#i do however care when they say the scenes must not have been communicated properly | Explore Tumblr posts and blogs

akirameta84 · 9 months ago

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do you have any scenes in mind for the hk bugdragon au that you cant get out of your head but havent shared yet?

oho the answer is yes, there are so SO many. but the majority would be a hassle to share because of format and needing context

however i do have a scene in easily shareable format, as i wrote a short oneshot for the latest rendition of the au!! never really planned to share it outside of the friends i already shared it with haha, so its your lucky day

enjoy. hopefully. takes place some vague time after a battle with the radiance but before hollow has officially been proclaimed to the kingdom as child of the monarchs, but the palace staff are aware that the vessel role is no more and theyre supposed to be treated with the same respect as their king and queen

warnings for dehumanization, but it focuses on thk. so thats to be expected. around 1.8k words

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They hadn’t even managed to fully emerge from their room into the gleaming hall of the palace before a voice caught their attention with a startling fashion.

“Ah, there you are! I was beginning to think you’d sleep all day!”

Considering they were still blinking off the last few dregs of sleep combined with some rather strong painkillers, Hollow flinched back in surprise as they jerked their head towards the speaker- a lone palace retainer standing beside their doorway at…not that far after sunrise, to be honest. They spoke as if Hollow had slept for an inordinate amount of time, though before, this would have been a very late time for the vessel to awaken.

The blasted tail attached to its body twitched with the first pang of confusion through its mind- their mind. As far as Hollow knew, they had not been assigned a personal retainer like a few bugs who resided in the palace had. They did not know if that would change, for that was up to their parents, though they did not particularly care for one. Movement impeded by a missing forelimb or not, they could take care of themselves just fine alone.

Regardless, they spread their mandibles wide enough so that they clicked when brought back to strike against their jaw, carefully spelling out the words they wanted to say. They had only begun learning deepspeech a few days ago, and so far did not know many actual words, merely the alphabet. But, while slow, it allowed for some communication.

The native tongue of Deepnest was picked for their communication for its focus on clicking and tapping out words, something easy to accomplish for a creature both mute and quadrupedal (and missing a forelimb to boot, making most forms of sign language barely accessible).

(They felt something warm that could have been happiness when they considered the topic of learning the native language of their baby sister. It was hers and now it was theirs).

“Hi. W-h-a-t-”

“Anyways, now that you’re here, I want you to sit for me, vessel,” The retainer interrupted, talking as if they didn’t even realize Hollow was trying to communicate in the first place (…Which wasn’t that far out of the question considering deepspeech wasn’t exactly commonly spoken in Hallownest, and was only being taught to residents of the palace to allow them to communicate with Hollow, specifically).

But-

It- They-

What?

Their body remained perfectly still even as their mind stumbled and struggled to process what it had heard, paying no mind the actual clarity with which the words had been registered by their senses.

They were not supposed to be the vessel anymore. They did not want to be. They were told that was okay, even. The light the vessel was supposed to contain was now dead and left to be forgotten, their wounds a testament to that, so there was not even a need for a Pure Vessel anymore. Yet-

Had something changed? Had they missed something in the short frame they had slumbered? Why-?

“You must not have heard me properly. Pure Vessel, I command you to sit.”

Its haunches lowered to the ground and it found itself sitting only moments after the words were spoken, staring attentively at the retainer.

Their breath hitched slightly once they realized how readily they’d obeyed. Not even a split second hesitation like they endured before speaking most times. Gods, was it any wonder their brief time as an actual person, as their father’s child, had abruptly come to an end? They were better suited for their old purpose.

…No, they needed to cut that train of thought off now. They weren’t the Hollow Knight anymore, just Hollow who happened to be receiving a long overdue knighting ceremony. Just Hollow, now a wyrm just like their father and technically heir proper (Not a true heir; their parents would have to die for that to mean anything, and gods with strong health and many followers did not tend to die unless they wanted to).

Just-

“Good, you haven’t lost your obedience the way you lost that much more convenient body.”

The words of the palace retainer forced their thoughts to halt and their head to bow as a fresh wave of shamed anxiety shot through their body.

But it did not let itself get lost in thought again. It sat still and merely stared at the retainer, waiting for its next set of directions.

The bug clad in pristine white robes stepped over to where it sat in the entrance of its room, humming as they reached to grab onto the risen hood of its strikingly vibrant, red cloak in their hands. A cloak so big that it draped enough to cover the large wings on its back, and yet they decided to use a part right next to its head instead of anywhere else for examination, tugging against the buttons that kept it fastened around its horns.

The pulsing urge to snap its terribly fanged jaws to the side and rip that arm right off was strong enough to cause its head to twitch slightly. That was their gifted cloak, their possession, their cloak, made just for them by Queen Herrah-

But it did not. It did not even turn its head to look. It sat still and listened.

“I think I’ll keep the cloak on you. Not nearly as regal as your armor and cape used to be, but anything is better than those unsightly injuries beneath!” The retainer chuckled as they backed away, gaze bordering on something like disapproval.

Disapproval that made it want to skitter back into its room and sit behind the door so that no bug could enter.

But it did not. It sat still.

“Come with me now. I am in need of a guard for myself and a few others for a function in the capital, and what better guard for a bug of my status than the Pure Vessel itself, changed or no?”

The vessel watched as the retainer walked off into the hallway, and when it first attempted to follow, its body jerked forward but failed to get up.

It did not make the same mistake twice. Its next attempt left it successfully lumbering after the retainer as it was led down a staircase to presumably exit the palace.

It almost lost its footing only a few steps in; this was only the fifth time it had used stairs since its most recent…molt left it no longer bipedal. This was only the third time time since it had lost what would have been an arm had this change not occurred.

This was the first time it did not once actually lose its footing and tumble painfully down. It made it to the bottom, albeit slowly and trembling more than before when it reached the floor.

…Why was it trembling? It was just following orders like it was supposed to.

No matter. It was to focus on the retainer leading it to where they needed it to go. That was its only priority.

Light brighter than the persistent glow of the palace already had in the corner of the eye it could still see out of immediately became its priority seconds later, and it was unable to stop itself from snapping its head over to the source.

That was the King. That was their father-

It snapped its attention back to the retainer fast enough that it could only pray its slip up had not been noticed by either party (Pray to whom? The god it was praying to have avoided in the first place?).

The sound of his numerous footfalls halted not a beat later, though, and the vessel knew its own limping stride was not capable of drowning it out to that degree. He had stopped.

He had noticed.

“Hollow, would you come with me? I have something to show you,” Came his unexpected voice, forcing their head to twist right back to his direction.

In what could only be described as an undignified, desperate scramble, it swiftly made its way to its fathers side, quivering as it fought to avoid its gaze for reasons it could not place. Unlike before, this lack of hesitation brought forward a traitorous feeling of relief.

“I do hope that you did not need them for anything important, for they will be unavailable for the next while,” He addressed to the retainer, and though their head was bowed, they were far taller than him even like this and could easily see how he shifted to face them.

“A-ah! No, no worries, it wasn’t! I just asked if they’d be willing to help me move some heavy furniture, but I can find someone else!”

…They were lying straight to the face of the Pale King. Hollow couldn’t stop the flood of sheer indignance on his behalf at their audacity. Why would they not tell the truth? Did-

Did that mean that they weren’t the vessel again? Was the King not supposed to know they had been ordered such? He…

…was facing them now. They met his gaze, resisting the urge to flee back to their room as his eyes narrowed in…contemplation? Anger? Disappointment? They had hardly learned how to read their own emotions, let alone others-

“I see. Hollow, is that what they asked you to do?”

…He was asking them for what happened. The prospect, let alone actually being asked as much, broke the slight reverie they’d fallen into. Evidently, things had not reverted back to before.

They flicked their gaze at the retainer, who was fidgeting with the sleeves of their robe.

They flicked it back to their father, who was watching expectantly.

And then they opened their jaws to click out the needed words.

“Go-to p-a-r-t-y. O-r-d-e-r-e-d f-o-l-l-o-w. G-u-a-r-d.”

Despite merely explaining the actual, truthful story, they still shook as if they had just lied as egregiously as the other bug…though maybe that was also because their remaining forelimb was beginning to ache as painfully as the one that wasn’t there somehow did.

Their father sighed and immediately faced the retainer, who Hollow didn’t dare glance at as they waited for the tense moment of silence to pass. Their tail threatened to break the silence with how it twitched against the floor, annoyingly, though.

“Right. Why don’t you go find your mother in the palace’s gardens and take your breakfast with her? Tell her I will be preoccupied for the next while,” Was what he settled on saying at last, and Hollow didn’t spare a second glance before turning to leave with his permission.

Breakfast sounded nice. Being anywhere else sounded even nicer.

“Come with me. Clearly, you have ignored some of the recent changes within the White Palace, and I take pleasure in properly enlightening you on them.”

The words they heard from their father as they left had them feeling warm again, though. It left them believing they truly could be more than just a vessel someday, no matter how much that fact was sometimes a struggle to accept.

#hk bugdragon shiver au #akira scribbles #fanfiction #writing #hk #hollow knight

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tiodolma · 2 months ago

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[https://youtu.be/Kvj4maFyQcs?feature=shared]

i found this song through a mergana spotify playlist. i don't think merlin put even this level of communication towards morgana. what do you think? (also i hope you like it, i became immediately obsessed)

youtube

yeah I agree 100%

in interviews about Merlin s3-s5, Colin Morgan often says that "Merlin always tried to show Morgana the right path, but she choose the other path and he must do what he must"... if that really happened, then they would have a conversation like the one in the song. Unfortunately, Merlin gave up on talking as early as the crypt scene 3x02.

Normally hero protagonists who are told "there is no other way," by someone they knew as a friend, would not give up that easily. They would do everything to reason with their friend again and again (see Naruto, one of the best examples), to try to bring their estranged friend back to the fold.

BBC Merlin never did this. Instead he continued to hold back his truths and show animosity to her while he anguished about her in private. Morgana was nothing but honest to him when they were face to face. Yes, even in her hatred of him, she never lied to his face about what she thought about him.

I understand why Merlin is like this though. He had been like this since s1. He was never accustomed to talking/reasoning with people he considers immediate enemies or threats.

Edwin Muirden was instantly killed with an axe that Merlin deflected. Merlin didn't even bother to ask why Muirden was threatening Gaius's life in the first place. At the first sign of danger Merlin immediately goes "you hurt someone i care about so it's not my fault that you die."

Aulfrc and Sophia never got a chance against him possessing one of their Sidhe staff and shooting at them (and he knew their motivations too, but like Muirden, he felt no sympathy because they were immediate threats to his "mission")

Merlin's kill streak just goes on from there. Nobody that he considers a serious threat was given a second chance, or even a chance to represent themselves in a court. As long as they commit actual treason or hurt his family, in Merlin's eyes, then they must be immediately eliminated (and usually without a trace.) this is why extrajudicial killing are bad in the long run yo.

That's why Morgana choosing her choices was her death sentence. Her adversary/rival was never one for communicating against people who directly opposed him, more so against people who were directly prophesied to be against his "Destiny" or let's be real, "mission"

the only glimmer of hope we have for merlin having some communication skills was when he revealed himself to Gilli. See? He could have done it. However, still he just choose the one semi-magical person who only had a ring for a source of power (only gave the user a bit of strength boost).

And that's depressing to me. Merlin only reveals himself to those who he knows won't have the means to truly fight back against him (Freya, Gilli, dying Arthur). He was more afraid to reveal himself to people like:

Morgana who had the power of not only her personal magic but the nobility and high priestesses extensive training as backup if words failed her,

Arthur whom he feared would turn into an Uther if he'd revealed himself to him at the height of Arthur's power

**I know Merlin could defeat Morgana anytime of course. It's just that Morgana has more advantage over him in that aspect of their magic education because, aside from royalty/nobility/political upbringing, she had a better teacher who trained her properly/formally in all the magic and secrets that allowed morgana to act more independently and with more initiative even on her own; unlike Merlin who only bothered to learn stuff when necessary because he was convinced that he was "the greatest warlock who ever lived" anyway. See by s5 how he still has to ask gaius for basic knowledge about magic and the kingdom, it's not a good sign.... but i digress.***

Merlin's overly cautious, paranoid, control freak nature (thanks to gaius's and kilgharrah's continuous training) by s3-s5 cost him to lose the skill to negotiate, talk with people he considers threats and adversaries, even against people who he had a history of friendship and affection.

It's a sad tale for someone like him who really aspired to be free and not be alone. He kept pushing people away, he kept silencing them permanently in the guise of self defense, he never tried to use other ways to incapacitate them and hear them out.

Merlin was a tragedy, man. His isolation, seclusion, radicalization started way too early. He was on kept on a dark path himself (or a path that was too bright that he couldn't see anything else). Kilgharrah and Gaius kept so many important things about his heritage and his mission from him. His mentors kept him dependent on their knowledge and wisdom through various manipulation techniques. This caused Merlin to kept acting based on very limited and biased information which often led to terrible political consequences which he did not have the skills to prepare for.

That's why the lines of Varian really stood out for me.

The path of hate love is a dangerous track You take one step and it's hard to turn back It pulls you along, and though it seems wrong it feels right Don't you see this path you're on leaves a permanent mark It feels good at first, then it slowly turns dark With each passing day you're further astray from the light Suddenly, you lose your way and lose the thread Lose your cool, then lose your head Every loss is harder to excuse Then you'll see you'll lose your faith and lose your soul 'till you lose complete control And realize there's nothing left to lose Nothing left to lose

Even if these lines were supposed to be for "Cassandra" or "Morgana", you can easily sing this to Merlin too. He used "love" and "for the good of all" to justify everything he did, even his cruelty, his ruthlessness, his desperate need to control everything.

His actions from the very beginning left a permanent mark on him too. He just didn't realize it because they kept convincing him that he was still alright. He was made to believe that it was ok to decide for others, but when the others told him they did not accept what he wanted, then he gave up and then killed them off (eventually or made them leave his presence forever).

**and besides it is normal to feel hate. hate is just a feeling. what you do with that hate is more important. some people use hate to actually inspire positive change in their communities**

thanks for this rec @tundratoad. It is very mergana, I'm also putting this on my mergana song playlist hahahaa

Also, it i so heartwarming to know that mergana fandom thrives in spotify and tiktok. i'm glad they are out there. i've only been exposed to the tumblr and youtube fandom. I've seen remnants of it in the old forums. I hope to explore those fanspaces someday (if they'll have me, with my hot takes and all)

#thots #merlin critical #mergana thots #its an extremist vs extremist game #failure of negotiations #btw it was mr. co/lin mor/gan himself who described merlin as a control freak and not me

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ilikekidsshows · 3 years ago

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Hi! I loved the Adrinette analysis you made...do you think you could make a similar one for Ladybug and Chat Noir over seasons 1 to 3?

I knew I was leaving myself open for this ask, and I kinda dreaded it, because 80% of Ladynoir screen time is dedicated to defeating an Akuma, meaning the characters have something else to focus on rather than progressing their relationship, and most the relationship stuff is just Marinette being really stubborn and refusing to properly look at her partner. In other words, there's significantly more screen time, but also proportionally less stuff going on in Ladynoir than in Adrinette because the characters are superheroes on the job and one party is actively resisting any development happening. It's also a very different kind of arc and relationship to Adrinette where the goal is just the two of them getting closer and more comfortable with each other. Ladynoir has that as well as all the trust issues and superhero team dynamics. Basically, this post is definitive proof that Miraculous has had plot development before season four, and it has had a lot of it. I got almost dizzy with it while compiling this.

Once again, I’m trying to go in a somewhat chronological order to properly track the relationship.

In 'Origins', we only get one-sided Ladynoir stuff. Marinette is new on the job and completely focused on solving the Akuma problem and nothing else. Meanwhile, Adrien actually takes note of his partner. He sees her flounder but ultimately put together a clever plan. He sees her lose faith but ultimately pick herself up and deliver a really badass speech at Hawk Moth. It's really no wonder he fell in love. The number one thing he learned about Ladybug is that she can fail and the second thing was that she could pick herself up again and grab the win anyway. I've brought up earlier in the Top Adrinette Scene discussion that Adrien is very scared of failing, because his father does not forgive failure, so Ladybug being someone who can turn a failure into a win understandably makes his heart go pitter-patter.

Meanwhile, Marinette barely noticed her partner. As I said, she was fully focused on solving the problem, but she was also getting distracted by her own insecurities. Marinette's first experience with Cat Noir was that he was kinda smooth and seemed to be much more confident than Marinette. Her second experience was that he tended to leap before he looked, but was perfectly willing to listen to her say-so. We have a very brief attempt at flirtation from Cat Noir, that Ladybug barely seems to even notice.

In 'Bubbler', Cat Noir actually gets to flirt with his Lady. He's clearly intent on getting her to notice what he's getting at, but Ladybug seems mostly exasperated with him. At this point their partnership is new and Marinette is most likely thinking back to their first case, when Cat Noir was so patient and supportive and not this...much. She still doesn't tell him to quit it, though, meaning she’s trying to accept him being a lot.

'Stormy Weather' has Cat Noir continuing in his attempts to get Ladybug to notice him and this time she responds playfully when they're not right in the middle of a tense situation. She's getting used to this being Cat's way of interacting with her and keeping the mood light.

'Lady Wifi' has the pair discussing the secrecy between them, with Adrien actively making the decision that honoring Ladybug's wishes concerning keeping their secret identities is more important than knowing the identity of the girl he's in love with, that doing so is the proper way to love her. 'Lady Wifi' is also the first time Marinette panics at the idea of something romantic being suggested about her and Cat Noir, when Alya says Adrien might be Cat Noir, that Cat Noir might be the boy she's repeatedly told Alya she's in love with.

'Copycat' shows us for a fact that Ladybug has no idea that Cat Noir's flirtations with her are genuine, and Cat Noir is growing tired of his feelings going entirely unnoticed.

Because of his growing frustration over not being able to communicate his feelings to Ladybug in a manner that she'd take seriously, Adrien goes the extra mile to write her a love poem in 'Dark Cupid'. When he receives a response that appeared with no sender, just a ladybug, he entertains the thought that Ladybug answered his poem and does in fact return his feelings (not realizing that Ladybug would need to know his identity to deliver such a note to him specifically, but Adrien does generally worry less about secret identities than Marinette). 'Dark Cupid' is also the first occasion of Marinette's by-now patented plan "Pretend to be in Love with Cat Noir" to solve problems, except that she was absolutely certain that a True Love's Kiss could occur between them, so there isn't even much room for pretending, but Marinette's denial is so powerful, she'll try.

In 'The Mime' we see Cat Noir actually testing Ladybug's receptiveness to a date, by suggesting that they could have gone to the play together if they didn't have to detransform. Ladybug replies that she has other plans before zipping away, and Cat Noir merely smiles after her. His feelings are growing, and he might still be remembering the love note he got. In fact, this is probably why he says "We are meant to be," in 'Gamer'.

In 'Animan' Ladybug actually does some of her own flirting with Cat Noir by giving him chin scritches. We also see a very straightforward gesture of affection from Cat Noir to Ladybug, when he hugs her in relief after the battle. Ladybug smiles softly at him, seeing that her partner cares about her well-being, while Cat Noir jumps back, embarrassed over his own reaction, or perhaps even afraid of censure. Adrien isn't the type of person to suddenly grab people in a hug, most likely because such "overly emotional" displays are discouraged in the Agreste household. This is the first occasion of Adrien projecting his father's supposed reaction to a thing he does on Ladybug, so he runs away from her.

In 'Simon Says', Cat Noir clings to Ladybug when faced with Gabriel looking at him weirdly (he's trying to figure out if he's Adrien, but Adrien himself never realizes his father was suspicious of his identity). At this point, Ladybug has started to become something of a security symbol to Adrien specifically against his father.

'Reflekta' is the episode where Cat Noir reminds Ladybug that he doesn't just deliver quips and he is actually a hero in his own right, even with diminished capabilities, in response to Marinette almost leaving him behind because he couldn't use his Cat Noir powers, because he'd "just slow (her) down", and then it turns out she couldn't have won without him. However, with the scene of Cat Noir taking the hit, Ladybug also starts on the process of realizing exactly how important her partner is to her success. Noticeably, it's while they're plotting together that Ladybug responds to his flirtation by flirting back, even if not very well (protip, Marinette, demeaning someone isn't funny to anyone but the person doing the demeaning, the other person is not suddenly lacking a sense of humor). Cat Noir is also a bit softer with his overtures in this episode, his cheeky flirtation gaining a bit more intimacy.

In 'Antibug', we can see the lessons Ladybug learned in 'Reflekta' sticking, with Ladybug listening to and valuing Cat Noir's input, unlike how the last time he tried to give her advice in a Chloé situation in 'Evillustrator', when she acknowledged he was right but couldn't bring herself to follow his advice. She also flirts with Cat Noir of her own volition, when she rings his bell. Cat Noir also keeps showing genuine warmth towards Ladybug instead of being just cheeky, when Ladybug compliments him. They affirm their bond after taking down Antibug.

The events of 'Reflekta' and 'Antibug' together influence what happens in 'Volpina', where Marinette is very suspicious of a new superhero showing up, without ever suspecting she could have been an Akuma in disguise. Cat Noir is her partner, and Cat Noir is her only partner. She’s not only learned his value, but has grown possessive over him. There's no need for any outsider. This jealousy over Cat Noir is actually something Marinette doesn't get over during the first three seasons the way she learns to deal with her jealousy over Adrien.

By the time 'The Collector' happens, Adrien has developed enough trust in his partner to ultimately believe her over her suspicions about Gabriel being Hawk Moth. This episode also has the first time Marinette voices concern over Cat Noir's emotional well-being instead of merely physical, who, of course, can't tell her what's wrong because it would break the secret identity clause.

'Prime Queen' has some very nice mutual Ladynoir flirting at the start of the interview. However, they're both mortified when Nadja comes out with the pictures. Cat Noir is confused, because he had no idea that their relationship could even give that impression, he must have been feeling like he hasn't been making much progress in getting closer to Ladybug. Meanwhile, Marinette goes defensive for the first time since 'Lady Wifi' only, this time, even more so. She even runs out on Cat Noir when he, very understandably, wants an explanation why he head to learn from a reporter that she'd planted one on him instead of from her. The episode confirms that Marinette will refuse to, in any way, discuss anything romance-related in relation to Cat Noir, even when there's an innocent explanation, like breaking an Akuma's spell. She's so defensive it's suspicious.

