#i literally was doing fine

[copepods]

crazy how 4 hours of work will literally take up my entire 15+ hour day. who allowed this

[mental-skillness]

.

[chloesimaginationthings]

Abby and Into the pit Oswald have similar “friends”..

[crabsnpersimmons]

I got my hair cut the other day and of course I had to draw the dca boys running a hair salon:

Sun would be so effortlessly charming. Always chatting away with customers, explaining each product he uses and how to best maintain and style their hair.

Moon I can see being popular with the less chattier customers (like me) but over time they begin to open up. I imagine he hums while working. Otherwise, he's all ears for the newest gossip.

(The clipped up hat idea came from @bamsara's solar lunacy doodles!)

Also I love the popular headcanon that the dca can speak other languages, so I can imagine them being a hit with the aunties.

The full sketch page under cut! And some of my other thoughts

Other thoughts about this... AU? Can I call it an AU? Feels kinda small for an AU, but whatever:

Eclipse works there too! Haven't decided if it would be canon or fanon Eclipse, though I really like the image of 4-armed Eclipse working on 2 clients at once (plus, the nickname Clip is perfect for this scenario)

of course they're great with kids! They'd be able to console kids that get scared of getting their hair cut. Sun would do a little trick and tell them how good and brave they are all the way through. Moon would console them and hum a soothing song (or hey maybe they notice the kid's wearing a disney shirt and starts humming some showtunes). Every kid gets a candydrop and a balloon on their way out.

y/n works at the hair salon as a part-timer and does tasks around the salon like sweeping, arranging bookings, washing hair, etc. They don't really care too much about their own hair, but the boys are always offering to style it, dye it, braid it. With y/n's permission, the boys always toy with their hair—patting it, combing their hands through it, brushing it over y/n's ear, ruffling it.

[sunn-mechanic]

[ID in alt]

Some Papyruses :]

+ spreading my papyrus can float propaganda.

[lucabyte]

i feel like people are sleeping on the occam's razor situation of how buckwild it is to outright accuse a guy of being a clone of your friend even if you DO have a lot of circumstantial evidence. there's other options is what im saying. they could just be like. a guy. that's a sensible deduction. you should explore that deduction. ignore my shirt that reads I <3 RED HERRINGS.

i still think odile has the correct theory on lock but she's smart enough to know it needs like... a real smoking gun to be able to bring it up without sounding insane.

anyway. (mirabelle voice) i know its rude to speculate but has anyone else noticed the grieving? they seem to be grieving. does anyone have any thoughts on the grieving? i have some thoughts on the grieving.

[lazylittledragon]

hey idk which anxious pre-t babe needs to hear this but i didn't get to when i was younger so. testosterone will not make you ugly. it won't make you a horrible person. it won't 'mutilate' or ruin your body. if you want to go on testosterone then literally all that happens is it makes you really fucking hot and REALLY fucking happy.

[funsizedcrow]

Link is Hylia's specialist little boy (this is not a good thing for him)

(stills under the cut)

[puppetmaster13u]

Prompt 100

“What are you, a Kent?” 

It’s a saying in the world of the supernatural. A well-known one even. See, several, many generations back, no one quite knows when, the Kent family managed to run afoul of a particularly nasty creature who laid a curse upon them. The original wording, no one quite knows either, but the gist, everyone is aware of. For no firstborns will be born to them before they already have one. 

It was supposed to be airtight in a way, a curse that would end the entire bloodline really. For a child to exist before they could have a child? How could that be? 

Well. That curse had… backfired. It had backfired massively. Most, at least back when blood was everything, didn’t exactly ponder things like adoption to those outside of their own bloodline. The Kents however, lived in a very simple village, one that had disease spread through it often back then, leaving families childless and children parentless. 

What were they to do but take them in? And so they had a son, many sons and daughters even, before their firstborn. Now of course, most would simply dismiss it afterwards. After all, that was the end of the story, isn’t it? 

Well, no. See, the curse was a family-line curse, a just in case perhaps, that meant that each generation could not have any children until they had children. Perhaps it should have ended there, but well. It didn’t. 

