#Josh Friedman

[xplore-the-unknwn]

THIS SHOT OF NOA AND MAE! EXCUSE ME?! 👀🙈

The intense eye contact. The closeness. The hands around each other. PERFECTION!!! 😭😫

I can feel the intensity just by looking at it. I told yall the Director is intentionally making this tension between them!! 😫😫

Also where was this in the movie??? I NEED A CLIP OF THIS OMYGOD

[rickchung]

Kingdom of the Planet of the Apes (dir. Wes Ball).

[It] builds some great simian action with shades of historical religious wars and seeds the cyclical nature of humanity through its fleshed-out ape characters. However, once it firmly establishes an interesting direction, things veer into more conventional blockbuster fare while abandoning some of the compelling character motivations it so deliberately set up. It also sorely misses the heart Andy Serkis' expert digital performance brought the the cinematic table.

[guillotineman]

War of the Worlds (2005)

A Film By Steven Spielberg

[brokehorrorfan]

Kingdom of the Planet of the Apes will be released on Steelbook 4K UHD, 4K Ultra HD, Blu-ray, and DVD on August 27. The fourth installment in the Planet of the Apes reboot series will first be available on Digital on July 9.

Wes Ball (The Maze Runner) directs from a script by Josh Friedman (War of the Worlds, The Black Dahlia). Owen Teague, Freya Allan, Kevin Durand, Peter Macon, and William H. Macy star.

Presented in 4K with HDR and Dolby Atmos audio, the 4K UHD editions include Inside the Lens: The Raw Cut, a full-length alternative cut with a split-screen comparison between the final cut of the film and a version with unfinished VFX.

Special features are detailed below, where you can also see the full Steelbook layout.

Special features:

Inside the Lens: The Raw Cut

The Raw Cut audio commentary by director Wes Ball, editor Dan Zimmerman, and VFX supervisor Erik Winquist

Inside the Forbidden Zone: Making Kingdom of the Planet of the Apes

14 deleted & extended scenes with optional commentary by director Wes Ball

Set several generations in the future following Caesar's reign, apes are living harmoniously as the dominant species — and humans have been reduced to living in the shadows. As a new tyrannical ape leader builds his empire, one young ape undertakes a harrowing journey that will cause him to question all that he has known about the past and to make choices that will define a future for apes and humans alike.

Pre-order Kingdom of the Planet of the Apes.

[charliejaneanders]

The Planet of the Apes movies have consistently commented on American politics, and what it means to be a person. Our latest episode asks how these movies have stayed so relevant. Plus we talk to Josh Friedman, writer of Kingdom of the Planet of the Apes!

[edsonlnoe]

F O U N D A T I O N 2 0 2 1 Alfred Enoch as Raych Foss / Lou Llobell as Gaal Dornick Costume Design by Eimer Ni Mhaoldomhnaigh

[adamwatchesmovies]

Kingdom of the Planet of the Apes (2024)

The worst thing you can say about Kingdom of the Planet of the Apes is that it occasionally spends more time sowing seeds than dealing with its current story. That's not so bad considering its emotional weight, visuals/special effects, performances (let’s remind ourselves again of how much of what we see had to be imagined by the actors when they were shooting) and the conclusion.

Many generations after War for the Planet of the Apes, humans have become feral and apes have formed multiple independent societies. An encounter with a human scavenger (played by Freya Allan) forces a chimpanzee named Noa (Owen Teague) to wander outside his village, where he encounters a group of armed apes headed towards his home. He rushes back, but arrives too late. His father has been killed and everyone else taken captive. As Noa tracks his clan in hopes of rescuing them, “Nova” (they call all the human females Nova) follows him.