We also have another occasion of Marinette "pretending" to be in love with Cat Noir to solve a problem. While Cat Noir purrs either over the confession, having her close, or both. Marinette also jumped at the chance to "pretend" to confess her love so eagerly, that it left Prime Queen unimpressed. Still, Marinette refused to commit to the "ruse" enough to kiss Cat Noir while he's actually conscious and aware of it, because then she'd have to deal with the aftermath of kissing him.

'Dark Owl' has the first true test of faith between Ladybug and Cat Noir, when both of them have to trust the other not to look while they have to recharge. Although, considering 'The Collector', this is actually the first test only for Ladybug. At the end of the episode, Adrien also genuinely asks Ladybug out on a date for the very first time when they unexpectedly have free time from Owl-sitting, but Marinette preferred to skip off to spend time with Alya since she hadn’t gotten to see her while being so busy with The Owl's antics for so long.

'Glaciator' has Cat Noir planning an actual outing for Ladybug. The thing is, before 'Glaciator', Marinette's response to Cat Noir asking her out has always been that she has other plans, no can do. However, in 'Glaciator', she specifically says: "We'll see," and then she ends up ghosting him because she forgot to even send him a message that she didn't feel like going anywhere. At the same time, Gabriel purposefully stands him up for dinner, causing Adrien to project onto the Ladybug situation so hard that he doesn't think Ladybug even sees him as a real friend. Considering Adrien was under the same impression about Marinette in 'Puppeteer 2', it is typical for Marinette to send these kinds of mixed signals (which is fitting, considering how clear communication seems to be the biggest bullet point in her character development agenda).

On the upside, Cat Noir's compromised emotional state led to him being more frank about his feelings to first Marinette and later to Ladybug, finally making Marinette understand that Cat Noir is actually in love with her and how sensitive her partner can really be and that she can hurt his feelings. Notably, in this episode, Marinette particularly enjoys employing her "Pretend to be in love with Cat Noir" gambit, this time even going as far as kissing him, after finding out he's actually in love with her. Indeed, at the end of the episode, her rejection to Cat Noir is entirely focused on her having feelings for someone else (as well). She never once said she doesn't love him, and, in fact, never claims so in the English dub.

In 'Sapotis' we also see a brief glimpse of Marinette's jealousy over Cat Noir when he welcomes Alya onto the team so warmly but, because Rena Rouge was a teammate Marinette herself chose and trusts, she doesn't feel threatened enough to express it more than by merely keeping an eye on their interaction. 'Sapotis' also starts the arc of Cat Noir starting to lose faith in Ladybug having his best interest in mind when Rena Rouge appears out of nowhere and he's expected to just accept that no-questions-asked.

'Gorizilla' notably has Marinette repeatedly voicing her belief that Cat Noir will show up, something Adrien appreciates a great deal, going as far as blushing over something so simple. He's astounded by the fact that his Lady has faith in him, but it seems he still believes it despite the notion being strange to him.

'Frightningale' really drives home the arc going on in this season. 'Riposte' was the first time we saw Ladybug and Cat Noir seamlessly working together to neutralize an Akuma, but in this episode, they move in perfect synch while fighting Frightningale while handcuffed together. Cat Noir and Ladybug's teamwork has reached phenomenal levels.

I've repeatedly said that 'Syren' is less about Cat Noir and Ladybug's relationship and more about Fu's relationships with his two chosen. Still, this is the episode where Marinette gets put on the spot and comes through for her partner and Cat Noir learns that Ladybug keeping secrets from him wasn't of her own volition, but because of Fu, restoring his faith in her completely.

It's most likely because of the trust Ladybug showed towards him in 'Gorizilla' and their perfectly synchronized teamwork in 'Frightningale' that Cat Noir tries to confess to Ladybug again in 'Frozer'. These two episodes could give Cat Noir hope that he might be winning Ladybug over, especially since, as I said before, Ladybug has not said she doesn't have feelings for him. But she, of course, rejects him, although it's notably with more wistfulness than the last time, especially when she comments how she doesn't think it's possible for the "other boy" to not be a concern. 'Frozer' takes place during the arc in season two that covers Marinette's growing frustration at her inability to progress with Adrien the way she wants to and the discontent shows in her interaction with Cat Noir as well.

The change in how Marinette regards Cat Noir's input in fights between season one and two is especially noticeable in 'Style Queen' and 'Maledictator'. Both times Cat Noir is absent in a fight and this influences how Marinette approaches fighting the Akumas. In 'Style Queen' Marinette tries to play it sneaky but also needs to be saved by Plagg's intervention in his holder's absence. In 'Maledictator', Marinette's plan involved siccing the brainwashed Cat Noir on the Akuma's goons. Cat Noir has become necessary to Marinette, which is why he's able to galvanize her during 'Heroes' Day' by reminding her that the two of them against the world is what's always worked.

Season three as a whole revolves around Adrien losing faith that Ladybug could ever return his feelings the way he wishes and Marinette getting several warning signs about how she could lose Cat Noir. I might even go as far as saying that this season has negative Ladynoir development (in that their relationship grows more frayed and brittle instead of stronger).

A big reason for this new development direction is 'Reflekdoll', which, according to the production codes, happens early in the season. In this episode, Ladybug and Cat Noir learn the worst possible (false) lessons about themselves and each other and they carry those lessons for the rest of the season. In my 'Reflekdoll' conflict analysis, I wrote that Ladybug basically "learns" that Cat Noir is fae-like in that he isn't bothered by mortal things like stress or heartbreak. Cat Noir, meanwhile, "learns" that, while it doesn't matter if Ladybug makes a mistake because she can always fix it, him making a mistake makes him fundamentally less worthy as a hero and a person, so he could never be as valuable as Ladybug even as a person and not only strategically.

'Weredad', meanwhile, is the quintessential evidence episode for Marinette being both possessive and in denial about Cat Noir. She's literally pretending to be in love with him to him, while totally denying to herself that she feels anything for him, all the while she's feeling jealous over him seemingly moving on from her to be in love with her. The reason it's so important that no one but Marinette herself and Tikki know what went down in this episode is that Marinette's denial would never last if someone actually questioned this whole mess.

This is also an episode where we can clearly see the aftermath of what 'Reflekdoll' did to Cat Noir. He's once again projecting his situation with his father onto someone else (this time Tom), but he's also blatantly refusing to fight Tom at full strength, because he feels that it's his fault he got Akumatized, allowing himself to get hurt severely because he feels he's not that important, that he might even deserve it.

'Oblivio' has Ladybug once again do the whole: "How dare you say I'm in love with Cat Noir I am quitting this conversation right now!" routine. Cat Noir also got actual confirmation that something about him made his Lady want to kiss him when their memories had been wiped.

'Desperada' has the semi-infamous scene of Ladybug saying she doesn't need Cat Noir and, while she learns the valuable lesson that yes she flipping does, this is also the episode where Adrien repeatedly fails to use the Snake Miraculous correctly, having to give it up to someone else, feeling like an undeserving failure *turns to look at 'Weredad' and then at ‘Reflekdoll*.

'Kwamibuster' is an episode where everyone keeps telling Ladybug not to trust Cat Noir and she believes it to the degree that she sees him as a bigger threat than a Kwami-targeting Akuma. In other words, Cat Noir being treated like a part-time hero again in season four is because of 'Kwamibuster'.

'Gamer 2.0' is actually an important episode for the Ladynoir dynamic. This is the episode where Marinette takes on way too much responsibility (voluntarily) and is really stressed about it, while Cat Noir dismantles that stress with his good humor and positive outlook. This episode enforces the lesson that was stated outright in 'Reflekdoll': "Everyone has their role", and Cat Noir's role is to be the jokester who makes Ladybug feel better. Also, Cat Noir doesn’t even hesitate to make a sacrifice play for his Lady, because he’s less important.

'Timetagger' foreshadows that Marinette's words of affirmation are losing their effect. She repeatedly says things like "I trust Cat Noir", "You're irreplaceable", "You know you're the best", but she doesn't know how to express her regard to Cat Noir in actions. And it's important to note that Adrien was raised among liars and manipulators. Even if he doesn't doubt Ladybug's intentions, he might doubt the depth and truth of her feelings for him. Because Ladybug is so nice, she might lie about valuing him to make him feel better. Words aren't enough when words are the only thing between you and your insecurities. This is also an episode that feeds into Cat Noir's worthlessness arc, with Bunnyx repeatedly insisting that Ladybug in the future is just awesome, while Cat Noir broke her Miraculous. Even Ladybug shoots him down at the end of the episode when he tries to ask for extra affirmation, claiming he "already knows he's great".

In 'Puppeteer 2', Cat Noir's hope from 'Oblivio' that Ladybug might be starting to be won over by him comes back to bite him when the wax Ladybug gets close to him by pretending to be coming onto him. He only realized she was a fake because she smelled wrong, something that comes back to haunt him in 'Ladybug', when he's faced with a perfect copy, whose only difference to the original is that she's apparently in love with him. The villains clearly know he’s so in love with Ladybug it sometimes blinds him.

With the villains using this clear weakness as an in, it's no wonder that Cat Noir finally makes the decision to move on from Ladybug in 'Heart Hunter'. He tries one more time to test her interest to see if she'd be jealous of him dating and, when she's merely overjoyed, he decides to finally move on to Kagami. However, when faced with the actual reality of Cat Noir giving his attention to someone else instead of her (instead of in addition to her), Ladybug actually finds herself hurt and questions the lack of "My Lady" in Cat Noir addressing her, but she instantly denies it when Cat Noir notices. Denial denial denial...

Aaaaaand that's a wrap! Putting this together made me realize just how interconnected the show really is but no one notices because there aren’t any secret identities being revealed, people getting together or lore being revealed. Even something that seems like a breather episode like 'Gamer 2.0' has a larger role in the arc of developing the relationship between our main heroes.

#miraculous tales of ladybug and chat noir #miraculous ladybug #ladynoir #lovesquare #marinette dupain cheng #adrien agreste #ml meta #long post #REALLY long

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mariesocuniverse · 4 years ago

Text

A Little Convincing

Taeyong convinces Mae’s family to let her stay in NCT

When Mae was first announced as a member of NCT, it was a shock to everyone. Mae’s family were no exception to this.

They were already hesitant of her joining another company, but they were completely against her joining NCT. But who wouldn’t considering her situation?

Their only daughter would be living in a dorm with a bunch of men with no other girls. No one could blame them for scolding her when she came back home with the news. Mae could understand, but she still wanted to join the group.

So when Taeyong showed up at their doorstep, she was only half surprised.

When he was ushered into the room by her mother, Mae didn’t know what to expect. She knew he probably had a plan in mind, but she couldn’t help but feel nervous.

Taeyong wasn’t any better. Sure, he thought out how he would talk to Mae’s parents, but seeing them in person is different from practicing a speech in the mirror. He felt he was in trouble as Mae’s parents were staring him down.

Junghoon and Areum Kang were different than he expected. Mae had shown him a picture of them and heard stories about them, but no one had properly met them until this moment. They’ve only met Mae’s brother.

Kang Areum had this calming yet mischievous aura to her. She had a soft smile on her face while she rushed him to the couch and ushered Mae out of the room to give the three of them privacy.

Kang Junghoon had a fire in his eyes as he stared into Taeyong’s soul. He had fierce look on his face, a contrast to his wife.

Mae was a perfect mix of the both of them, Taeyong thought.

She’s always fired up when it came to practicing, always bringing her best when it came to performing. The determination could be present in her eyes. Behind the scenes, however, was a sweet girl who wants to make people comfortable, whether it be playing jokes or giving words of encouragement.

“If I’m not mistaken, you’re Taeyong right?” Mae’s father started, “one of the boys who will be debuting with my daughter?”

“Yes sir I am.” He felt like he was being interrogated for a crime. But he understood the feeling. If someone he knew was in the same situation as Mae she would go in protective mode immediately.

“You must understand why we’re so against this. “ Mae’s mom said softly.

Taeyong nodded. Of course he did. He was always so protective of Mae, but it couldn’t be as much as her parents were. Mae always told him about how loving they were and how much they cared for her wellbeing.

“I am aware of how shocking it must be, but....I know Miyoung is a core member of the group.” Taeyong took a deep breath before continuing.

“I know it has only been a year since Miyoung joined SM, but I’ve seen how well Mae interacts with the other members,” Taeyong had soft smile on his face, “I can speak for the majority of us when we say that we would do anything for her. She just has this aura that makes us want to keep her safe from the world.”

Taeyong’s eyes were focused on the floor.

“I am aware of the....treatment she received at her previous company before she joined SM. But despite that, she always seemed determined to debut, like nothing would be able to convince her to quit. She’s so special and I think you’ll be robbing her of a good opportunity if you try to force her to quit...”

Taeyong looked up from the floor to gauge the reactions. The two were quiet and looked like they were silently communicating with each other. He fidgeting his seat as the seconds passed by.

“That was quite a speech you got there,” Mae’s mother said, with an unclear expression on his face,”Miyoung must have a lot of trust in you if she told you about her old company.”

Mae’s father had a thoughtful look on his face. He seemed like he was debating on what to say. “The fact you came all the way here from Seoul to try and convince us is a courageous thing to do,” He said carefully, “I’ll make you a deal Taeyong.”

Taeyong nodded and sat up straight.

“We’ll let Miyoung stay, but if there’s even the slightest chance of her changing her mind or being uncomfortable with you boys, you bring her straight back.” Mae’s father stated.

“Understood.” He said, taking a glimpse of Mae hiding behind a door with relief evident on her face. He grinned.

“We’ll take make sure she’s safe and happy.”

And they did.

#24th member of nct #nct 24th member #nct au #nct female addition #nct female oc #nct 127 female member #nct 127 female addition #nct dream female member #nct dream female addition #kpop female addition #nct oc #nct female member

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t4tlawlight · 4 years ago

Photo

Occam's razor is the principle that, of two explanations that account for all the facts, the simpler one is more likely to be correct.

this post is going to cover traits specific to the manga and the television drama, since those are the best adaptations to showcase L’s autism. THIS POST is required reading before you read anything i’m about to type, because it explains what kind of character niche L falls into--an unintentionally autistic coded character. i’ll talk more about that at the end.

i’m going to talk about manga L first, since he’s the original version after all. i’m going to go in order of physical traits, to behavioral, to his character writing. also, tumblr eats posts that have outside links, so i’m going to have my non-tumblr sources in a separate post, here.

anyways, more under the cut!

MANGA/ANIME:

sitting with his legs up and spine bent / sitting on the floor

this is such a big one and its extremely common in ppl with autism. sitting in chairs normally is uncomfortable to outright painful w many ppl with these disorders, myself included. L sitting like that (which, to recall, is a blatant homage to sherlock holmes, another character that is so blatantly autistic coded you can find absolutely ridiculous amounts of writing on the topic) and being like "I HAVE TO SIT LIKE THIS TO THINK PROPERLY" is so autistic. like sitting in a certain way to give you specific sensory stimulus/avoid distracting discomfort and pain is a thing. i found this post (1) written by an autistic person on the topic of sitting in chairs being uncomfortable, and it says as much:

“I suspect that seating discomfort is common in autism (though by no means limited to autistic people). Many of us, particularly as children, benefit greatly from chairs designed to be non-stationary: rocking chairs, “fidget” chairs, and so forth. These can improve focus, compensate for proprioceptive hypo-sensitivity, and alleviate restlessness. In short, many “attention issues” can be fixed simply by providing a little motion for the person sitting. Small change, huge results. That's what accommodations do at their best. They make (often minor) adjustments that have profound impacts.”

so when L says that sitting the way he does, for a specific sensory experience, improves his ability to think, it’s perfectly in line with this idea. Also it’s a good pressure stim.

standing with a slouch / shifting his weight around

to begin: yes! it’s very common for autistic people to stand or walk oddly for a number of different reasons, from physical comorbidity to other issues such as dyspraxia (see: movie L). From an article by YAI (2), an I/DD (intellectual and/or developmental disabilities) community program:

“Kyphosis (a curved spine), collapsed chest, dropped shoulders and even scoliosis are observed in many of our patients. These myriad of postural issues may result from reduced strength, decreased biomechanical stability, or from a sensory impairment, such as apraxia.

Depending on the scene, L has mild to severe kyphosis which is very common in autistic individuals. Other things mentioned in that article if you want to click on it is instability in standing, where you sort of shift your weight around a lot between your feet or rest all of your weight on one foot, which L is literally doing the first time we see all of him.

speaking with a monotone voice.

i obviously can’t show a picture for this one and it honestly depends on the voice actor you find for L, but in the anime in particular L has a very flat tone. a lot of this is bc he has a dry sense of humor but. just know that it’s very common for autistic people to have a flat affect (or go the other way into being too loud/emotive).

his eating habits.

a lot (a LOT) of autistic ppl myself included can only eat certain kinds of food for texture and flavor reasons. HOWEVER there’s a term in the autism community called “samefoods” which is really well put by tumblr users candidlyautistic and autism-asks:

“Samefoods or samefooding is a community word to describe the autistic trait of eating the same food over, and over and over . . . It is part sensory, part routine driven in most cases. A lot of times we samefood because we need that particular mouthfeel / texture / taste, and a lot of times even after that need passes, it turns into a need for routine until you actively dislike that food again.”

“Samefooding on the other hand is closer to a special interest. When I have a samefood (chocolate ice cream, currently), I really, really want that food. I could eat that food endlessly and not get tired of it. I will get upset if I’m not able to have the food in a day. For me, it usually is kind of routine based as well. For instance, with my current samefood, I have some in the evenings and it’s become part of how I wind down from my day.”

we don’t know exactly why L specifically desires sweet food or if he considers it part of his routine, but what we do know is that he really wants to eat sweet food and avoids eating anything other than sweet food, so it could either be that he’s a picky eater and can’t handle savory or he’s samefooding on sweets!

wearing the same clothes

L wears the same clothes every single day. It’s also worth noting that what he does wear is baggy, too-big clothing, the kind that wouldn’t be tight and uncomfortable. once again, sensory issues are a huge thing for autistic individuals. one of my favorite aspects is that in no adaptation does he wear socks. even L wears shoes, he wears them like slippers, not putting them on all the way. people comment that he seems like he’s poor, but we know for a fact that he’s very rich and that wearing these clothes is a personal choice he made.

not caring for himself/outsourcing his self-care

i don’t think one day is exactly canon, rather it’s an exaggeration of what might actually happen--i.e. L doesn’t have a huge closet full of the same outfit, but he does have several versions of the same outfit on rotation; L doesn’t use a human washing machine, but Watari might help him/encourage him to bathe regularly. One Day is a parody comic, but it was made by the creators for a reason and that reason is that L pretty obviously relies on a caretaker (Watari) for his personal needs. Watari, in the manga proper, cooks and cleans and does most things for L. we’ll come back to this topic when we get to the drama though.

doing stimming behaviors

if you don’t know what stimming is, it refers to self-stimulating behaviors, usually involving repetitive movements or sounds. everyone stims to some extent, but in autism it tends to be more obvious, go on for longer, and sometimes be more disruptive to others. it’s often used to help deal with sensory overload, or used to express feelings--think of an autistic person being happy and flapping their hands in the air.

there are a LOT of instances of L displaying stimming behavior, from stacking his food or things on his desk, to spinning in his chair, to biting his fingers/using them to press on his lips, to wriggling and tapping his toes. here are some specific instances:

there are a lot more. i’ll talk about more when we get to dramaverse, but if you rewatch/reread death note it’s definitely worth noting whenever L does something like this!

detective work as a special interest

ok, first and foremost i want to establish what a special interest is. Tumblr user cartoon has my favorite explanation of what a special interest is that i’ve seen to date:

“To have a deep, intense, passionate and incredibly focused / narrowed interest in a certain area of study, subject, topic or thing - to the exclusion of other interests. This interest is something that exists for the long-term, most often lasting for multiple months, years, or even you’re entire life “

L says that he only does detective work because it’s a hobby, and he finds it entertaining. We’ve also seen that he’s been at it for quite some time--if you take side content (the wammy’s house comic, LABB) seriously, then he’s been at it since childhood, with unwavering interest. it definitely comes across to me as L having a special interest in detective work, rather than it just being a normal hobby or a job for him, especially since he says it isn’t out of any moral obligation.

germaphobia

Germaphobia is very common for individuals with autism. a lot of the time it’s actually sensory issues associated with “dirty” things, and a lot of the time it’s because features of OCD are heavily comorbid with autism, including contamination OCD and such fears. regardless of the reason, though, L’s aversion to touching Bad Things is a very autistic behavior, and so is his resulting quirk that he tends to hold things in a very odd manner!

muted emotional expression

this is getting more into L’s character, but L tends to feel and express emotions in a very muted way. not to say he doesn’t have them, but for instance in the example above, L doesn’t have a solid grasp on what exactly he’s feeling. he thinks he might be acting irrationally and overemotionally because he logically should be afraid, but he isn’t sure, and none of these emotions present themselves visibly.

i’ve also seen it said that Ukita’s death is another good example of his muted response to emotion--he tells Aizawa to stay rational and his voice doesn’t waver as he tells him as much, but he holds himself tightly. for someone with poor emotional competence, these physical signs of distress can be hard to read in oneself, but Aizawa (a man who is extremely in-tune with his emotions) can tell immediately.

high logic, low empathy

L is also a character who, like many autistic people, lacks a certain degree of empathy. it’s not that he doesn’t have any, but it’s limited enough--and he values logic over it enough--that he’s willing to make extreme decisions and take a “ends justify the means” approach (such as using people as bait.) in the example above, L takes a moment to work through what it must actually feel like, which rings as very autistic.

bluntness/not caring about social convention

there are so many examples of this i honestly could list them all day, but L is a character who is very to-the-point and doesn’t care about mincing his words. he can be outright rude to the people around him, especially if he considers them not worth basic courtesy. see: Matsuda.

