she says he won't let her get a dog, which is fine, because they're in an apartment, and that's the kind of thing people say about their partners. he won't let me get a dog. and you're at a dinner party and you tilt your head a little to the side just like that dog he won't let her get, because is this the thing that's going to upset you? you don't know every corner of their relationship, she could be joking, they could have had so many healthy conversations about the dog, right, and maybe she's not letting herself get the dog because of money and time and whatever. but, like, she did say let
and she wants to move away from his hometown and he wants to stay and then he tells you with a wink and a conspiratorial stage whisper don't worry i'll convince her and she laughs about it - so clearly this is something they laugh about. but you do just stand there and stare at him like what the fuck, man. you can't say what you want to say which is why do you get the final say on everything because they're both obviously aware of the other person's stance on this and have obviously had private conversations about it and what are you going to do about it except make a scene and then he'll be mad at you and call you one of those bitches behind your back and she'll cut you off, which is a loss that doesn't feel worth it just because he makes you a little skeeved out every 3rd comment
and they both agree he just isn't the type to get flowers which is fine because everyone shows love differently, and are you really gonna judge someone based on their sense of individual relationship responsibility? maybe he's constantly cleaning her car and writing her poems and making her furniture or something. maybe she doesn't even like flowers and this is perfect, actually. and no you couldn't date him, obviously, ew; but like, she tells you she's happy. you almost send her a tiktok that says don't be 25 and the cool girl that doesn't need anything, you'll hate not getting flowers at 30, but that's like, starting drama & you shouldn't start drama needlessly.
and you're a little older than her but not so much older you can pull the whole trust me on this one babe thing and besides that wouldn't have worked anyway (when does it ever) and besides you have trauma so you and your therapist both agree that you're always looking for a problem even when there isn't one. and you tell yourself that just because you see them for 15 minutes every month does not mean you can identify every single red flag based on a single shitty half-joking(?) comment
and besides, what are you going to do? she says i actually wanted another stand mixer but thankfully he stops me when i'm about to spend too much money and you're standing there like are you okay? is this normal? is this just something people say? and again - what are you going to do?
to your therapist you try to language it - it's not, like, any of my business. but sometimes, doesn't it feel like - you should do something. there's got to be something, right? you've tried dropping little hints but they sail right through and you've tried having a single serious conversation and she got upset because why does it matter to you, yes it's different but we're happy, it doesn't need to make sense to you and you're like. really unwilling to push a boundary about it anymore; because the truth is that you know logically it shouldn't matter to you, as long as both parties are happy.
and besides, you've been wrong before. it's just... like, every time you see them both, something else happens, some kind of shiver down your spine like do you even hear each other when you talk. it's their strange, bickering orbit. just the way he's on his phone through dinner or watching sports instead of helping in the kitchen or, fuck, another one of these little throwaway comments he makes about we'll see about that, babe. she laughs when he calls her passions stupid shit and meanwhile she gets him tickets to see the knicks and he tells you well at least she's smart about something and still! it's none of your business.
you say get the dog anyway and she laughs. like, this is is you being funny. and not you saying - no really. get the dog. get the dog and get out of here. pack up and start running.
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— 𝐟𝐢𝐯𝐞 𝐦𝐨𝐫𝐞 𝐦𝐢𝐧𝐮𝐭𝐞𝐬.
and the smell of camphor dancing in the wind.
✦ info: he didn't know he'd lose you so soon. (come back, please. even if it is just for five more minutes.)
✦ featuring: alhaitham.
✦ warnings: angst, character death (reader), heartache, 1.2k words, somewhat proof-read.
✦ notes: i cried so goddamn hard writing this. why is my first work after hiatus pain. why did i pick up the angst wip. but!! i'm writing again, so that's good. (more notes at the end.)
he didn’t know that it was your last day together.
he didn’t know that the smile you gave him that afternoon, your eyes sparkling like sunlight upon the serene waves of the ocean, would be the last he’d ever see. that the playful light in your gaze would fade so very soon, slipping through his fingers like sand.
he didn’t know that last night would be the last time he held you close while you drifted off to sleep. he didn’t know that today would be the last time he’d wake up with you.
he didn’t think he’d lose you like this.
he didn’t think he wouldn’t be able to save you from that blow.
