#i should probably do more research on this when i have the time

[antisocialsharky]

Kink as a Coping Mechanism with ASPD

Important opening notes:

• I'll have to mention that this post contains content more suitable for 18+ audiences and while I can't stop minors from reading it, it is recommended to reach a certain level of emotional and physical maturity before you engage with kink

• the act of engaging with kink needs to be properly negotiated and its not something to do lightly, as scenes can be emotionally charged and physically demanding! I probably won't go too far into topics like aftercare, researching kinks before you try them and other etiquette, so please be aware that theres more to the topic and that you should be looking out for that.

• this post is also not meant to sexualize ASPD or claim we're all into kink or whatever! different people like different things!

• also kink doesn't inherently have to be sexual!

When you encounter posts about sex and ASPD, those are usually either dealing with risky sexual encounters being a way in which impulsivity can present in ASPD, or its posts written by the people who romanticize ASPD and claim that "psychopaths/sociopaths are all good in bed" and while I'll happily take the compliment, thats of course not inherently true.

What being good at sex means, is highly subjective and often comes down to confidence, communication and practise.

Something I have noticed, as a sort of "trend" though, is that many ASPDers I've talked to/seen posts of, express an interest in kink, be that practising it themselves, or being able to appreciate elements of it. This doesn't mean that liking kink is an ASPD symptom, far from it, but it does beg the question, as to what may be the reason for this interest.

The following reasons are of course, just my personal opinion and may not apply to everyone!

1. Finding comfort in something society deems "abnormal"

The types of comments that kink enthusiasts and people with personality disorders get from the larger part of society are actually pretty similar. Its often believed that kink relationships and encounters are by definition abusive and harmful, that its coercion, manipulation and/or simply "morally wrong". People with PDs also see themselves confronted with such sentiments regarding their symptoms & relationships and may find comfort and support in those communities because of that. Shared stigma can make you feel like you belong, like you're not abnormal and like you've found people who may understand what you're going trough at least a little bit. Theres also an enhanced understanding for "abnormal" desires, as kink shaming is largely frowned upon.

2. Being able to consensually act on urges & thoughts

Some people with ASPD have evergrowing desires, urges and thoughts to cause suffering to other people, be that emotionally or physically. This is rarely something that can be acted upon in ethical ways, but kink dynamics actually provide a clearly regulated space for such acts. The person receiving the emotional or physical pain has well defined boundaries in place, clear signals as to when they want to stop (safe words/gestures) and actually wants & enjoys the pain they're about to receive. This allows the person inflicting the pain, to not have to worry about being seen as a monster or a bad person. They can give their symptoms and desires an outlet that is valued and liked by both parties and don't have to hide who they are & what they want.

3. Giving away and taking control

The trauma that ASPD usually stems from, may have left the ASPDer with a need to stay in control at all times, or with problems giving the control away/ problems with feeling safe while they do so. Kink dynamics are often, tho not always about a power exchange and provide an environment in which ASPDers can meet their needs regarding this. An ASPDer that needs to be in control and thrives on having people do what they want and play by their rules, will find that submissive leaning partners may be a good fit. An ASPDer that hates their own need for control and/or really needs a break sometimes, but has problems letting go of said control, may benefit from this highly negotiated and thus pretty safe dynamic that a dominant partner could offer them.

4. Working trough trauma

K*nk dynamics and play sessions can intentionally be negotiated and build up to resemble situations, that have contributed towards the ASPDers trauma. They can use this to take back their power and live trough it again, but this time with the knowledge that they hold all the strings and that they can end this if they want to. Especially those who have gone trough sexual trauma, may tend to find this helpful sometimes, as they know they can trust their play partner to take care of them and respect their boundaries. Its also a great way to take controlled steps towards sexual encounters and touch overall, if the whole topic is triggering to a person (tho with this point, open clear communication is especially important).

5. Clear rules and expectations

It can sometimes be hard with ASPD to really tell what partners need, where their boundaries lie, how much you are allowed to jump over those at times, what type of consequences there are for which breach and so on. While this should absolutely be present in non kink relationships as well, the communication just really tends to be better and more clear in kink dynamics. For both or more parties, theres clear limits communicated, theres talks about whether they like having to take that control forcibly or whether they want it surrendered, theres possibly behavioral rules and encouragements, as well as a possible reward/punishment system. This can work great for some, to be more confident while they navigate a dynamic and to possibly get a space in which they learn new social skills and/or practise the ones they have in a safe environment.

6. "Ethically impossible" things are still talked about

Theres some kinks that one just cannot engage in without that being a criminal charge, even if both (or more) parties consent to it. Since those things are usually on the more "extreme" side of kinks, they are also topics that society doesn't want anyone to talk about and prohibits any mention of in many spaces. In kink communities though, you will often still find blogs, accounts and websites that let you write about your fantasies and find people who share the same desires as you. Its not demonized there as often, even if its illegal. Instead its treated as a valid thing to want and like, while still upholding consent and boundaries as the most important thing. Thats the type of vibe, we need, surrounding stigmatized topics and while the kink community isn't perfect, they do provide a pretty good example there and ASPDers can utilize those spaces to feel like they are surrounded by more likeminded people.

7. They can teach you respect and a regard for others

Its a known thing, that some ASPDers may struggle with respecting other peoples boundaries and having any type of regard for other peoples safety and feelings. Those things just often tend to clash with what the ASPDer wants and needs (or wanted/needed in the past). One should not engage in k*nk dynamics until one is 100% able to respect another persons boundaries and safe word (seriously, otherwise thats SA and/or ab*se), but spending time in online kink spaces and talking to people who participate in it, can teach you a lot about how you can get your needs met, while still respecting other people and their boundaries, as well as how to communicate your own needs and listen to the other person. Its simply an environment where thats very valued and where you can learn a lot about healthy relationship dynamics.

8. Submission as a form of impulse control

If you are an ASPDer that struggles with impulse control, following rules, keeping yourself safe, being resonsible, etc. having someone else enforce that, can be really helpful. The system can be developed in a way that fits your needs, but knowing that theres one more wall between you and whatever may ruin your life or hurt you, is a win. You slowly learn to regulate yourself, be that to receive rewards, or to avoid punishments, you learn to ask for help and communicate that you need them to step in, you learn to be more aware of the ways in which you casually impact yourself negatively and you have someone who works trough this with you in the exact way in which you require that.

Other possible effects:

• reducing selfishness

• working on deepening a bond with trust & time

• learning to apologize and make up for things

• learning to go inwards and ask yourself what you want & don't want, what you value & don't value, etc.

• being more in tune with your feelings

• substituting other more dangerous habits

• finding ways to let go of immediate aggression and/or let it out

• rewalking development paths and relearning how you should have been treated

• practising accepting and giving comfort

• having an outlet for lies and manipulation within play and/or working on reducing that

• etc.

Kink has a really big potential as a sort of coping mechanism and/or lifestyle choice when you have ASPD (or ofc also other trauma based conditions) as it provides learning opportunities and outlets for a lot of the issues that come with this condition.

It does require you to have a certain readiness to engage with what you're presented with though and it does require you to always make sure, that the other person is alright with whats happening. While kink can greatly help you, unhealthily/harmfully practised kink can increase issues and contribute towards worsening symptoms.

Thats why I said in the beginning, that its not something to engage lightly in. Sessions can reinforce your trauma, poorly negotiated kink can leave you with new trauma, you can cause irreversible physical and mental harm and so on! Communication, negotiation and a certain level of trust are pretty much mandatory in order to keep the dynamic healthy, but when it is, it can be a great balancing tool and method to confront, work through and redirect symptoms.

first posted on my instagram (same @)

[self-loving-vampire]

I should clarify that the dig against HPMOR was just an example of how badly this kind of idea could go, and because I really don't like HPMOR, not that this was specifically what the OP was suggesting.

My argument is also not that you should write escapist fantasy (which I think is trash), that you should make stories where people are unaffected by their society, or that you should write stories where sexism doesn't exist.

It is that you should not have a stereotyped or narrow view of what someone's life may be like based on something like gender when women are infinitely varied. Even calling this variety "exceptions" reduces that variety into "normal women who are shaped by sexism in these specific ways" vs "exceptional women who are not."

You made a comparison to racism and I think that's probably illustrative of what I mean to say here as well: Not everyone of the same racial or ethnic group has the same experiences with racism and even the ones who do may still feel differently about those experiences.

It's the same if you want to write a character who has experienced child abuse. You can totally have that be a factor in why they behave the way they do and research possible consequences of child abuse, but once do that you may realize that not only is "abuse" a category encompasses a huge range of things that will naturally have very different effects but also that even the same type of abuse can have very different effects in different people based on all kinds of other factors you have to take into account.

There isn't one singular abuse narrative that represents everyone. Some people were abused by parents, others by classmates. Some people were beaten as discipline and strictly monitored, others were neglected. Some people react to abuse by becoming more aggressive while others become withdrawn, insecure, and submissive instead. Some people were just never abused at all despite being in social categories that are more likely to experience that (such as disabled people and queer people).

