#i saw something about a new animation director? maybe that has something to do with the all of it

[yunsound]

The Third Installment to the Oubing Saga- Yunbing

PRIOR EXPERIENCE NEEDED!

Entry ticket: reading this post and acknowledging that the following is about to be 18+. No, I'm not writing anything explicit, but it's going to be some mentions of sex. Move on.

After finishing Ne Zha 2025 (or the 2019 version if you're a real one), did you feel overcome by the gayness? Did you wonder why the fuck anyone would ever look at their best friend like that? Did shoujo anime music start playing in the back of your head?

...yeah you're not alone.

As previously mentioned, Oubing is currently China's biggest fandom ship (I stay hopeful that this wave of hype will last longer than it did in 2019). I also trust that you all understand why that is.

Seriously, I've never seen any piece of Chinese media except for straight up BL THIS gay.

Let's count on one hand how many BL tropes these movies include.

Red/blue

Soulmates

Only friend

Enemies to lovers

Friends to lovers

Oh oops, we ran out of fingers! Next hand.

Friends to enemies to friends to lovers

Forbidden romance

Demon x angel

Two halves of one... thing

...bondage? I suppose? If you know you know THE scene.

Oh wow look at that we ran out of fingers again. MOVING ON TO THE NEXT HAND-

Okay, I'll stop here. All of this makes Oubing technically a very vanilla ship (ignore the bondage that's mostly a joke. Though you WILL see a lot of art involving Ne Zha's red sash in... different usages) and very sweet. Pure love, I suppose.

Do you know about Shangmei Oubing, a variation on Oubing featuring different adaptations of Ne Zha and Ao Bing? Well now you do. Read this post to figure out what I'm talking about.

If there's a spectrum of the wholesome-ness of Oubing ships, Shangmei Oubing is in the middle. Yes, it's very toxic, but technically Ne Zha does really love Ao Bing a lot, just in the wrong ways.

On the OPPOSITE end of that spectrum, we have Yunbing.

Yunbing is the ship between Ne Zha and Ao Bing from the 2021 movie New Gods Reborn: Ne Zha. The movie itself is on Netflix- it's kind of a mid movie, I'm NGL, but the animation is pretty good.

I haven't watched the whole movie (how do I know it's mid? Because I saw some clips and they made me sigh out loud) so I'm maybe not the most reliable critic, but it's just not peak storytelling, okay?

Yunbing is 80% made TF up (headcanon ships are the best ships) because in the movies they hate each other, like TRUE hate, not gay hate. I'm talking GENERATIONAL hating.

If you ignore canon, though, (my favourite thing to do), you are left with Yunbing, which is honestly really fucking yummy.

Here's a quick overview of the background and dynamic of the ship/movie/characters without spoiling the plot of the movie.

The main character of the movie is called Li Yunxiang (remember that Ne Zha's dad is Li Jing, so technically his full name is Li Nezha prior to him fucking himself up via sashimi-ing his flesh from his bones).

Li Yunxiang is the reincarnation of Ne Zha in a modern setting in the fictional East Sea City (Donghai City). He doesn't know or remember being Ne Zha. He works as a deliveryman I think, or a smuggler or something low-paying and dangerous I think.

In East Sea City, water is in shortage due to the Dragon Clan (now a rich family business) hoarding it. The third son of this Dragon Clan (his name is De San) is, you guessed it, the reincarnated Ao Bing.

Actually I'm not sure if he's reincarnated or if he's just been here the whole time hating.

De San, unlike our polite nice Ao Bing from Ne Zha 2019/2025, or the terrified victim Ao Bing from Shangmei, is a huge bitch. He's also a girlfailure. He's not some mass-murdering psychopath, but he's a spoiled rich brat who lives and breathes capitalism and privilege.

Look at his stupid face. Isn't he punchable? No, despite the blonde hair, the director has confirmed he isn't mixed or foreign, he's just an idiot who bleached his hair.

He was supposed to be some sort of dominant playboy daddy character but the entire nation of China just immediately saw the potential for girlfailure brat bottom and I guess that's where my brain went too.

After Ne Zha pulled his tendons out, his dad paid some SERIOUS money to make him a mechanical tendon. Let me tell you I don't know why but this shot of his metal spine is SO fucking sexy

Sorry for thirsting on main, IDK what it is but it's getting to me.

De San still wants revenge on Ne Zha for pulling his fucking tendons out so he spends like 10000 hours trying his very best to kick Li Yunxiang's (confused) ass and never manages to get there, it's so funny.

See, the main reason this ship is so delicious is the dynamic, not their interactions because this is ACTUAL hate, I'm talking they'd kill each other in an instant with NO hesitation. The sexual tension is through the roof. Okay, they're both straight, but you DON'T HAVE TO BELIEVE IN THAT DOCTRINE.

Mild spoiler alert!

There's a scene in which Li Yunxiang gets one over De San by making him crash his car. As De San goes flying out of the car in intense pain, he glances over at Yunxiang, who's looking back at him.

Instead of giving him a middle finger or a thumbs down, Yunxiang fucking gives him a finger heart. IK it's supposed to be mocking but it's so funny, especially the BLATANT rage on De San's face afterwards.

The appeal of this ship is just the hate sex. This is a ship 100% meant for gooners, if you'd prefer sweet vanilla hand-holding and blushing you probably want to go back to regular Oubing.

Why does De San have such pillow princess potential? First of all, look at him. What the fuck is that waist to shoulder to leg ratio?

Second, in the Cantonese dub, he calls his father (Ao Guang) "daddy" (in English btw). Sorry, what? You are a twenty-something year old fully grown man. It is fairly common for rich Cantonese people to call their father daddy (according to my rich Cantonese friend) but it's a little much.

Third, he's such a failure it's hilarious. Spoiler alert: there's a whole scene in which his father calls him a failure and he's like "wait what". He's kind of dumb and pathetic despite being arrogant and proud.

Very princess-like. Chinese version of Drarry, basically. They also both really like cars! TBH if they weren't Ao Bing and Ne Zha's reincarnations they'd probably be really good friends.

Generations of hating each other is such gay behaviour, WHY is that other man on your mind over thousands of years??

Some of the popular headcanons for Yunbing:

Yunxiang calls De San "third princess" or "princess" because he's such a... princess

In the middle of like, fistfighting each other they somehow transition to having sex without knowing how

De San slaps Yunxiang in the face and he's like "on the other side too"

"Only I can be the one to kill him, fuck off!" *surprised look* "No that's not what I meant-"

Inappropriate usage of the metal spine (which is probably more sensitive and delicate...?)

I recommend, if you're looking for Oubing content (of the decidedly not workplace friendly variety) and if you like ENEMIES to lovers (emphasis on the enemies part) that you go through the AO3 Yunbing tag (云冰, I'll link the AO3 tag here directly).

If you want recs please ask me, I am so passionate about all three iterations of Oubing.

To quote a XHS user:

Oubing: Pure love

Shangmei Oubing: Pure fear

Yunbing: Pure hate

[slowburningechoes]

Betrayal Overview: Meeting RSL

After the show ended, I was able to slip out pretty quickly but waited for @occultbooks and @ridethecyanide before bombarding the information desk. We were the first people Robert saw when he came out of the stage door (super fast by the way - maybe 5 minutes if not less than that). He greeted us with such a warm “hello” after sitting his backpack and coffee down and making sure everything he needed was there.

He spoke to @ridethecyanide first and it was so heartwarming to see. She has been so dedicated to supporting him for longer than I’ve even been alive, so it was adorable to see his reactions to her stories. At first, he didn’t see her mom nearby and asked me if I could take a photo for them! I said I could, but mom was right there and ready to go anyways! So they took their adorable photo together!!!

I was next and tried my best not to bombard the poor man, but I still gave an overly enthusiastic “HI!” as I moved towards him. Robert said hello back and I started with the typical greeting of how wonderful he did in the show. Then I went in to explaining that I had a few things for him, a letter from @deadpoetwilson who couldn’t make it, one from me, and a collection of watercolors I had made for him. He looked stunned and pointed to them, “YOU did these?” I nodded and explained that they were all different theaters he had worked at. Robert picked them up and looked at the one of The Old Globe front and back, before responding with a high-pitched, “Whaaaaat?!”

Funnily enough, he said the director from his last play at The Old Globe (which he initially called the Old Goodman lol), Richard II, was here with her 7-year-old son. I said, “Oh, that was a choice!” Robert agreed almost laughing, “Oh - I know! You think he’s…? Nah, he’s a really tough kid.” Then he went on to say, “Anyways, I’ll have to show her this!”

I told them that the paintings were for him to keep and he went through each of them, naming the theatre, reading the back, and commenting on what plays happened when and where. I told him to blame anything inaccurate on the internet, I got all the info from the Playbill website!

He was so appreciative, saying, “This is so incredibly nice of you.” I accepted his thanks and said “you’re welcome” then went on to explain the floral piece I made. The iris was his birth flower (which he was surprised to learn) and that the others represented his wife and girls. He said that he would give that one to his youngest, Irene, which was beyond adorable.

Then Robert asked me, “What is your incredible name?” I told him and he spelled it right on his first guess, which impressed me! We chatted for a bit about where I was from. He went on to say “thank you” again and told me I was “very, very, talented”. He continued to say, “This is so incredibly moving… how?… I-I-I don’t know what to say!” I explained to him that I wanted to give him some art since he has given us so much amazing work himself. Robert shared that it was “very nice of me to say that” and that it wasn’t something that he always feels as the person doing the work, most times. He doesn’t feel famous. He says he goes to do these jobs, then goes back home to NJ to do things like cycling, and he doesn’t know what he does or how people like it, so this “is awesome”. I went on to share that I think the does an amazing job and many people do.

Then, he was so excited to find his new cards he bought! They are old school portraits but with animals. They were so adorable! He said he got them since he hated how dark the programs were to sign on top of. Robert spoke to another small group of people who were personal friends of Ian’s while I selected my card. He raved about how wonderful Ian was (saying he’s worked with many talented actors, but no one as great as Ian) and how appreciative he was that they made time to tell him how much they liked his performance as well.

When he came back to me, he smiled so big when he saw I’d picked out the golden retriever in a purple sweater. “Awww! You picked the dog!” He took a second to think before writing something inside. He explained the story behind the quote he steals from LMM. He said that they waited in line with all the other patrons (mostly 14-year-old girls, he pointed out) and that he was going to be so upset if LMM didn’t meet his daughter, since she had picked out her outfit for him and everything.😅 Thankfully, of course, he did. Robert said that he felt it was “only fitting, in this case” to write down the quote for ME as well. It was very sweet.

