#i forget what the point of this post was

[talesfromthenorsesmouth]

psychology grads in popular media: we despise Freud so much we have clubs about hating him

actual psychology grads (me): if roy lichenstein wasn't dead I'd kill him myself

[paintedcrows]

Totally Normal Trigonometry Things

[biggest-gaudiest-patronuses]

putting my prediction on record now that the coming decade is going to see the rise of viral-marketed fancy at-home water filtration systems, driving and driven by a drastic reduction in the quality of U.S. tap water (given that we are in a 'replacement era' where our current infrastructure is reaching the end of its lifespan--but isn't being replaced). also guessing that by the 2030s access to drinkable tap water will be a mainstream class issue, with low-income & unstably housed people increasingly forced to rely on expensive bottled water when they can't afford the up-front cost of at-home filtration--and with this being portrayed in media as a "moral failing" and short-sighted "choice," rather than a basic failure of our political & economic systems. really hope i'm just being alarmist, but plenty of this already happens in other countries, and the U.S. is in a state of decline, so. here's praying this post ages into irrelevance. timestamped April 2023

[lulu-draws-stuff]

My sort of future au designs (traced/edited their psychonauts 2 renders for this) :] they are like 13 here

[aroaceleovaldez]

What is the PR disaster in question that made Rick announce TSATS? I wasn’t active in the online fandom at that point

Of course! This was awhile ago so it figures people don't remember it/aren't familiar:

Basically a couple years back (2020) the fandom had some posts circulate discussing the ways different characters in the Riordanverse were written poorly or offensively. There was a masterpost that went around tumblr but the two major points people were particularly focusing on were Piper and Samirah (particularly because Piper had featured prominently again in Trials of Apollo recently and the third MCGA book had further emphasized and discussed Samirah being Muslim, since it was supposed to take place during Ramadan). Basically each had multiple posts breaking down the ways they were depicted incorrectly or offensively. The entire fandom for a little bit was VERY intensely discussing this (and it's around this time the "RR crit" tag got very popularized on tumblr - it did exist before, but suddenly was being used VERY frequently - cause it was that wide-spread - though the discussion took over basically every side of Riordaverse social media on different platforms). People really wanted Rick to respond to these criticisms, so he did!

He made two blog posts, one about Piper and one about Samirah. He has since deleted both so the links are to archived versions. The short version: he essentially tried to justify his poor research and double-down that he hadn't written them offensively, actually, people were just being mean to him. The fandom, of course, reacted poorly to this.

[Further elaborated events under the cut since this got a bit lengthy]

(Fun fact, this all happened within a month or so of the time i posted an open letter on aphobic tropes in the Riordanverse that Rick replied to, and then he immediately followed with announcing that Reyna was intended to be ace-coded [which cause a LOT of fandom debate] before Rick dipped for a couple of weeks, and then came back to post the blog posts in response to Piper and Sam stuff. So I like to jokingly refer to this as "The time I imploded the fandom/drove Rick off of twitter." Twas I that set the house ablaze.)

Rick fully left social media after this and the LT Musical social media manager became Rick's social media manager for the time being.

So this all happened June/July of 2020. Tower of Nero would end up being published in October of 2020 and a few months after that Rick would state that he was done with the series and wouldn't be writing any more series installments involving Percy, and also that he wouldn't be writing a Nico quest following Tower of Nero as it "wasn't his place to" and encouraged the community to write their own versions of Nico's story.

The community continued to circulate the tumblr posts and discuss the topics of Rick's offensive character depictions, and this is also where we see the dramatic shift in how the fandom depicts Piper in fanwork (though in most cases it is admittedly not an improvement 😬) because of all this discussion. This is also around the time when the fandom brought Viria under scrutiny claiming that she was whitewashing Piper as part of the same discussions, through the justification that she was drawing Annabeth as having tan skin (which she does canonically), and if Annabeth has tanner skin then Piper then that's whitewashing Piper? Except they were using completely separate images of not fully rendered Piper art versus Annabeth in dramatic lighting, so it's all very awkward and poor logic, and did actually get kind of racist. A lot of people were calling it "Tannabeth Blackchase" (yeah, i know) or similar and a common sentiment you'd see repeated is "Don't draw Annabeth as having darker skin than Piper, because that's offensive/racist/whitewashing." (Note: it was not phrased "don't draw Piper as having lighter skin than Annabeth" - we also won't get into certain offensive depictions of Native Americans, but I digress). But yeah, the Annabeth stuff in all that did not age well at all.