It's like that with women as well, that's why just "write them like normal human beings like you would do if they were men" is more applicable advice in my opinion. A lot of this stuff (like "what women are physically and emotionally attracted to") doesn't really have a simple answer you can just discover through research because it is built on subjective experiences that are unique for each individual woman, even if you were to narrow it specifically to cishetero women.

That is what I meant. Not "people completely separated from society" but "the ways in which individuals engage with their societies are incredibly varied and you can't just invent clearly defined and universally applicable "male socialization" or "female socialization" because that's going to be different based on time, place, and etc."

Occasionally you'll see a writer question like "how do you write women?"

And the answer that's given is often "WOMEN ARE PEOPLE".

I just ... I don't think that this is a good answer? It's true, but I think it's not that likely to help men convincingly write women unless they're starting from "women are magical unicorn creatures". Which, yeah, sure, some men are starting from there, and "just write a person" might actually improve their situation.

I think a lot of men fail with "ah, just switch the pronouns". They write women whose socialization and life history is unacknowledged. Women who have not suffered harassment, discrimination, male attention, etc. Women who wear makeup but don't ever think about the makeup. They get the texture of the emotions wrong. They get the history wrong.

And for a single character, I would argue that sometimes this just doesn't matter. An individual can go against the grain, and have their own quirks and foibles. You can have a woman who wishes that she were a man. Though ... a woman who wishes that she were a man because men have the "better" gender role would be quite distinct from a man, right? In terms of her internal motivations and backstory and stuff? All people live within a society, and are shaped by that, and by their socialization, and their gender role, and their reaction to all that.

So for writing women, you have to know what it's like to grow up as a woman, to be seen as a woman, taught as a woman, all that stuff. You can and should do research on these things! You should read stuff that women have written about what it's like to be a written, how it feels to be looked at by men, what female friendships are like, what women are physically and emotionally attracted to, the particular texture of fear and anxiety that women often have around men in certain situations, the emotional labor that women are expected to do, all that and more. There's a lot to it! And as with most research, most of it will not make it to the page, it'll be a thing that you think about, and then it becomes part of the background texture of the character.

And yes, this is the same approach that you take to all character writing, whenever you're trying to write someone who isn't yourself, when you have to think hard about internal experiences of other people and marshal an understanding of the circumstances of their life.

So I think "women are people" can serve that role, and at a really basic level, writing women is like writing any character with traits you don't have, but there's also a bunch of specific stuff that naturally would come up during research and talking to women that could help a lot more than just "idk, do your own research, just make sure they're not unicorn fairies".

[dragonsandphoenix]

hi, saw ur question under someone's post asking if ao bing zhuan is official! when it was announced it was labeled as "official fanwork" which is a bit of an oxymoron. basically director jiaozi's team gave the author the rights to write a fanfiction/make a fancomic and make money off of it. technically, it is not canon in movieverse, but it has been approved by the official people.

oh that sounds really complicated, i wonder how these things work. but thanks for the info!

[coriander-candlesticks]

Me: I'm not sure if my health can withstand a commute. Should I try to go in tomorrow?

Apollo: no

Me: should I plan to work from home?

Apollo: no

Me: ...

Apollo:

Me: migraine?

Apollo: migraine.

[jugglingjujube]

After a quick break to plant a vegetable garden and twist my ankle for the first time ever here is stage 1: Orange!

This shit's brighter than my workwear which has already been described as "visible and ready to hijack a teenager's soul"

and then untwist for the reveal:

Love it! In itself would be fun to knit up on it's own but we're not making orange yarn today. We're dying Ninth house black.

Back in the dyepot i added more acid (realizing later i don't think i wanted to do that but whatever) and the black dye. I'm aiming for a 2% depth of shade which means 2g of dye per 100 g of yarn. Three skeins are 300 g of yarn (actually as I type these might be 115 g so maybe i should add more). I measured out and added 3.13 g of dye because as I type this i also realise i forgor. I thought the problem was going to be the inaccurate measurement but nope it's just that i forgot to do math. That is also fine I'll go add 3 g more dye.

This is what happens when you leave academia and stop being a research materials scientist and instead become an industry engineer. anyways

shit's dark. It's been simmering for half an hour already so i'll evaluate if i really need more dye and i'll probably have to keep it on for quite a while until all the dye adsorbs

okay. i'm going to dye some yarn today and i'll probably talk about it on here. It's going to be locked tomb themed because i have a ✨project✨ i want to finish before alectopause day 999

[nyhne]

Quick Roshon sketch :x

[fairybumpkin]

Now that I finally have command of the garden at the place I'm renting (aka the roommates either aren't interested in gardening or are pretending even harder that they're actually going to move out this time), I got to plant two blueberry bushes!!!

[lookwhatyoumademelou]

.

[fushitoru]

worth the wait a nerdjo fic

pairing ⸺ nerd/academic rival/rich boy!gojo x reader

summary ⸺ you abhor your academic rival, satoru gojo. he's a cocky asshole that you fight with constantly for the spot at first place. but when you finally discover what's underneath all those lame sweaters of his with a once in a blue moon visit at the gym (spoiler alert: he's not a scrawny nerd), you'll be fighting your severe attraction to the man who makes your life a bit harder. and maybe fall in love with him, too, in the process.

warnings ⸺ smut, f recieving oral, praise, he makes you beg for it lol, p i v sex, making out, angst if you squint, a lot of fluff, college AU, nerd!gojo, reader gets insecure sometimes and is treated horribly by her discord mod TA/research advisor, typical misogyny/sexism in STEM fields, but gojo defends her!!!, sleeper build gojo with a happy trail because im a slut, the good old pining and yearning i like. art by @/deltapork

a/n thank u to all my beta readers for editing part of this for me :3 happy valentines day!!!

general masterlist

You blink at your paper.

98.

You suppose you should be happy—it’s a graduate level physics class, anyways. For a moment, you stare at the red markings of the TA that graded it, as if willing an error in the one problem you made a mistake on could make it go away. 

2+2=5.

You exhaled sharply, almost fighting back tears. You’d think you could avoid simple arithmetic mistakes, but apparently doing tensor products comes easier than simple addition to you. Shoving your backpack on your chair, you stuff in your laptop and the test haphazardly, not caring that it’s going to get messed and crumpled up in your backpack after your folders and binders jostle around. Fuck that test.

You wouldn’t normally act as if the test had personally wronged you—trust, you were not going to get that heated were it any class. But because of this one class, one person, you knew it was coming. The inevitable.

"Better luck next time." The voice, drenched in smug satisfaction, slithered through the air behind you, his voice and demeanor like a slimy, slimy snake. 

Your jaw tightened, but you forced yourself to remain calm as you turned around. And there he was—Gojo Satoru, the bane of your existence, a plague upon your academic record, a walking, talking statistical anomaly who somehow managed to be both infuriatingly brilliant and aggressively insufferable.

He leaned against the desk beside yours, glasses sliding down just enough to reveal the glint of those ridiculously blue eyes. He crosses his arms while they’re covered in that ridiculous, ugly sweater he’s wearing—he’s probably going for the old money aesthetic, but he doesn’t need to know he gives off more “finance bro that helps billionaires evade taxes,” or whatever finance bros do.

“I have no clue what you’re talking about,” you sniff, pretending to act nonchalant while you grab your backpack, swinging it roughly on your shoulder like it was the weight of your grievances against him.

"The test." Gojo unfolded a crisp sheet of paper with the kind of theatrical flourish reserved for revealing royal decrees. A perfect 100, circled in bold red ink.

Your stomach twisted. This is what those two points meant. Two stupid, meaningless, soul-crushing, rage-inducing points.

"Guess that makes it… what, five to three this semester?" He tapped his chin, pretending to count, as if the score wasn’t already seared into your brain like an irreversible branding. "My lead, obviously. But hey, if you ever need tutoring, I could always squeeze you in."

You bite the inside of your cheek in frustration. “I wouldn’t want to impose on the time for any of your hobbies. After all, when will you get the time to watch anime? My 5000 Year Old Girlfriend is Stuck in a Twelve Year Old’s Body, was it?”

He presses a hand to his chest in mock hurt, as if your words had truly pierced him through his chest. “Tut, tut. After all this time, I’d think you’d have my anime preferences memorized since you’re so obsessed with me. It’s Digimon, not whatever pedophilic shit you think I jerk off too.” He pauses, and then his voice drops into a conspiratorial whisper. “But you know Fred, the grad student TA that holds recitation every Wednesday? I just know he’s probably a Discord mod of a server that sends, like, daily tentacle porn. I wouldn’t be surprised if he’s on the Megan's law registry either.”