Kingdom lasts 145 minutes. Even with that ample running time, it doesn't feel like everything introduced is fully explored by the end. The villain, for instance. Bonobo Proximus Caesar (Kevin Durand) is the self-proclaimed king of the apes and is forcibly assembling them under his rule. We get a good feel for what sort of ape he is, but not enough for us to hate him… even though I think we're supposed to. This new Caesar wants to open this huge, armored door on the side of a cliff. He’s convinced that inside are weapons and knowledge that will allow apes to forever maintain the hold they've gained on the world. Conveniently, getting this knowledge will allow him to continue ruling. Is he power-hungry? Maybe, but there's something about him that's oddly compelling. He’s weirdly charismatic, but it's also that the rightful owners of that vault - humans - are less entitled to it now. Cities are almost completely overgrown. Skyscrapers have been transformed into unusually tall, rectangular mountains covered in vegetation. You see remnants of our civilization here and there, but can’t imagine how it could come back. You wonder if it even should. Apes and other animals have had to endure mankind’s wild ambitions for generations. If it’s so wrong for Proximus - whether he’s good or evil - to have the contents of that vault, then why were humans allowed to create it?

Kingdom of the Planet of the Apes feels like two movies that bleed into each other. The first is Noa's quest. The second is a more philosophical story about how we - as partial outsiders - should feel about the world. While searching for his “people”, Noa gains a greater understanding of what role humans played in the planet’s past. Some of the questions that arise have a big impact on him and Nova, but an even bigger impact on us. 

This 10th Planet of the Apes (all of which I think are worth seeing a minimum of one time) ends on a more optimistic note than most of the chapters in this franchise, but I wouldn’t say that it’s a happy ending. It’s uncertain. I’m also going to call it inconclusive, which is a bit frustrating. Then again, the film is well-made, so you don’t feel like it’s just stringing you along. There’s a bigger story being told here, too big for just one movie. I'm willing to wait to see what it is. Am I being generous because of past experiences? Partially, yes, but the fact is, writer Josh Friedman and director Wes Ball want us to sit back and think. There aren’t a lot of big-budget, special-effects-heavy films that do that anymore and I’d like to see it happen more often. Plus, there’s the technical craft on display. I have no idea how much of this film was done on the computer, and how much was done in-camera. Well, the apes, obviously, but when it comes to the backgrounds/environments, I have no idea.

I also continue to admire this series for the way that it manages to make non-human characters so easy to relate to. Before Kingdom, I saw a trailer for Mufasa and was reminded of the live-action Disney Lion King remake from a few years ago. The animals we saw there were these brick walls spouting human-like dialogue. Despite top-notch computer imagery, the whole thing felt fake. The apes we meet in this film feel real.

When Kingdom of the Planet of the Apes shows off its lush forests growing out of decaying cities, you’re happy to let your eyes wander. When it explores the ape civilizations, you’re eager to see more so you can understand how it all works. It propels you through the locations with a relatable story whose conclusion is not what you’d expect (not entirely) by asking surprisingly thoughtful questions about whose planet this is, and who it belongs to. Combined with the performances and special effects that just keep getting better and better, it may not be the best of the new Apes films, but it doesn't feel like a continuation without a purpose. I foresee myself revisiting Kingdom of the Planet of the Apes in the future, particularly when the next chapter comes around. (Theatrical version on the big screen, May 20, 2024)

[moorheadthanyoucanhandle]

BANANA REPUBLIC

Now in theaters:

Kingdom of the Planet of the Apes--Generations after the death of Caesar, the chimpanzee who founded ape civilization, apes live in clans along the California coast, around the grown-over ruins of human civilization. Our young hero Noa (Owen Teague) is part of the Eagle Clan, a sort of peaceable low-tech utopia that practices fishing by falconry.

Trouble arrives in the form of a raiding party which abducts the Eagle Clan while Noa is away. He follows, along the way picking up a scholarly orangutan, Raka (Peter Macon), and a waiflike human, Mae (Freya Allan). Noa eventually finds his clan enslaved on a beach, under the rule of Proximus Caesar (Kevin Durand), a swaggering monarch complete with crown and throne, demanding in blustery rhetoric that his throng of subjects pay him obeisance outside his palace, a rusted shipwreck.

Proximus claims authority in the name of Caesar the Lawgiver, but Raka has already taught Noa that his tyranny is an outrage to the true Caesar's egalitarian traditions. What Proximus really wants, it turns out, is to open the massive door to an underground seaside vault full of old human technology and all the potential power that any potentate could want.

