“ WHAT GETS THEM HARD! ”
jjk men x f!reader ࿐ MDNI.
ᰔ、summary. jjk scenarios on how their dicks get hard ofc
ᰔ、tags. (ft. gojo, geto, toji, choso), nsfw, female anatomy, cunnilingus, exhibitionism, sexting, masturbation, etc.
ᰔ、a/n. these are just my silly depictions. if u dont agree idgaf lol
SATORU GOJO has the dirtiest mind and the highest sex drive. his pants definitely start feeling a little tighter at the sight of you eating a popsicle or something. specifically in public. he would have no shame in it either—casually forming a smirk on his face and dropping a snarky innuendo about the way you’re eating. “can you suck me off like that when we get home?” he’d mumble from across the table, his eyes peeking out from the top of his glasses, a smirk plastered on his lips; wet from the constant licking of his tongue. your eyes widen, a small ‘pop’ sounding from your mouth when you took the frozen sweet out to gasp at the man in front of you. “gojo! are you serious?” you’d yell in a whisper, looking around to see if anyone had heard him. “you’re right,” he’d sigh, standing up from his chair to reveal the very prominent and very obvious bulge in his pants. “we should just do it now.”
SUGURU GETO on the other hand is a polite man. like satoru, he’s a real freak in the sheets—but not as shamelessly. the littlest things can get him hard for sure, but unintentionally seeing your undergarments would really get him going. like an accidental peek at your panties from under your skirt, or a shirt thats a little too see-through showing off the print on your bra. he wouldn’t say anything of course, not right away. you would just be minding your own business one minute and then he’s dragging you towards the bedroom the next. “sugu- what are you-?” you would ask in a confusing tone, craning your head to look at the said man who was now behind you—pushing your stomach up against the countertop; a single hand brought up to grope your breast while the other laid flat against your hip. “your bra is showing.” he’d let you know blankly; an attempt to distract you while his hand slid it’s way into your pants. you would look down in response to his comment, noticing that your bra was in-fact showing like he said. unfortunately for him, you also already noticed the hardon pressed against your back.
TOJI FUSHIGURO gets hard from eating pussy. simple as that. he will get embarrassingly sloppy—juices coating his face and dripping down his chin, loving every second of it while his cock slowly grows harder. emphasis on grows. and if you think for a second that he does it for your pleasure, think again. this man will eat you out purely for his enjoyment only. his eyes are closed and his hands are squeezing at your thighs—legs thrashing uncontrollably from the uncomfortable pressure in his pants that’s about to come undone. “toji- let me help you.” you’d beg with a whimper, dragging your hand from the top of his head down to his cheek when you noticed the constant shuffling of his legs and the crease in his eyebrow. he’d laugh darkly, the breathy snicker creating a hum between your core that made a whine escape from your lips. “im fine mama,” he’ll say cockily, pulling a hand away from your leg to undo his zipper. “ill cum soon, you don’t gotta do ‘nun.”
CHOSO is a needy guy. his face will turn red at a simple flirty text—but send him a slutty pic and he might just cream his pants. fully naked or dressed in lingerie, his favorite or not, he will definitely feel some pressure down below. he might ignore you for a while, uncertain on how he should reply; if he’s even able to. “fuck- couldn’t wait till i got home, could you?” he’d whine quietly, trying his best to keep his voice down from the bathroom of his office job; one hand holding the phone up to his ear while the other rushed to unbuckle his belt. “sorry cho,” you’d apologize from the other line, voice rather faint as you posed for another picture to send him. “when are you coming?” you ask doubtfully just as his phone vibrates with another notification from your contact. “now- im comin’ now baby.” he replies with a huff, phone almost slipping from his ear. “really!?” you try to clarify—much more excited than the first time. “no, i mean im cumming. right now.”
