#i read the books first too btw

[rise-my-angel]

The constant urge not to correct people who are blatantly misunderstanding Show Jon, soley because they cannot let go of the fact that he isn't identical to Book Jon. Give the show version a fair analysis, hes not lame because hes different and you don't like it. If you cannot interact with an adaptation without constantly devaluing it against its source material, that's your problem for not respecting how adaptations work.

You don't have to like the adaptations changes, but before deciding those changes are worse, you need to interact with that adaptation fairly and on its own merit. If a change doesn't work within it's own adaptation, then we ask where that change went wrong and how the book in its own merit, did it better and why.

But blatantly misunderstanding the adaptation because you don't like that its different, is not fair. Your personal taste is not an objective basis for fair criticism.

[ale-arro]

been going a little bit insane about this sentence from Ace by Angela Chen for the past week

[ash-and-starlight]

Hello, I saw you say in your 2024 short book review that Iron Widow sucked? May I ask your reasons? I've had this book in my hands multiple times and thought of buying but never did, and by what you said, and accounting for us seemingly having similar tastes, I think you might give me a good idea about what to expect from the book and whether I'd like it?

So yes just. Your thoughts on Iron Widow and why it sucked would be awesome if you could find time for it

Have a nice day!

udhghh ok honestly the reasons are so many and i cant even string them together correctly so i really just recommend going on the goodreads page and reading the one star reviews bc they all illustrate point for point why i think it sucked so much. like ok reason one is that its simply not well written. like its marvel level jokey "oh he's right behind me isn't he" kinda writing. Reason 2 is that the plot is just all over the place nonsensical, there are in-universe things that you're just supposed to accept at face value but just make zero sense once u think about them for longer than 5 seconds. It professes itself to be a girlboss feminist narrative and its the furthest thing from feminist u could ever find. wu zetian sees herself (and is framed by the narrative) as the only hashtag woke hashtag empowered woman that exists and goes on thinking every other girl she meets is a dumb whore. this never gets disproved. she never changes her mind. (which is not WRONG per se but at least dont market it as a #feminist book just for clout). Also like. i was expecting for the heroine's story to bear some resemblance to the hystorical wu zetian's story and uhh idk if this changes later on but so far their stories dont rlly have a thing in common. AND i like the author a lot i think they're super knowledgeable & must've done a ton of research for this so why,,, did they decide to basically discard all of it,, and also it should've gone through a few more drafts,,, one beta reader at least- anyway the things that i DID like were the qi based mecha system. that was conceptually rlly cool and i always love a mecha situation. and the fact that the love triangle got resolved in an ot3 (..... not that i liked any of the characters enough to care...)

[gemini-queen42]

HEY LADS FUN FACT: I've been reading To Shape A Dragon's Breath and i love it dearly And I must recommend it!♡♡

[Some (mild?) spoilers under the break]

LITERALLY The only reason I didnt squeal is bcuz i was in class.

BUT SCRAMING!!! OMFG!!! OMGOMGOMG!!!!!!!!!

HELLO hi yes I've been AWFULLY invested in Anequs & Libertys relationship... ouggh...

The amount of HEARTS I annotated on just these 2 pages....sorry i lomv them...

Like literally Anequs's FIRST thought about Liberty... and when they next meet?? Ouugh???♡♡

Some more misc lil moments of theirs i annotated. Sorry these aren't taken with full readability but I can't retake them rn so 😭😭

[ifyourereadingthisblinktwice]

just finished the poppy war trilogy what the FUCK WAS THATTTT

[aroaessidhe]

2024 reads / storygraph

The Sword of Kaigen

standalone fantasy set in a rural mountain village at the edge of an empire that still holds traditional values, with families of powerful water/ice magic warriors

follows a powerful young heir who begins to question his beliefs about the empire when a new boy comes to his village from the city

and his mother, a housewife who has tried to forget her youth as a warrior and vigilante in the city since she moved back home to a loveless marriage

when there’s a violent attack on their village that they’re unprepared for, everything changes, and she has to embrace her old skills to protect her family and people

[bigcats-birds-and-books]

Books of 2024: LEECH by Hiron Ennes.

This is a reread for me! I first read it when it came out in 2022, and it absolutely rewired my brain. It does so many fascinating POV things that I adore, and I'm excited to revisit it with ~Vague Recollections~ of plot reveals to see how many of them I spot ahead of time this go-round.

