#i like to keep everything as organized as possible

[halorvic]

December 30, 2024

Arijit Chakravarty: “Learn to live with it,” for other diseases doesn’t mean the same thing as we have applied to COVID. When we say we must learn to live with leprosy, we don’t mean let’s make sure everybody has leprosy. When we say we must learn to live with malaria, we don’t mean let’s make sure everyone gets malaria as often as possible, let’s keep mosquitoes lurking in our tanks outside our house. No one says you must learn to live with tuberculosis. Let’s let it spread as much as possible and see how that goes. No, we suppress those diseases every step along the way. We suppress dengue. We suppress tuberculosis. This whole idea that learning to live with the disease means permitting and encouraging its rampant spread and rapid evolution is just so many levels of stupidity that I don’t have a word for it.

Benjamin Mateus: I’d like to know your thoughts on Trump and RFK Jr., his choice for secretary of health? RFK Jr. has been at the head of vaccine disinformation and anti-public health policies. They are calling for ending any cooperation with the World Health Organization. These will have immense consequences for public health globally. These are political questions, but often I hear scientists do not want to engage in political questions and feel uncomfortable about it. Can we avoid the political implications?

AC: Look, it’s not that I don’t want to get political. It’s that if I was going to get political, I don’t know who to hold up as an example. There’s not a government in the world that has handled this correctly. There’s not a party in this world that’s handled it correctly. It’s all different flavors of stupid. Pick your poison. The Democrats went out of their way to normalize mass infection. They went out of their way to lie about the vaccines and say, “If you’re vaccinated, the pandemic was over.” That was completely unnecessary. It was completely at odds with science. Then you have Trump in the first Trump administration saying, “Why don’t you drink some bleach?” It would be a comedy if the consequences weren’t so grave. Frankly, wherever you go it’s like this. You look at Canada’s Bonnie Henry (Canadian epidemiologist and physician) in British Columbia. On day one she insisted that the kids wouldn’t get infected. Then she went and published a paper, put her own name on it, bragging about how herd immunity has been achieved because 90 percent of Canadian kids have been infected. In the UK you had the hearings on the public health response by the UK government. They noted that the government failed to act quickly. There was no clear policy approach, and they even abandoned contact tracing in mid-March of 2020. They even said that masks don’t help stop the spread and the virus wasn’t airborne. It’s a disgrace. Politicians worldwide have decided that they can brazen out their way through this. And the reason for this is they’ve been advised by a certain set of scientists, a relatively small number of scientists, who have essentially sold out. There are tens of thousands of papers, if not hundreds of thousands of papers, on the risks of COVID. You could literally find thousands of scientists who would be willing to go up in front of the House of Representatives and testify that getting COVID repeatedly is bad for you. Where are those scientists? Nobody’s listening to them. They’re listening to the scientists who whisper in their ears and say that everything will be okay. Ryan Gregory and I wrote a Substack blog post a while back called Calm Mongering where we talk about this—that people have weaponized the logic of science in the service of propaganda by saying, “that’s just a hypothesis.” As soon as you bring up a risk, these “experts” shut down the conversation about the risk by saying we’re not sure that’ll happen. But in fact, that’s an inversion of the precautionary principle. And it’s a lot of the tactics that were used by the merchants of doubt during the tobacco era. The merchants of doubt were a subset of a very small number of corrupt, well-connected and well-funded scientists who went out of their way to make public statements that were at odds with the body of literature that was coming out on lung cancer and tobacco. And we are seeing the exact same thing again. Big tobacco sponsored a bunch of corrupt scientists to create a counter-narrative to reality. This time around, who’s playing the role of big tobacco? It’s the politicians and governments. But the exact same thing is playing out. That nexus between this group of corrupt scientists and politicians who are actively funding their work is a global phenomenon. Unfortunately, I hate to say this, but it’s going to take reality breaking through to solve this. They’ve been very effective at convincing people that this is not a problem you need to worry about.

[themindcastlesystem]

Another crackpot "Project: Eden's Garden" theory

(Sunny, they/she) hi again it's your girl I'm going insane again so I'm back with another theory

NOTE: Unlike my chapter 2 theory, which is more cohesive and at least has some Biblical parallels and narrative themes to back it up, this theory is COMPLETE speculation based off of only a few observations - so keep that in mind while reading.

THE THEORY

So uh. Cassidy sus. *points at her* amogus! amogus!

For real, though. Does anyone else get the feeling that she's a bit... out of touch, emotionally? Or that she's the most fourth-wall-breaky of the group, like she keeps feeding her jokes and references to some sort of viewer (whether the player or the literal broadcast viewers in-universe)?

This could most definitely be just a comic relief thing. Or maybe a "streamer" thing, since that's what she's known for - and streamers are notorious for not being totally authentic, especially when they're in front of an audience. It's not like half of their audience really cares about how they feel, or if they're having a bad day - they want entertainment. I could see a character arc where Cassidy becomes a bit more expressive and authentic with her emotions across the rest of the game, learning to let her actual feelings show instead of masking her fear/sadness with smiles and jokes. I would love an arc like this in a DR fangame.

But, personally, I have other suspicions. There's a few pieces of "evidence" that make me suspect her of being the mastermind (quote marks because it's not conclusive and could be interpreted in other ways). I know there might not be a traditional "mastermind" in P:EG, especially since the creators said not to expect canon DR tropes, but just take "mastermind" to mean someone in the main cast that's working with Tozu/Mara/any other killing game organizers, whether willingly or under duress.

THE "EVIDENCE"

She's a streamer. As I said, this could explain why she seems so inauthentic and that's that - but that is ignoring the tangible benefit that her platform would have for the masterminds if they decided to use it. She easily has the biggest live following of the group - while there are other individuals with mass followings, like Wenona (who runs a huge business) and Kai (who has a ton of social media followers), Cassidy's thing is livestreaming. This killing game is being livestreamed. And if the killing game organizers are broadcasting it, it would make total sense for them to take advantage of the Ultimate Pro Gamer's live audience - and this would be easier to do if she was in on it, rather than if they had to hack her account to get a stream going or something.