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My Favorite Cheap Art Trick: Gradient Maps and Blending Modes
i get questions on occasion regarding my coloring process, so i thought i would do a bit of a write up on my "secret technique." i don't think it really is that much of a secret, but i hope it can be helpful to someone. to that end:
this is one of my favorite tags ive ever gotten on my art. i think of it often. the pieces in question are all monochrome - sort of.
the left version is the final version, the right version is technically the original. in the final version, to me, the blues are pretty stark, while the greens and magentas are less so. there is some color theory thing going on here that i dont have a good cerebral understanding of and i wont pretend otherwise. i think i watched a youtube video on it once but it went in one ear and out the other. i just pick whatever colors look nicest based on whatever vibe im going for.
this one is more subtle, i think. can you tell the difference? there's nothing wrong with 100% greyscale art, but i like the depth that adding just a hint of color can bring.
i'll note that the examples i'll be using in this post all began as purely greyscale, but this is a process i use for just about every piece of art i make, including the full color ones. i'll use the recent mithrun art i made to demonstrate. additionally, i use clip studio paint, but the general concept should be transferable to other art programs.
for fun let's just start with Making The Picture. i've been thinking of making this writeup for a while and had it in mind while drawing this piece. beyond that, i didn't really have much of a plan for this outside of "mithrun looks down and hair goes woosh." i also really like all of the vertical lines in the canary uniform so i wanted to include those too but like. gone a little hog wild. that is the extent of my "concept." i do not remember why i had the thought of integrating a shattered mirror type of theme. i think i wanted to distract a bit from the awkward pose and cover it up some LOL but anyway. this lack of planning or thought will come into play later.
note 1: the textured marker brush i specifically use is the "bordered light marker" from daub. it is one of my favorite brushes in the history of forever and the daub mega brush pack is one of the best purchases ive ever made. highly recommend!!!
note 2: "what do you mean by exclusion and difference?" they are layer blending modes and not important to the overall lesson of this post but for transparency i wanted to say how i got these "effects." anyway!
with the background figured out, this is the point at which i generally merge all of my layers, duplicate said merged layer, and Then i begin experimenting with gradient maps. what are gradient maps?
the basic gist is that gradient maps replace the colors of an image based on their value.
so, with this particular gradient map, black will be replaced with that orangey red tone, white will be replaced with the seafoamy green tone, etc. this particular gradient map i'm using as an example is very bright and saturated, but the colors can be literally anything.
these two sets are the ones i use most. they can be downloaded for free here and here if you have csp. there are many gradient map sets out there. and you can make your own!
you can apply a gradient map directly onto a specific layer in csp by going to edit>tonal correction>gradient map. to apply one indirectly, you can use a correction layer through layer>new correction layer>gradient map. honestly, correction layers are probably the better way to go, because you can adjust your gradient map whenever you want after creating the layer, whereas if you directly apply a gradient map to a layer thats like. it. it's done. if you want to make changes to the applied gradient map, you have to undo it and then reapply it. i don't use correction layers because i am old and stuck in my ways, but it's good to know what your options are.
this is what a correction layer looks like. it sits on top and applies the gradient map to the layers underneath it, so you can also change the layers beneath however and whenever you want. you can adjust the gradient map by double clicking the layer. there are also correction layers for tone curves, brightness/contrast, etc. many such useful things in this program.
let's see how mithrun looks when we apply that first gradient map we looked at.
gadzooks. apologies for eyestrain. we have turned mithrun into a neon hellscape, which might work for some pieces, but not this one. we can fix that by changing the layer blending mode, aka this laundry list of words:
some of them are self explanatory, like darken and lighten, while some of them i genuinely don't understand how they are meant to work and couldn't explain them to you, even if i do use them. i'm sure someone out there has written out an explanation for each and every one of them, but i've learned primarily by clicking on them to see what they do.
for the topic of this post, the blending mode of interest is soft light. so let's take hotline miamithrun and change the layer blending mode to soft light.