Anyways, in October of 2021 however Rick would announce that he was co-writing The Sun And The Star - with a lot of heavy emphasis on how Mark Oshiro works as a sensitivity reader, and some false advertising from the official social media that Mark Oshiro was the first time a non-Riordan author would be collaborating on the series (disregarding the ghostwriters completely). One of the big criticisms in the breaking down of issues in Rick's writing was his lack of ever seeking a sensitivity reader, and fans claiming that a sensitivity reader could solve a lot of the problems. This was basically Rick's "look! I totally listened!!!!" (though it did little to actually improve things, based on the book) and in TSATS as well Piper gets a large cameo at the end where the text very directly addresses a lot of points made in criticism of Rick's writing of her.

We also then of course got the CoTG trilogy later, explicitly stated to be for advertising purposes for the show.

So basically, short version: Rick came under scrutiny for a lot of offensive writing within the span of two months, made some bad blog posts doubling down about it, left social media. TOA ends. Rick says he wasn't going to continue the series/write what would become TSATS. Community celebrates the end of of the franchise but also continues to discuss Rick's poor writing and the blog posts at length. Rick suddenly announces TSATS and Mark Oshiro's involvement. Everybody gets distracted from being mad. Show announcement stuff also happens and the discussions peter out.

[fumifooms]

do you happen to have that page that talks about the beauty standards of each race?

Yeah sure. While scavenging pics for this I found this neat reddit compilation & chart & theory talk too. I had um, way more to say than I anticipated (I know you only wanted the one page. I have nothing to say for myself. Like most topics in Dunmeshi things snowball because they’re so interconnected. Mercy…) so, many races and observations are only mentioned near the bottom.

Beauty standards and race in Dungeon Meshi

Not pictured there’s also how elven society is harsh on visibly disabled people, and how the demon took away Mithrun’s silver eyes and ears to take away his pride. There’s also how Senshi might have fit in with the orcs more easily because of the dwarven wide body shape, and how they tend to have more body hair too I suppose. In the extra on orcs we see Senshi living with the orcs and he gets judged because of the hierarchy rather than his looks.

What is fashionable also differs from culture to culture, and there’s how tattoos only seem common with elves, though dwarves and others do also sometimes have some. They seem to not raise much brows, which makes sense since for many essentially they’re for professional (magical) purposes especially with elves. Gender roles also differ in type and importance, but generally they are similar to irl ones for the races we see. Elven society seems to be the least gendered, which would be an unsurprising logical outcome of having lesser sexual dimorphism aka they look more androgynous. Comparing fashions and gender roles and how they affect beauty standards would be a whole other compilation and conversation. Kui has great worldbuilding partially because she’s got such a good grasp on sociopolitics and geopolitics. History affects cultures and beauty standards greatly. Kui’s oneshot Distant Utopia was very eye opening on her way to worldbuild and the consideration she gives these things, I do really recommend reading it.

Out of the big 5, we know the least about gnomes, but their sheet does say both culture and region are similar to dwarves’ and they end up being confused together often, so we can imagine the beauty standards are similar to dwarves’ as well.

I wanted to touch on this in a post eventually, but how one daydream hour page said half-foots tended to be curvaceous like in the artwork below puzzled me for a long time, all the half-foot characters we see during canon are rather slender and lanky after all, Chil’s succubi also being more curvy than plump. Economics are for sure a factor in that I imagine, the half-foots characters we see are all implied to be some flavor of poor or malnourished, as are half-foots depicted as empoverished oppressed minorities in general. Even comparing the artwork with the half-foot sheet’s depicted average half-foot, the ones on the left seem bigger. Wouldn’t it make sense though, if unlike dwarves half-foots don’t have similar naturally wide bodies, yet due to idolizing dwarves they work towards having a similar body shape/type to emulate them?

It’s said half-foots tend to stick to pretty ethnically homogeneous regions (aka half-foots-only communities) unless they move to the big city with ambition to try and make it big (like Chilchuck and his wife & kids did), and that’s interesting imo because then that would mean that in a ton of half-foot communities, they rarely see or interact with dwarves whom they try to emulate. Of course, one thing about beauty standards is that when they get adopted, at one point it stops being "this is how dwarves look and so this is how half-foots should look" and just becomes "this is how half-foots should look", most people feel as though beauty standards aren’t learned but innate, so I figure the half-foots wouldn’t have any problem still seeking dwarvish traits when there are no dwarves around.