Then, he handed me the card and went in for a FULL hug! It was so unexpected that when he moved at first, I thought, “Is this really happening?! WHAT?!” And it was. It was a very sincere and warm hug, he said “thank you” again and reiterated how much it meant to him. He happily agreed to take a photo with me and took a moment to shift to chat with someone else who slipped between myself and @occultbooks.

@ridethecyanide and I fangirled together for a moment (with our poor mothers being so supportive of us) and took a few pictures together with our RSL “spoils” as she called them. She left and I hung back to make sure @occultbooks had someone documenting their meeting with Robert, too!

It was such a sweet (and hilarious) interaction. If you haven’t seen this post, you HAVE to check it out (and their profile in general)! I can’t believe I got to be there to see that moment and other parts of their sweet exchange, it was so touching. I was beyond happy for @occultbooks! Honestly teared up watching them hug ngl… it was precious and emotional.

Also, during their interaction, I got to chat with Erica Schmidt, the director of The Old Globe’s Richard II that RSL had mentioned to me earlier, and her son. She stood beside me and saw my DPS book and said, “Oh throwback! Dead Poet’s!” I quickly said, “Yes! I love it!” before realizing who she was when I saw the young boy with her. I then said, “You must be Erica! Robert just talked about you, I did a painting of the Globe!” She responded with an interested, “Oh?!”. Robert even brought her son into the interaction with @occultbooks, having him pick out his card based on which one matched his appearance most - I think he made a great choice! I didn’t get to see if Robert showed Erica the painting, but I hope he did and that she liked it, too!

Overall, it was a night beyond anything I ever dreamed of. RSL was so respectful, compassionate, patient, and humble. I didn’t think I could admire him more, but I absolutely do! He is so kind. I could not have asked for a better interaction for myself and my two lovely friends!!!!!

So thankful to my mother, Dana, Dylan, & @deadpoetwilson for being so wonderfully supportive and affirming I didn’t imagine this whole thing.

Find my review of the play here!

Videos from our interaction:

Robert’s first reactions to the paintings I made.

Joking about a past director bringing her young son to the show.

Expressing his gratitude and speaking on what it feels like to be famous.

[helpfandom]

Analysis on YANDERE PLATONIC TAS Batman Villains. Pt 1.

THIS IS NOT THE NEW ANIMATED SERIES. Strictly ONLY The Animated Series.

Villains:

MR. FREEZE

RIDDLER

CLAYFACE

POISON IVY

MAD HATTER

CATWOMAN

What I am using as the archtypes: https://www.tumblr.com/helpfandom/724022554446135296/types-of-yandere?source=share YANDERE_AUXILLARY made it!!!!

I find it so curious that people neglect Platonic as a yandere version, {not to say that I am a pioneer, no no no, but rather that people don't write about it as much as romantic.} And so, here is my analysis on various TAS Batman Villains. Of course, this is part one, as there are many TAS villains. I just need to get to them.

Also, side note. Thank you TAS writers for already making Mad Hatter a yandere so now I have less work to do.

Mr Freeze: Now, he is the yandere type of Obsessive, Overprotective, Clingy. He found something else to focus on, and it happened to be you. Reader would be more of the friendly type, more outgoing for Mr. Freeze to have such an obsession with them. He wouldn't stalk you as much, more so just an immediate kidnap the next time he sees you. Most likely catalyst for his yandere swap would be dealing with the loss of his wife. He lost his wife. He won't lose his kid too. Maybe Reader was there to help, or maybe he saw his wife in you. No matter what it was, as soon as there is an obsession, he wants to keep you. You're screwed as soon as it began. He's overprotective, constantly hovering over you. "I've lost too much. I won't lose the last thing of my wife, too!"

Riddler: Hmm... His yandere archetypes for platonic is... Possessive, Delusional, Sadistic, and Self-Indulgent. His egotistical personality, tied with an obsession with a kid who is unafraid to throw hostility back? Not a good pair for Gotham. In his mind, to not be afraid of him, or to throw hostility back at him, must mean that you like him. And with his intelligence, how could you not? His catalyst, well, there isn't really a catalyst per say, more so he was already obsessed with beating Batman and being intelligent, so why wouldn't he be obsessed with someone who can challenge him? He's more of a stalker type, only kidnapping when Batman and Robin get a little too close to you for his comfort. You're just like a little him, well you have to be taught by the best, most intelligent, and that's him. "Well well, my dear child. You seem to have escaped, but I'm sure you know that you won't be out for long..."

Clayface: He is... Clingy, Manipulative, Impulsive, and slightly Sadistic. He would be obsessed likely with a theatre kid, or someone who enjoys the fine arts {So an Art Kid, Band Kid, Choir Kid, etc.} He would see that and miss the days when he could do that, when he could act or enjoy the arts. Because he can transform his shape into anybody, he transforms himself into people close to you, of course he stalks them ahead of time so that he can properly assume their character, but he quickly kills them off so he can assume that role in your life. If it was a friend who had a crush on you, he enjoys watching the life leave their eyes. How dare they try to ruin your potential with their desires? He uses someone in a position of power, too. Likely a teacher, or if you have a director? Boom, suddenly you have the main role, or a solo, or you won the first place in an art competition. Who knows what kind of a catalyst would be there, all I can tell you is that BOOM! You're being kidnapped by someone you trusted deeply. You watch your former mentor's skin droop off of this, this person, who's kidnapping you, revealing a rocky, clay texture. Clayface. "Heya kid, you already slipped up and called your teacher Dad, so I know you can for me too. Here, would looking like them help?"

Poison Ivy: Her yandere archetypes are Overprotective, Clingy, and attempts to be Manipulative. Delusional, but yet Lucid; She has delusions about Reader, but not in the 'ah, yes. Reader loves me too.' She would be a little apprehensive at an uncaring Reader, after all, if you're not for plants, you must be against plants. For an uncaring Reader to work, Reader must be a plant lover. Poison Ivy would see this, and suddenly everything makes sense. She assumes that Reader puts up a fake persona so that Reader can care for plants in their free time, so that no one knows that Reader loves plants. She loves that about Reader, and that's why she gets obsessed. She wants to keep the only other plant lover in Gotham and protect them against the cold, cruel world. She would originally try a sporeling, but she misses the real you so that plan fails and that's why she would kidnap you. "Come here my Rosebud, the world is cruel. Let me be your mother, like Mother Earth."

Mad Hatter: His characteristics are Delusional, Self-Indulgent, Overprotective, and Clingy. Who truly knows why he started to care for you? Perhaps you reminded him of someone a little too much... Nevertheless, not what we are here to focus on. He would not be a stalkerish type, but he would delude himself into believing you love him like a father. He would not be afraid to use his mind control on you. As soon as he manages to get you under his control, you're screwed. You're gone from Gotham forever. He has been shown to be willing to do it before, with Alice. I think he would be willing to do it until he gets you to the safe house which looks a lot like one of the sets for Alice in Wonderland... He would be overprotective, scared that Batman would take away his kid, take away the few things in life he loves. "NO NO NO! Batman simply cannot take away my child too!"

Catwoman: She is Clingy, Manipulative, Impulsive. She has been shown to be someone with a ton of money, {Paying $10,000 dollars for a charity that she loves, a lot of money, period, but also for 1992} So I feel that she would be willing to use that against her kiddo, saying that it's okay for Reader to use her money, and then guilt tripping Reader {who, realistically, wouldn't give a shit, but I digress.} Into staying with her to pay off the debt. Her clingy and Impulsiveness is because of when she was involuntarily transformed into an animal, some things stayed the same, and now that she found her cub? Even Batman can't fight a wild animal for her kid. "Lioncub, why are you worried? Mommy's got enough money for the both of us."

[wisteriagoesvroom]

gax + corporate/law vibes + ‘The powerpoint was steadily taking over their relationship, something that Max was not willing to stand for.’

gax?? gax!!

power (you make some points): a gax ficlet

rated m, ~1.2k words now also readable on ao3

author babble:

bear in mind i wrote this before i knew more about the Gax Lore i.e. karting together, actually being nice to each other blablabla. you could also just retrofit the vibes and hopefully they still work. anyways!

will throw this up on ao3 when i’m not sitting bleary eyed in an airport

————

If there was one thing that Max Verstappen wouldn’t tolerate, it was George Russell having the monopoly on good PowerPoint presentations. Max had won all four years of debate in College, as well as the dubious title of “most radical deployment of Google Slides templates” at his MBA, and he was not about to be usurped by the other guy in his department who actually knew how to use an animate transition.

“You missed an indent there.” Max says, pointing at the monitor. Yellow and red lights wink at them from the outside, as if to say: you’re both in your mid-twenties, quit wasting it on a computer screen at 11pm on a Wednesday, maybe?

Max is not staring, very determined not to look at his teammate’s facial expression. But George is almost certainly rolling his eyes right now.

“Was coming back to that, alright?” George huffs back. Max is very professional most of the time. But something about how wound up George is, how insanely pedantic he is about everything from semicolons to coffee cup placement for the Directors to taking insanely detailed minutes that nobody except Max reads after the meetings – well. What is it that Nietschze once said? We hate in others what we most identify with about ourselves. Or was that from Twitter? Max does not really use Twitter except to look at Bloomberg News updates and cat videos, so he does not know. And anyway Nietzsche never made a six figure salary.

“It would just be easier if you would let me do it.” Max says.

“Fuck right off, mate.”

“Oh, wouldn’t you like me to.”

“Not now.”

“Just share the link to this. I’ll do it.”

“We agreed to take turns on this.”

“Yes, Russell. But sometimes, the rules are meant to be bent.”

George swivels his chair to Max, then. Fully attempts to pin him with his gaze, commencing an awkward stare-off that lasts way too many seconds and makes Max once again realise that George’s eyes remind him of the expensive fish tank he saw at the Partners’ sushi dinner once. Max doesn’t think those same fish were the ones they ended up eating. But he does remember that dinner because it was the one where the Partners had dangled the promise of a huge promotion if they could help carry the company merger across the line successfully. The problem is, there was only one spot.

George’s distracting aquatic orbitals aside, fortunately, Max (i) never backs down, and (ii) has been told that he has the dead-eyed emotional stare of a robot missing an empathy software upgrade sometimes.