This fourth of the latter-day Apes movies is, one might say, the ape-iest of them, the one most immersed in an established ape culture and with the most meager human presence. Directed by Maze Runner veteran Wes Ball from a script by Josh Friedman, it's also the most modest, in blockbuster terms; the cast is made up largely of journeyman TV actors mostly unfamiliar to me. The only name player I recognized was the always reliable William H. Macy, as a human bookworm who's teaching Proximus the follies of human history, often to the King's uproarious laughter.

It's a moody, evenly paced adventure that borrows not only from the original Apes series, especially 1970's satirically seething Beneath the Planet of the Apes, but from other mythic sources including Star Wars and The Lion King. And it's admirably unsentimental, with characters seemingly ripe for redemption that aren't redeemed and alliances that don't warm into friendships. The atmosphere is bitter but bracing, and the film has a heart of hard but noble honor.

It's difficult, these days, for many of us to see any movie about autocratic rule, or the undermining of democratic values, or the allure of "strongman" leadership, as anything but a political allegory for our times. The mangy, orange-furred ape tyrant "Skar King" in the recent Godzilla x Kong: The New Empire, for instance, seemed like little more than a heavy-handed, though entertaining, political cartoon. But if Proximus was intended as a stand-in for our current would-be sovereign, I have to say, his high-flown language and historical curiosity make for an overgenerous caricature.

[grande-caps]

Foundation - Season 1

Quality : HD Screencaptures Amount : 15.634 files Resolution : 1.920 x 1.080 px

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[fearsmagazine]

KINGDOM OF THE PLANET OF THE APES - Review

DISTRIBUTOR: Walt Disney Studios Motion Pictures

SYNOPSIS: Several generations after Caesar's rule, apes became the dominant species, living in harmony while humans are forced into the shadows. A new tyrant, Proximus Caesar, established his empire near a military bunker he seeks to breach and make the technology his own. Noa, a young ape, embarks on a perilous journey when Proximus Caesar's scouts destroy his village while searching for a human. Noa's quest to reunite with his tribe and bring them home leads him to question everything he knew about the past and make decisions that will reshape the future of both apes and humans.

REVIEW: Under the helm of director Wes Ball and the creative guidance of screenwriter Josh Friedman, a new chapter in the "Planet of the Apes" saga unfolds, transporting audiences back to the familiar world. This captivating tale builds upon the events of "War for the Planet of the Apes," setting the stage for a captivating narrative that takes place several generations later.

The film begins by tying up loose ends from 2017's "War for the Planet of the Apes." It establishes how Caesar's legacy will shape the new saga, paying homage to the films of the 60s and 70s. The narrative merges the classic hero's journey with the "Planet of the Apes" universe. Consequences for the hero's actions are strictly enforced within this framework. Rather than providing a backstory through dialogue, the film cleverly uses visuals to convey necessary information. The film's logic is meticulously crafted and thrillingly executed, revealing that Noa's tribe raises eagles. This unexpected element is employed for its implications later in the story. The narrative revolves around contrasting characters. I found Raka, an orangutan who might be the last of a priestly order dedicated to preserving, though flawed, Caesar's original message, to be a particularly interesting character. The film establishes context and raises questions about the events leading to Proximus Caesar's rise. A human character, played by William H. Macy, reads to Proximus and appears to be an engineer. While intriguing, this character felt underdeveloped and lacking depth, resembling a Shakespearean jester who meets a predictable demise.

The narrative concludes Noa's tale, but it also poses questions that hint at potential story arcs for future films. Multiple storylines remain unresolved and will likely be explored in subsequent installments of the film series.

The narrative pays homage to the entire "Planet of the Apes" universe by adeptly utilizing dialogue, visuals, and musical score. There are several remarkable moments that I'll refrain from spoiling here. Unlike the iconic moment at the end of the original film, the filmmakers subtly incorporate familiar landmarks into the backgrounds, evoking a sense of location, the passage of time, and a touch of surprise as nature has reclaimed the landscape. One particular scene, in which several elements seamlessly converge, embodies the universe in a way that truly gave me goosebumps.