DRAMAVERSE

if you all knew me you should have known this section is inevitable. i’m not going to talk about every single adaptation because i do not have the time and the only other adaptation that is meaningful in that regard is the movieverse (i am fairly certain that movie L is dyspraxic) but on account of the fact that i don’t care about them i won’t subject you all to them here.

anyway, drama L shows much the same traits as animanga L above (they are, after all, technically the same character) but he displays them in different ways.

he has a much more advanced degree of germaphobia, with Watari saying he’s sensitive to outside air and spraying everyone who enters his space with disinfectant, but not making them wash their hands or anything like that, so we can kind of tell that his issues are more rooted, again, in a fear of germs rather than any actual medical issue. he wants to feel as though he is clean, not necessarily actually be clean. this is very common in contamination OCD, which has a high comorbidity with autism. (my girlfriend has a very good headcanon post about drama L and OCD that isn’t so much analysis than just plain fun, but it’s worth a read!)

he stims, but he has a different array of stims than animanga L--he chews on his jelly pouch bottles,

he tosses it between his hands,

he kicks his feet,

and he bounces in his chair.

he still sits in an unconventional manner. he still samefoods, this time even more exclusively--he only eats Lucky Charge jelly pouches and nutritional bars. Watari onscreen puts his shirts on for him, as well as cooking, cleaning, and mending his clothes for him.

however, there are a few traits that are drama-exclusive that i think really add to an analysis of his autism!

social scripting

social scripting and echolalic scripting are both commonly described as “scripting,” but are very different! echolalic scripting is like echolalia, but echolalic scripting is the recitation of longer passages of dialogue from things the individual has heard before. but social scripting is when you memorize common conversations so you can rattle it off without worrying too much! this can be very handy, such as exchanging basic pleasantries or ordering food, but it can also backfire if someone responds in a way your script’s not set up for. you can find more information on the difference in this video (3).

now, this relates to L in that there are two separate scenes where L says the same thing, rather inappropriately:

L: When I consider Kira’s personality, could it be that the strong-willed daughter is Kira? Or could that sweet-looking son of yours surprise us by proving to be him? You never know what humans are hiding beneath the surface... Soichiro: Enough. L: Sorry. It was just a joke.

-- Episode 2

L: Light-kun. Oh, I’m sorry... If I called you “Yagami-san,” it would be the same as what I call your father. Light: That’s okay. Call me whatever you want. L: Then what about Kira? (silence) L: It's a joke.

-- Episode 4

one could say that L just has a terrible sense of humor--and, of course, having a poor grasp of humor is common with autistic individuals--but the fact that he says nearly the same thing as a defense twice makes me feel as though he has it rehearsed as a defense when people react poorly to things he’s said, which happens often.

mirroring and echolalia

echolalia was briefly covered in the previous example, but for those unaware, via wikipedia (4):

Echolalia is the unsolicited repetition of vocalizations made by another person (when repeated by the same person, it is called palilalia). In its profound form it is automatic and effortless.

mirroring, on the other hand, is explained as such, also via wikipedia (5):

Mirroring is the behavior in which one person unconsciously imitates the gesture, speech pattern, or attitude of another. Mirroring often occurs in social situations, particularly in the company of close friends or family. The concept often affects other individuals' notions about the individual that is exhibiting mirroring behaviors, which can lead to the individual building rapport with others.

both of these are very common in autism, and they’re exemplified while L’s character is established watching his favorite TV show, Owarai Paradise. On one occasion, he’s watching the show and this dialogue happens:

Hiroshi: Despite never telling her how I felt, I still got dumped. I am Hiroshi. Watari: Who was this one again? L: He is Hiroshi. Hiroshi: I am Hiroshi. I am Hiroshi.

-- Episode 2

it’s important to note that in Japanese, “He is Hiroshi” and “I am Hiroshi” are said, at least in this instance, exactly the same, so L is echoing precisely what he’s heard.

On another occasion, L is again watching the show with a glass of wine (seemingly acquired simply to imitate the characters onscreen, as he never drinks it) and when the characters onscreen toast their glasses, L does the same, mirroring them.

CONCLUSION

I linked a post at the very beginning of this analysis talking about how characters are unintentionally autistic coded, and it’s important to understand how this unintentional coding is different from a headcanon--i didn’t make up these traits. they aren’t something that only exist in my head that i ascribe to L for fun.

i made this analysis both because i wanted to share L’s autistic coding in one cohesive place, because plenty of people have made lists before, but none that i could find that included so many examples with images and explanations--and i also made it because of the old ryuzaki persona “theory.”

for those unaware, the ryuzaki persona headcanon suggests that L faked all of these traits in order to make people uncomfortable, to put them off-guard and better mask his identity. i’ve seen posts about people claiming that nobody could actually behave in these ways, that L would surely be unhappy and uncomfortable sitting like that, or eating like that, or engaging in any of these behaviors. I’ve seen some people outright say that L isn’t autistic, but his persona is--that is, he’s pretending to be autistic.

i named this essay “occam’s razor” because, to me, L being autistic is the simplest answer to account for all of these traits. claiming that an autistic coded character is faking it is ableist and it just doesn’t make sense with anything else we know about his character.

but if you want to know more about that, i recommend reading eyecicles’ first!L tag. it’s debunked it in more ways than i ever could.

anyways, in conclusion

#death note #death note drama #death note analysis #L lawliet

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ladykissingfish · 4 years ago

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Movie Night with the Akatsuki

Pein

This was another of his ideas, to promote a sense of bonding within his lil group of killers. The Pein-body accompanies Konan to the grocery to buy the snacks and drinks they need (but only non-alcoholic beverages, because alcohol tends to make a lot of the others angry and erratic and Himself-knows that these people are ALREADY plenty of angry and erratic). Everything is paid for out of his own pocket, not so much from a sense of generosity as a means to keep Kakuzu from going ballistic over what he’d call “frivolous expenses”. Pein(Nagato) personally has no solid preferences when it comes to films, although he tends to favor flicks with fast-paced plots and a bit of intrigue.

Konan

Konan is more into the idea of a group movie night than the others had anticipated. She takes the time to set up the chips, popcorn, dips, drinks, and candy neatly on the table (which is really a bit of a waste, as all the boys just shovel food into their mouths like animals anyway), and she makes the schedule for movie times diplomatically; everyone gets to pick one movie for everyone to watch ((should be noted that “movie night” technically is movie night(s) as it takes several evenings to get through everyone’s picks)), and who goes first is decided by games of rock-paper-scissors. Her personal movie preference is 80’s teen romance movies; she adores Molly Ringwald and the others have heard her recite lines, verbatim, from Sixteen Candles more times than they can count. She also likes to turn movie night into a half-spa day, sitting in her chair and combing her hair, putting special mud-masks on her face, buffing and re-painting her finger and toe-nails. Several of the Akatsuki members join in her rituals, allowing her to style their hair ((Deidara)) or moisturize their skin ((Kisame)).

Kakuzu

The old guy is, perhaps unsurprisingly, a fan of old movies. He’s seen (and can give detailed lectures on) every Hitchcock film known to man. His favorite of these (and the one he picks to watch most frequently) is Rear Window; it tickles him to no end how the antagonist of the film “almost gets away with such a sloppy murder; if he had done it like THIS —“. The others think these movies are too slow-paced and reeeaaaally boring, but Kakuzu doesn’t care. Hidan likes to tease him with “of course the ancient fuck likes these movies; he was probably a kid when they were made!” His preferred movie-watching spot is in an easy chair, with the footrest up and a can of mixed nuts on his lap. 9/10 will fall asleep before the movie ends and the others will hurry and change it to one of theirs before he wakes up and notices.

Kisame

Always says he’s not the biggest fan of movies, but will watch whatever the others are watching. Although he says this it’s clear that he enjoys comedy movies the most; the others can’t help but smile when hearing his deep guffaws over anything with Adam Sandler in it. The Waterboy in particular made him laugh so hard that he cried. Likes to sit on the couch in-between Itachi and Konan. Doesnt really care for the snacks that the others have, so will make maybe 5-6 boxes of fish sticks and munch on those the whole evening.

Deidara

Should be no surprise that the guy really, really likes action movies. His favorite series is Die Hard, and every time it’s his turn to pick a film, he’ll pick one of the movies from this franchise. Does the absolute worst John McClane impression, but nobody can point this out without getting a little exploding birdie tossed at their head. He and Tobi are the biggest snack-eaters of the bunch, and he has to have his own bowl of popcorn as he’s banned from the community bowl ((his habit of swallowing popcorn with his hand-mouths weirds out the others to no end)). His favorite sitting position is cross-legged on the floor, usually in front of Konan so she can style/play with with his hair (which he finds really relaxing, the way a child might be soothed by his mother brushing his hair). However he’ll jump up frequently to act out his favorite scenes from the movie, which the others get annoyed by (but are so used to that that don’t really put up too much of a fuss).

Hidan

Hidan is a freak for horror movies. The gorier, the more depraved, the better. If it was anyone other than the Akatsuki watching these movies with him, they would likely be horrified at how the white-haired immortal laughs hysterically at brutal murders. As it is, even this group has a hard time stomaching some of the stuff Hidan likes to watch; Tobi had to lift his mask and vomit on the floor the first time Hidan brought Cannibal Holocaust out to play. Can sometimes be convinced to pick an action movie instead, although it’s very rare. Likes to manspread on the second couch and will munch on a jumbo-sized bag of sour cream and onion chips the whole night.

Sasori

Really into documentaries, and if that wasn’t bad ((boring)) enough, it’s almost always foreign documentaries, so everyone is forced to squint at subtitles for two-three hours. His absolute favorite is a film called Grey Gardens, a 1970’s documentary about two eccentric, aging socialites, and the groans from the other members when he puts this on can be heard clear across the country. Hidan wants to know why he’s “obsessed with two old cunts and their hundred cats” but all Sasori will do is shush him and stare, rapt, at the screen, silently mouthing the words to the picture he knows so well. Of course he doesn’t eat or drink, so he doesn’t take part in the snacks; however will occasionally bring a puppet out with him and slowly work on it during the movies ((but only the others’ movies, as he lays completely and undivided attention to his own)). Like Deidara he prefers to sit on the floor, and will literally growl at anyone who gets too close to his personal space.

Tobi/Obito

As Obito, he would prefer to watch romantic movies. This guy could live off of the flicks they show on the Hallmark channel, and is an absolute sucker for 80’s rom-coms. However, as Tobi, he must do what everyone expects of him, and pick an animated, cartoon, or family-friendly live action movie. In one year the Akatsuki as been made to sit through what must be the entire catalog of Disney and Pixar films. He does the best possible rendition of The Little Mermaid’s “Poor Unfortunate Souls” song, so good and so evilly realistic that it actually gives the others goosebumps; especially at the end when he starts laughing maniacally — it’s like his voice changes completely. They’re also witness to Tobi’s massive breakdowns over anything that depicts a sad or hurt animal. One time Hidan brought home Old Yeller for him, told him it was about a dog “who was a good boy” ... and let the chaos ensue. Likes to sit on the floor next to Deidara (until he gets on the blonde’s nerves and is made to move) and dig into whatever candy is available. Will go to bed with a horrible sugary stomach ache if not properly monitored.

Itachi

Itachi really likes crime-based movies, especially ones depicting an intelligent main character carrying out equally intelligent crimes. He’s tried to get the others to watch The Godfather series with him, but they can only make it through the first hour or so before complaining about how slow-paced it is. His next favorite thing to watch is Taxi Driver, which the others find more tolerable; he mentions all the time how much he “gets” Travis Bickle and his deteriorating mindset. Itachi likes to sit curled up in a blanket at the very end of the couch, sipping sweet tea or hot chocolate and eating dango (if they have it; ice cream if not).

Zetsu

It depends on which Zetsu you’re talking to. White Zetsu likes science fiction movies. He’s made the others watch Alien more times than they can count, and always declares Sigourney Weaver to be his “dream girl”. Black Zetsu, however, is similar to Hidan in that he prefers monstrously gory horror movies, particularly ones from the 70’s and 80’s. The Texas Chainsaw Massacre is his go-to, and he likes to say that in anther life, he and Leatherface would have made good Akatsuki partners. If they were watching movies by themselves, their snack of choice would be fresh human entrails. However, as this (understandably) sickens the others, they will stick to a lot of leafy greens/salads.

#the akatsuki #movie night #zetsu #konan #kisame #itachi #tobi #obito #pein #deidara #sasori #hidan #kakuzu

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lovethisletters · 4 years ago

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The Bat & The Lantern || Batman x Reader

Hi, lovely! I had so much fun writing this (I'm not gonna lie, I was quite nervous at first, since I don't know that much about the whole green lantern universe, but guess it turned out...ok?) so I hope you enjoy it as much as I did and to be honest, I would like to revisit this story again in the future!

Little disclaimer: The reader is a Human green lantern but similar to star-lord she lived the majority of her life in space, that's why she's so oblivious as to whom Batman is, also this takes place during Dick Grayson early years as robin (12-13).

Word count: 2233!!!

Summary: Reader is a new member of the Justice League...but Batman doesn't seem too happy about it.

Keys: Y/S/N: Your Superhero Name | Y/N: Your (real) Name.

Hal Jordan was your friend since you joined the green lanterns (which it was barely 3 or 4 years ago)

Basically...you were "new"

But that didn't stop your fellow green lanterns (?) From seeing all your potential.

Everyone is convinced that with the right training and perseverance, you will become one of the greatest green lanterns of all time.

So, it didn't take long before you proved yourself to be capable enough to join the big leagues.

More specifically, The Justice League.

Hal was the one to introduce you to his companions.

The Amazonian, the human looking alien, the speedster, the other Alien not so human looking, the half robot; everyone was so nice to you since they met you.

Everyone except...The grumpy bat.

When you first introduced yourself, he didn't even bother to be as welcoming as the others.

He just stood there, looking all big and serious that you almost thought it was a statue or the poor guy had catatonic lapses or was way too shy or socially awkward to approach you.

You felt bad, so you approached him instead.

—Hi! I'm Y/S/N...—You said enthusiastically before being abruptly interrupted.

—I know, I heard your introduction already—His voice so devoid of any kind of emotion that you may as well had been talking to a machine.

"Scanning complete, Batman"

A voice inside his cowl informed him, it sounded like an older man with a British accent.

—Thank you, I'll check it later.

That’s when it hit you…the reason why he was watching you so intensely and standing so incredibly still: He was scanning you.

Fucking. Son. Of. A. Bitch.

You stayed there, your face paralyzed with surprise and anger, without knowing very well what to answer; you didn't want to cause a scene on your first day, but this man was just so rude; That is not an appropriate way to receive a new member. yes, it is normal to have suspicions, but you would appreciate if he had the decency to let his suspicions be known when you weren't present.

—she just introduced herself and already on with the paranoic behavior, Bats? seriously? —Hal stepped in your defense.

—this is a routine procedure; I'm just being cautious.

—He was like that at the beginning with all of us too, don’t worry he’ll warm up to you in no time—Wonder woman whispered in your ear after watching your uncomfortable expression.

Ultimatedly you decided to listen to the amazonian and let that one slide, “is normal to be wary of new things anyways” you repeated yourself.

As the months passed you have grown quite frustrated. Between all the missions and meetings even though you felt your relationship with the rest of the team grow closer and they began to trust you and respect you; your relationship with the Batman stayed pretty much the same.

Yes, there was a bit of progress….a bit.

He was bit more talkative to you, a bit more “friendly”, a bit more trusting.

But it was always just a bit never actually fully a teammate to you, your relationship felt more like distant coworkers.

At the beginning it didn’t worry you too much, until your lack of communication started to mess with your performance in the missions, sometimes something completely bizarre and unexpected would happen and because both of you didn’t know each other very well, the mission would take the double amount of time to resolve since you couldn’t coordinate at all.

One time he almost ran you over with his batwing…

The whole thing was kinda funny looking back on it but at the time you were furious (rightfully so)

In his defense, he didn’t knew you were there…I mean…you basically where standing in his parking spot (not that you knew there was such a thing, most members could fly or at least jump really high, so you kinda always forgot he couldn’t…and to be honest you didn’t know his exact powers)

—Sorry—was all he said as he got out of the strangely shaped flying vehicle and directed only one glance at you to make sure you where ok before entering the building, always maintaining that characteristic calm and cold demeanor.

One day you entered the hall of justice earlier than usual only to find an unexpected guest sitting in one of the empty chairs his gaze fixated on a book, he was wearing a rather colorful suit of some sort matching his green mask, then you realized when you were close enough…he was a C H I L D.

You panicked, why was a child here? Is he some sort of mini spy? How was he able to get through the security system? Did he touch anything dangerous?

This and many more questions ran through your mind, the child noticed you were looking at him and only gave a polite nod as a greeting before returning his attention to his book.

Perhaps a school trip that you weren’t aware of was taking place and this kid strayed from his class? Perhaps he was looking for one of your teammates to ask for a photo and got lost and decided to wait here for his teacher? That will explain why everyone wasn’t here in the meetings room, perhaps they were busy giving the (hypothetical) group of children a tour?

—Hey kiddo! Are you lost? —you began the conversation in a friendly tone before kneeling down a little in order to appear less imposing…after all he was a child you didn’t wanna scare him.

He looked at you so incredulously.

You could almost hear him think “ma’am wtf are you doing???” through his expressions.

—What’s your name?

—Ummm…uh…Robin?—He spoke like it was something obvious while signaling the “R” symbol on his chest.

—Robin, uh? What a pretty name! tell me Robin…why are you here? Are you lost?

Poor boy he was so confused, you didn’t know who he was? Didn’t any of the members told you about him? And more importantly…Why where you talking to him like if he was a 5-year-old?

—No, ma’am…I’m just waiting for Batman.

“Batman? Was he a fan of Batman of all superheroes?” It surprised you a bit, usually kids tend to like superman or wonder woman more since they are nicer and charismatic, and Batman was the opposite.

—Sorry Kiddo, I don’t think he’s one for photos, perhaps you could ask the others some other time! — you began explaining trying to dissuade the kid while guiding him towards the exit.

—He’s not here for photos—smooth as ever…the Bat was behind you.

—He’s my sidekick.

Your jaw dropped, a sidekick? He’s a CHILD! You knew superheroes had sidekicks, but you never knew they were that young!

Before you could even begin to protest, Batman ignored you, looking down at the child and instructing him to collect his things.

—Hurry, you’ll be late for class again. — He said before disappearing behind the door that led to his parking spot.

Robin quickly followed, hanging his backpack over his shoulder before stopping in his tracks directing an apologetic smile towards you and saying:

—Don’t worry miss, I can take care of myself! — He must have noticed the concern on your face before leaving.

Since that day your routine changed.

You would wake up earlier, many times you’ll be the first to arrive to the Hall of justice, and even have breakfast flying on your way there all for one thing: Robin.

Once you learned he was Batman’s sidekick you couldn’t help but worry over that poor child, “what if he gets hurt? Is he eating/sleeping/resting properly?” you just couldn’t help yourself.

At first it was just checking on the kid by just…seeing him in the morning and greeting him casually but there were times he wasn’t there, and you would panic internally and there was no other way to calm your anxiety until you would ask the Bat about the child.

He would always replay shortly: “He’s at home” “He’s at school” “He’s busy” and your conversations always would end there.

One day that Robin was there however, instead of your usual ‘greeting nod’ he started talking to you.

He asked you all sorts of things (that weren’t compromising to your real identity ofc) “What’s your favorite color?” “What music do you like?” “What’s your favorite movie?”

And it started from there.

The conversations with Robin grew not only more frequent but also more personal (as personal as someone with a superhero lifestyle can be), to the point it had become a routine for you to come early and talk to the boy, sometimes you had breakfast together or even helped him with his homework before the Bat would take him to school.

Perhaps it was because you didn’t have many acquittances here on earth, but Robin became family to you.

And family takes care of each other.

It had been a rather difficult and spontaneous mission; Lex Luthor was starting to act a little bit fishy (more than usual) using his connections and money Luthor had been acquiring/robbing very specifically concerning items all over the US, his next objectives: a Radion sample being investigated in a secret laboratory in Star city and a Dionesium sample...contained in the Wayne tower laboratories...

The team decided to split to put a stop to Luthor’s minions and his plan.

The Bat insisted the rest of the team should go to Star city, telling them that he and Robin could handle it, but everyone was immediately against it: Luthor had already collected relatively powerful items and being the intelligent motherfucker he is, probably transformed some of those items to give to his goon’s so they might have a chance in harming any of the members if they were to interfere.

Ultimately, the team agreed you and cyborg would accompany them to Wayne Tower.

Robin was stoked, he would get the opportunity to fight alongside you! But Batman…not so much…he kept trying to lose the two of you on the way there; fortunately, cyborg put a tracker on the batwing, he wasn’t going to get rid of you that easy.

Upon your arrival, you could spot several men (armed like if they were military but with a much more upgraded equipment) already leaving the building, carrying two tanks (presumably full of that substance Martian Manhunter had mentioned before) and heading to a truck without any plates.

Long story short: you organized a plan as quickly as you could but…something went wrong…Cyborg and Robin were supposed to create a distraction while the two of you recovered the tanks without damaging them, since the properties of the substance within remained unknown.

But something went wrong: You and Batman failed to coordinate and so you were spotted by the henchmen, they started aiming their weapons at the two of you, initially you thought a force field generated by the power of your ring would be enough...oh no, honey, you’re so wrong.

Sonic weapons were able to not only break your concentration quickly, but also made your ears bleed! One after another you kept re-making the fields, but the sonic waves so deathly and loud just kept coming.

You don’t know how but you were able to stand your ground long enough to make cover not only for Batman and allow him to get the tanks back safely but also for the rest of your team and give them a slight advantage to take down as many of Luthor’s minions as they could.

And then…you passed out.

You woke up at the infirmary in Justice Hall, your head a mess and wrapped in bandages, you had broken your arm because that shit inside a cast too for some reason…and…your ring was gone!

Panic!

No, never mind it was on the nightstand next to the chair in which batman was sitting on.

WAIT…next to the chair in which batman was sitting on?!?!?!

