The most recent episode of Interview with a Vampire let's us see Lestat's side of the story and see how it compares to Louis' accounting of their relationship. As a result, it reaffirms just how unreliable of a narrator Louis is, but it also further illuminates elements of his character that the director and writers have been playing with since the beginning of the show.
There's this part in the episode where Lestat turns to Louis and apologizes and it's framed with Lestat turned to Louis on one side and Claudia on his other side. They're the angel and devil on Louis' shoulders, but who is the angel and who is the devil? And as my friend said, Armand and Daniel are placed into that same dynamic with Louis later on. We are being asked to decide who to trust, who's telling the truth, who's the good guy, but the fact of unreliability robs us of that decision.
This whole story is about Louis, he's the protagonist, though not the narrator, and he is constantly being pulled in two directions, no matter when or where he is in his story. He's a mind split in two, divided by nature and circumstance. He's vampire and human, owner and owned, father and child, angel and devil. He's both telling the story and being told the story. His history is a story he tells himself, and as we've seen, sometimes that story is not whole.
Louis is the angel who saved Claudia from the fire but he's also the devil who sentenced her to an life of endless torment, the adult trapped in the body of a child. He's the angel who rescued Lestat from his grief and also the devil who abandoned him, who couldn't love him, could only kill and leave him.
He's pulled in two directions, internally and externally at all times and so it's no wonder that he feels the need to confess, first to the priest, then Daniel, and then Daniel again.
He's desperate to be heard, a Black man with power in Jim Crow America who's controlled by his position as someone with a seat at the table but one who will never be considered equal. He doesn't belong to the Black community or the white community, he can't. He acts as a go-between, a bridge, one who is pushed and pulled until he can't take it anymore. He's a fledgling child to an undead father, he's a young queer man discovering his sexual identity with an infinitely experienced partner. He's confessing because he wants to be absolved, that human part of him that was raised Catholic, that child who believed, he wants to be saved. He wants to be seen.
Louis wants to attain a forever life that is morally pure, but he can't. He's been soiled by sin, by "the devil," as he calls Lestat, and he can never be clean again. Deep down, I think he knows this, but he can't stop trying to repent. He tries to self-flagellate by staying with Lestat and then tries to repent by killing him, but can't actually follow through. He follows Claudia to Europe to try and assuage his guilt. He sets himself on fire, attempts to burn himself at the stake, to purify his body, rid himself of the dark gift.
Louis is a man endlessly trying to account for the pain he has caused and he ultimately fails, over and over again, because he can't get rid of what he is. A monster. He's an endlessly hungry monster. He's hungry for love, for respect, for power, for forgiveness, for death. He's a hole that can never be filled. He can never truly acquire any of those things because he will always be punishing himself for wanting and needing them in the first place. He will never truly believe he deserves them and as a result, can't accept them if they are ever offered. He can never be absolved for he has damned himself by accepting the dark gift and thus has tainted himself past the point of saving.
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Preparation
Levi
Wow. Diavolo's just as bad as the rest of us, isn't he? I mean, literally jumping out of his office window to escape the Devildom and visit MC...that certainly wasn't on my bingo card for this year.
In any case, we do need to locate him. He's known to cause chaos whenever he's left unsupervised, and while I'd love to see a video of him go viral, I know Lucifer wouldn't, and I really don't want to sit through one of his lectures.
Thankfully, I have just the thing that might help.
"This is Crowe," I tell MC, putting the black cylinder in their hands.
"I didn't know you had a smart speaker," MC replies as they examine Crowe.
"I won him at an auction. Apparently he's a prototype. He's created by the Three-Legged Crow Group, the same company that sells D.D.D.'s. As long as someone has one of their phones, Crowe can track their location. All you have to do is ask."
"Sounds simple enough. Hopefully Diavolo has his phone on him." With that, MC asks Crowe to locate our missing prince.
"Lord Diavolo is located at The Drunk Hyena," it answers. "Would you like me to provide the address?"
"Yes." After hearing the address, MC appears shocked.
"Everything okay?" I ask them.
"I had no idea they had a location in the human world." I shrug, trying to hide my surprise. Clubbing doesn't really seem like MC's thing. Then again, Asmo is prone to dragging people to clubs, so who knows?
"The owners must have bought the building and created a portal. That sort of thing happens all the time." I pause. "Still doesn't explain why Diavolo would be there, though. It's the middle of the day."
"Perhaps it was the safest way for him to get here. People tend to not ask a lot of questions at clubs." That's true, I suppose. They're too caught up in whatever or whoever it is they're doing to notice anything outside their bubble.
At that moment, MC's phone rings.
"Good timing," they mutter as they pull it out and answer it. They tell the person on the other end that they're going to put them on speaker before positioning their phone so that it's between us.
"Who's in the room with you?" Oh shit. It's Diavolo.
"Just me," I reply. Diavolo breathes a sigh of relief.
"Thank goodness. I was afraid it might have been someone else. I've been meaning to talk to you about that anime you recommended to me a few months ago. It's really good."
During my quest to manage my social anxiety, I discovered that one of my online friends was actually none other than Diavolo himself, which was weird, because I "met" him on a pretty unknown online RPG, one that only the most devoted members of the gaming community knew about.
