#i should know. i am a wolf AND an expert

[kaptainkoalaoshiz]

Did you know wolves greeted each other by licking into each other's mouth?

Did I take this fact to start a one shot with Wei Ying being a wolf spirit a ma sauce and have him meet Lan Zhan with a french kiss?

YOU BET I DID!

[artist-issues]

I’m bored and I really enjoy your opinions on Disney, so I thought you might have something interesting to say to get my brain ticking. I came across a post on Frozen and I was like, “Ah, a perfect starting place for dropping you an ask.” I’ve never really been that bothered by Frozen and I don’t know what it is that I’m just not fond about. Maybe it’s that I dislike the characters? Maybe it’s that they didn’t really have any established rules for the way magic worked in that universe and thus had anything they wanted happening? Maybe it’s the twist villain? I don’t know, it’s probably just the characters that they tried to make so cool and girlboss!

Elsa is made out to be this awesome protagonist that is never in the wrong and that grates me. She has flaws, but the film doesn’t act like they’re flaws. She runs away out of fear and shame for not being able to control her powers, but then two seconds later she’s singing “Let It Go” and making giant ice castles and bringing snowmen to life?! And “Let It Go” is super annoying for the fact that Elsa starts off worried and upset (fair enough, she’s just ran away from her home, her kingdom, her sister whom she hasn’t seen in years, she lost control of her powers) but then immediately turns round and is like, “Actually, it’s not my fault and I’m fine as I am and I don’t need any of those responsibilities!” Which would be fine, but she also finishes the film with the same attitude!

Anna, too! Naive and optimistic and perhaps a little too trusting, she never realises that even if Han hadn’t turned out evil, Elsa had every right to be worried over their marriage. She never realises that it’s partly her fault for revealing Elsa’s powers (and she definitely doesn’t apologise). There’s a lot she doesn’t realise, and the only lesson she takes away from it all is that Christoff loves her instead of Han.

Oh my days, I’ve just realised how ridiculously long this has gotten, super sorry! Have a lovely day!

Let’s do this! For fun!

1. They don't need to establish exhaustive rules for how magic works in their world.

Red Riding Hood doesn't explain how the Big Bad Wolf can talk-it just explains that he can. Cinderella doesn't explain how Fairy Godmothers work, or why the spell should only last until midnight—it just explains that she casts one, and it does only last until midnight. Beauty & the Beast does not explain how, after The Beast has died, the "breaking of the curse" could bring him back to life. After Belle confesses her love, he should just go from dead beast to dead human, for all the explanation they give.

Beauty & the Beast also famously refuses to explain (explicitly) why all of the household were cursed, along with the castle and the Prince. But what it does explain is, "there's a curse, it was put in place because of a defect in the Prince's character, and there's a time limit on it's ability to be removed, which can only happen if the defect in his character is overcome."

The whole point of having magic in the story is just as a tool...to create a plot. You don't have to explain everything; you just have to explain what will affect the characters. So, Frozen says, very plainly in the beginning: "you can either be born with magical powers or cursed with them in this world, and trolls are the experts on how magical powers work. The way Elsa's specific magical powers work is, they're beautiful, but powerful, and they're tied to her emotions. Therefore, if her negative emotions control her, her negative emotions control those powers. Also, if you're struck with magical powers in the head, the effects can be removed with memory alteration. If you're struck with magical powers in the heart, the effects can only be removed by an act of True Love.

Also, here's an explanation of what counts as 'True Love." They actually do way more explaining than the average fairy tale. And they set you up really nicely to receive that explanation by having the opening scene be a song that describes Ice Magic as “beautiful/powerful/dangerous/cold/ice has a magic can't be controlled.” Etc.

If you were wondering what limits there are on Elsa's powers, and whether or not she can just make anything out of ice, and how it's possible for her to bring inanimate snow to life

—well, you're focusing on the wrong things for this kind of story.

It's not that important for a fairy tale like this one. In a superhero story, limitations on powers would be important. Because the point of a superhero story is, "how am I going to take selfless responsibility for what I'm able to do?" And if you don't know the boundaries on "what I'm able to do," then you can't communicate that point clearly. That's why we need to know that Superman can see through just about everything, but not lead. That's why you need to know that Elastigirl can't stretch in the cold. You can't know how to take responsibility for your abilities if you don't know what they are and are not.

But Elsa? The point of Elsa having powers is not as a metaphor for her unique skills. That's what it would be in a superhero movie.

Like, in superhero movies, Spidey's ability to stick to walls is supposed to be a reference to like, your ability to...l don't know, draw really well. How is Spidey going to use his ability to stick to walls for the good of others = how are you going to use your ability to draw for the good of others, because it's something special and unique to you, you have something to offer, are you going to use it selflessly, etc.

But for Elsa, that's not what it's about. Her powers are just a metaphor for how what's going on inside of her effects everyone around her, relationally. And it's still relatable. But not in a "skills" way. Just like all of us non-superpowered people: "if you let fear control you, you'll hurt everyone around you. But if you let love cast out fear, you'll love and be loved."

That's what's so good about this movie. When you look at it like that, you realize the powers aren’t the point.

Elsa isolates because she thinks that'll keep her from hurting everyone (fear controls her) but actually, by isolating, she's still hurting everyone-nobody in the kingdom gets to see their beloved ruler, and her sister is hurt, relationally, and feels unloved and shut-out, enough to trust the first scoundrel she meets-etc. See how the powers just make the story interesting, but they're not the point of the story? If Elsa's powers were replaced by "frantic outbursts of human temper" the story could be told in a lot of the same ways. But that's a post for another time.

So I don't think you disliked it because of the powers not being "established." "Whatever they wanted to have happen" did not happen, in the story. They laid out the rules that were relevant—“if fear controls you, it'll lead to great danger/but an act of true love can thaw a frozen heart."—and then they followed those rules in an interesting and consistent way.

2. The "twist" villain worked perfectly for the story.

A good villain is supposed to be the opposite of whatever your story's message is. Frozen's is, "Self-Sacrificial Love Casts Out Fear." Elsa is afraid she'll hurt everyone around her, and afraid that makes her unloveable-so she's a control freak over her circumstances. Anna is also afraid she's unloveable-simply because she's shut out and unknown-so she's always trying to control who she keeps in her life. Hans is both "unknown" and "controlling." He's "unknown" in two ways—1, nobody sees him in the shadows of his brothers in his own kingdom, and 2, nobody in Arendelle "knows" his true nature, especially not Anna. But the difference is, where our heroes don't like being unknown, Hans does, and uses it to his advantage, because he's also "controlling." But unlike our heroes, who learn that "control" is not the way to love, Hans is willing to do anything to stay in control. Which is, always, rooted in fear, too. Hans is just afraid he'll never get a throne. So. You see that he foils the two main characters perfectly.

But the main point of Hans is that he's not self-sacrificial, he's self-serving, which is the opposite of what the story claims "True Love" is.

Why's the "twist" part important? Because he uses the main characters' fears as a weapon to serve himself, and he couldn't have done that, for these two particular characters, by being anything but a liar. Anna is afraid she won't ever be loved, so he pretends to love her to get something for himself. Elsa is afraid she'll hurt everyone, so Hans pretends to be protecting everyone from her. And honestly, that's another core of the movie-love that is self-sacrificial, true love, can't be separated from truth. Anna can't really "truly love" Elsa in a way that HELPS Elsa feel loved if she doesn't know Elsa's flaws. Elsa can't "truly love" Anna if she's refusing to know Anna by always shutting her out. And Hans comes along and doesn't let himself be "truly known." Perfect.

So, the movie says "Self-Sacrificial Love Casts Out Fear" and Hans, the villain, says, "Self-Service Uses Fear As a Weapon."

So I don't think you disliked the "twist" villain. Because it wasn't just an empty "shock-jock, look how edgy we are, to make the Prince the bad guy" move. It was the right move, for this story and these characters.

3. I think your definition of "so cool" and "girlboss" might be different from what l understand those terms to mean, because none of the characters fit those descriptions.

Anna (as we understand her throughout the story) is introduced like this:

And she's constantly dropping stuff and getting into awkward social situations-and she basically makes zero correct decisions, for the entire adventure. Tries to fight wolves like a girlboss-and instead accidentally knocks her guide out of the sleigh and has to be thrown to safety while she ruins his livelihood. Tries to climb a cliff with zero experience-looks ridiculous and falls. Tries to talk her sister into lifting a curse and insists that she knows best because her sister would never hurt her-gets crippled, because her sister absolutely does hurt her, and totally fails. Tries to marry a handsome prince-really bad judgement of character, totally duped, basically would've died without help from the weakest and most mentally-confused character in the movie, Olaf. The only "girlboss" moment you could argue she had was punching Hans in the face at the end of the movie, and I would argue that that one moment, in the face of all her failures and humiliation throughout the movie, and in the face of him as a vile villain? That moment is okay.

Also, the whole way they pace that moment is still in-character for Anna. It's still like she's not doing the "dignified" thing. She delivers her little one liner, "the only frozen heart around here is you," and then turns around to walk away with her nose in the air, like she's

"above it all." Which frames the moment where she turns around and punches him like a joke. It frames that moment like it's a satisfying, but still "not decorous, not dignified," thing to do. It would've been "cool" and poorly received if Anna, the character who's always jumping into doing the emotional, awkward thing, had suddenly become the bigger person and risen above her hurt in that moment.

So instead, she punches him. And whatever. He deserved it, blah blah blah. The point is, even that moment isn’t supposed to be strictly “cool” or “girlboss.” It’s just supposed to be “in-character funny.”

See, usually a "girlboss" character knows exactly what the best thing to do is in a situation, and does it well. Or, she gets knocked down, but consistently gets back up and hits harder. Anna does not do any of those things. She keeps trying when she fails, yeah-but it's not because of an inner strength, it's because of an inner weakness. She keeps pushing because she's desperate, and insecure, not because she's awesome and never-say-die. Eventually, after Elsa strikes her and Hans betrays her, Anna does give up. She tells the snowman "we won't (come back.)" after Elsa strikes her. She tells Olaf she doesn't know what love is. It's not until she learns that lesson that anything she tries to do works—and she gives herself up to do it. And that's finally a moment of strength from her, not weakness. As for "cool"-gimme a break.

There's nothing "cool" about Anna. Anna's not good at anything except, at the very end, self-sacrificially standing in front of a sword and getting one punch in on a villain who's already disarmed, defeated and probably slightly concussed anyway. She's not supposed to be "cool" or "girlboss." She's supposed to be "Desperate to Love and Be Loved." And that's what she is, perfectly. "Desperate" is not a characteristic that fits the definition "girlboss" or "cool."

But maybe you just meant "Elsa is so cool and a girlboss." Okay, well, again, depends on what you mean by that. If you mean "having superpowers are cool" okay, well, are they? Is that what the movie is telling you? Because powers basically ruin all of Elsa's childhood and life until the last 3 minutes of the movie. You could be like "come on, she can make snow and ice monsters, glitter gowns, and an entire palace just by dancing. They totally tried to make her 'cool." That's like saying Simba's ability to eat bugs and belch and fight with Nala is "cool." She does all those things at her "Character in the WRONG" moment, in the story, just like Simba living in the Hakuna Matata jungle. Therefore the movie is not trying to tell you that Elsa is cool, it's trying to tell you that Elsa is wrong, but you can understand why she's wrong. You can understand why she feels triumphant for a moment-and then the movie shows you that triumph is misplaced.

I mean, she's taken out by her own falling chandelier. Every time she's confronted with a problem, she runs away. When she gets into "battles of wits," she says the wrong thing, or the shy, shut-down thing, not a girlboss one-liner that shuts the other person up. Elsa's not cool either. She doesn't have the answers, she doesn't save the day-she gets saved.

Both of these characters are desperate, open wounds-—they're needy and they're in the wrong, each in their own way, for the majority of the movie. They're weak, and they have to learn to find strength in love, for most of their story. There's nothing "girlboss" or "cool" about them.

I think maybe what some people make the mistake of is noticing the Frozen mania, and the fact that the two main characters are girls and one of them has superpowers and they other doesn't get with a Prince, and then they get the impression, from that, that the characters are "cool girlbosses." But like...that's like saying Dory from the first Finding Hemo movie is a girlboss. She's so totally not. She's a wreck. A funny, appealing, sometimes-relatable-human wreck. And a good character, but the hype doesn't change who she is, as a character. And who she is, like Anna and Elsa, is just a good character.

4. Elsa does not finish Let it Go with an "I'm Fine As I Am" attitude, and she doesn't finish the movie that way, either.

She finishes "Let it Go" with an "I'm fine up here, isolated from everyone," attitude. And then the movie very quickly proves her wrong by having Anna show up and reveal to her that no, actually, she is not fine up there, because the person she cares about most can still find her and be hurt by her, and the whole kingdom is still reeling from the problems she ran away from.

At the end of the movie the only thing I can guess you got the impression that she's "fine as she is" from was the fact that she's using her powers again.

But like. Elsa's whole problem was never her powers. She wasn't supposed to learn to stop using them. She was supposed to learn to stop living in fear. Instead, she was supposed to lean on love-love that sacrifices for her, flaws and dangerousness and all-and stop trying to control her image and what everyone knows about her.

Because in trying to control what everyone knows about her, she was controlling whether or not they loved her or treated her like a monster. And even running away and singing Let It Go was still an effort to control everything-by not being around people who could treat her like a monster or be hurt by her. Instead, accepting that she might hurt people because she can't always control everything, and trusting that they'll still love and forgive her, was her character arc.

She lives by faith in sacrificial love by the end, not by fear. That's the arc. She does that perfectly.

It was never, "I'm fine as I am." Because the point was never "there's* something wrong with me." It was, "I don't need to fear a lack of control, because true love covers what I can't control." That's all.

4. Anna does communicate to the audience that she's sorry and willing to understand the reasons behind Elsa's secrets.

The lesson Anna takes away from all of this is not "which guy loves me." It's "what is love?" And you know she's learned that because she demonstrates it. If Anna had died-frozen forever-or been cut down by Hans' sword, you realize that Elsa would never have been able to repay that gesture, right? But Anna still made that choice.

Even though it meant Elsa would never repay her. And the point is — excuse me, I know this is long enough, but I feel like you're missing out on something wonderful here—

Anna could have left Elsa to be killed and ridden off into the sunset with Kristoff.

They make it very clear that that is her goal when she stumbles onto the ice, free from the room Hans trapped her in. Elsa is no longer her motivation. She isn't looking for Elsa. She's not trying to get that love she's looked for, from Elsa, in that moment. She's trying to get it from Kristoff, not just for her emotional need-but for the "breaking of the curse" that's killing her in the moment. That whole scene where she realizes he loves her-truly loves her, because he fits the description Olaf gives-is in there to communicate to the audience that he could save her. He could give her what she needs.

And the reason that's important is that it proves that this is character development: when she chooses not to go to Kristoff, and to go to Elsa instead.

Because it's her, choosing to turn away from the person who could give her something (even if it is "love") and to turn toward the person who can't give her something (Elsa.) Who has repeatedly failed to give her something, for their entire lives.

Anna at the beginning of the movie would've run to Kristoff. That was the whole point of Hans, when it comes to Anna-he represents someone who can fulfill a need in Anna. But when Anna turns away from Kristoff and runs to save Elsa instead, Anna is demonstrating what she's learned —that love isn't about her own needs. It's putting someone else's needs before yours. She stands between Hans and Elsa, with the full expectation that she's not going to get anything out of it, not even a guarantee of E/sa's love in return. And her own needs will NOT get met if she puts Elsa's first.

And that's what she does. Whereas, at the beginning of the film, Anna would not have done that. Because that's not what she thinks love is. She hasn’t realized that yet.

She thinks love means closeness. And that does come with love. But that's not love. Love is, like Olaf says, putting someone else's needs before yours. But the whole movie, Anna is not working to put Elsa's needs before her own. She's working to change Elsa's mind, now that she knows the truth, so that she and Elsa can be "close again." She's climbing that mountain and arguing with Elsa, because she thinks that all that stood in their way before was this secret that's been uncovered. And sure, Anna has always been willing to “be there for” Elsa, but you have to see that Anna wanted that to come with Elsa being there for her, in return.