here it is at 100% opacity. this is the point at which i'd like to explain why i like using textured brushes so much - it makes it very easy to get subtle color variation when i use this Secret Technique. look at the striation in the upper right background! so tasty. however, to me, these colors are still a bit "much." so let's lower the opacity.
i think thats a lot nicer to look at, personally, but i dont really like these colors together. how about we try some other ones?
i like both of these a lot more. the palettes give the piece different vibes, at which point i have to ask myself: What Are The Vibes, Actually? well, to be honest i didn't really have a great answer because again, i didn't plan this out very much at all. however. i knew in my heart that there was too much color contrast going on and it was detracting from the two other contrasts in here: the light and dark values and the sharp and soft shapes. i wanted mithrun's head to be the main focal point. for a different illustration, colors like this might work great, but this is not that hypothetical illustration, so let's bring the opacity down again.
yippee!! that's getting closer to what my heart wants. for fun, let's see what this looks like if we change the blending mode to color.
i do like how these look but in the end they do not align with my heart. oh well. fun to experiment with though! good to keep in mind for a different piece, maybe! i often change blending modes just to see what happens, and sometimes it works, sometimes it doesn't. i very much cannot stress enough that much of my artistic process is clicking buttons i only sort of understand. for fun.
i ended up choosing the gradient map on the right because i liked that it was close to the actual canary uniform colors (sorta). it's at an even lower opacity though because there was Still too much color for my dear heart.
the actual process for this looks like me setting my merged layer to soft light at around 20% opacity and then clicking every single gradient map in my collection and seeing which one Works. sometimes i will do this multiple times and have multiple soft light and/or color layers combined.
typically at this point i merge everything again and do minor contrast adjustments using tone curves, which is another tool i find very fun to play around with. then for this piece in particular i did some finishing touches and decided that the white border was distracting so i cropped it. and then it's done!!! yay!!!!!
this process is a very simple and "fast" way to add more depth and visual interest to a piece without being overbearing. well, it's fast if you aren't indecisive like me, or if you are better at planning.
let's do another comparison. personally i feel that the hint of color on the left version makes mithrun look just a bit more unwell (this is a positive thing) and it makes the contrast on his arm a lot more pleasing to look at. someone who understands color theory better than i do might have more to say on the specifics, but that's honestly all i got.
just dont look at my layers too hard. ok?
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bad day? - Matt Sturniolo
summary: your whole day hasn't gone to plan, after a bad day at work followed up by you coming home to a messy house you take out your stress on matt, he helps you calm down with his specialty.
contains: stroppy!reader, gentle!matt, nsfw, matt the munch, fingering, fluff, comforting.
-----------------------..••°°°°••..----------------------
7:39pm
today has sucked to say the least, i've fought with every coworker at the office and all i wanted to do was come home.
i'm currently driving through the busy streets of l.a back to matt and i's house, the dim lights illuminating the road making everything harder, i can barely see the road infront of me.
i pull into matt and i's driveway, i slam on the brakes and grab my purse which is sitting on the passenger seat.
i swing open the door and step out onto the driveway, my high heels click as i speed-walk up the front steps of our porch.
my mini skirt rides up my thighs uncomfortably as i fiddle through my bag for the keys.
i feel something warm and liquidy in my bag, i take a closer look inside to find my lip balm has practically exploded.
the lip balm sticks to my fingers,
"oh for fucks sake" i mutter, knocking harshly on the door.
i hear the door unlock followed by matt standing in the doorway,
"hi sweetheart! how was work?" matt smiles, wrapping his tattoed arms around me.
i pull away from his hug and step foot indoors, the place looks like a trainwreck, there are empty cans spread all over the kitchen counter and random bags on the floor.
"why is it always so fucking messy in here!" i yell, squeezing my eyes shut.
"whats going on?" matt asks calmly, walking over to me.
"i've had the worst possible day and i come home to find our house an absolute wreck! why don't you fucking clean it mat-"
my sentence bursts into a loud sob as i feel my body heat up, im completely and utterly overstimulated by everything.