There’s also stuff you can glean here and there if you want to extrapolate more. Like how in the race swap artworks, Mickbell is only smiling in the dwarf portrait, and Rin’s elven portrait looks very close to her elven one- Rin who is stated to be beautiful in her profile blurb. Benichidori’s extra does teach us tallmen can definitely have harsh beauty standards, but also since the text portrays her as very dysmorphic that’s likely reflected in her thoughts to a much more intense degree than is common, not an accurate strict baseline to go off. Ah, Kabru’s blue eyes are also why he and his mother lived a rough life in Kabru’s hometown, but that seems to be regional. Good post here on the topic of Kabru’s blue eyes and ties to irl history. There’s a lot to be said about Kabru being a man that in many ways is close to elven beauty standards, and how that might have affected or been affected by his upbringing with elves + his persona as someone that can effortlessly charm most people. Marcille’s section here in this essay also goes into Marcille’s struggles to fit in with the ideal image of an elf.

Looking human

Also notable are beastkins and demihumans: Demihumans are all dehumanized which makes people treat them worse. So if you differ from the visual idea of "human" (an in-world subjective categorization just as much as demihuman is) most people do judge you negatively. Elves and dwarves get to fight about which type of human is considered the prettiest, but demihumans are below tallmen and half-foots, they are considered as simply below the beauty contest, incompatible with it.

Onis are perhaps the demihuman people we know of with the least cultural influence on the dunmeshi world, and with the least intensely different appearance than other demihumans—they seem to be technically categorized as human to people not from the eastern archipelago?— but even them are treated as lesser than human, treated as beasts to slain for reputation points or useful strength to have around and command. It’s said their "magnificient horns" and fangs are often shaven off when the oni lives in tallman towns, so you could easily make the argument that onis are denied the right to have their own beauty standards, having to conform to other people’s and going through mutilation to take away features they might otherwise have taken pride in. Inutade was bought by the Nakamotos from a dangerous sumo fighting ring that got one of Inutade’s tooth broken on her first and only fight, and kept as a low ranking servant ever since. Remember when I said different fashions existed in dunmeshi and how those could also affect beauty standards? Like the elves, if you look at the portraits pages which include a lot of characters that aren’t in the story you can see distinct cultures within the same races, for example one young elf is bald which is in sharp contrast with the usual elven long luscious hairstyles, and that’s especially true for onis I think. Maybe not only from different regions but different eras as well… They have a bit of population in the very north of the western continent, so I like to think some of the ogres live in very cold, maybe even subarctic or arctic conditions. The point I’m getting at here is that within a race, culture/ethnicity like with Kabru will also influence them it isn’t just tallmen as a whole, different communities will have differing beauty standards. The oni history blurb and third row first collumn portrait remind me of Mongolia (which historically was a lot of different nomadic communities with different cultural identities as well. Something something, the oni empire experienced a decline and then tallmen overpowered them, and now they’re governed and split apart by stronger social classes & slavers and the richness of culture was hurt for it especially if they have no real community left of their own), but obviously many of them are dressed and look rather japanese, makes sense considering living in/close to Wa, and first row second collumn portrait reminds me of ainus which again would be logical considering geographical placement, though I’m far from an expert. Interestingly, ainus are indigenous people both in Japan and Russia- Perhaps the northern western continent ogres are meant to be closer to Russia than Canada like I imagined? Ok tangent over.

The kobold sheet says they’re especially sought after as slaves because they’re "adorable", but locally in the western continent they’re repeatedly said to be seen more as ferocious and dangerous. The dehumanization is most apparent in the first comic below. The language barrier and conflicts no doubt worsen this by a lot, but I think it’d be hard to deny that their canine appearance makes the dehumanization worse. "They’re ferocious beasts, they’re demihumans, they can’t be communicated with". Most characters in Dungeon Meshi’s world are desensitized to slavery and most characters are prejudiced one way or another. Point being, kobolds are fully removed from human beauty standards, but no doubt for kobolds, other kobolds are more beautiful than humans are. They’re assumed to be an uncivilized bunch, but just like any other people they like to adorn themselves with nice clothes and jewelry and keep themselves clean and groomed; they too take care of their appearance and take pride in it.

And the orcs! This one we have the most contact with in canon, with not only there being foreigner characters from the ethnicity or hearsay of their homelands and culture but full on contact with a community. We get to see up close what they’re like and what they think, and of course in turn they’re our introduction to how demihumans are harshly looked down upon and seen as inferior, less human and thus less worth valuing and less dignified. It’s text that orcs are ugly to most humans and humans are ugly to most orcs. Since I judged they didn’t need accompanying explanation the pictures showing this are in the pictures dump at the top.

