#i plan on writing some more of it!
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stealingyourbones · 3 months ago
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I desperately need more mentor uncle figures and mentor brother figures in DPxDC to fill the interesting relationship dynamic gap that father figures stories can't always fill are u picking up what I'm putting down. Hell, just a regular friendship relationship with absolutely 0 familial dynamic.
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shouyuus · 2 months ago
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making hickeys. on vi’s abs. thats all.
send me vi thirsts and i'll give u my hand in marriage
kissing down her abs till she's gasping, and she'd make the prettiest noises, wouldn't she? little pitched whines and bitten-off keens at the back of her throat, her fingers spearing through your hair, her hands uncertain of what to do -- whether to press you closer or to pull you away; there's a gasp stuck in her throat, heat coiling in her stomach, a disparate, untamed hunger licking up the length of her spine, tingling down her arms as she does her damned-well best not to flip you both and pin you beneath her.
but a part of her wants this too, yearns for the softness with which you treat her, the back-arching sweetness that collects beneath your tongue as you press kiss after kiss along the defined lines of her abs.
at first, to tease her, to watch them flex and relax, the lines carving into her skin like footprints on a tide-strewn beach. but then, after a while, you'd fallen into the well of her hitching breaths, the darling little moans she tries to tuck into the sides of her cheeks, no matter how often you tell her that you love her noises.
"p-princess -- please --"
her voice is ragged, though you've not moved an inch below her belly button, she already sounds debauched.
"but i'm not doing anything," you tease, grinning as you pillow your cheek against her now hickey-marked abs. she puffs out a breath, carding her fingers through your hair to stroke at your neck.
"if people knew how mean you really were --"
you lean down to nip at the line just above the waistband of her pants, making her hips jump up, her head tipping back as she gasps.
"i'm not mean." though you can't help the smirk that twists your lips as you catch her looking back down at you with those dark, blown-out pupils, her lashes fluttering, gaze half-lidded with want.
"such a pretty little liar," she says, with no malice at all, rubbing a thumb along your cheek. you crinkle your nose at her words, sighing as you finally relent and sit back up, letting her pull you across the length of her body for a long, heart-settling kiss.
"its your fault, you know," you murmur, after she lets you pull away, her hand still at the back of your neck, holding you close. she chuckles, her voice low.
"my fault?"
"yeah. for having such kiss-able abs."
she laughs then, the sound bright as windchimes, and just as sweet.
"right, right," she says, tucking you more comfortably into her side, "it's all my fault, and you're just a sad slave of consequence to my extremely kiss-able abs, right?"
you grin, nuzzling deeper into her embrace, "right. as long as you know it."
vi laughs again, dropping a kiss into the seam of your hair.
"yeah. trust me, pretty girl. i do."
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hootyhoowoo · 1 month ago
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A little 15 min doodle but first post of the year has to be Bingqiu!
#ok its time to get mushy in the tags because I doubt anyone would read them too closely#I’ve had severe art block for YEARS before I got into danmei in 2024#and it wasn’t that my skill was gone it’s just that I thought nothing I did was good enough#I started reading danmei around the summer of last year and I got SO INSPIRED#I dived into the fandom side of things (I haven’t been in a live fandom in years) and was so excited about all the art people were making#and writing! and music! and animatics!#everything was so bright and colorful and beautiful#and everyone had such cool designs for these book characters that I’d grown to love#so I took a chance and doodled a little Luo Binghe and posted him on here#and I was so taken aback by how welcoming and sweet the fandom was#it made me wanna keep taking chances and posting my art— because I think that’s one of the hardest things I’ve come to accept#that even if it’s not good enough for me#someone else may enjoy it#and ain’t it crazy that ive come to enjoy drawing again too#sure the interaction has been fun but it’s been even more fun experimenting with my style and experimenting with colors and rendering#and grayscale and angles#and composition and expressions#ahh!! art is so fun!! I forgot how fun it was!!#I had forgotten how much I loved to draw!!#and the fandom— so many ideas are exchanged and I’ve met some of the loveliest people thru the sv fandom!#tgcf too but they’re a little less chill lmao#anyways#I’ve set up a little spot in the fandom and I plan to keep at it here it’s very nice and cozy and funny and warm#huge thanks to everyone for being so kind and welcoming#and an even bigger thanks to anyone who’s interacted with my art#I still can’t wrap my head around the fact that someone took the time out of their day to like/repost these silly little doodles I post#incredible. ok bye for now :)#svsss#bingqiu#hoot art
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quicksilversnails · 2 months ago
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Took some notes from the Wild Life retrospective episode of the Imp & Skizz podcast featuring Grian because I thought the behind the scenes info was really interesting!