Her actions during chapter 1. The two most important things she does are: a) kick down everyone's doors so they're forced to leave their dorms, and b) organize the game tournament during which a murder happens. The reason she says she did this was to get people to be more active and do something fun with each other, to boost their spirits. But it is possible that she wanted to force people to be out and about so that there would be more chances for people to kill each other - and/or to keep things more entertaining for the viewers (similar to how she feeds jokes/references to the camera). There is also potentially an argument that she might want to get people to trust each other in a less overt way than someone like Wolfgang or Diana - by getting them to let their guards down. With people's guards down, it becomes easier for a wolf in sheep's clothing to strike. (Hahaha get it because-- *gets shot*) You could even say that everyone's caught in her spider's web and they don't even realize it. (Hahaha get it because-- *double gunshot*)

This fucking picture. (Everything before this was already speculation, but this is EVEN MORE SPECULATIVE!) I have no idea what it means, and I know it was Diana that Wolfgang hallucinated as being his mother when he was in the boiler room, but Cassidy looks even more like her. Like, other than her eye color, she has the facial proportions of Wolfgang's dad and the eyes/hair of his mom. (Haha your mom.) Maybe they're siblings/half-siblings, I don't know. But it does strike me that Wolfgang's last words were "I won't stop until the world knows me as--!" before he died. Which... could mean he knows who the mastermind is, or has some involvement with the killing game, or maybe his parents did and he knows about it ("like father, like son..."). I have no clue, this is just me guessing based off of a facial similarity and two lines of dialogue lmfao.

WHAT THE FUCK ARE YOU TALKING ABOUT?

I don't know. Try again later.

Uh, but if I had to come up with some sort of potential motive for her to be involved - assuming she's a willing participant and has some sort of ideological or personal motive - then... here goes.

The first thing that comes to mind is something Damon says multiple times in the prologue: "Ultimates are charged with the betterment of society." And, well, he thinks everyone's doing a shit job - except for maybe Wenona, because she's a billionaire and runs a big business that feeds people. Basically everyone else, he thinks is totally useless.

Well... I can see a way that Cassidy might feel similarly, but in sort of a reverse way. She's a streamer and a pro gamer with a huge audience - and so far, she actually seems like the least harmful popular figure in the group. Compare her to Kai Monteago - who's a total dunce and who seems to really only care about his own fame when it comes to his talent. Or Wenona - who's a billionaire, a wealth hoarder whose profile literally says she owns over 90% of the agriculture industry and she dislikes unions.

We don't really know anything about Cassidy's platform (that I can immediately remember) other than "she's a gamer" and "they're called Cassidy's Comrades" - but even in just that, there's already communist theming with the "comrade" joke. Though that could just be a "haha Soviet Russia" joke and nothing deeper, I will also point out that one thing streamers are known for doing is charity streams - oftentimes long ones that become widely talked about because someone decided to stay on stream for 24 hours straight to raise money for a charitable cause. Also, because of the live nature of streamers' relationships with their fandoms, it's much more common than other industries for streamers to be publicly put on blast for things like microaggressions or giving money to bad people - something that could easily influence someone like Cassidy. What is a killing game broadcast, but a livestream where all these Ultimates are put on blast - with their first murder motive being cryptic blackmail about some of the worst things they've done?

In my "Cassidy = mastermind" hypothetical, where Damon's hatred of the Ultimate title and the people who have it comes largely from his ego and distrust of others in general, Cassidy could hate the Ultimate title and the people who have it because she thinks they're not doing enough to help others. Ultimates have been charged with the betterment of society, and they're failing. In this hypothetical, Cassidy also puts herself above others and distrusts others - but expresses it very differently from Damon. Surprisingly, much more pessimistically, given the whole murder game and all.

Well - that's if I'm right. I'm probably not. But it's a fun thought, right?

[alevolpe]

Hello! I plan on doing a Sailor Moon rewrite later on next year (bc i have a lot of shit to do in the entirety of my 3rd year of university) and I'd like to know what issues you have with each season of sailor moon. You don't have to name all of them, just name the biggest problem(s) you have with each season!! I hope I am not troubling you :3

Hi! You're no trouble at all! Thank you for asking, I'm humbled you're interested in hearing my opinion.

Ok, let's see. Before I start I wanna say, these are MY opinions based on also how I'm doing my own rewrite AU thingy, so don't take it personally if I don't want to include elements or characters you love. (Most fo the time it doesn't even mean I don't like those characters in canon, I just don't think they'd fit with the specific narrative I have in my mind)

I'll say for Season 1, my biggest issue is the amount of time it takes to get everyone in the cast. By the time we get Mina it's like what, over 3/4ths of the season in? I like that the show takes its time introducing everyone and giving the girls some organic bonding time in the filler, but there's better ways to do it imo. That's why I have Usagi be the last to awaken and meet an already tranformed Ami and Rei, so we don't totally break from Usagi being the center at first. We can use her as a vessel to get to know these new people and this crazy new identity at the same time she does, letting us know more about her too in the process, while not slowing the pace of the story to a crawl. As we get to know more, you can introduce the rest of the girls and break from the main group to catch glimpses of Mako and Mina, to later unite them. But that's my fix, there's other ways to fix the slow introductions, just.. don't maybe go manga style and spend only one ep per girl and immediately move on to the next, give them time to breathe.

My main issue with Season 2 is the time travel. The show does NOT know its own rules and that is a recipe for disaster, once you introduce an ally that is able to time travel, you got a LOT in your hands. Everything in the show could be solved with one travel through time, but they never do. Why? Cause otherwise the show wouldn’t exist. It leaves too many possibilities and questions that is not ready to answer. Idk how one could fix it, I'm sure there's many ways you could, I just have 0 interest in incorporating time travel in sm.

With Season 3 I'd say it's the introduction of the whole Pharaoh 90 or Mistress 9 thing. I don’t know, I know they are the main baddies, but like.. just make Saturn the main threat, she already basically is. That's my problem with it, I'm sure a ton of people disagree, but I'd rather the season just focus more on Saturn, Haruka, Michiru and Pluto, I don't need another "queen Nehellenia" type villain that gets introduced 2 seconds before the end. And I lovee Eudial and Mimete, but we don't need 5 of them. I'd just make those 2 Tomoe's assistants and that's that. Too many villains, especially if you're not going to do a motw format.

With Season 4.. uff where do I even begin. Tbh I scratch the whole season and do a ground up rebuilding project, but if I HAVE to stick with the canon structure I'll say make Nehellenia more present. She's THE BEST part of SuperS, make her more present and more threatening. Give her that mirror power from the get go, make her appear in mirrors, reflections, show her subtly , in the background, give the season a subtle but palpable atmosphere of unease, make her scary. I WANT TO BE SCARED of her! Also unrelated, but get RID of the S*A metaphor with the 3 eyes.

