#i just need to actually find the episodes first

[coern-art-very-cool-and-nice]

distant blue sky

[samhadjblog2]

Yes stories are about character's confronting one another however the confrontation wasn't some "Uniting against a common enemy" fight. And more like it was character's going of on there own moral values and how a lot of these values clashes with one another. Sometime they agree on things other times they clash with one another. However the show was never going into a direction where they all unite to fight a common enemy.

To say it was always going to end that is far from the truth. It was in the direction of all of these characters.We don't even get the"Uniting against a common enemy" as the main focus of the show until EP.8 while the first seven episodes were (more or less) character focused.

Silco and Jayce's deal wasn't built on "Noxian" invaders it was built on Jayce wanting to reach after he saw how his own violent actions led to a child getting killed. Yes he talked about "the threats of the rune-wars" and how it "brought the city together". However its not a form of "Foreshadowing" its a means of saying this city is built on "Progress" and that they should reach out for peace. I remember what happened. I also remember that the peace Silco wasn't some easy thing and in turn was only going to lead to more conflict. Also its just "one scene". And we get no other scene like this before the "Final fight" that indicates the cities will unite against a common foe.

Vi's comment about "Oil and Water" its only referring to her Caitlyn. Yes there is a lot of class implications towards it however the implication alone didn't mean that it foreshadowed Piltover and Zaun 'Unite against a common foe". Because every-time two characters work together its through the means of a common "Interpersonal goal". Vi and Caitlyn they both had different goals "Caitlyn" wanted to figure out what happened during the progress day attack meanwhile "Vi" wanted to go in and find her sister and get back at Silco. And as the story went on they gradually built a on bond. Viktor and Jayce worked together to use Hex-tech to help people, although they had various different ideas of "how" to use Hex-tech. Vi and Jinx unite to get Warwick, while at the same time salvaging there broken relationship. And that's not something that can be replicated with "Two cities" because that's too large scale to unite through "Interpersonal goals" (More on that later).

Also yes I'm aware of "What could've been" its a sad moment and something more beautiful and poignant then what the Season 2 finale ever was. However It's also important to note that the peace wasn't perfect and Silco had a lot of second thoughts on trying to go through with it. And that the council also were very much against this whole deal. And that's the tragedy of "What could've been" its a dead deal, Piltover and Zaun aren't able to reunite and there will be long term fractures. Similar to how Jinx cut ties with Vi and that there is no going back to there family. That is what S1 sets up, that there is no going back.

Now the show didn't have to end with Piltover and Zaun holding hands and making peace immediately however having the characters come against a common enemy is such a cheap way to end the show. It means that the conflict doesn't resolve by having all that what happened between Piltover and Zaun being acknowledge or addressed. So while yes the epilogue "Alludes to" the work needing to be done. However the politics stop being relevant after episode 4 and then suddenly in episode 8 we have this "Big world ending threat" that just has the character's put aside there differences. And that's just not compelling.

And this is something that the writers acknowledge as un-engaging. Here's a statement from Christian Linke.

"Many writers talk about being "character driven" without actually writing character driven stories. If you ask your hero whether or not they well help save the world from an alien invasion, the answer always is "yes duh". Thus the character doesn't REALLY have a decision to make. The sole question that remains is "HOW are they gonna overcome their obstacles?"--which is entertaining, but it really doesn't drive the story forward with full autonomy. I think Alex and I gravitate towards stories that leave characters with or even impossible choices."

Here's another quote from Amanda Overton.

"I think of this in terms of what a character hopes and fears. You have to know what these are (and make sure the audience knows too) and them to tug a character towards impossible decisions. I also think you have to be able to relate to these hopes and fears. As Christian mentioned, the fear of dying in an alien invasion isn't relatable. Neither is the hope of winning a civil war (for most people), what made Silco's quest for Zaun's freedom relatable is that it was rooted in the his hope that he could win back his brother Vander's resect. And without his respect, Silco feared he was the "dirty little thing" his station in life always ascribed to him. Fearing you aren't good enough, and craving respect from family are deeply relatable emotions, This is what a "character driven story" means to me.

Source: https://old.reddit.com/r/arcane/comments/yp9d4b/s1_spoilers_were_christian_linke_and_alex_yee/ivnapve/?context=3

So this here is why so many people have issue with this finale. It removes all meaningful choice from the two cities and "forces them" to work together. So nothing about this finale of "Two cities uniting against a common enemy" have any of the character's make any meaningful goals in the end and more like their working together out of moral obligation. This has been a huge problem with season 2

It introduces big grand out their things such as grand-time loops, alternate realities/multiverse, the Black Rose,Hive minds ,end of the world stakes all of which takes away from the more grounded interpersonal stakes that were established in the first season. On top of that you can't really juggle all of these plot points in 9 episode season without feeling bloated.

I get the whole "I'm the dirt under your nails" comment and how they are saying "There is still work to be done". However the finale had nothing to do with the "Class conflict", the only "real reference to the cities moving forward is Sevika having a seat on the council." Thats just too brief and is the only reference to the conflict between Piltover and Zaun we get after they were dropped in episode 4. And so it feels less like a meaningful step forward and more like a weak resolution. Yes 'No one wins wars". However this really isn't "A war" its just a copy of"Avenger's age of Ultron" generic and un-engaging.

“What happened to rebel Vi? Season 2 destroyed her character!”

“What happened to rebel Vi” is that Vander took her to the bridge where her parents died in his revolution and asked her what she was willing to lose. Then she meets Cait who is gentle and kind while still being tough and it makes her rethink how she sees topside. When Jinx tells her she changed too, that’s what she’s talking about.

I’m sorry if you thought Vi was going to be a topside-hating revolutionary in Season 2, but that’s clearly not where her character arc was going. Remember how she forced her way between Ekko and Cait? It seemed very straightforward that was the role her character was taking on.

I feel similar about people who act like the show was betraying its premise because it ended with reconciliation/Zaun and Piltover working together. Again, the fact that two of the most important relationships were between characters from both sides and that they made a point of talking about Zaun and Piltover first coming together against a common enemy was a pretty clear indicator that was the plan.

Now, I get being annoyed that that was what they chose to do. You don’t have to love the creative decisions of media, just like media doesn’t have to compromise its creative direction to satisfy you. But not liking that they went that direction is not the same as the show having bad writing or engaging in character assassination.

Everything Vi did in season 2 was very much in character with how she changed and who she became throughout Season 1. Hell, she used enforcers and Hextech to raid Shimmer facilities before Commander Kiramman ever threw on a beret. So, yes, actually wearing the uniform was a huge and complicated decision that she was definitely not happy about, but it also fell in line with what she had been doing.

There’s meat for another post at some point about the three different Zaun/enforcer partnerships we see in the show: Vander/Greyson, Silco/Marcus, and Cait/Vi; but I’m not going to go into that now.

TLDR: “Rebel Vi” who wants to fight all of topside hasn’t existed since the end of the second episode of the show.

Editing to add that Vi doesn’t see attacking Chem Barons as attacking Zaun; she’s taking down the people who are destroying Zaun.

[dcxdpdabbles]

Holy hell Author. Holy hell.

Like, after I reread the Adopted son 48+ times, I still haven't processed even though I've processed fully what happened....

Like looking you need to distract myself but I can't leave your page. So I ask of you to throw us a bone of anything happier.... please

Like, IDK Royal Consort or something I don't know

That was like the first thing I could see after I like processed the episode of adopted son I just watched with my eyes that was like happy and not about food cuz I don't think I could stomach it without wanting to like viciously Chomp on a salad imagining it being Richard Grayson destroyed.