(3:15) The wild cards were all kept totally secret from the players (apart from Grian), with the exception of the superpowers and finale (as they required the players to set keybinds)
(3:45) The players were given files containing the required mods each week, which were named things like "creeper rain" to throw them off
(4:12) Wild cards were a combination of data packs and mods
(4:38) Grian told them not to read the folder name to avoid spoilers (which is kind of impossible), so everyone fully believed there would be creeper rain lol. Grian was saying it in jest but everyone took it seriously and were apologetic about having seen it, to which Grian told them not to worry
(6:58) Grian originally contacted a data pack dev called Brace for help with programming the wild cards. Some, like the shrinking/growing could be achieved with minecraft attributes, but the snails were too janky and unusable. Grian still liked the idea though, so he reached out to mod developers Henkelmax and Breadloaf, who designed the pathfinding/behaviour from scratch
(8:49) They had a debugging mode used to test the pathfinding of the snails, shown in the podcast and in Grian's credits
(10:09) Grian wants most of the credit to go to the development team and artists, as he was mostly in charge of ideas & organization!
(10:39) Grian's only regret with the snails was that they were too fast in session 3, leading to unexpectedly many deaths. They were apparently not so difficult to get away from during testing, but perhaps the testers were more used to them than the players were
(11:44) Grian: "We did develop to the lowest common denominator" ie. prioritizing how players would struggle over how worrying about if players would do too well
(12:56) Oli's voice for the snails was iconic. It cost Impulse a life because he intentionally stayed closer to it to hear the voice lol
(13:42) Danny was in charge of the snail models and animations
(14:11) During testing, the snails just sounded like Oli, which made it feel weird. They pitched up his voice so that it'd be less immediately recognizable
(15:18) The snails' jumping attack was meant to be clearly telegraphed: they would stop, wiggle, make a "ooeee" sound before jumping. Many players had their friendly creatures volume turned very low/off (as cows and other mobs are loud), which made this attack much less obvious for them
(16:57) The growing/shrinking had the least testing done for it, as it was the simplest conceptually and to program. This meant that the falling off of blocks due to the shrinking hitboxes wasn't anticipated
(17:55) Before the 1st session, Grian told them that he didn't think anyone would die to the wild card. Pearl's death made Grian pretty nervous, as he didn't want everyone dying too early in the season
(19:29) 6 lives were given, knowing that many of the death to the wild cards were unexpected/unfair. The intent was for ~3 lives to be allocated for wild cards, and ~3 for PvP.
(21:13) The developers were all fans of the Life Series!
(22:43) The shrinking/growing was intentionally pretty simple to ease players/viewers into the concept and build up toward more dramatic wild cards like the snails
(25:38) In the hunger episode, Grian didn't know which foods would be good
(25:58) Grian thinks that "it's unfair that Grian already knows everything" is valid criticism, but that it's important for him to be involved with the ideas. Having someone else do that is like having someone else record his videos: Life Series is his brainchild
(26:35) Well before the season began, while they were still developing the concept, Grian asked the other players for wild card ideas that would meet a few criteria. All of them ended up being unused for one reason or another. Impulse thinks his ideas were very "inside the box" because he was viewing things through what was possible in vanilla Minecraft. His idea was to have a scavenger hunt where the players would search to find a relic. The first person to find it would get a buff. Skizz's idea was for every player to turn into a random passive mob for every given interval of time. They would have to find every other player of the same mob type as them or else the whole group loses a life.
(29:44) The food qualities were weighted by the rarity of the item, so very common blocks like dirt and cobblestone would never give anything good. The other items were randomly selected
(30:23) Regular blocks/items cannot be made edible normally, so they had to circumvent that and custom code a fix for items not stacking correctly
(32:41) While a lot of players do want to win, the main priority is creating entertainment, which prioritizes playing recklessly
(33:20) The food wild card wasn't included in the finale because it would've felt like "too much". There was a higher risk of technical issues since it changed the data values of items, and Grian didn't want someone's last death to be because they ate their sword. In his mind, it was a good and fun wild card, but didn't need to be repeated in the finale. Impulse points out that they all would have collected more rare items by that point, removing the incentive to search for blocks to eat
(33:46) The wild cards in the finale were nerfed from their original sessions. The shrinking/growing had a smaller height range, the snails moved slower, etc.
(36:21) The personalized snail skins were a late addition by Danny, who made 18 skins very quickly
(36:49) Grian did not anticipate the snails becoming as popular with fans as they were. After the session released, they had the idea to release the snail merchandise, which directly funded the rest of the season
(39:20) Grian spent what "felt like every day" testing with the developers. They'd record the sessions on Tuesdays, meet up with the dev team, talk about what need to be done, testing, bugs, etc, edit and upload on Saturday, and would get a few days grace before starting again
(40:01) After the snail session, Grian was worried that the season would be very short due to all the deaths. They were considering toning down the later wild cards but ultimately didn't change them too much
(40:36) The time wild card was carefully balanced. If it had gone even a little faster, many players likely would have died because they wouldn't have time to react to threats like baby zombies or creepers.