—How are you feeling? — you didn’t know if it was him suddenly talking or the genuine concern on his voice that startle you, so you just nodded slightly while he approached you.

—Can you hear me properly? —Surprisingly you could, but you still were a bit taken aback by his presence.

—I…—Before responding your brain reminded you of the fact that you didn’t had your ring on, hence your secret identity was revealed to Batman. Your hands practically flew to your face in embarrassment. You didn’t know why but without your mask you felt naked and vulnerable.

He noticed.

His gaze studying your pained expression before he let out a small sigh.

—I came here…to thank you…and apologize— hesitantly his hands moved to the back of his cowl.

—You not only put yourself in danger for Cyborg and Robin, but you also concerned yourself with my safety even when it was probably my fault that we ended up in that situation —He admitted pressing a hidden button loosing up his cowl before finally taking it off and reviling the most gorgeous man you’ve had ever lay your eyes on.

—And for that I thank you and apologize…sincerely—Such sudden action left you speechless for a while, Batman not only had thanked you and apologized, but he had entrusted his identity to you.

—I think-…I think we started with the wrong foot; you know? —You finally were able to respond, breaking the silence that filled the room and surprising him slightly by your sudden declaration.

—Let’s start again…Hi! I’m Y/N—You imitated the same friendly voice tone you first used to talk to him.

The lips on the man in front of you curved forming a subtle almost imperceptive grin.

—Hello, Y/N, I’m Bruce…Bruce Wayne.

♡♤♡♤♡♤♡♤

WAAAAAAAAAAAAAAA! IT. TOOK. SO. LONG. Sorry :c

I had a bunch of ideas for this request but ended up going with this one since I wanted to expand on their beginning, I’m still trying to figure out a way to write Bruce and this was my first attempt, so…sorry if it was…bad :c I’ll try harder next time!!!

Any errors you might see, please let me know; English is not my first language so I’m trying to improve.

In the final scene I wanted Bruce to show he recognized the Reader as an equal so that’s why he took it off…still I felt like it could improve.

♡♤♡♤♡♤♡♤

I will forever thank you if you go check out my other profile: @aileysmirnov where I post things about my OC: edits, one-shots, imagines, art, etc. If you like Greek mythology and the bat family maybe you would get to be a little bit fond of her as much as I am!

Anyway! Thank you for reading!

#batman x reader #batman hc #batman #batman imagine #bruce wayne x reader #bruce wayne #batfamily #green lantern #justice league #batfam #fanfic #batman fic #dick grayson #robin

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cybernaght · 4 years ago

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Guardian rewatch: episode 12

We start the episode in the Snake Tribe territory, which is supposedly still somewhere within the confines of the Dragon City. It is baffling that it took citizens of this place so long to figure out that there are mysterious beings and demi-humans living among them, it truly is.

While the scene is mostly centred around the conflict between Zhu Hong and her tribe, and the ominous warning of the war brewing, it also does a really lovely joy of showcasing, yet again, the fierce loyalty not only she, but Guo Changcheng have to the SID. This boy remains the most precious muffin of a human.

At the SID, Sang Zan is learning to write under a loving watchful eye Wang Zheng. The once fierce and ruthless warlord is now the softest archivist. On a separate note, I am not sure how good of an archivist he might be considering that he is evidently illiterate.

Anyway, it’s heart-warming to see those two happy together. I sure hope nothing terrible happens to them in the future.

Our actual power couple, on the other hand, have done a full reversal into the relationship they had in the beginning; only it’s somehow even worse now. Shen Wei, who properly messed his cover up during the last adventure, has his guard up as he is being questioned in relation to a case. Zhao Yunlan, who grew to see this man as a friend and partner, is no longer amused by secrets, nor intrigued by them. He is now furious at their existence, upset at what he must perceive as lack of trust on Shen Wei’s part.

Shen Wei serves Zhao Yunlan a cup of tea with a side order of avoidance, hoping that by ignoring the subject of himself it will go away.

When in the previous scenes together they were always across the desk from each other, or next to each other, leaning in closely, body language open, there is now a rift between them. It’s awkward; neither of the men want to be here, but their needs are the opposite to each other, and neither of them are willing to back down.

Shen Wei goes on explaining in great detail his connection to the case and to the victim, despite Zhao Yunlan’s attempt to change the subject with a very unsubtle, “your body surely recovered fast”. The latter then proceeds to stubbornly talk about Shen Wei’s archaic ways, which earns him an incredulous “Are you even listening to me?” from the professor. The incredulity is wonderfully misjudged, considering the circumstances.

“I only want to hear you tell the truth”

We rarely see Zhao Yunlan open and vulnerable. I can’t off the top of my head remember him ever being open and vulnerable with anyone who is not Shen Wei. Zhao Yunlan operates on false bravado, aggressive charm, weaponised smiles. But with this man, he purposefully lowers his guard. I trust you, he seems to say, and I always have. Why can you not trust me?

Shen Wei gulps.

He then continues talking about the case, which is the last straw for Zhao Yunlan, who explodes, smacking his palm hard on the desk.

Shen Wei startles, looking hurt. I just… don’t understand what he was expecting. Once again, this is a man who, from Shen Wei’s perspective, has unmasked him on the first day they met. This is a man who has been poking and prodding him for weeks. And I get that it is hurtful when someone you care about does not respect your boundaries, I do, but truly honestly hoping that the same someone will just accept the relationship terms that have never even been discussed is a little bit unrealistic, especially when Shen Wei is not divulging anything.

Shen Wei is bad at communicating. Which is, I suppose, not news to anyone.

“It seems that Chief Zhao still hasn’t given up on suspecting me.”

“Not suspicion, but lack of understanding.”

Zhao Yunlan is trying very hard. He is trying to close the rift between them: by pulling the chair over next to Shen Wei’s and settling down on it, by reminding Shen Wei how much they have been through together, by telling the man that he is being perplexing. Shen Wei, on the other hand, has raised his barriers all the way back up, smoothly explaining that he is just a normal man who ends up being in the wrong place at the wrong time. He has got a polite smile playing on his lips, his mask fully in place.

Zhao Yunlan does not even pretend to have believed Shen Wei, he gives up on the conversation with a dejected “Fine, forget it.”

He makes his excuses and pulls his phone out to make a call to Wang Zheng to check up on the rest of the team. Just as that happens, the SID gets attacked by the magical sound waves, and Zhao Yunlan sprints into action.

Shen Wei calls after him, and then asks to come with. Considering they have just spent some very awkward time together, more or less fighting about Shen Wei lying an awful lot, Zhao Yunlan would be well within his moral rights to reject help. He doesn’t, however. Even now, the trust he has in Shen Wei - in his good intentions, in his friendship - is unwavering.

At the SID offices, Tan Xiao is using his sound device to get past the two ghosts energy beings, and break through the safety measures protecting the Hallows. In other news, apart from being susceptible from curses or poisons slipped through the letter box, the SID HQ also does not have anything that might stop a human from breaking into it. How those people survived for this long is a mystery.

A point of complete diversion from me: I am currency watching a contemporary drama entitled To Dear Myself. It’s about young professionals in Shanghai who get their lives broken in about ten different ways; Zhu Yilong’s the leading man; there will definitely be a lengthy think-piece on it here. But the reason I’m bringing that up here is that it also has Chen Weidong, the actor who plays Tan Xiao, as a contextually neurodivergent rich boyfriend of one of the protagonists.

It’s kind of surreal seeing him here; there’s only been about two years between the filming of those two shows, but he looks so different. Oh, and, he is very good as well.

Back in the world of Guardian, we see Sang Zan shaking off the sound attack and attempting to stop Tan Xiao. He does not succeed as such, but manages to pull a string which activates the Indiana Jones-style set-up with loaded crossbows. It’s very silly; I kind of love it.

While evading the arrows, Sang Zan flings the Awl up in the air, Zhao Yunlan catches it. How close is the University to SID? He took about five minutes to get here! The chief gets a barrage of premonitions which include Zhu Hong knocked out in the future, as well as in the present, and a little sneak-peak into the Disaster Wedding incident.

He then proceeds to pass out into Shen Wei’s slow motion embrace.

There is nothing wrong with this. This is beautiful.

Shen Wei checks on Yunlan briefly, but Tan Xiao goes on the offensive, which deserves him: a) a shot of dark energy right into his chest, which flings him across the space, b) the meanest of Hei Pao Shi’s death glares. This is the moment Tan Xiao earns an uncharacteristically rough treatment he’s going to get at the end of this episode.

She Wei carefully places unconscious Zhao Yunlan next to the wall, calling out his name. We can only presume that the lab has a second exit, as Tan Xiao manages to get away despite the two men currently being more or less in the doorway.

An indeterminate amount of time passes, and Zhao Yunlan wakes on the sofa, Da Qing in human form miaowing at him, his team and Shen Wei nearby. The team goes into a full debrief mode: Wang Zheng reports that she is generally able to repel sound waves, but was taken by surprise; Da Qing and Lin Jin speculate about the shield being affected by the waves as well, since an apparent Undergrounder managed to get through it.

Zhao Yunlan notes that the sound waves ability seems to be doubled, and used for both attack and suggestion. He notes that the powers can be numerous, while grinning conspiratorially at Shen Wei.

Shen Wei quietly despairs. He probably genuinely thought that this conversation was truly over. He takes a few seconds to come to terms with Zhao Yunlan actually teasing him about him maybe being an Undergrounder, before composing himself and stating that compound abilities don’t actually exist.

Da Qing, who doesn’t necessarily pick up what this conversation really is about, but does note that *something* is up with those two, comes to his own conclusions, asking Shen Wei and Zhao Yunlan to stop flirting.

Lin Jing comes up up with this.

“Comrades!”

Thank you, Viki subbers, for notifying the audience that the word “Comrade” is also a slang for “gay”.

Lin Jing springs to his feet, saying that he needs a sample test of a human consciousness - presumably to create that clever brain chip of him which would make one immune to the wound wave powers. Zhao Yunlan very theatrically feigns a big scary headache to see whether Shen Wei would volunteer to take the test in his stead to spare him the pain. It’s an underhand move, but it works nonetheless.

We briefly return to the Snake Tribe, or, more specifically to Zhu Hong’s Fourth Uncle asking whether she is still mad at him, while she is forcibly restrained and bound to a pillar. What is it with this show and binding people to pillars? In reality, the one bound to a pillar is actually Guo Changcheng, which the Fourth Uncle doesn’t pick up on even through Xiao Guo is not actually wearing the clothes Zhu Hong arrived in. Zhu Hong springs the trap, plies her uncle with the same wine, and then goes to regroup with the others, leaving Xiao Guo behind for the time being, because, I guess, it makes more sense for Zhu Hong to be alone when she gets hypnotised later in the episode.

Honestly, it’s easier to not think about too much about this scene, so let’s return to the main characters.

Lin Jing is just finishing the experiment on Shen Wei, who is lying on the lab bed in his undershirt, seemingly asleep. I would assume that Shen Wei has gone into some kind of a meditative trance to try and affect the way his own brain works and emulate the human activity. He does not stir when Zhao Yunlan walks over, and call him.

“Shen Wei? Professor Shen?”

Having received no response, Zhao Yunlan leans in to…

... Count this man’s eye lashes? Admire the effects of his skincare routine?

Oh, no, sorry. Here’s the excuse.

Thank you, Guardian, for this moment.

As Shen Wei wakes up and rises, he lets Zhao Yunlan know in no uncertain terms that he did see through his ruse.

“You don’t have a headache anymore?”

This snaps Yunlan out of gazing at Shen Wei with barely contained lust to pretend that his head indeed still hurts. Considering that Shen Wei does not look concerned, and knowing that Zhao Yunlan’s health and well-being is his number one priority in life, we can conclude that he did know that a headache was just an excuse to get Shen Wei out of his shirt check Shen Wei’s brain activity. Our professor collects his things and leaves with a brief goodbye.

Lin Jing is staring at the readings, checking that the computer has worked properly. Noticing that something is wrong, Zhao Yunlan asks, “Did you see live pornography in his head or something?” Not that I blame his for his mind being the gutter, but also, wow Zhao Yunlan’s mind is in the gutter.

Lin Jing dismisses the idea of mind reading as a whole, and shares his findings that Shen Wei’s consciousness was unwavering, like a dead man’s. Unfortunately for Shen Wei, whatever it was that he did to appear human has not worked well at all.

Zhao Yunlan smirks.

Outside of the SID building, Shen Wei is still frozen in place, contemplating his future actions as he is thumping the Pendant of Pining.

“Should I tell him after all?”

Yes, Shen Wei, you should.

“If I tell him, will that put him in danger?”

I am afraid the the good ship Zhao Yunlan Being In Danger sailed the day Zhao Yunlan became Lord Guardian and Chief of the SID.

(Am I again getting unreasonably frustrated with a fictional character of a show that aired several years ago? You bet I am.)

What follows in the episode is a brief interlude of Zhu Jiu being horrible to Tan Xiao, and making inappropriate comments about him and Zheng Yi. We also learn some of Tan Xiao’s backstory, which expands on his character and explains that the reasons he felt so protective of the little girl was because she reminded him of a sister he once had.

Back to SID offices.

Zhao Yunlan is doodling Shen Wei and the Envoy as he tries to reconcile the two in his mind.

It does sound like he still has doubts that the two are the same person, despite the overwhelming pile of evidence that made him draw to this conclusion in the first place. If anything, it is quite surprising that it took him this long to figure out that the enigmatic mysterious handsome professor and the enigmatic mysterious handsome Envoy are the same person. It is also curious that he seems to think the Envoy is much taller.

Da Qing watches his friend’s mental agony in absolute bewilderment.

Very shortly, they will get a ping for the sound wave energy from somewhere close to Zhu Hong’s home and rush to the scene to find that Zhu Hong has, indeed, been put under mind control, as she attacks Chu Shuzhi.

Here’s another piece of fight choreography for me to tear into.

Okay, good things first. I really like that the actors are doing their own fighting. Jiang Mingyang is generally looking good in combat, and his reactions continue to be on point. Gao Yuer is very flexible, and her kicks are great.

The fight itself however, is another example of the time/money constraints.

The opening punch is… fine. They do lock arms for a split second, which indicates that Zhu Hong properly swung that in rather than stopping the energy, but they are also out of distance, so safety-wise that’s okay-ish, and at full speed it looks alright . But the way Lao Chu is sticking his thumb out and then wraps that around Zhu Hong’s wrist just gave a full body shudder. This is how one gets they thumb dislocated (which I have never done myself, but I hear is very painful) and/or gives their partner a nasty bruise. For anyone out there who needs to hear this, if you ever perform a fight, please tuck your thumbs in line with your fingers and avoid hurting yourself and others. Doing otherwise adds nothing apart from a small but completely avoidable risk of injury.

Then there is this kick-punch-kick combination.

The three moves in isolation are good, but they don’t flow together, at all. I think, and this is pure speculation, that the sweeping punch in the middle was actually meant to follow the previous two moves, then the kick would come next, leading into Chu Shuzhi restraining Zhu Hong. That first kick (which is the same as the third kick, shot from a different angle) just does not belong there as a follow-up to the two punches. I can speculate that it was cut there because it looked cool - which it does - but it also sacrifices any hope this fight had for coherent storytelling.

Then there is a capture and a swivel, very similar to the finishing move used in Zhu Jiu/Sang Zan fight in episode 11. Zhu Hong gets pressed against the tree, and the team shows up to sedate her and bring her back to the headquarters.

Tan Xiao and Zheng Yi watch this scene unfold at a distance, as Zhao Yunlan appears behind them. The SID chief calmly lets Tan Xiao know that he’s been abandoned by Zhu Jiu, and the other man offers no resistance to being captured.

The narrative brings us to the boxing ring, introducing us to it as Zhu Jiu’s energy farm, and then briefly cuts to SID, where Chu Shuzhi realises that they have not retrieved Guo Changcheng. The puppet master springs into action, leaving Lin Jing to wonder since when his friend is so protective of the rookie. If he paid attention, he would have noticed that Chu Shuzhi was protective of the rookie since day one.

We then move to the interrogation of Tan Xiao, which is happening in the hospital set, with Zheng Yi tucked into the hospital bed, even through it was never established that she would need medical attention, and, considering that she would have no issues walking out of the hospital very shortly, she clearly does not. Here, we see some more flashbacks, detailing Tan Xiao and the girl’s backstory, the abuse she suffered, and the bond the two forged. The young man is admitting to all the crimes he had not committed to protect her, and Zhao Yunlan is honestly moved. He sounds almost regretful when he lets Tan Xiao know that he will still be persecuted for his crimes.

Right on cue, Hei Pao Shi portals in.

Zhao Yunlan greets him with a customary “long time no see”, but the most acknowledgement he receives from Shen Wei is a side-eye which does not even focus on his face.

In fact, the Envoy is doing as much as he can to avoid even turning to Zhao Yunlan. He simply announces his purpose to the room in general and teleports Tan Xiao away. It’s easy to see what he is doing. In Shen Wei’s mind, the less communication he has with Zhao Yunlan as Hei Pao Shi, the better are his chances to separate his two personalities in the eyes of the other man. That said, showing an abrupt and uncharacteristic change of behaviour is the opposite of suspicious.

Even Da Qing notices the change Hei Pao Shi.

“Lao Zhao, what did you do to upset him? You used to do small talk, not anymore?”

Zhao Yunlan smirks, replying that he knows the reason why. He then notices the little girl crying, and goes to comfort her the only way he knows how, with a lollipop. When that does not work, he gestures for Da Qing to leave with him, and returns with a familiar black cat and an adorable “ta-dah”. It’s so sweet it makes my teeth hurt.

As this is going on, Hei Pao Shi is being his glorious over the top avenging self. For one, he is actually floating above Tan Xiao, which I don’t think he ever seen him do before. He then proceeds to throttle the young man, lifting him in the air and throwing him back on the ground.

He does so in order to shake the sound wave equipment out of him, sure, but it is easy to assume that Tan Xiao also brought the Envoy’s wrath onto himself by his misguided attempt to hurt Zhao Yunlan earlier that day. It’s deliciously petty; we know that the best way to earn Shen Wei’s ire is by threatening his companion. And, to be fair, Shen Wei had a bad day: this is as good a way as any to get some of that ancient anger out of his system.

As Hei Pao Shi realises that the man he arrested is a simple human armed with some clever technology, and the real homicidal Undergrounder is the girl he is protecting, so does Zhao Yunlan. Even miles away, even when they are having arguments, their analytical brains still work in sync. And, as plot twists go, this one is neat, albeit not entirely unpredictable.

Unfortunately, realising that the girl is dangerous, brings along a realisation that Zhao Yunlan left his friend in her care. He rushes to the hospital to check on Da Qing, finding the ward empty. If this was Zhu Jiu’s plan all along, it’s a good one: having access to a brainwashed SID member would also spell easy access to the headquarters and the Hallows - which is exactly where Zheng Yi leads Da Qing, taking the Hallows and leaving the Yashou to go into a berserk mode as he imagines or remembers Zhao Yunlan/Kunlun saying “I will abandon you”

Next up, episode 13: The Disaster Wedding.

——

Notes.

Every time Shen Wei lies my brain supplies me with Why You Always Lying song. Every. Single. Time. Which means I sing it a lot around the flat, to my partner’s great chagrin.

Whoooo boy and I thought the Episode 10 recap was the crackiest one I’ve done.

#guardian #recap #rewatch #zhao yunlan #shen wei #now with gifs #sometimes my brain is like this #I'm not sorry

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andydona-chan · 4 years ago

Text

Realization

Ok, so this one has been sitting in my documents for some time because I didn’t know how to continue it... Until I re-read it and noticed I really don’t have to, you all know the endgame of this fanfics, and maybe I can get a better idea of how to make a second part with your precious feedback, cause I really need it, so from the old documents but for a lovely ship, I present this:

Read it at AO3

*****

Sherlock sat in silence on the bed at the hotel he was currently staying at, with the explosion at Baker Street he was virtually homeless at the moment, and honestly he was tired and he needed to sleep after what they had been through that day. However he couldn’t, or more likely, he wouldn’t. Sherlock just knew that the nightmares would make it impossible for him to rest, not only that, his ever working mind will still be running thoughts in his head, processing every detail and making conclusions about what had happened at Sherrinford.

He smiled sadly just remembering how John had offered his house, told him he could stay until Baker Street was restored, but he had instead told him that Mrs. Hudson needed it more than him, that she would be more grateful and she would be also willing to help him with Rosie while they worked on rebuilding his flat.

Mycroft had also offered his house, a really surprising gesture, and though Sherlock would have no trouble staying at his brother’s house, with all the space and rooms, he felt that he didn’t belong there; and as much as he wanted to just sit here trying to not think, it was also something he couldn’t leave for later

He needed to think about a lot of things, many of them concerning his sister and the things she had put him through that day without worrying that his brother would listen or record it. Good lord, he didn’t want him to worry anymore! So he had declined, warning his brother that if their parents were to know that they were both staying at the same house, they wouldn’t waste time waiting for an invitation and soon they’ll find themselves in a very awkward and difficult family reunion at his house.

Mycroft wasn’t ready yet to tell them what had happened to Eurus, and neither Sherlock; and though it was a matter of time that they started asking questions about the explosion at 221B, at least that way they could buy time until things had settled down into a more normal state, if they ever went back to normal

So, he took off his shoes, his coat and jacket and unbuttoned his t-shirt, climbing onto the bed and sitting in a lotus position with his head against the headboard Sherlock closed his eyes putting his hands together in front of him as he always did and entered his mind palace, this time not looking for information, but to sort the day’s events.

He recalled the day Moriarty’s video had paralyzed the entire city, his face in every screen saying ‘Did you miss me?’ By then he had already know that he wasn’t behind the event at all. In fact if he were to look at it properly, his mind had given him a lot of clues in that self-induced hallucination of the Victorian era. Even with his ghost present, Moriarty hadn’t been the real master mind behind it; it had been a woman, all along. And just as Eurus had proved, it had been for context, emotional context; something, he suspected, he could only provide given his tendency of sentimental attachment. Not that he thought it was wrong anymore, he had already started to see the benefits of it.