With Stars the whole pacing the season is a mess. The start is way too slow and the end is rushed as fuck. Introduce Galaxia as a present threat earlier, again idk how you'd do that exactly while keeping the episodic tempo of the show, but my solution is. Don't! Lol

[hench-thyme]

ok so i’ve always felt bad for not interacting with my moots self ship stuff here because i’ve wanted to keep this blog like 100% vbros

but i’m at the point where i’m comfortable enough to make a tag for reblogging just general self shipping stuff (especially from mutuals)

so stay tuned :)

[magebastard]

love/hate being so invested in my da canon. this shit is so dumb I have to cry

[hungergameshyperfixation]

Not to be that person but Panem had nearly 75 full Hunger Games before their system of government was overthrown. 75(+?) years. But things changed in the end. This too shall pass (but not without active participation)

[shopwitchvamp]

💖

[unproduciblesmackdown]

ppl will be explaining how a difference is a difference & not a Deviation from a Superior state, & people who are the ones considered Default Normal (superior) will be like "okay....to be polite....i Might say i consider Some aspects of Some people's existence mere 'difference' & not being less than me...." as like hey i'm a Benevolent god. i still actually get to consider you worse & don't have to "humor" anything that challenges my superiority. if you only want everything to fit into the norm then it will all come back to upholding the norm. thinking of people's analysis of their own realities as equally legimate as being like Obscure, Irrelevant, Superficial & then using that reasoning to justify dismissing them. same as worrying that the [Different Lessers (Others(tm))] as Everywhere = a manifestation of the awareness that, yeah, respecting them as equals Does threaten your norm which is smothering everything everywhere. ppl who need to lock in the idea of Borders around personhood like um Yes they're all delineated separate Identities outside any hierarchy & so i think it's relevant to for some reason push back against "ohh so now Everyone's queer" like why not. why couldn't they be. what if they were. what if queerness was everywhere b/c it's ideological not a cordoned off Alternative Identity that is accommodated by focusing on Love(tm) as the new border around whose existence we might begrudgingly accept at arm's length (i.e. being otherwise "normal"! just imagine swapping out the binary gender (or, deep breath, presumed Private Parts) of one partner in an exclusive romantic lifelong nuclear family marriage, & that is Gay / Trans Rights. still gross but maybe we can do it, as long as they don't talk about it or shove it in our faces or even exist for more than one encounter w/us in our lives b/c what are the odds). evergreen laughing at someone suggesting ableist logic might be embedded in language of past & present b/c it's just So little to ask for that it's irrelevant but it's also So much to ask for that of course i'm not gonna do anything more than pass it along like "this is why i don't take ableism seriously" like yeah it's the disabled randos like it's the individual cringe teens(tm) ruining [the cishets would take Gender seriously otherwise!!!] & that's why you won't think about it or do anything about it & continue being comfortable with the norm & resent that actually their Difference is Less & disability is something worse that ppl "excuse" & all these ways that people are & all these things that they do are funny & weird & inexplicable & etc & one can't possibly be cruising along perpetuating a hierarchy with a sense that you're reasonable, well meaning, kind, etc etc & thus Justified, systemic oppression definitely wants to maximize how uncomfortable & arduous it feels to everyone rather than push to make it more streamlined & rewarding to embrace, or at least accept, whatever superiority over others you're afforded

[bl00dh0rs3]

You should become a muslim.

I don't ever plan on joining any kind of organized religion, because i already know that the stuff i believe won't mesh with any specific one. Um. So thanks but no thanks !

[lord-squiggletits]

Also idk if I can elaborate on this in beautiful enough detail, but I think that the Autobots going through unreasonable amounts of effort to save other people even at great personal cost to themselves is literally something good about them, and if you try to criticize that as a way the Autobots are “bad” then I really don’t get you.

[honey-tongued-devil]

Arcane characters finding you asleep at their workplace

The devil works hard, but I work a little harder, so I’m back to writing Arcane headcanons a month before season two comes out.

Jayce:  

- Strong sense of guilt,  

- The first thing that comes to his mind is that you must have waited for him for a long time to fall asleep 

- He will make it up to you by trying to cook something for you, stopping to buy your favorite sweets before heading home, and giving you a shoulder massage the moment you sit down somewhere after you wake up.  

- The man of the Hamlet-like dilemma: he doesn’t want to wake you, but he also doesn’t want you to be uncomfortable.  

- If he has something urgent to do, he’ll try to cover your shoulders with something, even just his jacket, to keep you warm while he finishes only the essentials.  

- Once he’s free, he will very gently try to lift you from the chair, apologizing when you wake up and mumble something incoherent.  

Viktor:  

- In the early years of university, it sometimes happened that he found you in his room asleep, slumped over on a chair or bed with your shoes still on.  

- But as the years went by and the lab became his main space, that sight became a constant, repeating at least twice a week.  

- He tries to make as little noise as possible, whether with his aides, the door, or the stack of books and notebooks he needs to organize.  

- Before getting to work, he leaves the room again to bring you your favorite hot drink with a plastic lid pressed on top, so it doesn’t cool down.  

- Then, in complete silence, he works, deciding what to leave for tomorrow and what to do now, so he can finish as soon as possible without delaying too much.  

Ekko:  

- It’s hard to define what exactly a workplace is for Ekko,  

- But he often finds you at the Firelights' tree, in that room that’s supposed to be his, having likely sneaked in through the window to surprise him.  

- There are days when he comes back fairly early but stays to tell stories to the kids, and others when things go wrong, and he returns when it’s already dark, and almost everyone is asleep

- Finding you like this always makes him feel the absence of something more stable

- But he shakes his head and quickly pushes aside doubts about his ideals, stepping out of the room again and making more noise as he enters again, so you wake up, and he can pretend to be surprised in front of your open eyes.  

- By now, you know he steps out and comes back in, but it makes you smile every single time.

Vander:  

- You always sit at a table in the back of the Last Drop to wait for him, trying not to bother him, doodling, doing calculations, or planning something for the next day just to keep yourself entertained.  

- But by now, the sound of drunkards and the clinking of coins and glasses have become background noise that helps lull you into a catatonic state.  

- Vander usually notices after about an hour that you've fallen asleep; he always keeps an eye on you, but sometimes the customers cause problems.  

- He doesn’t like leaving you there, so far away, so he usually waits for a quieter moment to come over, pick you up, and bring you behind the counter, laying you down with your arms and head resting on the wooden bar.  

- He knows it’s not a big improvement, but his priority is to keep you safe.  

- When he finishes working, he closes the bar without doing the closing duties, sets his alarm for earlier than usual, and carries you to your room in his arms, covering your forehead with kisses.  

Silco:  

- The problem with Silco finding you asleep in his office is that he rarely arrives alone.  