“please, please,” he begs, both to you and to whatever force that is just barely holding you together. “just stay with me for five more minutes, please. until i can get you somewhere.”
the rain soaks him to the bone, clothes and hair sticking to his skin. your lips stay motionless, eyes shut.
“wake up, please,” he bargains. “you can have all the five minutes of extra sleep you want later, i promise. just—” his vision blurs, and something shines on the ground before it is gone, swallowed by damp earth, lost amidst drops of falling rain.
desperately, he tears off parts of his traveling cloak to staunch the bleeding. deep inside, he knows it is futile. he knows your wound is too great. he knows what lies ahead. but he cannot help but press the cloths to your wound and pray.
please, please tell me it’ll be okay.
please stay with me, beloved. i’ll read you all the books in the world. i’ll sleep in with you everyday, even if we end up whiling away our time.
please. stay. stay with me. i can’t lose you yet.
“— just wake up, beloved.”
by some miracle, your eye flutters. just a bit. just enough to set hope ablaze, just enough for the grip on his heart to loosen a tiny bit. he buries his face in your shoulder, resting his head against your neck, uncaring of the blood that stains his clothes. your blood. on his clothes. his hands. everywhere.
no. no. this can’t be happening.
he feels you strain beneath him, your unwounded arm gently, weakly brushing his back. he jolts upright, eyes trained on your face. you send a frail smile his way. he clasps your face softly as you nuzzle into his palm.
“alhaitham—”
his full name. archons, how long has it been since you called him that?
“— take good care of yourself, okay?” you tell him, chest heaving, your fingertips touching a tear on his cheeks. “i love you. so much.”
those are the last words he hears fall from your lips. he presses a kiss to your forehead, to your eyelids, and to your cheeks and to your lips, over and over and over until he feels your breath slow, hoping they’ll say what he knows he cannot manage to choke out.
i love you.
he stays there next to you for who knows how long, holding you until the rain slows and a faint rainbow smiles in the sky.
until he can’t smell camphor anymore.
—
every person has their curiosities.
they’re just the little traits that set them apart from others, the things that make them tick just a little bit differently, the things that make them, them.
for instance, someone may be obsessed with collecting tiny furniture, while another eats the crusts off their sandwich before actually consuming it. someone may have an affinity for the most niche aspects of linguistics, while another can accurately predict the next raindrop that slides down a window pane.
after all, no two people are exactly alike, are they?
alhaitham knows he’s got his fair share of these curiosities himself. his aversion to soup and all things that resemble it, to name one. and with you, he’d noticed two things.
number one: the scent of camphor that seems to linger on every inch of your person.
he’d caught whiff of it almost immediately the first time you met. you were but one of his juniors in the akademiya, filled with bright-eyed curiosity and anxiety to match. you had tripped over a stair and bumped into his table in the library, bringing the mountain of books in your arms crashing down.
and with subsequent coincidental meetings, he learnt that the subtle scent of camphor dancing in the air meant you weren’t far away.
you were, unfortunately, one of the poor souls who seemed to be cursed with constantly recurring minor illnesses, and almost always walked about with a stuffy nose. and so, you always carried a small disc of camphor in a handkerchief, as well as in your pocket.
you swore up and down, left, right and center that sniffing the vapors helped make breathing easier.
‘it’s my grandmother’s remedy, alhaitham! camphor always works wonders. well, that and eucalyptus oil.”
alhaitham may not know the validity of your claim or the legitimacy of the cure, but he knew to never, ever question a grandmother’s remedy. that, and he’d much rather refrain from starting a back-and-forth about something so small.
and number two: your neverending pleas of different variations of ‘just five more minutes!’
“five more minutes, ‘haitham. please.” you’d whine grumpily when he woke you up to start your day. “let me sleep in for five more minutes.”
“five more minutes, habibi,” you’d ask when he put down the story you’d requested he read out to you before bedtime. “read me the part where she finds the music box?”