Kents are a strange breed in the world of the supernatural, known for having a… bit of an adoption problem. If any child or babe were to be left near their land, one can be assured the family line would take them in as their own. 

Fae, demon, human, changeling, satyr, cyclops, half-breeds, werewolf- it didn’t matter. A Kent would gladly pick the child up and raise it as their own. And now, they could add aliens to that long, long list in the family line. 

And really, perhaps with this context, is it really surprising that when one Clark Kent, said alien, opens his door to a basket on his doorstep holding a trio of godlings, he takes them in with no questions asked? 

[mamawasatesttube]

my ideal timkon don't get together until they've both already done some queer realizations and dated other guys a little bit, in part because on tim's end, i think he's been in love with kon since he was 17, but at 17 tim didn't even know he was bisexual, forget anything else. and his feelings for kon were so big but also so constant that he didn't even realize they were there or significant because they've always been there and been huge. for years. so he putters along and does his time in the torment nexus (the closet) and languishes a bit but slowly starts to figure it out.

meanwhile kon dates someone, mostly like omg im dating a guy this is ALLOWED !??!?! and its pretty lowkey and casual and doesnt last bc like . super identity issues, right. kon would Never just tell someone, but secrets and casual relationships dont last long etc etc. but just the entire principle of kon dating someone and then being like yeah idk im not really feeling it like hes nice and all but i think hes more interested in like… yknow, my hot bod, than me. its whatever tho. and tim just being SOOOOO mad that someone would date kon and not absolutely adore him. tim will not be unpacking why hes so mad about kon having a shitty boyfriend. obviously its just bc kons his bestie and deserves better. (😶)

so he's just grouchily tinkering on some upgrade for his car to get the grumpy energies out. like WHATEVER! (angrily turns socket wrench) he's not saying kon should dump the guy or anything (angrily turns socket wrench) but he's just SAYING, kon can do BETTER!!!!! (angrily turns socket wrench) and kon DESERVES better!!! kon deserves someone who will treat him RIGHT!!!!! (angrily turns socket wrench) like if TIM was gonna fuck kon he wouldn't do it like a goddamn quickie and just fucking leave (angrily grabs the next size socket and scoots further under the car) like kon OBVIOUSLY doesn't like that so why won't this guy GET THAT!!!! (angry tinkering noises) if he's that shallow he can go find himself a sexy body pillow to screw!!! leave kon alone!!!!

and cassie sitting on a chair nearby is just like. sorry what was that? "if i was gonna fuck kon"? did you just say--hey tim? hey. can you go back a step?

and tim's just. obviously this is a hypothetical everyone considers about kon. look at him he's . you know. besides, tim's just talking as his best friend who wants the best for him! ugh stop trying to read into it cassie, that's not the POINT--

[blueskittlesart]

linktober day 23: children

kokiri kids :)

[hauntingsofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[butchmartyr]

it will never stop being funny/sad seeing a different transmisogynistic transfem make this same tired ass post every other year and inevitably attract insane transmisogynists calling random trans women pedophiles and predatory in the notes for talking about consensual kink she enjoys with her lovers or whatever else, never makes it clearer that the point is transmisogyny and apologizing/making space for it because those people are always tolerated whereas trans women asking if someone reblogging from someone they don’t know is always a tacit show of universal support are blocked. it’s an intellectually dishonest misportrayal of what some transfems say (who is saying these things you’re claiming to are being ‘inherently linked to transfeminity’? is that what’s actually being said? what does this statement do if not just accuse a voiceless group of trans women of being pedophilic incestous Evils?) that directly likens many to apologizing for and normalizing pedophilia, playing off the readers bias to see trans women as predators despite the reality that this “normalization” is only really happening for cnc and incest rp kinks and barely at that. you’re not making it out of the pit

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[hollytree33]

Finally got around to painting my Inquisitor, Shivana

[andyoullhearitagain]

Late DS9 Writer: Ok how about in this one there's no Vic Fontaine.

That One Writer Who's Always Making Sure Vic Fontaine Is There: Ok, but hear me out