And clearly, the powerpoint was steadily taking over their relationship, something that Max was not willing to stand for.

Max leans back in his chair, stance all mock-relaxed. “Do you want to be out of here before midnight, or not?”

“We’re expensing the Ubers either way, so it doesn’t make a difference to me, mate.”

Fine. If George is so hyperfocused on The Tasks that he’s forgotten the fun part of being Questionably Close Coworkers, so be it.

Max deploys the nuclear option.

He sticks his leg out, nudging the toe of his Pradas onto George’s slacks. And strokes his foot halfway up to a sensitive point on George’s thigh. Max may even flutter his lashes a little.

To his credit, George does not react. Merely swings his eyes like a lamp to Max’s face again. His hand does, however, goes still on the mouse.

“What exactly are you doing?”

“I don’t know.” Max feigns. He knows that George hates, more than anything, anyone getting dirt on his precious Ralph Laurens. But at least he has his attention now. “Was hoping we could move onto the more fun part of the typical evening activities. Maybe.”

“We shouldn’t be doing that again anyway.”

“George.”

“What?”

“That is not what you said the last, hm, fourteen times that we have done this, eh?”

“Who’s counting?”

“I thought you were the most careful of rule followers and data analysis, knapperd.”

George is a human being, but Max is almost certain the other man shakes himself like he’s preening right now.

“Well. It’s what the team likes me for, and it’s what I’ll keep doing.”

“Oh yes. Surely we must keep in mind the team. And the shareholders. They are very important.”

“Quite.”

“But should we tell them that you like it so much, George. When I do this.” Max says. Rising up, fully crowding George in, hands gripping the cool handles of the computer chair. Leaning in to nibble the side of George’s neck.

George swallows. Max watches his throat move.

Next, Max mouths the words onto the side of George’s jaw, stubble prickling his mouth. “And this.”

The click of the mouse continues steadily as Max moves his mouth to the shell of George’s ear. “And let’s not forget. This.”

Max tilts George’s face up fully, then. George’s face is flushed, eyes sparkling, all surprise at the sudden change of pace, but eager, too.

When Max seals his lips over George’s, George groans, and his hands shoot up to Max’s waist immediately. It doesn’t feel quite like winning a deal or a pitch does for Max, but the completion comes pretty damn close.

Max sweeps his tongue into George’s mouth. George opens willingly, like he always does. In the back of Max’s logical brain, a warning sign blares that the computer chair may not be able to support the weight of them both – because they spend a lot of time pretending they don’t work out together at the gym but Max knows exactly what George’s deadlift PB is and it’s pretty damn high for a scrawny looking dude.

And despite the keening protest of said chair, the two of them are both lost to it now. Max jams one knee between George’s legs, George nibbles hungrily at Max’s lower lip, Max thrusts his hips all needy, and maybe if Max is nice about it George might suck him off under the table, and–

Outlook chimes again.

“Blasted piece of shit.” George says, breaking away. His hands go still at Max’s waist. “Why we’re using G-Suite and Microsoft Office at the same time I will never know.”

George squeezes his eyes shut, as if making himself stop this is causing him physical pain. Maybe it’s that or the workflow incompatibility when George tries to move his custom Excel-Trello gantts into a third party API.

And Max won’t lie. He kind of likes it when George gets so irritated about these things. When he cares a bit too much. Because what is Max but exactly like that, too.

“Hazards of a merger, I guess. But without that, I would never have met you, no?”

George makes a noise like he knows what Max means. The other man straightens his shirt collar, and Max runs a hand through his hair. He’s been growing it out lately, because George had made a passing comment at the bathroom sink once about it looking good.

Sleeping with the person competing for the same Chief of Staff position is possibly the worst decision he could’ve made, and Max once dyed his hair platinum blonde. But, they’re stuck here together. Hell is a slightly more tolerable place when Satan’s right hand man looks this good. And knows his coffee order without asking.

Besides. Max is not bothered. He knows that the promotion is his. This is just a minor plot inconvenience.

Later, they will expense the uber back to George’s place, where Max will put his mouth on George’s arse, and give him a practical demonstration of the three different ways he’s learned to elicit pleasure from the male prostate.

George will whimper and whine the whole way through it, and after they’re both sated, they’ll both roll over to check their emails, barely concealing their smiles. They will pretend that what’s happening between them could be as clean as their zero-email inboxes. As if their connection is not violently seeping through containment.

All in the name of team bonding. For the firm. Yes.

(Or this is what they tell themselves, to maintain the illusion, anyway.)

[humanrindswrites]

scary movie

pairing: kirk hammett x female reader

summary: kirk's girl is a hardened horror veteran, just like him, but even veterans have their limits.

warnings: fluff, mentions of gore (they’re watching horror movies)

word count: 859 words

a/n: little factoid about me is that i love really gory movies but sexual violence is where my tolerance for extremity ends. also, if you've never seen cannibal holocaust just know that it has real scenes of animals being killed just for the sake of it. it's not a movie for the faint-hearted.

“So, what did you say this movie was called again?” Kirk asked as his girlfriend set up the VCR in the living room.

“Cannibal Holocaust,” she said once the machine was turned on and ready for the tape. “It got banned in England recently and the director got arrested in Italy because they thought he actually killed the actors.”

“Sounds gnarly,” he said as he took the videotape box from her. “Everything gets banned in England these days.”

“That’s true, they’d probably ban a movie because somebody got a paper cut.”

When Kirk first saw her in the video rental store, he thought maybe she was a beginner looking for something tame to watch with friends and could maybe find something that would get her jumping into his arms like a little lamb. Instead, he found out that she was just as much an expert as he was and liked her movies gory and borderline upsetting.

It was pretty much love at first sight for him.

She had her finger on the pulse for all the wild new movies coming from Europe and which ones were getting banned in Europe for being ‘harmful to children’ or some other ridiculous shit that some old people were saying. He was more versed in the classics but finding these scandalous new videos was something that he never really had the time to do anymore.

They made popcorn in the kitchen while the trailers played at the beginning of the tape, making it back just in time for the movie to start. The screen showed a beautiful sweeping shot of the Amazon rainforest set to a lush orchestral score, as if it was a nature documentary or a romance, lulling them into false security of what was to come.

When she’d originally told him that the movie was a nasty one, Kirk thought that she was just exaggerating. He’d seen some gory movies before but they’d never been as grisly and realistic as this. The two of them watched in stunned silence as people were killed, raped, beaten, and animals were slaughtered before their very eyes.

The videotape’s quality added to the horrifying visuals before them, making the carnage so much more disturbing than it likely was; the poor turtle’s exposed innards were spread across the screen as the eerie soundtrack screeched. Kirk had never expected her to jump into his arms during a movie, but he could feel her tense up and her fingers curl into fists against his chest with every brutal blow.

But no matter how extreme the scenes became, neither one of them could take their eyes away from the screen. Blood was spilt, brains were exposed, bodies were hacked to pieces, women were raped, and people were eaten. She’d promised Kirk a gnarly time and that was exactly what they’d gotten.

I wonder who the real cannibals are, the television said before the camera swept up into the New York City skyline and the credits rolled. They were both quiet until the tape stopped and Kirk picked up the remote from next to him to turn it off.

“You feeling okay?” he asked her. She usually had something to say once the movie had finished, but this time she was stunned into silence. “Hey, it’s only a movie.”

“I didn’t think they were going to kill real animals,” she said, her voice quiet. “I knew it was going to be gruesome, but nobody told me they killed the animals.”

“Aside from that, did you like the rest of the movie?” Kirk asked as he ran his hand up and down her arm.

“I don’t know. It’s something I need to think about. But I know I don’t want to watch it again.

“It wasn’t a Frankenstein flick, that’s for sure.”

“Nobody got raped in any version of Frankenstein as far as I remember.”

“Did you not like that part either?”

“No,” she said, a little louder than she’d intended. “I hate seeing girls get raped in movies. It’s why I hated The Last House on the Left.”

“Mm, that one was intense.”

“At least all of that was fake, not like this,” she said as she sat up and went over to take the videotape out of the VCR. “No wonder it got banned.”

“Are you saying you support movie censorship?” Kirk teased and stood up to help her clear away the dishes that had accumulated on the coffee table.

“I’m not saying that,” she said and playfully slapped him on the arm. “I’m just saying that I can see why people had such a strong reaction to it.”

“Maybe next week I’ll pick the movie so that we don’t watch poor turtles die.”

“What’d you have in mind?”

Kirk took her in his arms and thought for a second, humming in her ear and tapping his fingers on her shoulders for comedic effect.

“How about I Spit on Your Grave?”

“Okay, now you’re just teasing me,” she said as she broke out of his arms and took the dishes into the kitchen.

“Hey, you’re the one who always picks the hardcore stuff, I thought you’d like it!”

[maviescafe]

LET'S TALK ABOUT CALEB

I know that Jan 22 seems really far but I swear we will blink and he will be here. I'm excited as someone who has been enjoying this game since I started playing and finally experiencing a new LI has me anticipating his release more. But I have two things I would like to talk about it.

First about his voice, no disrespect to the voice actor but I never thought much about it, we see him so quick in the gameplay that I never thought too much but eventually discovered that he would comeback as a LI and then my interest in him started, seeing everyone's theory about him and what references we had in game was Interesting.

The nickname thing, maybe it's a case of reference and I simply don't have it. After seeing a discussion about it and thinking more I came to the conclusion that could be a case similar to Sylus. We're Sylus calls MC/Us "kitten" right away and then "sweetie" but we know that he is being playfull in the first one and serious in the second so maybe Caleb will be similar?

Also as much as I like to see all the languages when it's possible, I don't compare them in my head because I'm no fluent in Chinese (but willing to chance this as soon as possible) but I do have the reference to understand the meaning that Gege brings and it's infuriating that those who grew up with anime and k-pop are suddenly unable to do this connection. Like, common guys, really? I don't have Honorifics in my mother tongue, this is really a matter of reference.

I wanna share something that I thought about. So, we know that Infold/PG has another company to take care of localization, so we have a few scenarios but since Caleb was in the game since the beta (in 2023, not sure which month) we don't know when they recorded the lines, right? So I'm willing to give a chance and see if he has improved since then. Because I saw a lot of people complaining that he is robotic and emotionless but I wonder if he even got to see what he was dubbing. Can't speak for all companies but sometimes the VA only has lines in front of them and depends on the Director to give them the background necessary to deliver the line and what is happening. Let's not forget that the VA doesn't decide anything, they're directed by someone who tells them what they need to do. So, I can't blame him and if it still doesn't work for me, I'll just stop to pull for him!