And I'm feeling bold but I'm also a coward I'm also a coward so I will not make this anonymous out of pure Hope that you who will throw a bone of any anything at us

And not just drink our tears while cackling madly cuz I feel like you do that like an ancient duchess or something IDK

Danny is floating in incredible darkness, disrupted by small shining stardust, where nothing but peace can reach him. It's been a long time since he felt so at ease that he allowed himself to flout higher and higher as if flying away into an endless cosmos.

He is about to pass a point where he knows that if he goes beyond it, there will be no return. He will know nothing but the tremendous abyss.

Accepting the joy it brings him, Danny floats towards the gateway, chest first, arms spread, and a blissful smile stretching across his face. Then, a burning sensation begins on his back, like someone had thrown a hook onto it. He has a second to scream before he's yanked away from the stardust and the gleaming gateway, hand stretched out desperately towards it as he falls, falls, falls-!

Danny slams into his body like a flight train, going off the rails and making him bounce slightly on the bed he was lying on. While trying to catch his breath, a roar of whispers starts up around him, resonating inside his skull and banging his brain like a gong.

He blinks and opens his eyes, trying to get his ears to stop ringing, but he has to shut them down due to the bright light that burns his pupils. He tries lifting his hand to rub at his eyes to soothe them but finds his limbs uncooperating.

Mentally sending the command to move doesn't seem to be received, as all he can do is make his fingers twitch slightly. His legs also won't move, not even to flex his toes. Panicked, Danny rips open his eyes again, wanting desperately to move his head but finding his neck is only able to rock in place but not actually turn.

Then, he notices a breathing mask is attached to his face. He seems to be underneath four bright lights similar to the ones he's seen on TV for medical shows. His clothes had been switched out from the fancy tux that the Waynes got him to what feels like paper-thin cloth, and he swears that there is a cap or something similar on his head.

Danny's heart starts hammering in his chest as his panic increases. He doesn't know where he is, what happened, or why he seemed to have woken in what seemed like a hospital setting. Distantly, he hears a loud double beat, rising in volume and increasing in tempo.

He can't tell where they are coming from as he struggles with all his might to get his body to move. A face appears on his right, causing Danny to flinch from the sudden appearance and the closeness. It took a moment for his eyes to focus as the person had left only breath space between their noses.

Phantom.

A bright eye, grinning Phantom with glowing cracks alongside the left of his neck. The cracks- they don't appear like scars, but honest to Ancients, they remember broken marks on porcelain dolls- went up to his left ear, curling around his jaw, and disappeared into the cloth near his left shoulder.

"What happened to you?" he means to ask, but the mask and his weakened state have the words come out more like "Wa heped to yu?"

Phantom smiles anyway, clearly not understanding what he's saying but able to make a guest, "Good morning, sleeping beauty. I've been waiting a whole week for you."

"a wek?"

"That's right, it's been a week. Frostbite was able to save you through a hazardous surgery involving half of my core and the blood of a human virgin." Phantom brushes some loose bangs out of Danny's face, somehow making his face soften even if his eyes still have that hard, tired glint. It was one of the big differences he had noticed at the gala.

Phantom had the eyes of someone who had seen the end of the world and had hearted his heart to survive it. He blinked slowly, trying to understand the information his future ghost self was saying, but his vision wavered as a new wave of fatigue overcame him.

Phantom sighs, pressing a gentle kiss to his forehead. "Rest, my love. When you wake the next time, things should be much clearer."

Danny fights against his slumber as much as he can but is only able to hear a voice whisper, "How is the Consort?"

"He's doing better, thank you, Ambassador Drake."

Ambassador?

The next time Danny wakes up, he's no longer in the healing chambers. Instead, he finds himself underneath the silk comforter of his King Chambers inside of his castle that he purchased from the WebSpinners in the Ghost Zone. He blinks his eyes slowly, trying to push away the fog clinging to his mind, as he carefully leaves himself into a sitting position.

He's wearing his royal pajamas, which feel like a soft, warm cloud is touching his skin. He sits in the sensation while taking one slow, deep breath. The King Chambers used to be Pariah Dark's old bedroom in his haunt, covered wall to wall with mounted body parts of his enemies.

It took Danny two whole years before he could make himself go in and clear everything out. He then had Poindexter hire a team of interior designers who brought to life Danny's human perspective of what he thought a castle should look like.

Granted, Danny's idea of a castle was a little clouded by all the movies he had seen with Kings and Queens, and it took some trial and error before the team figured out he considered French Chateaus as his ideal mental castle image. Now they informed that the Haunt would react to his will, and after spending hours and hours meditating to create a connection with his inherited haunt, Danny had shifted its shape from a gothic black stone medieval castle to a bright white break chateau.

He had even turned the environment from a ranging dark storm into an eternal winter wonderland. He glances at the two large windows of his room, taking in the gentle folds of white blankets across the ground as soft snow continues to fall.

His breath hitches at the beautiful sight, suddenly overcome with love for his gentle winter morning. Even though he had shifted the grounds into more welcoming walk gardens with undisrupted snow and pine trees, nothing was as beautiful as his Haunt's ice statues of his family and other beloved memories that decorated the pathways of his gardens.

Danny takes a few minutes to admire

A fire cracks within the room's fireplace, pulling him from his thoughts. He briefly considers it, memorizing the soft purple of its flames when the door is violently flung open. Standing in the doorway is a hurried-looking Poindexter whose arms are filled with various parchment, scrolls, and stacks of papers.

"Danno! You're awake!" He greets, rushing towards him with various items falling out of his arms. "Thank the Ancients. Can you please review these purchase orders?"

"What? No!" Danny groans, leaning away from the desperate-looking nerd who practically crawls across the bed while shoving scrolls at him. "I've been unconscious for a week! Why would your first instinct be to make me sign purchase orders? "

"I know, but ever since you acknowledged yourself as the Consort, that made your human side head of Hunt operation and management. You only gave me Manager rights as the King, but the spouse authority, which in this case is the Consort, goes over my clearance level, and I need to get these paid before the ghosts lose their patience and come ransack the castle!" Pointdexter snapped. "Why did you go around telling people you married yourself!? I thought wearing the Consort symbol was a weird metaphor for self-love and a declaration of staying unmarried, not that you actually married yourself! This is weird!"

Danny blinks, caught off guard by the usually calm ghost sneering in his face. "How....did you hear about all of this?"

Pointdexter sighs, falling back and, thankfully, out of Danny's personal bubble. "Everyone's heard about it since King Phantom popped up with you in his arms, which is a problem because only a select few from your early years knew you're a halfa - a secret we had spent years protecting, which is now much harder to do. Rumors are spreading that you even brought back a concubine! A concubine!"

"I'm sorry?"

"You should be! Do you know how many ghost territories have attempted to send a concubine as a gift and an effort to control the King's Court?! Nine hundred and fifty-three! I had to turn away each one with the flimsy excuse that the King wasn't present to turn them away himself."

"We have a Court?"

"We do now! Thanks to the existence of Consort Daniel Fenton!" Poindexter rubs the space between his eyes after taking off his glasses. "The worst part is that King Phantom returned to the human world to calm things down from his fit and left that human in the castle. The jerk has been snooping around and then had the audacity of acting like he's some idiot who isn't snooping. As if I haven't been the head of the Hunt security for four years!"

Danny raises a hand, feeling like that was too much information to process. Seeing the ghost go silent and wait as he tries to think is gratifying. Eventually, he hears himself ask, "What human?"

"Timothy Drake. He was the reason you and the King survived a core transfer."

"How?"