- There’s always either Sevika or at least two other henchmen following him.  

- He sighs and sends them away, not without Sevika giving him a provocative look that means everything and nothing.  

- He hates those situations because part of him feels a strange warmth at the thought of you sneaking into his office for whatever reason, but on the other hand, he knows it negatively affects his image to be seen as a leader who tolerates certain insubordinations.  

- Because sneaking into the kingpin’s office is something that would get almost anyone else outside decapitated. But not you.  

- He huffs, pacing the room to deal with both emotions, and when he finally calms down, he approaches you, shaking you slightly to wake you up.  

- It’s certainly not the gentlest gesture on his part, but most of the time, it ends with you either going back to sleep in his bed while he works, or sitting on his lap while he flips through papers without paying them much attention.  

Jinx:  

- She can’t contain her excitement at all. When she notices your figure in her workshop, she always lets out a little happy sound that wakes you up.  

- From there, she immediately starts apologizing at least a thousand times, feeling guilty for waking you up but still too happy that you came to visit her.  

- She helps you up, talking nonstop about her day and anything that comes to mind as she leads you outside.  

- It’s not because she doesn’t want you around, but because she assumes you must be hungry as soon as you wake up, so before you're fully awake, you’ll find yourself at the Last Drop with enough food in front of you to feed her father’s entire gang of henchmen.  

- And she will absolutely feed you herself when she sees you haven’t taken a bite in too long, while stealing food here and there and continuing to talk.  

Vi:  

- For her, too, a "workplace" is a somewhat vague concept,  

- But in return, she has her secret spot, where she hides at night and tries to survive when she’s not out on the streets looking for trouble.  

- Every time she finds you there, she feels an indescribable pang in her heart.  

- She always feels like she’s neglecting the person she loves and failing to make you understand how much she cares about you.  

- She always hesitates before waking you up; sometimes she’ll even go change into clean clothes and wash the grime off her hands and face first.  

- Then she’ll wake you by sitting next to you, giving you a kiss, calling you by a silly nickname only the two of you know, and rubbing her forehead against yours before asking, with a rhetorical smile,  

- "Did you miss me?"

Caitlyn:  

- Sometimes you find yourself in the inner waiting room of the precinct, with her colleagues pointing out your body slumped in the chair and raising their eyebrows, teasing her. Other times, you simply sneak into her room, which isn’t much different from the police station anyway.  

- Every time, she sighs and gently wakes you, her pale eyes a little sad.  

- “Why didn’t you call me?” It doesn’t matter to her that you didn’t want to disturb her, because to her, you’re never a disturbance. It’s not a problem to have you around, even in public. She just feels bad that you waited instead of telling her, so she could have come much sooner.  

- She takes you away from the station without any issues, letting you continue resting against her shoulder as a Kiramman private vehicle takes you both to her home.  

- If you’re already in her room, she usually changes and lies down next to you, taking the chance to nap together, wrapped in each other's arms.  

Mel:  

- Falling asleep inside the Senate? Impossible.  

- But the keys to her office and her room are always in your pocket, and you usually bring her something to eat when you visit, though by the time you fall asleep, both the coffee and the treats are cold.  

- She’s not used to displays of affection, so she stays still for a few seconds before smiling and shaking her head.  

- She doesn’t wake you immediately, not because she doesn’t want to, but because if the sound of the door didn’t wake you, you probably need the rest. So she lets you sleep for at least 30 minutes before coming over, brushing your hair behind your ears to wake you, laughing when you lift your head with your eyes still closed.  

Sevika:  

- The first thing anyone would think is that falling asleep at the Last Drop is extremely dangerous. However, Silco’s henchmen aren’t too different from bipedal dogs by now; they know who you are, recognize your face and scent, and if they notice you’ve fallen asleep somewhere, at least three of them sit at your table to ensure your safety.  

- Sevika is always tasked with the worst imaginable jobs—tedious, long, and often dangerous—so when she finally returns, it’s usually either time to open the bar to the public or time to close it.  

- Even when she sees you, she can’t come to you right away, so she makes a face at whoever is watching over you, as if urging them to protect you better while she heads into the office.  

- Like Silco, part of her feels subconsciously softened by the idea that someone would feel the physical need to be with her so much that they’d wait, sitting until they fell asleep.  

- But on the other hand, she’s terrified that someone might see you and come after you to settle personal scores in a cowardly way.  

- When she finally comes down, she pulls you into her arms without saying a word, holding you under her large cape as she carries you away.  

[jadeseadragon]

@jewishvoiceforpeace

"Today marks one year since the death of the People’s Bubbie Shatzi Weisberger. Before she passed, she said, “I’ll fight like hell for a free Palestine until the day I die. Then I’ll keep fighting. Your queer ancestor is with you.”

If you’ve been rising up in solidarity with Palestine these past two months, your queer ancestor is indeed with you, along with countless other antizionist Jewish ancestors. For many, family and community rifts may be especially painful right now. No matter what, you are not alone. Remember that you have a long lineage of elders and ancestors at your back.

Last night, Israel resumed its brutal bombing of Gaza and has already killed dozens of people. Shatzi would encourage all of us to do everything we can right now for a permanent, lasting ceasefire. To mourn the dead and fight like hell for the living.

Shatzi died on World AIDS Day, which was b’sheret ("destined”) because in addition to being a lifelong organizer, she was a nurse for 47 years who cared for people living and dying with AIDS.

From ACT UP’s organizing to end AIDS to the movement for Palestinian freedom, we honor the ancestors and movements who made us possible."

We will be forever grateful to the ancestors who paved the path before us. May their memories fuel us to work towards freedom for all people — no exceptions."

[icarus-suraki]

I don't like wading into Ao3 debates, but I want to give my professional opinion on Ao3 with regard to archives vs. libraries.

I am a professional librarian (MSLS) and I have worked in both archives and public libraries and a lot of the confusion and concern I see surrounding Ao3 is a fundamental misunderstanding of How Archives Work.

An archive is a collection related to a subject. That subject is often a person but sometimes a field or concept or project. And the purpose of an archive is to keep everything. And I mean everything. I was going to say "short of biohazards" but since I know there's a sealed R. Crumb Devil Gal chocolate bar in the UNC Chapel Hill archives, we really do mean everything.

When a collection of materials--which are usually unique and original and can be photos, manuscripts, letters, recordings (audio and/or visual), notes and notebooks, objects, published books, whatever--on and/or from the subject arrive at the archive, they are examined, preserved for longevity, accessioned and cataloged (added to the archive's records), and added to the archive. You measure collections in linear feet. As in, once it's all preserved and boxed and secure, you note how many feet of shelf space it takes up. And some of y'all on Ao3 have a lot of linear feet to your name (and I'm proud of you).