The production values in the film are closely tied to the current advancements in technology. Compared to the 2017 film, the motion and facial capture techniques have improved significantly, allowing for more nuanced and expressive performances from the actors. Additionally, the environments in the film are a hybrid of physical and CGI elements, creating breathtaking and photorealistic visuals. While I appreciated the production design overall, there was an aspect that I found questionable: the saddles on the horses appeared to be technologically more advanced than what would be expected of Noa's tribe or the other apes in the story.

The film "KINGDOM OF THE PLANET OF THE APES" showcases a stellar ensemble cast. Owen Teague's portrayal of Noa captures a troubled innocence, torn between his commitment to the apes and the conflicting revelations he encounters outside his village. Freya Allan's performance as Mae surpasses anything seen in her previous roles, such as "The Witcher" series or "Gunpowder Milkshake." Allan brings a complex and surprising depth to the character. Peter Macon's creation of Raka is a standout, presenting a simple, kind, and naturally humorous cleric whose expressive moments leave a lasting impact. Kevin Durand, a seasoned actor, delivers a larger-than-life performance as Proximus Caesar, a character that is menacing, calculating, and captivating. While William H. Macy's performance is solid, but it feels underutilized compared to roles like Raka. It serves more as a functional character within the narrative rather than a fully developed role like the one Raka presents to Noa.

In the realm of the "Planet of the Apes" universe, KINGDOM OF THE PLANET OF THE APES introduces a captivating epic tale. Approximately 50 years after the novel and film, the story deftly weaves contemporary and logical elements as it hints at a potential new film series. Unlike earlier installments, there are no atomic bombs, mutants, or time travel (at least not yet). Instead, the film skillfully incorporates elements from the entire "Apes" universe to deliver an emotionally resonant and satisfying cinematic experience for fans. The visuals are breathtaking, the action is pulse-pounding, and the performances are stellar. With the artisans from WETA, the same team behind the "Lord of the Rings" films, crafting this universe, it is no wonder that the result is a dazzling spectacle. Here's hoping the next installment will be equally impressive!

CAST: Owen Teague, Freya Allan, Kevin Durand, Peter Macon, William H. Macy CREW: Director/Producer - Wes Ball; Screenplay - Josh Friedman; Based on the Characters Created by - Rick Jaffa & Amanda Silver; Based on the Novel “Planet of the Apes” by - Pierre Boulle; Producers - Joe Hartwick Jr., Rick Jaffa, Jason Reed, and Amanda Silver; Cinematographer - Gyula Pados; Score - John Paesano; Editors - Dirk Westervelt & Dan Zimmerman; Production Designer - Daniel T. Dorrance; Costume Designer - Mayes C. Rubeo; Special Effects - Weta Workshop; Special Effects Designer - Andrew Wallis; Visual Effects - Halon Entertainment LLC & Weta FX. OFFICIAL: www.20thcenturystudios.com/movies/kingdom-of-the-planet-of-the-apes FACEBOOK: www.facebook.com/ApesMovies TWITTER: twitter.com/ApesMovies TRAILER: https://youtu.be/Kdr5oedn7q8?si=6x3e0-Tfbq77B9e2 RELEASE DATE: In theaters May 19th, 2024.

**Until we can all head back into the theaters our “COVID Reel Value” will be similar to how you rate a film on digital platforms - 👍 (Like), 👌 (It’s just okay), or 👎 (Dislike)

Reviewed by Joseph B Mauceri

[cantsayidont]

KINGDOM OF THE PLANET OF THE APES (2024): Weak-kneed prolongation of the rebooted POTA franchise attempts to move on from Andy Serkis's Caesar character, opening with Caesar's death and then seguing "many generations" forward, with Caesar now a figure of legend, seen by some apes as a source of moral wisdom and by others as a model for empire-building.

Unfortunately, Josh Friedman's cheerless, heavy-handed, simple-minded script can't think of anything very interesting to do with that idea, and without Serkis's charisma, there's nothing to hold KINGDOM together as a story or provide the movie with any real narrative direction. The main ape character, Noa (Owen Teague), is boring, and William H. Macy and Freya Allan are both awful as the two human characters — not helped by the film's uncertainty about how it wants us to feel about the Allan character's anti-ape racism (which seems a lot more arrogant than she can really afford to be given the precariousness of her position). Worse, despite the bladder-straining running time (almost 135 minutes excluding credits), it feels distinctly under-plotted, existing mostly to set up a tangentially related future sequel.