With an ever present sadness he remembered Mary, her case hadn’t even been connected to what had happened at all, her past had just caught up to her and that was it. However, to think that John had encountered Eurus at that time and had actually established communication with her was worrisome, because that meant Eurus had been free and watching them for too long. Time she had used to gather information, time he had lost glued to his phone and not paying enough attention to his best friend to notice what he was doing.

Then Mary had died and he had felt that loss more than he was willing to admit. And in between that he had also missed a lot of things, that part of himself that was grieving had pulled him into the numbing pleasures of the drugs, when he knew fully well that he could have faked it. He only had to convince John, and his best friend could be trusted to see but not to observe.

Oh, how sentiment could blind your mind! He had to admit that Mycroft had some points, caring too much was a disadvantage, but only because your mind focus on the thing you most care about than on the whole scene, and he had to remember that for his job he needed to look at everything, details were important, background was important. He had been seeing everything so blurred since John had shouted at him while still holding Mary’s dead body that night, it was like walking with a fishbowl full of water on his head.

He mentally slapped himself, a flash image of Molly doing so passing through his memory; he should have kept his mind clear. Sherlock sighed, opening his eyes to the darkened room; he was now slumped over the mattress, when had that happened? Maybe he was more tired than he had initially thought.

He adjusted himself until he was lying on his back, and once again reviewed his memories. He had to admit that his sister was so clever it was almost scary, almost. She had managed to come to his flat and pretend to be someone else, they had spent a whole night together, just walking and talking, some of the things they had talked about he couldn’t even remember, he had showed her so much about himself that it wasn’t a surprise that she had managed to trick him into her trap.

He had practically given away all his weaknesses without even noticing. Although he had to admit she had a lot to do with his lack of confidence when trying to make friends, or the way he treated them, and maybe, just maybe, if things had happened in a different way he could have treated people in a really different way. Women were usually more sentimental, more emotional, and Eurus had wanted to understand that, he was the most emotional of the three, and it was probably out of her female nature that his sister had tried to get his attention, to learn about it.

It wasn’t the best way, but then again the Holmes siblings mind worked like no other, especially hers. Eurus had asked him to choose someone to kill a man, and to be quite honest he had trouble choosing one. Mycroft wasn’t really one to do things himself, he always had done things through other people, still Sherlock had wanted to believe that he could do that to help him, he was wrong; but John, he could count on him, he had meant it when he had assured to Mycroft that John was family, although the last thing he wanted was to put another weight on his shoulders right now, even with what they had been through, and what he had learned thanks to him.

Talking about knowing what was good and what was wrong, it had also been a task when they had to choose a guilty man out of three brothers, their sense of justice was very similar, but the experiment had been clear for him then. Eurus had tested their reactions - especially his reactions to their reactions - to different emotions; in that first room they had to make a sacrifice and for that they had to show specific emotions fear, trust, courage and empathy. Taking from that, the second room had been about justice, their moral, resistance; intelligence and anger were tested there. In the third room…

Sherlock found himself unable to start with the things that had happened in that room, suddenly he had to sit up, his breathing was fast and he felt anger boiling in him, he was trembling.

With a jump he stood up and started pacing, trying to calm down, there had been something about that one test that he still couldn’t get over.

‘Damn it, Holmes, you are flesh and blood. You have feelings. You have ... you must have ... impulses.’

“Shut up!” he said out loud, as if to silence the voice inside his head. It was true that he had been in frequent communication with The Woman, what had happened between them had been interesting, but not lasting. There had been of course many emotions mixed up there that had actually thrown him out of his way, but it wasn’t something that currently affected him, and in his mind it was obvious that John would refer to her since she was the only one he had seen who had been able to pull his emotions - impulses - almost to the surface, however she wasn’t the only one, there was someone else, a woman who had always been able to see through him, to really see him.

Molly Hooper…

‘She’s out there... she likes you, and she’s alive. And do you have the faintest idea how lucky you are?’

But she had come near to not being alive… or so Eurus had wanted him to believe. Sherlock sighed loudly again while passing his hands through his hair, there were bruises on the skin of his hands, a reminder of what that experience had make him do, his hands had hurt afterwards, but he hadn’t had time to check, and he had hoped there wouldn’t be any evidence of it, but they were very visible by now. His own words as he deduced who the coffin in that room was for resonated in his head.

“Well, allowing for the entirely pointless courtesy of headroom, I’d say this coffin is intended for someone of about five foot four. Makes it more likely to be a woman.”

“Not a child?”

“A child’s coffin would be more expensive. This is in the lower price range, although still best available in that bracket.”

Of course it would be a cheap coffin, Molly would never buy something bigger or better, they had discussed it over on the phone one night, it had been silly actually, he was bored and wanted to know what her thoughts on that matter were, or what her choice would be given the case.

“A lonely night on Google” Not lonely if he considered who had actually talked to him about the subject, who else would he choose to talk about something like that?

“This is a practical and informed choice. Balance of probability suggests that this is for an unmarried woman distant from her close relatives. That much is suggested by the economy of choice. Acquainted with the process of death but unsentimental about the necessity of disposal. Also, the lining of the coffin…” Plain white but shiny, it’s feminine and delicate; something that a woman with simplicity on her mind would choose for herself if it was the last thing she would lie on.

“...Look at the coffin. Unmarried, practical about death, alone.”

Once again John’s voice broke into the scene reminding him of just how much an important matter this was. “Trust me, Sherlock: it’s gone before you know it. Before you know it.”

Letting his arms fall to his sides Sherlock had to admit defeat, he dropped himself heavily over the bed; his sister had really hit the nail on the head. ‘I don’t want it to end. Not like this’ the words appeared in his mind like they had done the night he had met Eurus, and just like then he erased them from the air in front of him, another sting of pain reminded him that John had gone through that reality. Molly Hooper meant a lot to him, so much more than anyone could really tell. She had helped him countless times, not only with experiments and autopsies, she had helped him fake his death, he had trusted her with his life, it was a secret, but it had been important at the time, she had done it, and she hadn’t asked anything in return.

He knew that she liked him, it was unmistakable, her body language, the invitations to go out for coffee, her smile… An image of her dressed up in a black dress a few Christmas ago made his stomach contract. He did not deserve her, how had she been able to forgive him after what he did that day, after what he had did more than once? It was something different that he had not really understood in the moment, his need to apologize and the guilt he had felt for making her feel that way, but she had left that behind and stayed firmly in her position as his friend, because whenever he went back to her she would be waiting for him

‘What do you need?’

Sherlock had noticed her attempts to move over him, to make a life, only to fail miserably, more than once because something he had said. He remembered Tom, that man she had gone with to John’s weeding, he had been her fiancé, someone she could’ve relied on, someone who could have make her happy, but she had called it off… Why? He wasn’t quite sure.

But he had made sure to show that he was grateful for the help she had lend him, she was an intelligent woman and her work with him had made things easier more times than he could remember. After Mary’s death Sherlock had needed to talk to someone, at first just to know how John was doing, and Molly had visited Baker Street with Rosie many times, sometimes to leave her with Mrs. Hudson, others to have some tea.

It was a few days after Mary’s video had arrived that he had talked to her about his plan, he had told her everything, and he had said that it was necessary to be real for John to pay attention. That day she had accepted, reluctantly, to help him, she had agreed to take and ambulance and the equipment to test him two weeks later, she had also promised that she would be very angry at him that day, she already was… He felt confusion at hearing it, why would she act that way right now? The plan still had some weeks to fully develop.

She worried too much it would seem, because she was lonely, and she was distant from her own family. It was clear now, she only had them, and of course she will worry about him, he was the man she loved! At that point he was the one putting his life in danger, he was the one dying! This time it wasn’t fake, she could keep that he was alive as a secret, but she couldn’t duel with a real death, (a fact he had known the day Mycroft had sent him to that 4 minute mission and why he had completely avoided telling her about) not another one so soon, and especially not after Mary…

Again Sherlock had to run his hands over his hair, this time his fingers pulling a little bit at it, he needed to react, the tiredness was pulling at him, he could feel his eyes dropping with sleep, but it wasn’t the time yet, so he needed to feel something real, pain would do for now. It occurred to him then that maybe Molly had been already really stressed about what was going on around her, with this family of hers that she didn’t know how to approach properly, she had been busy with Rosie, worried about John and working hard every day, and he had made her think about the state she was going to find him after his plan was complete, something she had also done professionally on a moving vehicle. Wow, that woman was so strong!

He had been at the hospital for at least two weeks before going back to Baker Street, and there she was again, still angry, busy and worried, but still there. She had been there through some episodes of withdrawal, his bad humor and his anxiety. And what had he given her in return? Nothing. It was suddenly obvious that a single ‘thank you’ and a kiss on the cheek were not enough anymore, not for someone who had done so much for him.

Suddenly it was clear why it was inconceivable that Molly Hooper would think that on the day of her death he would put her in that tiny cheap coffin! When Eurus plan had been revealed in that room he had known that this would hurt Molly, however in the midst of her life being in danger he thought it was best to have her heart broken than not beating at all.

It had been a surprise for him when she had asked him to say the words first, something unexpected given the circumstances. She had asked him to say it like he meant it. At first his mind had gone blank; he had to make sure he had heard her right, and then ask himself what he could do to make it sound like the truth, a part of him told him to just do it, she was in danger, if she wanted to hear him, he would say it, it was easy, or so he had thought when he asked her to do just that, but how? The answer hadn’t been difficult to find, really. They were friends that much was clear to him, and he truly loved his friends. The real shock came when he really thought about their kind of friendship, a flash of all the things they had shared through the years, the things she had done for him, the moments and experiences, the laughs and the discoveries made, the way it felt so natural to have a long a really entertained conversation with her, it wasn’t the kind of friendship he had with John, Wiggins or even with Irene, he had realized it then, because just as she had said it, it was true, he really did felt love for her, no need to fake it.

‘Also, your loss would break my heart…’

Something really out of character of Mycroft the moment he had said it, but very on point in this case, losing Molly Hooper would break him. Not only his life would be emptier, his job would lack something she could only provide, she would not only miss her silly jokes and colorful jumpers, her sharp mind and her dexterity at her job, his heart ached at the sole idea. Trust him to feel lonely if he didn’t have Molly Hooper in his life, because for some time now John had had a life apart from him, with Mary and now only with Rosie, and thought Mrs. Hudson was good company sometimes Sherlock found himself feeling lonely. In a way he was like Molly, unmarried, practical about death and alone, he rolled his eyes, they had so much in common.

That’s how he knew, because moments after the call had been disconnected and he had been unable to talk to her a bit more, he had actually pictured it. He saw it when taking the lid of the coffin, her name written in the plaque just above the very same words that she most wanted to hear from him, he placed it over the wooden box that would hold the body of this great woman…

He saw her, her deathly pale face, still so beautiful, her eyes, those warm brown eyes, closed forever to the world she had found fascinating, her lips, now lacking color and the smile he had always loved, her small delicate hands yet skillful in her profession, and strong when he had needed her help, his heart beating painfully for her while she laid there, now unable to know what he was feeling for her, the words carved on a plaque that she would never read, he could picture a single tear dripping down her cheek as the light closed over her - a tear fallen from his own eyes…

No. She deserved flowers, a nice chapel, a place full of people that loved her, a long and fulfilling life to be remembered for, a long speech about her a nice, big and comfortable looking coffin lined with silk and a big plaque with the words ‘She was loved infinitely, by family and friends, she was the one that mattered the most at the end’; and he would be standing beside her, probably sad, but happy to have been part of her life. No! And he had lost it then, his patience, his poker face, his self-control, all lost because he couldn’t let that happen, he would not burry Molly Hooper in that cheap bloody coffin! He will not lose her!

He was angry at Eurus for making him do that, now that he had already understood how much it affected him, hurting the people he loved; hurting John Watson had been awful, and knowing that he could have done more for Mary had hurt him too. It wasn’t fair that he had been manipulated to hurt the one person in this world - out of his own family - that loved him unconditionally and deserved so much more from him, because she thought he was better than that!

‘She taught me to be the man she already thought I was. Get yourself a piece of that.’

All those words, all those emotions, all the things in life she did not have, and all just because she loved him… He had never wanted to be the one to stop all those things for her; he would’ve liked for her to move on and have her life, and be loved and be happy! And what have he done? He had insulted her appearance more than once; he had told her of off her choices, he had actually suggested she stopped dating at all…

When had he fallen in love with her? Because his jealousy had no other justification, maybe he had told himself that he needed her, but what for? Just because that way she would have more free time, what was that about? Wasn’t she entitled to have her own time and entertainment? She had the right to have friends and spend time with them and have fun and met someone and have a real family. Why then, was he so stubborn about her? He supposed unconsciously he had always known, but it was easier to think it was for his benefit, that it was also fun for her and that she was spending time with him, her friend.

But she knew him more than anyone, even more than John himself! She had saved his life, had helped him and proved to be more reliable than anyone, she had helped him solve countless cases, and they had joked and laughed and talked about more things that he could remember. She had always been there, was it really so hard for him to be there for her? She wasn’t asking for much, apparently, his heart already belonged to her.

He knew what he was coming back to, after that, Molly was going to be angry and sad, and probably won’t be happy to work with him as she always did. But that would be because she thought he was pretending, faking it for a case as he had done with the drugs, or with Janine… How could he convince her? Sending her a message? No, it was easier to discard or delete without even reading it. What about a phone call? She was probably not going to answer or would block his number.

The problem now was that he had broken the trust between them more than once; she had no reason to believe him, not after how abruptly that last call had ended. His mind brought the picture of Eurus face at that moment, he had to admit that she seemed almost as shocked as John and Mycroft had been.

“All those complicated little emotions. I lost count.”

For a moment he wondered himself how many emotions had been showed during that phone call: confusion, fear, trust, desperation, pain, realization, courage, surprise, truth, anger, love…

He wondered how much John and Mycroft’s opinion of him had changed, it would be really difficult to look at them next time Molly or his feelings were part of the conversation, it was something else to expect in the coming days. But they didn’t matter right now, he needed to talk to her, explain things, and put an end to the endless feeling that something was missing, he needed to feel complete again. He huffed in sarcastic annoyance, it was a curious feeling, because she hadn’t gone anywhere, but that last conversation had cut the connection between them and he could barely tolerate it, he had to do something about it.

Working quickly to not waste any more time Sherlock put on his shoes, grabbed his coat and exited the room, maybe this wasn’t the best idea at the moment, it was really early in the morning and he hadn’t sleep one bit, but that had never really stopped him before…

*-*-*-*-*-*-*-*-*-*-*

I really don’t remember if I have already posted this, but since I couldn’t find it here I guess I didn’t... It’s only been checked for grammar with Word, so please forgive any mistakes, I really hope you enjoy it

#Sherlock #sherlockbbc #Sherlock fandom #Sherlock Holmes #Molly Hooper #sherlolly #sherlolly fanfiction #after season 4 #sherlock after sherrinford #sherlock's mindpalace

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archive-of-the-guild · 3 years ago

Text

Character Bio and rules are below the line

You can call me Shadow. i’m a 28yo male that hasn’t rped in years. Last time i did was i think 3 maybe 4 years ago so i am plenty rusty. I know this doesn’t say a lot about me but if there’s anything you’d like to know, just ask.

About Karisa

Name: Karisa

Race: Tiefling: A Humanoid people descended from humans who made pacts or crossbred with demons.

Age: 18

Height: 6'3"

Hair color: black

Occupation: Golemancer, Adventurer, occasional Blacksmith

Appearance: As a tiefling, Karisa has several traits that distinguishes her from Humans. She has Lavender colored skin, ice blue eyes, two horns, pointed ears, and a 4 foot long tail.

Personality: When it comes to enemies, Karisa can be downright ruthless. if she hates them bad enough, she will leave an enemy broken but alive to let them try again. She swears a LOT around everyone no matter who they are with the exception of children and has a habit of making enemies through her mannerisms. She’s bad enough with her words that there have been jokes made about weaponizing her lexicon and isn’t afraid to cuss out friends! BUT if you can take her words with a grain of salt and actually befriend her, then no matter what she says to you, she will protect you with her life. In her words, “You may be a cunt, but you’re MY cunt. And no one FUCKS with my cunt!”

Background:

Karisa was born on a small farm and raised by her parents until she reached the age of 8 when they passed away. Since then she would delve into golemancy as a way to cope, keeping her hands busy and moving foreword as best as she can. This is around the time she found the large crystal that would become Grom’s core. At the age of 10, she made her way to the city with her golem Grom, who was wood at the time, to try and become an adventurer. There she met the Dwarf Bormi who gave her a place to stay and taught her in the ways of the blacksmith.

Modern Verse (Hazbin Verse rewrite):

Karisa is Tiefling who was born into an organization known as The Adventurer’s Guild. The purpose of this organization is to deal with supernatural threats to society as a whole by hunting down creatures, artifacts, books, and other things that could pose a danger. If it can’t be recruited, it is to be either destroyed or relocated. People of course know about them but there is a general distrust of the organization due to their habit of employing non-humans and the Guild’s use of magic.

When it comes to the forces of Heaven and Hell, the Guild was able to get their hands on a blueprint for portal technology. The portal they have doesn’t always work and sometimes accesses realms other than Heaven or Hell. This can have a tendency to get adventurers stuck in realms outside of earth.

Skills-

Golemancy: Throughout her life, Karisa has made a variety of golems. These golems can me made from just about any solid material if given enough time. Golems made from metal, stone, wood, and even flesh are within her area of expertise. Her favorite golem is an 8 foot tall minotaur automaton she named Grom.

Cooking: Karisa LOVES to cook. She’s always experimenting with different dishes and creating a few of her own.

Basic Martial Arts: Since she turned 13, Karisa has trained with a quarterstaff and dagger so that if her golems failed, she could still take care of herself.

Magic: In addition to Golemancy, she has a small arsenal of spells at her disposal.

Fire Spells: All Tieflings are capable of fire magic. Fireball, Burning Hands, and Firewall to name a few. Using fire helps her a lot if she has to weld parts together on a golem.

Lightning Spells: Karisa can perform rudimentary lightning spells but this mostly equates to coating her hand in electricity to use. The strength of this can range from the power of a normal stun gun to enough power to jumpstart a city’s electrical grid.

3D Movement: This is a form of wind magic that allows her to “kick” the air. by doing this, Karisa can give off the impression that she is flying. This does not mean she stays in the air, only that she can move in it. she usually only uses this to get over walls or cliffs or maybe to get into a tree.

Empathy Link: This is something she originally learned in order to better deal with golems in order to find out what their orders are. it can be used on other creatures and objects to get a kind of idea of either how they are feeling or how they are used. She MUST make contact with the palm of her hand for this to work.

Golem Creation: As a golemancer, Karisa carries a number of golem cores on her at all times. These cores can often be infused into whatever matter she chooses to create a quick golem in the field. These golems aren’t as effective as one she has time to prepare but they get the job done. Golem cores are also extremely volatile! Damaging a core will cause any magic in it to go haywire and explode in relation to the core’s size. This makes golems and their cores effective bombs if she needs to!

Golem Override: This is a skill that allows Karisa to manually control her golems and see through their eyes. HOWEVER this is only a last resort because it leaves her immobile and defenseless.

Please send Karisa questions and asks either from yourself or your characters! i will fill this out as i go!

Rules

1: i am all for fight scenes and such but please do not god-mod. meaning do not assume what happens to my character. (EX: “My character fires a gun and hits your character in the shoulder.” or “Your character tried to dodge but my character cuts off their arm before they can.”) In my responses, i’ve taken to rolling a dice to determine whether or not my character gets hit and how badly she gets hit. I do not mind my character dying in a particular thread so long as it is discussed at length beforehand and is necessary for the development of the plot. communication is key for stuff like this.

2: Don’t send hate. I don’t mind criticizing because it helps me reflect on how i’m doing. Hate is just a dick move though.

3: I reserve the right to choose whether or not i rp or answer an ask. There will be times that i don’t have the inspiration or motivation to continue it or there is not enough for me to go on. An example of this would be if i responded to an rp and the response i get back is “Character ducks.” or something as equally short.

4: I don’t mind reminders but i DO mind spamming. I will mostly be rping either on the weekends or some afternoons when i can get up the motivation. DO NOT spam me reminders every day or every other day. I have a 5 month old son and a job that has me working monday to thursday with the occasional friday up to 12 hours a day. Those come first.

5: You will see a lot of stuff on here that i will do my best to tag from gore to n//s//f//w// threads. If there is anything in particular you would like me to tag when it shows up, please let me know! Anything truly spicy will placed uner a read more and tagged as “Read at your own Risk!::NSFPC” (nsfpc stands for not safe for public consumption.

6: While i accept starters, memes, questions and comments through asks, starters and starter memes WILL be turned into a post to start a thread. I will not rp through constant asks because this can lead to more dash clutter than the post will. That being said, i will trim the post before it gets too long and will try to have any appropriate tags on it.

7: THERE WILL BE LOTS AND LOTS OF SWEARING! Enough that i will not be tagging it because it is everywhere! I will not tone down her swearing except around child muses because this is part of her character and i ask that you please understand.

8: When it comes to shipping, Karisa will make things fairly clear on whether or not she wants to be with your character. I love shipping but i also know that not everyone will ship their characters with Karisa and that's perfectly fine! Karisa WILL flirt and get touchy with people she's interested in but if the mun or character they are controlling doesn't want that, TELL HER! Not me. HER. Have your character reject her advances, tell her "no" or even smack the shit out of her if she gets too handsy! I will not be upset and i will completely understand! A lot of people plan ships out and tell others there has to be chemistry, but as I'm thinking about it, im going to be removing that little section from my rules. Why? Because failed ships have the potential to create drama, angst, and even enemies if done properly! If she comes onto a character and it makes you uncomfortable or you're just not interested, EXPRESS IT THROUGH YOUR CHARACTER! The same will apply to her! The only time i will have any sort of problem is if she says no, gets into a fight, and you try to godmod it to your liking or try to guilt ME about it. My character makes up her own mind about how to do things just like yours.