God forbid you sell vegetables to orcs my god- but then again they do basically mandate adventurers to kill any orcs they come across so yeah the world isn’t above that even a little bit.

So yes, my main point here is simply that orcs are yet another evidence of the physical ideal of "human" being an important beauty standard for human societies globally.

Izutsumi is our glimpse at how beastkins are treated in the world, and in Wa at least that’s ending up being caged and mistreated as part of a freak show. Izutsumi hates her appearance and wishes she could leave the feline part of herself behind to only be human. Interestingly, not that we have a lot of info on them so this is very much a take with a grain of salt situation, but there seems to be less stigma around artificial beastmen, those who can shapeshift at will. The main difference is of course appearance, that most of the time they simply look like average tattooed humans. Artificially creating humans is an illegal practice, and no doubt it’s not well regarded, but being able to hide that makes them less likely to be discriminated at any moment, or even just discriminated less intensely. Again, looking human is important, not only for belonging but for safety’s sake. Beauty standards rule the world with harsh hands.

Mermaids and fishmen

Ok we’re done now right? Right-! But wait… Wait…! Mermaids and fishmen are said to be demihumans too, special separate cases to the main three demihuman species however, which is also represented by how mermaids and fishmen both are in the Adventurer’s Bible chapter Monsters meanwhile ogres, kobolds and orcs are in the chapter World. They’re an interesting topic because they directly tackle this topic, not only in a meta way for the readers but also making characters themselves struggle to quantify their humanity with the goal of knowing wether they should be eaten or not, especially Chilchuck. Chilchuck’s "is it really just a matter of feelings?" mini arc.

The party asking themselves "Should we eat this?" is very common, and often they end up playing a little loose on morality, like eating the red dragon’s meat despite it having digested Falin. Not unsimilarly Marcille freaks out a little over the vegetables they harvested having been grown with fertilizer, aka largely human poo. Half of the motivation of "should we eat this perhaps sentient creature" is out of consideration and compassion, but more strongly and more often, the characters struggle with a sense of taboo at eating something too closely related to humans. Even, feel uncomfortable because of the deepseated impression that eating it would dirty them in some way. Cannibalism is an interesting and relevant topic in many ways, but what I want to mention is how there’s the more or less universal belief that committing cannibalism inherently taints you as a person and turns you more monstrous, morally but also literally depending on some myths such as w*ndigos and onis in some cases, like in Touge Oni. Marcille and Izutsumi both express a fear of eating monsters turning them monstrous. Maybe this is part of what Laios was hoping for, honestly. There are two fears here, if eating a demihuman monster constitutes as cannibalism or not, and so, will eating it taint you because it’s a human, or will eating it taint you because it’s a monster? You are what you eat, until it’s a little too literal. You morally are the means by which you get your food, and you physically are the result of your nutrition. Dungeon meshi manages to mix an exploration of humanity with the theme of food because our relationship to food is very deep and complex, psychological as much as physiological.

In the end, the characters sort of shrug and accept that they’ll never quite understand the world of mermaids and fishmen and how they operate, and what that means about them. Laios is the one always challenging these notions other characters take for granted, it’s not obvious to Laios why people are softer on mammals than other animals and plants, it’s not obvious to Laios why people would be afraid of eating a monster just because it’s a monster, it’s not obvious to Laios why some food is gross to Marcille but not fish testicles, it’s not obvious to Laios why you should immediately regard orcs and kobolds badly.

"Cows are probably closer to humans [aka closer to being human] than fishmen, though they’re clearly intelligent", dehumanization to lessen empathy towards them to be able to eat them. Meanwhile, mermaids seemingly have a less noticeable "civilization" or intelligence, they hunt in groups like fishmen, but they don’t use tools and such, they feel more primal and similarly instinct driven, and yet… Do they attract sympathy more? Mammals, humans, is it because of their nature or because of their appearance?

Both the nature and appearance of fish are ones people don’t typically sympathize with. "Fish don’t feel pain", "goldfish only have 5 seconds of memory", "it’s okay to keep fish in completely empty bowls too small for them until they die from it", so many lies and misconceptions exist that make people less considerate of them. The average lifespan of a goldfish is 10-15 years, the record is 43, but they’re not seen as lives that really matter, so a lot of goldfish die in a few weeks of bad aquarium conditions. There’s a lot of research on animals evolving to look cute and appealing to make some predators want to kill them less and parents want to care for them more, including humans. First good google research result gave me this credible short article on the topic. In Chilchuck’s weighing wether a fishman is far enough from being human or not to eat, "face is 100% fish" is his biggest argument for it being more acceptable. The face, the most important thing for empathy and recognition. The face, the decapitated fishman one that falls into his hands next chapter.