"im sorry-" i say in between loud sobs as i look up at matt, he has a concerned look on his face as he observes me.
he walks over to me and picks me up, wrapping his cold arms around me .
his forearm holds under my ass as he rubs my back,
"my hands are really sticky-" i sniff.
"thats okay." matt whispers, walking over to the air conditioning and lowering the temperature.
he carry's me over to the sink and sets me down on the counter, he grabs my hands and puts them under the room temperature stream, rubbing my hands together.
"im sorry matt, i'm just so overwhelmed." i say as matt wipes my eyes.
"i love you." matt says with a small smile,
he drys off my hands on his shirt then picks me up again, carrying me over to the couch.
he sets me down on the plush of the couch then kneels between my legs.
he looks up at me from between my thighs as he undoes my heels, matt slides them off my feet.
matt kneeling between my legs makes me flustered, i'm not great at hiding it aswell.
i cover my face with my hands.
"you okay?" matt asks with a stupid grin.
"yeah- i'm fine." i say shyly,
"you're blushing." matt points out, grabbing my wrist and pulling it away from my face.
"no i'm not.." i lie,
"yes you are, why are you blushing?" matt laughs slightly, tracing mindless shapes up the insides of my thigh.
"just you.. and your hands i dont know." i mutter,
"is that so?" matt questions, brushing his cold hand under my miniskirt and grazing the hem of my lace panties.
"mmhm.." i whisper, matt reaches for the waistband of my skirt and tugs it down.
"you want me to help clear your mind for a little bit?" matt says, his tone low and raspy.
"please." i whisper.
matt tugs my panties to the side and blows cold air directly onto my sensitive clit.
i let out a pathetic moan as i throw my head back against the headrest.
"pretty girl." matt whispers,
he connects his lips to the soft skin of my inner thigh, he leaves purple marks, each mark slower growing closer to where i need him the most.
my hands find their way to his brunette hair, his locks are soft and long.
he finally licks a strip up from my hole to my clit, i let out a breathless moan.
he reaches up a hand under his chin and dips a finger inside of me.
his finger his long and bony, the cold metal of his ring against the warmth of my insides drives me completely crazy.
he doesn't waste time to add a second finger, he curls his fingers repeatedly inside of me.
matt's mouth attaches on my clit, his tongue circling it as he sucks on my bud.
my breathing picks up, my mind going completely blank.
"feels- so good" i babble out incoherent sentences as matt presses his fingers against my g-spot repeatedly,
"dont-.. dont stop oh my god!" i call out,
my grip on his hair tightens, i thrust my hips up further into his face.
"im so fucking close- matt!" i squeal, squeezing my eyes shut.
and finally, the knot in my lower stomach releases,
i feel impossible amounts of pleasure wash over me as i finish on matt's face, with a loud scream of his name.
matt pulls his mouth off of me and curls his fingers inside of me a few more times before pulling them out.
matt pulls his face out from between my thighs, his face is coated in my release along with his fingers.
"oh my god-" i say, wiping his face with my hand before throwing my head back on the couch.
"that was so hot.." matt pants with a small laugh.
-
i lay back on the couch for a couple minutes before matt stands up, he pulls my panties back onto me and picks me up by my ass.
he holds me as he carries me into our bedroom, matt rips off my tight fitted shirt that i wore to work and throws me down onto the matress.
he removes his shirt, leaving him in his sweatpnats as he flops down beside me. matt pulls up the covers over us before pulling me closer to him by my waist.
i sigh deeply into the bare skin of his arm.
"matt." i whisper lightly,
"yeah?" he asks,
"im so sorry about earlier, for yelling and everything.." i sigh,
"don't worry about it, i understand you completely." matt smiles, kissing my forehead gently.
"but.. thank you for you know.. eating me out." i mutter,
"anytime!" matt sings,
"you're so stupid" i giggle, playfully slapping matts
"you're so cute." matt replies.
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