[anewp0tat0]

yea no I lied, I couldn't leave before doing this cause obviously I'm obsessed. obviously.

here's what I could research about the staff highlighted to be working on Black Butler season 4 in the time and patience that I had right now.

Kenjiro Okada: Director

I did some casual gathering on the good ol Wik. I don't recognize a lot or any of the previous works that he has been a part of, but it is a plenty some, so feel free to take a look for yourself. for a better idea, I took a glance at him through IMBD as well. I gotta be honest, not to cause any concern but just to be blunt, it's not the best look. when briefly checking out the works that he's done, a good some of them only make it up to 6 stars. only a few actually make it up to 8. but of course this could be due to a couple different factors, such as the source materials being not well known, or just not that great to begin with. after all he works mainly with adaptation. this could be his big break idk maybe :>

further on that, here's something I borrowed from Wiki.

honestly, this could be a potential concern as well. we all know that an unfortunate part of the fandom, especially over in japan, is into things the rest of us would rather not see in anime. I don't know why else yana would continue to add fan-service time and time again(I'd rather not think of her personal preferences). so if this person is really interested in pandering to the fanbase, it may lead to some scenes being uncomfortable... as usual. but, I shouldn't focus on the negative, all in all this looks like it will be a good thing! all we want from an anime adaptation is for it to be faithful to the manga, and especially after season 1 and 2, I think this assurance is much needed. besides, this could be an indication that he will be working closely with Yana, and projects that do so have succeeded *points to campania*. I'm optimistic, and I sure hope that we're in good hands.

Hiroyuki Yoshino: Head Writer

so unless I'm looking at a different Hiroyuki Yoshino it looks like this guy is a voice actor and singer first... interesting. as far as I can see it, he hasn't voice acted anyone in Black Butler.

oh no yea completely different guy, my bad! very different. the Real Hiroyuki Yoshino(screenwriter) was the screenwriter for Book of the Atlantic! sorry. we're all good here, perfect in fact.

unless he decides to substitute someone else for the double charles :] I still remember that. I don't remember if they're in this arc and personally I wanna keep it that way.

more info.

Yumi Shimizu: Character design

I'm not really jumping out of my seat to research this one, no offense to the designer, but I don't think we'll be seeing much character design other than Yana's. as for the artistic style of the anime, we already saw the teaser, and I think we're happy(I am really trilled that they released the announcement at the same time as the teaser, the announcement alone would not have had the same huge impact. plus it reduces the fear of cancelation ;] not putting that out there).

more info.

Ryo Kawasaki: Music

this is someone I really wanted to look into cause the music will matter a lot to me.

I found it, here's the soundtrack for the upcoming season 4.

with a background of jazz and band(popularizes to fusion genre apparently), this guy doesn't appear to fit with previous Black Butler soundtrack history. but I think that this is an indication that the mood and music of this season may be different of the rest due to it now being a sports show lol. and I think that's good! if done right I think the tone change will be hilarious, or, if everyone hates it, it's easily distinguishable from the rest.

I think this will be fun. here's more. also he looks awesome. impressive guy. man I'm praying for a killer new opening GOD.

I still wonder who the composer for the more classical score that I saw in the teaser is, if not him. it was nice :>

and finally:

CloverWorks

they're doing Spy X Family, did The Promised Neverland, Shadow House, many more that even I know of, we're good!

their page

a lot of y'all are very savvy at research, so if anyone wants to add on or contradict, go ahead! have a very, lovely day, everyone.

[foggywiz4rd]

Maybe this sounds random, but on Tik Tok I saw a lot of people using AI to make their Arcane lookalike character, and I just wanted to say that if you do so you didn't understand anything this show offers.

The quality of Arcane comes obviously from a really good writing but also from the amazing  character designs, worldbuilding choices, scene composition and obviously animation; those are works that take a lot of fucking time to the amazing artists, animators and directors, and using a technology that actively threatens this working positions is not only disrespectful but also stupid. Actively feeding AI with the unique artstyle of arcane is first of all helping this abomination evolve into becoming even more precise in stealing and copying specifics artworks, and also it's teaching it how to replicate Arcane lookalike art pieces that could be used to mass produce merch or prints putting a profit in the pockets of the wrong people; not only that but since we live in a time where profits are basically the only interest to big companies, who can guarantee us that once the AI products are good enough they will not be used for the actual series and products. I know that right now it doesn't seem like a possibility for this franchise because it has given us a genuine and fantastic work of art, but seeing what is happening in the world of animation (thinking for exaple Disney pushing only corporations slabs such as live action remakes or souless films, Pixar employees given less and less creative liberty, DreamWorks Co founder Katzemberg basically declaring that animators can be replaced by AI, and all the strikes the animators in the USA are doing because of the inadequate salaries and threatens to their positions) it's not an impossible scenario, maybe the fact that the arcane/league animation projects are done by a studio based in France, [were because of EU regulations AI is more limited (kinda, but also not really lol)], can keep it safe for now, but I wouldn't be so sure about it in the future.

This is to say that there are real people in the animation industry wich are suffering the direct consequences of the capitalistic mentality of their executives, and the real threat of AI replacing their labor, you chosing to use this technology is only giving this capitalist machine free fuel.

Also it's insulting to the amazing visual work done in the show, the art of animation is finally taking a different path in big industries than the iperrealism of Disneys 3D backgrounds; let's think about Spiderverse by sony, or the lates Ninja Turtles by nickelodeon, or even better Nimona, finally there has been a path of experimentation with this form of art recognized by the general pubblic, and Arcane is yet another example of this new and diverse path. The characters flow in the scenes, everyone of them has a unique style of combat reflecting their personality, the use of color as symbols but also as enanchment of the scenes, the raw strokes and blurred edges, the use of light to convey the scenes depth, the character designs, the writing, it's a work of art, a humanmade work of art, not one done by some click on a computer and a prompt. This is a tipe of work that an AI should struggle to replicate, it easy for an artificial intelligence to remake a Disney 3D style, because it's clean, boring and all the same therefore it's easy for a company like that to start rely on this technology to feed us with all the more shit ass stories and all the same animations, let's not make it easy for an AI to replicate something like Arcane, let's not feed this machine great material to steal and reuse to take away work from the people who give us this masterpieces in the first place.

Without obviously starting the discourse about how harmful it is for the environment, but this post is already a chapter, so maybe another time.

Section with spoilers:

Last thing is I saw a girl talking about the artstyle choices in the scene where Viktor and Jayce destroy the excore, where the excore products are all kinda fucked up and uncanny like something an AI could make, and then where the two of them fucking explode (rip to them I'll miss those gay boys) everything becomes more flat like a traditional human made drawing. So maybe the glorious evolution of mankind through AI it's a lot like how it's portraid in the show: souless, all the same, lacking personal freedom of choice and creativity, therefore if we put on our thinking caps maybe it's not the best path to go down. I dunno I just wanted to throw it out there because it fits a lot.

Just my thoughts. If there are grammatical errors I'm sorry, but clearly I don't want to use an AI to correct them lol.

[dokidokitsuna]

I f-finally cleared all the palettes in Side Order...( ＿ ＿)ノ*collapses*

If you don't know what you're in for with Eight's Palette, I won't spoil it for you. All I'll say is that its particular mechanic is very evil and very challenging, and getting through it once was quite enough for me, thanks. ^^;;; I look forward to climbing the spire for funzies and grinding for Prlz with the easy weapons from now on. 👍

I'm a little disappointed that the ordeal didn't end up giving any additional relevance to Agent 8's character...I liked seeing the backstory of [spoiler] but I don't see what that has to do with Eight's Palette (i.e. their identity, memory, and soul) in any significant way. ._. It seems the directors' burgeoning habit of throwing fan-favorite character backstories into random places because "we gotta reveal 'em somewhere" persisted in Side Order after all. :/

Anyway, I guess I shouldn't have expected much-- at this point, it's pretty clear that the Agents are more or less blank slates, which fits with their highly-customizable nature. It just irks me that the story very often treats them as if they are actual characters, piling on depth and trivia and yet never allowing them to develop.

It's hard to feel anything about Agent 8 befriending Off the Hook when they have very little discernible personality...the same way I felt nothing when I saw that Agent 3 (original) became the new Captain. At most my reactions to these things are just "that's cute, I guess" and it's starting to bother me...Nintendo games are full of silent, blank-slate protagonists, and yet Splatoon is the only series I know that treats them so weirdly. If you insist on trying to give them continuous storylines, maybe show them doing something in-game besides following orders, staring blankly, and being vaguely nice? Like, it wouldn't take much to properly characterize them; just a couple seconds of expressive animation here and there would be more than enough.

It hurts most with Eight because they have a LOT of depth. There's so much you could do with a character like them, with their origins and past, and established goals...they're supposed to be an amnesiac, for crying out loud! And yet they feel no different from Agent 3 (new), who doesn't have any of those character details. So what's the point, then??

When Side Order was first announced, I assumed that Agent 8 was the protagonist again for a reason, something beyond "they just happened to be the first person Marina chose". If they were replaced with Agent 3 or Agent 4 or a totally new character, it would barely affect the story, and that's...disappointing. I'd still rate the game mode a 10/10, but I definitely expected more.

[adamwatchesmovies]

Kingdom of the Planet of the Apes (2024)

The worst thing you can say about Kingdom of the Planet of the Apes is that it occasionally spends more time sowing seeds than dealing with its current story. That's not so bad considering its emotional weight, visuals/special effects, performances (let’s remind ourselves again of how much of what we see had to be imagined by the actors when they were shooting) and the conclusion.

Many generations after War for the Planet of the Apes, humans have become feral and apes have formed multiple independent societies. An encounter with a human scavenger (played by Freya Allan) forces a chimpanzee named Noa (Owen Teague) to wander outside his village, where he encounters a group of armed apes headed towards his home. He rushes back, but arrives too late. His father has been killed and everyone else taken captive. As Noa tracks his clan in hopes of rescuing them, “Nova” (they call all the human females Nova) follows him.