This is an archive: it is designed to preserve the original materials related to a subject. That is its purpose. Archives are how we have the original scroll manuscript of On the Road, for example, or the Lomax recordings of American folksongs, or Tijuana Bibles, or James Joyce's loveletters to Nora.

Now you, a member of the public, can access some archives. Some are easier to access than others. The one I worked in was open to the public; good luck getting into the British Archives without a good reason.

So now apply this to Ao3--which is an archive both in name and in purpose. It is intended to preserve fan-created content long term. And this means everything, whether you personally like the materials or not. It is a repository for as much as possible.

And the "whether you personally like the materials or not" is important, hence why I mentioned Jim's loveletters and Tijuana Bibles in particular. (RIP Jim, you would have loved pegging.)

If it's made by fans and it exists, we should keep it to document the history and progression of fandom. That is the point. We have lost enough materials related to the subject of fans of media and we don't need to lose any more.

The fact of the matter is that Ao3 is only one facet of the OTW, which preserves other fan-related materials (convention booklets and zines, for example). Somehow Ao3, an archive on the subject of fanfiction, has been divorced from the rest of the project, mostly by way of "purity culture" and panic over "dangerous" fiction.

The fact that you can go through an archive and find interesting information is the other side of archives. No, they shouldn't be like the banker's box of old letters stuffed in my closet. Yes, they should be organized and as accessible as is appropriate for the state of the materials.

It's really, really cool to find stuff in an archive, I'm not even going to lie. I have done it before and I will do it again. And yet there are other items in an archive that I might not want or need or be interested in at all--but they're still there. That's the cataloging and accessioning: to keep up with what's there, to stay "on topic" with collecting, and to be able to find things in that archive. Bless the tag wranglers who are doing the cataloging at Ao3.

The pearl clutching seems to come from 1. the creation of "dangerous" fanworks and 2. public access to those "dangerous" fanworks. These are issues of "purity culture" and opinions on censorship and should not involve Ao3.

Ao3, under the umbrella of the OTW, is a documentation and preservation project first and foremost.

[andhumanslovedstories]

A code status is what you want the hospital to do if your heart or breathing stops, and we've got two basic options: full code which means we do EVERYTHING and Do Not Resuscitate or DNR which means we do less than everything. There's like little add-ons like intubated or not intubated, or blood products or no blood products, but that's basic gist of it. Do you want us to try everything we can to save your life or if your heart stops, is that it? And then we take that information and put it in your chart and make it very prominent in case we need to find it quickly in an emergency. Jane Doe, 72 years old, DNR. John Whatsisname, 49 years old, full code. Like that.

Anyway I'd like to propose a third code status that we'll call "DNR!!!" This is when you not only don't want heroic measures to extend your life, you are so excited to die. I thought of this recently when getting report on a patient, and the day nurse talking to me was like, "Alice Smith, 80 years old, DNR and she will tell you that herself." And I was like, "I don't think code status is gonna come up organically," and the nurse was like, "It won't, but she'll tell you anyway." And then I introduced myself to the patient, and like three minutes in as we're talking about pain meds, she goes, "and by the way, when I'm dead, I'm DEAD. Don't be bringing me back! Every woman in my family has lived past 90, and I'm here to break that tradition! NO one needs to live that long, and I certainly don't, and frankly it's indecent for me to have made it this far. God willing the reaper will come for me any day now. I would never take actions to make him come sooner, but I'm not moving that fast and he is DAWDLING. Disgusting. No work ethic these days. And don't bother with a grave, just chuck me out the window and let the birds at me."

And I'm like "so is that a no to the tylenol"

And she was like "oh no, I'd love some tylenol and a warm blanket too. Now look at me. I've done everything I could possibly want to do in this world and quite a few things I didn't want to do, and personally I don't think I should have to keep doing things. I'd also love a cranberry juice."

Anyway. DNR!! I'm sorry to say she made it through the night completely unscathed.

[avatar-anna]

Never Really Over

a little bit of divorced!harry for your consideration

"I just wanna see him."

Y/n gave her ex a long look, not betraying the warring emotions swirling in her belly. Harry rarely showed up this late. He rarely showed up unannounced, for that matter. It made things easier—seeing him when she could prepare herself for the encounter. Now he was here on her doorstep, hair messy and eyes all pleading and sad.

"I just put him to bed, H," Y/n sighed. It wasn't that she didn't want to keep Harry from their son, but it was way too late, and it wasn't his week.

It had nothing to do with the fact that Y/n had been feeling particularly lonely lately and seeing her ex husband be all sweet with their son would make her think traitorous thoughts.

"I know, I know, I've just... I've had a long day, and I just want to see him. I won't even wake him up, I swear. I just want to sit with him."

Despite the divorce, Y/n still knew Harry struggled with the demise of their relationship, and she did too, even if she was the one who ultimately filed. They were five months in, but she felt like no time had passed at all. She floated between half expecting Harry to walk through the door like he used to and frustrated by the way their relationship turned so tumultuous by the end. It was all too complicated, which was why she preferred Harry's visits to be planned. It helped her to compartmentalize.

But she saw the look in his eyes and couldn't help but empathize with her ex-husband.

He looked tired and lost and maybe even at his wits end a little. She knew that look well, she recognized it every time she looked in the mirror on the days Harry had their son. She knew what it was like to have a bad day and want nothing more than to hold their little bub and let him wash away every bit of stress and frustration. Y/n did everything she could to not go completely out of her mind when it was Harry's week with their son, and she imagined that her ex felt similarly.

"Twenty minutes," she said, opening the door further and stepping to the side.

Harry's shoulders sagged with relief. He stepped toward Y/n as if he was going to hug her, then seemed to think better of it and went straight inside.

Y/n stayed downstairs while Harry went up, letting him have a private moment with their son. She cleaned up in the meantime, putting away stray toys and books and fluffing couch cushions and refolding blankets. Anything to not think of Harry with her son, or the soft look he always got when he gazed down at their little boy. It had always been her kryptonite, and she wasn't sure she'd gotten over it yet.

A little while later, Harry came back downstairs. Having organized and straightened up everything she possibly could, Y/n settled on the couch with the glass of wine she'd promised herself earlier that day. She'd wanted to have it in her bed with her book, but she settled for scrolling on her phone until her ex eventually left.

"Thank you," Harry said, his voice soft, careful not to wake the five year old upstairs. "You didn't have to do that, but I appreciate it."