Which would be nice. But it's not true love. True love is being there for someone even when they refuse to be there for you. Because that's putting their needs before yours.

Thanks for the super long ask! That was fun! I hope you enjoyed reading as much as l enjoyed writing-I think sometimes we judge Frozen by the mania that followed, not the good quality that actually caused the mania, and deserved the mania, though. Anyway 😂

Guards! Take them away! Back to the theater with you! Watch the movie again!

[perkeleen-lavellan]

I feel like with any sincere discussion of Veilguard we should start off by establishing that there are multiple forms of 'fun' as it were, to be had from video games. The main purpose of a video game is, after all, to be fun. To entertain us.

So. With Veilguard I feel the problem is this; Veilguard succeeds at being fun. It succeeds at the kind of actionable fun. Veilguard is fun to actively play for most people. The combat is fun, the level design is fun, the main storyline is fun whenever we get to it. Veilguard offers fun that is quick and instant. I think it was no small feat that BioWare has finally managed to design levels and combat for a Dragon Age game that feels complete. Although I will go to my grave defending the tactical combat of DAO, it is a different more gripping kind of fun that Veilguard's mobility and systems can offer.

But there is another form a fun. The kind of fun you might be more used to associating with a good book. The fun of a story you can't wait to see the end of. The fun of fantasy world building, of seeing the marvel that is an author, or a collection of authors, who know what their vision is, and who are subtle enough to communicate that vision through fiction. The joy of seeing the result of experts building their craft. Environmental clues, implications in dialogue, tone in atmosohere. Seeing a good story unfold is fun, and with video games, which are an interactive audio visual medium how much moreso?

A book is just words, a show on tv is always linear and restricted to what the camera shows us. A video game has a whole three dimensional world that you can move inside of, witnessing the story and world building both passively and actively. A video game has dialogue and characters, who can both drive and narrate the plot for you. A video game can put you inside the world the story is happening in and immerse you in it.

And I feel that Veilguard fails to take advantage of the full breadth of the vast collection of storytelling tools a video game has. The fact that the companion quests and companion writing seems to have been left incomplete, pieces wilting on the cutting room floor when the companions are meant to be the emotional core of this story? The fact that all the factions are presented as unambiguous good guys which leaves them with no depth, their stories woefully superficial and unwilling to engage in any deeper ideas? The fact that vast amounts of world building and lore have been essentially discarded? That is all severely unfun.

So I think it's fair to say that Veilguard is fun and disappointing and not fun. The fun that I had while playing this game was always followed by a collection of things that were not fun. And the most annoying part is the parts about Veilguard which are fun are the parts that are fleeting. That I can find combat in a video game entertaining, extremely entertaining sometimes, is nothing when compared to the staying power of a gripping story with not just good set up and pay-off, but also an immaculate structure supporting that all the way throug.

When I am 80 years old I will not remember fondly the fact that Veilguard was the first Dragon Age game to finally have an actual dodge mechanic. There are always going to be games with fun combat mechanics, Veilguard isn't special for that. But I will remember Solas turning into a dragon sized wolf in a desperate bid to fight a dragon ten times his size, to help the hero he became a villain to. I will remember what it felt like to have a protagonist start off by treating Solas with suspicion, knowing there was no reason to trust Solas but choosing to give Solas a chance to prove himself trustworthy anyway, and Solas breaking that trust. And I'll remember what it felt like to have that protagonist then face Solas again, and make a choice to either be kind or to be just like Solas.

You will sometimes see gamers who say they don't really care about the writing in their games that much, but then their favourite games are things like The Witcher 3, God of War, The Last of Us. The reason they say that is because the writing is so integrally a part of the gameplay experience they don't even realise how much work it's doing. Fun gameplay doesn't matter if there is no reason to continue it.

Do you know what I remember about Dragon Age Veilguard? I remember dreading opening the game and seeing the list of companion quests in my journal that I had no interest in doing, because I had already realised how nothing a lot of them were. And I'm not talking about the gameplay of those quests, I think we've established I enjoyed smacking the bad guys and moving through the levels quite a bit. Oh no. I'm not even talking about the dialogue, not really. It was the stakes. Why were these characters doing these things, and why should I care? There was so little emotional conflict in those early to mid game companion quests.

Do you know how plot structure works when you really boil it down? Conflict is set up -> tension rises -> conflict comes to a head -> tension releases. This is why you need conflict and this is why you need characters to have flaws that they will not self psychoanalyze to a resolution within the first 5 minutes of the story. The realisation of those flaws is the plot! The character overcoming those flaws is the plot. You can't have a story without plot! What are we doing here????

That's how those quests felt. They felt like all the actually meaningful things the writers of these sub-plots had to say got crammed into their final quests. With a couple exceptions. And that's why doing most of the companion quests felt like a chore.

So, anyway, in summary. Remember that a video game contains within itself multiple forms of fun. As many forms of fun as there are ways of interacting with a game.

[cafecourage]

Little Red Riding Hood where Reader is Little Red but also a werewolf

Love Interest and rest of chain can be assigned however

(Cause I'm always down for a fairytale au)

I did a little twist on this. Idk if this was what you wanted. I had to ask doggo experts for how doggos act around each other. I am leaving this off on a small cliff hanger because I do want to write more of this.

Twilight didn’t trust the new person in the group. Well. It’s more like he didn’t know what to think of her. She came in like a hurricane running after the Shadow like it was her prey. Then when the dust settled and she calmed down the group quickly learned of why. The short of it being that for some reason the Shadow attacked her brother and she took chase. Which then led to her to finally agree to join the chain. Much to the Ranchers chagrin. However, he knows better than to start an unnecessary fight. Twilight could be civil.

Civility could only go so far.

Little Red, as Warrior’s likes to call her, noticed Twilight’s presence and slight unease of her and ran with it. Twilight couldn’t understand just why she was always running circles around him talking about this and that. It confused him to no end when she instantly would stick to him even when he was wolfie. He had to on more then one occasion threaten to bite Little Red’s hands. She never cared or backed away from Wolfie when he showed a bit of aggression. “He is going to bite you.” Wild warned her as he watched Little Red try to play with Wolfie.

She looked up at Wild while holding Wolfie’s face, “what? No the baby is just playing.” That comment only made Twilight growl more.

“Baby? Wolfie isn’t a baby.” Wild was torn between being completely amuse and helping Twilight out as he did know about his slight distrust of Little Red.

“No no no, Champion. This is a wolf pup. He has to be like…” Her attention draws to the wolf as she observes the good boy. “Man… I have to say maybe 10? He is very small even for that age. Wolfie is like an adult dog size but he is definitely a wolf.” She boops the snoot and quickly pulled back as Twilight tries to bite her hand again. This only makes her giggle more.

“I think your wolves might be just bigger than my Hyrules.” Honestly to Wild, Wolfie was the same size as most wolves, but he just shrugs and not questions that further. Twilight couldn’t understand why you were like this, he wonders if it was just an eccentric thing. He has met a lot of weird people in his life and Little Red might be one of them. After being free from your grasp he takes it upon himself to run away for now. Only because you don’t tend to grab his face while being Twilight and thats the most annoying part of being wolfie around you.

It wasn’t until they finally came to her era that he finally understood.

The village Little Red lived in was small, but cozy. It reminded Twilight of his own home. People tended to light up when seeing Little Red. But given the size of the group following them most villagers tended to just say hi and remarks that they needed to talk to her later. “My house is a bit further.” Little red said pointing to a path that ran into the woods. “It’s just me, my brother and Grandma oh and our cat. I’ll make sure to keep her out of your stuff. But we should have room to fit everyone.” She explains as the path slowly clears up to a cottage in the wood with a small garden. There was a small pup running around in the yard playing with said cat. Who was purely annoyed at ready to pap the puppy in the head.

Little Red’s eyes brightened “Link!” She calls out gaining the Pups reaction.

She dashes towards the house as the puppy starts running towards her. They meet halfway and the puppy shifts into a young boy. “You’re back! You’re back!” This Link giggles as he gets lifted in the air by his sister and spun around.

“I am! For now.” Little red nuzzles her brother’s face as she shifts her grips on her brother to put his weight on her hip. “Boy’s this is my brother. Link these are the adventurers I’ve been traveling with.”

She turns to the group with a smile. The chain was utterly confused and silent before Wind speaks up “Did he transform into a wolf?”

[ihavethedreamies]

Expert | Easy to Expert (3 v7)

Lee Yongbok (Felix) & Bang Chan - Stray Kids

Rating: M (18+) MDNI

Word Count: ~4.6k

Felix/AFAB!Reader/Bang Chan

Genre: Reader-Insert, Smut, Fluff, Fluffy Smut

!!This is smut…if that much isn't clear you should probably leave now!! MDNI!

Warnings: She/Her Pronouns used, Swearing, Kissing, Lingerie, Pet Names (Love, Pumpkin, Baby Girl, etc.), Multiple Partners, Oral (M! & F! Receiving), Sixty-Nine, Threesome, Double Penetration, Anal Play, Sex Toys - Butt Plugs, Anal Sex, Bang Chan has a Monster Cock (of course), Cockbulge (hmm), Unprotected Sex (Bad Idea, Don't Do It), Daddy Kink gets awakened, this is actually really soft and fluffy believe it or not, Bromance

Disclaimer: I do have the whole cock-bulge thing in this. I understand this could be a bit offensive to some who are on the heavier side (I am in that group as well). Sorry if this doesn't align with your body type, this is just a work of fiction.

Author's Note: This is the last one I am writing in this series, so let's see what absolute nonsense shows up here. I'm going to TRY and tone it down…

PS. I wrote the first not before I wrote the story, and this is after. This went a COMPLETELY different direction than I thought it would. Get ready for tooth rotting fluff AND smut.

PPS. Bang Chan is my bias and Felix my bias wrecker so that is why this one ended up like this…

-> Series Hub <-

-> Part 1 <-

-> Part 2 <-

-> Ver. I.N. <-

-> Ver. Seungmin <-

-> Ver. Hyunjin <-

-> Ver. Han <-

-> Ver. Lee Know <-

-> Ver. Changbin <-

I am cross-posting this on Archive and Wattpad. Please reblog! If you know anyone that would like this or future fics but they aren't on here my name and icon are exactly the same on the other sites. Happy reading!

"What?" Chan stopped dead in his tracks, Felix continuing past him. He thought for a second that he was hearing things, or someone else's conversation. The younger man stopped as well, turning back to his best friend.

"(Y/N) wants a threesome, you in?"

"Why are you asking me?" Chan sputtered and Felix shrugged casually.

"She asked for you specifically so…"

"She asked for ME?"

"Yes?" Chan's head was swimming. He had to admit, ever since he found out a few months ago you couldn't cum, he was looping in his head. It wasn't romantic intentions behind him trying to figure out what he could do for you…Not at all. He had been trying to convince himself he no longer had romantic feelings for you, especially since you started dating Felix. It was obvious to the others, even Felix, but he appreciated that his hyung denied it even to himself.

"Are you sure?" The eldest of the group asked your boyfriend.

"I wouldn't be asking you if I wasn’t. She picked you like a month and half ago, I've had time to think about it." Felix huffed, amused. Chan was getting flustered, and the younger man knew why.

"Are you thinking tonight?" They were already on their way to your apartment for movie night.

"Well…yeah. We can move it though."

"You really think I can just sit and watch a movie with you two now?" Chan shook his head, but continued walking. Felix fell into stride next to him and they continued to your place.

Felix messaged you when they were about fifteen minutes out, and you scrambled off the couch to get ready. To say you were excited was an understatement. But you were also lowkey terrified. It was not a hidden fact among the friend group what Chan was packing. You had even heard from other girls on campus. Not a traditional player by any means, he had been around the block. He was an incredibly sweet gentleman, but a lot of girls just wanted to fuck him to say they conquered the beast. That was literally what they said. The thought made you shiver as you prepared. Stepping out of the bathroom, you looked yourself over in the mirror. Felix had gotten you a set of wolf cosplay lingerie, fitting for Chan. It was more or less a bikini lined with gray fur. The silicone plug he got you a month ago now had a grey furry tail attached; the texture tickled the backs of your thighs. A matching headband with grey ears sat on your head, it was a little too big though, so you hoped it stayed on. Furry cuffs surrounded your ankles and wrists as well. The bottoms of the set were more like shorts than panties, but there was a hole cut out of the crotch which gave access to your cunt as well as let the tail plug sitting in your ass. You shook your arms to get rid of some of the nerves. Though, they just came back two-fold when you heard your boyfriend and his friend arrive. Your shaking increased as you padded to stand at the foot of your bed, waiting for them to remove their coats and shoes and meet you in the bedroom.

"Go on, bro." Felix told Chan, his accented English hitting your ears. Were they going to speak like that the whole night? Fuck yeah.

"Oh, baby girl!" Chan was floored as he entered your room. You looked so fucking cute, his heart thumped hard, and he felt his pulse in his cock too. The pet-name did stuff to your insides, and you nervously wiggled, the tail wagging a bit from the momentum. To be honest, before you and Felix hooked up, you were tempted to go to Chan. With his reputation, you were sure he could have managed, but you in no way regretted that it was Felix. Your boyfriend followed him in and came to admire you as well. You turned toward him as he settled only a foot away from you.

"Good job, love." He praised and you both turned back to Chan. He was still gaping, and you were still too nervous to look him over completely. He just had grey sweatpants on and a black sweatshirt. You desperately wanted him to take it off so you could get a better look at him. You had seen his perfect body many times, but you wanted to touch it. Your fingers fidgeted with themselves, the black painting nails at the ends catching Chan's eye.

"Rules?" You prompted Felix and he looked at you, back to his friend then shook his head.

"Just tell him no if you want." he told you and you blinked, then again. Seriously? He would let his friend kiss you? Fuck your holes and fill you with his cum? That was four of the rules out the window. Plus, if he wasn't going to lead Chan through this, then the final one was trashed as well. The thought made your core clench as you finally looked back to the other Australian.

"Go on." Felix assured you and you took a hesitant step forward, then trotted over to Chan who was still looking at you in awe. His hair was brushed up and back some, framing his forehead. You would have been fine just looking over every detail of his handsome face, but you needed even more. Your small hands went to the zipper of his hoodie, and he let you pull it down. He huffed at your pout when you saw he had a t-shirt underneath.

"It's below freezing out there, baby girl." He told you, amused by your reaction. You mumbled something incoherent, and he laughed. The sound pierced you, made you let out a small whimper, pushing his sweatshirt off. He continued to watch, amused, casting a glance at Felix who looked just as entertained by you. You took a deep breath, sneaking your hands under his shirt and mewling as your warm fingertips brushed over the ridges of his abs. With his assistance, you removed the shirt completely and Felix saw your thighs clench. While he wasn't thrilled by how turned on you were already, he wasn't too surprised either. You were honest with him and admitted you almost went to the eldest for assistance before you and Felix got together. He appreciated your honesty, and therefore trusted you. Didn't mean his pride wasn't a little hurt.

"Oh, my god." You gasped out, your touch tickling Chan some. He laughed, his gorgeous smile distracting you for a second.

"Can I kiss her, 'Lix?" Chan asked politely and you leaned in some more.

"Yeah, I guess." Your boyfriend allowed and you let him kiss you. He was rough, more so than you expected. Chan knew better, he was there to fuck you, not make love to you. He would leave the sensual kisses to Felix. He tilted his head, his hand going to the back of yours and his slid his tongue in your mouth. You keened at the feeling. He was good. Too good. You pulled back a trail of saliva connecting your mouths.

"D-don't do that again." You muttered, your face red. He nodded, humming in agreement. Felix snorted playfully. His trust was well placed. Not wanting to step over the line, Chan stayed mostly still as you sank to your knees before him. Seeing him shirtless in the grey sweatpants was already sinfully attractive, you wondered what he would be like fully naked. An adonis carved out of marble for sure. There was already a bulge from his hardening cock, but it was mostly hidden by the thick material. He laughed at your eagerness as you hastily pulled the waist band away. Your eyes widened as he stepped out of his pants. He was nowhere near being fully hard, but his black briefs were already straining.