(40:57) While sessions normally run for a variable amount of time, session 4 was hardcoded at 2 hours. Grian ended the session ~10 minutes early, just after they hit max speed, because he felt like things were getting dicey
(42:46) When the wild card first activates, it looks a lot like the server had frozen or crashed. Grian told the players before the session started that it would look like the game was broken, but that it isn't broken. Skizz tabbed out anyway and missed the beginning 😔
(43:30) Having the rain start just as the wild card began was a good visual indicator of time slowing down. This was a suggestion from the dev team (probably Brace)
(44:41) Impulse and Grian "cheesed" the end of the session by going branch mining. Grian wanted players to take advantage of the wild cards (eg. mining quickly, helping to kill someone), and not have them just be an annoyance.
(45:30) Keeping the client and server-side time stay in sync was challenging. The sky's motion was changed to be smoother on client-side. The players were also not as fast as the server (around 2x faster), the server was going faster than that, and the time of day was even faster
(46:56) The sounds were pitched up/down based on the speed to add to the effect
(27:46) In testing, if the players were made 7x faster, it would be basically unplayable, which was why it was capped at 2x speed. This made mobs very dangerous, as they were now faster than players and could catch up to you and kill you easily
(49:01) On several occasions, they had to extend the fuse duration of creepers to make them more fair. In the time session, their speed was only increased by ~10%
(49:39) Usually, Grian was the one to test the wild cards and notice when things like creeper speed would be an issue, since he was the one with experience making videos
(50:50) A challenge with balancing wild cards is accounting for the playstyles of so many players: reckless players like Scar and Skizz, "kind and gentle" players like Bigb who would stay off to the sides, and "the sweat squad" (Scott, Impulse) who play very cautiously
(52:48) Trivia Bot was the only wild card that was not planned in advance. Grian was struggling to come up with a wild card for that episode, and wanted to have a wild card available that could give people lives in case many people died to early wild cards without it feeling cheap.
(53:33) Trivia seemed a little boring on its face, so presentation was essential
(54:34) This one made Grian the most stressed due to all the moving parts involved in making it (coding and pathfinding mostly by Henkelmax, visuals by Hoffen, audio/music, questions)
(55:08) Trivia Bot's design was based on Grumbot and Mettaton from Undertale. Hoffen drew concept art shown in the video
(58:32) They show Trivia Bot's custom animation for becoming a snail and it's really cool
(59:12) The music was the most stressful part of the project. Grian spent 2-3 days looking through Epidemic Sounds for a Trivia Bot theme song and couldn't find anything good. He commissioned Zera @hopepetal for a theme song, which is played in the podcast. However, Grian realized he needed a full audio package, so he commissioned Oli late in development, who created the final soundtrack and many audio variations
(1:01:38) Grian wants to send appreciation for everyone who worked on the project, even if their work ultimately went unused
(1:02:58) Skizz was happy to give back however he could by staying on standby in the final episode as a zombie, as the players were able to "reap all the benefits" of the hard work of the development team
(1:05:21) Grian didn't know any of the trivia questions beforehand, which were done by fans of the series. The goal was for ~50% of the questions to be answered correctly, which was approximately met
(1:07:11) Players couldn't get questions about themselves because it would be too easy. This would encourage players to leave their bot, allowing other players to mess with them
(1:07:57) Grian felt a little left out from the discovery element of the wild cards, and decided to mess with Scar by hiding his bot. He wasn't expecting Scar to die from it, and could tell that he was genuinely a little upset by it. Grian felt bad about it, which led to a genuine in-game alliance between them
(1:12:32) Grian was very close to letting Trivia Bot give lives as rewards, but decided it would feel too cheap
(1:14:38) Mob swap was slightly toned down, with more camels and sniffers spawning
(1:15:07) Evokers didn't drop totems anymore. Instead, there was a minuscule chance a warden or wither would spawn, which would drop a totem if killed. Grian was a little disappointed that the warden got cheesed in the end
(1:17:45) Having the mobs start passive and turn hostile was mostly for the presentation, building anticipation, and so players could predict where mobs would spawn and react accordingly, making things feel less unfair
(1:20:32) There was no superpower made for Skizz (or Mumbo presumably)
(1:20:38) The superpowers were another late addition. There was a large design doc where Grian created all the powers, which were handed over to Henkelmax and completed over 4 days
(1:21:42) Grian avoided superpowers involving strength, that could cause someone to die easily. Most of the powers were social or movement-based, which couldn't be used for offence as easily
(1:22:25) Some powers were randomly assigned, others weren't. Impulse's was random. Cleo's, Bigb's, Lizzie's, Grian's were assigned.