To quote @room-surprise: "Chilchuck can't explain why it's wrong to eat the merpeople, even though it's NOT complicated. But the problem is Chilchuck would have to accept and acknowledge that the merpeople might be people? And that's outside of the worldview he passively believes, so he can't just say that, because he doesn't think that's true. But that IS why he "feels" it's wrong. And it's all you'd need to say for Laios to understand! But it would require acknowledging that maybe the way they're treating and talking about the merpeople is wrong."

The idea of Chil not being able to grapple with how maybe some monsters are more humans than they seem, him who had been an advocate of half-foots rights, half-foots who get undermined and treated as inconsequential sacrifices… Grappling with how he could relate to the merpeople’s situation almost, and pulling away because it’s so existentially horrifying. I do not want to see myself into an hostile fish-faced warrior I can’t communicate with. In a way this also relates to Chilchuck being the only party member who doesn’t see Izutsumi as a cat in the relationship chart, the only one to treat her with full human dignity. He knows the struggle to be taken seriously, he knows being infantilized and he knows what it’s like to be treated as less than human.

Below, you will see Chilchuck draws the line of where they become not okay to eat as when "they already look like mermaids". Above, there’s speculation that the algae hair is partly to mimic "the mermaids’ beautiful female form". Is it because mermaids are their enemies and the ambiguity might give them extra seconds to attack or flee? Is it to trick adventurers instead? It’s striking to me that this is what works, with the adventurers. Sure the fishmen are intelligent, but explicitly here, what makes them no longer acceptable prey to Chilchuck is that they look close enough to a mermaid, close enough to human. Mermaids who of course themselves have this form to entice and seduce and charm the adventurers they prey on. Chilchuck considers the intelligence due to the tridents, but most of his internal debate centers around their appearance, and the image of a fishman skewered sickens him. The power of mimicry… Mimic being a beautiful human woman. Mimic being cute, babies being wired to make us feel protective and softened. Half-foots, sometimes pretending to be children for scams or help or avoiding trouble.

The mermaids are only concerned by their differences and not their similarities, and have no trouble treating the fishmen as food rather than peers. To an outside perspective like us, the audience, all these categorization of "more human" and "less human" between onis and orcs and elves and tallmen etc seem stupid and unfounded, but to the people living in Dungeon Meshi’s world, elves may as well be mermaids while onis are fishmen, not alike at all, unworthy of empathy and thus fine to eat.

Ultimately, Dungeon Meshi promotes unity. It’s about seeking to understand the unknown and the misunderstood, the dehumanized and the inhuman. It shows the good that comes from seeking to understand what you do not, even when that’s one another.

[gamebunny-advance]

Oh.

Nintendo out there just casually (kinda) confirming the "descended from humans" and "the wraiths are involved in all of the spaceship crashes" theories.

(source)

Okay, they're not really "confirmations" but more like they're officially addressing the different theories that people have about the true nature of PNF-404 and are telling you to keep on speculating on your own time.

Take these translations with a grain of salt since they're machine translations.

[cementcornfield]

[Zac] was just trying to tell me to be happy with the win, and I appreciate that about him. Because I can get lost in, just like everybody can, you get lost in the adversity of the season. You can't take winning for granted and I've tried to get better at that.

[serpentface]

Full ref outline of the main White Calf characters, a dysfunctional noble family and two monks, all tied with the titular sacrificial wild oxen calf.

Left to right: Couya Haidamane, Faiza Haidamane, Janeys Haidamane, Hibrides Haidamane (née Uryashta), Brakul 'Red-Dog', Palo Apolynnon, Tigran Otto.

Design notes and very brief character summaries below the cut

Couya Haidamane

Odonii priestess, assigned to the sacrificial white calf, pretty sure that God has chosen her as Its emissary. Half sister to Faiza and Janeys. Constantly three seconds away from killing Janeys with a rock. Friends with Hibrides.

Has an awkward demeanor, doesn't talk much, borderline humorless, both intentionally and inadvertently intimidates those around her, regarded as strange and unsettling, very much in her own head most of the time.

32 years old.