Now, you have to hold back your smile because Gojo has a point. Fred is not just any TA. Fred is the grad student that mentors you on a research project; the program’s super selective, so when you realized you got him, you couldn’t just back out and give up the opportunity. However, Fred isn’t just a weird–-he’s sooo handsy with his greasy ass hands, so you accept any and all Fred slander. Because he’s your research advisor, you can’t wait to finish the project any faster. He probably would be into underage girls, but you don’t need to express your approval to Gojo, or worst of all, let him think he’s funny. God knows that would get into his head. “Yea, yea. Whatever. Anyways, I hope you have fun with your Pokemon—”

“Digimon.”

“—or whatever. I’m leaving. Some of us have things to do. Later, Gojo.”

You turned on your heel, lest Gojo hook you in with another taunt. 

Maybe you needed to blow off some steam, if you’re allowing yourself to lose to Gojo. 

Worst of all, it’s become a streak, like two times in a row—one on this quiz, and the other on the midterm a few weeks back. Your mind goes back to the last women in STEM recruiting event you had went to, and, how, in the middle of taking a bite of the delicious margherita pizza they offered, you registered that the woman in the panel had insisted that what helped her power through her PhD and dickwad supervisors was by exercising. Her fervor over pilates could almost qualify as a cult pitch, but it made you pause at the moment. Before you continued to further engorge yourself on the food offered on the charcuterie board. 

But maybe it was time to hone your focus in, and some sweaty endorphins might help you get just that. 

You’re not really surprised the demographic at your university’s gym looks like the way it does. After all, not only was it renowned for its academics (from all the nepo babies like Gojo whose families donated buildings and had like four generations of alumnus), but it was also a Division I school. So not only was the gym packed but it was packed with men.

As you walked in the hallway towards the room that contained weight machines, gym bag slung over your shoulder, you eyed the glistening backs of the (D1, mind you) men’s swim team through the glass that separated your path and the swimming pool. 

Wow, those Speedos really hugged their asses. You imagined Gojo in one, and almost snorted. Rich boy nerd Satoru definitely didn’t  learn how to swim; his family’s mansion probably had a twenty year old personal lifeguard that Gojo lost his virginity to, or something. Regardless, he would squint in his silly swim goggles, the exact antithesis of sex appeal while his glow-in-the-dark eyes lit up the pool while he stroked, cheeks puffed like a pufferfish.

Regardless, the smell of testosterone that hits you when you enter the weight area is almost nauseating, and, if you’re honest, a little intimidating. You’re not exactly the fittest of people, so you quickly speed walk past the grunting and sweaty men at the squat machines and barbells, avoiding eye contact and praying furiously that none of them perceive you.

 When you reach the dumbbell stands, you hunch over, taking random light weights. Then, you pretend you know what you’re doing while jumping every so slightly whenever anyone comes in six foot distance of you. It’s only when another girl comes in to grab a weight (and when she bends over, you definitely ogle her ass in a way that would get you slapped if you were a man) that your gaze removes itself from where it was focused on the 2.5 lb dumbbell you were previously bicep curling with. To see him.

The glint of ivory hair is unmistakable—you’ve basically gotten off to the fantasy of razoring it off in his sleep. His blue eyes are bored, pretty boy face framed in glasses. Now, he’s giving teenage boy turned to Andrew Tate after a breakup. Black sweatshirt and sweatpants that are too small, because they cling to his legs in a form-defining way. He’s walking over, hands in his pockets, to a barbell station. Slaps some guys on the shoulder as he goes through, gets a lot of daps. 

Which is weird to you, because you only the Gojo inside your physics class, not outside. He’s a fucking nerd—a loser that spends his time beefing with you, so why is he so popular when he gives you the time of day?

There are three dimensions to gaining alpha status, or whatever they call male popularity. You have to be 1) rich, 2) really physically fit, or 3) just really charismatic. Considering that Gojo—in all his clothing—-looks like a twink moreso than ripped gym bro, it’s definitely not dimension two. So you conclude that it’s because he’s rich and probably throws yacht parties so these ripped guys don’t push him into a locker, or something.

When he finally reaches his destination, you smirk to yourself. With that scrawny build underneath all those loose sweaters, you know he’s only going to be able to lift the bar, no plates. After all, he was warming up. insulting Gojo in countless of ways by taking jabs at his physique mentally, so you barely register that he’s grabbing for the hem of his sweatshirt, peeling it up—

To reveal his bare torso.

Your first thought: Wow, he has huge bazonkas.

That has easily got to be one of the most built physiques you’ve seen at your college so far. His pectorals basically pop out out of his torso as he moves to grab plates. First, he grabs a really big plate—you’re not a gym expert, so you wouldn’t know the weight—and stacks it. And stacks another. And another. And another, until you’re sure it’s definitely more than your bodyweight.

As you’re staring at him in awe, your 2.5 lb dumbbells hang limply by your sides, abandoning all pretense of training to openly gawk at the clench of his biceps, the sweat rolling down his temple, and the set of his jaw as he stares holes into the bar. And by the way there’s heat creeping up your cheeks you realize one thing:

You’re screwed.

“You know what?”

You keep your eyes on your notes firmly, refusing to look at Gojo sitting right next to you. You don’t know why he always chooses to sit next to you on recitation, really—it’s not like you’re receptive to his company. After all, he could be doing other things—like metaphorically sucking a TA’s dick by talking about their research, where Gojo probably knows more about the TA’s research than they do themselves. 

From your periphery, you notice Gojo pouting, then scooting his chair (dragging it, so it makes a god awful screeching noise against the floor tiles that has you cringing) until he’s so close that he slings an arm on the back of your chair and leans in closer and closer. You’re fighting to keep your eyes on your notes, face heating up traitorously until you feel his breath fan across your neck because he’s just so close.

“Rude, ignoring me. Look where that got you.” He then points to a problem on your paper, one you were currently working on. “You’re doing that wrong.”

You finally turn to glare at him, but he’s closer than you anticipated, his face just inches from yours. His grin is all sharp edges and knowing amusement, and it makes your stomach flip in a way you refuse to acknowledge.

“I’m not doing it wrong,” you argue, despite the creeping suspicion that, okay, maybe you did mess up somewhere.

“Oh, really?” Gojo drawls, tilting his head slightly. “Then why is your integral off by a factor of two?”

Your eyes snap back to your notes, scanning through the equations—and, dammit, he’s right.

You huff, begrudgingly erasing the mistake. “Whatever.”

“You know, you should really be thanking me,” Gojo muses, still leaning way too close for comfort. “If I weren’t here, who knows how many mistakes you’d make?”

“She’d have me,” comes a greasy voice, and you have to fight the tears in your eyes that arise when Fred (the aforementioned pedophilic TA and your research advisor) comes, his moldy cheese stench following him as he takes a seat from across you and Gojo. You grudgingly turn your face away from where it was so close to Gojo’s to look at him and sigh inwardly. At least Gojo’s face was prettier to look at.

“Hi, Fred,” you smile tightly, willing him to go away. “We’re good here, so you can help out other students—”

“How was your weekend?” He instead replies, and you wince. Stealing a quick glance at Gojo, it seems that his jaw and posture are uncharacteristically tense. 

“Lot of work for the class and for, uh, our research,” you respond, nodding and averting your gaze to your paper and feigning working on a problem so that he would get the hint.

Fred, unfortunately, does not get the hint. Instead, he leans forward, elbows on the table, eyes too focused on you. “You really ought to take breaks, you know. You can give me the code late. Someone as cute as you shouldn’t stress so much. You’ll get wrinkles.”

Your fingers tighten around your pencil, your skin crawling at the way his tone veers into something too familiar, too patronizing. You open your mouth to give a clipped response, but Gojo beats you to it.

“Oh? Didn’t know you were an expert on skincare, Fred,” Gojo drawls, his voice deceptively light. His arm, which was still resting on the back of your chair, shifts just slightly—not quite pulling you in, but making his presence more noticeable. “Though, if we’re giving out advice, maybe you should take your own. I mean, stress must be rough on you too, right? All those late nights grading papers, staring at screens. Takes a toll.”

Fred bristles, but Gojo just smiles lazily, pushing up his glasses as he tilts his head. “Actually, you know what? Maybe we should all focus on our own business. Like, say, teaching, instead of weirdly hovering over students. Crazy thought, huh?”

You swear you see the muscle in Fred’s jaw twitch, but he forces out an awkward chuckle, shifting uncomfortably. “Right, right. Just looking out for her.”

“Don’t worry,” Gojo interrupts smoothly, now fully leaning into your space, his arm draping a little lower behind your chair, “I think she’s got plenty of people looking out for her already.” His voice is soft, but there’s an undeniable edge beneath the words.

Fred lingers for a second too long, but finally, he mutters something about helping another student and stands, walking off with an air of forced nonchalance.

You let out a breath you hadn’t realized you were holding, slumping slightly in your seat. Gojo hums beside you, his fingers tapping idly against the back of your chair.

“You’re welcome, by the way,” he teases, but there’s something in his tone that’s softer than usual. He then makes a show of stretching, raising his arms. His sweater rides up a bit, exposing his lower abs and peeks of white that has you averting your gaze, the heat creeping up at his proximity once again. Then, his arm back on your chair. Weirdly, you find that you don’t mind it.