"He donated fractions of his soul in self-sacrifice to turn into pure ectoplasm that was used to piece together King Phantom from falling apart." Pointdexter sighs. "The only problem was the man did it in a pathetic attempt to keep the King from "raging war" against the humans, and now he can't leave the Hunt as a side effect of the ritual. The humans think we purposely stole him, and now everyone is scared that King Phantom has a taste for human flesh., and not in the cannibal way! And I have Purchase orders that are weeks overdue!"

There was a loud sound of horns from the outside before a man shouted, "Announcing the arrival of Sir John the Pure, a tribute to King Phantom to be used as a concubine. A gift from the Cosmos tribe."

Pointdexer throws his arms into the air, leaping off the bed and rushing out of the room. It's always hard to remember ghosts could not go through walls like the mortal world, but that at least means the large carriage, followed by marching men in knight suits, was forced to go slowly so as not to hit all his ice statues.

That did not mean the weird marching band was made entirely of fanfare; trumpets stopped blaring their song as they grew closer to the front door.

Danny could see them from his window, and he also saw the moment Drake faded through the second-floor wall, looking shocked- likely unaware he was the ghost in the ghost zone- before he face-planted on the ground below. A beautiful man leaps out of the carriage, rushing towards him, and were it not for his blue skin and stardust in his hair, Danny would have thought him human.

Pointdexer appears at the door, shouting something while the horns continue to play their stupid song.

Danny opens and closes his mouth before he grabs a pillow and screams into it.

This is the worst way to wake up.

[respectthepetty]

I wanna talk about the toe

You know, the scene where Fujisawa squeezed Sei's injured toe!

In the first episode, Kaori stated that a broken nail was actually a simple fracture and really just needed a little care to strengthen it.

Which is exactly what she did for Sei

But just like everything else in this show, this discussion isn't about a toe. The toe could be about the embarrassment we feel, so we continue to suffer even when an easy fix exists.

And it could also be about the true source of pain.

Kaori and Fujisawa are not bad people, and the show hasn't presented them as such, but Sei questioned if Kaori was aware of how upset Hagiwara was about the growing distance in their relationship.

Then the show immediately answered that question through Ayako's testimony. Kaori isn't just aware; she's happy about their situation.

Sei also asked what Kaori didn't like about Hagiwara.

And the show answered that as well. Kaori doesn't like that he is a man.

They aren't broken. It could just be a fracture. And there is an easy fix. But instead, they continue to suffer.

Then there is the actual toe, which is Sei's toe. He hit his foot on the table, in the house of a man who designs furniture.

Yet Fujisawa is rarely home.

Sei hurt his foot after Fujisawa avoided their conversation, and Fujisawa hadn't been home or spoken to Sei since, which is why he barely found out that Sei had hurt his foot after dinner. Then, he immediately squeezed the toe.

Regardless if Fujisawa designed the table that Sei accidentally walked into, he was part of the reason Sei was in pain. And at first, I felt he wasn't to blame and thought he didn't even notice. But just like with Kairo, he is aware. And he keeps doing it. He squeezed Sei's toe. He just heard the story about how it was hurt. He was looking directly at the toe. And. He. Squeezed. It. He wasn't even gentle when taking off Sei's sock.

Sei excuses the behavior and tells him it doesn't even hurt anymore, but this is the basis of their entire relationship it seems. Fujisawa does something that hurts Sei, and Sei lets it go. It's a vicious little cycle.

Once again, the show hasn't painted anyone as the villain, yet Sei has specifically stated multiple times who he thinks is a "good man," and it isn't Fujisawa.

During this scene, Hagiwara questions Sei about what Fujisawa does for him that makes Sei want to be nice back to him, and the only thing of substance Sei offers is that Fujisawa agreed to live with him.

He states Fujisawa is patient with him, but Fujisawa also demands he never meet up with his pen pal. Sei also states that Fujisawa concedes often, yet the friend they just encountered stated that if anyone wanted to speak to Sei, they had to go through Fujisawa.

It's all very normal behavior due to the circumstances. None of it seems malevolent. And yet Fujisawa wasn't interested in Sei's foot until Sei mentioned that he spoke to his co-worker who asked his girlfriend to look at his foot. Then, he squeezed the toe, which is an odd reaction. Or is it all very normal behavior due to the circumstances?

Sei doesn't have friends. He never attended the work dinners before. Yet now he is going out for dinners, has a co-worker whose girlfriend helped him, has another co-worker who is a bit afraid of him and he finds it funny, and a pen pal who has a girlfriend who he chats with through an email account that just happens to be Fujisawa's name and birthday.

Which reminds me of this co-worker and her wild story.

The woman is in a bad relationship. She is aware that she is in a bad relationship. There is an easy fix. But she doesn't leave.

Everyone, including Kairo and Fujisawa, are very aware of the situation that is unraveling in their relationships, but nobody wants to apply the easy fix. They are avoiding the issues and causing more suffering. Which is strange because Sei and Hagiwara have been shown to take responsibility and fix problems.

So why doesn't Kairo tell Hagiwara that she isn't sexually attracted to him anymore when he tries to initiate sex? Why doesn't Fujisawa tell Sei about his feelings (of jealously) instead of squeezing his toe? Because the easy fixes require communication, and they refuse to communicate, which is why this entire relationship between Hagiwara and Sei extended beyond one email.

Because it was never about the toe.

[electronickingdomfox]

Star Trek TOS slash bits (Season three)

This is my personal rundown of all the slash scenes in TOS season three. I've omitted episodes when I didn't find anything remarkable in them.

-What I count: lingering touches or affectionate looks, clinginess, actions that show a strong concern/familiarity with each other, suggestive scenes...

-What I DON'T count: friendly gestures (like smiling or looking amused when someone says something funny), scenes taken out of context, physical proximity just because there's not enough space...

I'll try to illustrate some scenes when necessary, though screenshots usually don't do justice to it.

For season one analysis go here. For season two, go here.

Spectre of the Gun:

McSpirk The mind-meld scene. For Kirk, this was his first mind-meld, for McCoy the third, if you count the one with Mirror Spock. Actually, Spock also mind-melds with Scotty here, but in my opinion, the scenes with Kirk and McCoy look much more intimate. Almost like love scenes, while Scotty's seems a more clinical meld. For comparison:

The Paradise Syndrome

McSpirk At first McCoy is infuriated by Spock's decision to take care of the asteroid before rescuing Kirk, though then he submits to his very logical reasons for doing so (explained with rocks, so the doctor can get it). McCoy will spend the rest of the episode entering Spock's cabin every five minutes, to see if he's getting enough rest. While Spock works himself to exhaustion, trying to figure out a way to divert the asteroid and save Kirk (granted, he also wants to save the rest of the planet, but still...). Also, McCoy tries to comfort Spock, by telling him it wasn't his fault the ship was crippled, and that Jim would have done the same. For his part, Kirk isn't very worried about Spock and McCoy, but that's because he's being KIROOOK!! and can't even remember them.

And the Children Shall Lead

Spirk The famous turbolift scene. When Kirk feels he's losing command, he first grabs Spock in a panic, and then literally throws himself into his arms, in a half intimate, half awkward scene. It's only when Spock whispers "Jim" to him, that Kirk regains his confidence.

Spock's Brain

Spirk Kirk's anxiety when he discovers Spock's brain has been stolen. He argues with McCoy just because he can't replace a brain, and is determined to search the entire galaxy to save Spock, if needed. Later, when he hears Spock's disembodied voice, his face reflects absolute bliss:

Spock also says that he feels a distinct pleasure upon hearing his Captain's voice.

Spones McCoy doesn't hesitate for an instant to use the knowledge helmet to save Spock, even when warned about the possibility of it killing him. And Spock begs McCoy not to jeopardize his life for his sake.