Wardi and Titen-Wardi, born and raised in the city of Wardin.

5’9’, yellow-brown eyes, light brown hair, lanky muscular build

Usually wears a men’s styled robe.

Wears a standard issue Odonii's veil and headband.

Almost always carrying her pistol with no sheath, and usually positions it to be prominently exposed.

Often wears her hair unbraided, which is somewhat unconventional.

Terminal resting bitch face and signature cold, dead eyed stare.

Has a mole on the left side of the face, above the lip.

Routine bloodletting scars on the side of her left index finger.

Doesn't wear jewelry unless she has to.

Faiza Haidamane

Senior Odonii priestess, personal friend of the king and a de-facto leader of the pilgrimage, sister of Janeys and half sister to Faiza. Just desperately trying to make sure everything goes alright.

Skilled with diplomacy, shrewd and pragmatic, charismatic and confident, has a bit of a martyr complex about protecting those around her and enjoys power.

35 years old.

Wardi and Titen-Wardi, born and raised in the city of Wardin.

5’6’’, gray eyes, brown hair, wiry build

Hair is almost always braided and worn down the front.

Wears a standard issue Odonii's veil and headband.

Likes to keep her arms bare, and usually wears her cloak around the waist outside of blazing sun or very cold conditions.

Wears a lapis lazuli necklace

Has a serpent pelatoche bracelet she wears on her left wrist, a gift from the king Stavis Amanti.

Really likes the color blue (blue clothing is typical wear for Odonii but it's a thing for her specifically)

Routine bloodletting scars on her lower left forearm.

Janeys Haidamane

Unaccomplished wealthy brat mercenary, is in command of 25 soldiers entirely due to nepotism via Faiza. Married to Hibrides and sworn brother/lover to Brakul.

Generally regarded as unpleasant and an all-around jackass, perpetually anxious and spiteful, superstitious and intensely religious, low self esteem.

34 years old.

Wardi and Titen-Wardi, born and raised in the city of Wardin.

5’6’’, gray eyes, brown hair, wiry and stocky build

Upper arms, thighs, chest and back are covered in razor scars inflicted by Brakul.

He and Brakul have a matching scar through their left eyebrow.

Routine bloodletting scars on his palms and left thumb.

Hair is usually worn slicked back with (obnoxiously scented) oil. When untreated, it’s wavy and falls in a part down the middle.

Has sideburns and a thin beard on his chin. This is the full extent of facial hair he can grow.

Almost always wearing at least one pelatoche charm, usually as a cloak clasp.

He and Faiza look very alike and can pass for twins.

He and Couya share a signature dead eyed stare

Hibrides Uryashta

Daughter of an Erubinnos chancellor, brought along with the wives of noblemen attending the pilgrimage. Miserably married to Janeys. Has a strained platonic emotional affair with Brakul. Friends with Couya.

Shy and somewhat lonely, very nervous about her presentation, very intelligent, frequently condescending, puts up a serious and tough front but is very sensitive. Heavily germaphobic.

5’2’’, hazel eyes, dark brown hair, delicate build

Yuroma-Wardi, born and raised in the city of Erubinnos.

29 years old.

Always well protected from the sun, rarely seen outside without a hat or veil.

Her hair is kept in very long braids, worn down the back.

Wears closed toed high heeled shoes, which keep the wearer away from dirty city streets.

Usually bedecked in jewelry, especially fond of pearls. Has a particularly fine odatochent necklace.

Really likes wading birds and ducks, a lot of her clothes have bird motifs.

Routine bloodletting scars on her right thumb.

Brakul 'Red-Dog' (actual full title- Brakul virsum Kuligan et Borunil an Briyonis ne-Taig an Bict-Urbinnas)

Originally of the Bict-Urbinnas people and considered a 'heathen' by most compatriots, mercenary with a passion for riding sports. Mostly present on the pilgrimage due to nepotism by proxy. Illegitimate father of Hibrides' children, sworn brother/lover of Janeys.

Usually quiet and placid, calculating and thoughtful, prone to startlingly intense emotional outbursts and fits of melancholy and just really fucking annoying self-pity.

37 years old.

Bict-Urbinnas, born and raised in southeastern Greathill in the Erubin River Valley.

6’2’’, brown eyes, light red-brown hair, heavyset muscular build.

Doesn’t particularly like cloaks, and usually wears a less common tunic over his robes.

Has tattoos- clan identifiers on his face and family history on his upper arms, a purely decorative dog over his heart.