I may add more rules as time goes on but it’s pretty straightforward. Don’t be afraid to come and talk to me! I’m pretty open about things and i would love to see you around! Come and join me on discord for more Mun stuff! Just make sure you edit your name to match your tumblr url so i know who you are please! https://discord.gg/6ftZuSP8XH

#Rules #About Karisa #About Me #decided to do this because the app doesn't show all of the pages

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myopinionhi · 4 years ago

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Solangelo as LGBTQ Rep and Possible Issues

I do not represent the LGBT community because I’m sure a variety of LGBT fans would have various reactions to Solangelo. As a shy, bisexual person myself, I’ll speak only for myself.

I’ve noticed some people praising Solangelo for being positive LGBTQ rep and then others thinking it doesn’t deserve the praise. I can see both sides.

I think Solangelo overall is positive LGBTQ representation. It’s not perfect. I’m glad Rick made Nico gay. However, Solangelo has one huge problem. It actually kind of suffers from a sort of harmful gay trope. The trope isn’t nearly harmful enough to take away Solangelo’s positive representation, but it’s there. I’ll elaborate more on it at the end of this essay.

Here are things I’m mostly not bothered with that others are regarding Nico and Will’s LGBT rep.

1. Nico being outed by cupid. The infamous Cupid scene made me uncomfortable, and seeing Nico forced out of the closet hit too close to home. I could relate to a young teen struggling to accept the truth about himself. Some LGBTQ characters in media appear in an amazing LGBTQ utopia that pretends LGBTQ individuals don’t have issues with self-acceptance. Heroes of Olympus doesn’t sugarcoat Nico’s issues, because the struggle can be real for some LGBTQ individuals. Yes, Nico was forced out the closet. But he was mainly forced out of the closet to himself. It was supposed to be some sort of emotional release and self-awakening. If he stays in denial, more harm than good will come out of it. What Cupid did was cruel and was supposed to be cruel. I’d have an issue with the scene if Nico was forced out of the closet in front of a group of people, but since he was only forced out in front of Jason and then Jason respectfully keeps Nico’s secret and supports him, I actually don’t have an issue with it.

2. Nico and Will constantly argue. Nico and Will argue since Blood of Olympus. Will is aggressive with Nico. I’ve mentioned this before in a previous essay; Will has to be aggressive because Nico is on the verge of death. Nico is about to disappear into the shadows and hasn’t properly taken care of himself in a long time. After not seeing Nico in months, Will must have been devastated seeing the state of Nico’s health and seeing Nico being so stubborn and anti-social about it. Will’s anger is justified, and Nico needs that push to start being healthy after so long. Nico’s anti-social and self-depreciation also probably frustrated Will. Nico thought no one wanted to be his friend and is going to leave Camp, so Will has to be assertive to convince Nico he is wanted.

Nico and Will’ s bickering in Lost Oracle is more affectionate bickering. They have very different personalities, so they’re going to disagree and let it be known. They have more harmless and playful disagreements. It’s actually more cute, if anything.

The only real issue I have with their arguments is in Blood of Olympus when Will snaps at Nico by claiming “Nobody at Camp Half-Blood ever pushed you away.” and “You pushed yourself away. If you’d get your head out of that brooding cloud of yours for once...” The harmful implication of this statement is the dismissal of Nico’s real experiences of rejection and that if he’d just stop brooding he’d be happy. The implications are....unfortunate. Don’t get me wrong. Will likely lost his patience with Nico’s stubbornness after hearing Nico say he’s leaving Camp, likely never coming back. I understand Will’s devastation, especially since he wants to be Nico’s friend and knows others who do too.

The statement isn’t problematic because Will simply said it. It’s a human to say hurtful things. Will is an exhausted teen who’s on the verge of losing Nico. The real problem is the book doesn’t acknowledge Will’s statement as harmful. Will doesn’t apologize or acknowledge how he was wrong. Will says it and then Nico suddenly agrees to stay at Camp, implying Nico’s isolation was brought completely on himself. Hypothetically, if Will acknowledges his mistakes later, like in Tower of Nero, then this unfortunate line is more forgivable.

3. Nico has barely accepted himself. He’s not ready for a boyfriend. I’d accept this argument if Will and Nico started dating at the end of Blood of Olympus. Fortunately, they don’t. Nico doesn’t even acknowledge having feelings for Will to himself. It’s only implied. I find the many fanfictions having Will and Nico dating after Nico stays at the infirmary for three days unrealistic and rushed. But not this. Will and Nico aren’t a confirmed couple until Hidden Oracle, which happens months after Blood of Olympus. If Nico gets emotional healing and bonds with Will for months, it’s not unreasonable for them to be dating. Even their official relationship in Hidden Oracle seems pretty casual and low stress.

4. Will has Nico on a short leash. No Will doesn’t. After Blood of Olympus, when Will tries to save Nico’s life, Will isn’t controlling. He may tell Nico to be nicer or would bicker, but nothing too overbearing. Will teases Nico for not calling him his boyfriend and doesn’t get angry when Nico shadow-travels in Hidden Oracle. Nico seems to want to be around Will on his own accord. He enjoys being around Will, hence the doctor’s note.

5. Will “fixed” Nico and/or Nico became too dependent on Will. No, the reason Nico is happier in Hidden Oracle is because he has learned to accept himself and he has family and friends supporting him. Some of the most important loved ones for Nico include Hazel, Reyna, Jason, and the rest of the Seven. Blood of Olympus gives more focus and development to Reyna and Nico’s relationship than Nico and Will’s relationship. Will is the straw that broke the camels back, but it’s the accumulation of impactful events and support that gets Nico to happiness. Will helped, especially with Nico’s physical health. When Nico decides to stay at Camp Half-Blood, it’s likely he sees his home in Camp Half-Blood than Camp Jupiter. Bianca trusted Camp Half-Blood to take care of Nico. Nico and Will’s relationship did grow after Blood of Olympus, and Will’s support helps Nico, but there’s no indication of Will be Nico’s “fixer”. He’s just Nico’s friend and boyfriend.

Here’s an interesting argument I’ve been pondering.

Will can’t be both Nico’s doctor and his boyfriend. This argument interests me because if Will had a crush on Nico during Blood of Olympus, he maybe shouldn’t treat Nico as a patient. I’ve seen too many creepy fanfictions of Will using his authority as Nico’s doctor to get closer to Nico. However, Will likely is also the one who knows what’s best for Nico’s health. He’s a better healer even than Apollo. He may also be the only one who knows how save Nico from fading into the shadows in Blood of Olympus since Nico’s powers are unusual. Will’s emotional investment in Nico interferes with objectivity. Then again, Will may be emotionally invested with many people in Camp-Halfblood as well, and Will is the one with the best healing. Will’s doctor’s note for Nico to sit at the Apollo table does touch upon Will’s professional conflict of interest with Nico. It’s possible Will can keep it completely professional as Nico’s doctor since he’s a natural-born healer, but it’s relying on the good-faith of a teenager.

It seems unfair to deprive Nico of the best medical care because Will is his boyfriend. Especially during the winter, it’s possible Kayla’s and Austin’s healing abilities are very inferior to Will’s. At the same time though, there’s conflicts of interest when Will has Nico as his patient.

Here’s one issue I have in regards to Nico’s crush on Percy.

We don’t know how Nico gets over his crush on Percy. We’re never shown Nico’s POV until Blood of Olympus, so it’s very possible Nico goes through some self-realization after the Cupid scene. I find Nico’s dropped crush on Percy disappointing. I would have liked to see Nico admit there’s still some lingering, painful feelings towards Percy for a little while during Blood of Olympus. It would have been interesting seeing Nico accept the heartbreak and move on. Percy was Nico’s first love and someone who Nico invested in for years. House of Hades seems to imply there is still some lingering feelings, but then it’s dropped in Blood of Olympus, and Nico says to Percy “you’re not my type.” It’s lazy writing. It’s like Rick made Nico gay for Percy for that gay angst but then didn’t feel like following through. Nico’s crush on Percy affected Nico for years. How is it dropped within two books?!

The main issue I have with Solangelo

Their romance and relationship is hidden. Okay, if Will didn’t call Nico his boyfriend and Apollo didn’t gush over their relationship in Hidden Oracle, we wouldn’t know they’re in a romantic relationship. All their actions are completely platonic. I get that Nico’s probably not into PDA. I get romantic pet names may be too embarrassing for Nico. I get they may not want to flaunt their relationship. I get they may not want to hold hands. I get they’d want to keep their relationship private. I get they’re young. I get Nico doesn’t like being touched. I get Trials of Apollo is only from Apollo’s POV. That’s not the issue.

What actions do they have that imply they’re boyfriends instead of friends? The most affectionate they’ve gotten is Nico resting his hand on Will’s shoulder, Will casually leaning on Nico before the three-legged race, or Nico grabbing Will’s hand once to shadow-travel to the chariot. There’s not really any tiny romantic actions. There’s no clear romantic flirting, loving gazes, hand squeezes, hugs, legs touching, footsies, kisses on the head, or hugs. Only a couple of these small romantic actions are all that’s necessary. Nico and Will don’t have to go as far as kissing and cuddling. The relationship gets brownie points for using the label "boyfriend”, but then homophobes don’t have to be squeamish about two guys getting even a tiny bit of romantic affection. It’s too easy to censor the explicit gayness of their relationship because there’s not much to possibly censor.

Their absent romantic affection is only half of it though. Another major problem is Solangelo is only in two books. Even when they’re in those two books, their relationship doesn’t get a lot of scenes. In Blood of Olympus, Will and Nico work together and bicker during the battle against Gaia. It’s heartwarming, but they don’t even meet up until more than halfway into the book. In Hidden Oracle, Nico and Will are only in a handful of scenes, and many of these moments are brief. When Will and Nico are shown, they have chemistry. They clearly care and support each other. But this groundbreaking relationship of theirs doesn’t have much. Will is the son of Apollo, and, not including Tower of Nero for now, only appears in Hidden Oracle during Trials of Apollo. Why does Will Solace only appear in 1 (2 including Tower of Nero) books in Trials of Apollo even though his dad is the main character? We don’t know. He could be strong LGBTQ rep with a boyfriend, but....nope.

The same-sex ships get tiny crumbs, and then you’ve got all these straight ships shown and developed in more than two or three books. I’m worried Solangelo is falling under the “But Not Too Gay” trope, where an author wants a gay couple for representation credit, but then won’t give them the same appreciation as straight couples.

Don’t get me wrong. I’d much rather have Nico be gay, and I’d much rather have Solangelo be a couple. I think their relationship is wholesome, and what’s shown of them has positive representation. I don’t find Nico’s LGBTQ representation too problematic. It’s just sort of....missing something important that could make it really positive. For what it’s worth, I appreciate the Solangelo crumbs, and it meant a lot to me growing up.

#solangelo #nico di angelo #will solace #rick riordan #riordan universe #percy jackson #pjo #blood of olympus #spoilers #trials of apollo #house of hades #lgbt #lgbtq #long post #lgbtq rep #representation #meta #anaylsis

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ronnytherandom · 4 years ago

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I forgot to watch content all week so i wrote about games ive been playing

9/2/2021: The Truman Show

You should fear your fears but embrace them and use them to guide you into the unknown, to explore and experience what life has to offer. Fear stands between you and the fullest experience of life so you must pass through it to better yourself. Heed not the walls built about you and the chains made to hold you. Though the architects insist it will preserve your life, containment is anathema to life. Do not take in faith the benevolence of powers that be; instead trust those who would support and liberate you, guide you through fear and into life.

As best I can lay it out, I think this is the philosophy of the Truman show but there is so much more to read into it also. There is critique of systems of commodification and celebrity (i.e. capitalism) reducing human beings to a consumable good as well as encouragement to find and pursue your goals despite adversity and even sensibility which is also tied to the illusion of economic responsibility. You can’t put a camera inside a human head, you can never “know” them without being an active and intrinsic part of their life, but also there is need for reciprocation. If one half exists with ulterior motive then the entire relationship is rotten; sincere humanity is what creates real connections. Without such your world is fake. A world built around one person is a world where no one can truly live. All these actors have given up basically their entire lives for the sake of watching Truman have his life built around him by outside forces, have allowed themselves to be commodified and dehumanised for the good of one man, Christoph. The man at the top has delusions of grandeur and thinks only of his own bottom line, he cares not for his subjects but simply wants them to do as he tells them because it benefits him to commodify their lives and interactions. Even then he cannot stand to lose control and in seeking to demonstrate Truman’s “realness” he structures his life so thoroughly that eventually there’s no reality left, only a script and adverts. But the people watching still empathise with Truman because everyone in the working class understands what it is to be trapped because real life is our own Truman show and one day we must all pass through fear, step out of the dome and create a real life for ourselves outside of the system of commodification which consumes everyone’s life and removes all realness and sincerity and emotional catharsis from it.

I unreservedly love this film.

14/2/2021: Assorted Game Reviews

Horizon Zero Dawn (Unfinished due to technical issues, 45 hours inc. parts of Frozen Wilds): This game is really cool and really fun. I think it is defined by its incredible setting which somehow creates a fresh feeling post-apocalyptic environment. Said environment creates intriguing alt-future lore and some very interesting environments to explore. I love the machine designs (especially tallnecks!) and was very sad to hear one of their contributing artists passed away recently but I’m glad their work lives on in this visually stunning game. I’m a sucker for Ubisoft-style open world games simply because it tickles a certain kind of itch and somehow this non-Ubisoft game has outdone Ubisoft on their own formula, which is hilarious, but also good for me as running around this world exploring and clearing map markers is engaging fun. Not least because of the combat. I have a minor criticism here that the combat feels slightly awkward on mouse and keyboard, the arrows never seem to go where I’m aiming, but aside from that the experience of fighting is a grand one. Enemies never lose their threat and I love the weak spot system the game employs which makes every tool useful in niche circumstance and rewards curiosity. It specifically manages this in a way that I feel the Witcher series could learn from if it ever returns; by making head on assault less viable and encouraging tactical hunting. I do feel this system makes hunting robots so fun that by contrast hunting humans becomes a chore however, though I noted this improves in the dlc with the addition of humans with elemental weaknesses limited in number as they are. I cannot speak for the story in entirety but what I encountered was pretty good, though I feel as if it was only just really getting going at the point where I could not continue. I find Aloy to be a compelling and well portrayed protagonist and though I can guess about her origin and the ultimate end of the alt-future apocalypse I still want to see how it plays out on screen, so will return to this as soon as I’ve fixed it.

Rimworld (122 hours. Familiar with but do not own Royalty Expansion):

Rimworld is one of those super special games that I don’t think I have a single problem with. Fair warning it can be brutal and is heavily dependent on RNG but this allows it to create truly unique and interesting scenarios on a constant basis. In the wider perspective it could be described as formulaic, with regular cycles of managing the settlement between raids and random events, but the devils in the details. Colonist traits, health and skills dictate how you play and sometimes you’ll be forced to adapt as some colonists simply refuse to perform some tasks. The depth of health particularly amuses me, in that each little part of someone’s body is modelled in a way. If you’re in a firefight you may take a single bullet which grazes your finger and you’re fine. Alternately it could pierce your human leather cowboy hat, your skull and kill you instantly and the game will tell you exactly what happened. The risk/reward element is addictive enough, and that’s without accounting for just how cool it is to see your colony slowly expand. Establishing more and more options for crafting is fun and shows off the full range of different items in the game which is fucking extensive. Between clothing, weapons, armour, sculpture and drugs to name only a few you have the opportunity to create many varied production lines either for your colonists or to trade for money and there is a lot of fun to be had here as well as it is quite satisfying to see psychoid you have grown personally become the cocaine your colonists snort to help them stay awake on limited sleep. From an archaeologist’s perspective it is especially cool to look back over your base and see the hints of how and why structures were built and remember the history of your limitations and development through structure. I think the lore of the universe is really cool too, a very 40k-esque kind of place except with far less order, somehow. But the universe does an excellent job of feeling alive and moving constantly on both a planetary and interstellar level. You can fully believe that while you build wooden shacks to shield yourself from terrifyingly low temperatures there are simultaneously rich pieces of shit living it up on the glitterworld that’s one system over. The music does an excellent job of creating the wild west frontier atmosphere the game cultivates to great effect. Ultimately, for just being a grid with a series of different numbers attached, this game does a fantastic job of creating a compelling, brutal and very real colony management experience. I dont think I can properly put into words the grandness and scope of this one. I didnt even mention the modding scene, which is expansive and tailors to basically any need you could have. The Rim is a terrifying place but theres so much fun to be had.

Factorio (86 hours, mostly 1.1): Having completed a game of Factorio I can tell you reliably that this is one of the best games ever made, thoroughly addictive and fun. If you like numbers, logistics, TRAINS, its gonna be your thing. Not to mention its probably the only documented case of a game with no bugs (so far as official forums are concerned). Strictly speaking this games combat is not the most engrossing thing but good lord do you feel it when you acquire a flamethrower. The way each aspect of the game (production, research, logistics, combat, upgrades for everything therein) feeds into the next is a really well constructed balancing act such that you must experience the full game in order to complete it and I always appreciate this kind of design. I think its one of the best tenets of factory game design especially as its something present in Satisfactory too. Beyond all of this generalised good the game is also excellent in its intricacies, the architecture necessary to build a maximum efficiency base, the level of planning and organisation that can be employed is mind-blowing. Not to mention the mod community, factorion is already an extensive experience and some mad bastards have seen fit to complicate it further, hats off to them. This really is a great moment in gaming.

Destiny 2 (198 hours, all expansions, played some post Forsaken release, mostly Season of Arrivals onwards, spent roughly £20 on microtransactions):

This is a very interesting and enjoyable experience, but I must say it can be a bit controversial at times. What its does particularly well is moment to moment gameplay and design in all aspects. The game is stunning; between environments, cosmetics, shaders ships and ghosts there’s a vast range of incredible things to see, all rooted in the “pseudo-magi-science” aesthetic it’s got going on. The class design is excellent and you really do feel like you embody this rampaging madman / agile gunman / space wizard archetype, whichever you choose to play. The abilities, especially supers, are very satisfying. Everything has heft and power behind it which can be felt in all aspects of design; sound and animation is top notch. Movement is cool, you can feel how fast you move both on foot and in vehicles and the navigation has a little fun subtlety depending on your class jump, even if you can bounce unpredictably occasionally. But for the love of god why is the wall kick in there? It has only ever served to push me from a ledge into a bottomless pit. You're looking to remove antiquated content? Start there. Some guns are not so good to shoot but there’s such a great range of guns that are fun its like complaining about one drop in an ocean; and enemies are fun to shoot at, each faction distinct in meaningful ways and presenting an effective challenge. Speaking of oceans, that’s one way to describe the lore. I haven’t dived too deep but it keeps going down forever and everything I’ve read is intriguing. As a former Elder Scrolls lore nut this is something I could definitely sink my teeth into, though its much more of a pulpy sci-fi vibe than a pure nonsense vibe. I do think the game has a bit of a loot problem, primarily in regards to the conflict between high stats and looking good. This should never be a conflict, and yes you can apply ornaments to any purple gear but that’s not enough when I spend the entire time grinding power levels and thus must change armour and weapons on a constant basis to progress. This game needs a true transmog system and if not that, rethink how gear power level works. Perhaps rather than earning new instances of gear you always possess a version of it and the loot you acquire in missions just upgrades your instance to your current overall power level? This would serve to do away with the current upgrade system which I think is a needless additional grind. Perhaps it could be retained in using enhancement cores to empower gear as present but necessitating a whole upgrade module to keep your favourite weapon on hand is kind of painful honestly. There is also at present the issue of sunsetting gear, mildly controversial to say the least. If it’s necessary to streamline the game and make it function moving forward so be it but surely loot pools should be adjusted so you can actually get useful loot from older locations? And why sunset personal instances of gear which can be acquired at the regular power level anyway? I had to throw away my favourite bow and hunt down a new version of the exact same weapon for… what reason? I do think destination navigation leaves a little to be desired also. I get that having a physical hub world is meaningful but Destiny does not have a very extroverted community; I can count the times someone noticed me in the tower on one hand. And its not even like there’s fun activities to be found in the same sense as say Deep Rock Galactic, which really does take advantage of its hub. Perhaps for players who simply want to go about their business all of the vendors could be set into a menu system where just clicking an icon takes you to their menu from anywhere in the system rather than, per se, having to go through an entire loading screen (Which takes you to orbit and back) to reach a location which serves simply as the front for four menus. These are established player problems. As a dedicated PvE player I can say that this game is immensely fun in combat and growing in power does feel really good. It’s something I recommend getting into, there’s just some very large creases that need ironing which the Bungie should really take the time to address rather than pushing out new in game content every three months.

#the truman show #horizon zero dawn #rimworld #factorio #destiny 2 #d2 #film #movies #video games #i dont know what im doing #hzd #opinion

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tomeandflickcorner · 4 years ago

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Falcon and Winter Soldier Episode 4- My Thoughts

Okay. I have no idea what to expect now. As always, spoilers under the cut.

This episode shook things up by starting off with a flashback, involving the time Bucky spent in Wakanda after the events of Civil War. It’s the moment where Shuri managed to remove the Winter Soldier programing from Bucky’s brain, and Ayo is personally performing a test to make sure the procedure was truly successful. As many people have already discussed, this whole scene was masterfully done. As Ayo is reciting the Winter Soldier Activation Words, Bucky’s utter fear of relapsing is tangible in his face and voice. But as the test continues, the fear in Bucky’s face slowly is replaced by disbelief and elation. Because he’s realizing the Winter Soldier Activation Words aren’t affecting him anymore. But it’s not until Ayo directly tells him that he’s finally free that he fully lets himself believe it, and he breaks down crying from the joyful relief. Anyone who tries to claim that Sebastian Stan isn’t a phenomenal actor has clearly never watched this scene.