Kingdom lasts 145 minutes. Even with that ample running time, it doesn't feel like everything introduced is fully explored by the end. The villain, for instance. Bonobo Proximus Caesar (Kevin Durand) is the self-proclaimed king of the apes and is forcibly assembling them under his rule. We get a good feel for what sort of ape he is, but not enough for us to hate him… even though I think we're supposed to. This new Caesar wants to open this huge, armored door on the side of a cliff. He’s convinced that inside are weapons and knowledge that will allow apes to forever maintain the hold they've gained on the world. Conveniently, getting this knowledge will allow him to continue ruling. Is he power-hungry? Maybe, but there's something about him that's oddly compelling. He’s weirdly charismatic, but it's also that the rightful owners of that vault - humans - are less entitled to it now. Cities are almost completely overgrown. Skyscrapers have been transformed into unusually tall, rectangular mountains covered in vegetation. You see remnants of our civilization here and there, but can’t imagine how it could come back. You wonder if it even should. Apes and other animals have had to endure mankind’s wild ambitions for generations. If it’s so wrong for Proximus - whether he’s good or evil - to have the contents of that vault, then why were humans allowed to create it?

Kingdom of the Planet of the Apes feels like two movies that bleed into each other. The first is Noa's quest. The second is a more philosophical story about how we - as partial outsiders - should feel about the world. While searching for his “people”, Noa gains a greater understanding of what role humans played in the planet’s past. Some of the questions that arise have a big impact on him and Nova, but an even bigger impact on us. 

This 10th Planet of the Apes (all of which I think are worth seeing a minimum of one time) ends on a more optimistic note than most of the chapters in this franchise, but I wouldn’t say that it’s a happy ending. It’s uncertain. I’m also going to call it inconclusive, which is a bit frustrating. Then again, the film is well-made, so you don’t feel like it’s just stringing you along. There’s a bigger story being told here, too big for just one movie. I'm willing to wait to see what it is. Am I being generous because of past experiences? Partially, yes, but the fact is, writer Josh Friedman and director Wes Ball want us to sit back and think. There aren’t a lot of big-budget, special-effects-heavy films that do that anymore and I’d like to see it happen more often. Plus, there’s the technical craft on display. I have no idea how much of this film was done on the computer, and how much was done in-camera. Well, the apes, obviously, but when it comes to the backgrounds/environments, I have no idea.

I also continue to admire this series for the way that it manages to make non-human characters so easy to relate to. Before Kingdom, I saw a trailer for Mufasa and was reminded of the live-action Disney Lion King remake from a few years ago. The animals we saw there were these brick walls spouting human-like dialogue. Despite top-notch computer imagery, the whole thing felt fake. The apes we meet in this film feel real.

When Kingdom of the Planet of the Apes shows off its lush forests growing out of decaying cities, you’re happy to let your eyes wander. When it explores the ape civilizations, you’re eager to see more so you can understand how it all works. It propels you through the locations with a relatable story whose conclusion is not what you’d expect (not entirely) by asking surprisingly thoughtful questions about whose planet this is, and who it belongs to. Combined with the performances and special effects that just keep getting better and better, it may not be the best of the new Apes films, but it doesn't feel like a continuation without a purpose. I foresee myself revisiting Kingdom of the Planet of the Apes in the future, particularly when the next chapter comes around. (Theatrical version on the big screen, May 20, 2024)

[kylesvariouslistsandstuff]

Estimated $100m second weekend for INSIDE OUT 2... Really out here breaking some records, eh? Rare for a movie, and the first time for an animated movie, should the estimates be on the low end. Very possible the actual is like $98-99m, which is still very impressive, and only an approx. 35% drop.

If it gets over $100m over the three-day, it'll sit with all-timers THE FORCE AWAKENS, ENDGAME, INFINITY WAR, BLACK PANTHER, JURASSIC WORLD, and THE AVENGERS...

Really shows that the original INSIDE OUT is beloved after its blockbuster run in 2015, and it shows that audiences quite like this movie and are back for more. Might even make a play for INCREDIBLES 2's $608m domestic total, unadjusted of course. (The actual total in today's ticket prices is around $720m, per The-Numbers.) That would make it the highest-earning animated movie domestically, but right now, Pixar's Supers hold that title. Adjusted, it will always belong to SNOW WHITE AND THE SEVEN DWARFS.

But if anybody was gonna beat Pixar, it was gonna be Pixar. I don't see another studio getting a shot at this, maybe except cousin studio Disney Animation and their MOANA 2... Or DreamWorks if SHREK 5 really lands like a meteor in a few years from now.

Worldwide, INSIDE OUT 2 sits at $724m. Again, within two weeks of release. Already circling the original's $857m take. (Before anyone says it, the film saw a small re-release in July 2020 that pushed the take to... $858m. Know that I refer to original release grosses, lol.)

And with this movie doing so well, I see all the Chicken Little-ing... Over the wrong problem.

"We're NEVER getting an original movie from this studio again"

Okay... Let me try to debunk this.

I don't think an animation studio of this size can feasibly ONLY make sequels, because eventually... Wells run dry. Also, the people who yell this often online... Are they aware that ELIO exists and will be released next summer? Are they aware that Domee Shi, director of TURNING RED, has a new movie in the works at Pixar? (It's not ELIO, she is likely just doing story/script on that one.) Are they aware that Pixar has a movie slotted for release in late winter 2026 between ELIO and TOY STORY 5?

I'll tell you something funny... There was a fellow who insisted to me in December 2015 that Pixar was going to be done with original movies after THE GOOD DINOSAUR became the studio's first money-loser. That they'd put COCO on hold, and that would be it... LOL. This person also claimed to be a shareholder... That speaks volumes.

But no, really... You need to keep making untested or original movies in order to have things to make sequels to in the first place. And one of Pixar's recent losses was... A spin-off of TOY STORY featuring a version of one of their most recognizable, practically synonymous-with-their-name characters. Yeah, that epic movie about Lenny the binoculars!

So, please... Never making originals again? That's just a bad business plan and completely not feasible.

When originals/non-sequels don't meet the corporations' expectations (because I refuse to call SOUL, LUCA, TURNING RED and ELEMENTAL "flops" in any way, shape, or form... *Especially* the first three), the studios don't stop making them... They stop making them in a specific way.

Hence, Pete Docter - likely with Bob Iger pointing a gun at his head - saying Pixar won't make "autobiographical" movies anymore. Basically no more TURNING REDs, and more... Well, whatever the early 2026 movie is going to be. (Which is not this "Ducks" thing people keep insisting it is, as far as I know.)

The other studios do that, too. Off the top of my head... DreamWorks had a bunch of these fantasy movie in the works circa 2011. Stuff like THE GRIMM LEGACY, RUMBLEWICK, ALMA, fantastical stories with something of a darker bent to them. They were also considering adapting GIL'S ALL FRIGHT DINER... They had all these really cool movies in the works that would've redefined what a DreamWorks movie could be, post-SHREK. And then after a movie called RISE OF THE GUARDIANS lost money (even though it had good legs and became a cult hit thereafter), all of it never happened. ME AND MY SHADOW, which was in some form of production and was HOTLY anticipated by the animation community, got canceled. They proceeded to finish TURBO and MR. PEABODY & SHERMAN.

Both of which also "flopped"... I remember Jeffrey Katzenberg, when he was still running that place, saying something to the tune of: "Well those failed because we tried to aim at preteens and teenagers." Really? TURBO and PEABODY, which were overpriced to begin with, were aiming for that age group? The plan going forward was "We're going to make movies for kids and their parents." Whatever the hell that meant. Eventually, Comcast bought DreamWorks, a little over a year later. And the flightplan constantly changed after that.

Studios don't give up on movies that aren't sequels, they just re-route them. They find "reasons" for previous movie failures, and usually it's the fault of the filmmakers and the stories they chose to tell. It's never any outside circumstances, which are actually often the case with money-losing movies. The very movies that go on to be big on home video and streaming, and attain cult followings. With today's line of thinking, Walt Disney wouldn't have even gotten past PINOCCHIO's disastrous original release results.

So instead of yelling "we'll never get original movies again", I direct my energy elsewhere... And I say "Well, hopefully the future movies - both original and sequel - don't fall flat because of needless executive interference that attempts to *correct* a perceived problem." That to me is the issue, not the fantasy of Pixar completely stopping making original movies altogether.

[hayffiebird]

Taste of Strawberries, chap. 40 (part two)

Hayffie Post-Mockingjay (Canon divergence) Multi-chapter, Rated M SUMMARY: Four years have passed since the end of the war when Effie becomes a fixture in Haymitch’s life once again. An old friendship is rekindled. Will it lead to something more? Meanwhile, Panem has entered a new era. The rebellion’s over, the borders are open but in the shadows, anger and mistrust are smoldering. Something which will affect Haymitch and Effie’s life in a way they never saw coming. READ MORE

Author’s note: TRIGGER WARNING for mentions of eating disorder, suicidal ideations, animal cruelty and sexual assault.

Forgive me for any typos. I am really tired!

Hayffie Post-Mockingjay Multi-chapter, Rated M

Four years have passed since the end of the war when Effie returns in to Haymitch’s life once again. An old friendship is renewed. Will it lead to something more?

Meanwhile Panem has entered a new era. The rebellion’s over, the borders are open but in the shadows, anger and mistrust are smoldering. Something that will affect Haymitch and Effie’s life in a way they never saw coming.

Chapter 40

The writing on the wall (part two)

“When we graduated from the Academy,” Annabel continued her story, “Effie was dead-set on becoming a licensed architect. For years, that’s all she ever talked about. But her father contacted my father. Asked if he could pull a few strings. Recommend his daughter for an escort position. An outline district would be absolutely fine. And then they gave her the good news like a sort of … early birthday present. One she could not return without breaking their hearts.

I had no idea what I wanted. Most of the time I just longed back to our Academy days. Those years remain some of the happiest of my life. Before I met June. It was Effie and I against the world. I even got smitten for the first time. A girl in our year with wild, curly, jet black hair. And the school, while strict, was also my ticket out of Cordelia’s little kingdom, or so I thought.

All the Snow children were homeschooled. Like most of the prominent ultra-rich families. Especially the daughters, destined for marriage rather than higher studies. But my father was adamant. His girls wouldn’t sit and wait until someone proposed. We would get a proper, thorough tuition first and embark on a fine career of some sort. So, first the Academy – then the University, just like he once did.

Pallas and Apollo’s Academy were boarding schools back then. ‘Give them to us young and they are ours forever’ was the motto. So even though I’d still see Cordelia during each Games, I’d only ever leave the school’s stone walls for the occasional holiday. With me tucked away, I thought, some other girl would take my place and I’d fade from Cordelia’s memory.