(1:24:25) Grian gave himself the mimic because it could easily backfire (like in Grian's fall damage death), and because it would've been confusing for a player who wasn't aware of the other powers. They likely would've spent the episode just figuring out how everything worked and not actually using the power to its best ability
Lots of discussion about the superpowers and how they interacted in the episode itself, go watch if you're interested :)
(1:33:38) Talk on how the series "standard" rules evolved since 3rd Life. There was no keep inventory, and no restrictions on enchanting levels or potions, which created slow or unbalanced fights
(1:36:23) 3rd Life was designed to be an experimental series, which made Grian eager to improve it. For example, some people just weren't dying in 3L, leading to the boogeyman in LL, and so on
(1:37:17) The goal with the seasons isn't to one-up the previous one, but to create a different experience every time, which keeps things engaging for the creators
(1:38:31) At the end of each session, Grian would ask the group if they had fun and how they felt about the wild cards. According the Skizz, the answer was "a resounding yes"
(1:39:08) Grian had moments throughout the season where he personally felt like things didn't go well for him, and was anxious for the rest of the group's episodes. Things worked out while editing the raw footage, though. His issues were never with the wild cards themselves, but his own actions (traps not working, spending too long branch mining), but would always find funny moments in his footage
(1:43:41) Everyone in the Life Series cast genuinely likes and genuinely respects everybody else in the group. This allows them to make the show and get mad at each other, because they know it's all just in-character
(1:44:50) It'd be hard to top Wild Life in spectacle, and Grian doesn't want to start an arms race with himself. The next season could potentially be closer to 3rd Life, but Grian's not sure yet. For Grian, Wild Life was the most enjoyable
(1:45:20) Grian: "As long as people keep enjoying [the Life Series] then I'd love to keep doing it"
(1:49:35) With the finale, Grian knew how the wild cards played out the previous sessions and was able to adjust them
(1:49:56) Grian's goal was to create safe chaos where everyone knew what was happening and wouldn't die to them, which didn't go entirely to plan. The snails were 60% of their original speed and people still died
(1:51:03) Grian made a precise timeline of when each wild card would start/stop, it wasn't randomized.
(1:54:16) All the superpowers were randomized, with Bdubs' power being removed from circulation because it didn't have much use in a finale setting
(1:56:10) It was important for Grian that in the final moments, the wild cards were removed, so there were no interruptions. The timing worked out well because there were a few people left and it ended within ~10 minutes (this implies that the change wasn't based on # of players alive, as people had speculated based on Gem's death)
(1:58:48) The players all randomly switched to zombie skins throughout the session to mess with people on NameMC. Well-played :)
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snail-noodle · 1 year ago
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"my my my... what do we have here?"
you shivered in fear at the gigantic being before you. you and your cookie friends had tried your best to seal the rift in the tree with white lily cookie. however, your actions proved pointless. white lily cookie's powers were still too weak and your time had run out. you all watched in horror at the towering cookie grinning down from above.
"it's been so long since we've seen new faces! we were starting to get bored being by ourselves in here..." shadow milk cookie smirked as he took a look at each cookie standing before him. when his eyes had reached you, his gaze stayed far more longer on you than the others. you trembled from his piercing stare, a small whimper escaping from your lips as you backed away and hid yourself behind pure vanilla cookie.
shadow milk cookie chortled at the pathetic display. "Oh, how I have missed the faces of fear from you cookies! Never gets old!" now that the rift had opened big enough for him to pass through, shadow milk cookie stepped out of the silver tree that had kept him and the others imprisoned for so long. the smaller cookies screamed in terror as they scrambled to get out of his way. every footstep he took practically shook the earthbread beneath their feet.
"pure vanilla cookie!" fear clouded your mind as you tugged your leader's arm in desperation. "what are we going to do?!" anxiety gripped your heart when he hesitated to think of a solution. one of the most powerful beings in all of cookiekind has just been unleashed and is ready to bring chaos to the world once more. just how on earthbread will any cookie be able to stop such beasts?
before pure vanilla cookie could even think of an answer, you cried out in alarm as you were suddenly lifted into the air. the other cookies screamed your name as you watched their forms grow smaller and smaller. you gasped as you were face to face with the grinning jester.
"what a cute little cookie you are." he eagerly examined you as if he were a child that had been given a new toy, turning you this way and that. "it's been ages since i had a little pet to dote on. you'll make a fine addition to my collection!" your mind raced as you tried to understand what you have just heard. a collection? a pet to dote on? what on-?!
your thoughts were interrupted as you heard a snap of... fingers? confused, you found yourself locked inside some sort of bird cage; the bars were thick enough to keep you from escaping. shadow milk cookie cooed as he watched you attempt to break free. "no-!" you tugged and pulled at the bars keeping you in.
"no! y-you can't keep me in here! Please!" you cried out to him in desperation. shadow milk cookie only giggled and shook his head, "ah, ah, ah! you're staying right by my side, my little cookie." you shuddered in fear as he began to summon his powers once more. shadows seeped out from your surroundings and from his body. multiple cold blue eyes stared at you and the cookies still down below.
"now, my dear..." with a clap of his hands, monsters of every kind stepped out from the shadows, ready to obey their master. with a manic grin, shadow milk cookie spread his arms out in grandeur to the cookies below. with a perfect view from above, you could only watch in horror as your friends were surrounded at every side by monsters of different sizes.
"let the show begin!"
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bluerosefox · 5 months ago
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Interrupted Naptime
New idea spawned.
Another, as if this brain rot hasn't fully taken over me for like the last year and a half, DPxDC.
Anyways.
Ghost King!Danny and/or VERY powerful Danny and/or Ancient of Space.
