#i need to watch this again sometime

[tommygotwrittenoff]

i literally do not care about big emergencies on abc's 911. i want to see my characters talk to each other and have stories that are parallels to small, everyday (everyday for first responders) emergencies

[not-equippedforthis]

forever mourning how granada holmes never adapted the three garridebs. diabolical. unbelievable, even. 'if you had killed watson you would not have made it out of this room alive' but in brett's frightfully intense and low, biting, hissing voice. the violent, wild stare versus the gentle hand on watson's knee. all of that precarious control getting flung out the window. the humanity of it. gritting my teeth can you fucking imagine.

[benevolenterrancy]

May your hardened heart be woken By the soft and distant song Of all you left here unspoken All the shards we keep stepping on - Take this body home Take this body home Call the wind, and let her know Take this life outgrown Take this broken soul Call the stars, call them all And take it high, take it far, take it home

[b4kuch1n]

polymer broadcast signal hijack

[oxymoroff]

Mine

[astrid-beck]

I will never understand people who want Caleb to find some weird magical way to live longer not only bc it extremely obviously undermines everything that is poignant and crucial about him thematically but also because I think about old man Caleb and I want to start violently weeping

[dianagj-art]

ok so... I did a little something

(a little something that is over 5 minutes long lmao)

[skecherss]

Tim n some chickens

[cybertron-after-dark]

Being constantly surrounded by the presence of a loving God sounds great until you realize you never know when his freaky fuckin eyes are gonna show up to check on you.

And man. They do it a LOT.

[tempestmothstorm]

crazy how the sanshee plush is one of the few actual direct confirmations on what a non-act 2 Natsuki’s home life is like because of how cagey she is on literally everything. Like this isn’t anything surprising or something you wouldn’t be able to extrapolate from the games but unlike everything else we know about her the implications are right there on the tin.

They literally did the character bio trope where where all the likes are normal but the dislikes are about their very specific trauma it’s just so funny they did that on the plushie card

[icantalk710]

Don't mind me, enjoying a little sudden-onset spring (of deception?) ☀️

[toohardtosummarize]

amy dyer i miss you kieren walker i miss you jem walker i miss you

[raycatzdraws]

An unfinished Linked Universe / Zelda 1&2 animatic.

I forgot I'd made this!!! I'd gotten to a point where I realized I wanted to understand Hyrule's games better before continuing, so I stopped. Not sure if I'll return to it but I think what's here is pretty cool and worth sharing!

Linked Universe is from @linkeduniverse. The song is Run Boy Run by Woodkid.

The song works so well for Rulie aAAAA!!! The imagery around Hyrule is so fun to play with, too! Red, and blood, and hands, and eyes, and fire, and gold, and the triforce- it's all so good!

(made this in December 2021 lol)

[jemmo]

i don’t want to jump the gun, but i think hwang daseul might have just done it again. two episodes in to let free the curse of taekwondo and i am obsessed. more than obsessed. transfixed. this show feels special in a way hwang daseul’s touch only can give, and just using these two episodes to compare to her previous works, i love that i can already spot the continuity in the kinds of stories she tells, the messages she portrays and how she portrays them. she just knows how to let her characters exist in harmful and difficult places and show how their experiences affect them while also just showing them as normal human beings. it is so so easy to overdramatise these kinds of stories that have these difficult topics and have it be so surface level, but she has never done that. instead, she shows how those experiences shape a person and how they go about living in spite of them. all the way from where your eyes linger to now, she gives us characters that are wholly themselves and not just the traumas they have gone through and i just adore that. i can’t remember what i was talking about specifically, but i remember talking about this sentiment and how it actually helps to build empathy in an audience as opposed to just showing a difficult topic at the most surface level bc you think that makes it accessible and easier to understand and hence empathise with. i don’t think that ever works. it’s only when you do what hwang daseul does, when you give us characters we can get to know and fall in love with and care for that you help us to empathise with their experiences. it’s hard to understand the weight and the hardship of experiencing something traumatic, but when something bad happens to someone close to you, a family member or a friend, you understand and feel that pain astronomically more. that’s what hwang daseul manages to do. and more so, she makes you feel that while also seeing these people as people. you get to see them away from the hurt, you see them smile in moments of happiness and you see that too with people you’re close to, and you feel even more how special and important those moments of happiness are.

and that’s why, whenever hwang daseul is at the helm of something, i will be seated from start to end with endless boxes of tissues ready. i can’t wait to see what else this show has in store.

[pharawee]

I know I've been repeating myself for the past two weeks but Bangkok Boy continues to impress me - especially considering it's also grouped as a BL by both gagaoolala and the production company itself. Judging by how focused on romance (and tragedy) the trailer was there's a lot more of the usual BL tropes coming, but for now I like how it's just doing its own thing and telling its own story without necessarily having to fall back on what eventually will be the romance plot.

I'd say about 80% of the (side) plot isn't even relevant to Sun and Peach's eventual relationship right now but I really appreciate how much time is spent on building the world and its characters. I like that romance isn't the (sole) focus. In fact, I actually prefer it this way.

I'm pretty sure it's because I'm actually not that into romance and internal/interpersonal conflict (which is why most gmmtv shows ultimately fall flat for me - through no fault of their own, of course) but I'd definitely argue that The Bangkok Boy proves that there's room in the overarching genre of BL for BL that isn't primarily driven by romance.

That being said, the meet cute between Sun and Peach was so well done as an explicit drawback to Kong and his love for photography. Of course Sun would be drawn to that and, through it, toward Peach. There's usually such a divide between past and present love interests in BL - mostly to elevate the current love interest - but this feels like such a bittersweet continuation of Sun's feelings. I really liked that.

And I really like the conflict that's already building up between them even now when all they really know about each other is their mutual attraction. Oh, this is going to be so good. Somehow it's always the left-of-centre shows with a seemingly outlandish setting that end up having my whole heart (see: My Stubborn). They shouldn't work this well and yet...

[wackywatchdotcom]

ive posted so much every single day on this blog for weeks now i feel weird having barely posted today . ive been busy but uhhh heres a random image i never posted from my tadc art folder?