After graduation I moved back home again. All of us children were expected to stay at the Flickermansion until we were properly married off.

Father was present and he wasn’t. He outsourced everything. Nannies to dress us, chefs to feed us, housekeepers to clean up our mess. I think I joined The Hypnotic Brass Ensemble – father’s house band, playing the trumpet because then at least I’d see him and not through a television screen.

He wasn’t a bad father. He loved us deeply. He just didn’t really have time to have five daughters. Especially after mother died. I believe he always tried to do what was best for us. But how can you really know what that is when you hardly ever see each other? Especially in a society that teaches you to push down every bad feeling that arises.

I had been home for just a couple of weeks when father summoned me to his office. Said he had some great news. I was betrothed.

‘Clearly you’ve made a good impression’, he said. ‘Cordelia asked for you herself. Her parents have blessed it. A fall wedding. How would you like that?”

I always knew I’d be married off eventually. To the daughter of a coal mining tycoon or maybe an award-winning up-and-coming director like Cressida. A match viewed as mutually beneficial for both families. But unlike many parents in the Capitol my father, our father, promised the five of us that we’d all have a say in who we got engaged to. He’d never sentence us to a forced marriage.

But in these matters he had no choice. And we both knew it. You didn’t say no to Snow.

‘This is the best thing that could’ve happened, Bee,” he said. ‘We couldn’t have hoped for a better match. The merging of the families … We’ll be related to the most powerful man in Panem.’

What he didn’t say, not in so many words, were the dangers of declining such a generous offer. If I so much as hesitated it would be questions. My wavering could set a ball rolling that we had no means to control.

After that, I was to spend all my Saturdays with Cordelia. At the mansion, closely chaperoned of course. All while the Snows and the Flickermans made arrangements for our three day wedding.”

She wet her lips, a vacant look in her eyes much like Effie when she shared a painful memory.

“I could never quite tell if she really was gay like me or just wanted something soft and submissive to use at her own fancy. Like the animals. Either way, I knew that once we were married she could beat me and enjoy me as she pleased and there was nothing I could do about it. Not without risking my family.

I didn’t know it then but looking back, I was clinically depressed by that point. Save those mandatory Saturdays I isolated myself from everyone, even Effie. Kept to the Flickermansion as much as possible. I’d counted calories on and off for years but it wasn’t until my engagement that the habit really escalated. Triggered an addition of sorts. I could control little else in my life but I could control what I ate. Or didn’t ate.

Weight loss is glorified in the Capitol. Praised no matter how you achieved it. People want to know your secret. Calls you morphling chic. But for me, it was never really about being thinner or looking a certain way. I doubt it ever really is, at the core if you have this disease.

First I thought I had control over it. This ‘weight journey’ of mine in lack of a better word. But once I reached my goal I started negotiate and bargain the finish line, pushed it further and further ahead. Because it was never really about the weight.

It was a system I built up, to protect myself from anxiety. To manage my feelings. It would just be me and anorexia sitting in a room and then it wouldn’t matter that I was alone and unhappy, facing a future I dreaded.

I had a hard time showing up for meals. To eat in front of people in general. I felt like everyone was watching me but if I missed too many dinners my sisters would ask questions.

So it became this destructive cycle of starving myself and then binge-eat as a response which triggered panic attacks so strong I went and drank Evermore drops to make myself vomit, only to tumble into a pit of self-loathing for wasting good food and so I was right back to not eating again.

And then there were still my Saturdays with Cordelia. For someone who apparently ‘asked for me herself’ she couldn’t care less about the wedding plans being made over our heads. We never really talked about it, but she spent more and more time with the animals and during the last weeks of her life she practically lived in the Asphodel Meadow.

It was really just another room, with the same twenty-foot-high walls but it had a force field, mimicking an open green plain, distant mountains and the wide blue sky.

Cordelia owned only one animal bigger than herself. A pony. I called her Boo for short and she was the fairest, mildest, most sweet-muzzled creature you ever saw. A cream colored, freckled Connemara who loved sugar. I always made sure to bring a few cubes in my dress pocket in the hopes that I might slip her some.

The Asphodel Meadow was an equestrian centre laid out with horse jumping obstacles and this is where she lived. Boo. I never got to ride her myself but I braided her mane, groomed her, cleaned her hooves. Minor things that bored Cordelia.

She was a fine rider. Had been on horseback since she was a toddler. She was supposed to always wear a helmet and never ride bareback but she hardly ever followed those rules.

One morning when I got there she was in a foul mood. I never did learn why but she took Boo out before she was saddled and ready. Didn’t care what anyone else had to say. Just grabbed the whip and swung herself onto the horse’s back.

I’d seen her hurt Boo before but never like that. She was livid. The people who worked the stable tried to rein her in but Cordelia ignored their every attempt. Furious, her and Boo soared over the jumping obstacles and either you got out of her way or you got run down.

Then something happened with the force field. To this day I don’t know what it was. If somewhere a fuse had blown or there was a power cut or someone simply turned it off but there was a sharp zapping sound and in an instant the Mind Flight was gone. Nothing left but the real ceiling, the high walls with no doors unlocked but the ones leading you back into the depths of the mansion.

The reaction from Cordelia was instantaneous. She shrieked with fury and slammed the whip down, harder and harder. Yelled at Boo to go faster. Punished her, I think, for everything wrong in her life. Whipped her bloody until I screamed at her to stop.

Finally crazed with pain and terror the horse bolted. The servants could not control her. Neither could Cordelia. She shouted at the mare but the animal was beyond reach. All the girl could do was drop the whip and clutch on to Boo’s mane. Grip her with her knees. She couldn’t even throw herself off at such sped without breaking bones, without being trampled.

Panicked, I watched it play out. Frozen like the first time she kissed me. And then Boo crashed into the vertical poles of a nearby obstacle. Cordelia flew forward and slammed into the ground, head-first.

The room was in an uproar. People running wild. Some for Boo, most of them for the young woman. All I did was stare at one of her boots, twitching with what little life still left in her. She’d broken her neck. By the time the doctor arrived she was already gone.

The next few days were a haze. I was in shock. Numb. Scared too. Scared over what might happen to my family. I know father called for an emergency meeting. A meeting we children had no part of, of course. It wasn’t hard to guess what the topic was. ‘What we will do if miss Cordelia’s death is blamed on Annabel’. As if any words or actions on our part would make the slightest difference if Snow decided to rain his fury down on us.

In the end, Cordelia’s fate was ruled a tragic accident. Capitol News made a glorious tribute about president Snow’s oldest daughter. ‘The free spirit and lover of animals. A fine rider heading toward a brilliant future when taken to young.’

I never forgot Snow’s face at the funeral. Hard-lined. Unsmiling. A white rose in his lapel. Very controlled and yet I couldn’t escape the feeling that on the inside he was dancing. Because a problem of his had been solved in an unexpected yet welcomed way. A bad leaf snipped off of an otherwise glorious rose.

And I lay awake at night wondering if I was much better. Wondered during those bleak, dark, sleepless hours if the real reason I did nothing when Cordelia died was because a part of me wanted her dead, wanted to be rid off her.

What kind of person was I for being more upset about Boo having to be put down than I was a dead girl. A girl probably feeling just as trapped and caged as I was, only more. If I could wave a wand and bring her back to life, would I? Would I really?

Not a week after the funeral, the citizens of the Capitol had already gotten on with their lives.

Not me.

I hadn’t seen Effie in ages. Hardly ever returned her calls. So when we finally did meet up at her place she noticed how much I’d changed physically, unlike my family who saw me every day. And I could pretend in front of my father and my sisters but not Effie. In the end, I told her everything.

About Cordelia. About my anxiety attacks. That I didn’t know how to eat normally anymore and that the only thing I could hope to achieve with my pathetic little existence was help continue Snow’s Games through my father’s name. All the things I never told a living soul. I could see how concerned she got. ‘I think we should talk to your father’, she said but I made her swear not to tell anyone. Not ever!

I already regretted opening up. Effie wanted to meet up again after that but I dodged her suggestions of when and where.

A week of this and my father took me aside again. Only this time, he came to me. For ten dreadful seconds I feared he’d announce another marriage candidate but that wasn’t it at all.

Effie Trinket had come to see him. Told him she was worried. Deeply worried. About me. That I seemed depressed. That I wasn’t eating.

I’ve never felt so betrayed. So deceived. I trusted her with my secrets and my darkness and she fed me to the wolves. The only real friend I thought I had in the Capitol.

So then our house doctor paid us a visit, I got my diagnosis and from that moment on everything changed.

Anorexia is a symptom of a larger problem but people thing the problem lies with the food. If only you start eating again you’ll be healthy and happy. So why aren’t you eating? Just eat!

So I started hiding my behavior – the sick ways in which I ate and it infected every ritual, every habit, surrounding food. Even with eyes on me, I hid parts of my meal in the napkin, smeared the gravy out across my plate, found ways to get my hands on Evermores and burned the bloody tissues in the open fireplace.

With each broken rule the grip on me grew tighter and tighter. My going to the dining hall was now mandatory. Breakfast, lunch and dinner, closely supervised by nurses employed by my father. And their obsessive-compulsive counting of calories only fed the existing problem, like petrol on a fire. I couldn’t use the bathroom without someone standing outside the door. They locked me in at night with guards at the door. Put bars on the windows so I couldn’t escape for a nocturnal run around the garden.

Ten days of this and I snapped. Completely. Called Effie. Screamed at her until my voice gave out. Told her I never wanted to see her again. That I’d never forgive her for doing this to me.

With Effie cut from my life, everything got even more unbearable. A month went by. Two. I was literally a prisoner at my father’s mansion. Like Cordelia. I don’t think my family trusted me outside those walls and they were right. There must have been questions about my empty chair in the house band but I guess father came up with an acceptable excuse. A secret passion project perhaps.

Finally, the hospital had to get involved. I was literally wasting away before my family’s eyes. Way beyond what even the Capitol considered attractive and still losing pound after pound.

This was the last resort. Executed in the biggest of secrecy. Father wanted as little bad publicity about me as possible after what happened with Cordelia. To protect me in his own way. I didn’t put up a fight. Was nothing I could do. Either I checked myself in to their psych ward voluntarily or I’d be committed against my will just the same.

