#i didnt like his death
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John is so capable of violence, has seen and endured and caused so much violence, has learned so well how to hurt. He has rage inside of him. Against abusers. Against himself.
But he is still so gentle and nice and comforting and he smiles and the numbers hug him and he tells Megan with tears in his eyes how you lose a part of yourself when you kill someone. He wants to help.
And. He wants to die but then. Why not live to help people. Then. Why not live because it's nice.
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ghostbsuter · 5 months ago
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Inspired by that one episode in Young Justice.
"You could leave with me," 'Gray' nods at him, there is the familiar, mischievous smile. Yet the sincerely in which he offers his hand, it reflects in his eyes.
Danny reflects back on his life, staring at his partner, how Freakshow had gotten him into this Circus in the first place.
"Where would we go?" He relents, grasping the offered hand to hold it simply. The weight of the appendage is calming for his racing heart.
'Gray' softens, leaning against him. Their outfifs– tight on their bodies, colourful for the eyes of the people. Ruffles, dark and gooey to fit the theme of the circus, showing more skin than comfortable– it was home.
After so long, it had become home and Danny isn't sure if he could leave it.
(Is that how Freakshow never lost any workers even after his staff broke? Did they become dependent on him just as he has?)
"Everywhere." His performance partner replies, reassures with his presence and Danny soaks it in.
They would move tomorrow, but 'Gray' would not come along.
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darqx · 1 year ago
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Aren't you tired of being nice?
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merverelli · 2 days ago
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"you just feel yourself let go."
still thinking about this episode. man. 💪💥
#misfits and magic#misfits and magic 2#mismag 2#mismag#evan kelmp#d20#dimension 20#just like art#im SO behind on mismag but i literally cant believe this happened still#''why did you add the origami cranes to this?'' thank you for asking: i just think theyre neat!#also i know they didnt mention it explictly but i truly believe that evans last moments slipping into the pool and death would be about#if he made a difference. about if the struggles of it all were worth it. about if he was worth it.#especially considering he decided to haunt the closest thing to his friends.#so i think it makes sense that his life flashback would include physical proof of 1) his connection to the world and how he helped to chang#the world especially in the face of adversity#and 2) an item literally MADE for communication and connection to others.#both on a global scale when magic left AND the evolution of the magic that his closest friends and him used.#''but the origami cranes are based on storm petrels? a black bird with a white stripe near the tail? why are the cranes colourful here?''#firstly: youre full of questions today mister.#secondly: i tried to make them black but i really liked being able to differentiate between the cranes using fun colours#also i tried just overlaying a dark colour on top but it still didnt do it for me#but i tried to keep them close to the petrels: i kept the '''''white''''' stripe near the tail! id like some points for that!#excuses aside: i hope youre doing well! thanks for looking and reading!
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creep-girl · 3 months ago
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ii16 spoilers 💥💥💥💥💥💥💥💥💥💥
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iknowwhereyousnoozeatnight · 5 months ago
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lawlight week day 4: confinement
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corviiids · 1 month ago
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the dm where @joshriku and i were cooking up a scenario where light has to do something like his little hotel gambit with takada but this time L is also there instead of being dead
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vlindervin7 · 1 year ago
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realised yesterday just how often hozier actually used to sing about being not quite alive, not feeling like a person, about loving someone in a way that defies death and made him more alive, about suffering death for love. it's like he was constantly being buried underground and unearthed by love, over and over, which, while romantic in a way, is also incredibly sad. but i think it's interesting how his latest album (literally called 'unreal unearth') takes this idea and makes it its central theme. that's what this album is, one man's descent into the underworld. except, crucially, he makes it to the other side, and ends the album saying the darkness will come again, but this time he is "never going back [to hell] again." it feels like such a full-circle moment considering the rest of his discography and i'm so very excited to see what comes after this
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twin-yards · 1 year ago
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it is completely one hundred percent baffling to me that any of the foxes would come away from witnessing neil and andrew's reunion in baltimore with the opinion that their relationship was just hate fucking . like my brother in christ are you blind
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monkayy · 7 days ago
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moliathh · 1 month ago
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take responsibility
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yutamayo · 2 months ago
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My master says I just have a unique spirit.
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ardate · 4 months ago
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Every Boromir hater makes my enormous love for him grow stronger. Sorry you couldn't understand him, I get him tho and we're holding hands and the whole of Gondor is laughing at you
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starry-bi-sky · 4 months ago
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Blood Blossom Au: before the nightingale sings
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for my batdad blood blossom au, the one where Vlad poisoned Danny with blood blossom extract and Danny ran away from him and ended up tumbling into the care of one Pre-Robin Battinson Batman :). A quick oneshot telling the tale of the tragic deaths of the Fentons
TW: Major Character Death Warning
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Not all deaths are created equal.