Usually keeps his arms covered in public to minimize annoying questions about aforementioned tattoos

Face and forehead is frequently sunburnt, a problem of his own creation (he doesn’t like hats)

Usually wears riding boots and spurs.

Head shaved close to the scalp

His upper arms, shoulders, chest, back and thighs are covered in razor scars inflicted by Janeys. The dog tattoo is avoided.

Matching eyebrow scarification with Janeys.

Palo Apolynnon

Newly initiated Galenii monk, son of glass traders from Godsmouth, assigned with Tigran to the sacrificial white calf.

Thoughtful and analytical, somewhat catty and vain, suspicious of others and slow to trust. He's going through several personal crises that have him under a lot of stress, and has a fairly pleasant (if guarded) personality under normal circumstances.

23 years old.

Kos-Wardi, childhood spent in the imperial city of Godsmouth with a few years in Kosov.

5’10’’, brown eyes, light ash-brown hair, very skinny, lanky build

Has dark purplish-gray patches on his skin from use of hidije in his youth, an (ineffective) alchemical treatment for epilepsy

Only wears his sunglasses in particularly bright conditions/around water (having picked up on sunlight on water being a trigger)

Large forehead and long face.

Benefits socially from not being visually identifiable as a eunuch, though his facial hair has stopped growing.

Usually keeps his hair in a single braid, wrapped around the front (somewhat unconventional)

Has one iron ring per ear, showing he is a 1 year Galenii initiate.

Usually wearing a standard issue Galenii robes, cloak, and sash.

Tigran Otto

Galenii monk since the age of 11, son of immigrant Ubiyan laborers, assigned with Palo to the sacrificial white calf.

Nervous, cowardly, impulsive, a fast and excessive talker, superstitious, very book-smart but devastatingly foolish in action.

19 years old.

Ubiyan, born in a farming village on the Brilla river, has lived in the city of Wardin since the age of 11.

4’11’’, brown eyes, brown hair, short and heavyset build

Perpetually sweaty

He has five iron rings per ear, a sign of a fully initiated Galenii.

His features are considered soft and androgynous, and he is easily visually identified as a eunuch.

Keeps his head shaved to stubble.

Usually wearing a standard issue Galenii robes, cloak, and sash.

Wears a Galenii ceremonial dagger and routinely takes it out to fidget with it.

[n3bismel]

more bits and pieces 🎞️

[joshuamj]

Linktober Day 8. Tunic

[jevilowo]

It's me the timeline guy. Here are my many lore related grievances with the comic:

SPOILERS UNDER THE CUT tho most people have probably read it by now lol

FIRST OF ALL, the Administrator's plan. What happened to "plan so disturbing that several US senators pardoned her for the Poopy Joe incident?" What even was her plan actually was it just to keep the fighting going forever? Then what was the point of Australiummaxxing after Redmond and Blutarch died?

What's up with Zepheniah’s hooked up corpse. Isn't his ghost still around? He certainly is by the seventh scream fortress comic, which takes place during MvM. His will says he won't rest until he's done being mad at the world idk how that relates to anything.

OH HORSEMANN MY HORSEMANN. Why is Zepheniah claiming to be an only child? And it's not a retcon bc later on Soldier pulls up the family photo WITH SILAS IN IT. Where did he even get that. Anyways. The only explanation is either 1) some in-universe attempt by Zepheniah to write Silas out of history (implied by the two copies of the quarterly concern, one seen in a hidden page in the classless update and the other in the background of the Engineer update), or 2) ...i was going to say Silas was actually his cousin or something but that wouldn't make sense if the siblings of Zepheniah’s dad all died young. Urgh. I hoped the Horsemann would return and put to rest the implications dragged up by scream fortress two but alas twas not to be.

What's with the 3 different covers of a young Administrator? My theory is they're supposed to represent three possible backstories the writers were cooking and wouldn't commit to. Who knows.

CHARLES DARLING. The triplets' birth certificate claimed that their mother was a Darling (save me Bette Mann etc etc), and that had me convinced Charles was going to be at least RELEVANT. Why else would he, a joke antagonist introduced in the War! Comic, show up at all? Looking for Australium, no less? I tell you that flashback of him and Maxton had me CONVINCED something would happen. Especially with the two of them lowkey treating him like shit.

So so so much Admin stuff left unexplained. Seeing her child self in the Australium. The census dated back to 1850 with "HELEN" on it. Telling Engie "your family has already done so much for me". By that she could have just meanth Radigan making an immortality machine for Redmond as well as Blutarch I guess, but ??? I liked the Emily reference tho that was something one of the artists reffered to her as for the Engie Update Comic by mistake and later took back so neat callback lmao.