You sigh, resigned. You’ll figure out these feelings later. “Yeah. Thanks, Gojo.”

But you don’t immediately go back to your work, because Gojo suddenly hunches down and whispers in your ear. “Yea, I definitely saw an underage anime girl sticker on his laptop.”

Your responding snort is so loud everyone turns to look at you and Gojo, who is now sporting a mischievous and satisfied smile.

It starts with a single drop, fat and cold where it splats against your wrist. You glance up from your phone just in time to see the sky split open.

“Shit,” you mutter, stuffing your phone into your bag. The library doors shut behind you with a heavy clang, sealing away the scent of old books and the quiet hum of studying students. Outside, the air is thick with the petrichor of freshly fallen rain, and within seconds, the pavement is slick, puddles forming in the uneven cracks of the sidewalk. The streetlights reflect off the wet ground, casting fragmented golden glows against the darkening sky. You’d been studying to grind for the upcoming assignments; after all, to rival Gojo is a no small feat. It’s just unfortunate it seems to take you thousand times more effort than it does for Gojo.

“Guess we’re stuck together, huh?”

You don’t have to turn to know who it is.

Satoru Gojo, standing beside you under the library’s narrow overhang, wearing that insufferable grin like he’s amused by the entire situation. Like the rain personally fell from the sky just to give him an opportunity to bother you.

“I’ll take my chances,” you say flatly, shifting your bag on your shoulder. But as you peer past the downpour, your stomach sinks. The rain is merciless, an unrelenting sheet of water stretching as far as you can see. There’s no way you’re making it back to your dorm without looking like you took a fully clothed shower.

Gojo hums, pulling something out of his bag. You blink when he flicks open a half-broken umbrella, the metal ribs slightly bent like it’s barely holding itself together. He gives it a little shake, sending droplets flying, before glancing at you with a smirk.

“Well?” He lifts a brow. “Wanna be smart about this?”

You do not want to be smart about this. You want to wait out the rain or make a break for it. But the storm shows no signs of letting up, and the thought of walking through it alone makes you hesitate.

Reluctantly, you sigh. “Fine. But I get most of the cover.”

“Hey, sharing is caring.” He tilts the umbrella slightly, just enough to make a point.

With great reluctance, you step closer. The moment you do, you regret it.

Gojo is warm. Even in the damp, chilled air, he radiates heat, standing so close that his sleeve brushes against yours. He smells good, too—like expensive laundry detergent with a faint undercurrent of something sweet, something distinctly him.

You swallow hard, forcing yourself to stare straight ahead as the two of you start walking. The rain pounds against the umbrella, droplets cascading off the edges, and with every step, you’re hyper-aware of the way Gojo moves beside you—loose-limbed, annoyingly graceful, a stark contrast to the crooked metal above your heads.

“Man, this thing’s on its last leg,” he muses, tilting the umbrella just slightly. Water dribbles off the side, landing directly onto your shoulder.

“Gojo!” you yelp, recoiling as the cold soaks through your shirt.

“Oops.” He does not sound remotely sorry.

You glare at him, but before you can snap back, he shrugs off his jacket and—without preamble—drapes it over you.

You freeze.

It’s warm, still carrying the heat of his body, and it smells so much like him—clean, sweet, dizzyingly familiar. Your brain short-circuits.

You force yourself to breathe, keeping your gaze firmly ahead. “You didn’t have to do that,” you say, voice tight.

“I wanted to.”

Something in his tone makes your stomach flip. You glance at him from the corner of your eye, and—

Damn him. Damn him.

Water drips from his bangs, clinging to the sharp edges of his jawline, sliding down the curve of his throat. His shirt sticks to his skin, fabric clinging in a way that reveals the toned lines of his arms, the broad plane of his chest. He’s watching the rain, the usual teasing glint in his eyes softened into something contemplative.

You swear your eggs just recently got released, for you cannot help but avoid your ever going attraction to Satoru Gojo except the age-old excuse: ovulation. Your mind wanders to how his arms would feel around your head, to lay on his chest, how he’d be able to manhandle you, force you to take it—

But you’re snapped out of your inappropriate thoughts by what he says next.

“You know,” he says, voice quieter now, “I like this. Just us, no grades, no competing.”

You pause.

He says it so simply, so easily, like it’s nothing at all. But the words settle deep, curling somewhere warm inside you, and you don’t know what to do with them.

So you do what you do best: you shove them away, bury them beneath years of rivalry, of late-night study sessions fueled by caffeine and stubbornness, of sharp words and sharper glances.

You roll your eyes, forcing a scoff. “Don’t get used to it.”

But even as you say it, your fingers curl into the fabric of his jacket, holding it a little tighter.

It’s been a week since you saw Gojo. He had dropped you at your dorm in a surprisingly gentlemanly way, and you had insisted on returning the jacket only after washing it, to be courteous. What you didn’t mention was how you kept repeatedly smelling it in your dorm whenever you got a reprieve from your roommate’s eyes because Gojo smelled like expensive cologne and he did one thing most nerds / physics majors don’t do: shower. This fact, unfortunately, made you more attracted to him because the bar is truly in hell.

You’ve concluded that these…feelings can’t hurt you and that it isn’t real, like a beefy and shirtless Gojo-looking demon that’ll jump and surprise you from under your bed. So you move on your life, caught in the ever perpetual slog of studying and researching. 

Thus, you find yourself at the library once more.

The night hums low around you, quiet except for the occasional shuffle of paper and the distant hum of the library’s espresso machine (only librarians could use it, however. you fervently thought that was a form of elitism, but you digress). You’re at the corner table, the one by the window, where the dim light pools just enough to illuminate your notes but not enough to make you feel like you’re being studied under a microscope. You think you’re alone—until you aren’t.

You don’t have to look up to know it’s him.

Satoru Gojo is hard to miss, even when he’s not trying. He slides into the chair across from you with the kind of ease that makes it seem like he belongs there, like he was always going to end up sitting across from you tonight. His hair is tousled, white strands falling forward in a way that makes him look softer under the warm light. His glasses are perched low on his nose, a rare sight given that he usually has them pushed up like some kind of pretentious scholar.

The two of you don’t speak.

It’s surprising, really. Gojo never runs out of things to say, whether it’s an obnoxious quip or some unnecessarily insightful observation that makes you want to throw your textbook at his face. But tonight, he just pulls out his own notes, taps his pen against the edge of his lips, and starts reading.

You should focus on your own studying, but something about this—this silence, this late-night haze, this tiny moment carved out of time—makes your mind wander. You steal glances when you think he won’t notice. His brows furrow when he’s concentrating, his jaw tightens when he’s stuck on something, and when he exhales, it’s this slow, measured thing, like he’s trying not to get frustrated. He’s just—

He’s just really there.

You’ve spent years defining Gojo as your rival. Your competition. The person standing in your way at every academic milestone. And yet, somehow, somewhere, he’s slipped into something else, something harder to define. Because you’ve seen him like this before—when he’s so focused that he forgets the world around him, when he bites his lip in thought, when he gets so caught up in something that he mutters under his breath without realizing it. And for the first time, it dawns on you: you don’t actually hate it.

You don’t hate this comfortable silence. This moment of peace, a white flag waving lazily between you both.

The hours blur. The café starts to empty. Your notes turn into background noise. It’s late, and the warmth from inside lulls you into something dangerously close to comfort.

A soft sound breaks through the quiet.

You glance up and freeze.

Gojo’s head has tilted to the side, his glasses slipping slightly down the bridge of his nose. His hand is curled loosely around his pen, and his breathing has evened out. He’s asleep.

For a moment, you don’t move. You barely breathe.

Gojo, asleep, is not something you’ve seen before. He’s always in motion, always buzzing with energy, always running his mouth about something. But right now, he’s still. His long lashes cast faint shadows over his cheekbones, and the tension he always carries—the cocky bravado, the smirking sharpness—is nowhere to be found. He just looks… peaceful.

Cutie.

What?

The thought slips in so quickly, so effortlessly, that it nearly makes you jolt. But when you look at him again—head tilted just slightly, glasses slipping down his nose, breathing slow and even—you can’t deny that the word fits. He looks like a lazy cat napping in a sunbeam, limbs loose, utterly unguarded. It’s so unlike him that you find yourself staring, caught in the contrast.

Your fingers twitch. Before you can stop yourself, you reach forward, slow and hesitant, to push his glasses back up his nose. But you catch yourself just before you touch him, as if the warmth of his skin might burn. Your hand hovers in the air for a fraction of a second too long, and then—

You pull away.

Your heart is pounding. It’s fine. It’s nothing. You just need to get out of here.

You gather your things quietly, glancing back at him one last time before slipping out the door into the cool night air. The moment you step outside, you take a breath, deep and shaking. The world feels different now. You feel different now.

Because for the first time, it isn’t just that you find Gojo attractive.

It’s that you care.

And you don’t know what the hell to do about it.

The gym, once again, smells like sweat and overpriced protein powder.