And deaged Dan and Danielle(Ellie) (plus Dad!Danny)
And a cult summoning!
So this really alarming and powerful cult is trying to summon a powerful ghost (aka Danny) to come give them power or destory or ensalve the world etc etc. Only thing is, they got the summoning wrong and instead get baby Ellie and toddler Dan.
Also they're in their human forms right now too.
No one is happy.
The cultists are upset and wondering what they did wrong, the JL and/or JLD are upset children, babies, are on the battlefield, and Dan isn't happy cause he was in the middle of coloring a spaceship in his coloring book and the people in the robes are getting louder and louder and going to wake up Ellie from her nap and Daddy just got her to sleep and-
Yep. Someone is yelling at them now and Ellie is awake from it.
And...
She starts crying from being woken up.
Not even a few seconds later, the sounds of this plane of reality being ripped opened is heard and the sudden frosty chill of ice is felt.
Along with an angry dad voice of.
"Who woke my daughter up from her nap?! I just got her to sleep!!"
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profoundmakerdreamerss-blog · 10 months ago
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It is funny to me how Harry Potter is literally the main character, yet people tend to go like he didn't suffer that much or he wasn't "abused"; Like, how can one misunderstand the literal main character of the damn franchise?
He wasn't abused; yes okay. He absolutely did not grow up inside a cupboard; the tiny place that is mostly reserved for brooms or cleaning supply. He absolutely was not treated inferior to the other child who lived in the same house. He was totally was not treated like a "freak" or a "stain" that his family was ashamed off. He grew up inside a cupboard while there was a literal unused bed in the same house. And you want to know what that screamed to a child, a baby — who slept inside a cupboard while there being a perfectly usable room right there? You are worth nothing and we don't love you and we are ashamed of what you are.
He wasn't starved, or at least he was fed; Yeah, no. We see it from the first book. How Vernon was no food for you and in the cupboard you go — and by the looks of it, that was like his most common punishment. And then, in the second book — you practically see it happen. He was locked, inside a room with only a can of soup that he shared with Hedwig. Now, tell me what it would do to a child — to be given food through a cat flap, and fun fact? Harry got to eat less than people on war rations; in short? He was starved, yes.
He wasn't abused physically so it's not abuse; As for people's thinks abuse isn't abuse until it's physical (which is inherently wrong because abuse isn't only physically, fyi); Harry has learned to dodge Vernon and he states that, very proudly when his uncle tries to grab him. He dodges a flying pan and states that fact, again very proudly as if it is the norm; do you know how heavy pans are? And do you know what would happen when one hits you? If you want an even clearer proof; Vernon Dursley strangles Harry in Ootp. There you go. Also, in the first book, we clearly see Vernon encouraging Dudley to hit Harry. Read between the lines and actually try to understand what that signifies.
And favourite part; When he wasn't treated like a prisoner, or a freak— he was their servant. And that is very much canonical. Tending Petunia's garden during summers and drinking from the water hose in the garden because of how hot it was? Having to wake up early so he can tend the kitchen and when he wasn't doing all that he is locked away. And it is all canon.
In conclusion, Harry— not only grew up to think that he was inhumane, undeserving of love, a freak that didn't even get to have his own bed because someone like him didn't deserve it, physically harmed enough times that he dodges them out of reflex and also the Dursleys' glorified servant; that is not even taking into account what Harry went through in Hogwarts. And after all that if someone tells me; this child, right here — didn't go through much then well, maybe read the books again?
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tryingahandinholdingapen · 3 days ago
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I kind of want to either write or read a time travel fix-it fic where it's Tobirama who travels back in time - BUT it's not Tobirama's POV. He's only a side character. It's mainly focused on Madara and Hashirama. Occasionally Mito, Izuna, Touka
This post got real fucking long so here's a read more
Just a really funny fic where you never quite get to see what Tobirama is doing, because he's not the POV character and the other characters don't know/don't pay attention to what he's up to. But like he is doing important stuff yk he's taking advantage of that future knowledge
For example:
Madara and Hashirama meeting at the river. They've figured out/confessed to their respective clans and are discussing peace and who in their clan might or might not support them
Madara asks about Tobirama and Hashirama is like "Hm? Tobirama? Honestly I don't think he cares about the Senju-Uchiha war at all. He's far too occupied with his own war against the mold youkai."
"....The what?"