"Fuck." You wheezed. You were salivating like the wolf you were dressed as. You fiddled with the tag on the black choker you had on, Felix's name engraved into it. As long as you only fell for Chan's cock, it was fine. You turned to look back at your boyfriend anyway and he gave you a reassuring smile. He had looped over every possible scenario in his head over the last month, knowing to almost a T at that point what would make you react in what way. So far, no surprises. Even though to some you hadn't been dating long, you spent as much time together as possible, so he knew you well. You had been friends for years before then too.

"C-Can you…" You drifted off, wanting to get a good view of Chan's briefs coming off. He smiled and did as you wordlessly requested. He felt a little sheepish under your gaze, honestly, as you ogled him. Adonis indeed. You literally watched his cock harden further under your appreciating gaze. You licked your lips, desperate to wrap them around him. Felix ended up not speaking the rule you had first decided on, but you were a bit worried about what it would do to you to let Chan cum down your throat.

"Can we do something?" Chan suggested, snapping you out of your daze. He also looked at Felix.

"Sixty-nine?" He finished the request and Felix stiffened a bit. Knowing Chan, he might be able to make you cum from that and your boyfriend wasn't sure if he was okay with that. The eldest was definitely the expert of the group and mastered the art of sex like the instruments he could play. But, when he looked into your big, pleading eyes, he couldn't say no. With a slow nod you hopped to your feet giddily and Chan chuckled, following you to the bed. He nodded for you to climb over him once he was on his back. Straddling his face, he wrapped the tail around his hand just to hold it out of the way. The panties gave him perfect access, the fur ticking his cheeks a bit though.

"Sit on me, baby girl." He urged and you lowered your hips. You weren't expecting the immediate pleasure you got from his tongue. He immediately swirling it around your clit, sucking hard. You gasped, falling forward, finding the head of his now fully hard cock in front of you. Once again, your eyes met Felix's and he nodded. Eagerly, you wrapped your hand around Chan's cock, your fingers not even able to touch. You wrapped your eager lips around the head, your jaw protesting some at the stretch. Chan rumbled under you; his strong arms surrounded your thighs to hold you where he wanted you. Your moan vibrated through his dick as you got as much as him as you could in your mouth. It would be too dangerous for you to let him into your throat, you had to center yourself by finding Felix again. He loved that you kept thinking of him throughout. It was also more arousing than he thought it would be, seeing your mouth full of his best friend's fat cock. Chan ate you like a man starved and your boyfriend could see the characteristic twitch in your hips that meant you were close. You were more shocked than Felix that the other man was getting you to the edge so fast. His hand twisted in the tail again, tugging it slightly, and took your clit between his teeth, rolling it and you fell forward as you came, swallowing his cock deeper. Chan grinned as your cunt dripped on his tongue and he let the tail go, letting your orgasm ride out. When you came down, you pulled him out of your mouth, panting for breath.

"Okay, baby girl." Chan eased you to roll off of him, you landed on your back, still breathing harshly. Tears pricked your eyes and Felix instantly came to your side, petting your head softly, shushing you. You looked at him, so pitifully, ready to cry.

"Hey, shh, love." His heart broke seeing you like that and Chan got up on his knees next to you. He could tell you were crying from emotions, not physical feelings, but he still felt bad. At the same time, he was extremely proud of himself for making you cum like that. He had satisfied the goal he set in the past, not ever thinking to dust it off and complete it. Chan's heart thudded again, this time in sorrow. You were too precious.

"I'm sorry, Felix." Your breath hitched and he leaned down to kiss your forehead, petting your hair. Instantly he felt bad for feeling jealous.

"Love, (Y/N), its fine. I'm not mad." He chuckled a bit to reassure you.

"Really?"

"Yes, sweet. I just want you to feel good, okay?" He hummed and you nodded, sniffling. Chan finally saw the relationship dynamic you two really had. It was a dominance and submissive one, but Felix played the role so softly. And you were so cute with it, not a hint of being a brat.

"You want to keep going, baby girl?" Chan made sure and you nodded shyly. He smiled warmly and helped you sit up, removing the loose headband so you could stop fiddling with it.

"Can I take all this off her?" Chan asked and Felix nodded. You sat there like a good girl as Chan gently undid and removed everything from you but the black choker. He even took the tail off the plug, leaving the silicone toy inside you. The other man also took the tie from your hair, letting it fall over your shoulders. The way he looked at you actually warmed Felix's heart. He also knew if you asked him, he would be open to letting Chan in on your relationship. If it was him…he could share you. That was something to bring up later though. You shivered a bit, now a tad chilly and Felix smiled, climbing on the bed to hug you from behind.

"Good girl." He soothed and helped Chan maneuver you to sit on his lap, back to him. Felix placed a soft kiss to your lips, and you whined at the feeling of Chan's cock wedged in the cleft of your ass. Felix had decided not to turn the vibrations on, planning it as a surprise. The encounter turned out to be softer than he originally thought it would be.

"What're you thinking, 'Lix?" Chan knew him too well, could see the gears turning. His eyes met the eldest's and you looked up at him too. His eyes cast to yours. It wasn't a secret that you had a huge crush on Chan about a year ago, but you never pursued it. Little did you know, Chan had liked you too, for a while. He didn't even piece together, that's what it was at first, but Felix knew. Even when Chan would deny it to himself, Felix knew. Felix could still sense your love for himself, but he also saw how you looked at his best friend.

"You want him too?" Felix asked and you didn't understand the question at first. Wasn't that why he was there? The other man figured it out immediately though.

"Felix-"

"I'm not stupid, hyung." He huffed playfully and his true meaning registered.

"Felix?" you asked him, implying your question in your tone. Are you sure?

"We can discuss it after, but don't feel guilty." Your boyfriend kissed you softly on your cheek under your eye.

"Want him here?" Felix continued, helping you settle on Chan's lap, stroking his fingers through your soaked folds. You nodded softly, letting the man behind you hold you in his arms. You felt so secure, even more so with Felix there too.

"Think you can make her cum again?" Felix challenged and the other man smirked.

"Let's see." He nuzzled behind your ear, one of his hands sliding down your stomach till his fingers hit your clit. You whimpered as he swirled over it, then slid both fingers home. You sighed as his fingers filled you. They were thicker and longer than Felix's, but just as talented it seemed. His palm rubbed hard over your clit as he scissored the digits in you, the pad of one finding the rough spot on your back wall. You twitched when he rubbed over it and Felix watched the gears turn in Chan's head. His fingers left your core, rubbing back up to your clit, and he exposed the little nub further. He was an expert, Felix decided. He learned your reactions instantly, knowing just what to do next. Chan then fucked three fingers into you, harshly pressed against your further exposed clit with his palm. His fingers crooked hard and up, his palm swirling your clit and you shivered hard, head tossed back to land on his shoulder. You were close. Once again removing his fingers, he took your button between two fingers, pinched hard and pulled your nub, and Felix watched your cunt spasm as you came. The slight bit of jealousy he still felt dissipated when he saw the way Chan looked at you. He nuzzled your temple with his nose as you trembled, kissing the crest of your ear. As you shuddered, coming down again, your head rolled so you could look at him.

"Fill her up, hyung." Felix allowed, smiling as your eyes widened.

"'Lix~" You reached out for him, Chan still loosely hugging you to him. The eldest smiled fondly as Felix came to you, the smile on the other’s face was so warm. Chan could tell how much you two loved each other, and he was honored you both were willing to let him wiggle his way in. When he was within reach, your hands stroked over your boyfriend's pretty freckle covered cheekbones.

"Let’s have Channie fuck you, hm?" He cooed, the words racier than his tone implied. You whined with a nod and Chan chuckled softly at your cuteness. You both were so cute.

"Okay, baby girl. Tell me if it’s too much." The man behind your spoke into your ear, his arms holding you closer, his right hand coming to cup your left breast. You never got much sensation there, but you did flinch a bit when he pinched your nipple. Chan loosened his hold, moving his hands to rest at your hips, and Felix's moved to your waist. You let them move you around like you were a ragdoll till you were kneeling, cunt hovering over Chan's cock.

"Good girl." Felix praised, kissing the corner of your mouth as they both led you to sink on the eldest's dick. The feeling knocked the air out of you, he was so fucking big. You couldn't help but ponder how much bigger he could be if he was taller. He whispered soothing words in your ear, Felix kissing over your collarbone. You breathed, using the same technique as when your boyfriend fucked into your ass. Chan groaned, your cunt was so hot and tight, and he could feel your slick gummy walls perfectly. It made you all the more addicting. He could also feel the bump of the plug in your ass through the walls of your cunt. When Chan felt your cervix kiss the head of his cock, he halted your descent, a good inch or two left.

"M-more." You pressed and Chan rubbed circles over your lower stomach. He smirked, he could feel the bulge of his cock already, and you mewled when he pressed down.

"You sure, baby girl?" Chan's voice had gotten huskier somehow, deeper, rumbling through you. Felix smirked and lowered his voice himself, bringing his mouth to your other ear. What your boyfriend planned on saying next would probably earn him a playful smack later, but he was so eager to see your unfiltered reaction. Your eyes were already blank, nothing but cock on the brain.

"Tell daddy how you want his cock." Felix ordered you and Chan gasped as your cunt squeezed him hard. He huffed, thinking he misheard what Felix whispered to you at first.

"Want daddy deeper~" You whimpered and the men both groaned at your plea.

"Yeah?" Felix teased you further.

"Yes, sir~" You pled to him instead and he smiled. You were too fucking cute. There was a very specific reason Felix preferred you called him sir during sex, and that reason was splitting you open on his cock. At first, he didn't want to use 'daddy' because he was jealous, thinking it might make you think of Chan. Especially since you jokingly called the eldest that all the time. But now…everything worked out perfectly.

"Okay, pumpkin." Your boyfriend's pet name for you changed and the new word made your core pulse around the other's dick. Chan knew that you both went full into roleplay mode at that.

"Daddy~" You whined, and he laughed, acquiescing. You yelped when his hips shifted under him better, letting him thrust up hard, burying his cock all the way in you. Words escaped you, only a string of babbles left you. Felix smiled and shuffled down the bed more. Chan watched, curious, and almost protested as the other man moved. He just let Felix do whatever though. Your legs were spread to sling over Chan's, holding them open. Felix's hands came to your inner thighs, spreading you further and he marveled at your folds straining to take Chan's massive cock. Your entire body jerked when he flicked his tongue at your swollen clit, his tongue lightly brushing over the other's dick. The man's arms tightened a bit around you as you slumped into him further, and with one more flick of Felix's tongue, you fell apart again. At this point, your cunt was burning from the overstimulation, but your boyfriend knew if you got over the crest of pain, you could just keep on going. After your spasms went away, he sat back to just watch again, nodding to Chan.

"Ready, baby girl? Want daddy to fuck ya good?" His hand came to rest under your jaw, putting just enough pressure for you to feel it but not restricting your airway.

"Please!" You mewled, head lolling back and forth. His other hand was still on your stomach, and Felix put his hands on your hips to help, lifting you slightly and pressing you back down as Chan fucked up. You gasped, your cunt stung from the friction, but the pain was so good as the man behind you railed you. It was a good thing Felix was okay with Chan joining, you thought on later, because you didn't think you could live never taking him again. You were definitely a size queen and Felix marveled at you taking his friend like a champ.

"Ah, fuck, (Y/N)~" Chan was getting close, and he looked to your boyfriend, asking permission. Felix looked at your fucked out expression.

"Cum in her." he told Chan, and he got as deep as he could and let go. Your stinging core piqued, the pain burning into pleasure, and you weren't sure if Chan filling you with his sticky cum was what put you over or Felix's voice.

"Oh, good girl~ Fuck!" The man moaned himself as he felt his cum overflow from your cunt and drip down past his balls and onto the bedding. Felix was still rock hard, not having came or been touched at all that night, but he was fine dealing with himself in the shower if you were too tired.

"Felix!" You reached for him again and he came back to you.

"What do you need, pumpkin?"

"You…" You pouted and he smiled bright.

"I don’t think your cute little cunt can handle more." He cooed and Chan huffed playfully. He was still hard and really didn't want to pull out anyway.

"Let’s turn her around." He suggested to the younger man. You keened a bit when they moved you around. When your chest met Chan's, he sunk back into you, the new position and angle let him sink deeper. You shivered, falling into him and he laughed.

"You're so cute." He praised. He was content to let you warm his cock, watching Felix scooch forward. His fingers wrapped around the plug, and you breathed as if through muscle memory as he pulled it out. It clattered onto the floor from his tossing it. Could your body handle him filling your ass with Chan in your pussy? Guess you all would find out soon enough. Your breathing shifted when you felt Felix's cock at your pucker, he barely pressed the tip in as he took the lube Chan had reached for on the nightstand. Drizzling more onto himself, he started to ease inside you. You shivered, your back hole welcoming the familiar intrusion.

"So good, pumpkin." Your boyfriend praised. To get in you best, he had to swing his leg over Chan’s, but he didn't mind. Chan helped him adjust you some and they both let you adjust to being completely full. Each breath you pressed out carried a slight moan and your little noises brought grins to both of the men's faces. After witnessing everything, as well as your even-tighter-than-usual canal clenching his cock, Felix knew he wouldn't last long. Might be for the best anyway considering your physical and mental state. Your nails weekly dug into the skin of Chan's chest where you laid as Felix pumped his hips. His thrusts were short and deep, and your body rocking slightly brushed your sensitive clit against the skin of Chan's pelvis. A defined vein that led down to his cock gave just enough of a differing pressure as you rocked.

"Okay, love, I'll fill you good than you can take a bath. Daddy and I will take care of you tonight and tomorrow." Felix picked the pace of his thrusts up and Chan hissed some as your cunt clenched hard and your nails carved crescents into his skin.

"(Y/N), be a good girl for daddy and cum." Chan's words were all you needed, and you came one more time, Felix spraying your insides white. From the tight clench and the wait, Chan was sensitive himself and you cumming made him fall apart with you two. Even more jizz spurted out from where your body met Chan's and more of the sticky goo leaked from where Felix was inside you. You were a complete mess and Felix wouldn't have it any other way. Your consciousnesses faded, your eyes slipping closed, and the two men praised you for doing such a good job for them. Deciding to just clean you up with a towel for now, Felix helped you rest on your side as you slept, leaving the blanket off you, your skin still hot. Your boyfriend petted your hair as Chan took a quick shower and then they switched places.

"Are you sure?" the eldest asked, stroking your hair softly when Felix sat on the bed behind you.

"You love her, right?"

"I-I…" Chan swallowed hard.

"Hyung?"

"…yes."

"I didn't want to admit it before, but she likes you a lot. I know though that she loves me too…I think she deserves the world, but why not throw the moon in along with it?" Felix meant every word. He loved you so much that he wanted you to be loved twice as much, if not more.

"Well, guess I should change my name to Moon, huh?" Chan huffed and Felix rolled his eyes at the horrible pun.

"Just promise me when you two get married that I can be the best man." The eldest continued and your boyfriend smiled down at you.

"Of course. Wouldn't have anyone else."

-> Series Hub <-

Master-Master List

Stray Kids Master List

[milksnake-tea]

The Stellaron Hunters were a group renowned and hated across the galaxies, both feared and respected by the factions. But under those skillful manipulations and operations, was an organization as put together as a monkey circus. You should know this best, as a member of this menagerie.

stellaron hunter!reader (no specific pairings)

contains: cursing, possibly ooc, written before version 1.2, just a bunch of silly shenanigans, unedited, can be read as romantic and platonic !!

word count: 3.7k

a/n: i had to rewrite this like... 4 times bc tumblr kept deleting it :// anyways night dancer got me through this piece so :D u can tell i have a blade preference but listen he's hot

Before we get on with the sillies, let's lay down some groundwork.