My father never called. Never visited. Neither did my sisters. Looking back I believe they trusted that I was in good hands. That interfering would only hinder my progress. But at the time I felt nothing but utter and complete abandonment. That the outside world had finally forgotten me and wasn’t that what I always wanted?

Days passed. Weeks. Medicines. Therapy. Enteral nutrition pumped into my body. We were eight patients at my ward. Eight pale little ghosts floating around. Nurses and the occasional doctor filled the halls at all time. I didn’t care what they did to me. Didn’t care about anything anymore. Well, not quite. I was waiting. For my first day pass. One day outside those walls. Just an hour would do. So I could slip some garden rocks into my coat pockets and walk straight out into the River Theseus.

So outwardly, I co-operated. Did what they asked. Told them what they wanted to hear. But inside, I’d withdrawn so far into my numb little shell I might as well already be dead. The only thing that got me going during those first few weeks was visualizing the quiet, deep river. Over and over again.

But then, there came a letter. First and only time I ever got one at the ward. And I didn’t have to turn it over to know who sent it. I’d recognize that careful handwriting anywhere. The nurse who first brought it to me, stood with me as I read. Hours after I’d mustered up enough courage to do so.

Sweet Effie. It was as if all of my dark thoughts had somehow lit a beacon. A beacon so large she was able to see the smoke rising into the sky all the way from her apartment.

The nurses got a call through to her for me and an hour later she arrived in the little room for family and friends.

One look at her was all it took. Even after everything I said during that awful phone call months ago, her blue eyes held nothing but love and I completely fell apart. Her arms encircled me and I cried. More than cried. Wailed. Like a child sitting at the bottom of a well with no way to get up.

She helped me to the couch so my knees wouldn’t give out. Tears streamed down my face. I couldn’t even get any words out. Words of forgiveness, most of all. But I didn’t have to. She understood anyway. And she just held me. Caressed my back, my hair with quiet soothing sounds. Like I were a baby in her arms. She stayed with me for as long as she was allowed to. When they came to take me away and I started trembling she squeezed my hands and said, ‘Tomorrow.’

A fresh wave of pain filled Annabel’s eyes, but not for the reason Haymitch imagined.

“I didn’t know it then,” she said, “but she was already pregnant by that point. I was still on the inside when she gave birth to her boy, months later. We’ve never really talked about it since but I wonder sometimes. If I hadn’t ended our friendship when I did, right in the middle of her tender first time as escort in the Games … If I never said the things I did, would she have come to me instead of going to that party.”

“Not your fault,” said Haymitch. “Effie would never blame you. You want a culprit, that’s Kane.” And, with a heat behind it that made the hairs on his arms stand: “Sexual assault. That’s what it was. Doesn’t matter if he didn’t literally force himself onto her, it’s still fucking rape!”

He’d given it a lot of thought ever since Effie first told him and the more he did, the more he felt he wouldn’t mind jamming his knife into the man a couple of times. If they ever saw each other face to face.

Lucky for him he’s rotting in jail.

“I haven’t been there for Effie the way I should,” Annabel said, with a pain behind the words that he knew all too well. “It’s one of my deepest regrets. That I didn’t pay better attention. Listened to the things she wasn���t saying. The way you do. The way she did with me. I wish I’d spent more time with her. Especially after the war and my father’s trial. Instead I fled to District 11 every chance I got, first as a volunteer worker and then living here part-time.”

She drew a deep breath.

“But I am here now. She saved my life. She knew I didn’t want help. Knew I’d hate her for interfering . Knew I had the means to turn the Capitol against her if I wanted to. And she was fine with that. Fine with all of it. Because I would be alive to do it … Takes a pretty remarkable person,” she said, “to make a sacrifice like that.”

Haymitch nodded.

“Yeah,” he murmured. “Yeah.”

“You’ve been through hell,” Annabel said. ”I know that. Worse than any of us can possibly imagine. I just told you all this because I want you to know I understand. What it’s like when the people you love most goes behind your back. Tries to make you do something you don’t want to do. She did the same to me.

But it wasn’t betrayal. It was love. She carried me on her back when I couldn’t go any further. Helped me get the help I needed to help myself.

And now she does the same to you. Carries you on her back. Carries Amy and Ian too. And she's strong, without a doubt. Stronger than most. But she's not made out of titanium. She won’t manage it forever. No one can.

Now, I’m not telling you to check yourself into a rehab facility. Maybe you can’t. And if you can’t you can’t. But if you want to do something for me, then I beg of you from the bottom of my heart: Don’t break her just because you cannot live without her.”

Author's note: Special thank you to my sweet, dear friend Sara for sharing her experiences of eating disorders with me to help with this chapter. She and Annabel are not the same person and they don’t share the same backstory but the things I got right about anorexia is 100 % thanks to Sara!

Also, as you might have noticed I've made a slight change in past chapters concerning Haymitch sleeping with other Capitol women when drunk.

In my defence, I included that headcanon in 2015 so it's been a minute but lately I've thought to myself: "Oh come on! Effie would NEVER let Haymitch do that when he's drunk and isn't thinking straight! Especially after what happened between her and Kane."

So I went and changed it soo that poor/lucky Haymitch only got to sleep with two women he really cared about.

[arcane-ish]

I have to look up the exact quotes.

The quote in tthe news was:

“The first version came back from [animation studio] Fortiche and they’re like, ‘Guys, it’s over an hour long. We can’t do this.’ And we were like, ‘Yeah, okay.’ So we kind of chiseled away from that point," Linke said.

Which indeed sounds like "they had a script, Fortiche said it was too much work for them, they cut it to spare Fortiche".

The other quote is this one:

"No, we didn't ask Fortiche to produce a 1hr 30 final episode. It's quite the opposite, our scripts are always shorter than what Fortiche ends up proposing in the story board phase. We wanna let them get inspired and roam free, so we can then reel it in while also allowing for the magical moments to find themselves. "It's a tight creative collaboration, not some sort of 'alright vendor company, do your work, achieve the impossible, but do it quickly!' – I consider many of the people at Fortiche to be some of my closest friends. I find it disappointing that people suggest these things. No, we didn't get 'corporate greed' pressure or anything."

This suggests Fortiche came up with more stuff than the script asked for and they cut it, but money was not the reason. (but note the "reel them in")

I was thinking of this Christian Linke interview in German:

The interviewer says something along the lines of "I read the finale was longer, does that mean that the Arcane extended cut is somewhere still lying around on the desk".

Christian says: "What that was just storyboards. And I mean, one has to say it, the people there at Fortiche, they kinda like actioning (??) things long. The story wasn't different, but the scene were longer and (makes a face) partially too long. But, (makes a face again) in the end more time you always want to have. The economics of the animation are in the end brutal, every minute costs something. In a action bundle (??), if you are in a location, how many seconds you need to make a break between two lines of dialogue, that's different for us."

To me that sounds more like "Fortiche came with extra stuff storyboarded and they cut it" and it wasn't dialogue (which again fits with his twitter quotes and the cut stuff wasn't dialogue but Fortiche running free) and yes in this interview it sounds like money might have been an option since that is his first topic he goes to (time as in "can Fortiche do it in time" might also have been a factor. Or maybe they had an agreed on budget they wanted to go to and so they cut to match it).

This is Amanda on the bridge continuity:

(I think there might have been another quote that talks specifically about communication/not enough communication with Fortiche but if there is, I couldn't find it)

For what it's worth, this seems to be the normal way that the interact with the animators that they give the animators a lot of leeway, ie the Christian quote:

We wanna let them get inspired and roam free, so we can then reel it in while also allowing for the magical moments to find themselves.

Amanda:

This is an example (of the Ekko Jinx bridge fight in season 1) of how the directors at Fortiche took an idea in the script and elevated it beyond anything we imagined. I LOVE that scene SO MUCH. It’s so emotional and so visually unique. I cried the first time I saw it

We talked in the room about what Ekko and Powder’s friendship was like as kids, the dynamic, how their similar ages brought them closer - but the specific visualization of both of those sequences was all Fortiche making their magic happen.

Amanda and Fortiche

Most of all though, the Fortiche and Riot creatives emphasized that production on Season 2 was defined by a more collaborative workflow from the very beginning, with scripting closely intertwined with look development and preproduction. Scriptwriter Amanda Overton from Riot Games spoke about the exchange between her writing process and the visual development at Fortiche: “We got to pitch our story ideas and get their visual input,” she said, able to incorporate the animator’s own ideas back into her work as she wrote. Production designer at Riot Arnaud-Loris Baudry (who previously worked at Fortiche) noted how he had gotten used to his part in production being a little siloed off, while praising the fact that here it was more open across departments.

This is the quote about how more Ekko and Jinx stuff in the main universe would have been redundant to the AU.

I don't know where the rumor comes from that it was specifically a montage that would have paralleled their AU montage, but maybe some of the timebomb exports can clarify. It would kind of make sense with what Christian says about location if it would have been for example inside Ekko's hut at the firelights (ie the thing we see Jinx working in Jinx Fixes Everything). But it might also just be a urban myth just based on the much harder cut between Jinx in the scene with Ekko versus when they appear at the battle field (ie different hair, having drawn symbols all over her flying machine, having come up with an agreement with Sevika off screen).

I think the way the camera treats Caitlyn in the first act of season 2 is really interesting. It cuts off her eyes at some very key moments.

The eyes are how we connect with someone. Cutting them off cuts off the ability to sympathize with them. And depending on how the mouth is shot it can make the character seem more base or animalistic in a given moment. I think the show did this quite a bit with Silco in season 1, and they do it with Caitlyn in season 2.

The first one is from s2e1 when Caitlyn says about Jinx, "I want to rip that laugh from her throat forever.

Up until this point the viewer has been quite embedded in Caitlyn's POV when she's on-screen. The musical segment was showing her perspective. We witness her fantasy of being able to take down Jinx. The show is making sure that we understand where she's at mentally.

But here, the first time she's expressing violent thoughts, we're decidedly not in her POV. Her eyes are cut off, we don't get that connection with her. But what we do get is Jayce's reaction. And he's concerned. It's the first kind of "uh oh" moment, where you get a sinking feeling about where Caitlyn's headed.

2. After the memorial attack, she calls the attackers "animals" and we get this uncomfortably close shot of her teeth.

She's calling others animals, but she's the one who's shown snarling in this animalistic way. Again, her eyes are cut off, cutting off that avenue for sympathy when she says this, cutting the viewer off from her perspective, distancing her. Instead our attention is directed at this ugly, unsettling expression of hers. The camera is presenting her as something to be worried about rather than someone to feel sympathy for.