“five more minutes, baby,” is what you’d tell him when he asks how much longer you’d take getting ready. “you can’t rush perfection!”
those five more minutes were never five minutes long.
but he’d always, always indulged you and those pleading eyes of yours. as stoic as he appeared to be, you lived in his heart. of course he could never deny you anything under the sun.
—
alhaitham remembers that silly little song you sang over and over, the one you’d learnt from a kid in the bazaar. he’d taken you to see one of nilou’s performances, and, friendly soul that you were, you’d struck up a conversation with some of the eager audience members before the play.
“oh, how i wish i was a bird flying free,
i’d see the world, every mountain and every sea!
oh, how i wish i was a cloud in the sky,
wouldn’t you like to wave to me as i pass by?”
you’d hum that rhyme on every idle afternoon.
loss is inevitable. he knows that, with how logical and rational and straightforward he is. he’d lost his parents, but he was far too young to remember. he’d lost his grandmother, but she passed in her sleep of old age, serene and wise.
but you? he didn’t think you’d leave him this soon. a singular wish sits in his soul, making its home in his bones.
a wish that you’d come back, somehow.
he wishes you gave him five more minutes, just as he always did. but he knows that you could’ve given him five more hours, five more days, five more years and five more decades and it would still not be enough time spent with you.
a blue feathered bird comes to perch on his shoulder, interrupting his musings just as he raises his face to the sky. he sees the heart shaped cloud that floats idly above sumeru city.
he thinks of the rhyme again, and something in him tells him to wave. and so he does. a scent so familiar lingers, faintly brushing his nose in the wind that picks up.
“alhaitham, it's time to go.” kaveh calls his name softly.
alhaitham doesn't move. “five more minutes,” he says, echoing your favorite phrase. “i smell camphor in the breeze.”
✦ extra notes: my alhaitham characterization for this fic stems from how i believe that when alhaitham is attached, he's attached. so i focused more on that, and less of all that rationality and whatnot. this one loves deeply, yk?
that camphor thing is a real grandma remedy in our household (my mom would tie some in a hanky and put some under my pillow and still to this day reminds me to do it when i'm sick) which is what originally sparked the idea for this
when i'd initially started this wip, i didn't expect it go this way. usually i write with my brain, but i think i wrote this one with my fingers working faster than i can think hsjhsj so sorry if it's kinda out of place lmao but yk what? i'm happy with it still even though i feel like it doesn't have my usual quality.
thanks for reading.
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I’ve grown to appreciate the aus where Shen Yuan enters the story as “Shen Yuan” - same name, probably similar face, generally able to interact with PIDW as himself and change the story through his added presence. I like the sense of “if only you’d been here, things might have been better the first time around” of it all.
And I was thinking, it’s a funny coincidence in that scenario that someone named Shen Yuan gets put into… another Shen Yuan. What are the chances? What a weird twist of fate that Airplane would pick out the name that his most dedicated critic could slip into seamlessly.
What about a version where it’s not coincidence at all?
Airplane goes to school with a kid named Shen Yuan. He’s prickly and hard to approach and a little intense, but Airplane is persistent. In fairness, Airplane is relentless - and maybe it’s a good thing that they end up being friends, because they’re a little too much for anyone else to handle. They balance each other out. They’re the “weird kids” in class and they’re okay with that, because even when they don’t have any words for it, they know they’re not like their classmates, not really. That’s okay; they don’t want to be.
Recesses and breaks are consumed with the elaborate stories that Airplane wants to tell, and all the holes Shen Yuan pokes into them. It’s not mean-spirited, though, even though Shen Yuan isn’t the kind to temper his words. It’s passionate. He cares about those stories the way Airplane cares about them, and it can’t be mistaken for anything else when they lean together conspiratorially across the lunchroom table. They’ve both got notebooks filled with details and characters and monsters. Shen Yuan’s practically got a whole bestiary sketched out in wobbly childhood attempts at art, entries fervently scrawled beside them. Airplane prattles out plots nonstop, always with the promise of shining eyes and being asked “what happens next?”
They come up with a whole world together. Airplane’s going to write about it someday. Shen Yuan is going to read every word.
Shen Yuan misses school. Shen Yuan starts missing school a lot.