Every Stellaron Hunter has a specific role in mind. Blade is the feral dog that you throw at people, Kafka pisses people off (and shoots ig), and Silver Wolf gets past all defenses.

You're the expert on espionage and disguise. With the power of masks, voice changers, and makeup, you can become basically anyone if you put your mind to it. Even people with completely different builds than you, you could pull off - as long as the holographs don't start glitching out.

You're often paired with Silver Wolf in order to infiltrate various bases. Silver Wolf can transcend any physical barriers, while you sweet talk your way into the inner circles of any leaders. Sometimes, you implant ideas into people's heads in order to guide them towards a certain path, sometimes you just do it for the fun of it.

Your favorite victim so far has been the Express. Ever since the Trailblazer joined, you've entertained yourself by posing as them or other members of the Express (the only ones you can't figure out are Welt Yang and the conductor, Pom-Pom).

And it was surprising, how easily you could trick March 7th and Dan Heng. You had no idea where the original Trailblazer was (probably up some poor soul's dumpster), but frankly, you didn't care.

You somehow managed to trick the two for the better half of a day. It wasn't until you didn't jump at the sight of the first trashcan on the Xianzhou Luofu that the duo realized that something was off.

"Who- Who are you?!"

March stepped back, Dan Heng already drawing his spear. But you weren't going to give in so easily. No, you wanted to see just how far you could take this.

"Guys?" You feigned hurt and confusion as you faced the two. "What're you..."

"Don't play dumb," Dan Heng cut you off, thrusting his spear under your chin. "You're not them. The real Trailblazer would've started ransacking that trashcan by now."

What kind of freak-

"C'mon guys, I have taste," you sighed, crossing your arms. "The trashcans here don't compare to the ones at Belobog. They're not as shiny."

"Trailblazer said that appearance doesn't matter when it comes to trash!" March shot back, her bow appearing in her hands. "Enough games, who are you really?"

You paused for a moment, contemplating your options. You could try to bullshit your way out of this, but you sincerely doubted you would be able to. What kind of freak personality did Silver Wolf program into the vessel, anyways?

You sighed, making the two tense up. Your face, still that of the Trailblazer's, twisted into a condescending sneer, before you doubled over in laughter.

"Ah... Damnit, and here I thought I was doing well!" You stretched your arms, March backing away from you. "Well, that just goes to show, I still have much to improve."

With a snap of your fingers, your disguise melted away, revealing your true appearnce.

"You're-!" March gasped. "You're one of the Stellaron Hunters!"

"Am I really that famous?" you pondered, leaning back on the railing. "And here I thought Kafka or Silver Wolf were more popular."

"What're you trying to pull," Dan Heng growled, "pretending to be the Trailblazer? What did you do to them?"

"Oh, nothing," you replied simply, popping your bone. "I just sent them a coupon for that restaurant down the street. So don't worry yourselves, I'm just here to have a little bit of fun."

Before the two could comprehend the stupidity of their companion, you jumped onto the railing, balancing on your toes.

"Well, it's been fun, Nameless." You waved cheerfully, taking a step back into the open air. "Let's meet again sometime soon, yeah?"

"Wait!" They rushed to the railing, adamant on catching you - but you had already vanished.

The world might see you as a complete weirdo, but honestly, you aren't even the worst of the Stellaron Hunters. In your humble opinion, you're the lesser evil compared to your comrades.

If you're going to survive in this job, you have to get used to Kafka bullying you. Don't worry, she does it to everyone, it's not just you. But signing up to become a Stellaron Hunter also means you sign up to a life of relentless teasing.

You roll your eyes at the feeling of a familiar gun barrel against your head. Kafka holds it against your temple firmly, but you know her finger isn’t anywhere near the trigger. It’s not like you’re Blade, who somehow survived getting thrown off a four-story building.

“Now who do we have here?” Kafka muses lazily. “A potential spy from the IPC? Or perhaps, one of the Xianzhou Cloud Knights?”

“Don’t fuck with me, Kafka,” you turn around, unimpressed. With one move, you pulled off your mask, glaring at her pointedly as you grab a bottle of water. “I know that thing isn’t loaded.”

“Oh, it’s you, [Name],” Your senior gasps mockingly, removing the gun. “When did you come in? I could’ve sworn an intruder-”

You throw the bottle at her. She dodges because of course she does.

And Kafka isn't even the least of your worries. At least she has a sense of financial responsibility.

There's no doubt that Silver Wolf is integral to the workings of the Stellaron Hunters, especially with her hacking abilities. She's certainly skilled with her work, and she has saved your ass many times before.

But sometimes, you have to play babysitter to her, because homegirl may or may not have a gambling addiction, especially when it comes to whatever those gacha games of hers. Whenever she visits the city's nearby arcade or casino, either you or Kafka have to be around so that she doesn't end up gambling all of your funds away. You would get Blade to do it, except he couldn't care less about your financial problems.

“Let me go! I’ve almost got it, I know I do!”

Silver Wolf kicked at your shoulders wildly as you hoisted her up. You paid her no mind as you left the arcade, Blade walking in tow. You kept a firm grip on his sleeve, making sure he didn’t run off and start any trouble. You saw the look he gave the claw machine. If you hadn’t dragged Silver Wolf away, he would’ve likely broken the thing out of impatience.

“I was so close!” The girl on your shoulder whined, like a kid who didn’t get their favorite toy.

“You already spent 500k on it,” you replied bluntly. “It’s a scam, don’t you know?”

“So what?” Silver Wolf retorted. “I would’ve won!”

“Yeah,” you shifted her up, your shoulder getting sore. You weren’t really built for hard labor. “After you spent another hundred thousand credits, sure.”

“I wasn’t!” She’d stopped fighting you, now hanging limply so that her entire weight pressed down on you. “I could’ve hacked it-”

“Really? You’d put that much effort into a claw machine?” Before Silver Wolf could argue, your phone dinged, as did Blade’s and Silver Wolf’s - successfully interrupting your bickering. You glanced at Blade as he checked his phone for the three of you.

“It’s Kafka,” he reported, typing out a quick response. “She says it’s time to go back.”

“Tell her we’ll be there in 10 minutes, if Silver stops her tantrum,” you said, looking pointedly at Silver Wolf. The hacker kicked you in response. 

“I am not throwing a tantrum,” she huffed. You rolled your eyes.

“Sure, whatever you say.”

Speaking of which, Blade is like your guard dog. A very intimidating guard dog. With a sword. And attitude issues.

Come to think of it, he's more like a cat if anything.

When he's not being launched at the faces of various enemies, Blade often finds himself acting as your shadow. He just follows you around, doesn't say anything, and the second he smells a whiff of a threat, the sword comes out and you have to talk him down before someone calls the cops.

It seems that you’re the only one unaffected by the suffocating tension clogging up the clothing store. There’s an obvious circle of space surrounding you and Blade as you browse through various suits, intent on finding one that would fit the man standing behind you. Elio’s next script required that Blade and Kafka go to a dinner party, and knowing Blade, the man didn’t have any clothes other than the ones you and the other Hunters got for him.

It wasn’t that Blade didn’t have an eye for fashion, rather, he simply didn’t care much for it. Shopping wasn’t exactly his cup of tea either. His hands itched for action, but he did have to admit that this was better than sulking around in his room all day.

You pulled out another suit that had caught your eye, a simple black one with a bronze lapel. It would fit the vest you’d already picked out for him. Holding it out in front of Blade, you squint as you try to picture what it’d look like on him.

Decent enough. You hummed in satisfaction, turning the suit around to show it to him. “What do you think?”

Blade shrugs, only giving the suit a brief glance. “It’s fine.”

You sigh, giving him a look. “Do you like it?”

“It isn’t the worst thing you’ve put me in,” he says nonchalantly. You huff, lightly hitting his chest. For a second, a glimmer of a smile flickers onto his face at your action.

“Watch your attitude,” you reprimand playfully. “Otherwise I’m giving you the shittiest suit I can find in here.”

“You wouldn’t,” Blade says easily as the two of you walk toward the cash registers. “Your heart couldn’t bear to do that to a face like mine.”

“Cheeky brat.”

You remember the day Blade was first brought to the base, picked up by Kafka and Elio like a stray cat. He had a strange resemblance to that of a drowned rat, being absolutely sopping wet.

Your seniors just kinda dropped him off into your room with the only instructions being "Make him look presentable", which didn't give you a lot to work with. You weren't sure how you were going to fix him, but after a lot of bathing, hair drying, and brushing, you soon discovered that the drowned rat had a pretty face.

So basically, you're the only reason why he looks remotely presentable.

And quite frankly, Blade does not make it easier on you. He doesn't care about how he looks, only how his enemies look - and that's dead and unmoving. Sir somehow manages to fuck up his fit every time he goes on mission, coming back with his very expensive clothes, mind you, covered in blood, and his hair messed up.

The audacity of him, to just walk into your room unannounced, clothes completely torn and hair a mess, and plop himself down on your perfectly clean chair and wait for you to fix him up. Granted, you'll do it (you wouldn't allow any of your comrades to leave without a decent haircut), but that doesn't mean you won't rattle his ear off with a scolding.

“Just what did you do to it this time?”

You grumbled as you cut away at Blade’s hair, the man in question sitting in your salon chair and scrolling through his phone. He had just come back from a mission, and this time he somehow managed to cut off the bottom half of his long locks, resulting in a horrendously uneven cut.

“You’re literally so photogenic and then you go and do this?” you huffed, blowing his hair into his face with a blowdryer.

“You can fix it, can’t you?” Blade didn’t even look up from his screen as he texted Silver Wolf, likely using this as an excuse to escape her pleas to game with her.

You scowl, venting your anger as you brushed his hair, cutting a few extra strands. “Just because I can, doesn’t mean I always have the time to do so! Now sit still.”

Oh, and another thing? There's no such thing as privacy when you're with the Stellaron Hunters.

You first learned this when you came back from a particularly grueling mission, early on in your career with the Hunters. You were covered in blood that wasn't (or was it?) yours, drenched from the rain and safe to say, not in the greatest of moods. All you wanted was to take a shower, and preferably, take an undisturbed nap on your warm bed.

Unfortunately, Kafka had other plans.

You opened the door to find her lounging on YOUR bed, IN THE DARK, ruffling through your makeup collection like it was normal. She didn't even seem bothered when you flicked on the light, didn't even acknowledge you until you threw a knife at her.

And what did she say when you made it abundantly clear that she shouldn't be in here? Nothing. She just scrunched up her nose and told you to take a shower.

And that is how you learned that having your own room is utterly useless because every single Hunter could pick a lock. You could try to use an electric one. Silver Wolf sure did. And to her credit, it worked, until a certain dog named Blade came around and just kicked the door down.

Out of all the Stellaron Hunters to creep around in your room, Sam was by far the worse. You could handle Kafka going through your makeup, or Blade judging your taste in books. You can deal with Elio having his fucking shoes on your bed because he's your boss and honestly what are you going to do against an actual seer? Exactly. Nothing. At least his shoes are usually clean.

But Sam? He doesn't visit so that he can go through your things, or just hang around. No. He comes around with the pure intention of scaring the shit out of you.

He just waits?? Outside your door?? In the dark?? Until you open it and he jumps you. It usually ends with someone getting punched, but honestly, it's nothing either of you couldn't handle.

Silver Wolf likes to pretend that she isn't as bad as the other because in her words, she "gives you a warning". Said warning is "You better be decent" before she barges in and starts rambling about the new game she bought.

One time you were not decent and someone had to pay the price. That someone was not you.

There is one good thing that comes out of all this invasion of privacy. Because whatever the others do to you, you get to do right back to them. 

“What does this button do?”

“Don’t touch that.” Kafka playfully whined as Silver Wolf snatched away the console in her hands. The hacker was less than pleased, having returned to her room only to discover that she’d been chosen as the Hunters’ victim for today.

You lean against Kafka’s shoulder, pouting alongside her at your latest toy being confiscated. “C’mon Silver, let us have some fun at least.”

“After you two invaded my room? Not a chance,” she replied, tossing the console to somewhere you and Kafka couldn’t reach. Kafka merely hummed at the loss, leaning back onto Silver Wolf’s messy bed.

“You know, you should really clean up around here,” she commented. “They nearly killed themselves tripping over a stack of DVDs.”

“Agreed, although I wouldn’t mention that last part,” you said, picking up another one of Silver Wolf’s consoles. This one had a fighting game on it. Silver Wolf rolled her eyes as you quickly busied yourself with fighting the boss she had left off on.

“If you don’t want to get hurt, then don’t come in,” she said, plopping down on the bed next to you. Kafka smiled.

“Sure, but where’s the fun in that?” she asked, watching you tap away at the screen. “It was just a suggestion, no need to get all worked up.”

“I’m not, but okay.” Silver Wolf hissed as your character took damage. “If you get my character killed-”

“I won’t,” you retorted, swiftly defeating the boss. You tossed Silver Wolf the console. “See?”

“You’re half dead,” Silver Wolf deadpanned.

“Doesn't matter. I still won.”

Your group chat is an absolute mess, with no one understanding Silver Wolf's slang or dialect. Blade's outdated brain short-circuited the first time he touched a phone, while Kafka just silently accepted her fate. You often have to translate because Silver Wolf sure wasn't going to.

Gambling Addict: Ykw blade

Gambling Addict: This is why u pull no bitches

Gambling Addict: Bc if [name] didnt yassify u 

Gambling Addict: U would have zero rizz

Gambling Addict: Negative rizz actually

You: I see no lie here

Gambling Addict: So stfu about my social life at least i can pull bitches

DONT PICK UP: [Name], translate

Gambling Addict: [Name] i have ur closet at gunpoint 

You: She means Blade can't attract maidens bc he has as much charisma as a blobfish

You: Also stfu silver I know you can't shoot for shit

Gambling Addict: [NAME]

Gambling Addict: Actually no, ur right

DONT PICK UP: Oh, I see

You: I'm always right 💅✨

DONT PICK UP: That does sound like Bladie

Gambling Addict: Listen

Gambling Addict: All i know is that blades been real quiet since i said that

Blade: Silver Wolf.

Gambling Addict: And so he speaks!

Blade: Count your days.

You like to fuck with the others by pretending to be them. Blade nearly murdered you because one time you got bored, and decided that slandering his nonexistent image would be ample entertainment.

In minutes, you turned yourself into Blade's lookalike, and spent the afternoon prancing around in a maid dress because what else were you going to use it for? Unfortunately, that also put you as a target for Blade's wrath. Fortunately, you have a lot of experience escaping people you pissed off.

Silver Wolf still has the pictures. Kafka laughed her ass off until you did the exact same thing to her. And that's when she started shooting.

"I can't believe you did this," you sniffed dramatically, fake tears falling from your face. In your hands was what used to be your pride and joy, the beautiful maid dress that you'd spent millions on (lie).

What used to be a gorgeous garment with frills and lace, was now in tatters from Kafka's bullets and Blade's sword. The two aforementioned culprits weren't the slightest bit guilty as they watched you lament over your clothes.

"You should've thought of that before you started walking around like that," Kafka blew at her smoking gun. Blade nodded firmly in agreement, holding his sword close to his chest.

"It was cute!" you huffed, shaking your head. You weren't actually mad at them. You could always buy another dress to mess with them. Besides, you already got what you wanted.

Your gaze met with Silver Wolf's, who grinned back, holding her phone in between her fingers.

None of the Stellaron Hunters know basic first aid, and that includes you. Most of you just slap on a few bandages, some weird smelling ointment, and call it a day. Silver Wolf doesn't even do that, she just downs three bowls of rice and walks off the broken arm like a Sunday hangover.

But one day, just as your luck would have it, you came back to base with an injury that you couldn't just bandage away. No one knew what to do, and you were bleeding out fast. So what did this hardened group of criminals do?

They googled it. They fucking googled it.

Silver Wolf deadass just searched up how to fix you while you were bleeding out next to her. Kafka, to her credit, did hold your hand to try and comfort you (albeit mockingly), and Blade just stood back and watched. If Elio foresaw a way to help you, well, he didn't say anything.