You don’t know what’s possessed you to come here today. Maybe it’s because you keep telling yourself that you need to exercise more, or maybe it’s because you need to take a break from studying before your brain melts. But deep down, if you’re really being honest with yourself, you know the real reason.

Gojo is here.

You spotted him the first time by accident. You were on the treadmill, barely jogging at a pace that wouldn’t embarrass you, when you caught a flash of white hair across the gym floor. And there he was—dressed in a fitted black sleeveless top and joggers, casually loading plates onto a barbell.

And he wasn’t wearing his glasses.

It was a stupid, inconsequential detail, but it made all the difference. Without them, he didn’t look like the annoying academic rival who constantly got under your skin, flashing his smug grin as he beat you in exams by the smallest possible margins. He looked… sharp. Unfiltered. Effortlessly attractive in a way that made your stomach tighten in ways you didn’t like.

You’d seen him in his regular clothes before, of course. You knew he had broad shoulders and long legs, that his body wasn’t just a lanky frame hidden behind layers of sweaters. But here, in the gym, watching him roll his shoulders as he prepped for another set—it hit differently. He was lean but muscular, his arms flexing as he adjusted his grip on the bar, and for some godforsaken reason, you couldn’t look away.

You shouldn’t be watching him. You should be focusing on your own workout, pretending you don’t care. But the way his shirt clung to his back, the way his forearms tensed, the way he exhaled sharply as he lifted—

You’re so screwed.

You force yourself to look away, grabbing the smallest dumbbells available and curling them in what has to be the weakest excuse for a workout imaginable. You’re barely paying attention to what you’re doing, too busy sneaking glances at Gojo between sets. It’s pathetic, but at least no one else is watching you.

Or so you think.

Because then she appears.

A girl.

Tall, toned, and effortlessly gorgeous, with sleek hair pulled into a high ponytail. She strides over to Gojo with a confidence you could never dream of and smiles at him, saying something that makes him laugh. Her ass is definitely bigger than yours, and she’s in this coordinated, cute, pink set, looking like she walked straight out of a fitness TikTok. You can’t hear what they’re talking about over the sound of weights clanking and some obnoxious EDM song blasting through the speakers, but you can see it. The way she leans in, the way she tucks a loose strand of hair behind her ear, the way Gojo—

—smiles at her. That easy, lazy grin he always wears when he’s teasing you, except this time, it isn’t for you.

Your grip tightens around the dumbbells, something ugly curling in your chest. It gets worse when she gestures toward the squat rack, and Gojo nods before moving behind her, hands hovering just slightly as she sets up for a squat. You watch as he spots her, one hand resting lightly on her lower back, close enough to correct her form but far enough to be polite. He’s focused, watching her movements carefully, murmuring something that makes her laugh before she drops into another rep.

Your stomach twists.

This is stupid. You have no reason to be feeling this way.

It’s then that it hits you—you can have your silly little academic rival moments with Gojo, but, in the end, you’re just a footnote in his story, a fleeting challenge in a life where everything already belongs to him. He quite literally has generational wealth; he’s not going to spend his life buried in grant applications or clawing for recognition in a field that demands twice the effort for half the reward. He’ll be the one funding the research, sitting at the head of the table, making decisions that shape the future. And you? You’ll be one of the many who struggle just to be in the same room.

He’s the guy who spends his vacations on yachts or private islands—not just surrounded by wealth, but by people who belong there. Girls who glide through life with the same effortless ease as him, girls who don’t second-guess if they deserve to be in the spaces they occupy. Girls who don’t have to fight for their place at the table because it was always set for them.

Girls that are his equal—equally attractive, equally smart, equally rich.

Not you.

You swallow hard, forcing yourself to look away, but the image is burned into your mind. The easy way he talks to her. The way she tilts her head when she listens. The way he doesn’t even know you’re here.

You shouldn’t care. You shouldn’t care. You shouldn’t care.

But you do.

You grip the dumbbells tighter, exhaling sharply. Then you put them back, pick up your water bottle, and walk out of the gym before you do something stupid.

The office is too small. Too suffocating. Too filled with the weight of unspoken words and the sharp-edged smile of Fred, the TA, as he leans back in his chair and laces his fingers together.

"You know," he begins, voice sickly sweet, "I really expected more from you."

You sit stiffly in the chair across from him, your hands curled into fists in your lap, nails digging crescents into your skin. Your heart pounds, but your face remains carefully neutral. You've been called into his office under the guise of "academic guidance," but you know better. You always know better.

"I don't know what you mean," you say, keeping your voice even.

Fred exhales dramatically, shaking his head. "Come on. You and I both know you're barely keeping up in this project of ours."

You grit your teeth. You're not barely keeping up. You're giving him your work at the highest level, at its best. But Fred—Fred has always had a way of twisting things, making you feel small, insignificant, like your achievements are nothing more than accidents.

“I think my progress speaks for itself,” you respond tightly. Mind you, while he was supposed to be your mentor, you’ve done 80% of the work.

But you think Gojo’s defense of you ran deep into Fred’s heart because by the way he’s sleazily smirking at you, you know he’s trying to get back at you.

He smirks. "Your progress? Sure, you’re smart. But you think that’s enough? You think anyone’s going to care about a girl like you when there are people out there who don’t have to struggle to be exceptional?" He leans forward, voice dropping into something conspiratorial. "You’re wasting your time. The best you can hope for is being someone’s assistant. Maybe a glorified research grunt if you’re lucky. Just like for me."

Your stomach twists. You shouldn’t care. You know you shouldn’t care. But the words burrow deep, hitting a place inside you that already doubts, that already wonders if you’re nothing more than a temporary obstacle in a world built for people like Gojo Satoru—people born brilliant, born wealthy, born effortless.

Fred’s eyes flick over you, assessing, smug. "You’re working yourself to the bone for what? You’ll never be at the top. Not really."

The bitterness of the situation really dawns on you—Gojo’s the one who took a jab at Fred last week, not you. But you’re the one who’s left to deal with its consequences. You’re not going to assign blame and lament that it’s not Gojo in this office dealing with him. It was in your defense, after all. 

But Fred’s words remind you. You’ll never be at the top. At Gojo’s level, who’s at the top without even seeming to put in effort.

You’ll never be his equal.

You stand abruptly, shoving your chair back so hard it scrapes against the floor. "If that’s all, I have work to do."

Fred chuckles, leaning back, clearly pleased with himself. "Sure, sure. Don’t say I never tried to give you advice."

You don’t respond. You just walk out, gripping your bag so tightly your knuckles turn white, the echo of his words following you down the hall, settling in your bones like lead.

The hallway is too bright. Too loud. Too full of people who don’t know that you’re on the verge of crumpling in on yourself like a dying star.

Your breath feels too shallow, too quick, and there’s a weight pressing down on your chest that no amount of rationalizing can shake off. It’s not even your meeting with Fred—just a slow accumulation of stress and exhaustion and frustration that’s settled deep in your bones. A grade lower than expected, an upcoming deadline you’re nowhere near prepared for, a general sense of drowning no matter how hard you try to keep up. It’s all too much, and your hands are starting to shake from how tightly you’re gripping the strap of your bag.

You just need to get out of here. You need air, space, something.

But, of course, the universe has a cruel sense of humor, because when you round the corner, you slam straight into Satoru Gojo.

“Whoa—”

Your balance is already precarious from the way you were rushing, and the impact sends you stumbling. For a split second, you think you might actually fall—your ankle twists awkwardly, the world tilts—and then there’s a strong hand gripping your wrist, another bracing against your back, steadying you before you can hit the ground.

You don’t process what happens immediately. Your mind is still stuck on too much, too fast, can’t breathe, and it takes you a second to realize that Gojo is holding you upright, his hands firm but careful, his expression hovering somewhere between amusement and concern.

“Jeez, what’s the rush?” he teases, but his voice lacks its usual careless lilt. He’s searching your face now, eyes narrowing behind his glasses, and that’s when you realize: you must look as bad as you feel.

Shit.

You jerk away from him, a little too fast, a little too sharp. “I’m fine.”

Gojo doesn’t look convinced. “You sure? Because it kinda seemed like you were about to pass out on the spot.”

“I said I’m fine.” You adjust your bag over your shoulder, shifting your weight onto your other foot, ignoring the faint throb in your ankle. “Go bother someone else.”

Most of the time, that’s enough to send him off with an exaggerated sigh and a smirk. But not today.

Today, Gojo just stands there, watching you like he’s trying to piece something together—like you’re a problem he wants to solve. He doesn’t press, not yet, but the silence stretches, and it’s unbearable, because you can feel the weight of his gaze, and you don’t want to be seen like this. Not by him.

So you give him a tight nod in dismissal, and walk away.

There’s a knock at your door. You frown because you didn’t expect any visitors, and you’re in your sleepwear. Regardless, you pad your way lazily and open the door.

To see Gojo.

What the fuck.