That is a valuable lesson in life to learn. One that Danny learns when he is eleven years old, standing in the pit of his parents’ creation; the culmination of their life’s work. The portal to the other side, the realm of the dead. To the infinite. 
He learns that when he’s eleven years old, in a hazmat suit that sags on him, and boots that clunk when he walks because the only ones that fit are his mom’s, and even those are too big. In gloves that he has to clench his fists in because otherwise they fall off. In goggles that slide down his nose even when he’s tightened them the farthest they can go. 
He learns that when he’s eleven years old, choking on giggles that harmonize with the laughter of his friends’ who stand at the mouth of the tunnel. Sam’s holding a polaroid in her hand. They’re just being kids. 
They’re not laughing when Danny’s hand hits the safety lock — the one with faulty wiring, the only one in the tunnel. The only one he could possibly hit. They’re not laughing when the portal buzzes to life, and the lights inside switch on row by row as the generator begins to rumble and hum. 
They’re not laughing when Danny dies. They’re screaming. They’re not screaming when he comes back.
Not all deaths are created equal.  
Some are poetic, beautiful. The satisfying close of a book as it comes to an end, of the hardback thumping soft against the pages like the sound of a door closing. A train run its course.
Some are violent; unsatisfying; unfair. The unexpected shattering of an egg as it rolls off the countertop when nobody is looking, the unmistakable crack as it falls to the floor. It is abrupt and messy. 
But most are just… unremarkable. Unintentional. Clumsy. 
Danny’s family dies one night in late January. He is thirteen years old, barely a month away from fourteen. It is unforeseen. It is preventable. It happens. 
It happens like this: 
Their water heater breaks one Monday in January. It’s old, sitting in the garage, and has dealt with nearly sixteen years of Fenton-grade chaos and shenanigans. Of parents tossing scraps and junk into the garage as brief storage to come back to later. Of illegal tune-ups on their vehicles that result in something exploding. Of little children running around and knocking things over, playing with poles and sticks they find on the ground, on the shelves. Of being lived and used.  
Something had to give. 
Jack Fenton notices it immediately when he comes upstairs that very afternoon — his children at school, his wife downstairs — to grab something from the garage. The very same scrap and used material they store like squirrels to use later. 
He stops what he’s doing to fix it.  
It wasn’t supposed to be permanent. 
Despite what many believe, Jack Fenton is not the idiot people make him out to be. He knows what he’s good at, he knows what he’s not. He knows he can be passionate and obsessive and single-minded about things. He knows that he is a scientist, an inventor; an engineer. 
He knows that he is not a plumber. That fixing water heaters is not something he knows how to do, not safely. And he loves his family. What he does is only meant to be temporary — a fix meant to only last a few days until they can call someone in who can fix it for them. 
So Jack Fenton futzes with the water heater, gives it a temporary stitch to last a short while, and reminds himself to call a plumber later that day to come in and fix it. He turns and leaves the garage with the part he came for —  a sheet of metal for his wife to melt down — and disappears back downstairs. 
He does not make that call; it slips from his mind. 
It is not his fault. 
One day passes, then two, then suddenly it is Thursday. The water heater has still not been fixed, the water heater has been forgotten. It is nobody’s fault.  
Danny asks his parents at breakfast if he can stay over at Tucker’s house for the night. Just one night. They’re going to study for their math test and then play video games until midnight, but he only tells his parents that first half. 
He’s been doing well in school. Really well — better than he has in a while. There’s been a delightful lull in ghost appearances for the last few weeks. The living don’t know why, but Danny does. The Winter Truce always calms the dead down for a while, something about how the Zone cleanses itself twice a mortal year and that fresh wave of ecto clears out the old and brings in the new. 
This year Danny got to participate. He’s feeling the effects of it too, and he’s been sleeping consistently well for the first time since the accident. 
It’ll never happen again. 
His parents agree under the condition that he doesn’t stay up late, and Danny harmlessly lies through his teeth and agrees. He goes and throws overnight clothes into his school backpack, and when he leaves for school with Jazz his parents are already departed into the lab. 
The last conversation he has with his sister is in her car on the drive to school. Inane, mindless conversation to fill the air and pass the time. Jazz comments on how relaxed he’s been lately; Danny tells her about the Winter Truce. She listens in rapt attention. 
She tells him that she’s glad to see him so well-rested. She thinks her little brother’s been growing up too fast these days. She thinks he’s been too tense. Too caught up with the spinning of the world around him that he forgets about himself sometimes. 
When they reach school, before Danny can get out of the car, Jazz looks to her little brother and says; “I love you.” 
Her little brother’s cheeks turn an embarrassed shade of red. He makes a scrunched up, grossed-out face, but can’t hide the smile pulling across it. “Don’t be a sap, Jazz. I’ll see you later.” He tells her, yanking his hood up over his head. She hears the bashful, ‘love you too’ before he walks away. 