Of course, this flashback ends up being immediately contrasted to the present day scene, where Ayo is confronting Bucky in Latvia over the issue of him helping break Zemo out of prison. We saw in the flashback that Ayo was the one who personally tested Bucky to ensure he was freed from the Winter Soldier programing, which suggests they had a personal bond. But now, that bond has been damaged because of the whole issue with Zemo. I fully understand why Ayo is angry about this. After all, she’s not only part of the Dora Milaje, but she’s the second in command of that band of elite warriors. As such, her first priority will always be to Wakanda and it’s throne. And we all remember that Zemo was directly responsible for the death of the late King T’Chaka, so it’s natural that he’d be considered their enemy. Plus, while it’s been a while since I saw Civil War, I think it was Ayo who was supposed to be protecting King T’Chaka at the time of the UN bombing. If it was, that would further explain why she’s so miffed, because she must feel like she’d failed in her duty to protect him because of Zemo’s actions. (And, in a way, Zemo’s actions in Civil War probably also led to the events of Black Panther. Because without King T’Chaka’s death, there might not have been that power struggle between T'Challa and Killmonger.) But now, Bucky assisted Zemo’s escape from prison. The same Bucky who the people of Wakanda had taken in, cared for and helped get his life, identity and autonomy back. Yeah, I can see why Ayo would take this personally. Bucky really should have checked in with them before doing what he did. Granted it was a spur of the moment decision and he probably didn’t have the time to contact them in order to give them a heads up about it, but the point still stands. Still, when Bucky explains he needs Zemo to finish his current mission in stopping the Flag Smashers, Ayo reluctantly agrees to give Bucky a mercy period of eight hours. At which point the Dora Milaje will return in order to take Zemo into their custody.

After Ayo leaves, Bucky rejoins Sam and Zemo, and they begin discussing the issue of Karli and the Flag Smashers. Sam says that he wants to try reasoning with Karli in order to come up with a peaceful solution. Because he understands where she’s coming from in regards to how she clearly feels the world is not listening to her people and properly addressing their needs. But he doesn’t agree with her methods of fighting. Zemo, however, doesn’t think it’s possible to reason with Karli because of her taking the Super Soldier Serum. His argument seems to be that everyone who has ever taken the Super Soldier Serum gets corrupted in some way. The only exception to that rule was Steve Rogers, but Zemo points out there has never been another Steve. (Interestingly, when he says this, the camera seems to focus on Sam. I wonder if that was an intentional decision or just a lucky accident.) And yes, they also don’t really acknowledge the fact that Bucky didn’t become a Super Soldier voluntarily. Unlike Steve and the Flag Smashers, he wasn’t given a choice in the matter. But I guess that’s beside the point.

To be honest, I’m not exactly sure what Zemo’s goal is right here. Because he does seem to be sticking around with Sam and Bucky, even though he had a few chances to give them the slip. But at the same time, this is still Zemo. And he seems to have a major grievance against Super Soldiers and all enhanced individuals. Which probably explains why he’s sticking around, considering the mission involves the Flag Smashers, who all injected themselves with the Super Soldier Serum. But is he eventually planning to try and take down Bucky, too?

In any event, the trio decide their best chance of getting Sam his opportunity of sitting down and talking with Karli is at the funeral of that woman who we saw die in the last episode. Because this woman was apparently well-loved by the community. (Side note, I shared Bucky’s confusion when Sam begin talking about his TT. I have never heard that particular slang word for aunt before. Is this a regional/cultural thing?) They do manage to determine the location of this funeral thanks to Zemo, who manages to gain the trust of this one little girl by offering her some Turkish Delight. The Lion, The Witch and the Wardrobe vibes aside, that was a pretty good idea. I don’t even remotely like this guy, but I can admit he’s smart. But them, when they’re on the way to the funeral, John Walker pops up, being his usual likable self. He argues with Sam for a bit over Sam’s intention to try talking with Karli in the hopes of coming to a peaceful resolution, which contradicts with Walker’s plan of just apprehending her. Thankfully, Lemar Hoskins is able to convince Walker to at least try giving Sam a chance.

After the funeral, Sam approaches Karli and begins to talk with her, utilizing his skills as a councilor and therapist of war vets. And he’s actually starting to get through to her. But then, Walker botches it all up. Because he just couldn’t give Sam the ten minutes he requested and barges in to arrest her. Which results in Karli thinking that the whole thing was just a setup and throwing all of Sam’s progress with her out the window. Karli and the other Flag Smashers end up getting away, but in the process, Karli had a brief run-in with Zemo. And their confrontation resulted in Karli accidently dropping the vials of Super Serum she’d been carrying around in her fanny pack. Zemo, going along with his whole shtick of enhanced individuals must go, starts to destroy the vials. But while he’s doing so, Walker comes up and knocks him out with the Shield. And that’s when Walker sees that there’s only one vial of Super Serum remaining. Unbeknownst to Sam and Bucky, he secretly ends up pocketing the vial before they arrive on the scene.

Sometime later, they’re all back at that apartment(?) where Bucky, Sam and Zemo have been crashing in Latvia. Walker decides enough is enough, and he’s going to return Zemo to his cell in Germany. But that’s when Ayo and the other Dora Milaje appear. It seems that the eight hours that Ayo gave Bucky are up, and they’ve also come for Zemo. Of course, Walker, being the arrogant moron he is, is rather dismissive towards the Dora Milaje, trying to claim that they don’t have jurisdiction there. Which leads to Ayo stating her epic line, of how the Dora Milaje have jurisdiction wherever they are.

https://youtu.be/jG8u1UdD-T0

When Walker proceeds to neglect to show the proper respect towards Ayo and the rest of the Dora Milaje, despite Sam’s urging to not start anything with them, Ayo proceeds to put him in his place by giving him the beatdown he deserves. And I really like how Bucky seemed content to just sit back and watch it happen, embodying the viewing audience in the process. (His ‘looking strong, John’ was just so wonderfully snarky.) Eventually though, Sam gets Bucky to step in.

Of course, that leads me to the part where Ayo reveals she can detach Bucky’s vibranium arm with just two moves. Which seems to be a pretty polarizing moment in this episode. Okay, I acknowledge that this whole situation is extremely complicated. And as I stated earlier, I fully appreciate that Ayo is feeling particularly betrayed by Bucky’s actions in assisting Zemo’s escape from prison without discussing it with the Wakandans first. That being said? DUDE! I know it’s easy to forget sometimes, but the fact remains that Bucky is an amputee. A man with a physical disability. You don’t up and remove a disabled man’s prosthetic limb without his consent! What’s wrong with you? It’s the same as going up to a deaf person and ripping out their hearing aid, or taking away someone’s wheelchair!

Also, it’s possible I missed something about this scene, but the way it was set up doesn’t make a lot of sense. I didn’t see anything to suggest that Bucky and Sam were attempting to prevent the Dora Milaje from leaving with Zemo. If Walker hadn’t started trying to throw his weight around, they probably would have allowed it without an argument. Bucky only intervened in the ensuing fight in order to dissolve the situation. And when he stepped in, it almost looked as if Ayo was preparing to make a killing blow. Which is way extreme because, while Walker is an arrogant, smug prat and deserved to get knocked down a few pegs, at this point, he hadn’t really done anything to warrant getting impaled by a spear. Yeah, I get Ayo and the other Dora Milaje are undoubtedly super angry right now because of the whole Zemo thing and tempers are running high. But at the same time, that fact alone means they really shouldn’t be acting rashly. Oh, at it gets better. Because while everyone was distracted by all the fighting, Zemo slips into the bathroom and manages to escape by moving the bathtub aside and slithering away down the drain like the snake he is. (Exactly how big are the pipes in Latvia?) So because of all this fighting, Zemo is now roaming around free somewhere, and the Dora Milaje have to leave without him. I repeat, I fully get this is a complicated, complex situation, and I understand where they’re coming from. But perhaps if the Dora Milaje didn’t start fighting with Bucky and Sam when they stepped in to interfere with Walker’s well-deserved beatdown, maybe Zemo wouldn’t have gotten away. Just saying, they were doing a pretty good job of keeping Zemo on a leash up until now.

So anyway, in the aftermath of this fight, you see Walker starting to have a mental breakdown. Because he is completely flabbergasted that he was effortlessly taken down by the Dora Milaje. Because while they are unquestionably highly skilled and trained warriors, they are still completely ordinary people. Not a single one of them have been injected with the Super Serum. So how is he supposed to manage going up against the Flag Smashers, who are Super Soldiers? (It’s also possible that Walker’s despondency over this is partially fueled by him having sexist and xenophobic viewpoints, considering the Dora Milaje are all African women, but that’s open to interpretation.) While he and Hoskins are sitting at a diner somewhere, Walker, clearly thinking about the fact that he has the last vial of Super Serum, asks Hoskins if he would take the Super Serum if he had the chance. Hoskins states he would take it. Which is clearly meant to parallel an earlier scene, where Zemo asked Sam if he would take it if it was ever offered. Because Sam stated he wouldn’t without hesitation. Which once again further cements the fact that Steve made the right choice in choosing Sam as his successor. (It’s also evident by the fact that Sam is the one trying to find a peaceful resolution with the Flag Smashers, while Walker is simply trying to charge in and simply take them out.)

Things come to a head when Karli actually calls up Sam’s sister, Sarah, and directly threatens her and her kids in order to give Sam an incentive to meet with her again. So Sam, with Bucky accompanying him, suits up as Falcon in order to confront her. Karli attempts to try and convince Sam to join up with her, but Sam still insists that, while her goal is honorable, there’s a better way to fight without resorting to violence (such as blowing up buildings with innocent people inside). But once again, Walker mucks it all up. Because, Sam is then contacted by Sharon Carter. Who seems to be able to track Walker via satellite? Which seems to contradict something she said earlier about not having access to satellites, unless I misheard that line. Yeah, Sharon is kinda shady in this episode. If the fan theory that she’s actually the Power Broker turns out to be right, I won’t be that shocked. In any event, it seems that either Walker and Hoskins ended up going after the Flag Smashers again or Karli’s meeting with Sam was just a diversion to keep Sam and Bucky out of the way while the Flag Smashers tried to go after Walker in order to kill him. I’m not sure which it was. But regardless, Sam and Bucky immediately go off to try and find Walker before it’s too late, with Karli also running off to join the fight.

Here, it’s one big action sequence, with Bucky, Sam and Walker fighting against Karli and the Flag Smashers. Hoskins eventually joins in the fight as well (he was absent from the start of the fight because he was jumped by some of the Flag Smashers and was briefly tied up in a bathroom somewhere until he managed to free himself). But in the mist of the battle, Karli ends up either kicking or punching Hoskins into a stone pillar with full Super Soldier strength. And the impact apparently snaps Hoskin’s spine, killing him instantly.

Okay! I was seriously not expecting them to kill Hoskins off like that! And it’s a shame, too. Because while I barely knew Hoskins, he still seemed like an okay guy. At least he was the one who, however briefly, convinced Walker to at least try to give Sam a chance to talk to Karli. Which indicated he wasn’t as gung-ho and impulsive as Walker is. Unfortunately, it seems that Hoskin’s death was the breaking point for Walker, because he immediately snaps. And while Bucky and Sam go after Karli when she makes a break for it, Walker goes right for the other Flag Smashers. He quickly corners the Flag Smasher called Nico, who I think was Karli’s right-hand man, in the middle of a crowded square. And, in full view of everyone, mercilessly murders Nico with the Shield. And he is showing no reaction to the fact that the onlookers are all staring at him in shock and horror, or even that some people were filming him with their camera phones. He simply straps the Shield, which is now covered with blood, onto his arm. And that’s where the episode ends.

Well, crap! That’s a rather dark note to end the episode on. Clearly, Walker is unstable. And I have no idea what the final two episodes of this show will be like. The even more chilling aspect is that, while it’s not explicitly stated, it’s implied that Walker might have already taken the Super Serum! And this show of rage and aggression was the result of it. After all, as Dr. Erskine had said way back when, the Serum elevates everything. Good becomes great, but bad becomes worse. And Walker was clearly undergoing a phycological breakdown to begin with. So if he’s taken the Super Serum (like we were probably supposed to assume he did when he effortlessly bent a metal pole like a pretzel during the last battle scene with the Flag Smashers), then he must be REALLY unstable now! And now, the Shield, the very symbol of Captain America (which is tied to Steve Roger’s legacy), is now tainted by a bloodstain. Again, I have no idea where the show plans to go from here on in.

Speaking of the Shield? On a closing note, I do have to address the fact that Bucky once again scolded Sam for giving away the Shield in the first place. *Sigh* Okay. Bucky? I love you, man. You’re my favorite character in the MCU so far (apart from Goose, of course). But you really need to stop blaming Sam for this. Because Sam didn’t give the Shield away like you’re suggesting. That’s not what happened. Sam donated the Shield to the Smithsonian, with the understanding that it would be kept there, as a monument to everything Steve Rogers did and stood for. It was the US Government who went behind Sam’s back and took back the Shield in order to hand it over to Walker. Sam didn’t know they were going to do that until after the fact. Yes, Bucky has every right to be mad about what happened. His feelings are justified and valid. (Particularly if they end up revealing what I think they’re going to reveal.) But he’s taking it out on the wrong person. And he really does owe Sam an apology.

#falcon and winter soldier #falcon and winter solider series

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echo-bleu · 5 years ago

Text

Brothers

A little Manes brothers canon divergence for @eveningspirit ‘s birthday! I hope you like it :) It also happens to fit with today’s @alexmanesappreciation theme: legacy.

[concussions, mentions of vomiting, mentions of abuse, mentions of the shed scene]

The exact sequence of events that leads to him, Flint and Gregory sitting together on a mattress in the bared living room of a house he doesn't know will remain blurry in Alex's memory. He puts it on the massive concussion he sustained at the hands of his own father, because he was careless enough to let his guard drop for ten seconds and the bastard managed to sneak up on him.

He remembers waking up in his childhood home and almost throwing up on the floor of the basement at the goddamn awful feeling of being back there−or maybe that was just the concussion. Probably the concussion.

He'd suspected that his father was faking most of the consequences of his stroke for a while, and he'd known about the bug on his phone for days. He just didn't expect his father to act so fast, in the middle of the junkyard, when Alex was supposed to report back in the morning.

Maybe Jesse heard something in his voice down in the bunker. Alex let his emotions carry him away and said more than he meant to, so maybe his father figured out that he was made somehow. Either way, he got the drop on him, and Alex woke up with a killer headache, pissed off, confused, and, yes, scared. Even after all these years, after three tours overseas, his father still scares the shit out of him.

The one who greeted him upon waking up, however, was not his father. It was Flint, a gun in his hand and a hard look on his face. Alex's sudden hope that Flint was here to free him was squashed quickly at his sneer. He listened to Flint and their father argue up in the living room about where to keep him for hours−something about Jesse grabbing him too early, before things were ready−before Flint came to get him. He'd learned his lesson from last time, because he stayed out of range of Alex's zip-tied hands the whole way out of the house. Alex nearly fell down the stairs at least three times because of the dizziness, and threw up, with some satisfaction, on his father's shoes.

It's been days, but he's still dizzy and nauseous all the time, and the killer headache is a constant companion.

Greg's hands are on him, checking him over. He finds one of the bumps on his head and Alex flinches away, almost overbalancing off the mattress when the cuff on his wrist pulls him back. “Are you alright?” Greg murmurs. Alex nods, and immediately regrets it as it sends a spike of pain down his spine.

“What the fuck are you doing here, Greg?” Flint growls. For once, he doesn't have his gun in his hand. Alex realizes that it's because the gun is tucked in Greg's waistband and he frowns, trying to keep it in his line of sight just in case. He thinks Greg actually cares, that he's not in on this with Flint and their Dad, but if he's not, why is he here?

“Now that's a real funny story,” Greg smirks mirthlessly. “Why don't you sit down, Flint?” He formulates it as a question, but it's obviously an order. And in a situation where there's only one gun, ranks don't matter much. Greg is out of the Navy and Alex outranks both of them anyway. Flint slowly drops to the floor, just outside the mattress, and crosses both his legs and his arms petulantly.

“See, yesterday morning, I got a call,” Greg stars. “It's the funny thing about being the only one in our family Alex trusts enough to list as next of kin. You get these calls. I got one before,” he nods to Alex's leg. “No, two, actually. There was that one time−” Alex glares at him and he rolls his eyes. “Okay, okay, back to the point. I was told that Alex had been AWOL for 72 hours, and they were looking for him.”

Alex winces. Of course he already knows that crawling this way out of this one, even if everything ends well and no one dies, is going to be impossible. Being AWOL will earn him jail time, which is already bad, but if they start looking into his recent activities out of suspicion...well, he hopes to God that Liz has really emptied the lab, or things will get a hell of a lot more complicated.

Speaking of Liz...

Helena Ortecho was a surprise. There's a kind of irony in there, that Alex would be more surprised at being held captive by a woman he hasn't seen in over a decade than by his own family. He wonders what Liz would think of Helena being a kidnapper−or of her being more motherly to him that he's ever seen her be to Liz and Rosa. She watched Flint tie him up to a radiator without a word and then brought him food and clothes that weren't covered in vomit and dust, even getting Flint to briefly untie him at gunpoint to get his arm through the sleeve. Alex might have tried to seize the opportunity to fight back if he'd been able to see straight.

“Now I'm a good brother, and I know there's no way Alex would go AWOL without a good reason,” Greg continues. “Especially the day after he drove to the rez with a bunch of suspicious people who are supposedly his friends, and tells me he thinks that Dad has changed.”

Flint huffs.

“Yes,” Greg nods. “Either our baby brother really is more naive than we thought, or something fishy is going on.” Alex rolls his eyes, and Greg just glares at him.

The last few days, after getting to the house, are even more fuzzy. Alex remembers trying to push the mattress against the wall to get a better range of movement, and Flint coldly making him pull it back. He remembers pulling off his prosthetic, his stump swollen and sore from too much time with it on, and then trying to hit Flint with it the next time he came by, which earned him what is probably a second concussion from the butt of his brother's gun. He doesn't really remember anything since then. From the stubble on his face, it's been at least three days, but time is wonky and his mind unreliable.

Which brings him to now, and now has Greg sitting beside him on the mattress. Alex tries to blink away the confusion and sit up properly, wincing when his stump moves on the mattress. Days without a shrinker will make it a bitch to get back into the prosthetic.

Greg shifts. “I took a family emergency day, since that seemed to be the case, and I drove to Roswell. I had to look up my own brother's address in the phone book,” he glares again.

Alex throws his free hand up. “Hey, you're the one who didn't want to come.” His voice is weak and hoarse from disuse, and Greg looks more concerned than chastened.

“Right. I broke in−sorry, Alex, I'll replace the lock if you want me to. Alex's house was empty but his suitcase was still waiting on his bed. So I looked up Isobel Evans.”

“Really? Isobel?”

Greg shrugs. “I don't know what's going on between you, Guerin and Maria, but I'm not getting in the middle of it. Besides, Isobel seemed the most sensible of all of you.”

“You're just attracted to her,” Alex mutters.

“Alex, the choice I had was her or her brother. I know you're gay, but would you really go to Max Evans first?”

“I see your point,” Alex concedes, though he's still really not sure “sensible” is the adjective he'd use to describe Isobel. His muddled brain can't seem to come up with a better one, though, so he lets it go.

“All Isobel could tell me was that no one had seen you since you came back from the rez, but she got everyone moving to find you. Guerin went at it with Dad, got him to admit that he got to you first and Flint took you from him. Don't ask me how, I don't know.”

Isobel, Alex thinks after he's parsed all this−with at least a thirty-second delay. Isobel must have gone into their Dad's head, he would never have told them that willingly. But Greg doesn't know about aliens and there's no way he'll risk telling Flint something he could use against them, so he keeps quiet.

“After that, it wasn't hard to follow Flint here from his place,” Greg finishes. “I disarmed him once I confirmed you were here.”

Flint grunts. Alex looks over at him, amused. He's never been the best at self-defense, even when they were kids, too easily overtaken by his temper.

“Now will someone explain to me what's going on here?” Greg straightens up more, in a stance that looks relaxed but Alex can feel is fully vigilant. He may be missing part of the story, but he's a force to be reckoned with.

Alex and Flint exchange a glance. Somehow even as they stand on opposite sides of this fight, this decision−tell Greg about the aliens or try to lie their way through some kind of resolution−comes down to them. “Where's Helena?” Alex asks.

“In town,” Flint answers, some of the confrontation gone from his tone. “She won't be back for a few hours.”

“Who's Helena?” Greg asks.

“Flint's accomplice,” Alex answers. “Ironically also my friends' mom.”

“Which friends?” Greg frowns.

“Liz and Rosa. You remember them?”

Greg nods. “Rosa was the girl in Flint's year who died, right? Her mom is helping you?” he asks Flint.

Flint shrugs and looks at Alex again, trying to communicate something silently. Alex doesn't bother figuring out what it is. His head isn't quite clear enough to see all of the implications, but he already knows that there's no way Greg will settle for anything short of the truth. And Greg has always been very good at reading his brothers.

Plus, Greg is in control here, and he's been more than sympathetic to Alex since his injury. This could come out well for Alex, so he won't let Flint turn this to his advantage.

“Dad tried to take me down because I've become an inconvenience to his little genocide plan,” he says before Flint can stop him. “Flint thinks he can use me to get Michael to build him a bomb.”

That's the little he's gathered from Flint's talk with Dad the other day, and from Flint and Helena's interaction. He has no idea where Helena comes into it or how she learned about aliens, but he knows Flint's motivations well enough. They've been clear since Caulfield.

“Wait, genocide? Bomb?” Greg spits out in shock. Then he shakes his head, as if realizing that he shouldn't be surprised. “What the fuck are you doing, Flint?”

“They're invaders,” Flint says. “They're dangerous.” He's looking at Alex rather than Greg, as if he's trying to convince him. Alex wonders if he's not still trying to convince himself. Dad's twisted ideas coming from Flint's mouth sound so perverted and out of place.

“They're people,” Alex shoots back.

“They're aliens!”

“They're refugees!”

“Whoa,” Greg throws up his arms. “Am I missing something obvious or did you suddenly become a racist asshole? Are you even hearing yourself?” he asks Flint. Flint has the good grace to look a little abashed.

“Literal aliens,” Alex mutters. “We're talking about actual aliens.”

“Are you fucking kidding me?”

“Not even a little,” Alex sighs.

Greg closes his eyes. “Okay. Aliens. And Dad−”

“Wants to kill them all. Kept some of them prisoners for decades and experimented on them.”