He’s drenched in the glow of the hallway light, looking entirely too at home despite standing on your threshold. His hair is still slightly damp from the rain, white strands falling over his forehead in careless disarray. He’s not wearing his glasses.

"Why are you here?" you demand, gripping the doorframe, willing your voice to stay steady.

He quirks an eyebrow, tilting his head just slightly. “You’re holding my jacket hostage.”

Oh. Right.

You make your way to your wardrobe, where the now-cleaned jacket hangs neatly on a hanger. Grabbing it, you hand it over to Gojo, who’s standing at your threshold while eyeing the insides of your dorm, as if trying to take in what your living space looks like. You shove it into his chest, stepping back like the heat of it burns. "Here."

Gojo takes it, but instead of leaving like a normal person, he lingers, running his fingers over the material like he’s checking for something. Then,, he lifts a hand to the back of his neck, rubbing it in that way that only makes his biceps flex, his lean muscles shifting beneath his shirt. You hate that you notice.

A beat passes.

"You know," he muses, far too casually, "you seemed a little disheveled back there."

Your stomach twists. "It's not a big deal—"

"—Bullshit." His voice cuts through yours, sharp and immediate. He shifts, stepping just the tiniest bit closer, his tone losing its usual teasing lilt. “You’re lying. I saw what you looked like. What happened?”

“It's none of your business,” you say, stiffening. “Nor is it a big deal, really.”

Gojo exhales, something heavy in the sound. His eyes don’t leave yours, and for once, they aren’t filled with their usual mirth or mischief. Just something searching, something that makes your chest ache in a way you don’t have the strength to deal with right now.

"You always do that," he says, softer now, but no less intense. “Act like no one’s supposed to care. Like you’re carrying the world alone.”

Your fingers curl into your palms. Your lips press together. You don’t want to hear this. You don’t want to acknowledge the way his words settle too close to the truth.

And then, quietly, Gojo asks, “Do you not consider me your equal?”

You swallow.

Your silence must be enough of an answer because something shifts in his expression. It isn’t anger exactly, but it’s something close—something bitter and disappointed and aching all at once.

"You’re the one who shuts me out, you know." His voice is sharp now, edged with frustration. "You act like I'm the one keeping you at a distance, but every time I try to get close, you push me away."

Your throat tightens. “Why do you even care?”

Gojo lets out a breath, his head tilting just slightly, eyes scanning your face like you’re something he’s trying to figure out. Then he laughs, quiet and humorless.

“You really don’t know?”

“I—” Your voice wavers. “What do you mean—”

“For a girl so smart, you sure do act stupid.” He steps forward then, closing the space between you just enough to make you want to back away, but your feet don’t move. His voice drops lower. "Do you think I talk to you because I give a fuck about physics?"

Your brain short-circuits. “What—”

He groans, dragging a hand through his hair, frustrated. “I give zero fucks about the class or any class, trust me. I have better things to do than to try to aim for 100s on every test."

Your heart is pounding now, too loud, too fast. “Then why—”

"God," he exhales, tipping his head back, like he's debating whether or not he should even say it. Then, after a beat, he looks at you again, and whatever is in his eyes makes your stomach flip, makes your breath hitch.

Something in your chest lurches, but before you can even process it, he huffs a laugh—like he’s just remembered something ridiculous.

"You didn’t even look my way the first week," he says, eyes flicking over your face, searching. "I could tell you only cared about anyone that could challenge you. Like, it wasn’t even until I did better than you on the second midterm that you even talked to me."

You open your mouth, then close it, heat prickling at the back of your neck. Because—yeah. He’s not wrong. You had ignored him, dismissed him as just another overconfident rich kid who thought he was smarter than he was. It wasn’t until he proved himself, until he became a real obstacle in your path, that you bothered to acknowledge him.

Gojo smiles, but it’s not cocky this time—it’s small, almost rueful. "And then you looked at me like I was finally real. Like I existed."

Your breath hitches.

He shrugs, eyes dropping for a brief second before snapping back up to yours. "So, yeah. Maybe I started trying harder. Maybe I cared about all those stupid tests because it meant I got to see that fire in your eyes, that I got to be the one you were pushing against." He rubs the back of his neck, his biceps flexing in a way that would usually annoy you, but right now, you’re too busy trying to remember how to breathe.

Gojo stares at you for a long moment, gaze unwavering, like he’s daring you to say something—anything.

Your chest feels too tight, your pulse erratic, and you don’t know what to do with the way Gojo is looking at you—like you’re something precious, something worth holding onto.

But he’s wrong. He has to be wrong.

“You can’t like me,” you whisper.

Gojo frowns, expression shifting. “What?”

Your throat clenches, and before you can stop it, heat pricks at your eyes, blurring your vision. “You can’t like me,” you say again, voice cracking. “I can’t even match you.”

Gojo's face slackens, his teasing demeanor completely gone.

"You do everything so effortlessly," you force out, your fists clenching at your sides. "It’s so infuriating." A shaky breath escapes you, and you shake your head, looking down. “So why would you even want this? You make me feel this way, and I—I hate you for it.”

For a second, there’s only silence.

Then, Gojo exhales softly.

“Is that what you think?” His voice is so gentle it makes something inside you ache.

You don’t answer. You can’t.

Gojo shifts, stepping forward slowly, carefully, like you’re something fragile. And then—then he reaches out, his fingers ghosting along your wrist before curling around it, grounding you. “It’s not effortless,” he murmurs. “I try so hard. You just don’t see it because I don’t want you to.”

"You really don’t get it, do you?" His voice is quieter now, something dangerously close to vulnerable. His fingers twitch at his sides. "I care because it’s you."

You shake your head, still not understanding, still unable to believe it.

Gojo watches you for a moment, then exhales, running a hand through his hair. “You act like I just woke up one day and decided to like you.” He huffs a quiet laugh, but there’s no real amusement in it. “Do you know how long I’ve been stuck on you? How infuriating it was, realizing that no matter how much attention I got, the only person I wanted it from was too busy treating me like an obstacle?”

Your breath catches.

“I tried everything,” he continues, voice rougher now. “Teasing you, annoying you, beating you in tests, losing to you in tests. It didn’t matter what I did, because you—” He breaks off, shaking his head. “You only saw me when I gave you a reason to compete.”

Your fingers tremble slightly at your sides. You don’t know what to say, don’t even know what you can say.

And suddenly, everything—the teasing, the constant pestering, the way he always had to be around you—it all clicks into place.

Your heart hammers in your chest, and before you can second-guess it, before you can even think, you surge forward and kiss him.

It’s a mess of a kiss—too rushed, too desperate, all clashing teeth and uneven breaths—but Gojo groans softly against your lips, like he’s been waiting for this. His hands are on you immediately, one slipping around your waist, the other cradling the back of your head as he presses you flush against him.

You’re dizzy. Overwhelmed. But it’s good. It’s him, and you don’t want to stop.

When you finally pull away, breathless and unsteady, Gojo is grinning, his lips slightly swollen.

“Worth the wait,” he murmurs, eyes shining.

You avert your gaze, fully blushing now. “But I—” You take a look at him, then hide your face in your hands. “I’m a stalker.”

“Maybe I’m into that.”

“No,” you bemoan. “I’ve stalked you at the gym, and I—” Your voice drops into a shameful whisper. “You were good. Like, stupidly good. Like, making everyone stare at you good.”

His lips twitch. “You were staring too, huh?”

You glare at him, but he just grins, all teeth, clearly eating this up.

“I hated it,” you insist, heat prickling at the back of your neck. “I hated that you’re already smarter than me, that you already have all these advantages, and then—and then you also have that? Like, it’s just unfair. You’re unfair.”

Gojo is silent for a second, and you think you’ve screwed up, but then exhales a sharp laugh, shaking his head. “You are so cute.”

“Stop it!” you whine, but you don’t protest when he pulls you closer and locks your lips with his another time. You clutch the front of his shirt, drag your hands on his chest, his arms, everywhere. Then, you guide his to firmly clutch your ass, to which he freezes.

“We can stop here. We don’t have to do anymore than this, and—”

But you interrupt him, slamming your lips against his once more. Grabbing him by the shoulder you pull him into your room and slam the door behind you, pushing him against the door. “Fuck no.”

He laughs breathlessly, then continues to switch your position, now you against the door. “Thank god. Now, jump.”

You do, and you almost moan at how easily he grabs you in his arms, your legs straddling him. It’s like you weigh nothing to him as he carries you over to your bed and manhandles you into it, following not long after.

When he gets on top of you, he maintains eye contact as he pulls your shirt over your head, trailing kisses down to your neck, the valley of your breasts (but not before giving each of the girls their own tender kiss), and your stomach. With his eyes boring into you, he slowly, teasingly drags the pants you were wearing down your legs until you’re just in your panties.

You let out a noise, and he coos. “I know, I know, baby.” He gives you a gentle kiss on the top of your mound, and you clench, squirming from the contact. “Let me take my time, though.”