McKirk This... this moment (nothing said):

Is There in Truth no Beauty?

Spirk At first, Kirk is all gallantry and pleasantries with Dr. Miranda Jones... Until he starts suspecting that she may have hurt Spock on purpose, out of jealousy. Then he turns absolutely nuts, accusing and threatening her, in the hopes that this will stir her conscience to save Spock's damaged mind. The whole scene is actually quite uncomfortable to watch.

Spones McCoy seems very angry and/or worried when Spock praises Uhura's beauty after his mind-meld with Kollos (jealousy?), and quickly points out that this can't be Spock. Though he's immediately relieved when Spock replies in his usual tone, proving that Spock's still there. It's noteworthy that Kollos had showed ample signs of being controlling Spock before this moment, like making him smile. Yet McCoy only reacts once Spock/Kollos starts flirting with Uhura.

Apart from this, there's Miranda's jealousy about Spock and Kollos, since she perceives their union as far closer than what she could ever achieve. Miranda is in love with Kollos, so Spock functions as a kind of romantic rival, at least in her mind.

The Empath

McSpirk It's like... the whole episode. But there are certain scenes that stand out. First we have Kirk offering himself as test subject for the Vians, as long as they leave his friends alone. Then McCoy sedates Kirk, knowing that he'd subject himself to the torture if awake. But his plan backfires, since this leaves Spock in command, and of course he wants to sacrifice himself to protect the doctor. At one point, Gem touches Spock's shoulder, and through her empathic powers she senses something in him that makes her smile with fondness; presumably, his deep love for his friends. McCoy is determined to be the one tortured, though, so he also knocks Spock out, even if the Vians had previously said that he was the most likely to die. Afterwards, Kirk and Spock gently hold the dying McCoy, with Spock touching his face, and McCoy complimenting him for his "bedside manner". Kirk tries to convince Gem to save McCoy, by all means possible, and has to restrain his strong emotions in order to break free from the force field. It's really a lot. After all, the whole point of the episode is that Gem learns about love and self-sacrifice by observing these three particular individuals.

The Tholian Web

Spirk Spock insists on staying in Tholian space, despite the danger it poses to ship and crew, for the remote possibility that Kirk may still be alive. McCoy points out the illogic in such an action, and this is one of the main causes for their disagreement.

Spones Spock and McCoy are very tense with each other in the first part. But after seeing Kirk's last message (that pretty much amounts to saying that they complement each other) they make peace, and McCoy apologizes and acknowledges Spock as Captain. They almost get into another argument because McCoy's being affected by the spatial distortion too, but he quickly apologizes again, before collapsing in Spock's arms (and how convenient that everybody else becomes crazy and murderous, yet McCoy's reaction is fainting on Spock...)

By the end of the episode, they're toasting together and have grown fond of each other. Kirk notices the change and teases them, so they reveal how difficult was working together. However, they don't give him the satisfaction, and even deny having seen his message.

For the World is Hollow and I Have Touched the Sky

McKirk Kirk is very angsty and pained upon learning that McCoy only has one year of life left. But he's even worse once he learns that McCoy won't be spending that year with them, but with Natira. Apart from this, Kirk is pretty touchy whenever McCoy is feeling bad.

At times, Kirk and Natira almost seem like romantic rivals, in a competition for McCoy. Further expressed by their parallelisms: both Kirk and Natira are leaders of men, burdened by enormous responsibilities, and this position has forced them to lead solitary lives.

Spones Less evident, but when Spock grabs McCoy's arm to prevent him from getting up, McCoy looks at the hand and seems surprised and moved by the gesture.

McSpirk In the end, McCoy chooses to go back with Kirk and Spock, even if this means losing Natira. And he does so even before they find a cure for his illness! His situation is literally the same, so it's a choice born of free will. Besides, Natira knows that McCoy won't stop disobeying the Oracle and thinking about his friends as long as they're alive.

Plato's Stepchildren

McSpirk Similar to "The Empath", the whole plot revolves around Kirk, Spock and McCoy sacrificing themselves for each other. First, Kirk and Spock are subjected to the Platonians' humiliation because they refuse to leave McCoy behind. And when McCoy can't bear their torture anymore, he agrees to be a prisoner of the Platonians in exchange for their freedom, though Kirk talks him out of it. They're both also very concerned about Spock's wellbeing, after the Platonians force him to show emotions. And Spock can't contain his rage at having almost killed Kirk.

Wink of an Eye

Spirk When Deela monitors Kirk's actions, she notices that he's trying to communicate with Spock. And from this she concludes that humans are quite capable of affection. She's not speaking about "friendly affection" precisely, because she hopes that Kirk will show it to her too, and this makes Rael quite jealous.

That Which Survives

McKirk A bit of a silly example, but Kirk and McCoy probably didn't need to sleep so close together (and so awkwardly), with so much free terrain around.

The Mark of Gideon

Spirk In the beginning, Kirk looks at Spock with fondness and regrets that he can't accompany him down to the planet, which he describes as a paradise.

Requiem for Methuselah

McSpirk The final scene, where Spock makes Jim forget through a mind-meld, is often interpreted as pure K/S. That is, McCoy is nasty towards Spock for not feeling love; Spock proves him wrong by showing his love for Kirk; the end. But I think that this interpretation ignores certain elements in the story, and some things don't make much sense. In particular, the assumption that McCoy is simply being nasty. First, why would he insult Spock now? They don't even argue in this episode, there's no previous conflict between them to prompt this. Second, would McCoy really believe that Spock doesn't understand love, when a moment ago Spock showed a perfect understanding of Rayna's dilemma? ("The joys of love made her human, and the agonies of love destroyed her.") So, the way I see it is thus. There's a parallel between the love triangle of Kirk/Rayna/Flint (discussed right before McCoy's speech), and the triangle of Kirk/Spock/McCoy. Pretty much like Flint tried to extract emotions from Rayna, McCoy tries to extract the same from Spock. He's been doing it for the whole series, but it was also seen in this episode, when McCoy wanted to see Spock drunk, or celebrated that Spock admitted an emotion: envy. And here he's doing it again, with his speech as a revulsive for Spock to acknowledge his love and act accordingly. The difference is that, while Flint was motivated by selfish reasons, McCoy is doing it not just for Spock, but also for Kirk. His deep worry and love for Jim makes him wish he could forget. And it's this suggestion what finally sets Spock into motion. In a breach of logic, and probably Vulcan manners too, he mind-melds with Kirk to erase his pain. It's a complex scene, but all three characters are deeply intertwined in it, with each caring for the other two (well, except Kirk who's sleeping at the moment...).

The Savage Curtain

Kirk is absurdly in love with Lincoln, and he has this dreamy, goofy smile on his face every time he looks at him. Despite knowing very well that he's not the real Lincoln. Despite McCoy calling him on his bullshit... Lincoln is just THAT irresistible.

Even Spock admits that he too "experienced his charm"!

All Our Yesterdays

Spones And how! In the first part, Spock is constantly looking after McCoy and caring for him. When McCoy falls on the snow half-frozen, Spock refuses to leave him behind (despite McCoy's pleas for Spock to save himself), because they "go together, or not at all". Later, in the cave, Spock puts the doctor to bed and leans over him on several ocassions, mostly focused on his recovery, even if this prevents him from searching for Jim or an escape.

Once Spock begins to revert to his ancestors and show an interest in Zarabeth, is conflict time instead. In particular, McCoy's outburst at Zarabeth, and his accusations that she's lying and just wants to keep Spock for herself, sound like a bout of jealousy. As a matter of fact, it IS true that only Zarabeth is trapped in that world, but McCoy has no way of knowing that, and no proof that she's being dishonest. After this outburst, Spock pins McCoy to the wall in a very tense scene, while McCoy grabs his arms the whole time. And it's only then that Spock realizes what's going on with him.