At this point, I assume no one is expecting a POTA movie to have any big ideas, or even any discernible remnant of the original series' sometimes hamfisted satiric flourishes, but it's hard to excuse KINGDOM's failure to do anything imaginative with its setting or to offer any novel or exciting setpieces. The mo-cap ape characters are mostly fine one-on-one, but, as with the earlier installments in this series, the periodic attempts at big crowd scenes or grand vistas fall completely flat and invariably look terrible, embarrassing given the $160 million budget. (The last couple of the original series movies also looked pretty bad, but they each cost about 1/100th as much as this movie.)

[xplore-the-unknwn]

HEAR ME OUT-

vid by @thatfilmguy5 on tiktok

Their scenes together have this likable tension. Every time Im like WHAT IS HAPPENING AND WHY DO I LOVE IT. There was this super intense scene in a field where Mae called for him and Noa came to her aid like a knight on a horse literally. It got me like- Oh… I want to see where this is going. 😳😳🙈

Their dynamic also complements each other that its cute! How they’re parallels but similar in what they’re fighting for. Both opening each other’s eyes to different worlds. HOW COULD I NOT WANT their relationship to develop in future sequels (even if they’re not endgame the TENSION IS THERE)

and their chemistry-

Its chef’s kiss. Its the Highlight of this film. When you watch it you’ll know. Their chemistry makes the characters sooo rootable and makes you more curious that you want to see how their dynamic flourishes whether as enemies or as besties- which is good and healthy for the franchise!!

Idk how they did it but the writers and Wes Ball knew what they were doing pining us with this tension. GENIUS.

[milliondollarbaby87]

Kingdom of the Planet of the Apes (2024) Review

Many years after the reign of Caesar we following a young ape named Noa as he goes on a journey that will make him question everything he has been taught about the past and what he knows about the Echo aka humans. ⭐️⭐️⭐️ Continue reading Kingdom of the Planet of the Apes (2024) Review

[bob-the-movie-man-film-reviews]

Kingdom of the Planet of the Apes (12): In Search of "Instant E-VO-LUTION"!

#onemannsmovies #filmreview of "Kingdom of the Planet of the Apes". #KingdomOfThePlanetOfTheApes. Superior monkey business. 4.5/5.

A One Mann’s Movies review of “Kingdom of the Planet of the Apes” (2024). I always thought it would be a good pub trivia question: name the films in the latest Planet of the Apes trilogy in the right order. Many would probably correctly name “Rise of…”, “Dawn of…” and “War for…” but would they get them in the right order? To me, “Dawn” intuitively comes before “Rise” so I would probably get that…

[geekcavepodcast]

Kingdom of the Planet of the Apes Final Trailer

Several generations after Caesar's reign, the apes are the dominate species and the humans are living in the shadows. "As a new tyrannical ape leader builds his empire, one young ape undertakes a harrowing journey that will cause him to question all that he has known about the past and to make choices that will define a future for apes and humans alike." (20th Century Studios)

Kingdom of the Planet of the Apes is directed by Wes Ball from a screenplay by Josh Friedman, Rick Jaffa & Amanda Silver, and Patrick Aison. The film stars Owen Teague, Freya Allan, Kevin Durand, Peter Macon, and William H. Macy.

Kingdom of the Planet of the Apes hits theaters on May 10, 2024.

[bkenber]

'Avatar: The Way of Water' - James Cameron Wows Us Yet Again

‘Avatar: The Way of Water’ – James Cameron Wows Us Yet Again

It is surreal that “Avatar: The Way of Water” has finally arrived in movie theaters after having its release delayed so many times. The original “Avatar” came out in 2009, and since then we have been promised a number of sequels which never quite made it to the silver screen regardless of what James Cameron promised us. This got to be aggravating for everyone including myself as I kept rolling my…