(It's not too obvious from Hashirama's POV that Tobirama keeps sneakily fucking up Zetsu's machinations, but what's significantly more difficult to ignore is that Tobirama is increasingly getting ambushed by White Zetsu drones ('mold youkai') - that he eliminates with extreme prejudice and alarming fury)
Just, stuff like that. Main plot is making peace, focused on most of the main family EXCEPT Tobirama (who is otherwise occupied and is thus rarely focused on much) and possibly Izuna. So it's all stuff about battles between the Senju and Uchiha, probably having to deal with internal issues as well (Butsuma/Tajima? Elders? Coup/assassination attempts?) and plotting how they could possibly get peace, it's stuff like negotiating with the Uzumaki + Mito's marriage to Hashirama, it's the Uchiha having to deal with one of their allied clans turning on them (barely noticed sub-plot during this where Tobirama is trying to prevent/rectify the sabotage Zetsu did to the Uchiha's fancy tablet), it's about planning for their eventual village (Hashirama finds notes on plumbing on his desk, written in Tobirama's hand - when the fuck did he have time for that? where did he even learn about plumbing?), it's about trying to get the Daimyo on side, it's about all the politics of trying to get other clans to move into the village too, it's about ah fuck bloodline thieves discovered there were plans for a shinobi village in the works and are doing a frantic attempt to kidnap/'harvest' as much as possible before the bloodline clans are too protected in the planned village so now we have to deal with this fucking trafficking ring...
The sub-plot is an Tobiizu fic where Izuna is (correctly) CONVINCED that Tobirama is Up To Something, and (incorrectly) decided it's malicious to the Uchiha et al, and has taken it upon himself to investigate and Stop Tobirama's Evil Plans At All Costs
Longsuffering Tobirama is far too busy for Izuna's bullshit. He's attempting to prevent/stop/counteract Zetsu's machinations, he's trying to kill Zetsu, he's trying to destroy the big old statue (yk the one I mean, idk what it's called, if it has a name), he's trying to make sure the bijuu are all safe and Won't get sealed into jinchuuruki OR the aforementioned statue...
(he gets distracted for a bit with a side project wherein he decides actually it would be really funny for him to convert the cave the big statue was in, into a place for the kyuubi to hang out. that takes him quite a while since he has to run Zetsu out (so many White Zetsu drones...), destroy the statue, alter the place accordingly, and then find and convince the kyuubi that actually this is a great idea - without the kyuubi just fucking eating him)
...he's trying to make life easier for Madara and Hashirama (oh, Butsuma died from a mysterious illness right before he could enact his incredibly stupid plan against the Uchiha? damn. what a shame. anyway-), he's having to reinvent everything he remembers from last time he lived through this shit because whilst some of those jutsus/techniques/inventions (cough, Edo Tensei, cough) aren't strictly necessary, some of them are VERY MUCH NEEDED
That takes. So much time. Luckily Tobirama doesn't have to do all the research over again, since he remembers it and it's incredibly unlikely anyone will call him out on it (....except Mito with regards to certain seals. he very begrudgingly does research and writes notes and invents plausible-mistakes-that-could-have-been-a-first-attempt) so for the most part he can skip straight to inventing or writing out the final project/knowledge
Some of Zetsu's machinations are incredibly annoying to counter, actually. Like at some point the blasted weed installed/had nearly installed a puppet ruler in Land of Water which, what? Why? Urgh
(Please imagine the absolutely incredible amounts of suspicion and incredulous disbelief and paranoia etc that Izuna is aiming Tobirama's way once he (eventually) discovers that the 'White Demon' is seemingly MESSING WITH POLITICS RE: WHO RULES A FOREIGN NATION?!?!?! is nobody else seeing this!! Izuna is NOT CRAZY look at this bullshit somebody needs to stop him-!)
So long story short Tobirama has a LOT on his plate and he is so so incredibly stressed. Somebody help this man. None of this shit is helped by the fact that
a) Zetsu realised very rapidly that someone was fucking with his plans, and promptly started trying to kill Tobirama off, or failing that, sabotage Tobirama's plans in turn
(thus the years long and increasingly violent 'war against mold youkai' that starts when Tobirama is like, ridiculously young, and Hashirama casually mentions to Madara)
b) Izuna. Just, Izuna. He's fucking obsessed with Tobirama (why) and also the most paranoid person ALIVE it sometimes seems, and he just, won't stop, sticking his nose in Tobirama's business, how does he seem to be fucking EVERYWHERE doesn't he have anything else to do it's not like Izuna even knows the shadow clone jutsu how is he doing this why-
(Izuna like. What could possibly be more important to my rival than ME. And anyway he can't possibly be doing anything GOOD so it's for the best I intervene really this is entirely altruistic-)
c) amongst all this, Tobirama still has to somehow maintain at least a vague, plausibly deniable, belief that he's like. A regular person, involved in only normal things. Because if anyone finds out what he's really doing, or what Zetsu really is, or that he's from the future (IZUNA GET YOUR NOSE OUT OF-), then that introduces just. SO MANY new moving parts and this is already fucking complicated enough as it is, alright? Yeah yeah yeah teamwork makes the dream work, two heads are better than one, etc, but this is essentially a war of information and manipulation between Zetsu and Tobirama and when your main power is info+manipulation the fucking LAST thing you want is more moving parts + more people who could leak info/know your info/unintentionally fuck up your (future) knowledge. No. As much as possible he has to do this on his own. Which means he needs to act like he's doing nothing at all. Actually spend time with his family, be seen running normal missions sometimes, help in clan matters, attend the Senju-Uchiha battles when relevant...