He gently, but firmly, lays a hand on your hip as he starts licking the crotch of your panties. It’s truly maddening—the sensation is there, but you oh so wish his skilled tongue was meeting your skin, bare and electric.

He’s taking his time laving, ravishing your taste, but you’ve had enough. “Gojo, please,” you sob, throwing your head back and grinding further into his tongue, which he welcomes. “Stop teasing.”

“Mmmm,” he pretends to think, all while focused and looking only at your crotch, now rubbing your clit in small, miniscule circles. “I can, but,” and now he’s just mocking you, with the way he adopts a babying tone, “I think you’re going to have to beg for it.”

You groan in frustration as a response, but he only clicks his tongue as his fingers reach and finally rid you of your panties. He spreads your folds with two fingers, his face oh so close to your bare pussy. But instead of finally giving you what you want,  he clicks his tongue, pouting as if you’re the one forcing him to be a bastard. “Yea, I’m sorry, but you’re going to have to earn it.”

Before you can respond, he holds out his tongue and inches his face even closer to your bare folds until you can feel his warm breath over it. “You just have to say please.” Then, he ahhh-s, as if holding his tongue out to a doctor and says, “Look I’m so close—ahhh.”

You can only plead with him. “Please, Gojo.”

“No, it’s Satoru to you now, baby.”

“Satoru, please eat me out.”

He smiles. “Yeaa, that’s my girl.” And proceeds to eat you out in a way that has your toes curling.

He acts like a man eating his last meal on death row. It’s the masterful combination of laving over your folds, kissing your clit, and groaning and making noises that has you inching closer and closer to your orgasm. When you tell him, you’re close, he does exactly what he’s supposed to do—keep doing what he’s doing, same spot, same tempo, same pressure.

With a cry of his name, you come quickly, and he takes your writhing hips and their motion like a champ, easing you through it. When you feel the all-too-familiar feel of over sensitivity, you grab his hair and pull him towards your face, kissing him tenderly. 

He maneuvers his huge frame to lay down next to you, and you fall easily into a gentle embrace. It’s a comfortable silence, as he burrows his face into your chest and you stroke his hair gently.

Gentler than how you’ve ever treated him.

It’s this thought exactly that you voice to him. “You know,” you muse softly. “I was such a bitch to you.” This gets his attention, because he moves from where he was comfortable (your boobs) to look at you in alarm. “Like, I was always mean, and like acting all high and mighty—”

“Whatever you think you did, it was hot,” he interrupts you, grinning boyishly. “Like damn when you insult me I get all fired up—”

“Satoru!” You laugh, shocked, looking down at him. “You’re crazy.”

“Yea,” he winks. “Crazy for you.”

You smile softly at that, biting your lip. “I mean, I get that.” You feel his curious gaze rove over you and heat creeps up your neck as you confess, “Like I was stalking you at the gym. I saw you one time, and um. You definitely have a sleeper build.”

He hums. “I get that a lot.”

“Yea,” you blurt. “you’re really hot. Like you have really big arms, which I definitely didn’t notice in all those sweaters you wear. You could definitely throw me around.”

Silence.

When you look down at him, he’s looking at you mischievously. He sits up, takes off his shirt, and says, “Want to test that theory?”

The both of you test the theory, indeed—it’s a nice nod to your guys’ academic, theoretical physics roots. But instead of some theory involving dark matter or quantum physics debated while in class, this theory takes all night to prove.

general masterlist

a/n special thank you to @purplegemadventures ily pookie <3 we were discussing how a lot of fics so far have made seem nerd gojo really cute and shy but we tried to envision a shit eating sassy diva just like hidden inventory arc <3 like what that one anon said i need my gojo to be a little annoying cocky (but cute) bastard (or, i quote, "your gojo makes me want to oil his scalp and give him an aggressive head massage and mess his hair up"). ANYWAYS props to that one anon that dropped the "nerd gojo with sleeper build" and my beloved @tiramisuandlove i love you forever

comment and reblog to let me know ur thots!

[why-animals-do-the-thing]

hi! can i ask what's ur opinion on giving pets away? not necessarily because u can't afford to care for em anymore but maybe incompatibility of personalities or maybe lifestyles. is it wrong to give ur pet for adoption if u know someone who's better suited for keeping a pet, like emotionally?

This is going to be controversial, but I support making that choice.

There’s a lot of rhetoric lately around how it’s evil and unethical to rehome your pet if you don’t “need to.” And what that does is prioritize human ideology over the actual animal’s well-being.

Pets that aren’t a good match for your home or pets that aren’t really wanted anymore frequently have lower welfare! When caring for an animal becomes a burden or is forced, people end up resenting them, and that means the animal often doesn’t get all of its needs fulfilled. Even if you’re still feeding it and providing appropriate vet care, how likely are you to provide affection or enrichment to an animal you’re tired of being stuck with?

Lifestyle and personality really matter to making sure a pet is a good fit for a home. A dog that alert-barks at every leaf that moves is probably a bad fit for someone who has a chronic migraine syndrome, and they might not know that until the dog has been in the home for weeks and started to open up. A really feisty kitten that requires a ton of play might not do best in the home of someone older who wanted a quiet lap cat. And while you can you do your best to plan to find a compatible animal, you won’t always know ahead of time what issues might arise.

“Forever home” rhetoric is really, really popular and I think it’s very unfair to the animals it is supposed to support. It started with the backlash of seeing animals abandoned inappropriately, and has been heavily reinforced in the public mind because it’s so frequently used to drive fundraising and support for legislation. The whole “forever home” concept communicates to people that getting an animal is an immutable commitment and that if you can’t keep an animal, it is a personal moral failing. It frames human priorities (we think people who get rid of animals are Evil and Bad and should be shunned) as more important than actual welfare needs for individual animals (are they getting the care they need where they are).

Obviously, I don’t support people dumping animals or just getting fad pets they’ll discard immediately, but there’s so many alternate situations that can arise. Even if it’s just “they got a pet and didn’t know what caring for it would take and didn’t want to care for it so they brought it back, how awful” like… okay, I’d like the person to have done more research before they got a pet, but isn’t it better that the animal now has a second chance to go to better home? Knowing what a commitment requires theoretically can be very different than having to actually follow through regularly, and I’d rather see someone maturely acknowledge that having an animal isn’t a good fit than keep it anyway!!

If animals being happy and with all their biological, veterinary, and social needs fulfilled is actually the goal, we need to prioritize their welfare over human opinion. I’d much rather see an animal rehomed responsibly to somewhere it will thrive and be welcomed than see people keep animals they can’t/don’t want to care for out of guilt or shame. 

[i-am-a-fish]

Sex Ed Time

ok I'm gonna tell you about some things that might happen if you are transitioning m->f. this is not a comprehensive list just my own experience, be sure to do your own research I just really wanted to voice how this affects me because I think open discussion about this type of stuff is just more helpful for everyone rather than keeping it private

BOOBS HURT WHEN THEY GROW

your sex drive (libido) will probably go down a lot

facial hair is very hard to get rid of

my go-to gender affirming clothing is high-waisted jeans. I suggest going to a goodwill or some sort of cheap store that lets you try on clothes to figure out what you like

muscle mass will go down, fat will be redistributed

boobs do all sorts of crazy stuff when you run / exercise

overtime your skin will get softer, you also might smell nicer, and I've been told it can thin body hair but I don't really see it all that much 🤷

your brain chemistry can change when you reduce testosterone and increase estrogen, there are lots of factors that contribute toward any changes to your personality, but hormones can have an impact as well. for me this is a good thing because I struggle with allowing myself to feel emotions sometimes, no matter how hard I tried I was never really able to get myself to cry. I've gotten closer to being able to cry since I started transitioning though and that makes me very happy

this is a slow process that can take several years, ultimately you're going to be in your body for several years regardless, so if this is something you want it's definitely something you should try to pursue if possible. the time will pass anyways, and it does feel nice to work towards something that can make you happier.

also this is very important, you don't need to do any sort of hormone replacement therapy in order to be trans. not everybody can access HRT, and for those who can access it, not everybody wants to take on all the changes that come with treatments. you don't have to chemically or physically change your body in any way in order to deserve respect

all right that's all I have for right now feel free to add anything in the comments, I would especially like to hear from trans men what your experiences have been, I think openly talking about these types of things can really help some people

[dontmixpaintinyourcoffee]

This one goes out to all the bitches who love some good Safehouse Era Horror. It's me, I'm bitches. I want Jon and Martin to be fucked up and eldritch but I want them to be fucked up and eldritch and loved

(Notes under the cut because I can't help myself. Heads up, I do go into some detail of how Jon gets injured so I can explain my thought process for how I designed his scars. All canon-typical and fairly clinical in tone.)

Here's how I picture Safehouse Jon!

He doesn't need glasses anymore by this point, so he should just be wearing empty frames, but I drew this before I settled on my glasses headcanons. This drawing looks better with the reflection anyways.