"Don't worry about it," Y/n said, trying to appear like seeing him didn't have an effect on her the way it used to.

"Really, Y/n, I owe you."

"Let's not go and make promises you can't keep again," she muttered.

Y/n felt guilty as soon as she said it. They were having a civil moment, a rarity since the whirlwind of their divorce. She hadn't meant to pick at old wounds and make them bleed again. Her response was a reflex more than anything, one that she couldn't keep in check when she was tired.

"I'm not the one who filed for divorce, Y/n," Harry said, a dark cloud of emotion overtaking his face. "If anyone broke promises, it was you."

"Those vows were broken long before we got divorced, and you know it," Y/n said, that old fire that was more of a dull ember these days rising to the surface.

Harry and Y/n fell in love hard and fast, both loving each other fiercely and with everything cell in their body. Their relationship had been full of passion and intensity and so much love it was almost suffocating. But it also meant that they fought just as hard. Their arguments often blazed and burned bright, then fizzled out until they were in each other's arms again as if nothing had happened.

Until the arguments got bigger.

And longer.

And Y/n just couldn't take it anymore.

Y/n could tell that the anger simmering in Harry's eyes was more for show. She could see the sadness, perhaps even loneliness, in those lovely green eyes of his. And maybe her anger was a little more bravado than genuine hurt too. Maybe it was easier to slip into familiar habits and poke at old wounds than admit the truth.

She missed him.

"Don't make me the villain here. You—"

"I don't want to fight with you," she said before Harry could volley anything back. "I shouldn't have said what I said. I'm sorry. It's been a long day for me, and I'm assuming yours wasn't a walk in the park either."

Harry didn't say anything, or do anything, for a moment. Then, he let his head drop, his shoulders slumping a little. Feeling more than a little bad for kicking him while he was down, Y/n stood up from the couch and fetched another glass before pouring some wine in it for her ex. "Here," she said. "A peace offering. You look like you could use it."

With a laugh that held no humor in it, he took it and raised the glass to his mouth, and Y/n tried hard not to stare at his lips. Or the column of his throat as it bobbed when he took a sip. Or—

"Is this one of mine?"

Y/n willed her cheeks not to flush. "I might've snagged a few bottles from your collection before we sold the house. Most of them went untouched anyways."

"They were aging," Harry said, a little of that humor and charm she fell in love with sparking in his eyes, the lines of his face. "You're supposed to let the bottles rest for a few years until they're at their peak, and then you drink them."

Y/n shrugged. "If you wait too long it goes bad and you miss out on a perfectly good bottle altogether, and then you do all that waiting for nothing."

She didn't mean anything by it, but both of them recognized the subtle truth in regards to their own relationship. Y/n wondered if they would ever be over this part. The stumbling through conversations and trying to avoid dangerous subjects that were littered between them like a minefield.

"Are you saying that's what happened with us?" Harry asked after taking another sip. "That I waited too long to appreciate what was right in front of me? What was perfect in every way the whole time?"

"I was talking about wine, not us."

"You've always been perfect in my eyes, Y/n," Harry said. "You and that perfect angel upstairs. Both of you are my entire world."

"Don't," Y/n said, taking a step back when she realized how close together they were.

"I miss you," Harry said, his voice hitching in his throat. "I miss waking up to our baby snuggled between us. I miss holding your hand while we watch him play at the park. I miss building pillow forts and playing pretend. I miss you, Y/n. I miss being loved by you. I hate that we're divorced. I hate that I signed those stupid papers and let you walk away."

Her throat suddenly felt dry, her heart pumping in her chest so hard she worried he might hear it. Blinking, Y/n tried to maintain the thread of composure holding her together. "You've had a long day. I can tell you need rest—"

"Don't patronize me," he said, stepping closer and closing the small distance between them once more. When Y/n didn't try to widen it again, Harry continued. "If you don't miss me, if you don't still feel what I feel, then say that. But if you do..."

Harry took Y/n's glass and set it down on the coffee table along with his own. He straightened up, one free hand lightly caressing your face, his thumb grazing across her cheek with a touch so delicate she barely felt it. It was agonizing. To have him right there, just the way she used to, and only get a phantom touch. It was maddening.

So maddening, that when he leaned in, Y/n didn't stop him.

She might have whimpered, and her knees might have slightly buckled, and she might have clutched her shirt between her fingers in a desperate, iron grip as Harry slid his mouth against hers, but she would deny it if he said anything about it later.

His kiss was all-consuming, he'd been a ghost in her new life for months, and suddenly he was everywhere—on her tongue, in her hands, against her chest. And she nearly forgot how explosive kissing him was. How it was almost like a dance that they'd mastered but were always learning new and exciting steps to. The softness of her ex's lips were as familiar as ever, but the stubble on his cheeks was new. She didn't recognize the shirt he wore, but she knew the body beneath it almost as well as her own. And his hands—

"We can't—We're not—Harry—"

Over the years, Y/n had grown used to the feeling of Harry's wedding band against her skin. When he held her hand, when he cupped her cheek, when he was spreading her open or landing a firm slap to her ass. It was familiar, a part of him that just seemed intrinsic after they got married.

But now, as she placed her hand over the one that held the side of her face as he kissed along her throat, it wasn't there. The band was gone, they weren't married anymore, and they certainly shouldn't be kissing like they still were.

"Just this once," Harry murmured, pressing the words along the curve of her jaw. "It's been so long, baby. I just want to feel you again. We can still be divorced after. Like last time."

Flames licked Y/n's core as she remembered the night in question. It had been the night the divorce had been finalized. Harry and Y/n signed and initialed every dotted line, the lawyers shook hands and left, then Harry and Y/n went their separate ways

Harry still insisted that her late-night message about a few of his possessions that got mixed in with her things was meant to have some kind of subtext, and Y/n would swear until she was blue in the face that her text was innocent, even if the activities that followed Harry coming over to "pick up" said items were anything but. It was a final goodbye. It was closing a chapter on a book neither of them ever really believed would end.

"Last time was supposed to be the last time," Y/n said, her voice shallow and not at all convincing.

"Tell me you don't want me right now," Harry said, his hand creeping beneath the waistband of her pajama pants. Y/n's mouth opened in a strangled gasp, too aroused and too in love with him still to push him away. "Tell me not to set you down on the kitchen counter and let me love on that pussy the way I used to. Tell me not to haul you upstairs and fuck you hard for breaking us up when we could've had this every. Single. Day."