[uhbasicallyjustmilex]

fire and the thud came on my spotify shuffle while me and my sister were listening to music this afternoon, and at the end of it she turns to me and goes “who was that? the lyrics sound like the kind of thing you’d write” and honestly i think it’s one of my favourite unintentional compliments i’ve ever received

[crystalkitty1220]

Man I wonder where the leader of the fear realm could've gone, it's alMOST LIKE NEVIN HAS AN

[garrettwrites]

I am so tired of how Quotev/Wattpad level fanfiction, written by what reads as a 15 year old getting into their first fandom, gets pushed up the book ratings in the gay romance genre (m/m). Why is Red White and Royal Blue always at the top. Why is Boyfriend Material. Why must I suffer. Where are the standards. Why is a 30/40 year old recommending me, a grown adult man, stories that feel like they were written for highschoolers who don't like to read so they pick up the trashiest, most easily digestible shit in order to have the bare minimum of fun while doing their reading interpretation project for class.

This is coming from someone who had fun reading goddamn Twilight by the way. I'm not a book snob. I can enjoy objectively bad media if it's fun. My favourite book series with LGBT main characters is All For The Game, and that's a shitshow! But at least there's passion in it! There's fun!

I am going insane!!!!!

[moomeecore]

the pure unadulterated joy of stumbling upon the bad guys books in the library entirley on accident (have never read the books, only seen thefilm) , sitting down to read the 1st book, and being caught of guard by getting to see this scene in real life, in person in the flesh. not as a tumblr post. the real deal! wonderful. i love gay people !!

[mermaidsirennikita]

People are ridiculously entitled and it’s genuinely so disheartening. Books are someone’s ART. You don’t just get to alter a name in someone else’s creative work. (I’m appalled people out there think this is remotely acceptable - writers are not court jesters nor do they exist to please everyone - no human being nor their creative work does, in fact!) Thanks for putting your various responses out there! Here’s hoping people learn to respect and appreciate artists and creators once again

Quoth Nora Roberts:

I am not here to be a slave to certain reader’s wants, needs, whims. Again, I write what I write, and these are MY characters, in my books. Not yours. They are yours to enjoy or not, but they belong to me, they come from me...

You don’t have to agree, but I’m not writing for your particular point of view. Again, I’ve explained my reasons for this. I won’t do so again. My characters, my books, my decision. If you want something else, read something else.

And yes, I said that, too. Blast away, it changes nothing. I am not obliged to meet an individual’s demands.

So.

First off:

If you're really super chill about the idea of being able to change what writers write just because you didn't like a detail you think is small and irrelevant, I would sincerely encourage you to read La Nora's full thoughts on similar issues... and yeah, I'm gonna equate something as "small" as a name with what Nora's talking about here. Because it is ALL the author's domain. I've never personally subscribed to the idea that a work "isn't yours anymore" once it's out in the world. The way people interpret and interact with it isn't yours, sure. But it's still your creation, and you should be the only person with control over the content.

... and sometimes, I, as a reader, don't like what authors do with their content. I get it. I don't like that Lisa Kleypas edited her work years after publishing it, because I'm big on the "own what you wrote originally even if it's uncomfy" train... (for the most part--editing the fetishization of Cam and Kev would've made sense to me). And I don't think there's anything wrong with readers pointing out problematic shit in a writer's work, offering critique in an open forum, as Smart Bitches, Trashy books did when reading Hello, Stranger, which I speculate may have prompted some of Lisa's edits.

But! I can't say that it would ever be my right as a reader to, say, use future technology to tell my reading device "edit out the times Cam says shit that reads super fetishized". It's just kind of repellent to me to imagine rewriting someone's work in any way without their permission. Fuck, I don't even like the idea of estates releasing sequels or revised versions of books unless the author indicated that such was in their wishes in their will. (See: the TWO official Gone with the Wind sequels/prequels/whatever authorized by Margaret Mitchell's estate.)

