narrative structure in 21st century theatre, what are you going to show your students? A bootleg of Hadestown with blurry video and garbage audio? Or the professional recording of Twisted, parts of which they will probably even enjoy, because even long after no one remembers Disney’s Aladdin anymore, your class of 26th century 16-year-olds are still going to laugh at “No One Remembers Achmed.”

[rene-spade]

growing up leclerc | f1 grid

fem!reader x leclerc family, f1 grid

note(s); inspired by @multiversesweets Little Leclerc series! This is kind of my version/take on a youngest leclerc sister. 2nd pov but for the plot, she is named 🫶 lol

Warning(s); possibly triggering dynamics, some obsessive behavior tbh bc i like em crazy, mostly cute stuff tho!

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GROWING UP LECLERC MEANS being spoiled rotten by your three big brothers, and even a select few of their close friends too. you’re as eager to watch the boys race as they are for you to watch them, you’re the heart of the family. being the youngest (2002), only female leclerc sibling makes you a standout in every stage of life. strict ‘no dating’ rules set up by charles after he noticed some of the other karting boys eyeing you. you’ve always been the prettiest girl around in monaco, it’s the same everywhere else the leclerc’s go (much to the chagrin of your brothers). it takes nothing more than a bat of your eyelashes for you to get anything you want, as things should be. but your brothers are worried the big world will ruin you; better to stay with them where it’s safe.

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SOME LECLERC FAMILY THINGS; childhood

full name Hélèna Solène Pascale Leclerc

hervé and pascale taking tonsss of photos

enzo being the sanest brother

all of arthur’s friends having a crush on you growing up

arthur at age 8: mean to his little sister

arthur the moment anyone else looks at her: *swinging*

charles being dubbed “track menace” after crashing into so many boys who’ve looked at you

charles forces you to like the red car

big bro jules who dotes on you, charles, and arthur, showing you off around the paddock

protectiveness levels multiplying after hervé passes away, and again after jules

your brothers are hypersensitive when it comes to you (if you’re sick it’s like charles is dying)

having to keep your romance life a complete secret from your brothers until you’re like 24

Monaco’s Clingiest Family

modeling agencies always trying to recruit you but you’re literally a child, so arthur and charles start barking at people that come up to the family in public

princess treatment you’re whole life and you don’t even care that your bros are a little crazy

charles has tried to murder his fellow drivers

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twitter; self-ran

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instagram; self ran

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photo album; written by pascale leclerc

lorenzo, hélèna, & arthur et hélie la bébé de

charles 2005 2009 charlie 2006

enzo, charles, famille <3 maman avec

& hélie 2010 2002 hél & tur 2003

bébé hélèna et hél et charlie tur est gentil

charles 2006 2008 de hélie 2003

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- ren

[mediamime]

I don’t have any excuse for being obsessed with this show I just am. It’s lived rent free in my brain since I started watching it in like 2009