Harry's last words were punctuated by the thrust of his fingers inside Y/n, each one making her curl around him tight. He lifted her into his arms and set her on the couch, the closest surface in the vicinity that wasn't hardwood flooring. His fingers still moving inside her, pumping slowly, he pressed a bruising kiss to her lips.

"Tell me not to love you anymore," he said, his teeth nipping at her bottom lip. "Tell me how to fall out of love with you. Tell me how to not dream of you. Tell me how to not want you anymore."

Y/n, who had succumbed to this moment, this lapse in...whatever it was, could only grip her ex's hair as he worked her over with his fingers, each word he spoke a balm to the loneliness these last months brought. She wasn't ready to start seeing someone else after the divorce, but now she worried no one would ever measure up to Harry. He ruined her for any other man who might try to sweep her off her feet in the future.

"Tell me, Y/n, and I'll let you come."

Y/n was a mess. She could hear it as Harry's fingers slid in and out of her quickly and harshly, then slowing down before she could finish. He used to do it all the time, knowing how worked up it made her, and now he knew nothing had changed.

"I—" she gasped. She was so close she could barely think straight. Harry's desperate words and the way his fingers curled inside her had her seeing stars. But if she knew her ex, he would stay there and edge her until she gave him what he wanted. "I don't know. I don't know how to make it stop. Please let me come."

Having thought she'd given him what he wanted, Y/n prepared herself for an earth-shattering orgasm. She surrendered herself to tonight, to him, even if she regretted it in the morning. Even if secretly she didn't, which would make her feel even worse.

But instead of pushing her over the edge, Harry removed his fingers from her altogether. The whine Y/n let out at the loss was perhaps a little undignified, but she couldn't think straight with the thick cloud of lust looming over her.

"Wh—"

"We're going to do this properly," he said, scooping her up into his arms and heading back upstairs, taking a left toward her bedroom. Their little angel boy was down the hall on the right side, but Y/n knew they still had to be quiet.

Once behind the closed door of her bedroom, they were both quick to shed each other of their clothes. Stitching ripped, a button or two flew, socks tossed carelessly to corners of the room they'd probably forget about later until there wasn't an ounce of fabric between them.

There wasn't time to stand and appreciate. This wasn't a romantic moment. It was desperate, a little angry, and intense in the way it always has been between them. Y/n kissed her ex-husband hard, her teeth sinking into his bottom lip and soothing the ache with her tongue until he eventually flipped her over onto her stomach.

"You can't be here by the time he wakes up tomorrow," Y/n managed to say. "I don't want to confuse him."

"I know," Harry said, lining himself up with her entrance. "But wouldn't it be so nice if I did?"

"Harry—"

"Relax, baby, I'll abide by your rules," he said, his voice a soft caress. "Just let me have you tonight, and then I'll be gone."

Harry slid in with one smooth thrust, Y/n's mouth dropping open in response. She hadn't been stretched this way in months, and the feel of him inside her again as if nothing had changed...

"Fuck, Harry. I'm—I'm so close," she moaned, unable to say much more than that.

His movements were torturously slow, prolonging the climax he'd been teasing out of her on the couch. Then he leaned over her, his body pressing deliciously against hers.

"We may be separated, but you're still mine," he said, his words accented by his own pleasure. "These hips? Mine. Your tits? Mine. This little cunt? Well, she already knows. Absolutely drenching me. And tonight, I'm going to make sure you remember that."

Y/n could only whimper and wait to take whatever her ex-husband was willing to give her.

*.*

Y/n was having the best dream.

Sun streamed through the small crack in her bedroom curtains as she snuggled under the weight of the warmest, coziest blanket. She held onto it, wrapping it tighter around her, hoping to get a couple more minutes of sleep before her son eventually barged in and demanded they start their day.

She had a million things to do, but none of it seemed to matter while she slept. She felt relaxed in a way she hadn't in a long time.

Then the dream seemed to change. The cozy blanket became an arm draped over her, a leg tangled between her own, and a firm body pressed against her back. The unknown form wrapped around her began to kiss along her bare back, the arm tightening its grip around her waist. Her stomach flipped as a hand began to play with her breast.

She hadn't had one of those dreams in a long time, either.

Before the dream could go any further, Y/n regrettably began to feel the pinpricks of consciousness. But as she blinked her eyes open, she still felt that weight of another body next to hers, of someone other than herself occupying her bed.

It was then that last night made an appearance in her mind, recalling every dirty detail of how she'd given into her ex-husband.

"Good morning."

Harry's voice was low and gruff as if he'd only just woken up himself. The puffs of his breaths dusted over Y/n's skin and sent goosebumps all over. She didn't understand how her body, even while it was still waking up, was so responsive to him.

As casually as possible, she said, "You weren't supposed to stay over."

"Honestly, I don't even remember falling asleep," Harry admitted, though he made no move to leave her Y/n's bed.

"You have to go before he wakes up," she insisted, even if her body was completely against that idea. "He can't find you here. If he does, he'll have questions, and—"

Before Y/n could even finish, she heard the soft patter of feet against soft carpet. Then her door creaked open, and the light of her life appeared.

"Daddy!"

Y/n rested her hands over her face, but not before seeing Harry's broad grin out of the corner of her eye, one that was nearly identical to the little boy at the foot of the bed.

"Hey, buddy," Harry said, his voice less husky than it was just moments ago. "What are you doing up so early, huh?"

"Why are you in bed with Mommy?" the boy asked, climbing into bed with his parents and wriggling around until he was snuggled between them.

Wasn't that the question, Y/n thought, though she was in no rush to help Harry.

"Mummy and Daddy decided to have a sleepover," Harry explained.

"Oh. Well, why didn't you invite me?"

"Because..." Y/n felt Harry's gaze on her, but she was not inclined to dig him out of this hole. Their night was over. It was a new day, which meant everything was back to the way it was before Harry came over last night. "Because I wanted to surprise you this morning. We're all going to spend the day together. Just the three of us."

"Yay!"

"What?"

Y/n glared over the top of her son's head as he half-hugged half-tackled Harry from sheer excitement. This was definitely not reverting back to their normal routine of co-parenting and seeing each other only when it was necessary. Harry, who looked thoroughly pleased with himself, slid out of bed with their boy still latched into him.

Thankfully, he was wearing underwear, but that didn't help Y/n much. She couldn't help but stare at his muscles flexing as he stood and stretched while he held their son. At all the tattoos that littered his body and the mess of curls on his head. He had no right to look this good in the morning, especially when Y/n knew for a fact that she always looked haggard no matter what when she first woke up.

Not that her appearance in front of her ex mattered to her.