In the end, when forced to choose between staying with Zarabeth, or going back with McCoy, Spock chooses the doctor. As he said in the beginning, they go together or not at all.

McKirk Much less obvious, but McCoy is constantly asking about Jim, and tells Spock to stop worrying about him and go find Jim instead.

Turnabout Intruder

Spirk Kirk (inside the body of Janice Lester) convinces Spock to perform a mind-meld on him, by saying that Spock is closer to the Captain than anyone in the universe, and that he knows his thoughts. Once he learns the truth, Spock takes Kirk by the wrist to accompany him outside the cell. Spock touches people more often than is usually believed, but here in particular is a tender gesture, not strictly necessary.

Apart from this, Dr. Coleman seems to still love Janice, no matter the body she inhabits. There's this scene where Janice (inside the body of Kirk) approaches him seductively, and places a hand on his shoulder. From the point of view of the audience, it's one of the most explicitly gay scenes in the whole series (and extra points for Shatner for choosing to play it that way; there was nothing of the sort in the script).

Summary

Spirk: 7 out of 24 episodes Spones: 5/24 McKirk: 4/24 McSpirk: 6/24

A big increase for McSpirk, in relation to previous seasons.

[bestworstcase]

Tbh I can only imagine the rage Salem might feel on Oz's behalf once she finds out Light manipulated and trapped him into the task Light gave him, and that he has no choice in coming back (assuming she doesn't know that it isn't his choice). I think finding out he's essentially been trapped in a prison (the prison being the fucked up cycle of life/death/rebirth and the Mandate) this entire time would give her extra incentive to, presumably (if that's her goal), overthrow the tyrants that are the gods.

And honestly I think that would really show Oz that yes, Salem does still love him and care about him (quietly slides over Would You Fall In Love With Me Again from EPIC the Musical). Ugh I just want them to make uppp they mean everything to me. I need that reconciliation arc sm. And sighs. Salem saving Ozma from his metaphorical tower like how Ozma saved Salem from hers :( i want them to at least be friends again. There's sm they have to talk about and make up for

in all honesty i think her immediate reaction is more likely to be anguished guilt than fury, because the god of light deftlymanipulated her into acting as the lock on ozma's cage. it's been evident since 6.3 that salem already feels an immense burden of self-blame and guilt and in v8 we see, with cinder, salem turn on a dime while articulating a very precise and accurate understanding of why cinder acted as she did in response to the way salem treated her.

(and i do also think ozma's view that salem is at least partially responsible for what the brothers did to her and to the world may be, ultimately, because she told the story that way: if salem really did hesitate to tell him parts of it at first because she feared ozma would reject her, then it follows she felt ashamed and guilty, and feeling that way would undoubtedly color her account.) 

and in 6.4, the one time in the present we've ever seen salem truly lose her temper, what happens? she sends everyone else out of the room and self-harms. the windows shatter inward—the scene cuts away before we see salem get ripped apart by broken glass, but that is what she's doing. that unbearable uncontrollable rage is for herself. 

so how will she feel when she learns that all this time she spent believing that ozma  cynically took advantage of her trust and love to manipulate her into serving her tormentor, that he willingly bent the knee to tyrannical monsters and never wavered from his obedience—how will she feel when she finds out that actually, all that time, ozma was being tortured and forcibly twisted into an unwilling pawn by a curse he was tricked into accepting?

like. 

look at what she did to herself when she realized her decision to abandon cinder meant leaving cinder to infiltrate atlas and recover the lamp from oz all by herself, with no support, mere weeks after cinder nearly died at haven. and that was harm of a much smaller scale, spanning just a couple weeks. salem fled into exile after that horrible fight and left ozma to suffer alone in a state of inescapable torment for thousands of years. 

i think she's going to be devastated and furious with herself first, and she'll have to navigate that before she can reach being enraged at the god of light for ozma's sake. but yeah once she's had that time to process her hatred of the brothers and conviction that they must be cast down will only deepen. 

for ozma it's far more important that he sees the anguish and grief and guilt clearly. he already knows her rage. he knows she hates the brothers and why. salem is a deeply emotional character but her affect is blunted and notably in the narration of the lost fable, spite and anger at the gods are the only emotions jinn ever describes salem feeling—everything else we see salem feeling in that episode is framed as a manipulative lie, because ozma is terrified that her spiteful anger at the gods might have been the only thing that was real. 

and again i think this is a misconception rooted in the way salem presented herself because in both the kitchen scene and even more so in their last conversation, salem keeps what she wants and what shefeels very tightly locked down. from the instant ozma suggested that he wanted more than their cozy little life in her cabin, salem was one hundred percent focused on giving him what he said he wanted. literally, "whatever we want—what you want!"

salem fearing ozma would reject her didn't begin and end with just flinching before she plucked up the courage to tell him of her rebellion. it also encompassed what she wanted, if he wanted something else, and anything she felt that she feared might upset him. even when he told her the whole truth, she crushed down her own feelings and quoted from a myth—spoke in his language—and tried to reach out to somehow find a compromise because even then she was putting him and what he wanted so far above herself that she couldn't even bring herself to admit that she felt hurt. 

fundamentally what ozma needs is to see her pain, her grief, without any restraint—not just for her sake but also for his own. anger is what he expects. it's the only thing he expects. and i think a lot of the resentment he feels toward salem in the present comes from a place of believing on some level that he's just her excuse for being angry at the gods because he feels so much doubt that she truly loved him. 

which is where the maiden-in-tower allusion becomes salient; when the prince is blinded his sight is healed by her tears. ozma won't be able to see her clearly until he sees her sorrow.

[causeimcrayzeebee]

tetro back it again making me cry way too early in the morning alright lets talk about the things on my mind after this weeks episodes

first of all, (princess) Monomoko. goodness. i have really enjoyed seeing her become more and more sympathetic and aware, building her own consciousness. that really worries me about her, in the event that something could happen to her. the fact that she told seki that she cant justify the killing game anymore, and seki doesn’t really say anything about he feels. i wonder if he feels the same way. also from corrective approach, it seems like seki turned her in, but honestly is it just me or does it seem like something where kan found out on his own n seki wasn’t able to do anything about it? i mean obviously he’s still choosing to do nothing, but like i feel like it would be weird that he told on her yk? or am i just losing my mind.

ojima. oh my goodness ojima, I did not expect a lore dump, but wow. hayashi telling him that talking about it could be his chance to be strong,,, and he actually starts speaking. i really loved that hayashi was the one he told, especially considering their similarities. ojima throughout the ep was hugely impressed that she survived the year of being kidnapped and locked away, and thinking he himself as incapable of being that strong, but hayashi saying that she’s not stronger, she’s just had more practice was a key thing. ojima took that first step of saying something all those years ago, and when the people around him (his father not his brothers) blamed him of lying, he didn’t feel like he had the people to support him that he needed, thus backing away. ojima opening up again after that (and about something he’s avoided for most of his life) is HUGE. now, as he tells hayashi what happened to him, she can be part of that support system for him.

hayashi has gone through so much too. i think her story really highlights the importance of having people around you. her parents were still searching for her, and once she was actually able to escape, she had her parents back. the whole kidnapping was incredibly fucked, it’s amazing that she made it. she’s so strong and i love her, she really has stepped up to giving the rest of the cast support, just like she was by her parents.