But it all turned out all right in the end. Eventually, Silver Wolf gave up and simply shoved a bowl of her fried rice in front of you. You still don't know how or why, but it somehow worked. It shouldn't have, but it did.

The scene in front of you reminded you of a bunch of school children watching a chemistry experiment for the first time. The Stellaron Hunters crowded around you, eyes trained onto your closing wound with unnerving fascination. Even Blade, who rarely had any emotion at all, was watching you with the faintest glimmer of awe.

"What the hell did you put in that thing?" you turned in disbelief to Silver Wolf, the only unphased person in the room. The hacker was already somewhere else, her thumbs tapping rapidly as she played another one of her rhythm games.

"Trash."

"WHAT." You almost throttled her before she quickly teleported a safe distance away, clutching her phone to her chest.

"Kidding, kidding, no need to get all worked up!" She sighed, clearing a level without looking.

"Just some solid water and protein rice, that's all."

"You mean ice?" You swatted at Kafka, who was poking at where your wound used to be.

"No."

Safe to say, the Stellaron Hunters are an... interesting bunch, to put it lightly. They're all assholes, including you, and seem to thrive over inconveniencing each other. The only time you all can somewhat work together is when you're acting out one of Elio's scripts.

But you'd be lying if you said you hated working at this job. You live for the thrill of things, and being a Hunter was the most fun you've had in a long, long time, even if your coworkers occasionally annoyed you to death.

None of you would ever say it aloud, but you wouldn't trade each other for anything in the world.

[rin-and-jade]

Is This (Truly) My Reflection..? : A Post on Imposter Syndrome [Master Guide]

" Did well on a test? Must be luck. They think im smart? Man, i must've tricked them because im not. My condition is bad? Well it could be even worser than this. Im struggling? Must be a minor thing, plus everyone struggles worser right..? "

If these words hits close to home, take a moment to look in the mirror. What do you notice? Maybe you fear lots of things, having horrible self-esteem, or being a perfectionist and overthinking everything?

Fear not! They're just blotches obscuring your true reflection, let's finally clean your mirror, shall we? So let's get on with the post;

How did go dusty?

Materialistically speaking, we all know that objects also need regular maintenance to keep it's best quality and lifetime,, mirrors are one of them, especially glasses because magical smudges spawns in once in a while, pretty annoying to see with when things are not clear isn't it?

I think the imposter image also clouds you the same way, it doesn't change the facts, but it does change the way you perceive them.

But, how did they spawn in your vision? It doesn't just pop out, maybe we didn't see it coming when it's small, dust and smears are more visible when they cluster together. What this means is how criticism, out-of-reach demands, and unrealistic expectations you hear most often gets accumulated, slowly obscuring you. Make sense right?

Since the things you hear the most echoes through your chamber harder than the less frequent ones, and that nobody hear's the same thing/words automatically means there are different forms of this syndrome's manifestation, i'll list them down: (bare in mind this is read in a pov of talking to oneself)

Perfectionist - "It all has to be right" You must do it perfect, everything must go smooth, if it doesn't go like how you planned you could've done better in many ways because why can't you see it coming before? That's impossible and unforgivable, there's no toleration for mistakes. Makes you look like you're not as good enough as others.

Expert - "Until then, i may be competent" There's a lot to master or learn, only then you can call yourself worthy of a title. Because the greatest ones must know everything, they don't have any weaknesses--since that's what an expert is! What are you, who learnt most things it has to give, but still missing a lot of little gaps? Once it is all flawless and understood you can call yourself that.

Natural Genius - "I am great, as long i can wing it" Everything must be an easy feat, you must be able to do things right on first try, if not, you might be no other than an average person. Geniuses are fast learning--and they can do everything right where people least expect it. Only then you can truly be smart or intelligent, wrong deductions are associated with less bright people! So if you just make one mistake out of anything, You are just the same as them, you don't have such talent!!

Lone wolf - "It's not real effort if it's intervened" A status or level means nothing if someone helps you, because thats cheating! You should start from scratch like everyone else, asking for help will equate to not being competent or worthy. You will never be able to asses your competence or abilities if it was assisted by someone else, you need to prove being worthy by doing it all yourself!

Hardest Worker - "I should perform as the best" Only if you work the most, the hardest, diligently and with no rest, is only when you can settle down and claim your achievements. What are you if you are not as special? You are nothing but a fraud if you're not the hardest working person ever, you also don't deserve to take a break until you reach to a higher level than others! You are nothing if you are not productive, or didn't achieve any amazing outcome.

Each types has its own fixations and areas where self-doubt comes around, you might even be a mix of these 5 (pick the dominant one if can), the manifestations are endless. Note that the main theme it all has are fear of being fake/inadequate and, or causing extreme doubt, one way or another.

If you need more assurance, i have prepared links for two short quizzes to figure out if you are showing signs of the imposter syndrome! They're already tested by me, so give these two a try.

How should i clean it??

Good question, but before that, i want to mention that this inner critic is a common automatic second voice where it's created in a place of potential abuse or mistreatment for many kinds of victims. Just like how you wipe your stuffs clean can go dirty in a few days despite leaving it be, this is the same. But the more you take care of your glass, the harder the specks will stick on it. That's our goal right there: Make the critics bother you less and more weak the more we deflect them.

Now to the main point, its a tough one here, because depending on what type you have, has it's own root of cause that needs to be tackled accordingly. This post is how to specifically tackle the sense of fraud in being a system, but you can apply this to any other general things the syndrome is causing you problems at.

--

Dear Perfectionist, here's how you can clean your mirror:

Understand that CDDs have no 'right' way of how it'll present the symptoms to you. Like, for someone to have a cold who have a sore throat for the early onset, while you're having runny nose,, does not mean you are the odd one out for not being the same as other's manifestation.

Nothing is constant, or the same, in frequency or intensity. You don't have to suffer 24/7 to finally accept you have a CDD or anything else. Just like for those with chronic pain, who doesn't experience pain for a day, does not mean they are cured of, or not having it. One minute of feeling okay still can happen to those with illnesses.

Perfectionism seeks outward assurance to fit whatever it finds 'right' or it's prime example as reference, which is the opposite of what you truly need: Acceptance. Comparison can be helpful, but oftentimes it causes counterproductive results. Your experiences are already real and it uniquely belongs to you, no amount of external validation will fill you, accept as how you are.

--

Dear Expert, here's how you can clean your mirror:

Having CDD means having a very covert disorder, it is not that you're a fraud for not knowing, or have proof of what caused you to be one, or know every parts and places in the innerworld, or need a perfect book filled with documentation on anything you can find. You do not need to 'master' or understand how your disorder truly works in order to feel like you have it--because guess what, you do have despite it, buddy.

You cannot rush things! Take things slow and steady, a microwaved meal may not taste good but it sure gets served in a mere minute, but gourmet are made from long and tedious work that trusts the process instead of the final result. Many systems rush to develop a better communication without fully learning what type of communication they have, like communicating with vibes instead of the stereotypical type for example.

Nobody ever figure things out by a 100%, so ease back and embrace uncertainty and the unknown. If the greatest researchers still can't make sense of how our galaxy works, then you should not be guilty or feel incompetent for not being able to figure it out, we are not perfect ofcourse, there are limitations to what we can know of our CDD.

--

Dear Natural Genius, here's how you can clean your mirror:

Having a disorder does not mean you immediately know what it does, will do, or how it'll turn out. Never feel bad about learning from scratch, you also don't have to get things right first try because it might be a new topic you're unfamiliar with. If you once think you have DID, but turns out to be Polyfragmented the longer you learn and research, it is a very natural thing to experience as CDD's have many similarities between each other.

You can't keep relying on being unprepared, but expect to do it perfect. It is not a negative thing to always recap, or learn it again, and whenever you do get things wrong, it is a valuable information to learn from, it's not your enemy. The lightbulb isn't invented at first try, but after hundreds and thousands of tries, and the worth still never gets devalued.

--

Dear Lone Wolf, here's how you can clean your mirror:

It is never cheating to ask for help, or get insight from another person. It never means you are not competent if you need some external help, rather like how you cannot see crumbs in your face until someone points it out. One can do an okay amount of progress, but if with many, it can progress even better and faster.

You must dismantle whatever makes you think of this way, things like hyper-independence are caused by a deeper root, you must delve and explore why are you only deemed worth, or feel okay, if you do everything yourself. We grow better when we surround ourselves with many other things.

--

Dear Hardest Worker, here's how you can clean your mirror:

healing is a journey, i understand that you want to get over with the whole CDD's symptoms and it's problems and start getting into final fusion/functional system, that the fluctuation with everyday's progress may frustrate you, but everyday doesn't have to be succeeding something or have an eureka, progress is never linear. You will still get there one day, don't fret on it too much okay?

Worries may not leave you alone fully, and just so you know, your worth or validation isn't tied with productivity. Whatever guilt or doubt you have that is causing this, i hope you can incorporate more self-compassion. For the alter with role jobs, you all deserve to have a break and have fun outside of those jobs, and rely with other parts for help. You're doing enough.

Why does it happen? Where's the takeaway?

Well, imposter syndrome relies on many biases/distortions and possible fallacies, i'll tell you some in hopes of helping you get out of its grip better than your previous attempts after learning the awful trick of theirs:

Confirmation bias: When you take a part of a fact to confirm your current image of you have, whilst downplaying contradicting and or disregarding other pov to maintain it.

Mental filter: Fixated on the negative aspects or flaws while missing out on the bigger picture or contextual information it has. Leading to false judgement of one's situation/ability.

Overgeneralization: Where a person assumes an experience from one event will apply to another different event. Or base an answer from a limited evidence or current failures. For example, interpreting a single mistake or setback as evidence that they are incompetent or unworthy, despite having a track record of success in other areas.

False consensus bias: Believing that others share the same negative opinions or doubts about oneself, even when there is little evidence to support this assumption. For example, one may believe that everyone in their workplace or academic environment is highly competent and confident, leading them to feel even more out of place and undeserving.

Fundamental attribution error: Where one underemphasize situational and environmental factors for the behavior of itself/someone else while overemphasizing dispositional or personality factors. For example, people who cut lines in traffic is a jerk, but if you cut traffic it's because there's something important. The pure opposite can be true in this specific example: Sarah receives praise from her supervisor for completing a project ahead of schedule and with excellent quality. However, instead of attributing her success to hard work, skills, and knowledge, she discounts the positive feedback by attributing the outcome to external factors. Saying "I just got lucky this time," or "My team members helped me a lot, so it wasn't all my effort." instead.

--

So there a hecking ton of information i put here.. But these things are very important to learn about, because the imposter syndrome is a multifaceted problem that has to be addressed in more than one angle.

I hope, everything that is written from start to end, can be used as your chemical cleaner, wiping cloth, along with your handy guide on how to take care of your mirror professionally,

Happy cleaning everyone!

- j

[halfetirosie]

🌲 Important info from the [Greenwood Miracle] PV! 🌲 (Reaction post)

1) *Squints at the Text-For-Ants*

*Pulls out my copy of the Klein Alphabet*

(≖_≖) .....?

Okay, I know I'm no Klein-Alphabet-Expert, but am I the only one that can't make sense of this sign???

Dafuq does it say???? My best guess is "Zadtr"?????

2) Awwwww!!! (˶˃ ᵕ ˂˶)

Idk if that's a Topper-plushie, a Topper-hat, or even a Topper-pencil case, but I NEED IT!!!! 🔥🔥🔥🔥🔥

3) *Squints with newfound determination, now with the added challenge of wolfboy-penmanship*

... "Idpit Garu"???

....Was Karu trying to write "idiot Garu" and failed????? (If that's correct and I'm not just being shit at reading Klein script, then that's hilarious!!!🤣🤣🤣)

And of course, the drawing and the little Garu plushie are cute as hell!!! I absolutely adore it when G/Karu's art gets cameos in the background! It adds so much charm and character!

(Side note: If they sold this plushie as official merch---and other plushie themed around past events---I think they would sell really well!!! They should totally do that!!!)

4) Finally, a little animation of Topper actively hiding snacks in Quincy's hair!!! 🤣❤️❤️❤️❤️❤️❤️

---Also, because I have a reputation to uphold and I must always comment on it---YES, I am quite happy to see Quincy with long hair. 😇😈

(Honestly, I wish the Devs had made it even longer; but hey, this is a step in the right direction!!!)

5) All ya'll are out here losing your minds over the glove thing---which is perfectly valid, don't get me wrong---BUT THAT TIGHT TURTLENECK + VEST COMBO THO!!!!!

AND THE ADDED UNNECESSARY GARTER ON HIS THIGH!!!!!

🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥

*Casually wipes away drool*

6) IS THAT A HOODIE I SEE?!!!

HELL YEAH!!!!!!! 🎉🎉🎉🎉🎉🎉

I know this is a sorta odd thing to get excited about, but I'm pretty sure they haven't given Eiden a stylish hood since the Rainy Season event, and it looks great on him!!!

7) THAT WINK IS TOO OVERPOWERED, WHAT THE HELL?!!! ♡♡♡♡♡

IT MAKES ME WANT TO PINCH HIS LIL' CHEEKS SO BADLY!!!!!

8) (⸝⸝o̴̶̷᷄ o o̴̶̷̥᷅⸝⸝)

Eiden is getting so many outfit WINS!!! We love to see it!!!

(I'm assuming that that is a wolf-ear hat and not just a beanie at a weird angle, which means Eiden either was given the hat OR he playfully stole it, which is absolutely adorable!!!! ⸜(｡˃ �� ˂ )⸝♡)

[esther-dot]

Do you think Jon and Sansa will meet again at Castle Black, and from there, they will plan to take Winterfell? Or will Sansa take Winterfell on her own and reunite with Jon along the way? I’m of the idea of two lost souls who, when united, find the strength in each other to take the land of their family. But I don’t know, I haven’t finished the books yet so I need guidance on this.

I don’t consider myself an ASOIAF expert, anon so I don't offer guidance, but I will def share my thoughts with you!

In order to talk about this, I'm afraid there are some ADWD spoilers, though. If you mind that, maybe revisit this post after you've read it? Short version, I agree with you. Sansa should be involved in retaking Winterfell because we need a Stark there:

Battles had been fought at Winterfell before, but never one without a Stark on one side or the other. (ADWD, Jon VII)

but I think the reunion happens first because of the The Girl in Grey theory. I'll explain more below the cut due to the major Jon spoiler.

In ADWD, a character named Melisandre tells Jon about a vision she has:

She stood beneath the scorched stones of the Lord Commander's Tower, cloaked in darkness and in memory. The light of the moon was in her hair, her red hair kissed by fire. When he saw that, Jon's heart leapt into his mouth. "Ygritte," he said. "Lord Snow." The voice was Melisandre's. Surprise made him recoil from her. "Lady Melisandre." He took a step backwards. "I mistook you for someone else." At night all robes are grey. Yet suddenly hers were red. He did not understand how he could have taken her for Ygritte. She was taller, thinner, older, though the moonlight washed years from her face. Mist rose from her nostrils, and from pale hands naked to the night. "You will freeze your fingers off," Jon warned. "If that is the will of R'hllor. Night's powers cannot touch one whose heart is bathed in god's holy fire." "You heart does not concern me. Just your hands."