Which is all really really hard when there's only so much time in the day. And Zetsu doesn't have to worry about 'spending time with family' or anything so any time Tobirama spends doing that instead of working towards destroying Zetsu's shit is-
(thank fuck Tobirama still remembers how he invented shadow clones, is all he can say. thank fuck for that)
Over time Tobirama increasingly gets a handle on his terrifyingly long to-do list, which means that 'Izuna is being really annoying and following me almost all the time' moves up his priority list. Eventually Tobirama figures out that the easiest way to get Izuna to stop GETTING IN THE GODDAMN WAY is to just. Humour him. Give him attention. Yes yes you are the most important person in my life and all this inconvenient shit is just stopping me from devoting my energy to fighting you now if you could just put that lady over there under a genjutsu and- (Tobirama trying to get Izuna to help un-fuck Land of Water, it only sort of works)
At some point they fuck because Tobirama's stress levels are at an all-time high and he needs SOME sort of outlet. (Could be entirely sane+consensual (relatively. given who we're talking about) or it could be dubcon) and Izuna actually chills the fuck out for an entire ten hours afterwards. Amazing. Clearly they'll have to do this again
So they do
(yandere4yandere tobiizu for the win. Tobirama starts out normal (again, relatively, considering who we're talking about) whilst Izuna approached everything about Tobirama in a completely sideways obsessive way from the start, but Tobirama gradually starts to also get more obsessive/possessive over time. Like what do you mean the one person who has followed me unquestioningly for years and wants to kill me and kissed me yesterday and volunteered to help me fight a bijuu might LEAVE?? no. fuck you)
(Izuna with a hiraishin marker tattoo-)
anyway back to 'things even further complicating Tobirama's life':
optional letter d) Tobirama is trying so hard to seem normal and not like he's from the future or fighting an evil mold-plant-creature that wants to revive his mom from the moon. So, so hard. But alas, facts work against him
Like, I mean, imagine from an in-universe perspective. There's this guy with really weird colouring, he's known as the 'White Demon', he's better at suiton than anyone else alive and if you've seen him even SLIGHTLY try it's terrifying (think: drowning on dry land, sudden rain/storm/tsunami, blood ripped from a dozen bodies in half as many seconds-), there's? more than one of him? HOW IS THAT POSSIBLE and he's so fucking hard to kill but even when you kill him he just. doesn't. die. (friendly reminder that Tobirama is abusing shadow clones like nobody's business in an attempt to stay on top of his insane amount of work to do -> yk, the jutsu he invented, that doesn't work like any other clone jutsu, and that in this timeline he has thus far told nobody about. someone destroys a shadow clone and is incredibly alarmed that theres 1) no corpse 2) the White Demon is STILL ALIVE after they KNOW they killed him?!)
There's also rumours about him fighting/negotiating with bijuu, and quite a few witnesses to his ongoing war with 'mold youkai'
The majority of people (excepting like, people he's close to in his own clan, plus Izuna and possibly a few others) aren't sure he ever sleeps or eats or drinks, and wounds don't seem to last long (healing jutsu from the future + whilst he's sleeping/eating his shadow clone(s) are still out and about)
Then there's the insane amount of knowledge and jutsu and inventions he offers-
Long story short on top of everything else, Tobirama doesn't have to deal with people knowing he's from the future or about the whole issue with Zetsu
....He DOES have to deal with basically svery person in existence being 100% convinced he's not human, though
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jasperthejester · 5 months ago
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me: finally accepting theres a good chance im autistic and starting to work up the courage to ask my parents to see if i could get a diagnoses but being scared to
my mom: do you ever think you have adhd? if you want to do a screening for add next time your at the doctors you can
me:
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northern-passage · 4 months ago
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clementine
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icewindandboringhorror · 1 month ago
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Pages from trying to keep a little sketchbook-scrapbook type thing going for two weeks lol. I gave myself specific rules in hopes they might all end up more cohesive/consistent seeming, but alas, scribbly chaos reigns, it seems
#sketchbook#scrapbook#Actually I feel like these are kind of incomprehensible in photo form like.. In person holding the book its easy to look at#but as images on this scale I feel like there's so much tiny little text and small scribles and stuff you'd have to 'right click > open#image in new browser tab > zoom in' just to actually really see the thing. which for 7 images is excessive lol.. so. probably not the best#medium for sharing really but. I suppose I thought they might look cooler lined up next to each other. The whole part of using a#limited color palette is so that maybe they kind of seem to have more consistent color schemes or something throughout. but I dont#know if they look all that 'related' or not. I think these types of challenges I have always sucked at because I am a being of clutter and#excess. I can't just do like one little simple nice looking design and have that Crisp Neat calligraphy with evenhanded perfect lines#and perfect symmetical composition and etc. etc. Like some poeple post very aesthetically clean and cohesive looking sketch#pages or something but I simply cannot hold back the brain impulse to add more. more. more. Fill every single blank space with color#or a little drawing or a sticker or something. I take away 500 things and there are still a million there. Even when I thik I'm being#'simplistic' I'm still usually being 2x more complicated and cluttered than the standard or whatever lol. I guess thats clear from my#outfits/costumes though too. Like whatever that saying is from that person about something like 'before you leave the house take off one#more accessory. you dont need it' for me is like.. 'before you leave the house. add 10 more accessories. and 6 more layers. and another'#AAANyway. I wonder if also maybe some people would try to plan theirs in a way to look good or something or like.. plot things on the page#before placing them. I did sometimes have a theme for a day kind of (like day 10 I ended up finding a few gold and green things and then#was like.. hey... what if I looked for a few other things and only used these colors today') but aside from that I was just slapping down#stickers randomly and working around them to fill the page. Maybe a lot of neat minimalistic asthetic design is about planning and#having a Vision set ahead of time. instead of just complete random whatever. doodling whilst watching youtube videos or eating lunch. It's#a miracle actually I've managed to not spill any food on the book the whole time. anyway.. I do wish the highlighter really showed up. the#scanner kind of makes the colors look VERY different to irl. But also it got much clearer images than just camera pictures of pages. alas..#..Still oddly enjoy the phrase 'Salisbury Steak gently kissed with industrial pollutants'#probably my favorite section of 'gluing random papers and things onto the page' lol#Also I wonder if it's super obvious that I literally never ever use references when I draw (save for the few freakish looking youtube#face sketches) since everyone is always in the same positions and looking very similar ghhb. This could have been a good opportunity to#work on not solely drawing from my mind and try to do more Dynamic Experimental scribbles. NO. Same exact eye for the 90th time#be upon ye. But I guess it was meant to be casual 'daily doodles'. True 'practice' would make it seem too effortful like a full project. hm#(lol the one decimated pencil in the set... never hand me a writing utensil. i will passively destroy it somehow. shaving the sides of a#pencil off with a knife or snapping a pen in half as a nervous fidget without even realizing i've done it. sorry to the drawing implements)