on another note MY PARENTS [hayashigeki] ARE NO LONGER ON THE PATH TO DIVORCE!!! the fact that yanagi was so distraught and worried about restricting hayashi and being controlling just like his father, only to find out hayashi was mad at him for putting himself in danger... I really liked communication attempt, I'm so glad they actually talked. yanagi talking about long term plans though worries me..... king pls.....

speaking of long term plans, this is what got me bawling again, in refulgence post mortem. kamimura kazutoshi, the guy literally trying to kill himself just before the killing game (which I still wonder what this means for how they got the participants into the game,,, did they have to like resuscitate him??) , was thinking about going back to school to pursue his dream. he wanted to reconnect with his aunt. hasegawa saying he was proud of him really got me. kamimura had found something he wanted to do, something to strive for in the future. and then he was taken away. hasegawa's distain for okazaki is clear in this episode. they way that hasegawa talked about kamimura was full of love, both when he talked about the little things that were negative about kamimura, like how he was easily annoyed, and when he talked about how funny and kind he was. i think it’s really interesting too how Hama was asking hasegawa, someone the rest of the group knows even LESS, about kamimura. it feels like when two mutual friends talk about someone they knew and get closer through that. i really hope this marks hasegawa beginning to reach out more. (OH YEAH ALSO HASEGAWA CLEANING KAMIMURAS BODY AND THE SCENE,,,, WHAT IF I CRIED.) this episode was also something that really hit how isolated the two were from the rest of the group; we all knew this about kamimura, but hama was hearing a lot of this for the first time.

i really loved hama in this weeks episodes too. teacher hama made me so happy I cant believe we had five minutes of hama yapping about yokai that was AWESOME. wama nation rise this week was peak.... the way he responds to wada in extra credit is so fucking sweet, and him reading chibas story (AHHHHHHHHHHHHHHH) to help wada fall asleep was so fucking adorable I lost it. hama is truly someone with so much love to give.

wada this week has clearly been going through a lot. I think definitely in chapter 4, he's starting to grow a bit more confidence and strength to move forward, but shit is hard. it makes sense for wada to backpedal a bit. i knew a lot of what happened cause of wada.exe but damn was it so painful hearing it VOICED. shout out to literallt every single tetro VA, i think their work has absolutely enhanced the story so beautifully. wada has so much to deal with and his past will always be with him. “it can't be trauma because that means it won't go away”, was a really striking line. i really loved all the lines in these episodes, they held so much power.

oh yanagi, you sweet son of a bitch. I'm so worried for his survival chances this chapter, he's been serving everyone. he treated Monomoko to the princess experience despite everything. he helped wada talk about his issues with food and set out to help him do something about it, just like how he did with his sister. he kept trying until finally having the opportunity to talk to hayashi. yanagi is someone who knows where he comes from, but has made huge strides and constant effort to not be like his father.

and finally, speaking of families. watari. oh my goodness, I love watari so much. her interview was amazing, it was such a rollercoaster (girlie is the number one wama n hasemura fan lmfaoo), but I really enjoyed the whole thing. i had a suspicion that she really just longed to be a teenager without responsibilities when I read her secret files, but damn. i think the wish for her mom to be more involved is something so sad but so real. tons of kids have to end up taking care of their siblings like how watari has to, and it’s a lot on someone who’s still growing themselves. i didn’t make that connection to why she loved having fun with okazaki until this interview, and wow. Firefox nation how we feeling (im going to explode UAHSHDJEJEJE). this killing game, ironically, gave her the opportunity to be free, just for a bit. i also find her instinct to say she wants to be an only child interesting, as I think it’s instinct to blame the immediate people around you for a problem that is more (likely?) systematic. but in reality all she wants is her mom to do things for her, like a mother should.

I think this is the first proper time watari has acknowledged how she’s been feeling about Okazaki (Y’all are cruel with these questions LMAO). okazaki was someone she could have fun with, to enjoy herself with. okazaki let her be who she wished she could’ve been, and she wanted her. if Okazaki hadn’t killed like she did, maybe things would be different. clearly, under all her hatred and anger towards Okazaki for the fucked up things she did, she loved her. she misses her. she still wants to be foxes with her, in another life, where they can start over and have a clean slate. she wants to spend life with the one who let her be the carefree teenager she wanted to be. she wants her. don’t mind me bawling my eyes out!

overall, I've really loved the themes of support from tetro recently. I think it's been a common reminder coming through that people need others to keep going. support is a powerful thing, and when so many of the cast of tetro have been alone in some aspect during their life, finding the people to help them through it to move on through their life is an incredibly powerful thing.

[lolazoel]

As a traumatised fanfiction writer of this generation i have a total of maybe 3 motivators, called stress, attention and sleep. Attention is the motivator for hobbies also known as my creative endeavours, therefore, dear merlin fandom, gimme some attention so i actually write this idea instead of just daydreaming about it?

Remember the Sigan episode? What if at some point Sigan had possessed Arthur after shedding his first vessel, and Merlin had had to kiss Arthur to basically suck Sigan's soul out of Arthur. It would be their first kiss, with Merlin only remembering having started it and being upset because while it was Arthur he was kissing, Arthur wasn't in control, wasn't reciprocating, wasn't actually present for it. And Arthur only remembers the end of the kiss, of feeling Merlin's lips on his, just as he tries to reciprocate because suddenly he isn’t a prisoner in his body anymore, Merlin-who-isn't-right-who-isn't-properly-Merlin-anymore draws away, snarling and cursing, eyes shifting back and forth in colour in a battle of dominance. And Arthur calls out for Merlin, in that moment his eyes shift to their regular blue before turning a liquid gold and the essence of Sigan leaves his mouth and slams into the containing crystal again.

Merlin staggers backwards in fear of Arthur, who is just looking at him. "You have magic"

Merlin tears up, falling backwards only to crawl weakly after fighting off Sigan. "Arthur, please, i'm sorry. Please!"

Arthur takes quick steps towards him. "You kissed me to defeat Sigan with Magic"

Tears stream down Merlin's face as he ugly cries. "I couldn't let him hurt you. I'm sorry you had to find out like this. I promise I only ever used it for you. I would never hurt you. I promise, Arthur. Please."

His babbling dissolves into sobs.

Arthur pulls him to his feet, taking his wrists into his hands to lower Merlin's arms. Even as Arthur lets go of the wrists, Merlin doesn't move, seemingly resigned to be manhandled.

"Merlin... i seem to remember one very distinct thing about this night, something that will never reach the ears of court. Something you will never be allowed to do again."

He fists Merlin's jacket lapels, pulling him in until they feel each other's breath on their faces. "Never again kiss me without giving me the chance to remember," Arthur whispers into the space between them as he closes it.

A last sob, this time of surprise and elation, leaves Merlin's mouth. Their lips meet in a kiss that is them, no third party, no prisoners, just a prince and his warlock. Arthur can taste Merlin's tears but at the same time he feels Merlin claw at his armour, pull him closer, push himself like an offering at Arthur. Gently he releases Merlin's clothing, instead his arm sneaks around Merlin's waist and shoulders, a hand cradling the back of his head oh so softly.

They part after a few seconds, gasping for breath. Merlin rests his head in the crook of Arthur's neck. "Hold me? Please just hold me?"

In that moment Arthur realizes that the powerful sorcerer, who had protected him for years, who could fight against one of the most powerful magic users in history and win within moments while Arthur was powerless, he was a bit younger than Arthur himself. That he needed Arthur just as much as Arthur needed him.

"I was so afraid. Afraid you'd hate me for having magic. Afraid you'd be disgusted by me for loving you."

Arthur just tightened his grip. "I don't care about magic when it's in your hands. And how could i fault you for liking me if i feel the same for you?" Because what was Magic without Courage and Strength? What was a warlock without his prince?