He hasn't gotten a haircut since before his promotion to Head Archivist. He doesn't love the weight of it on his neck, but he also uses it to fidget, and he really doesn't want to go through the whole process of cutting it. He's disliked haircuts since he was a kid (People: Bad. Small talk: Bad. Touching: Bad. Loud sounds: Bad. People talking all at once: Bad) and since his time with the Circus he's only grown more reluctant to go and get it done.

At this length his hair is naturally pretty curly but he is. Not taking care of it. I actually put a lot of effort into trying to make it look brittle and tangled (I have a lot of experience lol, my hair is quite thick and I've always hated taking care of it. Yes I am also projecting my feelings about going to a hairdressers onto him why do you ask.)

The various scars were a bit of a strange task, but anyone who has seen my takes on The Bad Kids knows I'm not averse to selective realism in my fiction. Easiest one was the neck, I always pictured Daisy making a vertical cut based on "through the voice box". The larynx is longer than it is wide, so I think Daisy would go for the method that dealt damage across the largest total surface area. Yes I am aware that I'm speaking the same way Martin does when he explains his corkscrew.

The worm scars were easy because I barely drew any. There are a few marks on his cheek, but they're just surface bites. I picture most of his encounter with Prentiss showing on his legs, particularly on the right side, with enough damage there that he starts using a cane after the incident to keep weight off his right leg. More research to be done on this particular detail.

Finally the burn on his hand from Jude. This was the weirdest one to figure out just because of the nature of the injury. How do you quantify the damage done to an epidermis by a living manifestation of sometimes-boiling wax that can heat and cool at will? I settled on it being a second-degree burn that healed supernaturally fast, containing the damage to the space Jude had direct contact with. He'd probably have some mobility issues there as well. I know there are ways to help with mobility and pain after a severe burn, but I don't know how much of it Jon would actually. Do. Like I said, definitely further research to be done on these last two.

Hey so I'm gonna ask you to stop and consider the horror of the watcher. The helplessness. The guilt. The inherent terror of being a spectator, a participant by proximity but not by action. The horror of not being able to look away, of being a bystander. Jon forgets to blink sometimes. But wouldn't it be so much worse if there were no eyelids at all? That's how I interpret the description of The Archivist being "All Eyes" :D

I love a good Many-Eyed Jon, so I whipped up my own interpretation here. I think the more he Becomes the more he starts to resemble the thing from the dreams. He has a lot more control of it in S5, but it still creeps up on him and he has to consciously go back to a human shape.

[sketchtastrophee]

old art again!! this time a rough animation of sawyer and yarnaby 😎 (looks better if u click to view 😭)

im working on a short ppt animation rn. im thinking i should post it to my youtube channel, though im not sure if people here would see it. i think i can link videos on here?? idk

okay I'm gonna talk abt more chapter 4 stuff.. this time about prototype's previous identity.. ch4 spoilers and also a theory below..

hiding the solo yarnaby under here LOL

people theorized 1006 was elliot, which was recently disproven in the chapter 4 tape where poppy refers to elliot as her dad and wishes he were there. in the same tape she addresses prototype as a completely different person. also recall that elliot died in the 90s, meanwhile prototype met theo in 1989. so yeah, they aren't the same person

I've also seen people say rich is prototype, which cannot be true either. in a ch4 tape he speaks to one of the employees under his supervision. the kid mentions his coworkers joking about him going missing. before the bbi, it would not make sense for this to be a common rumor at the company, which means this tape had to happen after harley was hired in 1990; at a time when the company would have a reason to silence people

prototype existed in 1989 at the minimum, but considering he says "it's always been about you and me" to poppy, he's likely the prototype of HER. she's elliots daughter, she died in the 60s, meaning prototype was probably created around that time as well.

this means that rich can't be the prototype because he was human long after prototype was made

if you want my take on who prototype truly is, i'd say his identity doesn't necessarily matter. i don't mean to say his origins aren't important, just that his name and specific role in the past probably doesn't mean anything in the long run. i've never believed he was elliot or rich, and maybe in the future i'll be proven wrong but for now i'll tell you the theory i've had since june of last year

elliot's daughter dies in the 60s. he divorced his wife in 1930, so his daughter is probably in her 30s when she dies. she gets sick or injured, maybe she's actively dying or already dead by the time elliot begins his research. he looks for ways to bring her back, but it doesn't work on the rats (as he mentioned a note in the 2nd chapter)

so what does he do? he tries it on something bigger as he said he would: a human. of course he's not going to try this experimental method on his own daughter, even if she's already dead, so he finds someone else to use it on. we know that elliot wasn't evil or anything, so it's unlikely he killed anybody to use for the experiment. considering the orphanage isn't open yet (it opened in the 70s, not the 60s), prototype probably wasn't an orphan child either. if i run with my simple version of the theory, elliot may have dug up a body in a graveyard and used that. maybe a fresh one, who knows. he tried it, it worked, then he revived his daughter with the same method.

this is likely what harley wanted to know about in the chapter 3 tape (the "i learn something new about you every day" one), and also what prototype is asking harley to figure out in the ch4 tape they're both in. in that case, sawyer never actually figured out how to revive people with the poppy substance. sure, he can transfer people into the toys, but he can't bring anybody back to life

more reason to believe prototype and poppy are of the same "batch" is because it seems they are the only two who don't need food. it's outright stated about him in the ch1 trailer, and insinuated with her saying the "toys will starve otherwise" when she's talking about how nasty them eating humans is. she refers to them, not herself. her and prototype are probably the only 2 who were ever brought back from the dead, which circles back around to his monologue and gives meaning to the "it's always been about you and me, poppy. what we are". when i heard him say that i felt like my theory was lowk confirmed 😭😭

no guarantee this is right, but it's been my guess for a long time

[ms-demeanor]

Sometimes college professors like to hop on my posts lamenting the sorry state of syllabi these days and joke about how they haven't thought that far ahead in the course themselves, or talk about how they struggle to complete a schedule for their students.

With all due respect, that's your job. If you can't do your job, you should have a different job. If you need help, ask your colleagues or your department chair or *someone* because I know that professors aren't given a hell of a lot of education on how to educate, so you probably *need* help.

But every single time I make one of those posts I get anywhere from ten to thirty messages, replies, reblogs, and asks say "oh man, that's exactly why I had to drop out of school; I couldn't keep up with the assignments because I didn't know when they were due until the week they were due."

I have been a college student in three separate decades, and "not having a schedule of assignments in the syllabus" is new to my experience. That shit didn't fly in the 2000s or 2010s and I think it likely has to do with professors being overly reliant on apps.

AT A MINIMUM your syllabus should have:

Contact information (including preferred method of contact) for the professor

Office Hours

Grading Policy

Assignment schedule.

Your assignment schedule doesn't necessarily need to have the exact page numbers of every reading or a full assignment sheet for each project, but it should have things like:

December 1st - Major Project 3 second draft due December 9th - Quiz 10 December 12th - Major Project 3 final draft due December 15th - Final Exam

If you end up presenting a more thorough schedule with readings and homework later, that is acceptable to present a week or two into the semester but it is absolutely insane to me that students these days don't know what homework they're going to have to get done over Thanksgiving break during the first couple weeks of class.

If I had three professors at once who didn't give me a schedule, how on earth would I know if I was going to have to read three chapters of a novel, take a midterm and turn in two stats homework assignments, and complete a history research paper the same week that I'm planning to travel to see family? If I'm aware of this from the beginning of the semester I can make sure not to pick up extra shifts, or I can plan to leave a day later to accommodate the midterm, or I can start working on the paper early to complete it before the due date but if I don't know what's going to be due when, I'm going to have a big problem.

If you don't give your students a schedule you are communicating that you don't care about their schedule, and that you think it's their responsibility to contort their life (and their job, and their other classes) around your class, and honestly my advice to students in that situation is "drop in the first week and pick up another class". That's actually part of why I recommend signing up for one more class than you can really manage - if you get a professor whose class looks like it's going to be a disaster because they don't have a schedule, you can bail before the withdrawal period and get a refund for the class.

I'm only in one class this semester but the professor's response has fully dropped me into "Fuck it, I guess I'll fail" mode and I don't even know if I can pull myself out of my current D grade because I don't know how many assignments we have left in the semester.

This is a shitty way to run a class. If you can't do better than this, you shouldn't be running a class.

[i-luvsang]

i hate being on the verge of tears in public !!! and it’s about fucking kpop i need to get a grip!!!!!!!$;73&38&2$.!’$/$3!/‘j$€{€!{£&jhhdjdhwijwgeieiehhejeiddggdneiwiwhuwjeieuebidnejskaowhhrbdieiruruidieieiehndozi&$:$£7:)3&k$$;$&jhdhiahJh

[honorthysalad]

“Matsuura-san’s parent died… Hikaru’s parent also died… having your parent die… is bad.”

Thank god we’ve got Yoshiki here, modern philosopher of our time, to drop this wisdom upon us. Surely this grand conclusion, which required a whole flashback to come to, will have an impact on how Yoshiki views death going forward- oh wait, lol what am I saying? Of course it’s not!