As it turns out, Diavolo's secretly a huge gaming nerd. I don't know how he finds the time, since his duties as prince require the majority of his attention, but somehow he's up-to-date on the latest news in the gaming world.
It was definitely awkward at first when I found out, but then I realized that Diavolo just wanted someone he could geek out with. It's not like Lucifer or Barbatos would; neither one of them are particularly interested in video games.
"Diavolo, what sort of trouble did you get yourself into?" MC asks before he has the opportunity to start rambling. I don't have to look at his face to know that he's blushing.
"Well, I may have gotten stuck."
"Are we talking tight space, or something cursed?"
"The latter." He sounds like someone who got caught stealing. "This place has a cursed karaoke room where you can't leave until you get a perfect score on the machine's vocal accuracy challenge."
"So, why haven't you participated?" Silence. "Diavolo, is this a ploy to get me to join you?" More silence. Then,
"Maaaybe." As Asmo would say, he's definitely down bad.
And somehow I'm fine with that. It's weird, I know, especially since I wouldn't have been fine before. I would have been tearing myself down as I holed myself up in my room, because there was no way I could compete with someone like Diavolo for someone's affection.
That's not the case now. I can't really explain why I feel calm; I just do.
"You know MC can't come by themselves, right?" I ask. "You know who would throw a fit if they did." Diavolo sighs.
"Yeah, I do. Doesn't make any sense to me, but whatever. He can feel how he wants." He pauses. "Ask the others if they want to tag along. We can at least make something fun out of the situation."
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VAMP ROGER AU QUESTION! how would he and barnabas interact together (if they ever interact)? :3 💜
tagging @tortoisesshells because she's my co-conspirator <3
excellent question! this family and their sharp-toothed men will be the death of ... well, several community members of Collinsport, i suppose.
to start — Barnabas gets out of the box slightly differently than in canon, which colors his relationship to Roger and the rest of the household. Roger kills Willie after his attempted assault on Carolyn and Vicki (who is, by that point, his wife); Willie's mysterious disappearance and Roger's suspected involvement makes Jason that much more panicked, desperate, and correspondingly aggressive. Liz goes searching for the lost family jewels in a last-ditch attempt to buy Jason off, and, inadvertently, lets their ancient family sin out of the tomb.
ergo she's made Barnabas' thrall instead of Willie, but this goes unnoticed for a while — even though her brother would, in theory, recognize the signs, and his suspicions are raised, but she's already acting so much unlike herself with Jason around that he doesn't suspect anyone else of doing her harm. yet.
at the start, he and Barnabas get along very well, even before they discover their shared affliction: they're both relatively sophisticated, well-traveled, intelligent people, and for all that Roger decries Liz's emphasis on the Collins name, he leans towards familial connections instinctively (Roger hasn't got much in the way of friends outside of the house even in canon, and he's even more isolated as a vampire).
after he finds out Barnabas is also a vampire, things get a little more complicated, but overall, they're still friendly. Roger doesn't have much sympathy for Barnabas' relentless self-pity and decrying his doomed fate to live as a monster, because Roger on the whole enjoys his vampirism and has made a decent un-life for himself out of it (thanks in no small part to Vicki). but having someone like him around is a comfort in ways he wouldn't have expected, he's no longer solitary or uniquely monstrous out of the Collins family, he has someone else around through the night, and someone who understands the sufferings of bloodthirst and being shut out of the sun.
furthermore, Roger's very much interested in his family history and stories of the past, the building of Collinwood, Jeremiah's ships – and Barnabas was there. there's potential for some very interesting conversations about the past, and the arc of the Collins family history to the present, not to mention literature, travel, fashion, politics and the rest. Roger's his cousin's mirror in modernity in many ways, and that's something potentially interesting to explore: the world changes around them, but Collinses do not.
as an aside, they both have a funny sort of relationship to Burke. Barnabas hates him for his resemblance to Jeremiah and envies his friendship with Vicki and thinks he's crude, and Roger ... well. it's complicated. it's closer to antagonism than not, and Burke has tried to kill him once in this au, and Roger resents his flirting with Vicki, but then there's everything else with their past. so I don't think Barnabas' treatment of him would sit particularly well with Roger, he'd take the attitude of hey, only I can be a dick to Burke >:(
the definite fracture point is Barnabas imprinting on Vicki. Roger's already jealous and possessive by nature, and it's amplified by the supernatural nature of his relationship to Vicki (being closer, bodily and mentally; being necessary to each other; being, quite literally, sustenance) so he's already a little on edge when Barnabas starts paying attention to her, giving her presents, and appreciating the scenery — Barnabas doesn't, exactly, tend to have much in the way of moral inclination to leaving women alone when they have prior engagements, but it's fair to point out the irony of everything Roger was doing with his bloodbag governess when he was still very much a married man.
anyway: Roger finds foreign bite marks on his wife's neck, and he's understandably immensely upset by this. partially out of territorial sentiment, but he also knows Vicki, and he knows that she wouldn't have invited another vampire willingly — which means that she was forced, or hypnotized, or attacked in secret, and there's only the one potential suspect. this is already enough to lose his good will, but he might have been willing to let Barnabas go with a "hands off," had this discovery not lead to finding out what he'd also been doing to Liz. the combination of the two is unforgivable, and it's Barnabas' error to have made an enemy who is very personally aware of all his vampiric weaknesses, and Burke's already carved a stake.
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