Airplane goes to the hospital room instead. He doesn’t think to worry, because Shen Yuan is okay - that’s what he says. He looks okay, and he’s a kid, and it doesn’t feel real that anything bad should happen to a kid. He doesn’t think to worry. He doesn’t think to say goodbye.
It’s one of the older Shen brothers who catches him on the way up to the room one day, in the hallway just outside - snaps at him to go the fuck home, and when Airplane hesitates, pushes him into the elevator and tells him not to come back. “Tells” is a generous way to describe the way the words come out - a growl, a hiss, the sound an animal would make when a hand got too close to a wound.
(It’s not fair to name a villain after him, even if the name never really comes up in the story. He wasn’t trying to be mean. He’d lost a brother minutes before, and he was getting his brother’s friend out of the way so he didn’t have to… see. It isn’t fair, but then, none of it is fair.)
Death feels very real after that.
The notebooks get shoved into a closet, and it’s not until Airplane’s moving out and one falls on him from a high shelf that he thinks about it again. He’s written things, lots of things, but nothing as ambitious as this - nothing as important. It could be good, he considers. He’d promised. Shen Yuan wanted to read it.
The problem was that no one else does, not for a long time, not until Airplane has whittled himself and his art into a corner and into such an unfamiliar shape that he has to wonder how it’s still his own face he sees in the mirror. He has to eat. He has to pay rent. Shen Yuan would yell at him, but Shen Yuan isn’t there to yell at him, and who cares. Who cares if it could have been better? The people who actually are here love it, and it’s paying his bills, and sometimes stories don’t go the way they’re supposed to and the world is fucking unfair. It doesn’t matter.
(It does. But he shoves that thought away along with styrofoam cups and soda bottles to the bottom of a garbage bag.)
Authors are not gods and their power is limited, but Airplane exercises just a sliver of what he’s been granted and gifts an inconsequential sort of immortality. He thinks about making him a rogue cultivator, maybe the kind that goes around documenting beasts and compiling his findings. He thinks about making him someone too powerful for death to touch, or too important to threaten, but when Airplane looks at the world he crafted and everything that’s become of it, it feels like the kindest thing he can do for Shen Yuan is a childhood where he’s loved, and a death that’s peaceful. What does it say about that world, that he’d kill off his best friend too early again instead of making him live there?
(The best writing he ever does is the only, shining moment of humanity that his scum villain ever displays: a lament about death that comes too early, about a brother gone too soon. The commenters praise him. The commenters flatter over how real the emotions feel. The commenters don’t get any response from Airplane on that chapter.)
Death is incredibly real when it comes for him too early, too, still hovering over his keyboard with the story technically finished and incredibly incomplete. Airplane could tell himself that’s because the written version can never be the version in the writer’s head, always shifting and with every possibility still on the table, but he knows better than that. The System knows better than that, with its condescending message about “improving” his writing and “closing plot holes” and “achieving his original vision”...
…and he’s a child again. He’s a child in his own story, he’s Shang Qinghua now without the benefit yet of a peak or cultivation or anything, and maybe he’s a little bitter, and a little scared, and…
And Shen Yuan - with longer hair, with robes, with a couple of older kids watching him from across the street, but undeniably the prickly little boy who used to sit down imperiously across from him and tell him everything that was wrong with the chuck of writing that had been handed to him last period, but with that smile that said he was only invested because he knew it could be better and they were going to make it better - marches up to him with a fire in his eyes and a frown that warns of a coming tirade.
“You told it wrong,” is the first thing he says.
Shang Qinghua wants to ask how him how he’s here, how this is possible, or maybe laugh because, yeah - yeah, Shen Yuan has no goddamn idea how wrong he got absolutely everything.
(Shang Qinghua wants to say “I missed you” and “why did you leave so soon” but he’s here now. He’s right here.)
“I know,” he says instead. “I’m sorry. It all kind of… spiraled out of control.”
Shen Yuan frowns, but then it dissipates the way it always does, and his eyes shine with ideas the way they always used to. “That’s okay,” he relents, grabbing for his hand. “We’ll fix it. We’ll make it what it was supposed to be.”
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