"The heart is all that matters. Do not despair, Lord Snow. Despair is a weapon of the enemy, whose name may not be spoken. Your sister is not lost to you." "I have no sister." The words were knives. What do you know of my heart, priestess? What do you know of my sister? Melisandre seemed amused. "What is her name, this little sister that you do not have?" "Arya." His voice was hoarse. "My half-sister, truly …" "… for you are bastard born. I had not forgotten. I have seen your sister in my fires, fleeing from this marriage they have made for her. Coming here, to you. A girl in grey on a dying horse, I have seen it plain as day. It has not happened yet, but it will." She gazed at Ghost. "May I touch your … wolf?" The thought made Jon uneasy. "Best not." "He will not harm me. You call him Ghost, yes?" "Yes, but …" "Ghost." Melisandre made the word a song. The direwolf padded toward her. Wary, he stalked about her in a circle, sniffing. When she held out her hand he smelled that too, then shoved his nose against her fingers. Jon let out a white breath. "He is not always so …" "… warm? Warmth calls to warmth, Jon Snow." Her eyes were two red stars, shining in the dark. At her throat, her ruby gleamed, a third eye glowing brighter than the others. Jon had seen Ghost's eyes blazing red the same way, when they caught the light just right. "Ghost," he called. "To me." The direwolf looked at him as if he were a stranger. Jon frowned in disbelief. "That's … queer." "You think so?" She knelt and scratched Ghost behind his ear. "Your Wall is a queer place, but there is power here, if you will use it. Power in you, and in this beast. You resist it, and that is your mistake. Embrace it. Use it." I am not a wolf, he thought. "And how would I do that?" "I can show you." Melisandre draped one slender arm over Ghost, and the direwolf licked her face. "The Lord of Light in his wisdom made us male and female, two parts of a greater whole. In our joining there is power. Power to make life. Power to make light. Power to cast shadows." "Shadows." The world seemed darker when he said it. "Every man who walks the earth casts a shadow on the world. Some are thin and weak, others long and dark. You should look behind you, Lord Snow. The moon has kissed you and etched your shadow upon the ice twenty feet tall." Jon glanced over his shoulder. The shadow was there, just as she had said, etched in moonlight against the Wall. A girl in grey on a dying horse, he thought. Coming here, to you. Arya. He turned back to the red priestess. Jon could feel her warmth. She has power. The thought came unbidden, seizing him with iron teeth, but this was not a woman he cared to be indebted to, not even for his little sister. "Dalla told me something once. Val's sister, Mance Rayder's wife. She said that sorcery was a sword without a hilt. There is no safe way to grasp it." "A wise woman." Melisandre rose, her red robes stirring in the wind. "A sword without a hilt is still a sword, though, and a sword is a fine thing to have when foes are all about. Hear me now, Jon Snow. Nine crows flew into the white wood to find your foes for you. Three of them are dead. They have not died yet, but their death is out there waiting for them, and they ride to meet it. You sent them forth to be your eyes in the darkness, but they will be eyeless when they return to you. I have seen their pale dead faces in my flames. Empty sockets, weeping blood." She pushed her red hair back, and her red eyes shone. "You do not believe me. You will. The cost of that belief will be three lives. A small price to pay for wisdom, some might say … but not one you had to pay. Remember that when you behold the blind and ravaged faces of your dead. And come that day, take my hand." The mist rose from her pale flesh, and for a moment it seemed as if pale, sorcerous flames were playing about her fingers. "Take my hand," she said again, "and let me save your sister." (ADWD, Jon VI)

The vision keeps coming up and dictates some of Jon's decisions. Jeyne Poole (Sansa's friend) was forced to marry Ramsay in the guise of being Arya, she escapes, and people expect her to reunite with Jon and be the girl in grey (escaping a marriage, she was pretending to be his sister). Others point to Alys Karstark who runs to Jon to escape a marriage. The problem is, Mel doesn't know who it is, she only knows sister. People pick Jeyne because of the Arya connection, but neither she nor Alys are Jon's sister. And Jon has another sister, Sansa.

I would argue the reason that the girl in grey is Sansa (ie Sansa will flee North to escape LF's plots and reunite with Jon before Winterfell is taken/she is in a position of power), is if you read Jon's passage about the girl in grey, Jon being dead is written all over it. His white breath, the reference to him as a stranger, Jon telling himself he isn't a wolf...you see, here is the major spoiler...

Jon is assassinated at the end of TWOW.

Now, he may not actually be dead-dead, some of us have said he might be in a coma like Bran, but a) we believe he warged into Ghost (I am not a wolf--he will need to come back to himself, not lose himself in Ghost), b) the stranger = Jon is dead, c) the white breath = his body being cold cuz he's dead etc. The other side of this is, the way Jon sees Mel and remembers a different redhead can be viewed as foreshadowing for recently undead Jon seeing a redhead and mistaking her for Ygritte. The description of Mel's words like a song made people think of Sansa (it's been speculated Sansa's singing will help Jon remember things post rez/help him return to himself), and Ghost's strangely positive reaction to Mel may foreshadow how he reacts to Sansa as a familiar person. So, when I read that passage, it sounded to me like Sansa and Jon will be reuniting shortly after his rez, or even perhaps before his rez, so yes, I imagine that happens at the Wall.

Way back in 2013, a famous Jonsa essay predicted that Jon and Sansa would be reunited first of all the Starks, and then in 2016 that happened on the show which spurred a lot more discussion in the Jonsa fandom about Sansa being the girl in grey in the books as well.

I'll link some additional posts with various thoughts on how it might go.

Jon as the Stranger, Sansa as a silent sister. Pertinent quotes:

Then one morning she spied three women in the cowled grey robes of the silent sisters loading a corpse into their wagon. (ACOK, Arya VII) The women in grey bowed their heads. The silent sisters do not speak to the living, Catelyn remembered dully, but some say they can talk to the dead. (ACOK, Catelyn V) Grey was the color of the silent sisters, the handmaidens of the Stranger. (AFFC, Brienne VIII) When we find the Imp, we will find the Lady Sansa too. She is not dead . . . but before I am done with her, I promise you, she will be singing to the Stranger, begging for his kiss." (AFFC, Cersei IV)

@loveroflemons wrote a post in 2017 talking about Mel's prophecy and the map of the North to explain why Sansa is the Girl in Grey here. @une-nuit-pour-se-souvenir has a post explaining that Sansa is Ned's narrative heir and her path North will follow his here, and some general ideas for her TWOW story here.

@istumpysk talks about The Girl in Grey foreshadowing here. @aegor-bamfsteel tried to give us a time table here, @redteabaron has talked about the possibility that Sansa will be hunted by Ramsay for some Red Riding Hood parallels here, That and Sansa meeting Ghost while Jon is still out of it is discussed here as well. And this post talks about Jon saving Sansa from Ramsay while warged into Ghost using some king’s prize/thief quotes. I also found a Tolkien poem (Martin is a massive fan) that has Girl in Grey vibes here (not proof, just fun).

Anyway, it's a very popular Jonsa theory, for many of us, a given at this point. For a different ask i scrolled some BNF blogs and they mocked it a lot, called us delusional because they can point to the other girls as fulfilling the prophecy, but to me, that prophecy takes up too much space for it to disappear without a real payoff. It makes sense to me that Martin would use that vision to prep us for Sansa arriving in the North.

Let me know what you think after you read ADWD!

[sleepingdeath-light]

cursed s/o hcs ; hunter

requested by ; 🌸🍄 anon (27/04/23)

fandom(s) ; the owl house

fandom masterlist(s) ; main | hunter only

character(s) ; hunter wittebane

outline ; “Hello There! So I've been flicking though the vast world of toh fanfiction and I haven't really seen any fanfics with a cursed reader in them sooo could you do Hunter with a Cursed S/o. Maybe they try to hide their curse from him but it just progressively gets more severe and harder to manage.

(Lol bonus points if the readers cursed form is a wolf.)

- 🌸🍄”

warning(s) ; some angst, but mostly fluff!

note ; i am no longer accepting requests for this character.

now hunter is no stranger to curses or the effects that they may have on the inflicted — he spent the better part of his young life tending to the festering wounds caused by belos’ curse and has come to know both eda and the owl beast rather well over the time he’s spent living under her roof — but he’s far from an expert and isn’t quite able to tell at a glance that someone is cursed

in your case, despite being your partner for longer than either of you can be bothered to measure, he just perceived the quirks and harms of your affliction as just another part of your being and never questioned them — and you made damned sure he never had a reason to

you stocked up on your potions when he was away and hid them in the lesser visited crevices of your shared home, passing off any he found as just being medication to help you cope with the aches and pains of your ‘condition’ as you’d come to call it

you spouted endless excuses to keep him away when you were at your worst so you could ride out your transformations in peace — far from your beloved and free from the worry of causing him harm when you weren’t completely yourself

when you were the beast, the creature, the wolf

but it seemed like, as the years went by, all of your efforts would be for naught: your pains worsened, your episodes became more and more frequent, you started losing parts of your day to the creature, and you could feel your control slipping

it would only be a matter of when hunter found out your little secret — when, not if (as you’d spent so many years hoping)

so you weren’t as surprised as you perhaps should have been when one day you came out of an especially rough transformation to the feeling of large, work-worn hands on your cheeks and those loving ruby eyes staring down at you

he’d seen it

he’d seen you

and now you could only brace yourself to deal with what would come — the confrontation, the judgement, the loss, and all of the other negative things that had followed similar such incidents in your past

but none of that came — he was just concerned for your well-being and upset that you thought he’d treat you like that

he helps you to your feet and has you sit down in the bathroom as he cleans your wounds, giving you the space to talk him through your condition, your perspective, and your past — only speaking up occasionally to let you know he was paying attention to what you’re saying

and when you’re done he gives you a reassuring smile, points to the scars on his face and jokes about having seen and lived through ‘much worse’ — that he’s survived too many injuries and monsters for your curse to scare him away from you

then he hugs you close, asks how he can help and mentions setting up a meeting with eda so you can try and figure out how to live with your curse if there isn’t a cure available

(and, just to make you laugh, he throws in an awkward chuckle and a joke about how much he loves wolves so his partner turning into one isn’t going to push him away)

[leonstoenailunderhisbed]

RE Villains and my psychological opinion (+mini history lesson hehe.)

I really like the way CAPCOM writes their villains. Everyone talks about the main protagonist(s) such as Chris, Leon, Jill, Claire, etc. I think we should definitely give some credit to the evil guys of the franchise. I have my own two favorite villains, Lord Saddler (RE4/RE4R), and Svetlana (Damnation). I wish I could write about ALL the characters but that would almost be a book's length.

(I am no expert in psychology, i barely survived my spring semester lol. I am not licensed and i most certainly am not a doctor. The history part is true, but the psychology is just me being hyper fixated on the minor details. Once again, take this lightly. Also, i have my psych final soon and I'm so ready to kick ass.)

There's just something so alluring to me about the obsession with one being known as a God or God's messenger. Lord Saddler really got me thinking about how easy it is for a narcissist to make a cult about, essentially, themselves. Everyone knows the story about Narcissus, the mythological Greek God, and how he fell in love with his own reflection and basically starved himself to death. Hence why the term narcissism derived from the myth of Narcissus. Narcissism goes deeper than just one being self-centered. A narcissist is much more evil- they lack empathy and exploit others for their own goals/achievements. I would like to believe that Lord Saddler definitely has a narcissistic disorder because he took it upon himself to become, and as I like to call it, The God of Plaga. I mean, the dude literally created his own "bible" and his own insignia. He, like James in RE0, believe that they can conquer the world using the parasite. But the psychology behind it, or least in my humble knowledge, is really just a narcissist playing God. Saddler's psychological disorder is being projected onto religion, maybe in a response to a traumatic event. Freudian theory states that projection is a psychological defense mechanism where an individual projects unwanted thoughts, feelings, and motives on another person/group. I'd like to think that Saddler is a narcissist that projects his own motives as defense mechanism using religious methods.

I'm no expert on modern religion but I do like to think myself as someone well versed in BCE and CE religion. As i played through the game, I couldn't help but notice some similarities between Saddler and his cult and some ancient religious beliefs. Ancient civilizations often believed that their God's power was absolute, thus making religion an important part of their culture. The village in which the game takes place obviously contains a small church and then a castle- followed by the peasant village in the beginning of the game. We know that this is a remote location in Spain and since Spain was known as Hispania during the Roman Empire, it would be safe to say that maybe MAYBE CAPCOM was inspired by the history of the country that had followed all the way to CE. I'd like to believe that Saddler was probably inspired by the ruling of the Roman Empire after Emperor Theodosius (who declared Christianity as the state religion of the empire.) Saddler, much like Theodosius, created his own religion but it was considered a minority. Once Saddler had recruited more people, his "empire" expanded, much like Christianity all across Europe in CE. His plan was obviously to expand his domain and control the world with Las Plagas. Of course, this is just my own theories and observations.

I really loved Svetlana's character as a villain. She's cunning, diplomatic, and very goal oriented. It fascinated me the way she handled situations, as if she already knew everything from the start (except the temporary unification of Russia and the US). We know she used to be a combat instructor, or still is maybe. To me, she's the definition of a wolf in a sheep's disguise. Which again brings to my point on my analysis on Saddler- a narcissistic will do anything to make sure they accomplish their goals, regardless of whose lives are at risk. Svetlana, unlike Saddler, has international support and can manipulate ambassadors to be in her favor. She already has control over her republic as president, she only needs a little more help from her international supporters. This is not only a trait from a businessperson but also someone who is very smart and probably knows how to use people at their expense. But that's every politician, in my opinion. Greed and money are basically what sugar is to kids for politicians and government officials. The way she smirked and basically declared her victory when she was talking to Buddy through the barrier was literally so evil of her part, but it made sense. At the end of the day, I'd like to think that she really just had this urge of not messing up the country since she probably faced a lot of pressure from being the first female president of the country.

Svetlana is very smart. She resigned of her position right after the civil war ended because she knew the consequences of basically breeding Nemesis’s cousins (LOL) A narcissist is never dumb and if they are then they aren’t narcissists. Narcissists are extremely smart and extremely manipulative with no sense of guilt.

I would like to talk more about James and then deeper in Resident Evil Village bc that game is literally so well written I’m like 😍🫶🏼

[mayhem-neverending]

The Big Bad Wolf

Summary: Obito survives the fourth shinobi war, and with Kakashi's help, is sent to live in the forest surrounding Konoha. He's a prisoner in his home, the property warded so that no one can enter or exit without the Hokage's explicit permission.

After two years, Kakashi can't ignore the fact that his old friend is wasting away in his home. Thankfully, though, he finds someone (reluctantly) willing to help bring him back to health.

Also, I know that his hair turns white, but I'm keeping it black here. Annnd there are cell phones in this au. I'm pretty sure those are the only major changes I'm making.

Obito Uchiha x Fem!Reader

Warnings: single mother reader, slowburn, angst, canon violence, depression, Uchiha bullshittery, mentions of abuse, alcohol usage, sexual themes

Part I

Word count: 1266

Note: New WIP because my brain can't focus. This is incredibly self-indulgent, because I am a slut for Obito. I will be back on my other WIP soon, I promise. This came to me after I read a fic on AO3, although I can't remember the name.

The Hokage’s tower was intimidating. It was your first time stepping foot anywhere near it in years, and you wondered if it had somehow risen in height. You adjusted your button up and slacks, took a deep breath, and stepped inside.

You navigated the busy hallways swiftly, muscle memory kicking in when your brain wanted to give up. You found yourself in front of the door to the Hokage’s office in a flash, and knocked before you could psych yourself out.

“Come in,”

You opened the door and stepped through, eyes wandering around the room. It looked much the same as it had a few years ago and the familiarity eased some of your nerves. The man in front of you wasn’t necessarily an unfamiliar face, either, and his smile further calmed you.

“Y/n L/n, it’s been quite some time since I’ve seen you,”

You smiled politely at him from your spot near the door. “It has,”

He gestured you forward. “Come, sit,”

You settled yourself down in the chair across from him, and he folded his hands on the desk.

“Thank you for coming in today,”

“Thank you for having me, Lord Sixth,”

“Call me Kakashi,” He waved his hand.

You just managed to keep your disapproving look from fully forming on your face. “Yes, sir,”

He rolled his eyes playfully. It made you shift a bit uncomfortably. You had never been close to the man, and when you had known him, he had been much more serious. He seemed to sense your discomfort, and switched back to a more professional tone.

“So, you’re here for the personal assistant position, correct?”

You nodded.

“Before we continue, I would like to make you aware that this position is not as an assistant to me,”

You frowned, confused. Who would be so important that the Hokage himself would interview for them? Surely he was incredibly busy. It was clearly evident that the aftermath of the war was still weighing heavily on Konoha’s government, even two years later.