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fishyartist · 11 months ago
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Ui idea tests, thrown together bc im eepy. Was planning on doing more but I spent all my days energy on the second one oops
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Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.
Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.
I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.
However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.
You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.
Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!
That's always the conclusion, right? One good, one bad.
This is incredibly limiting and it drives me nuts.
They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.
One is not good and the other bad, they're different, and I think that's worth exploring.
Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.
Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.
However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.
Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.
Marlon and Minerva are also reflective of Clementine's worst outcomes.
Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.
After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."
When she chooses Louis, he does for her what he never did for Marlon: he steps up.
Clementine proves she won't become Marlon just as she proves she won't become Minerva.
After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.
When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.
They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.
Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.
What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.
Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?
So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.
Actually, let's talk about that a little more.
In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.
An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.
On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.
These are interesting to me because I get where they're coming from... but they ultimately miss the point.
The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me. 
Louis is about challenging Clementine's perception of survival, and Violet is about validating it.
Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”
Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.  
This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.
Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out. 
Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified. 
But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.
Except it’s really not.
Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.
Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon. 
Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good. 
He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together. 
That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet. 
By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.
They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc. 
People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in. 
We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.
Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her. 
While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."
That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins. 
There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”
In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them. 
The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school. 
It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses. 
All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing. 
I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision. 
There are several more examples of how this all fits together, buuuuut–
Ya’ll wanna compare some allegories?
Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past. 
You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin. 
I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…
And that makes me fucking feral. 
But I'm also so normal about it.
As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory. 
Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers. 
Now, look… you might think I’m going somewhere not great with this but hear me out. 
I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment. 
I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one. 
Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.
It’s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.
Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.” 
This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead! 
If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’. 
Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada. 
But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened. 
And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned. 
Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.
Okay just let me talk about their reactions to Tenn's death and then I'll shut up.
This makes me want to gnaw my own foot off, I can barely handle it.
AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.
When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"
AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."
If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"
If Clementine says nothing, Louis says, "Tenn was just a little boy!"
The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!
When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"
AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"
If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"
And there it is.
Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.
This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.
Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"
Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."
As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."
"So you're mad, but sad."
"Can I be that for a while?"
And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.
Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.
Let me put it to you in simple terms... they react the same.
After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.
The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.
It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."
Do I need to say it again? I'm gonna say it again.
One is not good and the other bad. They're different.
There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!
That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."
Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.
There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.
I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!
I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.
I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"
So yeah, that's my ramble for the night.
I'm gonna go replay TFS for further research.
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stellar-jay · 4 months ago
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I never knew a part of you you didn't set in ink, in ink
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rollercoasterwords · 2 months ago
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every so often something will happen and i will see an influx of scaredposting being like “omg the u.s. government is going to shut down ao3!!!!” & every time i find myself thinking. well to be honest i don’t think that is going to happen
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fearandhatred · 10 months ago
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i was thinking about this line from my fic:
But the fall had hurt, too. Because the wind had cut into his useless wings like knives, his skin and grace peeling away under the friction, and he had been looking right up at the multicoloured and unreachable expanse of sky just to see it fade from his eyes into dull greys.
and i came up with this. i hope the vision came through
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