3. After interrogating Heenot, when she's gearing up to go after Jinx, and Vi is about to ask to talk to her.

Throughout the preceding scene, we were getting a lot of shots of Vi reacting to Caitlyn's behaviour, with a quite open expression, and a lot of shots of Caitlyn looking hardened and aloof. And then we come to this shot, and though Caitlyn is centre-frame, it's still Vi's POV. We see how Vi is feeling and reacting to things, but Caitlyn's eyes are again cut out of frame. She's distanced from the viewer, just like Vi is feeling distanced from her. Vi's position in the frame communicates how she's feeling, like she's being edged out of Caitlyn's life by Cait's singular focus on revenge.

And just like with that first shot with Jayce, by focusing on the reacting character, the camera is showing the viewer how they should be reacting to Caitlyn too: unsettled, disturbed, alienated.

4. When Cait and Vi are fighting, and Vi grabs Cait's arm, before she jabs Vi with the butt of her gun.

It's a reaction shot, Vi just grabbed her arm and told her she's acting like Jinx, this cut should be showing us how Caitlyn feels about that. But we don't see the reaction in her eyes, we just see her mouth.

In this case, I think it's not just about presenting Caitlyn in a way where she's cut off from the viewer. Because it is a reaction shot, I think this communicates that Caitlyn also feels cut off from herself in a way, cut off from the sympathy she had for others that was such a part of her character in season 1.

And then it's interesting to compare all this to when Vi and Caitlyn cross paths again, and Vi calls Caitlyn "cupcake." And we get this shot:

We get the closeup on her eyes. Whereas before, the audience was repeatedly cut off from having that connection with her, now it's like, boom, big connection. And just as before, I think the shot is not just about the audience being able to connect with her, but Caitlyn being able to connect with herself. That despite everything, she's still the same woman who fell in love with Vi, that part of her is still there. She's been on this whole awful journey, and she's done awful things, and allowed awful things to be done in her name, but she's still the same person, and she can't pretend anymore that it's all fine. She sees clearly again.

[geekgemsspooksandtoons]

I’ll just admit this silly thing concerning my Transformers and Godzilla/Monsterverse AU’s I had tried developing. More so my Transformers one and what I was thinking concerning my Godzilla/Monsterverse one.

They usually seem to take ques or ideas from a certain cinematic vision of one director that has inspired me. Because my thought process is, “How do I make the best versions of these characters?” and the developing story seems to go like this.

1. Part 1 is a story that is almost an origin where the main character faces their first greatest challenge against Megatron. Here’s more details concerning this developing AU. https://www.tumblr.com/geekgemsspooksandtoons/716632212644216832/old-cybertronian-warfare-synopsiss?source=share https://www.tumblr.com/geekgemsspooksandtoons/716630447526936576/old-transformers-au-writing-stuff-and-ideas?source=share

Transformers being about an Optimus Prime who’s still being new at being the leader of the Autobots facing against Megatron. Taking the element of Rise of the Beasts...before I had even saw the film.

Godzilla being about a young adult Godzilla going from an angry animal who has been tragically affected by the nuclear fallout of the America dropping nuclear bombs. But Godzilla making the choice to fight a monster with a possible similar origin of him, but not having the tragic angle and being less sympathetic than him.

2. Part 2 would be testing the main characters in a story against a character or characters that make them rethink their existence. As their own existence is questioned by humanity and the main character making a choice for the better that they will determine their own destiny as they become the savior of the planet.

For Transformers...here are the details. https://www.tumblr.com/geekgemsspooksandtoons/716633316766498816/scrapped-dinobot-speech?source=share https://www.tumblr.com/geekgemsspooksandtoons/716635123155632128/scrapped-transformers-final-battle?source=share

For Godzilla...the developing idea was well...a mixture of ideas.

The concept of Kong going to war with Godzilla. Which is turns out, their species had a violent history with one another. Despite Kong not being a giant radioactive dinosaur, he kicks Godzilla’s ass due to not how smart he is. But also, how unrelenting he is that it actually makes Godzilla scared how a creature is determined to kill him.

Again, taking my idea of replacing the roles of the Monsterverse versions. Where Kong is the old veteran and Godzilla while being powerful, is rather young.

While the world is trying to figure out how to coexist with these monsters and what to do with them. And Mothra trying to break up the fight between Godzilla and Kong probably. King Ghidorah rises and pretty much threatens everything on the planet. And revealing the history to one of the main characters and maybe others through a mind link that doesn’t kill them. Showcasing Ghidorah’s memories that well...

The Godzillas and Kongs were rival species, they hated each other, started war with one another. But when Ghidorah arrived, he/they saw that both Alpha Titans were giant threats. So, Ghidorah waged a one Titan war against both species. Resulting in Godzillas and Kongs to unite as one. But Ghidorah drove both species to near extinction, specifically when he targeted the mothers and infants, making sure more couldn’t be made.

Yeah, Ghidorah caused massive infanticide. He/they literally killed babies. And Ghidorah was only stopped when Mothra was able to trap him somewhere, keeping him frozen for millions of years. But because of what he had done. Ghidorah basically destroyed the world. And Godzilla’s and Kong’s were driven to near extinction. While other species helped eliminating more of each species down the line such as the Skull Crawlers with the Kongs. But it was Ghidorah who started it...Ghidorah literally destroyed the world or almost destroyed the world once until Mothra had to do something to trap him.

But yeah, it ends with every human military helping Godzilla, Kong and Mothra to fight against Ghidorah as they realized how pointless their wars are compared to this. Originally, Kong wasn’t in this idea at first but...

Yeah...King Ghidorah. Destroyer of worlds, destroyer of entire species, baby killer, and whatever else. Such as being the one that destroyed the natural world of Titans, slowly making it more habitable for human beings. And this idea goes with this post here. https://www.tumblr.com/geekgemsspooksandtoons/719734669689700352/geekgemsspooksandtoons-i-legit-want-a?source=share

-

Back to the point...all of these stories...and where they got their idea...and how they get this way or the similarities...I like to thank one man. And that’s Zack Snyder. He’s the God damn blueprint.

[shleemies]

Dude what why did they change every single detail of this scene from what they put in the movie???? The framing is more accurate to the manga but that's about it. In what world is gojo wearing a red hoodie and not his uniform in this?

[artsywriter25]

Let’s talk about Kung Fu Panda 4

Okay, so we finally got some updates on KFP4, the plot, the director and what to expect to see in the film. My reaction to this is….mix.

On one hand, I’m so happy we got something! But on the other hand, I’m just really nervous and I don’t like this deflated feeling. So I’m writing this out to share my thoughts and wanting to hear what the fandom thinks. I’ll try not to make this too long or sound like a rant, I’m going straight to the point and talk about the good and bad about KFP4.

=

So first let’s talk about the director: Mike Mitchell

……Oh boy.

Ok I’m not gonna give the guy any crap, I’m willing enough to give him a chance. Yes I know he directed Trolls, but he also directed Shrek Forever After. I looked back at that movie after The Last Wish and it’s not really that bad. It was actually sweet and serious in some parts. And that’s what I hope this director will do, have the 4th film at least serious in some parts and don’t make it too goofy or jokey where it feels awkward.    

Now on to the story and this is the best way I can summarize this from a few articles I’ve read:

“ Po is getting promoted to be the spiritual leader of the Valley of Peace, but he has to choose someone to take his place as the new Dragon Warrior. He catches a theft fox who he could see potential in their skills but they don’t get along. But Then a Chinese sorcerer known as ‘The Chameleon’, has summon Po’s past villains from the dead. Now Po and his (student?) must journey together and stop this new villain. ”  

So judging by the information that we got, it sounds like many years have passed since the third movie. Po becoming leader actually worries me because it’s probably hinting that Master Shifu may pass away and now Po has to take his responsibilities (This is just a guess so sorry Shifu fans!).  

There is also this fox character they have mention in the articles which they can’t seem to get the name right and they keep flipping their gender. First it was misspelled as Shen, then it was Chen and Zhen so I’m just gonna call them Fox for now on.

I wonder what kind of story arc will they give Fox. What’s their backstory? What kind of lessons they must learn? Does Po see himself in them or are they both different with different views? These are some questions I hope they answer. Giving Po a student to teach was a direction I theorized DreamWorks will go down and I’m glad they did. The trilogy had Po as a student, now taking the role of masterful teacher, it make sense to passed down those experiences to someone. I can really image the funny shenanigans they can get in to, along with the Furious Five. I think it would have been awesome if they each had a student too and they all come together fighting the villains with the skills they were taught. If there’s one thing I’m really worried about is the Five getting pushed aside for this new character or Fox ending up being a perfect character. Have Fox be flawed, have them be a kid we can relate and root for and something that the kids will like too.

Now let’s talk about my most favorite thing of all: THE VILLAINS!!!

OH MY GOD MY FANGIRL IS TRYING TO TAKE OVER! TAI LUNG, SHEN AND KAI ARE COMING BACK!! AND I DON’T KNOW IF THIS IS A GOOD OR BAD THING!!??

I am shock, like I never expected they go down this route. Story wise, I understand why the three shouldn’t come back as they served their purpose as villains, but no, they are bringing them all back. A actual animation studio is listening and giving the fans what they wanted??

DreamWorks must be watching their fandoms, that’s the only explanation I can think of. They must have saw all of our fanarts and fanfics and went like “Oh damn, they really love are villains…you know what, let’s bring them back.”

So how will this affect the story? I honestly don’t know, maybe Fox has to learn all body, mind, and spirit in order to help Po and the Five.

Now what I’m really surprised is they choose a chameleon to be the forth villain. I did some research this morning, and there’s not that many species that look intimidating. But if they could make a peacock threatening, I’m sure they can make a chameleon threatening too. I even looked up about sorcerers in China and I think they meant shamans. Chinese shamans are known to be wizards or spirit mediums, this could mean the Chameleon may have some connection to the spirit realm, which I hope they explored more on. I read some of this under Wikipedia, its very interesting.

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And that’s all I have to say for Kung Fu Panda 4. I am a little worry for this film but I’m not gonna get worked up about it, I’m gonna stay positive that it will work and I’m sure it will. The only thing that could save this film is the animation. I think KFP is perfect for that hybrid spiderverse animation.  

But what do you guys think and are you still excited for the sequel?? If you wanna discuss anything about this I’m all ears.