He continued, “A close friend of mine has been struggling, and I believe hiring him some help is the least I can do,”

You nodded, curiosity replacing the nerves that had lingered. He drummed his fingers on the desk, eyes cast aside in contemplation. After a moment of silence, he started again, “I suppose I should re-title the position,” His eyes slid to yours. “It’s more of a caretaker job,”

Now you were really confused. “What exactly would I be doing?”

“Cooking, housework, grocery shopping, etc,”

Your lips quirked up and you nodded. You would call yourself an expert in those things after the last two years you had had. “And what would the hours look like?”

“Monday through Friday, starting at 8:30am and ending when you finish your tasks. The position is salary,”

He was ticking off each of your boxes the more he spoke. But, after struggling to find a job that fit all your needs for the past six months, you were quick to hold back your excitement. You were tired of being disappointed when you either didn’t get it, or something just wouldn’t work.

“That sounds like a good deal to me,”

His eyes crinkled into his little half-moon smile. “I’m glad to hear it. I have to ask, what brings you here today?”

“My current job just isn’t a good fit, and I want something that feels more rewarding - like I’m making a difference… I wouldn’t be upset about a pay raise, either.” You half-shrugged.

Kakashi chuckled. “I hear you. What do you think qualifies you for this position? I know it’s a bit different than what I advertised, so don’t worry about taking a second to answer,”

You shook your head, a little smile on your lips. “I’m more qualified for this type of work than what you advertised, so I can answer easily.”

You straightened up in the chair. “Before the last six months, I was a stay at home mom. I handled every piece of housework, managed our finances, did the shopping for the three of us, and took care of my son. It’s almost second nature to me to manage a household now,”

Kakashi nodded. “I was wondering about the gap in your resume,”

You quirked a brow. “Are you telling me you didn’t do a thorough background check before bringing me in here?”

He smiled widely, a sparkle in his eye. “Now there’s the little chunin I remember,”

You smiled bashfully, tucking a strand of hair behind your ear.

“No, I have extensive investigations performed for each person before they enter this office for an interview. I like to see who is honest with me when I ask questions, though,”

You ignored the urge to roll your eyes. “Well, based on mine, how much of a chance do you think I have to get this job?”

He hummed. “Pretty high, I’d say,”

You perked up.

He tapped a tinger to his chin. “Actually, since you caught me, I think it’s only fair to offer it to you, if you want it,”

You blinked in surprise. “Really?”

He nodded, his face sobering quite suddenly. “Although I can’t divulge why at the moment, you are my first choice out of all of the applicants.”

You looked at him in bewilderment, but held your questions in. His eyes flickered around the room. He scratched the back of his head, and brought the smile back to his face.

“Starting pay is seventy-five thousand a year, would that be sufficient?”

It took you a moment to respond. Your head was spinning with the possibilities that would open up to you with that kind of money. The foremost thought in your mind, though, was: I won’t have to struggle anymore.

You finally managed a nod. “More than,”

“Perfect, how soon can you start?”

“Uhh, Monday, probably,”

He started to say something else, but you accidentally interrupted him with your next question. “Who am I supposed to be taking care of?”

Kakashi met your gaze with intensity. He searched your eyes for a long moment, and you tried so very hard not to shrink into yourself. After an eternity, he let loose a heavy sigh. His reaction was making your nerves rise back up at full force.

“Your.. ward, for lack of a better term, is.. Obito Uchiha,”

Your jaw dropped and you stopped breathing, your mind going completely blank. When your thoughts finally filtered in again, your first coherent thought was: So that’s the catch?

Why would you be his first choice for a war criminal’s babysitter? Kami, what would your family say if they found out just who you were working with? Despite your negative internal dialogue, you couldn’t help but think about the money. It would do you so much good, even if you only worked the job for a year or two.

You scrubbed a hand over your face in a jerky movement. It wasn’t much of a debate. You would benefit far more by taking the job than denying it. A sudden thought popped up - something that you should have thought of right off the bat.

“What if he tries to hurt me?”

Kakashi frowned, but his eyes were understanding. “He won’t. I wouldn’t have created the position if I thought he would try something.”

You nodded slowly. It tracked. He didn’t fight at the frontlines during the Fourth Shinobu War to put his people in danger. You knew he was a good man.

“Okay,” you said quietly.

“Okay?”

“Okay,” It was hardly more confident than the first.

“Alright, let’s go over the details then,”

Part II

[princeescaluswords]

You are very vocal about racist stuff in teen wolf, which is good for a white guy to do. But I am curious, what do you do when a non white person says you are wrong about something? I know white people are supposed to listen when a non white person corrects or explains racist stuff, but do you listen to them and rethink your stance or do you think they are just believing racist thinking? This is a genuine question, I promise I am not being rude.

I don't think you are being rude, and I think you are asking a very important question, which is why it took me so long to answer it. I want to stress that my answer here is about my process. I am not claiming superiority in thinking or any special virtue, though I do hope the more people would put serious thought into how they come to certain conclusions.

When I make an evaluation, I rely upon a number of factors:

Evidence: Data, statistics, historical reports, and expert analysis

Logic: Cause and effect are real; and objects and events have essential qualities. It is a necessary counter to emotion.

Principle: there are certain ideas necessary for a just world, arising from both religion and philosophy

Personal experience: What I have encountered through my own senses has value.

Moral imagination: I have the ability to comprehend and explore what I have not encountered personally. Truth is not determined by a show of hands.

Eyewitness testimony: Anecdotes and perspective from qualified individuals other than me who have encountered the situation.

It is that last factor to which your question applies. I'm not immune to racism (or any other socially created bias) and so I have to be rigorous in examining my own beliefs. When a person from outside of my race or culture gives testimony that counters my evaluation of something to do with their race or culture, of course I should revisit it. That's basic ethics. However, I don't think that eyewitness testimony automatically trumps all other considerations.

Let me give you two examples where the testimony of people from outside of my race and culture contradicted with my own conclusions. In one instance, I changed my belief, and in the other, I didn't.

If you had asked me a decade ago if doctors tended to misdiagnose patients based on race or sex, I would have scoffed. I didn't see any benefit to medical professionals to allow themselves such a luxury. After all, misdiagnosis could lead to malpractice and significant consequence. And yet on this site and other situations, I kept encountering patients -- specifically black women -- who described doctors outright calling into question their perceptions of their own health as well as other signs of hostility and suspicion toward them. After so many testimonials, I felt I had to reexamine my beliefs. I took the principle of bodily autonomy into account, that an individual is the best judge of the amount of pain in their own body. I found evidence that many of the underlying texts in medical education, such as BMI, were entirely based on data from white populations, and I read experts who talked about how this has affected medical practice. I remembered from personal experience that my otherwise excellent GP tended to prescribe antidepressants for even the most trivial complaint of emotional upset without really thinking about it. I exercised my moral imagination by consciously removing doctors from the pedestal where they would be solely motivated by quality of the care they do deliver and explored a situation where they're seeing so many patients a day they allow their racism to influence diagnosis.

Thus, prompted by eyewitness testimony from people who had actually experienced the event in question, I changed my mind.

On the other hand, my primary fandom and what I talk about most on this media is Teen Wolf, and I have been convinced after a few years or participation that many of the fandom trends, and most especially dislike or hatred of the lead protagonist, Scott McCall, is motivated by racist resentment that a character of color was the focus of the story. However, while many people objected to my evaluation, there were a number of non-white people (including at least one BNF) who claimed that I was wrong and that the fandom's overwhelming dislike of Scott and celebration of white male characters was not motivated by racism.

I had started from my personal experience that people who dislike Scott McCall tend to hold double standards, edit out whole scenes, and prioritize white characters. I looked at evidence by gathering statistics from AO3, one of the primary fandom organs as well as examining other fandoms such as Sleepy Hollow, Star Wars and the MCU where characters of color in lead protagonist positions were hated or ignored. I thought about and reasserted the principle that though fiction isn't real, how we think and feel about it is real, and how that leads to the ways we treat real people in the community. I exercised logic that it made sense that if they didn't like Scott for being mean to Derek, they shouldn't like Peter for being mean to Derek, or if they didn't like Scott for neglecting Stiles (something that didn't happen), they shouldn't like Derek for ignoring Stiles in danger (something that did happen), and if this happened there was another motivation. Finally, I exercised the moral imagination and realized that what the fandom claims as transformation is indeed transformation -- transforming Teen Wolf into something in which white antagonists are not antagonists and white supporting characters are now lead protagonists, while every character of color has been transformed into an insignificant detail (Dr. Geyer, the Yukimura parents, Satomi Ito), a minor follower (Boyd, Mason, Kira), or a character sinister in intent (Scott, Morrell and Deaton).

In addition, for every eyewitness testimony from a non-white person about how the hatred of Scott McCall is not motivated by racism, there is also far more eyewitness testimony from non-white people about how it very much is. I did not change my mind.

Again, I am claiming this only as answer to how I aspire to personally handle listening to non-white individuals (or any individual from outside my race or culture). I know, of course, that sometimes I will fail to succeed at coming to the right conclusion. That's part of being human. But I do feel it's important to try.

[boycritter]

can you explain your most recent poem? i like it but i don’t really get it lol

ohhhh okay. holy shit you have no idea how happy this makes me. idk how in depth you want me to go. but i’m going in depth. i know there’s not like separate stanzas or anything in this poem but in my head there’s chunks it’s split into. overall this poem is about not really knowing who you are or what you’re doing (i’m 17 so all my poems are kind of about this at least a little bit). it’s about uncertainty and loneliness and trying to make something (a place, a life) for yourself when everything feels like so much.

so the first few lines ‘in this one im a cumulonimbus cloud. in this one im mango juice. theres a world where i supernova and one where i pitch drop’ are kinda setting the themes for the poem. like the objects im gonna use to convey the message as well a kinda overarching theme of unstable identity/endless possibilities. and then the supernova/pitch drop part is smth im really proud of i like that a lot :3 idk if you’re familiar with the pitch drop experiment but basically it’s a super super slow moving liquid and people are trying to see when a drop will fall. (a few drops have fallen but no one’s seen them it’s a whole thing you should look it up :3). so that line is saying there’s a timeline in which i burn myself out in a super destructive way and one where i take it slow. and then ‘pitch drop’ is also a reference to testosterone voice changes lol. so there’s a timeline where i live my true life and take it slow.

and then the next part is ‘i cried planck epoch and nothing came running and i cried planck epoch and all my protons were so lonely and i cried planck epoch and all my sheep died anyway. i cried mango juice and the universe hugged me tighter.’ which is using the double meaning of cry as yelling/tears. and it’s an allusion to the boy who cried wolf where i’m saying something is happening but no one’s even paying attention. disclaimer i am not an expert on the physics of the beginning of the universe. like at all. but basically the planck epoch was the first 10^-43 seconds of the universe when everything was super super hot and super super condensed. so i’m saying this is happening and no one’s listening, and even when everything is happening and i’m objectively not isolated but i still feel like i am. and then the crying mango juice part is using the other meaning of cry, and the universe hugging tighter is also planck epoch stuff.

the next chunk is ‘i rained fractals and the dirt sang ion. my electrons touch anything they can get their hands on.’ i like this part :3 the raining fractals is just a mess of uncertainties, bc that’s what fractals are yknow!! the singing ion part is also fun, bc obviously ions are particles and sound is a wave, so it’s a little paradoxical :3 and also i didn’t want a later line to feel so out of place. the second sentence kinda calls back to the ‘i cried planck epoch and all my protons were so lonely’. bc while our nuclei are so so tiny in terms of the entire atom and will likely never touch another nuclei, our electrons are constantly interacting with other atoms electrons. so it’s meant to be saying like. i’m lonely and i’m trying to fix that. somehow. in some way.

the last chunk is the biggest one and also the one inspired by smth @/green-cargaytions wrote and sent me which isn’t posted anywhere but i still need to hype up their writing skills bc it’s insane it’s actually bonkers. anyways. ‘once i tried to derive a function for the meaning of it all and my paper fissioned love and jazz quartet. some infinities are bigger than other infinities and i used to think that was blaspheme but now i think id like to make it idolatry. and i think id like to be one of the smaller infinities. i think i’d like to be closer to it all.’ so the first part is about the intersection between math and science and music bc i’m insane about stuff like that. but also, i tried to find a formula to fix my uncertainty. and it didn’t work. and my paper broke apart. which basically says that you don’t know what you’re gonna do. and you don’t have to know. you can’t know. but in the meantime, you have to love what’s around you and you have to appreciate art. the fact that some infinities are bigger than other infinities is also something i’m obsessed with. and i personally never found it blasphemous lol but when georg cantor introduced that notion people definitely thought it was. because the only infinity is g-d. and idolatry is also blasphemous. but i like the juxtaposition of synonyms. idk how to put this part into words exactly </3 and then the last part is kind of saying. there’s so much uncertainty and instability in the world. and isolating yourself isn’t the answer. you gotta just live life and try not to worry too much. which easier said than done obviously lol but. still. it’s about coming into your body and out of your head. at least a little bit.

anyways this is probably one of my favorite things i’ve ever written and now i get to talk about my thoughts on it. i love this i love writing essays on my own work thank you so much ^-^

[jackoshadows]

@nogoodsheepstealing-greatgrandma 

I didn’t want to derail or hijack your Dany post, so decided to make a separate post to what I think is an interesting discussion. 

As I have mentioned in some of my earlier posts, I find Sansa to be a confusing mess mainly because the character herself does not introspect, does not think, does not connect dots, does not proactively try to figure things out.

Which is why it’s doubly frustrating that the same hypocrites who are critiquing Daenerys and Jon for their leadership will write praises of Sansa’s intelligence and political acumen when she is the least political of her peers and hardly ever engages in critical thinking.

And honestly, there’s only so much that age can be used as an excuse considering these are characters in a fantasy world where a 10 year old has been elected Lord Commander, teenagers rule as Kings and Queens and marry young. Dany and Jon have decided that they want to be leaders and so I judge them based on their actions and, despite their age, they have done a far better job than the likes of Cersei, Jaime, Robert, Ned, Cat etc. IMO.

One of the opinions I very much disagree with is the notion that Ned’s warning to Sansa or what Maester Coleman tells Sansa is vague and not understandable when, for me as reader, they come across as pretty succinct and clear in their intention. There’s also the fact that these warnings do not happen in a vacuum, there is always context for a character to put 2 and 2 together to come up with 4.

Here's Ned telling Sansa that it's dangerous for the Starks in KL

Father’s mouth twitched strangely. “Sansa, I’m not sending you away for fighting, though the gods know I’m sick of you two squabbling. I want you back in Winterfell for your own safety. Three of my men were cut down like dogs not a league from where we sit, and what does Robert do? He goes hunting.”

“Sweet one,” her father said gently, “listen to me. When you’re old enough, I will make you a match with a high lord who’s worthy of you, someone brave and gentle and strong. This match with Joffrey was a terrible mistake. That boy is no Prince Aemon, you must believe me.”

“I am looking for a fast trading galley to take you home. These days, the sea is safer than the kingsroad. You will sail as soon as I can find a proper ship, with Septa Mordane and a complement of guards … and yes, with Syrio Forel, if he agrees to enter my service. But say nothing of this. It’s better if no one knows of our plans. We’ll talk again tomorrow.” - Eddard, AGoT

To then add context to everything Ned tells her, Sansa herself is witness to Cersei ordering her beloved pet wolf dead, Joffrey's sadistic mauling of Mycah and knowing what Jaime did to Stark men. It's clear to me that it's not that Sansa did not understand Ned's warning about the Lannisters, it’s that she preferred to ignore it in favor of wanting to stay in KL, marry Joffrey and become queen because she imagined herself to be in love with him. It's ignorant self interest, where she deliberately refuses to see the bigger picture of what is happening around her despite knowing all the facts.

Let us take the SweetRobin situation in book 5. Keep in mind that the Maester here is Westeros' version of a physician. So this is a doctor - an expert in someone’s health - talking to Sansa. Surely Sansa should start with the presumption that this man knows more about a person’s health than either she or Littlefinger does, right? When I go to a doctor, I don’t have to be a medical expert in order to take the doctor’s advice right? And we don’t get any of Sansa’s thoughts on Coleman’s competence as a doctor.