Alex watches both Greg and Flint's face closely as he says that. Greg's is suitably horrified, but he doesn't know how to interpret Flint's expression. It's not disgust. It's not glee, either. He may be parroting Dad's rhetoric, but he's not lost to it.

“Dad was just trying to protect us,” he says. Not perfectly assured. The facade is cracking.

“Was?” Greg notices.

“He's been weaker, since the stroke.”

“You know he's faking the limp, right?” Alex asks.

A shadow goes through Flint's gaze. “Of course,” he says, but it's obviously a lie.

“Another lovely moment, finding out my father has been faking a disability for months when he hit me over the head with his cane,” Alex casually turns to Greg. Flint winces, glancing down at Alex's empty pant leg. “I love how well we communicate in this family.”

“Alex−” Flint starts.

“You don't get to say anything. You've been holding me chained up for days against my will. You've lost the right to tell me how great a family we are.”

“I'm still hung up over the alien thing, but I have to agree with Alex here,” Greg says. “What the fuck were you thinking, Flint?”

“He wants Michael to do something for him,” Alex says when Flint doesn't answer. “I don't even know why you'd think Michael will do anything. We're not together. And you're asking him to build a bomb designed to wipe out his entire species, Flint.”

“Wait, wait, Guerin's an alien?” Greg interrupts him.

“Yep,” Alex pops out the 'p'. “That's Dad's great threat to earth. Three orphan refugees who just want to live their life.”

“They're not alone,” Flint mutters, at the same time as Greg asks, “Three? Who else?”

“Max and Isobel Evans,” Alex smirks. The cat is out of the bag anyway, since Flint knows, and this little revenge feels good. Having one of his brothers on his side will feel good.

Greg blinks. “Okay,” he drawls out. “Let me get this straight. Guerin and the Evanses are aliens, even though they look just like us. And Dad knows about this, and wants to...wipe them out? And you're helping him?” he points to Flint.

“It's not just them,” Flint says. “We had specimens in Caulfield who could cause cancer with a simple touch, blow up whole buildings. They have dangerous powers.”

“And you have a gun,” Alex says. “How is it less dangerous than any of those powers? Powers, I should add, that Dad had no trouble using for his own agenda when it came to eliminating Jim Valenti.”

“Jim Valenti was killed by Subject N-38,” Flint frowns.

“And what, you think he went into his cell for fun? I have all the video surveillance, Flint. All the records. Decades of Dad and our grandfather randomly torturing people before going home for Sunday dinner.” From those surveillance tapes, he knows that Flint never had real contact with any of the prisoners. He never even went beyond the upper level, where he did the designs for his bomb. Alex spent hours and hours watching those tapes. “They're the same as us. Just people.”

“They want to wipe us out,” Flint says.

“They're my family,” Alex counters softly.

The shock on Flint's face would be comical, if it wasn't so painful. Greg's gaze on Alex is lost and sad. “They're more my family than you've ever been,” Alex adds for Flint.

He tries to mitigate that blow by putting a hand on Greg's arm, to show him that he doesn't mean him, but Greg shakes his head and gently moves away, guilt obvious on his face. Alex pushes through and leans his shoulder on Greg's, welcoming the support. His head is clearer now, but he's aching all over.

“Did you ever stop to think, when you were overseas?” he starts, his voice barely more than a whisper as he's trying to conserve some energy. “When you pointed your gun at insurgents or civilians or whoever it was that day you were ordered to contain or kill, did you stop and wonder who they were? If they had a life, too, a family? A brother?”

Flint looks away.

“Michael was the first person who really understood,” Alex continues. “He grew up in the system and he got the worse luck. He made me feel safe, for the first time since Mom left. He made me feel like I could get out of Roswell, escape Dad.”

“What happened?” Greg asks in a murmur.

“Dad found us,” Alex answers. “He didn't know what Michael was, but it didn't matter. He knew what I am. He started to choke me, and Michael tried to step in, so Dad took a hammer to Michael's hand.”

Neither of his brothers look shocked. Greg is clearly pained, and he drapes his arm around Alex's back in comfort, and Flint won't look at him, but they're not shocked. That's probably the saddest thing, that they all know exactly what Jesse Manes is capable of.

He waits until he's caught Flint's eyes again. “Michael's mother was in Caulfield,” he says. “He got to see her blow up with the building. He wanted to stay with her. He dreamed of going to college, but he stayed in Roswell because his sister needed him. He used to play the guitar while I sang, before Dad ruined his hand. That's the threat you're trying to eliminate, Flint.”

Flint swallows. “Did Dad really kill Jim?”

“I have the video on a secure network,” Alex nods. “We'd have to go to my place to show you, but yes. He did. I'm sorry,” he adds after a moment.

“Why are you sorry?”

“I'm sorry that Dad isn't the man you wish he was. I wished for something else for a long time, too.”

Flint stands up suddenly, and starts pacing. “I've read the reports,” he says. “The aliens attacked people when they arrived. And there's been thirteen murders in the last ten years done by aliens.”

Greg looks at Alex. “Is that true?”

“Yes,” Alex sighs. “They're people. No worse than us, but also no better. We found the murderer. He's dead now.”

“We're talking about a serial killer, Alex!” Flint loses his cool. “What if they're all like that?”

“What if they aren't?” Alex yells back. He regrets it as the sound rings painfully inside his head. “Tell me how many times you've heard that same question asked about Native men, Flint.”

Flint opens his mouth, and closes it again. He paces the length of the room faster, giving the edge of the mattress a kick when he passes by.

Greg clears his throat. “Can we go back to the bomb? What the fuck is it?”

“It's not really a bomb,” Flint says. “It's a chemical agent, designed to eliminate people who have specific DNA strands.”

Alex can almost see the cogs turn in Greg's head. “How do you plan on dispersing it?”

“My team designed an atomizer,” Flint explains. He looks hesitant, like he knows he shouldn't be talking about that but he can't quite remember why. They've got through to him at least a little, Alex realizes. “I just need someone to build it.”

“Michael,” Alex explains for Greg's benefit. “He's a mechanic. And a genius.”

“So it's not a sanctioned mission,” Greg raises his eyebrows. “You and Dad have been working on this for...how long? Years? A Manes family mission to commit genocide?”

“We're doing what needs to be done,” Flint stops pacing and stands at attention.

“By fucking kidnapping Alex? Flint, did you stop even once to think about what you're doing?”

“They got into Alex's head. I'm doing this for his own good.”

Alex lets himself fall back until he's lying down on the mattress, prompting his brothers to look at him. His headache is getting worse, not better. “His words, in your mouth,” he tells Flint. “I expected that from Clay. Not from you. Have you forgotten everything, Flint? All of Granddad and Granny's history lessons?”

Flint looks away. Greg seems to seize the opportunity, and he stands up and grabs Flint's arm. “Let Alex go, Flint.”

“I can't.”

“Do you remember the last time we were all at the house together?” Greg lowers his voice, almost as if he doesn't want Alex to hear, but the room is small. “We promised we'd look out for him,” he nods toward Alex. “That we wouldn't let Dad get to him again.”

“He shouldn't have come back to Roswell,” Flint sets his chin stubbornly.

“Maybe not. But he's still our brother. We need to stop failing him.”

For the first time, Flint truly looks torn. “I'm trying to protect him from the aliens,” he says slowly.

“I think you and I both knows that's not who we need to protect him from,” Greg says.

Alex resists the urge to retort that he can protect himself−his current situation would tend to disagree, although he swears he'll free himself the minute his head stops swimming−and finds himself feeling oddly touched.

Flint looks down at his shoes.

“Let him go, Flint.”

“Fine,” Flint finally relents. He grabs a key from his pocket and tosses it to Alex, who scrambles to open the cuff around his wrist.

He eyes the gun in Greg waistband again, trying to figure out if it's worth making a go at it, but he decides to trust Greg. It's not like he can stand up, anyway.

“What now?” he asks.

“We should really get you to a hospital,” Greg says.

“No. I need to see that Michael's okay. And I need to stop their plan,” he waves at Flint, including Helena and his father as well. He gives Flint a defiant look. “I can't let you harm them.”

“I know,” Flint sighs. “Helena's gone to bring Guerin here.”

“Will you stand down?” Alex asks him. “Let me do what I have to do?”

“I won't try to harm you,” Flint holds his empty hands up in a surrendering gesture. “Or your family,” he adds reluctantly.

“Good.” Alex turns to Greg and holds a hand up to be helped into a standing position. “You have a phone? I'm going to need it.”

“Who put you in charge?” Greg asks, amused. “You have a concussion, Alex, you need medical care.”

“I know. I'm doing to call my doctor,” Alex answers. “After I call Michael, anyway. Anyone know where my leg is? We have a lot of work to do.”

#roswell new mexico #alex manes #alexweek2020 #gregory manes #flint manes #roswell nm #mine #echo's fanfiction #manes brothers #eveningspirit

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plays-the-thing · 4 years ago

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The Mandalorian S2: Style Over Substance – A Companion Piece

This is a companion piece to this video where I examine the strengths and weaknesses of the first two seasons of The Mandalorian. It’s a collection of ideas and evidence that were cut for time or focus reasons from the main video. I’ve included both timestamps and quotes of what section of the video each idea refers to. Under a cut for length.

[1:48] Akira Kurosawa, whose movies would be very important in the western genre was very big on complete and realistic sets and effects because it helps the quality of an actors’ performance.

“The quality of the set influences the quality of the actors' performances. If the plan of a house and the design of the rooms are done properly, the actors can move about in them naturally. If I have to tell an actor, 'Don't think about where this room is in relation to the rest of the house,' that natural ease cannot be achieved. For this reason, I have the sets made exactly like the real thing. It restricts the shooting but encourages that feeling of authenticity." – Akira Kurosawa, Something Like an Autobiography

[2:27] Like the original trilogy, The Mandalorian has its fair share of humor. The sequel trilogy also had a lot of humor, and was criticized for it, but it wasn’t the humor itself that I think people had a problem with, it was how the humor was done. See, in the original trilogy humor never changed or undercut the overall tone of a scene. If a scene is tense humor might lighten or even break the tension but never undercut it. The original trilogy would never, ever, make fun of the plot, character, or scenes in its own movie. The Mandalorian follows this mold of lightening or breaking tension without undercutting the scene itself which also helps it feel like the OT.

Just Writes video on Bathos is a good expansion on this idea. Personally, I find that particular brand of humor, popularized by the Marvel movies, extremely off-putting because it just screams at me to not take the story seriously and that makes it pretty hard for me to stay immersed in it. My three favorite marvel movies are Guardians of the Galaxy, Black Panther, and Thor Ragnarok because Black Panther doesn’t really do that kind of humor and Guardians and Ragnarok manage to make it seem natural by genuinely being comedies.

[7:18] This brings us to Episode 4. Last time I criticized this episode, but I wasn’t very specific, I just mentioned that we were starting to get away from showing and towards telling. Let’s take a closer look.

The first part of this scene, where the kid was being a nuisance, was actually really good. It kind of seemed like it was going to lead into some genuine frustration with him being a nuisance and therefore maybe some drama in their relationship.

[9:51] Cowboy Bebop is another space western with a strong style and a mix of vignettes and episodes which advance a characters story. But every single episode builds up the themes of the overall story even if the plot has nothing to do with it.

To be fair, not every episode builds up *Spike’s* story and themes, but Cowboy Bebop has four main characters and every episode works towards at least one of the characters’ stories, characterization, or relationships.

[12:20] Mando’s mistrust of IG, when they really have quite a lot in common, speaks to something about his character.

What does it speak to exactly? Well, everyone might have their own opinion about that but here’s mine:

IG-11 used to be a hunter, but now Queel has reprogrammed him. Mando still sees the droid as the hunter and is adamant that it can’t be trusted no matter how much Queel insists that Mando must trust his work reprogramming the droid as an extension of trusting Queel himself.

Now, why does Mando hate droids so much, and particularly this droid? Well, that’s an open question, but I have my theories. Part of it is the trauma he experienced when he was young, but I think it runs deeper than that. You know how sometimes the traits that really bother you the most in other people are the things that you don’t like about yourself? The IG-11 that Mando met is a lot like the part of Mando that I’ve been calling “The Professional.” IG is efficient and ruthless, just like Mando on a job. They are deaf to moral and personal appeals in the face of a contract. This is also the part of Mando that took the kid to the Imperials in the first place, the part that he conquered and redeemed by the end of the third episode.

But IG has been reprogrammed. Just like Mando, he has changed and now cares for the child over himself. IG even develops a personality, and at one point attempts to tell a joke. But because IG reminds Mando so much of that part of him he had to defeat, he can’t bring himself to trust him. The tension between them persists pretty much up until IG fully demonstrates to Mando that he is there both to care for the child, and for Mando. In this moment Mando begins to really see how similar they are.

This connection makes it hard for him to let IG make his sacrifice, and he even appeals to this by telling IG that he thought his old core functionality was gone. But by reactivating his old functionality as a part of his new core function, IG is also giving Mando a template to incorporate his Professional self into his new self. He shows Mando that those two halves of his self that came into conflict back in the beginning can be synthesized into one new whole. He doesn’t need to reject any part of his identity.

Then the newly synthesized Mando dons his jetpack, fulfilling his only stated desire in the entire season, and defeats a scenery chewing villain to win the day.

But that’s just my interpretation, and I’m willing to haggle over what exact interpretation the evidence best supports.

[15:29] Speaking of Luke, let’s talk about fanservice. Now to be clear, there’s nothing intrinsically wrong with fanservice, what matters is what always matters: how you use it.

This also applies to the other two “Trademarked Star Wars Problems” I mentioned in the last video: repetitiveness and hamfisted merchandizing. These things are not necessarily bad. For example:

I would bet Baby Yoda is the most successfully merchandized product since the OT, but there’s nothing wrong with that because they’re part of the story being told. Baby Yoda doesn’t distract from the story, they are part of the story. On the other hand you have Ewoks, which were originally going to be Wookies. I would bet they went with Ewoks at least in part to sell more cute toys…but at least they still sort of work with the story. In TLJ the penguin things are there for no other reason than to be cute and sell toys. Same with the crystal dog. They have literally no purpose in the story, and their obvious and prominent inclusion only to sell toys distracts from my immersion.

Obviously repetition is part of stories. That’s why we have tropes, and the Hero’s journey, as tools for a writer to communicate information quickly. Just from his outfit we know a lot about Han before he ever opens his mouth, same with Obi-Wan. In RotJ, the heroes need to blow up the Death Star again. It’s kind of annoying that we’re literally doing the same thing we did two movies ago, but at least it’s a little different. In TFA Han Solo reassures us that the Starkiller Base isn’t that big of a deal by saying “don’t worry, there’s always a way to blow it up.” This is an example of a character reaching out from the script and telling the writer to change their story because the repetition is getting ridiculous.

[18:32] So…why is it here? Yeah, I know who Thrawn is. I don’t know why Ahsoka does, or why she cares, or why I should care. If the writer had cared about that they would have made her talk to Mando about it so she could give some sort of story or character-based explanation for why she cares, instead of just dramatically saying his name.

I mean I know the most likely reason it was here: to build hype for her solo show, but they could have done that without punching my immersion in the kidney.

[20:20] So it was no surprise that in the end the Expanded Universe’s greatest hit of all piloted his X-Wing into the show. But, I didn’t mind this. They had been seeding that a Jedi would be coming to collect Groghu for a while now, and if you had been running through the timeline in your head you were probably at least half expecting this. It’s foreshadowed well, it’s part of the story, and it triggers our emotional climax.

The reveal is quite well done too. First it’s an X-Wing, then we see a Jedi dressed in Luke’s RoTJ gear but it’s over the security cameras so there’s no color, then we see it’s a green lightsaber, then they clearly show that it’s Luke’s lightsaber hilt, then they finally have him peel his hood back. Each small reveal builds up the suspicion in your mind that it’s Luke until it’s confirmed.

That being said I would totally understand if someone thought it was obnoxious and hamfisted to shove Luke into another story, even though it did work for me.

[29:12] Parts of it even connect back to Mando’s story and character, though not in a new way because it’s mostly a redo of Mando’s relationship with IG last season.

I understand that Mando breaks his rules a little bit more here, but it’s still a riff on the same theme of: Mando has a conflict with a character, the he sees the similarities between between them, and then circumstances force Mando to take his helmet off in front of the character.

However if his arc with the other Mandalorians was functioning properly than this could work as a synthesis of a change in ideology and a reassertion of his willingness to bend the rules, but instead it just comes across as another redo of stuff in the last season. It’s still halfway functional because by this point it’s easy to forget that Mando had a character arc last season and it reminds us of that right before they pull the trigger on his and Groghu’s separation…but redoing the development from last season doesn’t count as a real character arc.

[31:08] There is so much more I could say about all of the bad writing, plotting, and characterization in this season. There are so many things that just don’t make sense, waste our time, or just plain don’t work.

I’m still confused over what the writer was trying to do with the snow planet. Like they crash land there and Mando decides to go to sleep inside his hull-breached freezing ship and the fish chick is like “Mando this is dumb you should fix your ship” and then he just fixes it. What was even the point of handing Mando the Idiot Ball there? Why not just have him fix the ship without trying to commit suicide by hypothermia first? Like…what?

[31:27] Why are you just listing off a bunch of names that mean nothing to us like she’s a video game character telling us where we need to go next?

I want to point out that even though I’m using this footage of Delphine as a reference she’s actually managing to tell you something about Malborn and why he is trustworthy, so it’s actually better than what Bo is doing. Though to be fair the tidbit about “the forest planet” is cute since it will be a deforested planet when we show up, that line needed some character connection to not sound so weird.

[33:13] That’s what the point of Show Don’t Tell *really* is, it’s not about how much dialogue you use or whether a character is explaining something. It’s about using exposition to tell us something about a character at the same time. It’s about putting the camera in a place that shows us something about the character or the action, not just what’s happening. It’s about packing as much of the story as possible into every choice you make.

In Avatar, the way that Zhao tells us about Zuko’s banishment tells us a lot about both Zhao and Zuko. The camera angle here emphasizes Katara standing encouragingly over Aang’s back as he stares dejectedly at the ground (contrasted with Toph’s angry stare) and tells us about the nature of Katara’s relationship to Aang as his teacher and friend as opposed to Toph’s. In the opening shot of A New Hope, the low angle of the camera implies dominance and the length of the Star Destroyer shows us the long reach of the Empire. Every single time Zuko is on screen it is worth paying attention to which side of his face is dominating the shot: scarred or unscarred. Exactly what each side represents is up for debate: I tend to think of it not as good Zuko vs. bad Zuko but more as Zuko’s feelings of obligation to his family and people and Zuko’s obligations to his own sense of what he believes is right and what he needs to self-actualize.

Show Don’t Tell is just a saying. It’s a saying to encourage writers, particularly new or inexperienced ones, to focus on the *art* of telling the story instead of focusing solely on the plot and facts. I am using it somewhat liberally here to say it’s about “using exposition to tell us something about a character at the same time” but since that is about the art of telling stories, and not just a recitation of facts, it does technically count.

[34:32] With television shows and the way they can go on forever, and with how much money there is in going on forever, it seems like they always become a sagging mess at some point. Some of them manage to bring the quality back, but some of them don’t. So to a certain extent, these problems with the Mandalorian are kind of normal for television shows.

I can’t remember exactly where I stopped watching How I Met Your Mother, the last thing I remember is Ted dating some crazy girl and swearing off relationships. I abandoned The Expanse midway through season 2 earlier this year…maybe I’ll go back but boy was I bored. I made it all the way through the Wire. Season 2 had its problems but eventually got back on the right foot midway through or so, but the problems came roaring back in season 5 which it took me almost a year to finish because it was so agonizing.

Avatar is probably the most controversial choice here of a show in which the quality slipped but I firmly believe that if they cut out the second half of season 2 and the first half of season 3 the show would have been much, much better. Most everything in Ba Sing Se is tonally weird and the whole idea of a city with too many rules and bureaucracy is way too complex an idea for this show to tackle. Avatar does tackle incredibly complicated and adult themes for a kids show but in my view this was one step too far. They get Zuko to a place where he’s ready to join the Aang Gang but then have him backslide temporarily. There’s this whole idea of an invasion on the Day of the Black Sun but it would be such a story cheat to allow Aang to beat the Firelord without actually mastering the four elements and so obviously isn’t going to work. All of these things together just make it feel like wheel spinning where the story and characters aren’t actually growing or developing but just being padded out.

Except for “The Tales of Ba Sing Se” and “Appa’s Lost Days” obviously, those are great.

It’s actually pretty funny because the episode before Aang is supposed to fight the Firelord the first time (the Black Sun time) he’s a nervous wreck and everyone is trying out different psychological techniques to try and make him feel better which is…I guess sort of valuable for kids to see that nervousness is normal. But when you compare it to the second time he’s going to fight the Firelord, for real, it’s *so obviously* for real this time because Aang is having a *character* based crisis about the conflict between his pacifism and his duty to stop the Firelord. The comparison of the two is telling in terms of what was going on in the story of each.

[35:03] Now they are spinning it out into not one, not two, not three, but FOUR different shows all based on the Mandalorian. It’s almost gross how hard they are milking this.

Okay apparently they fired Gina Carano so I guess it’s not four anymore. Or maybe it is who knows. Listen, the point is they *intended* to make four shows okay.

[35:06] Thanks for watching all the way through to the end. These videos take a ton of time and effort so that means a lot. Even though I’ve reset my subscriber count to zero now that I’ve criticized the Mandalorian, I will continue to work on the channel as much as I can, so subscribe if you want to see more videos like this.

I promise to always give you my honest opinion.

Also I know I was shooting for one video a month and, well, I still am but these videos are really time-consuming. I want to make sure I maintain a really high level of quality and so sometimes I get halfway through a video, realize it’s no good and have to start over with something else. Sometimes it takes months of rewrites to get it to a place where I’m happy with it. This one came out pretty quickly, it was about 6 weeks from when I started the script to when I uploaded. Hopefully I’ll only get better and more efficient at it as I get more practice.

#star wars #the mandalorian #plays the thing #video companions

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