That is the last conversation she ever has with her brother. 
Thursday is unremarkable, passing by in its normality as it always does. There’s one, maybe two ghost sightings; shades lurking around in curious infancy that are easily spooked away by the presence of a greater being. Danny doesn’t even have to go ghost. 
Thursday evening is even less so. Danny goes to Tucker’s house — Sam has a prior arrangement with her slam poetry club — and the two of them study for an hour before they toss their textbooks aside and reach for the game console. 
Danny sleeps in Tucker’s room with one of the extra blankets on his bed, curled across the room in one of the bean bag chairs. It shouldn’t be comfortable, but to Danny it is. He sleeps throughout the night, the portal shut down by his parents before they’d gone to bed. 
Early Friday morning, before the sun has even risen yet, before it’s even so much as a concept to grace the horizon, the water heater breaks again. It was supposed to be fixed. 
Carbon monoxide is a silent killer. Odorless and scentless, it kills within minutes. It fills the house like a shadow casting over the ground, creeping into the rooms. 
Danny’s family die in their sleep; painless and unaware. 
It’s not Jack Fenton’s fault. He didn’t mean to.  
Nobody wakes up with their alarms. 
Danny wakes up to Tucker Foley’s alarm on Friday morning, and he turns his head intangible and shoves it into the beanbag chair like an ostrich hiding its head in the sand. Tucker gets up before him, and throws a pillow at him as he reaches for the alarm. 
There’s laughter, messing around. The both of them get dressed, and Danny has breakfast with the Foleys that morning. He takes the bus to school with Tucker, and they meet Sam by their lockers. 
To him, everything is as normal as it should be. There are no ghosts for him to fight right now, school is as school does, and he’s on top of all his schoolwork. 
He does not see Jazz at all that morning, he doesn’t notice. Their schedules are so different, their routes on different paths, that it’s not uncommon for Danny to not see Jazz until he gets home some days. That’s if there’s no ghost attacks. 
At lunch, he gets approached by her friends. Worried creases between their brows, they ask him if he’s seen Jazz. She hasn’t shown up to any of her classes. She’s not answering their texts. It’s unprecedented of her; unheard of. 
Danny doesn’t admit to the concern that swells in his gut when they tell him this. He shrugs at them, and says he hasn’t seen her either. But it was probably nothing to worry about; she might just be sick and sleeping it off. 
He offers to text her and let them know if he gets a response, and that seems to ease her friends enough that they shuffle away in uncertainty. He keeps his word, and does exactly that. He pulls out his phone and opens her contact, and shoots her a message.
‘Where are you?’ 
He doesn’t get a response back, Danny is left on sent. He puts his phone in his pocket, and with a sense of unease creeping in the back of his mind, goes on with his day. He gets no response by the time the final bell rings; and he tries not to be worried. 
The house is quiet when he opens the door. Unusually quiet. He drops his backpack to the floor, it lands with a hearty thunk, and begins to take off his jacket. “Mom! Dad!” He yells. He hangs it up, and slips his shoes from his feet. “Jazz skipped school today!”
A laughable untruth that would get his sister all riled up normally; she should be able to hear him from the front door if she was in her room. The house just stays dead silent. 
He can’t even hear the usual banging and crashing from the lab. His unease returns. He reaches for the intercom that leads directly down to the basement, and presses the button to turn it on. A burst of static, and then he speaks;
“Mom? Dad?” 
Danny lets go, and waits for a response. He gets none back. That never happens, not when the house is this quiet. Not when he knows they should’ve heard him. 
Something sickly and fearful borns in the pit of his stomach, and begins to snake upward. He heads for the lab. The cool metal of the door is familiar in the grooves of his hand, and he doesn’t even need to think about the code as he punches it in;  he simply lets muscle memory guide him. It’s been the same since he was little. 
The door hisses as the pressure is released, and he swings the door open. He takes the stairs down two at a time. Something is wrong. His parents aren’t answering him. His feet pound against the metal. 
“Mom? Dad?” He calls again, more worried, more frantic. More scared. His voice echoes down the stairwell, and he reaches the bottom before it’s fully faded. The lab is empty. The portal is still shut down. 
It was four in the afternoon, they should still be down here. 
Danny races back upstairs, fear-raised nausea coiling in his throat. “This isn’t funny you guys!” He yells when he reaches the top, shoving open the door with more force than necessary. His head swims, his voice cracked. 
He checks the garage, the car is still there. 
“Mom!? Dad!” His voice bellows out throughout the first floor, loud enough that it bounces back at him and rings against his ears. He’s never raised his voice this much — mom would scold him if she heard him. But she doesn’t show up. “Jazmine!” 
Finally, he goes upstairs, and he can’t tell if what he’s feeling is anger or terror. Something is very, very wrong. 