"Come on, let's start with making your mum some breakfast. I'm thinking...waffles?"

"Do not make a mess of my kitchen, Harry," Y/n warned, not even bothering to protest the idea in its entirety. She wouldn't have been able to tell her son no even if he tried. Not with how excited he looked at the prospect of spending the day with his dad.

"We'll clean up after ourselves, I promise," Harry said with a wink in your direction. "You stay there and rest. I know you had a...long night."

Y/n threw a pillow at Harry's retreating form before flopping back into her bed. She had half a mind to strut right over to him and prove him wrong, but, well, the dull ache between her legs was starting to make itself known, and the damage of her son seeing Harry in her bed was already done. She might as well stay in bed and take the morning off if Harry was offering.

Sighing, Y/n ran a tired hand over her face as one realization after another made themselves known.

Everything about last night and this morning was messy and would no doubt bring about consequences and difficult conversations she wasn't inclined to have. There were questions she didn't want to ask or know the answer to, but one thing was abundantly clear:

She was well and truly fucked.

[evilminji]

Okay but? We of the DPxDC? Are COMPLETELY Sleeping on DPXBNHA?

And not even for the Main Plot Shenanigans!

Just?? It has ALL of DC's super powers? But MORE OF THEM. And like 80% of the population has um! Danny can?? Finally achieve his DREAM of being???

JUST SOME DUDE™!

Yeah, he's in Japan. That's a bit of a learning curve. And YEAH, there was a cataclysmic war like a few centuries back that sorta... fucked everybody up. No one wants to talk about it. There may be mass graves and Never Forget memorials. But?

On the SURFACE!

This place seems utopian!

No ghost hunters! Advanced technology! Robust social services*!

Wait... what was that asterisk? What do you mean "corrupt shadowy government organizations"? What do you MEAN "Immortal Supervillians"? NO SPACE PROGRAM!?!? AaaaaAAAAAAAAAAH?!?!? I'M IN HELL!!! This is ACTUALLY THE BAD PLACE, THIS IS HELL, OH GOD NOOOOOOO-!!!!!!

Cause see?

There are SO MANY REASONS he'd end up there?

Think about it! Wish that he lived somewhere his weird biology wouldn't exclude him from becoming an astronaut? In Quirks having Bnha Japan EVERYBODY has weird biology! Y'ain't special! You could TOTALLY be an astronaut!..... if we HAD those! We do not. Shut down that program during the Quirk Wars and never really started it again. (And somewhere, Desiree LAUGHS)

Or MAYBE? Things are getting a little hot on the ground? Bit TOO spicy. The Family Fenton and Friends have fallen back, behind the barely holding shields. Not even the Mansons considerable political maneuvering could stop the inevitably of human fear and blind unthinking hatred. Money can't buy everything, in the end. There is only ONE(1) way out.

Through the Zone.

Plan: Strangers In A Strange World is a go.

They're all Limnal enough to fake it. Sam with her plants. Tucker with his technology and persuasion. Jazz with her limited empathy. Their parents with their... well, weirdness. And with a touch of ghostly assisted meddling? Well, they've always BEEN there! Haven't they?

And that's not to MENTION the random 4 year olds with no control! JUST coming into their powers! With all those big emotions in tiny bodies? Startling events and tantrums? Villian attacks? What could THEY possibly hope to do to control or guide that fresh new power? It does what it does and the rest of us are just along for the ride!

If Danny happens to be minding his business and gets accidentally kidnapped by a VERY distraught 4 year old? Well, that's hardly the KIDS fault, now is it? They're FOUR! That is basically a toddler! Tiny child! They are upset, confused, and didn't mean to do ANYTHING. He's a hero. And Heros don't blame little kids from accidents, no matter HOW stressed it makes them.

No, the curse like a sailor INSIDE their head. Like an ADULT.

Just? Imagine~☆

The slow transition from *starry eyed shoujo sparkles* "This is SO COOL~!" to "huh, that's... kinda weird. And Sus. Weird Sus. Maybe nothing... oh! A distraction!" To "okay, this KEEPS happening, that was shady. You all saw that right? You realize that's not NORMAL, right? That that's fucked up? Not cool?" To "oh god, oh God, OH GOD! I'm in HELL! This is actually HELL! I'm trapped in HELL!!! WHAT THE FUC-"

Like? This kid LOVES space. LOVES the stars. And this is one of the few Superhero Cannon that SPECIFICALLY MENTIONS that IN CANNON? Thanks to Quirks? As in Superpowers? That VERY THING got fuckin SCRAPPED. Gutted. Consigned to be a relic of the past so they could all focus on punching each other Real Good.

He would weep BLOOD. Chew the WALLS. The LEVEL of unhinged this child would unleash? Not as Danny Phantom... but as DANNY J. FENTON? Beautiful. Vaguely psychotic. Definitely doing the Fenton Name proud. God, the NOISE HE WOULD MAKE would be inhuman and yet somehow? Come entirely from his human half.

They👏 Would👏 Hear👏 BOSS👏 MUSIC👏

I don't even know if he'd CARE about the main characters. They'd be tangential at best. The man would be in a one man war with I-Island over their lack of space program and hoarding of scientific progress. Probably living out of an abandoned building or forgotten subway station. Just? The MOST bedraggled, feral genius to ever haunt Japan.

As opposed to the REFINED feral genius. Who is Nedzu.

I bet Danny stands outside his school at one AM waving his scientific papers at a camera and YELLS. Like a deranged lunatic. Mismatched slippers and a "haven't slept in a week" crazed glint in his eyes.

He's Nedzu's new best friend. They GET each other.

And, yes, Nedzu COULD let him in... but it's faster to just let him yell and read the papers through the camera. Who CARES if they both seem insane! Let's shout about advanced physics and engineering at 1 am! Over the speakers!!! Oh? You need to physically SHOW me the notes? Well I COULD unlock the gates... OR just wait for you to finish scrambling up the walls like a feral Racoon, to then throw yourself OVER them.

Either, Or.

I'm just SAYING! We are SLEEPING on this! There is so, SO much fun to be had! Danny breaks rules and minds! His outrage over injustice and the complete lack of SPACE! His protection instincts going BUCK FUCKIN WILD. The INDESCRIBABLE hate boner he would have for Mr. "Lemme just rip parts of your soul out so I can collect your powers like pokemon cards" AfO.

There? Is SO MUCH, guys. SO MUCH!

@hdgnj @the-witchhunter @babbling-babull @hypewinter @nerdpoe @lolottes @dcxdpdabbles @mutable-manifestation