When Jon Snow as Lord Commander implements  Jeor Mormont’s defense strategy for rebuilding the Wall it’s because he trusts in Mormont’s experience and knowledge. As much as Jon was opposed to Bowen Marsh’s bigotry, he appreciated Marsh’s skillsets as a steward.

And while Maester Coleman is indeed incompetent and too scared of authority he does care about helping his patients. It’s a sad parallel that Coleman tried to save Jon Arryn in KL (from LF and Lysa’s poisoning ) and failed and now he will fail to save the son  as well. Recall that Pycelle was of the opinion that Coleman could have saved Jon Arryn and that’s why he kicked him out of KL

Tyrion tsked at him. “I saw the tears of Lys among your potions. And you sent away Lord Arryn’s own maester and tended him yourself, so you could make certain that he died.”    

“A falsehood! Yes,” he whimpered, “yes, Colemon was purging, so I sent him away. The queen needed Lord Arryn dead, she did not say so, could not, Varys was listening, always listening, but when I looked at her I knew. It was not me who gave him the poison, though, I swear it.”

The old man wept. “Varys will tell you, it was the boy, his squire, Hugh he was called, he must surely have done it, ask your sister, ask her” - Tyrion, ACoK

Coming back to Coleman and Sansa, from their conversation it's clear that Sansa ignores the doctor's warnings about SweetRobin's health because she trusts Littlefinger to know better that the politics of their situation is more important than SR's health. It’s a case of Sansa putting LF’s guidance and advice above the Maester’s.

Maester Colemon cares only for the boy, though. Father and I have larger concerns” - Alayne, AFfC

Now there can be an entire separate discussion on why Sansa is doing this given everything she knows about Petyr Baelish so far - Lysa’s confession about Jon Arryn’s death, LF being the last person she knows had Jeyne Poole, his role in the murder of Joffrey and framing Tyrion etc. Given that Sansa never introspects on all this we have to assume she is once again deliberately ignoring the truths right in front of her for whatever reason.

This is also why it’s mind boggling when this fandom takes away Arya’s critical thinking skills to prop Sansa up as the smart Stark. At 9, Arya is able to rightly guess that Cersei would harm Nymeria for what she did to Joffrey and drives her away.

Only she kept following, and finally we had to throw rocks. I hit her twice. She whined and looked at me and I felt so ’shamed, but it was right, wasn’t it? The queen would have killed her.” - Arya, AGoT 

When Jaqen has Weese mauled by his dog, Arya is able to connect the dots and deduct that the supernatural is involved. Again, remember she is only 9/10 here.

She had been avoiding the Lorathi since Weese’s death. Chiswyck had been easy,  anyone could push a man off the wallwalk, but Weese had raised that  ugly spotted dog from a pup, and only some dark magic could have turned  the animal against him. Yoren found Jaqen in a black cell, the same as Rorge and Biter, she remembered. Jaqen did something horrible and Yoren knew, that’s why he kept him in chains. If the Lorathi was a wizard, Rorge and Biter could be demons he called up from some hell, not men at all  - Arya, ACoK

So is Sansa gleefully and maliciously having SR poisoned? No. Does Sansa care for SR's wellbeing here? Also no.

I write about how SR is most probably suffering from epileptic seizures in this post and the Maester's solution for this is to keep him as calm as possible. Excitement leads to shaking and seizures, which requires the Maester to dose the child with more SweetSleep, dangerous in the long term. For Sansa however, it is important that SweetRobin show up in front of the lords looking normal - even though the boy has a disabling condition.

So the doctor tells Sansa that to keep SR calm, he would dose him with the less dangerous milk of poppy. Sansa refuses because appearances are more important.

“Good. That is good.” His chain clinked softly as he bobbed his head, atop a ridiculously long and skinny neck. “This descent… my lady, it might be safest if I mixed his lordship some milk of the poppy. Mya Stone could lash him over the back of her most surefooted mule whilst he slumbered.” “The Lord of the Eyrie cannot descend from his mountain tied up like a sack of barleycorn.” Of that Alayne was certain. They dare not let the full extent of Robert’s frailty and cowardice become too widely known, her father had warned her. I wish he were here. He would know what to do. - Alayne, AFfC

No doubt the Maester is scared of LF (And is most probably going to be framed for SR's death by LF), and yet he perseveres to make Sansa understand that it's these feasts/events that's making SR have seizures requiring the sweetsleep.

“Give his lordship a cup of sweetmilk,” she told the maester. “That will stop him from shaking on the journey down.”

“He had a cup not three days past,” Colemon objected.

“And wanted another last night, which you refused him.”

“It was too soon. My lady, you do not understand. As I’ve told the Lord Protector, a pinch of sweetsleep will prevent the shaking, but it does not leave the flesh, and in time . . .”

“Time will not matter if his lordship has a shaking fit and falls off the mountain. If my father were here, I know he would tell you to keep Lord Robert calm at all costs.”

I try, my lady, yet his fits grow ever more violent, and his blood is so thin I dare not leech him any more. Sweetsleep… you are certain he was not bleeding from the nose? I must speak to the Lord Protector. This feast… is that wise, I wonder, after the strain of the descent? Lord Robert mislikes strangers, you know that, and there will be drinking, noise… music. Music frightens him”

“Lord Nestor will have no singers at the feast, only flutes and fiddles for the dancing.” What would she do when the music began to play? It was a vexing question, to which her heart and head gave different answers. Sansa loved to dance, but Alayne… “Just give him a cup of the sweetmilk before we go, and another at the feast, and there should be no trouble.” - Alayne, AFfC

Does the Maester explain the science behind how the drug works to Sansa? No. However, I think he makes it clear enough that the drug stays in the flesh and is dangerous to a person’s health.

And again, we know that Sansa understands what the Maester is telling her regarding the SweetSleep -

“Very well.” They paused at the foot of the stairs. “But this must be the last. For half a year, or longer.”

“You had best take that up with the Lord Protector.” Maester Colemon cares only for the boy, though. Father and I have larger concerns” - Alayne, AFfC

Then at the end of this same chapter, Littlefinger has a monologue where he tells her why they are doing what they are doing.

He turned her hand over and lightly kissed her wrist. “So tell me, sweetling—why is Harry the Heir?”

Her eyes widened. “He is not Lady Waynwood’s heir. He’s Robert’s heir. If Robert were to die . . .”

Petyr arched an eyebrow. “When Robert dies. Our poor brave Sweetrobin is such a sickly boy, it is only a matter of time. When Robert dies, Harry the Heir becomes Lord Harrold, Defender of the Vale and Lord of the Eyrie. Jon Arryn’s bannermen will never love me, nor our silly, shaking Robert, but they will love their Young Falcon . . . and when they come together for his wedding, and you come out with your long auburn hair, clad in a maiden’s cloak of white and grey with a direwolf emblazoned on the back . . . why, every knight in the Vale will pledge his sword to win you back your birthright. So those are your gifts from me, my sweet Sansa . . . Harry, the Eyrie, and Winterfell. - Alayne, AFfC

This then leads to the sample TWoW chapter where Sansa as Alayne flirts with Harry the Heir so that they can get married.

So if Sansa expects SweetRobin to live long enough to marry, then why is she seducing Harry for him to offer to marry her when that depends on SweetRobin’s death?!

Which is why the conversation between Robert and Sansa is all sorts of ridiculous because even a sickly little 8 year old SR knows that Harry’s importance in all this depends on his death, Littlefinger has explained to her very clearly that SweetRobin will die and yet Sansa is talking about how his future wife will like his hair?!

If SR is going to live long enough to marry, than why is Sansa trying to marry Harry?

“I hate that Harry,” Sweetrobin said when she was gone. “He calls me  cousin, but he’s just waiting for me to die so he can take the Eyrie. He  thinks I don’t know, but I do.”

“Your lordship should not believe such nonsense,” Alayne said. “I’m sure Ser Harrold loves you well.” And if the gods are good, he will love me too. Her tummy gave a little flutter.

“He doesn’t,” Lord Robert insisted. “He wants my father’s castle, that’s all, so he pretends.”

He does have pretty hair. If the gods are good and he lives long  enough to wed, his wife will admire his hair, surely. That much she will  love about him.- Alayne, TWoW

This is why context is important and the Maester’s conversation does not exist in a vacuum. LF has told Sansa that SR needs to die for their plan to work and WILL die, SweetRobin has told her that Harry is waiting for him to die to get the Vale and the Maester has warned her that giving SR high doses of the drug is dangerous. After all this, how is Sansa going to be surprised by his death? That would be like being surprised when told that 2+2=4.

Six books in and Sansa remains a character who continues to ignore the truths in front of her for selfish reasons. That’s been a consistent character trait for her, from book one to her first chapter in book 6.

So is Sansa actively colluding with LF’s gradual medical poisoning of her little cousin in order for Harry to become the Lord of the Vale? Surely, in the back of her mind she must be aware of what is happening? However, it’s an unpleasant truth, one she does not want to acknowledge and chooses to ignore because it’s more important for her that LF’s plans to get Winterfell for her succeeds.

Does she care for her little cousin’s well being? No. Despite the Maester repeatedly telling her that the drug is dangerous to his health, she thinks the politics are more important.  

Remember in Sansa’s very first POV chapter with Arya and Mycah playing at the Trident and Joffrey showcases himself to be a sadistic ass?

Sansa was shrieking, “No, no, stop it, stop it, both of you, you’re spoiling it,” - Sansa I, AGoT

That’s her primary character trait. She is written as a character who does not want the unpleasant truths to spoil her personal narratives of Joffrey being a good person or Arya being responsible for Lady’s death or Cersei knowing better than her father or that SweetRobin is going to live long enough to marry a wife who will love his hair.

So we can either read Sansa as someone who is incredibly dense, who despite being presented with all the facts before her, still does not understand SweetRobin’s fate - when even 8 year old SweetRobin knows that Harry is just waiting for him to die. Or we can read her as someone who selfishly ignores the truth in front of her because it’s so unsavory and ‘spoils’ her idea of what she thinks is good and right and moral. In that, she knows that SR has to die and will die and yet keeps pretending that he’s going to be fine.

And both of these interpretations are in stark contrast with how Sansa is generally viewed in this fandom as being the smartest, most intelligent, most compassionate, idealistic ‘embodiment of hope’. She’s none of these things.

[peppapigvevo]

STYLISTA

Guess who got the Bootique Clawdeen.

Let's have a wholly unprofessional and unsponsored review post!

Boring stuff out of the way first; she was on Amazon for $44.99 USD. She's currently on a 7% off sale so you can get the set for $41.85 USD.

The back of the box shows off some styling ideas as well as a little blurb in multiple languages.

The sides have more styling options.

The top of the box has a nifty little inventory of all the things contained within.

I didn't take any pictures of the inside but the doll, furniture and accessories were packaged very simply; the accessories were inside white paper bags, the furniture was strapped in to fit and Clawdeen had her own compartment on the left side. Not a display packaging obviously, since the box itself has no clear portions. On that note, I think the QC for facial screenings has gotten better, since Skulltimate Secrets and now this were packaged with no way to see the doll until you open the packaging. all the Skulltimate secrets dolls and this Clawdeen have perfect faces.

This is how Clawdeen was packaged: wearing her purple jumpsuit, green belt, green earrings and the pink translucent booties.

The doll herself does in fact have the torso joint. The lighting in my room is a little yellow, so you can't see it clearly, but her lid and undereye are lavender, with a magenta crease. Her lips are a much more saturated fuchsia red in real life. her hair is a berry color, with the light lavender color she typically gets. On the subject of her hair...

...I am not an expert, i am just a doll-collecting homosexual, but it does NOT feel like the same kind of hair texture every other Clawdeen has. I can't be sure if its nylon or saran or whatever, but it feels denser and waxier than the polypropolene. It wasn't as tangled before or after a wash, and the ends weren't as frayed.

You can see how it washed. This does NOT look the same as my other Clawdeens I washed, so take that as you will. I still need to reset the curl pattern, of course.

On to the clothing. The jumpsuit is actually a pretty heavy and dense denim, in this purple leopard print with lavender and blue spots, and magenta and black slash marks. It has short, cuffed sleeves and a pointed shirt collar, and cuffs on the hem of the pant legs. the waist has lime stitching and faux pockets.

All of Clawdeens belts have 3 different closure holes, so they can be worn tighter or looser at your discretion. This lime green belt has a skullette buckle and a very long trailing tail.

The booties are a light fuchsia with spikes on the top, and the heels are crescent moons. I know a lot of new MH shoes have interesting detailing on the soles, but these don't, probably because they're clear.

I'm gonna do the outfit pieces in groups. The sweater is yellow, with blue, white and purple circle detailing. The chest has an aqua triangle, the same color as the slash marks. The collar, cuffs and hem are the same blue as the circles on the sweater.

The tank top looked black at first, but it actually has a very subtle bleach dye effect that looks like mist in the dark, it's pretty nice irl. The shirt also has a tri-moon vinyl on it, with a howling wolf on the center full moon.

The green skirt is a lighter weight denim than the jump suit, with darker green spots and a frayed hem under a stitch. The cupcake skirt is in a metallic fabric with a slight blue shift; its really pretty in person. The waist is black elastic and the skirt is covered with criss-crossing claw marks.

The dress is a one-shoulder thigh length ruched number. Because of the design, it doesn't look like much on a hanger but it sings on the doll. The dress is blue with purple and pink leopard spots.

The scarf is hot pink with gold metallic flecks. The stole is a softer pink.

If you're insane like me and already have Skulltimate Secrets Clawdeen, this bucket hat should look familiar. It's the same mold in a periwinkle blue, sans the leopard spots. The canvas and stitch molding is REALLY nice.

I thought the boots had layers of fur, but theyre actually molded to look like slouchy fabric boots, with a repeating skullette pattern. The heels are lined in spikes, and theres a tie molded at the top.

The lime sneakers are the exact same mold as Ghoul Spirit Clawdeen, but in a solid green.

The set also comes with 5 hangers for extra outfits. They're kind of swirly and dainty looking, more like g1 Catrine. They come in pink, lavender, purple, blue and green.

Our girl comes with a lot of accessories! The lime green necklace, again, is the same mold as one that comes with Skulltimate Sectrets Clawdeen. Its a short chain with three dangling crescent moons, with a longer rope chain under that. The magenta necklace and choker are recast from her g3 signature; a circular moon pendant on a crescent moon chain, paired with a star choker.

The gold fur bangle is reused from her Ghoul Spirit doll. The magenta spiked cuff and purple cuff are new though. The magenta one is a simple spiked band while the purple has teeth detailing all around it, I did a terrible job photographing these so if anyone wants any clearer pics just let me know lmao.

The glasses are her signature glasses, in black. The magenta comb is a tiger-striped crescent moon with a studded handle.

The long gold piece is a hair barrette that says MONSTER. The long purple piece is a three-finger ring with the triple moon motif on it.

The black earring is a double crescent moon. IIRC this appeared first on Ghoul Spirit from this gen. The blue hoop with the dangling moon is also from Ghoul Spirit.

I didn't take close up picks of hem, but the green earings are a spiked hoop and a triple moon, recast from her signature earrings.

The gold belt has a double crescent moon buckle, mimicking the Gucci logo:

Finally, her bag is a large tote or shopping bag, covered in the same skullette molding as her boots. The green "HOWL" is flanked by pink bands with small crescent moons, and the moon shaped handles have tooth details.

The furniture she comes with are really cute and would look ADORABLE with her bedroom playset. The coffin-shaped clothing rack is studded, with the triple moon detail at the top. At the bottom are purple trays, and the lavender wheels do function.

The moon vanity has a circular mirror with two small shelves, a moon phases detail on the faux-drawer, and a moon shaped foot.

The pink stool has a starburst on the foot and the seat is molded to look like its padded or has draped pleats.

Final looks and thoughts in the next post!