[littlest-w01f]

OK HEAR ME OUT, walk with me.

*If* there is another voting with Gi-hun around (and not taken by frontman, cause in the promo pics, he'll still in the dormitories for one of them)

I think Gi-hun will be the deciding vote... And vote to stay

I've been thinking about this for a while and then these photos dropped. Like we know he's pressed X every time since the start... So why hide the patch so strategically? Not even a little red?

BECAUSE HE PRESSES O!

When he came back, he wanted to stop the game from the inside, hoping that Jun ho and team would find him with the help of the tracker.

With Jung bae there, he had someone to protect, realising the tracker is missing and no one is coming, he chooses to help everyone.

But as the games go on, he's more and more fuck them I need to stop the game, as shown in the last episode, where he is willing to let his own side of people die, those who want to go home, just so he can have a little chance at taking Frontman down.

Now, after Jung bae is dead, he actually has no one he cares for, even Young il who was getting close to him is gone. He has nothing. If he goes home, he can't stop the game. The recruiter is gone, starting from scratch isn't possible, cause he can't know where to start again from.

He's already picked stopping the game over the lives of others, "a small sacrifice for the greater good", and he will do it again.

The last vote of season 2 started with him, so the first vote of season 3 will end with him. He will pick to continue in hopes of ending the game and endangering everyone else.

Idk how much sense I'm making but yep...

BONUS: Frontman watches Gi hun go dark while he sips his whiskey, admiring the man he made after he killed his friend, with no light in his life, Jung bae being the only connection he had to the man he used to be, Gi hun will make the perfect partner in crime.

[neptune-scythe]

I genuinely get so surprised everytime I see people hating on season 6, especially Buck's storyline

like yeah I'll admit the sperm donor arc felt a little bit unfinished and weird

but the rest of it is so good to me I'm genuinely baffled that the majority of people don't agree with me on this one

like the season starts with doing his freaking out about trying to find happiness and all that and trying to prove he'd be a good captain, but he's doing all this extra stuff to try and prove that and he's really just trying to be a completely different person in order to be happy and worthy and all that

and then 6x11 comes around and he realizes that he's enough as he is and he doesn't have to do all this extra stuff or be anything else in order to have a place and help people and make an impact and all those things that he wants. And he actually starts to think about what he wants instead of just floundering around like he usually does trying to keep everyone else happy.

like "there's nothing for you in that room, no one in there needs you." "I'm not going back for them. I'm going back for me."

insane shit coming from the guy that's spent his entire life making choices and decisions based on what will keep other people happy and satisfied and putting all his happiness and self worth in how other people feel about him

and sure it takes a bit for that to settle in and he does have his freak outs about dying as one should

but by the time 6x18 comes around he's able to save the entire team basically just by trusting himself and his experience and doing what he knows without having to put on some fake persona of "captain", he just takes charge and gets it done

like that's a perfect wrap up of his storyline to me, and such a good contrasting parallel to the first few episodes

and yeah his relationship with Natalia is kinda weird, but it was what he needed in that moment

like it never would have worked long term, but it worked for a short time and thats okay, not everything has to be long term or permanent for it to be acceptable. And its perfectly normal to be drawn to someone who can relate to a very huge traumatic event like that, and if that's what Buck needed to cope and process it then that's enough ... especially since Natalia was pretty much only interested in him for the same reason anyway, so it wasn't like he was just using her to cope with trauma and she wanted more. they were both in it for the same reasons.

idk season 6 Buck is top tier to me I will die on this hill

[faceofpoe]

Poe, I was delighted, nay, obsessed with the post you reblogged about Collapsed Coruscant. What do you think would happen there after everyone with any credits fucked off to Hosnian Prime or wherever?

Ha, hello friend! Thank you for the much-needed break from doomscrolling. XD

My morbid obsession with Coruscant has always been around how we've seen it (it's so twisted! it just keeps burying itself, layer by layer! the iconic episode 10 Luthen&Lonni shot is of course an excellent example of the old mostly-forgotten infrastructure but my favorite glimpse of the depths is actually in the final Clone Wars season (there's a fucking lake! fucking what. and even THAT is like... so HIGH relative to the surface) (the SURFACE! there's some twisted remnant of a dead planet down there!) (I have gathered through the course of researching for a TBB fic that the TCW portrayal is largely born from a canceled video game called 1313? I think? Lost to the Dark Times the Disney I imagine. Anyway I digress)(MiniPoe just came down to tell me about his Sonic Encyclo-speedia and something about Metal Sonic getting too much backstory(?)(maybe?)so I lost my train of thought)).

BUT if we take a moment to imagine the infrastructure that must go into keeping the lower levels habitable (I'm not sure what the canon (if any) on how deep one can go) with food and water and air (I mean - AIR, at some depth surely it's just suffocating surely??) -

Side tangent there was an old EU novel in the New Jedi Order bonkers era where a mass evacuation of Coruscant/collapse of the government-ish happened and the novel Traitor has a character wandering the desolation of the planet and all the destruction and I don't remember a lot from it (there were def monsters though) but it's probably where my obsession was born.

Additional side tangent one of the EU X-wing novels has a fun little bit with a star destroyer buried (somehow??? these books were written pre-prequels, mind) under the city and it blasts its way free and just MAYHEM DESTRUCTION DEATH like millions of people just -

LAST side tangent in I thiiiiink the EU Jedi Academy trilogy (do not quote me on that) (also pre-prequels days) the Very Young Solo twins wandered off and ended up finding their way to the bottom of Coruscant where they met a dude who was like... a self-proclaimed king of the underworld (I think he'd once been some govt lackey under Palpatine maybe? I read these like 14 years ago lol) and he'd fled and was ruling happily in the depths and upon being informed 'oh hey yeah it's not like that anymore the Empire is gone you can come back up now' he was all "why would I I am a KING down here?" and just fucked off back to the basement.

Point being the EU was ridiculous as all fuck but it had fun playing with Coruscant before we had a Lucas-approved visual of Coruscant.

BUT if all the wealth up and fled Coruscant after the Empire. Hm. I mean, we still see a significant govt presence on the planet a handful of years later in Mando s3 I believe? So I like to imagine there was a sense of 'hey let's not murder trillions via negligence' but as time goes on and instability heightens and whatever the fuck First Order schisming or some shit (sorry I'm the worst sort of Star Wars fan (the type who thinks Star Wars would be good if only it were good))-

I feel like Coruscant would actually become a bastion (lol (no one gets that joke probably)) for remaining (wealthy) Imperial ideologues. Like - maybe some money would flee but I actually wonder if plenty wouldn't move in and continue enjoying living atop all the poor denizens of the depths. Content to live in the shadow of former Imperial glory and leave the New Republic to its rebuilding.

Ensuing power struggle with underworld warlord sorts who have been moving up since the Empire was yeeted? Waiting until the New Republic gets bored rehabilitating the galaxy to come all the way up and claim the prime real estate?

Eventual massive division and power struggle among a bunch of chaos factions, basically, is my proposal. Eventually, winning becomes more important than maintaining the infrastructure and supply lines. Eventually, maybe, the vicious competition for said supply lines ends up severing them altogether. Plenty of safer business to pursue, in the galactic rebuilding. Coruscant slowly fades from the greater galactic awareness. Left to its madness. Left to tear itself apart. Left to rot. Eventually left, undoubtedly, by many of the same sorts who set it on its slow death spiral in the first place.

Coruscant eventually goes dark.

Coruscant eventually goes quiet.

Every new level constructed through the millennia was, of course, built to be the best, the top, built to last.

How strange to finally have one emerge the victor, standing proud atop a dead city.