He swings the door of his parents’ rooms open first, and there they are, with the lights still off and the curtains still drawn. As if they hadn’t left their bed all day. Some of Danny’s fear lifts from his shoulders just by the sight of them, but he’s still trembling. Something is still wrong — the room smells… off. Not good, not bad. Just… off. 
He swallows dryly, his throat still thick, and steps into the room. “Mom, dad?” They do not stir. “Didn’t you guys hear me yelling?” 
There is only room static. Danny’s heart shrivels in his chest with a tenfold return of terror, he feels ill. He remembers, just now, that they’re not heavy sleepers, and his dad should be snoring like a freight house. 
Danny reaches their bedside in seconds, hand outstretching for the covers, “Momma? Dad?”
Not all deaths are created equal. 
But many of them are accidental. Unmeditated. Shocking.
Danny Fenton finds his family dead in his childhood home. He runs to his neighbors in hysterics, inconsolable, in tears. Nine-one-one is called, but there is nothing that can be done. They were dead for hours by the time Daniel Fenton returned home. 
He sits on the front steps of the neighbor’s house beside FentonWorks, his jeans slowly becoming wet from the snow that was unable to be scraped off, and watches the paramedics cart out his family beneath white sheets. There are police cars blocking off the street, yellow tape blocking off his house, red-blue lights lighting up the block, an ambulance on the scene. He is wrapped in a shock blanket, and he is missing his jacket and his shoes. His tears are freezing onto his face, he can’t feel the chill. 
Not all deaths are created equal
But all of them are unforgettable. 
#dpxdc#danny fenton is not the ghost king#dp x dc#dpxdc crossover#dp x dc crossover#dpxdc au#dpxdc fic#blood blossom au#dpxdc ficlet#starry's writing#tw character death#cw death#angst#hurt no comfort#carbon monoxide poisoning almost sounds like a plain way to go when compared to the other batkids. but then you think about it for more#than a second and then the inherent horror of it all creeps in. danny found his family dead. he found their corpses.#i didnt feel comfortable writing it - just a little bit too heavy even for me yet - but just know that danny shook his parents as if he was#trying to wake them up when he realized they were dead. he went into emotional shock and kinda mentally shutdown.#he yelled and screamed and tried to wake them. and then rushed to his sister's room only to find the same thing. rinse and repeat#more time passed between danny finding them and him going to his neighbor's than what i showed#no more than an hour because the house was still full of carbon monoxide but longer than five minutes. long enough that when he finally wen#over - in hysterics and missing his shoes and jacket - he was completely inconsolable. he was having a breakdown.#when i was writing the ending scene with the paramedics and police and stuff i was very much calling on how i imagine Bruce's own experienc#might have gone. different but similar. with a thousand yard stare and water in their ears#two boys wrapped in shock blankets surrounded by police lights and having just seen their families dead. teehee
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shirecorn · 3 months ago
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Tumblr keeps popping up to sell me ad free dashboard. But what it doesn't understand is that me and the ads have a sort of symbiosis at this point.
The guys from the fake gameplay trailers for a predatory mobile app are my blorbos
#the kings return to do WHAT?#oh my god they put him in a situation#last year he was solving fake puzzles and this year he is shooting hordes of zombies while trying to chokse#which gate that looks like all the other gates in all the other shooting hordes of zombies games#ooh whats my little phoenix wright up to?#begging to be drooled on by a giant cyclops with gianter boobs?#hell yeah you go little pheonix knight#endure or divorce! what will she pick! blond bimbo and boo monstersinc freeze to death in the cold water#my heart will go on#after their nasty dad ate all the food! the tragedy#oh heres another trailer with that same nasty dad! hes snorkling? where is my daccoon eyed woman WHAT THE FUC#SOMEONE POURED (POOP?) INTO HIS SNORKLE THATS SO TERRIBLE#theyre running away wherre is the bimbo oh its all frozen#everythign froze so fast and now nasty dad is in a winter coat and also changed his entire physique#now hes gathering logs now hes buikding a settlement#damn guess we know what happened after the divorce!#and thats how you know the winter log game is by the same company as (one of many) repair the house game#thry got nasty dad model#and he is GOING places#if yiu ever hear 'i finally found a game that is exactly what they show in the ads!' no you didnt#i would love to play the fat guy fighting a horse for the last drop of water#hes like me fr#but hes too busy building underground rooms with the hot chick who may or may not die#SPEAKING OF HOT CHICKS i love that game where you romance a level 10 babe#not a crook or informant thats her whole job description#level 10 babe#she cqn be romanced by picking her off the ground or by showing her money (which you dont have)#but the other guy does!#i wonder what halpens to her#oh good shes upgraded to mafia wife! good for her and she has some buns in the oven too she must be so happOH NO
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hajihiko · 2 years ago
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look on the bright side!
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