We, as readers, have our lanes. The writers have theirs. And sometimes, as writers, they do tiny things or BIG things in their lanes that we dislike. (I love Tiffany Reisz's Original Sinners series, for the most part. I really, REALLY hate the most recent book in the series. HATE. IT. But the only thing I can do about that shit is just pretend that book never happened, which I actually can fairly efficiently because I do in fact control what my brain does. Or, seek out books that give me what that series didn't with that most recent book. Sierra Simone's do a bangin' job.) But you know... Not only do I not think it is safe for me to merge into their lane... I don't want writers to feel like they have to submit to demand and give away pieces of their work in order to keep selling.

(And honestly? For the vast majority, I don't think it would make enough of a difference anyway--writers are often sold bills of goods with new strategies or tech. "This will change the way you sell books". Most writers won't ever be able to write full time anyway, and I find the way that this fantasy that you'll be able to do otherwise with THIS TECH optimizing your writing time, or THIS SUBSCRIPTION increasing the eyeballs that will see your book... Scammy. Not all of it's bad! But the selling strategy that you'll make more money... If you're selling on KU, if five extra people buy your book you're still making pennies, so it's gotta be more than one thing that converges to create the sale, and a lot of that, I gotta say, is word of mouth and people just LIKING YOUR SHIT. And I'd argue that they're more likely to like your shit if you're invested as a writer.)

Second:

No need to thank me! I honestly think that the majority of readers do appreciate what writers do (or don't feel either way about it and just read like people have always read lol) but I don't know. I can't really tell what it is--the sort of "fandom" that's been created around books (and like, author fan clubs and such have always existed, but obviously the accessibility is so different), new tech developing very rapidly when for centuries books were relatively stagnant technologically speaking, the fanficification of EVERY type of media it feels like... But the sense of entitlement that certain readers feel does seem to have grown. Or maybe it's simply become more visible. I mean, Nora Roberts has from the dawn of her writing career taken off had fans that can communicate with her, and I'm sure many have written letters like "Go give these characters a baby :(".

My biggest thing is always going to be this: some books ain't gonna be for you. There are books that sound so Caroline. I read them, and for whatever reason--writing style, one character choice, something ephemeral I can't name--they aren't. Everyone else loves these books. I'd love to love these books. I'd love to discuss these books. I'm not in the party. And that's FINE. Not every party is going to be a party I'm down for! One of my best friends loooooves Tessa Bailey and Tessa-like contemporaries. Tessa, by and large, doesn't work for me. So my friend and I can't discuss a lot of books in depth. Do I wish historicals worked for her so that I could nerd out with her? Sure! But I can't make something that doesn't work for her work for her, and I can't make Tessa's books work for me.

And I know that people will be like "it's just a name bitch", but... it's a slippery slope to me, just like ALL of AI and AI-related tech has been a slippery slope. Like, y'all said AI wasn't gonna be a big deal and would just make things easier, and people are now selling AI-written books under their names. Everyone said that authors would have control over how AI interacted with their books, and books are being scraped for AI on the daily.

I do not want anyone to have final control over what is and isn't in a book but the person who wrote the book. I do not want writers to feel like they need to cede any amount of control over the copy in that book over to readers in order to succeed.

And I honestly think it would be a lot healthier for everyone involved if we as readers (viewers, general audiences) just accepted that we don't get everything we want, and creatives are not here to dance to our tune. They are people, and they want to tell the stories they want to tell. Your power? Is in your dollar. If you don't like that shit, don't buy it. If you don't want to support it... don't! Fuck, if you want to talk shit on the internet about how the most recent book in the series was absolutely not for you, that's your right, too.

I don't want you fucking with a single word on the page, though. Feel free to go write your own shit--prosper! But that part of what Nora said that rings true to me most is "they come from me". These books come from writers. You have them because of those writers. So, I don't know, dude. Just take what's there, and if you dislike it, spit it out and move on to the thing you will like. Authors aren't churn factories to produce what you want, and ROMANCE as a genre, however commercial it is and however much it does have that One Rule that defines it as a genre... Is still something that writers should be allowed to experiment with. That's the work writers put in. The work readers put in? Finding shit that works for us. And I'm telling you... With a little practice, it ain't hard. How do y'all think I have all these books to recommend? Lmao

[that-was-anticlimactic]

the lack of respect for the httyd books pisses me off ugh

[possum-quesadilla]

Blucifer sketch dump bc this is the most motivated I’ve felt for drawing in months lol

[deadandphilgames]

oversharing in the tags time :)

[capt-sievert]

I got 1984 in English let's go 🔥🔥🔥🔥