But the planet is just the same thing it always was, far back as history remembers - a tomb at the heart of the galaxy.

[flamnhotlemon]

Making Vision Boards

AdvisorElle, Episode 3

[To: The person who requested this post (not adding the username for privacy) - Thank you so much and I wish you all the best <3]

I mentioned vision boards and how they work so well for me in my previous post. Before I get into how I make mine and my tips, here are some goals that I reached by giving myself the ability to see what I was working towards.

2024 (February, April and November - I would include most months, but these were the most memorable)

During February, I managed to live a lifestyle EXACTLY like the one on the photos (studying, working hard, reading more, stretching and taking care of my health).

April was the month that my grades were given (for that specific term) - and guess what, I passed well!! I also studied more Japanese, did more ballet, got more books and baked more that month.

Last but not least, one of my favourite months of last year - during this November, I managed to make new friends, dress really well and feel good about myself, I read more. I essentially achieved everything on this board during that month.

Now these are only some examples of the vision boards that I made throughout the year (and it was my first time trying that out!). But something that I quickly realized was that these vision boards were there not to be stared at without any form of work, I needed to put in the work, not just the pretty images.

Moving on to my tips:

Please make a 'monthly intentions' list or breakdown of what you want to do during the month. These can work towards "bigger" yearly goals, or they can just be random goals you want to work towards, as long as they are taking you forward or maintaining where you are now.

Look for images and quotes that actually align with these goals. Through Pinterest or any other media app. If you are like me, and you want everything to stick to one theme, you can search up colours or 'aesthetics' behind each word. For example, some of the images that I got on my November vision board appeared by searching 'brown aesthetic' and going underneath any images that appeared to align with my goals.

In addition, if you don't manage to find the quotes that you want, you can make them yourself via Canva and save them as images. [Example: November (3rd image) - top row, second image.]

The images chosen don't need to explicitly state "THIS IS THE GOAL" unless you want it to, you just need to have the association with each image.

I want to emphasize this: the images you choose MUST not be ones you kind of just slap on the Canva document or PowerPoint, they actually need to have meaning. (This was something I struggled with while doing my first vision board and it ended up just becoming another random background).

I did mention before, but they do help making each month more intentional. They also give you something to look at when you're maybe feeling unmotivated or tired while working through goals (which is why most of the workbooks made by A.M. Journals feature one). And (in my humble opinion) making monthly vision boards is a lot less daunting that yearly vision boards. I may switch out the focus of each month based on what I'm going through or what goals I really want to press into achieving.

Above all, there is a beauty in being able to navigate yourself, no matter what you go through and no matter what comes your way.

X's and O's, Elle.

[lemongrasstea1677]

that's what i thought too but come to think of it no one in the cast ever mentioned a janitor yet not even at beginning of the story Kaito never mentioned having janitors in the school and i think that implies that since the academy is an anomaly itself it probably also cleans it self or the worker cats do it so WHY WOULD THEY NEED A JANITOR IN THE FIRST PLACE??? i mean there are other miscellaneous jobs like the store guy (forgot his name)or being a researcher in the general hospital institute inside of darkwick but its more of a research x hospital type of building

in the episode 12, Ritsu mentioned someone being in their dorm and somehow bypassed the security thing Haru set up

if he's a staff yes it's possible its him and he could come in the jabberwock dorm but if that's the case that would've still alerted Haru's device and he would mention it, but somehow it didn't recognize the person as an intruder and it the security doesn't recognize Haru's dorm members as one because based on my theory that intruder is the "janitor" and is actually Mio Suzuhara and he is probably a Jabberwock student possibly a ghoul there too

also to support this theory look how similar his uniform is to Haru's dorm uniform

(HE HAVE THE KEYS TOO)

we also have his sus appearance in the episode 7

ARE YOU TELLING ME HE'S NORMAL FOR THIS??? he not definitely he's not just a janitor

maybe the reason why Taiga isn't looking for him because maybe he doesn't know or maybe he just doesn't care enough to tell Haru the truth (less likely but possible i mean its not like Taiga couldn't lie)

(i cant find the clean version of the meme just take this one)

i just love theorizing about who this man is because once his real identity get revealed I WOULD SIMP SO MUCH

I'M CALLING IT YOU GUYS

HE'S DEFINITELY MIO SUZUHARA

he's definitely him HE IS DEFINITELY MIO SUZUHARA

[lecoindecachou]

I don't think I realized how TALL Elektra is until I saw her standing directly next to Blanca in the restaurant in episode 8. Someone cast this woman as an Olympian.

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[hplonesomeart]

Hey!! So turns out a video I made between a certain “well beloved but highly sensitive/emotionally reactive T.V” and an “orange haired inkling-turned-human” has managed to sweep my YouTube channel and accumulate 100k VIEWS!! THAT’S A LOT OF PEOPLE ACTUALLY?? My most widely viewed video EVER to exist in this moment in time?? AAAAA?? Not even mentioning the various comments and staggering increase in subs! It’s so much more then what I expected or even prepared for—might even be the most impactful thing to happen for me this year <3

…aside from graduating high school + the social connections I’ve been fortunate to make lol

BUT THE POINT IS I’d been closely monitoring the YouTube growth through the entirety of October. It’s make me smile like a dork, gawk in astonishment, dance frantically in my room from the energy boosts, and grow courage to stop being so selective/self-conscious with what I wish to share with the world! It’s kept my ambitions going!

I needed to find some way to celebrate the occasion and express my thanks—because I can’t NOT acknowledge this milestone jksjskp. Typically I try to avoid getting tunnel visioned focusing on the metrics/numbers. Mr. Puzzles had already demonstrated how much those things can mess with the minds of creatives. Caring too much about chasing views or placing your artistic value in attention seeking gets damaging. But at same time…it’s hard to deny the sense of pride the 100k achievement has filled me with. I understand that reaching 100k views doesn’t immediately make me any “better” or “worse” then I was before. I’m still just me! It only helps me feel seen by others—and that’s all I really needed. To hear some nice words & receive reminders that my ideas are cared about. So thank you SMG4 fandom for that, seriously thank you.

Please accept this Mr. Puzzle drawing as a way of sharing the happiness around. He’s so entertaining. Love him for simply existing. So glad we can all collectively be super attached to him (and the rest of the SMG4 cast of course). Can’t wait to see more incredible artworks from the fandom :)

Just incase anyone is confused by my vague description over which “animated video” I’m referring to here—hopefully this photo will help clarify lol. It’s this one!! Sorry about not outright stating the title at the start, I got carried away with writing!!

I’ve been in an odd place mentally when thinking about it. Wondering to myself if any of the attention is deserved considering it’s not even fully colored and could be dismissed as “low effort” content (despite taking several days making it). It’s easy to get into a trap of comparing yourself to others and questioning how much of the videos success is based on your skills, sheer algorithm luck, or only because you used popular characters and catered to a specific fandom. And then judging yourself by looking at other peoples videos. I’ve seen several artists post higher quality works then my own but it somehow gets less views. So why did mine succeed when others (who should have gotten just as much attention if not more) didn’t? Sometimes you feel like you’ve unfairly robbed them of that chance to be seen. However I’ve realized that I can’t ever expect views to be consistent—and comparing is pointless. So why worry about it or feel inadequate? I mean it’s pretty common for funny cat videos to go viral, so who am I to question the system lol. “Popular” YouTube videos can range from a passion project which took 7+ artists…to a clip of Toad singing Chandelier or a nonsensical Vine sketch. Anything can happen when it’s the internet! And just-so-happened my video was chosen. I should stay glad about that and get rid of all the overanalyzing. So that’s what I’ve chosen to do :)