SPEAKING OF RADIGAN. Nothing on who the third Australium machine went to. Presumably Admin I guess? Not explained, never will be probably.

Who was the person in the torn Mann Family portrait? My main theory was always either an earlier version/design of Grey or a Darling, but in the picture Soldier shows (SERIOUSLY WHERE DID HE GET THAT) we can't even see the outline of a person around his thumb. It almost looks like they just made a version of the picture without anyone in the middle and called it a day.

TFI having other mercenary groups came out of fucking nowhere, even in comic six. The T and F presumably stand for "Team Fortress", fuck you mean "Team Citadel", "Team Vanguard", giant fucking statue of random epic looking mercs??? What is happening. They did NOT explain that shit at all. Multiple, seemingly incredibly competent teams are NOT "eighteen perfect idiots". Did Poopy Joe die for nothing.

One of the top posts I've ever made is the one where I point out the date Spy and Scout got arrested on that newspaper: September 7th, 1972. This means the rest of the comics should take place 5½ months later i.e. February/March 1973. Ergo, 1979 could not be "seven years later". The comics seem to think themselves that they're set in 1972 already, there's a few lines about it but for the life of me I can't remember. Something something however many years since Zepheniah died blah blah year the triplets were born. Whatever. It's on my timeline probably.

Smaller thing, but embarrassing lack of a full name reveal for Heavy and Medic. Spy also, but I wasn't really expecting that. They shall remain Mikhail "Mischa" Weponzgy and Fritz Ludwig (alias, he's a wanted man) in my heart.

SO IN CONCLUSION: the writers went in with no clue how to end the story, something made evident by the possibility of the 4chan leaks being an early script and also entirely fucking different.

Still, there were a lot of lore unrelated things I did enjoy: the fact that the mercs actually got a happy ending, for one thing. Sniper stealing a plane, Scout maturing and moving on from Pauling, Pyro literally just being overjoyed to see Engie again, babies!!! The fact we even got a comic! How crazy is that? At least we didn't have to wait another seven years.

I might draft a script for an alternate ending that tries to answer lore stuff more, but knowing me I wouldn't finish it. Still, I am working on making a website for my timeline and I'll upload the link here once I'm done with it. Oh and I'll update the doc version soon. Bitterly.

[twopoppies]

Something I think a lot of people miss about Hollywood PR is that it’s not always what you think it is. I don’t know if Tom Holland and Zendaya are really in love or if they’re good friends who decided to use an advantageous situation to their mutual benefit, but imo it doesn’t matter. Regardless of their true relationship status, everything we see and hear from them is a PR relationship move. Every time they talk about one another in interviews, every time they attend each others’ professional events/obligations, every time they are photographed walking their dog together, it is a PR move and strategy.

I don’t mean to be completely cynical or critical. I’m sure it’s lovely to have your partner supporting you at your West End play or your fashion awards or whatever, but I think that if that anon is thinking “Zendaya would never do a PR relationship,” then they’re thinking about PR wrong. It’s not a dirty word or a dirty concept. If their relationship is genuine, then that means Zendaya is using her real relationship for PR. Is that better? Is there less moral outrage from the fandom in that event?

Niall has chosen to keep his relationship as private as is realistically possible for someone in his position, but that doesn’t mean he doesn’t engage in PR relationships. I’m sure Niall and Lewis Capaldi are really friends. I don’t think for a second that they’re best friends. I think when they send each other a text, they’re doing it with the intention of it being posted on instagram stories and drumming up a few headlines. It’s fine.

Literally no one in the entertainment industry is above it. I think we get up in arms about PR because it’s wrapped up in closeting for us as a fandom, but Harry would likely be doing something similar even if he was publicly out but still “single.” There’s no moral high ground when it comes to this. Hell, Meryl Streep and Martin Short are doing the same thing right now and she’s the GOAT.

I completely agree with you. PR relationships aren’t necessarily a bad thing. And they don’t always indicate the relationship is fake or that it’s closeting.

Every celebrity depends on PR to some extent (some more, some less).

[say-hi-intrepid-heroes]

.

[wundrousarts]

I need some new Nevermoor content and news soon because all I ever want to do is talk about it but I feel like I’ve run out of theories in my brain….. Need the snippet and UK cover by the end of the year!! Manifesting 🕯️🕯️🕯️

[rainingincale]